out-in-the-crowd-blog

[out-in-the-crowd-blog]

EP REVIEW: Hand Me Down - Thom Morecroft

Shropshire-born Singer Songwriter Thom Morecroft has adopted Liverpool as his home town and his move has been greeting with open arms. His tireless work on the Liverpool music scene has made him a firm favourite amongst Singer Songwriters and bands alike. It is easy to see why his popularity has grown and grown, as a charismatic performer you feel part of every show and constantly involved and it’s  no surprise his track has been chosen by Tom Robinson for airplay on BBC 6 Music. He has fantastic guitar technique and creates jazz infused guitar melodies, this combined with his powerful and course vocal will make a fan out of any listener. Having previously released his previous EP himself, he chose to use Pledge Music to fund his latest EP, Hand Me Down. Putting your faith in your fans is a bold move, but for someone like Thom with a loyal following it seemed like an obvious choice and it wasn’t’ long before he has hit his target and now the EP is out. Thom’s influences are varied; his voice has a very distinct tone and has soulful and folk sounds. Thom’s love of Fleetwood Mac is apparent in his track and he has channelled their warm and open pop style and combined it with his own song writing skill to create a truly fantastic EP.

Coming Up For Air

The first track opens with a beautiful progression of chords. Intricate, delicate and precise the riff contains complex riffs and beautiful harmonic elements. Thom’s gruff and soulful voice enters with confession and candid spirit. There is a subtle addition of bass to give the song extra depth. The way Thom strums and hits the strings it gives the track a natural rhythm. The track is a mix of soul and jazz which has a brilliant shade of John Martyn. The clear double bass line along with the complex guitar is a beautifully ode to Martyn but Thom’s vocal offers more, it has a more of a clear tone and offers more soul. It’s a playful opener to the whimsical EP, which continually discusses our perception of the past and its interest in being in the present tense.

Daisy

This is a really great song, catchy, bluesy and full of attitude. Any guitarist will immediately be envious that they didn’t write this riff. It is ode to missing a lover and tackles the topic with an effortlessly cool air. The track sways and lilts to a gorgeous guitar solo. With additional jarring string elements in the background, it gives the track an ominous feel and helps to add an extra dimension to this track. It’s the sort of track you would expect to hear played on 6music and Radio 2 due to it having the capability to charm any listener. After a few listeners you get a feel for just how confessional the track is, possibly acting as catharsis for the artist as so often the case. It is an emotional expression from Thom Morecroft and you feel trusted that he chose to share his experiences in this way with you. This song is a beautiful expression of honesty and due its vast open nature it allows us as the listeners to relate with the sentiment of the track due its clear expression of sadness. The ending cries of Daisy are brimming with emotion and will send shivers down your spine.

Pride Hill

A fantastically atmospheric guitar section greets you as you begin Pride Hill, the high pitch guitar riffs and melodies create an almost mantric sound that will instantly sooth and relax you. The guitar sounds similar to a mandolin and the walking bass rhythm. Thom showcases his adept vocal skill with some beautiful harmonies in this track, carefully added in select place to put extra emphasis on the more emotive segments of the track. The verse is catchy and Thom’s knowledge of song writing is evident in his structure and use of repeating melodies. The guitar consistently keeps up the same melody that is echoed in the verse and the great effect. Though the tone and feel of the track are the lyrics are raw and heartfelt. This contrast allows the more intent listeners to discover an extra layer of the track. I particularly enjoyed the middle 8th section, it brings a sublime contrast to the rest of the track and it is accented with powerful and emotive backing vocals providing developing harmonies.

What Are The Chances That You’re Shorter Than Me

The final track of the EP is friendly, fun and filled with whimsy. By repeating of the songs title, Thom creates a chance for first time listeners to join in with this infectious track. Thom portrays a beautiful narrative in this track and you are taken on a journey into a caring domestic lifestyle. The song beings to build more and more with layer upon layer of backing vocal helping to raise the song up and up and up until it finishes with a soft and subtly. After hearing this song twice you will be singing along, its repetitive but not in a contrived or contrite manner. The repetition fits the nature of the track and you can image it being a campfire favourite as it engages new listeners and old listeners will treat it like an old friend, they will cherish another interaction and relish in the chance to hear it one more time.

Hand Me Down is brilliant, predominately showcasing Thom Morecrofts adept skill as a solo artist but also allowing him to flex his muscles at arrangement and band. The tracks are candid and give the listener an insight into the skill and guile that Thom is capable of. His songs are packed with personality, so much so that you will feel as though you know him by the end of the EP. Combining sentimental lyrics with jovial chords and powerful performances Thom is doing something very unique and this is only half of the story. The other half is in Thom’s live performances, I would urge you to seek out one of his shows promoting this EP and you can get a true sense of the broad capabilities of this talented song songwriter.

Written by Liam McClair

Keep up to date with Thom:

http://thommorecroft.com/ 

FACEBOOK - https://www.facebook.com/ThomMorecroftMusic/?fref=ts

TWITTER - https://twitter.com/thommorecroft

SOUNDCLOUD - https://soundcloud.com/thom-morecroft 

#singersongwriter #ThomMorecroft #Liverpool #Shropshire #daisy #Whatarethechancesthatyou'reshorterthanme #pridehill #ComingUpForAir

[out-in-the-crowd-blog]

EP REVIEW: A Thousand Miles A Day - Dave Gorman

Recorded in the winter of 2015, A Thousand Miles A Day has been written, recorded, produced and released by Singer Songwriter Dave Gorman. Choosing to self-produce is a bold move but one which has paid off and a wonderful skill to have as an unsigned artist, it allows huge savings on forever increasing recording costs. Dave Gorman began performing this year and through hard work and constant gigging his profile has increased and this culminated in a support slot at the iconic Manchester Academy 3, a haven for up and coming artists and a venue that has been played by countless successful artists.  The EP is out now and is available on iTunes, Spotify, Amazon, SoundCloud and BandCamp. Below is a track by track review of the EP.

Chase This Dawn

Clear and crisp guitar open up the EP, Dave’s soulful voice enters and accompanies the soft and considered chords. To me he has a sound of David Gray. The song kicks in with, effective percussive claps and kick drums to push the song forwards. The guitar rhythm is infections and it beautifully flows round and round like a windmill. Dave uses a great skill in his song structure and writing of having a chorus with a higher vocal line to distinguish the elements of the song and keep the audiences interest.  The lyrical content is very personal and it is brave of the Singer Songwriter to share such an emotion time, although these intense and emotive experiences often form the most sincere inspiration and content for artists. The song is about the passing of his Grandad and his memories of spending time together in his Grandfathers final moments, it is a heartfelt and fitting tribute to someone who was clearly a prominent figure for this artist and he would certainly be proud of this track, its warm, inclusive, honest and full of sentiment. A great opening to the EP

Maybe

Dave Gorman has a great skill of combining the melodic chords with rhythmic strumming to provide an acoustic track with a distinct beat. You will flow along with this song, its effortless listening like floating down a river. Gorman has a great skill of enticing the listener with his soft, rich voice. Having read a piece of creative writing from his brother, Dave was inspired to attempt to write a piece of music with a similar sentiment, it is a relatable song discussing meeting someone for the first time and all of the thoughts that ensue regarding your compatibility, future and potential. This track has simple instrumentation however it includes very well constructed backing vocals to highlight and emphasises areas in the track. It’s easy listening acoustic music at its finest, you’ll sink into these tracks and allow their familiar nature wash over you.

Rain

I really like Rain, I can hear Gaelic influences and Irish folk antecedents, and it has an air of The Skins and Damian Rice. Again Dave uses basic instrumentation and this really compliments his voice, he has a great talent in creating a underlying and friendly track in which his vocal can soar above. The track uses rain as a metaphor for the darker times in life and acts as a support for others who have experienced the same feeling. The content of the tracks so far have been really refreshing, for a up and coming singer songwriter it is fantastic to see him tackle subject material outside of romance which is often the case when people begin song writing.  In Rain you hear that Dave has an insight into this experience and as a listener you feel you are getting to know him more and more as he confesses and share’s intimate experiences with you in a considered and relatable manner.

A Thousand Miles A Day

The title track of the EP showcases Dave Gorman’s prowess on the guitar, we are treated to a intricate plucking melody and as with many songs that use this tactic we are pulled closer into the track and feel more involved. Once Dave has gripped the listener he progresses the track by adding a complex drum pattern to give the song another level emotionally. You hear the development of this track clearly and it is welcome every time. Dave sounds like Marcus Mumford in this track and his track contains real passion. It is clear that it is a topic he feel strongly about, discussing the future and peoples plans for careers and these plans can lead to relationships being strained and even ending. Dave Gorman provides the perfect track for anyone who has had a change of relationship due to a friend/partner deciding on their career goal and it being away from you.

A Thousand Miles A Day is a wonderful EP, full of sincerity and hope. The candid nature of the tracks portrays Dave Gorman as an artist of the people, someone who is excellent and expressing his past experiences, thoughts and sentiments in a well presented and accessible way. The tone of the EP is warm, relaxing and mellow and has a ubiquitous feel to it. Any age group could listen to this EP and glean something from it, it contains intelligent composition and lyrics and like any great collection of songs upon each listen you will find something new.

BUY IT HERE - https://itunes.apple.com/gb/album/a-thousand-miles-a-day-ep/id1069083037

Stream it here - https://soundcloud.com/dave-gorman-music/sets/a-thousand-miles-a-day-ep-1  

Keep up with Dave

FACEBOOK - https://www.facebook.com/DaveGormanMusic/?fref=ts

TWITTER - https://twitter.com/davegormanmusic

Written by Liam McClair

#singersongwriter #manchester #davegorman #athousandmilesaday

[out-in-the-crowd-blog]

Album Review: Black Over Bill’s Mother’s - Merrym’n

Increasingly recording costs are becoming more and more of an issue for unsigned musicians, so it is always commendable and sensible when artists take it upon themselves to write and record their music and Merrym’n has done just that. Black Over Bill’s Mother’s is a charming folk pop album full or merriment and wonder.

Roy’s Theme

The album opens with a very short track combining synthesizers and ukulele that creates a charm and warm invitation to the upcoming songs.

Cow Tipping

This track opens with fun and boppy chords. The chords are local and relatable. The instrumentation is simple yet effective, its British Folk at its finest, observant and captures the natures wit and humour throughout. Its a cheeky and thoroughly likeable track. At 2 minutes 44 its a short ditty that encapsulates a beautiful image of rural scene with an undesirable protagonist. The percussion used on the track helps to move the track along steadily, the guitar and bass give a natural rhythm to the track too.  Cow Tipping is like a classic cup of English tea brimming with British Sentiment, charm and warmth.

