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issasomma · 11 days
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without a doubt favourite part of bg3 is withers’ temple where every single book goes “you’re travelling with a vampire and a sharran and withers is jergal and also 50/50 you’re a bhaalspawn”
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issasomma · 15 days
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did you guys notice that the main theme she put about her relationship with joe in this album was that it felt like a cage to her because he was depressed. the song, so long london makes me feel so sorry for joe because she is resenting him for having his blue days and not snapping out of his depression faster so that she can have a perfect wedding. it's so insensitive given how joe was there for her during her darkest days and pulled her out of it, deleted her social media apps so she wouldn’t see the mean things people say about her etc etc. he was there for her when nobody else was. but she couldn’t be there for him when it was his time. she got bored and started rekindling her fling with matty when joe was dealing with his issues on his own. and she wonders why he wouldn’t marry her?
the worst thing happened after the breakup. she knows that joe deals with depression and yet she sent her fans after him to harass him on a daily basis for a whole year! she used the cheating rumours as a marketing scheme to release an album about matty. she let her fans harass any woman that worked with joe. how can a person be so vile?
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issasomma · 27 days
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I was telling my German colleague about how my parents, who were living in Spain, kept having problems with eagles killing their chickens. 
Me: yeah, these eagles come down out of the mountains, they steal the chickens right out of the pen!
Frank: an eagle!? AN EAGLE DOES THIS!?
Me: yes, they have eagles over there, mad isn’t it?
Frank: AN EAGLE IS STEALING THE CHICKENS?
Me: errr, yeah, they’re predators you know?
Frank: THEY ARE PREDATORS?
Me: yeah, and they fly down and kill the chickens and fly off with them
Frank: THEY FLY… wait, hang on… Oh…. I see… Err… In German, Igel is.. Errr…
(long, long pause)…
AH! IN GERMAN, EIN IGEL IS A HEDGEHOG!
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issasomma · 29 days
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The Dark Urge admitting that maybe they let Orin get the drop on them before because they didn't want to kill Gortash, and Gortash bitterly asking what did that achieve, when you intend to kill me now?
At least before, you would've killed me softly, you would've relished in it, you would've held the knife gently.
But here and now, you just need me out of the way. I don't mean anything to you.
I always knew you enjoyed mutilation, but this kind of torture... you were never this merciless.
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issasomma · 1 month
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I think the Duffer Brothers' history with racism in their show goes a lot deeper than a lot of people realize.
Lucas as a character has three distinct B plot stories that get assigned to him: being a minor antagonist to Eleven in season one, being a good friend to the rest of the Party, and being in love with his girlfriend. While Mike's plot is directly centered around two of the most pivotal characters of the show, Dustin is given two different role model characters that shape his arc and is overall the genius that helps the rest of the cast get out of several difficult situations, Will still being connected to the Upside Down after his disappearance in 1983 and that playing into several major plots, Max having a multitude of centric storylines especially in season four and Eleven literally being THE main character- Lucas is only ever given plots that help serve and uplift the other (white) characters. Unless you count him... playing basketball and being friends with Jason. I guess?
Erica is similar to Lucas, but to a much larger degree. I'd like you reading this to think of any single Erica standalone plot in the show that has nothing to do with/does not predominantly or solely benefit the white characters around her. I'll