Satellite Manager

The waltzing melody of Satellite Manager is a welcome change to the feverent strumming that is the chosen method of many singer songwriters. Merrym’n has a welcoming tone to his voice, allowing you to feel all of the notes in the track. His lyrics are candid and creative, allowing you to sink into his world through his concise and considered commentary throughout his tracks. The song swells and the climax is reached when the horns are introduced to the track. You feel friends with Merrym’n all the way through the track, its as if you are sharing a pint and he has decided to regale you with his guitar instead of chatting. There is a great sense of home and comfort in his music, making a fan of anyone who listens.

Fat Knacker

Strumming guitar that is reminiscent of Fleetwood Mac’s Go Your Own Way, is the first thing you hear on this track, which chugs along like a steam engine through the English country side. Accompanied by charismatic harmonica you will be slept along with Fat Knacker’s sensibilities. The tracks are all concise in length and once you realise this as a listener your become much more or an attentive listener as you may miss elements of the track if you are not with it.

I Was Born In Stoke-on-Trent

Pride is welling up inside this track and the exciting and uplifting instrumentation grows as you hear the admiration Merrym’n expresses for the Staffordshire city. It almost sways into Rock & Roll with the short, sharp snare hits and the constant guitar strumming, chopping away at the guitar making a thick and vibrant sound.

The Inflatable Man

Merrym’n presents his ability on the guitar in this track, it has intricate guitar plucking combined with soft and honest lyrics. Charm and charisma are characteristics any artist longs for in their performances and their recordings and Merrym’n expresses both in an abundance throughout his echoing and reverb heavy tracks. The Inflatable Man is sentimental and candid.

Ten A Penny

Ten A Penny opens with harmonica and acoustic guitar, it instantly sounds reflective. Merrym’n uses this platform of honesty to express his observant and satirical views. He can create a wonderful image, this album feels like the soundtrack to an original and independent British film. Seeking inspiration from his surroundings is a very potent and bold way of writing but one that Merrym’n succeeds in wonderfully. This track has strong elements of pop throughout and creates a charming and wondrous atmosphere for the listener. Similar to music popular on Radio 2 and 6 music Merrym’n has captured something that is growing in its popularity.

Blue Rinse Brigade

High pitch and flowing chords are used throughout this wonderful track. It’s a story of a rebellious young women and follows her through her local town. The tale is told with passion and delight. This track is one of the best showcases of Merrym’n’s excellent story telling skills, he can spin a yarn which will have you pushing your headphones closer to your ears in order to hear every single detail. Merrym’n keeps the production basic on this track, focusing on just guitar and vocals and by doing so allows a truly organic and raw performance. Once which will have you reaching to replay this song again and again. There is a excellent instrumental section with a melodic la section that is familiar and feels like home. 

Stanley

Stanley is a grand song, starting with a beefy bassline and a strutting drum beat. It has a real swagger about it. You will love this track. Its catchy, pop infused, unique in its arrangement and lyrical content. It also includes a very unique instrumental solo. Its a brilliant ditty, you’ll be bopping your head along all the way through. It’s a celebration of the faster elements of folk and will be your ear worm for the rest of the day. The chorus is vibrant and expressive and will leave you wanting more. 

Make Believin’

It was exciting to hear a different opening to the tracks, with an organ being the first instrument on this track. It acts as a calm opening to the contemplative guitar and vocals kick in. This track reminds me of The Beach Boys, with its strong melodies and effective instrumentation. The chorus is brilliantly structured and has a wonderfully swaying rhythm. 

This album is fantastic, it captures the erudite skill or Merrym’n and his ability to express an entire scenario and scene with humour, relatability and guile. 

Keep up to date with all of his updates here

https://www.youtube.com/channel/UCKtSGzx18-3jYgnCSHBHcHg

http://www.merrymn.co.uk/

#album #merrymn #blackoverbill'smother's #acoustic #singersongwriter

[out-in-the-crowd-blog]

Album Review -President Ray-Gun: Sex, Ray-Guns & No Delay

Manchester 4 piece President Ray-Gun formed in 2013 and consist of Zachary Whittaker, Luke Chant, Sarah Booth and Tommy Grant. They released their album Sex, Ray-Guns & No Delay on 12th December and it is a beautiful creation. It is a re imagining of their EP of the same title with additional tracks. Having played at some of Manchester most prestigious music venues including Night & Day Cafe and Manchester Academy 3, the bands growing popularity called for a release, they have combined their personalities with their musical sensibilities to make an album of sophistication in terms of the musical knowledge and structurally of real class. Below is a track by track review:

Lucky H

The Album opens with a brilliant track, Lucky H builds gradually, the opening vocals, guitar and soft instrumentation allow a perfect contrast to the grand, guitar led chorus. The soft female backing vocals compliment the harshness of the guitar. It’s a track brimming with sentiment in the verses and swells and swaggers in the chorus. Your head will be nodding along to this infectious track because the instrumentation is simple and effective making the track very accessible to the listeners. It has shade of 90′s indie bands. Lucky H. it is most notably reminds me of Weezer, containing catchy and melodic elements alongside grungy, groovy guitar. The lyrics show depth and create a wonderful picture in the mind of the listener. I really enjoy how charming this track is, all of the intent and instruments are clearly defined and well balanced.

 Supernova Remnant

To me this song is somewhere between REM and Oasis, it is intriguing in its chords and the bass really helps to drive the track throughout the verses. It sways nicely as it progresses; the vocal harmonies are brilliant on the chorus and create a large and extended sound. The lead vocal has a ethereal tone to it due to the echo and this fits in perfectly with the atmosphere of the track, a fusion of psychedelia, indie, rock and easy listening. Supernova Remnant is anthemic, you can almost hear people singing along as you listen such is the scale and interest that it creates. The instrumental period towards the end conjures up images of a huge light rig changing with every chord strum as the band passionately performs. Already I am struck by the diversity of President Ray-Gun after 2 tracks, showing insight into their instruments and the effects they can create.

Knowhere

Opening with a guitar riff, Knowhere is a rip roaring listen. It has personality, a warm and confident track that is full of personality and colour. The power chords have elements of blues and R&B to me but the band use them to make a punky, pop track. It is the kind track that makes you want to pick up your guitar, inspired arrangements and a soulful vocal line combine to create a phenomenal track. The drums drive the song forwards and the rhythm reminds me of The Rolling Stones, it’s upbeat and precise. I am impressed with the wide range of influences and themes created in Knowhere, it has elements of many genres without sounding contrite or contrived. Managing to keep originality through the sound is a testament to the efforts and talents of President Ray-Gun.  

Giant Haystacks

Crunchy guitar greets you at the start of Giant Haystacks. The track sways and struts its way along and entices you with every step. The song is confessional and honest, President Ray-Gun have made an upbeat and positive sounding song with very open lyrics, this is a popular tactic and the four piece have used it superbly. The band has cited The Pixies as one of their influences and I can hear the inspiration in this track, its in-between The Pixies and The Ramones. The lyrics are relatable and succeed in the difficult task of being insightful as well as phrased in such a way that any crowd will be singing along by the end of the track. Referencing Sci-Fi programmes helps to portray the bands personality and interests, which is a smart move by the Manchester band. It is becoming more and more important to stamp your personality on tracks in order to let the fans get to know you as a band and as individuals.

Out & Down

I can really hear The Courteeners in this track; it waltzes along with sentiment and honour. Out & Down is more of a ballad compared to the other tracks on the album, creating a diverse range of tracks displays a band with a deep knowledge of contrast and album structure. Making songs with varying tones ensures the listeners take a journey as they progress through the album. Plaintive and contemplative, the song reflects on love and its ability to constantly confuse and enchant all of us. The song isn’t soppy, you feel you’ve got to know the band by know and the candid nature of the track feels like the next step in getting to know the band. They have captured a feeling that is ubiquitous in our current society and expressed it clearly and melodically. This is the most soulful track on the album, I love how it builds, and each bar adds and adds to the growing fever in the track. The repeating ending is fantastic and proves to be a fitting and able climax to this a song full of romanticism.

No Delay

The end track is my favourite on the album, a combination of a story telling and funk. The vocal style changes from the luring drone of the previous tracks to an Ian Dury/Mike Skinner style rhythm half way between singing and talking. The benefit of this style of singing is that it ensures all of the words are crystal clear and considering the narrative of the song it is a wise choice by President Ray-Gun. The band has a wonderful ability to create imagery, not only with their words but with the frenetic and pulsating music that they are making.  Overall I am impressed with and delighted to have found President Ray-Gun. A band that wear their passions on their sleeve and it seeps into their music creating a sweet combination of grungy, indie rock infused with Sci-Fi imagery and wonder. Sex, Ray-Guns and No Delay is full of control and intrigue; make sure you catch this band live to get the full experience.

 Get your copy of the album here - https://presidentray-gun.bandcamp.com/releases

Follow the band

FACEBOOK -https://www.facebook.com/presidentraygunband

YOUTUBE - https://www.youtube.com/channel/UCnGweWOKzWBgv6-s74LgiyA

SOUNDCLOUD - https://soundcloud.com/president-ray-gun

Written and reviewd by Liam McClair

www.liammcclair.com

#album #review #scifi #fantasy #presidentraygun #manchester #bands #indie

[out-in-the-crowd-blog]

EP Review: Maybe Frank - Closer

If you aren’t familiar with Maybe Frank you are missing out, this charming folk duo have been gigging tirelessly all over Manchester and winning fans at every show. There is a natural comradary between the duo and the crowd in every performance, you are totally transfixed by their everymove. Consisting of Josh Wood and Sam Winterbottom, the pair are tireless in their constant performing and irresistible positivity. The artwork for Maybe Frank’s Closer EP is beautiful, capturing a rural natural atmosphere which is apt as a tone and one which is created by this candid duo. One of the many positives of this duo is the completely open and unnervingly warm atmosphere their music creates. You are so captured by their infectious joy and comradery that you’ll be reaching for a guitar and asking a mate to do the same in order to try and emulate Maybe Frank. Closer is released 08 January 2016 and its being launched at Night And Day Cafe.

AT LEAST

This track has the sway of a country classic. Opening with crystal clear guitar, you are transported to a warm summer day; the warmth is so evident you can almost feel the sun shine on your face as the pair of guitars weave together to make a beautiful blanket of honesty and sentiment. It’s unwaveringly positive, walking through old memoires and highlighting all of the benefits in each experience. Josh and Sam’s vocal tones complement each other as they emphasis certain phrases with emotive harmonies. The production is simple and effective; the acoustic nature of the track allows the listener to hear all of the intricacies of the vocal harmonies and highlights the complex guitar arrangements.  Their guitar styles are brilliantly suited for one another, Sam treats us to a blue grass solo midway through the track as Josh strums along underneath and the mood of the track will bring a smile to your face, easy listening would be doing it a disservice the lyrics are uplifting and create a longing and admiration as a listener, you end up wishing someone would write that about you.

BODY LANGUAGE

Descending chords in the minor create a bluesy tone to Body Language. The introduction allows Sam to showcase his skill as a guitarist with a low melody paired with Josh’s higher pitched chords makes for a layered opening. A real strength of this duo is that they both have very rich and soulful voices that resonate individually and when combined it creates a gorgeous sound that deeply impacts the listener. The duo delve into a fascinating topic, a study that seems to have become more and more popular in modern day culture, the exploration and analysis of body language. They use their knowledge on the topic and thread a narrative through the song. A theme that Maybe Frank comment on is lying and the way it can be discovered through Body Language. The track ends with the repetition of ‘Cross your arms, don’t cross your arms’ in an anthemic way and you can hear the crowd singing along with their arms up swaying along smiling along to this lilting song. The choice of lyrics is perceptive from the duo, as crossed arms are the most relatable and well known areas of body language. You’ll have open arms for more after hearing this track which in particular highlights the complexity and splendour of Maybe Frank’s vocal melodies.

CLOSER

Closer is a mix of early rhythm and blues and a ballad from the 1950s. You are instantly familiar and excited for the rest of song after the ‘doo wa’ opening. The duo take it turns to romance the listener, this song would be fit for The Doobie Brothers but it has contemporary influences too, I can hear shades of Boys 2 Men. It provokes image of a ball room, couples swaying along to this heartfelt ballad, arm in arm, Maybe Frank on the stage, crooning to the entire room. I would be very surprised if this song doesn’t become a regular song for couple’s first dances. It encapsulates that feeling of attraction and tenderness in a relationship. The longest track on the EP it allows for an instrumental progression accompanied by claps and stomps, the rising chords bring a sense of climax to the track and a huge sound that feels like a guitar orchestra not a duo. Maybe Frank convey intelligence and certainly knows how to use dynamics to their full effect, their songs rise and fall and thrill and entice you along every step.

SEMAPHORE

There is a fantastic and driving beat throughout this track, it chugs along with style. Sam and Josh have created a really atmospheric and cinematic song with Semaphore as I write this I am travelling on a train with green fields scattered with red brown leaves ahead of rolling hills, the track fits perfectly with the scene and has a constant feeling of hope. The choral sound created by Maybe Frank makes this track bold and memorable. Semaphore is cinematic and I can hear it accompanying a love story of hope and progress. The content of the track is again unique, Maybe Frank are writing songs unlike any other artist at the moment, using their distinct point of view to curate songs of poignancy and intrigue.  The chorus of Semaphore really stands out you’ll be singing along by the end of the track such is its infectious and relatable nature.  It instils you with a feeling of great belief and confidence after listening to it 2 or 3 times you will want to go and conquer your greatest fears and chase your wildest dreams.

DEVIL

I can hear Johnny Cash and The Eagles in the opening of this track; it follows a narrative often found in Country Music, conquering the Devil. This is a brilliant metaphor for the personal challenges which we face and almost personifies the temptations of our culture. The first 2 minutes slower, soulful and reminds me of Gospel music. It sounds like two preachers telling a crowd of their hardships and how they conquered them. Then the track takes a upbeat turn and sounds like a rock classic, Sam uses his guitar to create percussion and Josh forces home the power chords which takes the track to a new level. The diversity conveyed in this track shows the capabilities of this duo and their inventiveness and range of sounds they can create with just two guitars and two vocals. Your head will be nodding along to the ending, the use of a change in tempo makes the story more interactive and as the track changes to the frantic and passionate ending it acts as an emphasis and I love the contrast in this track.

Maybe Frank have made a wonderful EP, Closer is an apt title as you will feel closer to the duo by the end. All the way through you feel at home, their songs are comforting, welcoming and create safety. You will feel like you’ve made two new friends after hearing their tracks. Maybe Frank’s Closer has put them closer to their audience, closer to new found fans and a lot closer to becoming a name to remember.

DOWNLOAD SEMAPHORE AND PRE ORDER CLOSER HERE - https://itunes.apple.com/gb/album/id1055388093?app=itunes

Keep up to date with Maybe Frank Here:

https://www.facebook.com/MaybeFrankmusic/?fref=ts

https://twitter.com/MaybeFrankMusic

https://soundcloud.com/maybe-frank

Written by Liam McClair

[out-in-the-crowd-blog]

Album Review: Smoke Signals - OKTOBA

An exciting and promising Singer Songwriter OKTOBA released his debut album Smoke Signals in October. It is the natural progression for Brighton based Chris Athorne after the success of his ‘Tales and Shadows EP’. It’s been a busy year for OKTOBA performing at festivals throughout the UK and performing across the pond in New York and at a secret SOFAR sounds gig in Chicago and gaining plenty of fans and plaudits along the way. Even Chris himself has voiced his gratitude saying ‘It's an amazing feeling when you perform away from home and your music is accepted’. Smoke Signals is a 10 track album and was recorded at Clockwork Owl Studio in Brighton by Tim Bidwell (Kate Walsh, Jack Watts, Fink).The album has a fuller sound than his EP with the addition of backing vocalists and musicians, here at Out In The Crowd we love the album, here is our track by track review.

SMOKE SIGNALS

The opening segment contains clear acoustic guitar, you are initially eased into the easy going mellow beat with the addition of keys, bass and slide guitar. OKTOBA’s vocals are soft and soulful; to me it has a mix of James Bay and Passenger. There are subtle melodies added in order to add depth to the track. The content of the track tackles family, interpersonal relationships and the familiar and more painful conflicts that occur with the ones who we love and the pain and emotion involved with flocking the nest. As an opening track it is brilliant, easy on the ear through its strong structure and melodic progression. It’s very much OKTOBA setting out his stall and it’s a might impressive one at that.

SOMETHING NEW

A popular technique is used in Something New, the main melody in the track is played by the guitar and the vocals which make it engrain deep in the listeners ear meaning it will be in their head all day. The addition of female backing vocals adds a beauty to the track; it sways along nicely with a country feel. There is a feel of the rambler about this track; the middle eight has soaring strings that add extra sentiment to the confessional nature of the track. You feel OKTOBA’s every word. The theme of this song tackles a carefree state of mind that love can bring on, emphasis on material possessions falls by the wayside and love prevails and I feel the listener will experience the same outlook upon listening to this track, its’ infectious in its sentiment, mood and the its friendly, welcoming acoustic tone.

AEROPLANE

Aeroplane takes a stripped back approach in the beginning, showcasing the emotive power of OKTOBA’s voice; this combined with his clear and unique guitar style give him a much envied quality of instant recognition when you hear one of his tracks. The hook on the chorus is fantastic; you can imagine heads swaying from side singing along to this memorable track. Aeroplane feels like a mix of Folk and Country, its lyrics are insightful and heartfelt with lines such as ‘And only when your lost is when you feel the most at home’ providing a relatability to many disillusioned individuals. The track is relatively short but it is of real quality, so much so that you will be reaching for the play button again and again.

ON MY MIND

The 4th track on Smoke Signals is altogether slower than the previous 3. Replacing acoustic for electric guitar has given a On My Mind blues feel. The addition of layered female backing vocals gives the track a gospel element. It’s a track brimming with soul and devotion, this is a track every girl wishes was about them. A tale of longing and desire expressed through emphatic and sincere passion.  The Blues/Gospel theme is confounded with the use of organ to push the song along with great style. The way the track is arranged creates imagery of OKTOBA performing live and this song would be one of the highlights, it’s a track that would wow a crowd of 50 and 5000 such is the clarity of emotion.

RUN

A refreshingly soft beginning with vocals that are accompanied by piano and acoustic guitar helps to clearly convey the message in the lyrics. Run explores growing up and the attitude shifts that occur throughout our emotional development, this showcases his intelligence and consideration as a writer. The song moves like a wave, starting low and building throughout the initial verses and choruses. It then dips back to the piano and vocals to capture the listener’s attention before the grand build of ‘When you walked you should’ve run’ repeated with the addition of more and more instruments. This track is well worth a few listeners in order to properly glean to delicate topics discussed, upon a reviewing the song I found that it comments on our tendency to regret and look back on our past with a feeling of incompletion and with a sense that there were  opportunities missed. OKTOBA manages to capture a popular attitude and outlook and distil it into charming and relatable folk music.

I’LL BE FINE

The introduction instantly reminds me of Budapest by George Ezra ; once the track kicks into life it takes its own direction. OKTOBA’s country influence is back with I’ll Be Fine. You’ll be tapping your foot along to this track, charged full of romance and honesty with a vocal melody that is soft and soothing. The theme of this track is wonderful, despite the issues I may face or the troubles that come my way the presence of you in my life will make it all ok. Instead of writing the clichéd love song, OKTOBA approaches this topic from a more innovative angle. Highlighting the importance support plays in a relationship and the strength that it can give someone. I love the way the song progresses, the chords move in such a way that you can feel the next step and it really helps to engage the listener.

WIND FIRE WATER STONE

This is a beautiful duet; you can feel the charm and amorous nature of the interaction throughout.  Again OKTOBA explores the topic of love and this time its requiting love, a feeling where there is nothing that can stop the driving force of your feelings for another. The diversity of OKTOBA is evident in this track; I can hear rock influences in this track. Wind Fire Water Stone sounds straight out of the 60s; I can almost hear Crosby Stills Nash and Young covering this track. The rhythm is one of its strongest elements; it chugs along nicely with the help of the full band accompaniment.

TONGUE TIED

I really enjoyed how candid and expressive this track is. OKTOBA explores the difficulties of distance in relationships and how it can cause an emotional distance between two people. The vocal harmony helps to highlight the start of each phrase. Only after a careful listen is it evident just how important the additional instruments are. The drums are subdued but allow for the strings and piano to surge through and support the guitar and vocals. Of all the tracks on the album, Tongue Tied is the most radio friendly; it sticks out as an obvious single. The mood of the track can be empathises with by many and the melodic hook is catchy and meaningful. His vocals has elements of Fionn Regan and Fyfe Dangerfield, he has a brilliant ability to clearly expresses in detail all of his emotions.

STICKS AND STONES

We are treated to a showcase of OKTOBA’s ability on the guitar to set the perfect atmosphere for a track with the opening of this track. It is incredibly relaxing and soothing as an introduction. The guitar riff is brilliant on this track. There is a call response between the lead vocal and the guitar riff which is shows OKTOBA’s deep understand of song structure. Also the lead vocal has a harmony underneath to give it a richer texture on the ear. The piano is critical in this track, giving it the special element and helping to cementing the melody of the chorus. The chorus is the strongest part of the track with the guitar and vocal melody weaving together through the picturesque and exquisite backing track. This track is a real grower; any listener will take a shine it initially but with a closer and careful listening that you discover that Sticks And Stones develops into a magnificent song.

YOU TO ME

The closing track is a heartfelt narrative following OKTOBA as our main protagonist, he is so open to his feelings and emotions you feel like you are there with him along the way. This is a calming feel to this track and it is due to his mellow vocal harmonies. It feels as though we are floating off out of the album gently rocking a long to You To Me to a peaceful and tranquil ending.  I can hear elements of Bon Iver in the instrumentation and stripped back nature of the track. The rhythm that is present in the guitar strums is enough to push us through this incredibly open track, it almost creates gives OKTOBA a vulnerability, by now we have really warmed to him as an artist and feel we are ready to hear this track. Overall Smoke Signals is a fantastic expression of a wonderfully talented artist; it showcases diversity, honesty and skill throughout. You will feel closer to OKTOBA once you have heard all of these songs and the journey that he takes you on in this album is one that will live long in the memory.

BUY THE ALBUM HERE - https://itunes.apple.com/gb/album/smoke-signals/id1014628393

KEEP UP TO DATE WITH OKTOBA:

https://www.facebook.com/oktobamusic/

https://twitter.com/oktobamusic

Written by Liam McClair

Contact - [email protected]

#OKTOBA #ALBUM #SMOKE #SIGNALS #BLOG #REVIEW #Brighton #UK

[out-in-the-crowd-blog]

EP Review: You Give Me The Blues - Rowland Jones

https://soundcloud.com/rowlandjRowland Jones is a singer songwriter with real class. He focuses on the blues and has an effortless skill for story telling within his songs. Having returned from a successful spell touring Italy, fronting his own blues band, Rowland is back in the UK and he treated us to his brand new release in October. His life has been one amazing story itself, starting out in performing in a band in Manchester in the 70s which lead to touring the UK. He discovered Jazz music in the 90s which has formed his current musical style a fusion of Jazz and Blues which is wonderful. You Give Me The Blues is Rowland’s latest EP and it was released in June. The EP is recorded mainly with Rowland playing lead guitar and singing lead vocals. Billy Bragg’s pedal steel player Chris Hillman and Mark Lewis on double bass add some instrumentation throughout. I had a listen to the 6 tracks and I was mightily impressed:

TOO MUCH TO DO

The EP starts with a Pop Jazz track Too Much To Do. The rhythm in this track is created through the staccato chords; they help to drive the track along. The pedal steel adds beautiful atmosphere and the percussion is subtle but is just what is needed. The delicate balance of all of the instruments shows the intelligence of Rowland. This track’s minimalism makes it all the more appealing, as a singer songwriter it’s easy to cloud a track with as many instruments as you can to make a bigger sound, Rowland choses tact with his instrumentation to great success. The repetition of the Too Much To Do, creates a familiar structure that helps the listener full engage in the track. Rowlands vocal style is brilliant, he weaves the story throughout the track and the combination of his spoken word esq style and the considered backing creates a track oozing with style and charisma. I’ve mentioned its jazz stylings but the track is still contemporary creating a wonderful and lasting mood after every listen.

WHERE’S THE WHY

A complex blues guitar riff greets us as the opener to this track and it’s got a great groove to it. Considering its only Rowland and his guitar it’s impressive the mood and rhythm he creates. This song reminds me of John Martyn and Nick Drake. The track tackles deep thought and our relationship with feeling lost in society and the bad habits that form. ‘Where’s The Why’ is a beautiful way to express the lack of inquisition that is currently prevalent in our society. It is the perfect for Rowlands abilities as a solo performer, close your eyes and it’s almost as if you can see him performing. He sings with real passion in this track and his voice is very unique. You can hear blues elements to it but it still keeps its own cool air.

TRUE TRUE BLUES

I love the swing, salsa style rhythm to this track and it shows Rowlands experience.  His use of this time signature creates a smooth and refreshing track; I can just see a couple tangoing along to this track as a listen. We are treated to a guitar solo as well, which is concise and soulful. The song has success in keeping the tone of the track upbeat whilst tackling a topic that is more sombre. It’s an anthem for all the wrong doings and problems we feel we have in our life and it provides a welcome relief to those emotions and the perfect outlet needed to change our perspective. The track is recorded in such a way that it feels like a live performance, it has captured the evocative style Rowland creates and the compelling nature of his performances. In doing so it creates a real desire to see him perform live, an appeal that is desired by many musicians but only executed effectively by a handful, Rowland has this charm.

FEELIN’ BLUE

We are transported to the origins of Blues and Jazz with Feelin’ Blue, it’s completely charming and warm. I defy you to listen without bopping your head along to the gentle rhythm. It has a comic feel to the song which is all the more appealing. Rowland has captured a unifying tone in this track; it has a hugely broad appeal without compromising anything. Again Rowland captures a familiar feeling that has touched us all from time to time, a low feeling in the face of no immediate issue. He touches on the futility of possessions in their attempt to make us happy, he reminds us it’s all about relationships.  I think the origins of the tone come from the walking bass line provided by Mark Lewis, the bass line walks with us through the story of reflection and heartache. Rowland sets a beautiful scene and takes you right there in an erudite concise form, this track is a beautiful example of writing, as a listener you can almost smell the coffee he describes, you want to reach for the grapes and you almost want to enter into this landscape Rowland has created.

HOW IT IS

Throughout the EP we are treated to an introduction featuring only Rowlands voice and guitar and each time they are completely different. His diversity in influence and his ability to master a variety of styles is very admirable and shows the marks of a seasoned performer who has clearly studied various genres in depth. How is has a wonderful sentiment, we have all reflected or looking back with regrets at some aspect of our life and perhaps thought used our wisdom in the present day to wish away a previous event but as Rowland puts it ‘Don’t know the future, can’t change the past that’s how it is’. It is brilliant to see such honest writing, it is an outpouring of his personal self-discovery into a philosophy on life and it is one that should be spread, shared and embraced. This track has more of a jazz feel to it to me, the way Rowland plays guitar by plucking and hitting the strings in between plucks, makes a great natural rhythm.  Chris Hillman gifts us with another beautiful solo in this track; it’s worth mentioning his instrumentation. His additions to the song are always positive and effective.

YOU GIVE ME THE BLUES

We hear a real show case of Mark Lewis on the bass at the beginning of the last track on the EP. To me, this song creates brilliant imagery. I can almost see the cigarette smoke rising from the candle lit tables in a jam packed jazz club with the lights down low. Rowland pours out an emotive performance in this track, his voice has a more mellow tone, and it’s slightly downcast and fits the tone of the track perfectly. He creates the mood that wrestling with his love and frustration throughout every line. Though the track follows a recognisable structure, it never feels repetitive or the same. This EP is fantastic, a wide variety of styles delivered in a smooth and charming manner. Rowland Jones showcases his musical knowledge and ability throughout each track as well as his candid writing style that provides insight into his own thinking and vastly relatable topics to be enjoyed and cherished by many a listener.

BUY YOU GIVE ME THE BLUES HERE -

https://rowlandjones.bandcamp.com/album/you-give-me-the-blues

https://itunes.apple.com/gb/album/you-give-me-the-blues-ep/id1005734045

Keep up to date with Rowland:

http://www.rowlandjonesmusic.com/

https://www.facebook.com/Rowland-Jones-Music-83638896072/

https://soundcloud.com/rowlandj

https://www.youtube.com/user/rowlandjonesmusic

#blues #manchester #italy #rowlandjones #ep #yougivemetheblues #review

[out-in-the-crowd-blog]

EP Review: Ironopolis - Scott Lloyd

Middlesbrough born Songwriter Scott Lloyd has been carving his way through the Manchester acoustic scene for the past 4 years. A story teller, his songs are honest are a crafted with style. He has released 3 Eps giving his fans a large back catalogue to get to drips with the talented singer songwriter. Diversity is something he embraces; his tracks aren’t of a specific genre. To one person Scott’s sound could be Americana, another Country and another Folk. This open discussion about defining Scott’s music makes him all the more intriguing and unpredictable as an artist. I think this variety comes from his inspirations, Bob Dylan, Neil Young and Bruce Springsteen; all artists who have changed their image, style and sound throughout their career and Scott has shown intelligence and perception by not adhering to any trends and making his own path. His latest EP, Ironopoilis sees Scott take stock of his beginnings; Lloyd treats us to 6 tracks of variety, individuality and quality.

TOUR DATES

Friday 20th November – KU Bar, Stockton-On-Tees Tuesday 24th November – Cafe 1001, London Thursday 26th November – The Jacaranda Club, Liverpool Friday 27th November – Mono Bar, Chorlton

KEEP MOVING

Scott has recently begun playing with a band more regularly; previously he had been performing solo. This track is perfect for the full band, a candid track full of questions and attitude. To me it sounds like a mix of The Coral and The Libertines, a band which Scott cites as one of the main reasons he started writing. It’s a brilliant and pulsating start to the EP, the chorus is catchy, relatable and the vocal melody throughout is easy to follow so much so you will find yourself singing along at the second listen. The track seems to take influence from indie music, the minor inflection on the chords is always something I have enjoyed and here Scott uses it very effectively. The use of dynamics in the recording is worth noting, the verses start at a lower intensity and volume, this means that when the track builds up to the chorus there is a notable contrast and it highlights the climax of the track.

JONI WAS RIGHT ALL ALONG

This track is driving, full of passion and frustration at the current situation in our culture which is riddled with cynicism, negativity and selfishness. It’s a protest song against a state of mind. The track references Joni Mitchell’s Big Yellow Taxi and both songs are spreading a message of love and care for other members of society.  The use of percussion in this track gives it an extra gear. The high tone of Scott’s voice helps to affirm his desire in the message he is spreading. The structure of this track is strong, following a verse chorus structure to real effect. The repetition of Give Some Love today makes you want to engage in such behaviour, it’s a relatable track that is sure to become a fans favourite, hearing this song on a Friday/Saturday night after a frustrating weeks work would be a welcome relief. Scott ability to connect with the masses is a skill that all musicians’ desire and few can execute.

OPEN MIC NIGHT

Scott embraces his accent and style in this Jonny Cash/Jake Bugg track which has real individuality. It is like nothing I have ever heard before and the singer songwriter uses his story telling skill to perfection in this one. It’s a concise insight into the gigging world of a Manchester musician and the interactions that occur, the struggles in progression and recognition, the way artists interact with one another and the support network provided by the other musicians. The main protagonist that Scott follows in the song is a tool for sending an important message; individuality and chasing what you want are obviously points that he feels strongly about. The message is sent in the song and demonstrated through the style of the track, it’s all one big rhetoric of do your thing and do it well and don’t listen to anybody else. A strong minded stand point which is needed in an industry full of X factor suggesting crowd members who think they know better. Check out the video for Open Mic night below.

 HOME

This track exposes the romantic in Lloyd, a love letter to his origins and an accurate portrayal of the changing attitude towards returning home that occurs as you age. You can almost walk back down the streets with the singer songwriter such is the depth and accuracy of his descriptions. The guitar is complex and soft on the ear, this is an example of the diversity in his influences; in my opinion it’s the most folk sounding track. Having said that I can see real parallels between this track and The Verve, there is a 90s element to Lloyd’s music, whether this is a conscious choice or just a soaking up of culture growing up in this time. He has really touched on a conflicting emotion that all of us have felt at one time or another, that it has it changed going home but what is it that’s changed and how? This song will help you to understand.

IRONOPOLIS

The term Ironopolis is taken from a North Eastern Poet, Ian Horn, he uses the term to refer to the Tees Transport Bridge that helped make the mines that were prevalent all throughout the North East and helped the country grow. They have been responsible for providing the world with the products needed to make the industries grow. This track is a history lesson into Middlesbrough and details the achievements of the city, the heroes that have emerged and it’s so jam packed with local references you get a tour of the north eastern city and Scott is your tour guide. The structure of the song is brilliant, starting off at a slower tempo; the lyrics are more potent at this section. The song kicks in with a full band and has real vigour and swagger as he takes you through the success of the city and all those who have come from it. The song almost works as audible representation of the highs and lows of the city, Scott uses 3 sections to aptly represent the timeline of the city . Initially it was a quiet settlement; the industrial revolution made it a booming area for industry and then as the industry left the city has become much quieter once more. This unique tool shows a new level of planning and depth the Lloyd’s art.

LET ME BE ME, AND YOU BE YOU

A modern love song, I can hear elements of The Beatles in the chorus of this track. The lyrics are honest and lean towards organic and real love. Instead of perpetuating the love expressed through mainstream art that tries to relate to everyone, Lloyd says it how it is and this tool is far more relatable than the diluted content that is filling the chart. The track builds nicely and the repetition of the title, gives the listener a sing along moment that will be loved by crowds all over the UK. The song is full of hope, it really reminds of Hey Jude in its swelling and growth. Again Scott is sending the message of embracing individuality. The sentiment behind the track is wonderful, embracing everything about someone and not wanting them to change, this feeling is one that is consistent with Scott Lloyd’s fans, it’s an exciting time to be following the singer songwriter Ironopolis shows the skill of the artist, the sky’s the limit for the Middlesbrough born lad.

PRE ORDER THE EP HERE

https://itunes.apple.com/gb/album/ironopolis-ep/id1047296584

Keep up to date with Scott:

https://www.ScottLloydMusic.co.uk

https://www.facebook.com/scottlloydmusic

https://soundcloud.com/scottlloydmusic

https://www.twitter.com/ScottLloydmusic

https://www,youtube.com/ScottLloydVideo

#manchester #singersongwriter #musician #middlesbrough #Ironopolis #Scott #Lloyd #folk #americanan #pop

[out-in-the-crowd-blog]

EP Review - Tied Sipsmith & Twine

Manchester quartet Sipsmith & Twine have been going about their business in an effective and noticeable way. Consisting of Benjamin J Thompson (Vocals and Guitar), Arthur Greaves (percussion and Backing Vocals), Jess Northey (Cello)  and Claire Northey (Violin) the band are making folk that is relatable and honest. It has antecedents in Gaelic folk and sets a scene of the band in the corner of the pub that get the entire place jumping with their fast paced and driving tracks. Their latest release, Tied is a four track EP full of vigour and honest. Their use of strings gives them a distinct sound and they are not imitating folk pop music that has preceded them, they maintain a originality by still crafting songs of purpose and they create a warm and radiant atmosphere. They are forging their own genre, it’s not folk or pop or country it’s a mix of all three and if you haven’t heard it yet, you need to.  We had a listen to the new tracks and here is what we thought

Don’t Prey On Me

Tied opens with Don’t Prey On Me, a bluesy bass solo starts us off and Benjamin’s voice comes in with passion and soul. The track has jazz elements to it and the bass line is familiar yet comforting. The track reminds me of Seven Nation Army by The White Stripes, keeping a consistent bass line with powerful vocal accompaniment. Around 1 minute the song kicks into life with Claire and Jess Northey using staccato strokes of their instruments to create tension in the track. The song seems to be influence by gospel music; a soul fuelled vocal repeating ‘Don’t Prey On Me’ whilst the strings and percussion gradually build around it. The track crescendos to a climax of Benjamin singing with vigour, upon my first listen I thought the band consisted of more members which is testament to the skill and depth that Sipsmith and Twine are able to create.

Fool Rush In

This is a fantastic track; any songwriter should carefully listen to this song and note the structure. A delicately created song that keeps the same tone throughout, Fools Rush In makes distinct changes from verse to chorus and keeps the listener hooked every step of the way. An ode to I Can’t Help Falling In Love With You with the lyrics ‘Wise Men Say only Fools Rush In’ the band are touching on a topic that is relatable and at some point we have all guilty of, it’s easy to judge others for the behaviour and you never expect if from yourself. An astute observation and wise choice of topic, the positive nature of the track and the sincere subject shows the intelligence of the band. The chorus stands out and it is of real quality. As the song continues, the sound gets bigger and bigger. As the song hits its climax you can almost hear a crowd singing along to the familiar, catchy hook sang over and over again. The percussion of this track in particular is brilliant; it gives it that extra element. The shaker throughout gives excellent rhythm to the track, I feel it would be perfect for Radio 2 as it has a broad appeal.  

Grin and Bear

This track is fantastic, it sounds like turn of the century folk music. A simple arrangement opens that has real sounds of classical music. A wonderful harmony between Benjamin and Arthur set the scene, their voices work wonderfully together. Arthur’s bassy voice is subtle but adds extra emotion to the lyrics. I am taken to a barren land in southern America when I hear this track; it almost has chain gang elements to it. This song resonates and I think it is due to the minimalist approach, it needs an attentive ear. You are hanging on every sound, waiting for the next soulful element to sooth you. It really shows the skill and poise of Claire and Jess Northey, their considered strokes make the track. It’s not too full on, they know exactly where to play and their use of dynamics gives extra emotion to this wonderful track.

Please, Forgive Me

The last track starts with vigour, wonderful harmonies charge in over the brilliant string melody. This is a great track with lots of energy, you want to get up and dance. Again the depth the 4 musicians manage to create is quite remarkable, weaving together harmonious melodies to create a really rich sound. This track is an accurate representation of the working relationship, it seems the band know how best to complement each other and do it so eagerly and  so passionately that is spills out into their music. The high energy, the fast rhythm and the vocal line make you returning to this track again and again. Tied is diverse, considered, sincere and emotive. Sipsmith & Twine have showcased their broad talents eloquently and clearly in these four tracks, it almost feels like an appetiser of great things to come for this band, giving listeners a showcase of their capabilities and potential. I predict great things to come for this band who are carving themselves a niche following in the North West.

BUY THE EP HERE - http://sipsmithandtwine.bandcamp.com/releases

Keep up to date with the band here:

https://www.facebook.com/sipsmithandtwine/

https://twitter.com/sipsmithtwine

https://www.youtube.com/channel/UCN-LydpMsH9NDQcFf6gg2vA

#Sipsmith&Twine #Manchester #Music #Band #Folk #Soul #Pop #Quartet #Violin #Strings #Review #EP #BLog #Musicblog

[out-in-the-crowd-blog]

EP REVIEW: Endless Sleep -Tesla Coils

Manchester 5 piece Tesla Coils have released their debut EP, Endless Sleep on 5th September. An Alt-Indie band they have been compared to Nick Cave and The Bad Seeds and certainly create sincere, evocative and emotive music. An active band on the local scene, they are popular with musicians and fans alike for their intense performances and eclectic sound. Consisting of Michelle Emerton (Vocals), David Harris(Guitar/Vocals) Gary Long (Bass), Damian Dommett (Keyboard/Synthesizer) and Juli Cookson (Drums) the band have made a passionate EP.

Whiskey Jars

Whiskey Jars opens with distorted guitar and a synthesised melodic introduction. Lead male vocal enters with shades of I Am Kloot, the band channel elements of blues and rock throughout this track. Michelle and David’s vocals work beautifully together. The combination creates a majestic contrast, Michelle has an honest and clear resonance to her voice, twinned with the gruff passionate blues inflected voice of David Harris gives the listener a wonderful spectrum of vocal tones. The simple keyboard melody acts as a familiar bed for the track. The bass follows suit and keeps us hooked as well as the open drum beat. The track uses a descending chord sequence in its chorus that they use to create a crescendo at the end. The song tackles out society’s abuse of alcohol and the way in which it’s used to facilitate a lot of our behaviour. It’s the first track on the EP and sets out a president of what is to come. The blend of the instruments in the track is well balanced and well judged. No one instruments takes centre stage but all add to the depth of the track. This is a sign of a band with a great team ethic, willing to work together for the best sound

Tristan The Alter Boy

This track is really intriguing, I’ve never heard a bass line like it and that kind of invention and individualism is just what an upcoming band needs to set them apart from the pack, this added to the unusual topic of the song gives a fresh and new listening experience. The effects added to the guitar are really interesting and jump out of this track. The tale of the song is told through a mantric repetition of the same melody, an intelligent tool that ties in with the religious/choir theme of the song. It’s a moody song, with plenty of attitude, creating many dark and dramatic images. Its grand nature makes me want to experience the track live. It sways like a waltzing drunk and you are with the band through every step. I can hear elements Suede in this track and to me the band have clear antecedents in 90s indie bands such as Smashing Pumpkins. I love the subtle keyboard in this track, an instrument that used correctly can add ambience and richness to any track.

Round In The Circles

The tempo of the EP slows with this track, but it is a welcome change. Containing more pop tones, this track is beautiful. The verse has echoing keys that give an element of suspense to the track. That is lifted as the wonderfully charming chorus enters. In the chorus the bass and synthesizer create a lovely harmony within the chords used. The repetition of the chorus is not contrived and allows the feel of the song to embed itself in the listeners mind. A catchy melody that you will easily be able to recall, that is the sign of a great track. It’s relatable, everyone has felt lost and isolated at some point in their life and the Manchester 5 piece are able to perfectly express that familiar feeling in their own way.

23rd Floor

The EP ends with 23rd Floor, opening with soft treble guitar chords and long resonant keyboard notes that create the most atmospheric song on the EP. The drums flow through the song with the vocal melody almost acting as a speech. Clear diction and powerful delivery create the feeling of a confession. What is really highlighted in this song is one of the biggest appeals of this band, they have wonderfully combined traditional blues band stylings with more experimental vocals and keys to give a completely new genre. It is a long song, but that allows it to grow and develop. The theme of consistent honesty keeps you with the band through changing mood and chord. The backing vocals are really key in this track, they softly smooth you through the song. Keep up to date with Tesla Coils:

https://open.spotify.com/album/5dyWf9rQq0eFtwP6rfpNaG https://soundcloud.com/tesla-coils-music https://www.facebook.com/TeslaCoilsBand https://www.musicglue.com/tesla-coils/ https://www.reverbnation.com/teslacoils https://twitter.com/TeslaCoilsMusic

#manchester #tesla coils #indie #alt #music #ep #endlesssleep

[out-in-the-crowd-blog]

100 Gigs Interview - Mathew Kerry

Constant performing is a key to any musician learning their craft. Gigs allow you to test out new tracks, practice talking on the mic and it gives an artist a chance to manage the dynamics of being plugged into a PA. It is an addictive game, one gig leads to another as open mics are notorious for networking. We caught up with Mathew Kerry, a witty and insightful singer songwriter. Originally from Leeds now performing in Manchester, Mathew made it to 100 shows on October 14th at The Whiskey Jar we spoke to him just before this gig.

How long have you been performing? I've been playing live music for a long time, doing solo and group shows since high school in a number of different set ups. But in terms of how long I've been playing as just myself and my songs I'd say almost 3 years exactly. How do you count your gigs? At every show I play I pick up a coaster or a flyer and write a bit of information about it, who/what/where/why/when, as well as what songs I played that night. It's something that I just decided to do at my very first open mic in 2012 and I'm so glad I did, because now I have a tangible record of every show I've ever done since, which is very satisfying for a sentimental bugger like myself. Do you ever rank them? I think as you accumulate anything it's hard not to put them into some kind of scale from worst to best. But at the same time I really struggle to pick favourites; I think I rate every show for different reasons. Some shows stand out due to how responsive an audience is, others depend on the sound, setup, scale and not to mention the performances of everyone involved. The best gigs are when all of these factors come together and the worst when they struggle to get along. What was your first gig? This is a tough one, I've actually had three or four first gigs haha. The earliest one on my wall of coasters would be an open mic I did in 2012 at a bar in Leeds called The Hop. It was unremarkable but it was a start. I definitely caught the bug at that show, and I look back at that night as a strong catalyst for my need to be onstage. Is this going to be the start of many more hundreds? Absolutely. I'm ashamed that it's taken me this long to hit the first one! On paper it's a big number but in reality it's not actually that many. I have actually managed to double my output of gigs every year since I started out, so at this rate I'll be playing show #200 in no time, and #500 even sooner! You are a fine wordsmith, how do you write your music? Monkeys at a typewriter. I just write a lot, and no matter how hard I try to be consistent, around 85-90% of my output is terrible, embarrassing, unsharable material that will never see the light of day. But the more you write, the more often you'll come out with something that makes sense. I run that kind of process with both music and lyrics simultaneously, and trying to get these musical and lyrical ideas to fit together is a bit like a child making dolls kiss, but every now and then things just work. It's maddening and only occasionally rewarding and I love it.   You are inspired by interesting topics, why is that? I just try write about anything that I’m thinking or feeling, I don’t think that anything is out of bounds. I try to be aware of opening up or contributing to a discussion on things that aren't really covered by other songwriters. Failing that I at least try to approach familiar topics in an unfamiliar way. I think it's deceptively easy to say something that's already been said, and I am in no way claiming to be a fountain of originality, but I’d like to think that I at least try to talk about things that are a little bit outside of the box. Now this is your 100th, what would be your dream gig? I think I'll be happy when the audience are throwing my own words and music back at me, I don't care if it's Wembley or at my next open mic.   Any future releases planned? Yes! This was meant to be a studio summer and I was intending to get my first EP out, but I swiftly ran out of time to get that done. However I will be getting intimate with a microphone before the year is over, so watch this space I want to be able to tackle the next 100 shows with some CDs in my bag!

Keep up to date with Matthew here:

https://soundcloud.com/mathew-kerry

https://twitter.com/mathewonet

https://www.facebook.com/mathewonetkerry/

#singersongwriter #Mathew #Kerry #Folk #Pop #Music #Manchester #leeds

[out-in-the-crowd-blog]

Diva Faune - The Age Of Man

 Signed to Sony ATV Music publishing, Diva Faune are wise with their choice of sound and timing of their release. Pop/Dance music has been dominating the charts of late, within students in the UK and the amount of nights that are planned to cater for these students, a good Pop/Dance track is guaranteed plenty of exposure. The band consists of Yogan Le Fouler-Barthel a multi-instrumentalist and lead vocalist and Jeremey Benichou on guitar. The band is certainly on the rise having opening for Gruff Rhys (Super Furry Animals) and shared the bill with Toto at Montereau “Confluences” festival. As a duo, the band keep their live set up as organic as possible both opting to play their instruments live which is commendable considering the rising number of producers who rely on pre-records. Diva Faune have an EP on the way which is due for release early 2016 and which has been produced by the esteemed Mark Plati, who’s previous work credits include David Bowie and The Cure. Here at Out In The Crowd we were treated to a taster of their new EP with the first single, The Age Of Man

https://soundcloud.com/divafaune/01-age-of-man/s-BISB0

The Age Of Man is a brilliant track, it has a pulsing bass beat sure to get your dancing. The warm opening guitar chords create a pop theme for the track and these chords are the basis of the open and pleasing tone of the track. The plucking melody creates an accessible melody which is a perfect balance of the familiar and the unique. The vocals are full of character, Yogan sings in English and he has a distinct sound to the vocals, giving this band an instantly recognisable sound. This song has a mass appeal, I can hear it on video games, adverts, all over the charts due to its carefully crafted contemporary style. It is fresh and fun dance music at its best.. Similar to Simian and Milky Chance with Pop Electro influences but also with elements of funk, house and classic dance.

Check out this live acoustic performance of another track Push It.

Pre chorus is excellent flows into the chorus and prepares the audience well for the drop. The lyrics are intelligent and considered and Yogan varies his vocals throughout the tracks to create variety and intrigue.

The gradual build of the track stems from additions of synthesisers melodies to create a crescendo of driving soul. The final section of the track features falsetto vocals that give an atmospheric, otherworldly feel to the track as it fades out from the big pumping bass line that drives it along. An exciting prospect, Diva Faune look set the set the world alight with their intelligent, fun and well-arranged music. Cleverly marketed and aiming for success in a growing genre, let’s hope the French duo can become the new Daft Punk. 

Keep up to date with Diva Faune:

http://www.divafaune.com/

Soundcloud - https://soundcloud.com/divafaune

Facebook - https://www.facebook.com/DivaFaune?fref=ts

Twitter - https://twitter.com/Diva_Faune

#diva #faune #electro #pop #folk #guitar #acoustic

[out-in-the-crowd-blog]

Clockwork Radio’s Last Hurraaah Shauna Mackin, Claire Northey and Rachel Rimmer 23.09.15 Gulliver’s

 Gulliver’s played hosts to a memorable gig on Wednesday 23 September. Clockword Radio had announced it as they final show as a band for some time to come. Assembling a great line up with the help of Gavin Clegg the night promised to be a special one. Here is a run down of the acts who performed.

Rachel Rimmer

Rachel Rimmer took to the stage to a small crowd curious to hear what the gentle, quiet singer had to offer. She blew everyone away, her voice is a mix of Etta James and Nora Jones and her guitar technique is superb and spellbinding. She delivers pure soul and attitude in every track with effects on her electric guitar making a diverse and intriguing sound that captured the growing crowd’s attention. Having seen many singer songwriters perform solo, Rachel has carved a unique style for herself combining Lianne Le Havas’ charm and guitar sound with a classic 50s jazz vocal that leaves the audience forever wanting more. She treated us to a varied and interesting set, opening with a soft, intricate Jeff Buckley-esq Country Blues track Cruel. Next up is Ring Ring Jim, beautiful delay on the guitar creates an intense atmosphere and the tone of the track has some jazz elements but still stays contemporary, similar to Hozier Rimmer uses her soulful voice and timid demeanour to enchant anyone who hears her music. Her 3rd track has a familiar sound, the guitar chords wouldn’t be out of place in an Elvis or Bob Dylan track but Rimmer combines that with her Aretha Franklin style vocal, I found this song to be warm, engaging and was one of my favourite songs of the night. Track 4 was a deep, dark and moody. To me it sounded like a mix of Radiohead and The Yeah Yeah Yeahs.

The crowd were totally captured, silent through out every string plucked during the complex guitar riff. Rimmer played a Jackson Brown Cover as her penultimate track; she put her stamp on These Days and showed her varastility and originality by making material that isn’t hers sound like it was. Rimmer is soft and quiet in between tracks; she will introduce the title and start playing which conveys a modest manner. Her last song Sparrows had soaring vocals and captured Rimmer’s natural charism. A rapturous applause broke out as she strummed her last chord; this was a shining example of the benefits and pleasures gained from coming down early to see the support acts. I can guarantee Rachel Rimmer made a lasting impression on everyone in the crowd.

Keep up to date with Rachel:

https://soundcloud.com/rachelrimmer

https://www.facebook.com/rachelrimmermusic

https://twitter.com/rachrimmer

Claire Northey

We are big fans of Claire Northey at Out In The Crowd we think she is fantastic so we were delighted to see her perform. Accompanied by Nick Oakley on brass the crowd were treated to a fantastically diverse and wonderfully interesting set. Claire is making music you will have never heard before and that you will want to hear again and again. Using a loop pedal to create grand, vibrant and colourful tracks and her skill as a violinist is unquestionable. Varying her techniques from song to song she shows a plethora of ways to use the violin to make beautiful music. It’s climactic, it grows and swells, ascends through deep layers. There are subtle additions to the loops that make a huge difference to the overall sound and song. What I like most about Claire and Nick performing together is their ease on stage, it creates a warm and welcoming atmosphere for everyone and you feel welcome throughout the whole set. Oakley on brass has a fantastic skill at improvising, closing his eyes and seemingly visiting a meditative state; the jazz solos flow out of him and perfectly complement Claire’s looping.

 Next up is a cover, Claire has been covering a beat boxer called Reeps One and it shows how wide her influences are, in this we hear her sing for the first time in the set. She has a lovely, soft tone to her voice which is so honest. Anything she sings is so candid you can relate instantly. Her version is otherworldly, she conjures images of landscapes and makes you feel an experience way beyond just the audio, and she makes a world for the listener to be journey through. My favourite track of hers is Braincrash; it is utterly charming and real delight. It is a wise track and the lyrics are loveable and tackle insecurities we all feel in our lives. Claire finishes with Maï Linguça  a hauntingly unique harmony with a particular rhythm that is created through a samba style clapping rhythm. It grows and grows much like the admiration in the crowd for Claire. So Close is the last track an eerie piece with piercing strings are contrasted with soft plucks of the strings. The vocal melody is supported by the horns which creates a rich sound. If you are yet to see Claire you have to, she will change the way you look at singer songwriters and performers.

Keep track of Claire via:

https://soundcloud.com/clairenorthey

https://www.facebook.com/clairenortheymusic?fref=ts

https://twitter.com/ClaireNViolin

Shauna Mackin

Shauna Mackin is a real talent she combines a beautiful voice with passionate performances to great effect. It’s no wonder she has been closely supported by BBC Introducing in Manchester, she is charming, funny and engaging in-between tracks. Her tone is conversational and warm and a contrast to her powerful surging voice. Joined by a full band she starts her set with Breath an engaging track that gives an indication of the cool style and effortless interaction between her and her band members. Shauna performs with an assured confidence that is really infectious; you instantly warm to her sound which is carefully placed in Pop/Indie ensuring it keeps its originality. Lift Your Head Up is next a brilliant track with pulsing bass and a commanding guitar melody; you can tell that Shauna and her band have put in the hours in the practice room, never missing a beat, flawless progression from verse to chorus. It’s great to watch such a tight band grabbing the crowd’s attention through their precision and skill. Fade away was the next track, Shauna’s new single and it has a really big and attention grabbing sound. It has an element of Ben Howard about it in the way it combines folk origins with electric guitars. The backing vocals are fantastic in this track and along with the guitar help the track to build and progress and it adds fantastic drama to the track.  Waiting For You is an epic indie tune with lots of attitude, it is really powerful and is fit for the radio. Shauna has a great skill in writing music that is relatable, age spanning and still current.

 The crowd are then taken by surprise when a familiar chord sequence starts and the rhythm builds and builds and the band kick into Lose Yourself by Eminem. Met by a huge cheer Shauna shows her skill as a vocalist by creating a new vocal melody with the lyrics. This is combined with a huge guitar solo that has everyone in the crowd in a state of hysteria. Her last track, Golden Eyes, is a varied track. The verses are Soul/Pop and the chorus is driven by an effects laden guitar melody that pushes into rock and indie.  Shauna Mackin has been making a name for herself in and around Manchester and judging on tonight’s performance she will continue on to great success.

Follow Shauna here:

http://www.shaunamackin.com/

https://www.youtube.com/channel/UCVb2kSCnSep4MGit9kjoipw

https://soundcloud.com/shauna-mackin-music

https://twitter.com/ShmackinMusic

https://www.facebook.com/shaunamackinmusic?fref=ts

Clockwork Radio

The headliners take to the stage and are met with huge cheers from the packed gig room in Gulliver’s. The love felt for this band is palpable and fills the room, the fact it is their last show together for the foreseeable futures adds an extra sentiment to the occasion. A stylish band that have made a name for themselves through tireless gigging all over the UK and Europe they have a loyal following and are held in high regard by all of the performers in the Manchester music scene. The band kicks into Feel It Up and as soon as Iwan Jones’ guitar sound starts the crowd know they are in for a brilliant performance. This track, the opener on their album No Man Is An Island, is a brilliant fusion of rock and indie. The verses are fresh and frantic and the chorus jumps out with big booming bass and guitar chords together with a brilliant lead vocal, this track is a statement of the tone of the night, loud, charming and anthemic. Fever follows on in the same vein, a brilliant song filled with blues, soul and jazz influences. Everyone feels this song, it pulses through you. It’s passionate and energetic. Rich Williams is a fantastic front man, conveying his commitment to every lyric as he hears the crowd yelling them back with just as much vigour. Next up is a new track Skin, Clockwork Radio have an unmistakable sound. It is partly due to Dan Wiebe’s classic drum kit and style, so imaginative to hear over complex and sophisticated rock melodies.  Resolver is an older song the band had chosen to play, you can see the memories it holds just as the title is announced. It is a pulsing piece that moves with vigour and intent. Please You is a wonderful song, its emotive and romantic. The tone of the song creates an element of frantic confession. It is a subtle piece relying on considered composition and it works fantastically well. Rain is my favourite track from the album, it smoothly caresses you into the verse with echoing guitar and soft percussion, then the bass enters with a deep melody and the song starts to move onwards and upwards with such soul. I love the vocal part on this track I find it to be totally mesmerising. Up next is Taras Twin taken from the bands EP Ubuntu, an atmospheric piece that explores easy listening and progressive music that isn’t heavily reliant on huge guitar parts. It is a honest exposure of the bands motives, emotions and inspirations Tacenda/Fame a disco beat is concurrent throughout this track and the crowd start to move. The lyrics are on point and confessional. Sam Quinn’s bass throbs through the track and keeps the song  cheery and fresh. The backing vocal depth and layers to the track, then the band kick into David Bowie’s Fame. A brilliant choice of song to cover, it fit in with the original and gave the crowd a unifying moment together. 

Sitting Bull is a huge track with a massive sound. The head bangers in the room get what they have been waiting for, a track tinged with early U2 and Faith No More this song surges through the room and grabs hold of everyone.  Balance of Water is the last song of the night, emotions have run high from the start and everyone in the crowd happily obliges to sing the mantric chorus under the track. The original Rhodes keyboard beautifully guides us through this song of reflection, introspection and insight. The last chord is met with an enormous round of applause and a huge cheer from a crowd that loved every moment of Clockwork Radio’s performance, their split is a sad day for the Manchester music scene but their last show at Gulliver’s a really special memory they can cherish for years to come.

For more information on Clockwork Radio visit:

http://www.clockworkradio.co.uk/

https://www.youtube.com/user/clockworkradio

https://soundcloud.com/clockworkradio

https://twitter.com/clockworkradio

https://www.facebook.com/clockworkradio?fref=ts

#clockwork radio #shauna mackin #claire northey #rachel rimmer #manchester #gullivers #singer #bands #ep

[out-in-the-crowd-blog]

Robbie Cavanagh - State Of Maine

Manchester based Robbie Cavanagh, has mastered the craft of making romantic and heartfelt music. State of Maine is Robbie’s first album as a solo artist, he was previously part of This Devastating Fan; an Alternative Rock four piece that released 3 previous records. He is one of the busiest musicians around, sharing his time between London, Liverpool and Manchester he has become a firm favourite with both the fans and musicians in each city. Having started solo and winning fans over with his candid and honest performances due to his affable and friendly nature on the mic that gets the crowd on his side. Now he has made the progression to playing with a full band which give a more accurate representation of the album. Here are his upcoming live dates:

The album opens with Deeper, a Spanish guitar inflicted outpouring confession of love and hate that occurs in any intimate relationship. Strong bass keys add a sinister tone to the track as the emotion grows as the outpouring continues. This track is brutally honest and Cavanagh gives us an indication of his directness with his motives and lyrics.  Rumbling backing vocals add to the drama in the track, it has elements of a stage musical piece. Telling of  the feelings heartache, loss and sorrow that grow and grow; this is reflected perfectly in the track. The Willingness To Move is next, cinematic strings join the intricate and effective guitar melody with firm piano chords; the track follows a narrative of a lonely man who has lost touch with his family and the tone of the track is melancholic but not in an oppressively saddening way. Cavanagh balances the sombre tone of the track and keeps you hooked from the start. Boy From The Fair, opens with gentle strumming guitar and Cavanagh’s warm Damien Rice like voice. Wonderful harmonies create a gradual progression for the track, next the drums are added along with bass and electric guitar as the song swells and swells with a romantic climax that makes you want to grab someone, hold them close and dance along all night.

Choked Up is a classic country song. Warm, jovial and charming you’ll have this song in your head all evening. Gentle vocal harmonies and a strong bass line give this track a really wide appeal. I can’t imagine anyone not falling for this track. Heavy Heart opens with pure emotion. Passionate lyrics and a driving guitar rhythm are helped along with atmospheric strings. It moves along with attitude and confidence. It’s a stand out track giving the listener an excited ride for its entire duration. 1991 position in the running order works perfectly and it goes to show the intent and thought given to how the tracks complement one another. It is a gentle and intimate track that flows naturally, brimming with romance and affection. The melodies soar and dive creating a tender desire builds and builds. SLC opens with treble inflected guitar it is a simple track, which demonstrates how singer songwriters sometimes less complicate arrangements to great effect. Cavanagh’s vocals are clear and prominent throughout the verses; there are themes of longing and sacrifice. Crammed full of emotion, you feel every word and every syllable is full of desire and passion.

Centrefold has a lullaby quality; the guitar and piano softly sway in the background. The charm and candid nature of the song remind me of Paul Simon, effortless expression of emotion combined with musicality that is easy on the ear. The ending is very intriguing, instead of finishing on a big chord the song fades away and leaves the listener wondering is it unfinished or not, showing Cavanagh’s intelligence in keeping control of their attention. The penultimate Worn: a grand and powerful track that showcases the strength and range of Cavanagh’s voice, long notes are held and then built upon that creates a really impressive vocal melody. A section of intimacy and softer vocals provide a brilliant contrast and gives the track balance. The final song on the album, Untitled displays Cavanagh’s talent as a guitarist a John Mayer like riff opens the track and captures the mood of the track. The narrative of the track is of betrayal, longing and defiance, the song is a perfect example of Cavanagh’s ability to pour his emotions into his songs and give you an honest insight into his experiences and feelings whilst keeping control.

State Of Maine, is a brilliant piece of work. Embracing Folk, Pop and Country Robbie Cavanagh is a master craftsman at creating emotive music. You will be stirred by the sentiments, pained by his power and endeared by his emotion. Keep up to date with Robbie via the following links:

http://www.robbiecavanagh.co.uk/

Facebook - https://www.facebook.com/robbiecavanaghmusic?pnref=lhc

SoundCloud - https://soundcloud.com/robbiecavanagh

Twitter -  https://twitter.com/robbiecavanagh

#manchester #robbie #cavanagh #singersongwriter #musician #folk #pop

[out-in-the-crowd-blog]

Josey Marina - Tired Sun EP Review

Tired Sun is the debut EP from 17 year old singer songwriter Josey Marina. An acoustic EP that has elements of Pop Rock and Folk, a real melting pot of styles and genres those seamlessly fold into one another. With the majority of the instrumental accompaniment coming from her guitar, this allows the listener to familiarise and appreciate the soft husky voice of Josey that she uses to effectively.  The four track EP opens with Citrus Girl, the track beings with a delightful and delicate plucking of the guitar creating a tone of familiarity and calm. The chorus is more upbeat with warm. pop chords accompanying a catchy call and response vocal. The repetition of ‘in the orange grove’ with the same melody gives you an ear worm that you won’t be able to stop singing for days. Josey’s voice is angelic and easy on the ear, delicate in tone she manages to delivers the lyrics with vigour and character. The story of the ‘Citrus Girl’ is well presented and engaging by giving the more attentive listeners an interesting narrative to follow alongside her charming effervescence. This track shows the 17 year olds maturity and canny ability to express a narrative with guile and passion. She has a distinct sound but I can hear elements of Ellie Goulding, Lana Del Rey and Marika Hackman in her tracks.

Georgie up next a jaunty and quirky track that has shades of People Are Strange by The Doors. Again Marina uses her skill for telling stories by crafting a treat of a tale. The chorus in this track is particularly strong, a head bobber that contrasts the verses perfect. The song is well balanced and its due to the structure. You are initially coaxed in with light guitar plucking and by the time the chorus kicks in you will be totally enchanted by this track. The structure reminds me of Elbow, intricacies are melded with big power chords. We are treated to a smorgasbord of guitar techniques whilst the vocal stays bold and strong. Fake Bird Song is the most folky of the tracks, harmonica is added to great effect and its sporadic use creates a deeper sound. This song follows the same structure as the rest of the EP having a soft verse that gets the listener focused intently on the track and then the song rises up into the verse. The young singer songwriter paints a beautiful picture and her descriptions create wonderful imagery through the tracks, it is a real strength she has. Beyond The Black starts with soft minor chords that are accompanied by resonant and atmospheric vocals. The majesty of the track conjures up ethereal imagery and you feel swept away by the metaphors that are apparent throughout the track. I was hanging on her every word; her descriptions magically moulded a totally new world. Her vocal has a Gaelic/Celtic lilt in this track and when listening my mind fills of images or natural landscapes. The chord progression shows originality and a deeper understanding of the acoustic guitar, Josey doesn’t stick to clichéd chords she adds more complex and diverse chords that create a totally refreshing sound. The tempo increases later in the song with layered vocals adding extra depth to the track and carrying on the ghostly theme. Its mystic, otherworldly and a great ending to the EP.

A bright spark in the acoustic scene in Manchester, Josey Marina is an exciting talent that deserves your attnetion and intrigue, download her EP and keep up to date with her progress via the links below:

https://joseymarina.bandcamp.com/releases

Facebook - https://www.facebook.com/joseymarina.real/info?tab=page_info

Twitter - https://twitter.com/joseyxmarina?lang=en

Soundcloud - https://soundcloud.com/joseymarina

#Manchester #JoseyMilner #TiredSun #singer #songwriter #SingerSongwriter #Folk #Pop #Indie #Female

[out-in-the-crowd-blog]

Singles OF The Week : Haydn Funk Project, Darkbloom Alex Darling and Delamere

The Haydn Funk Project

Manchester funk quintet The Haydn Funk Project has treated us to a brand new track! Bassline Physics was first published on September 11th and it opens with a gradual build,  Alex Cardell on bass leads the way  as you’d expect from the song title. When the song kicks into life; the sound is a mix of classic funk and soul grooves with a heavy dose of 90s indie Rock/Rap. Wez Preuss provides us with with a guitar sound that wouldn’t be out of place in Faith No More. These familiar elements make the track all the more accessible for a first time listener. This shows the bands canny ability to mix popular riffs, rhythms and styles into their own distinct and recognisable sound this is the mark of a considered and intelligent group. Your head will be bobbing along to this track before you realise down to Alan Balsamini effortlessly composing a rhythm section that is complex but still keeps it appeal. Jack Swan Connor reminds us of the early Anthony Kiedis with his passionate rapping, the funk band remind us why Cage The Elephant and Rage Against The Machine had such success with powerful funk guitar riffs combined with RnB vocals. Lizee Weedy has a sweet and soulful voice and the contrast and combination between her voice and Connor’s husky and brash tone is unlike anything else I have ever heard. This band are onto something really intriguing, they are like a complex dish, just the right amount of contrasting tones and flavours that all fit together to create a memorable experience.

https://www.youtube.com/channel/UCz-kjhEoIZj1cg_jpTRB2cQ

https://www.facebook.com/HaydnFunkProject?fref=ts

Darkbloom – Family Fortunes

Darkbloom is the solo venture of Naom David Wright. The Manchester based singer songwriter has travelled and worked all over the world and the breadth of his travels has had a fantastic impact on his music, his tracks are a huge melting pot of genres which give his tracks a broad appeal. None more so than the September 11th release; Family Fortunes, a great concept song that follows a couple through their integration in Britain during the 1950s and their progression together and the trials and tribulations this brings. The opening section of the track reminds me of 80s power ballads, strong keys with multi layered backing vocals are helped along with a simple bass line. This section expresses the initial excitement of the couple as they move to Britain. Next the song kicks into a pop rock section and the rhythm increases as you heard of the desperation of getting by in this new lifestyle the couple find themselves in. When listening to these sections I can hear influences of Queen and The Boomtown Rats. Section 3 is climax of the song, expressing the stresses involved in raising a family under a tight budget and how inter personal relationships can deteriorate during that time. It is a great 90s section and Darkbloom’s vocal reminds of me Paul Heaton as well as his skill full and insightful story telling. The track then changes to a reggae beat that has shades of UB40 and some elements of dancehall in piano. The variety in this song is so refreshing, we are so used to hearing the same theme throughout tracks as that is what has been decided is popular but this song starts off where Band On The Run and Bohemian Rhapsody left the multi-faceted song. The beauty of this combination is it provides you with an insight into Darkbloom’s talent as a songwriter and his ability to provide accessible music in a wide variety of genres and blend them seamlessly into one fantastic track.

https://soundcloud.com/darkbloom-uk/family-fortunes-radio-mix

https://www.facebook.com/darkbloommusic?fref=ts

https://twitter.com/darkbloommusic

Alex Darling – Shooed Away

Duke and The Darlings front man brings us his first solo venture, Shooed Away. The track will be released by Sweet Sweet Records on 3rd October. Hailing from Manchester Darling’s song writing was one of the main draws of Duke and The Darlings and he has kept the standards high with this lovely and lilting tale of heartache and sorrow. Alice Gasson provides fantastic complimentary vocals, their two tones fit together seamlessly. Although the theme of the song is of separation ad pain it is delivered in a warm and sentimental fashion that leaves you understanding Iwan Jones from Clockwork Radio and Luke Wilkinson of Duke In The Darlings provide uplifting and grandiose electric guitar riffs that provides a fine contrast to the acoustic guitar and give the song an extra gear when the content becomes more resonant and dramatic. The acoustic guitar chords give the track a lullaby style fit for anyone deep in thought, it echoes of existential pondering but keeps it in a positive and inquisitive. A deep and enquiring song tackling a common topic of feeling lost in a relationship and the natural emotional demise than can occur. An excellent offering from Alex Darling and we look forward to his next release.

Delamere – Heart

Scruff Of The Neck records are a Chorlton based label that have been supporting local talent for years. Specialising in talented Indie and Alternative bands their latest band Delamere are no exception, with support from Louder Than Ware and Rob Adcock of BBC Introducing it’s no wonder the label were keen to get this four piece on board. Formed in Stoke, the band is making relevant and vibrant music and Heart is a shining example of this. Tapping into popular music but keeping its originality the boys have creating a majestic and uprising track. You feel the angst in the lyrics and the contrast of setting this against a euphoric electronic sound that moves along with ease. The more subdued musicality in the verses give the grand and outstanding chorus more resonance and the beautiful simplicity in the chorus and lyrics means by verse 2 you’ll be singing along. Make sure you get to Manchester Academy to see this exciting, vibrant band on October 3rd.

www.delameremusic.com

www.facebook.com/delameremusic www.twitter.com/delameremusic www.soundcloud.com/delamere www.youtube.com/delameremusic www.instagram.com/delameremusic @DelamereMusic #DelamereMusic

#manchester #singles #mus #delamere #musi #darkbloom #HaydnfunkProject #AlexDarling #indie #bands #releases

[out-in-the-crowd-blog]

Album Review - ‘Some Kind Of Illness’ - Some Kind of Illness

Some Kind Of Illness has a fantastic following, not opting for playing promoter nights they make their own nights. Hiring out Manchester Academy and selecting their favourite artists to support them. This tactic is becoming more and more popular and for the lads from Bolton it is certainly proving an effective one They released their debut album ‘Some Kind of Illness’ in August 2015 following their DIY attitude and since then it has been met with critical acclaim. The band consists of Paul and Mark Hinks and the duo has made a stunning album, it almost has a meditative nature to it. Soothing melodies intertwined with soft and deep lyrics.. It is an acoustic album but the use of samples and synthesisers create an atmospheric journey that has shades Beatles and The Verve and make it unlike any other acoustic album out there. The Test of Time uses delicate keys to add intrigue and brings the acoustic guitar to the forefront and builds up to the righteous lyrics that float in and take the track up to the next level. Angel Breakdown, Maple Leaf and Rush To Wait provide a surprising and refreshing contrast and allow the listener to cleanse their pallet ahead of another melodic and honest song. Stars, what a beautiful track, fit for summer strolls in the park with no worries and only love on your mind. The album flows naturally from track to track creating a intriguing journey for the listener. In The Light I hear elements of Arcade Fire, the open chords accompanied by Hinks’ gruff and honest voice combined with his candid lyrics keep you engaged and make you reflect. The duo from Bolton are making music unlike anything else I have heard, it is emotional and confident in its guitar melodies and not over reliant on lyrics you feel at ease listening to the soft and comforting tracks. You Have To Laugh highlights this perfectly a waltz rhythm with soft guitar riffs that slowly builds to calm the listener. My Shadow In The Maze has is a juxtaposition its melancholic and at the same time uplifting, caught between this you sail along the sorry river hearing the heartache and resolutions float by. The album concludes with Fool Man Runaway, a track that sounds as if it’s been found on an old cassette and untouched for years. Continuing the relaxing tone of the album you are treated to delicate keys that provide. This album is truly wonderful, I found myself wanting to hear it again and again. The natural flow takes you all the way through with ease and tranquillity conjuring pictures of mystery and intrigue as you go.

Buy the Album here: https://somekindofillness1.bandcamp.com/album/some-kind-of-illness

Keep up to date with Some Kind Of Illness here:

Facebook -https://www.facebook.com/SomeKindofIllness

Twitter -https://twitter.com/skoiband

Soundcloud - https://soundcloud.com/somekindofillness

#bolton #manchester #music #duo #indie #acoustic #debut album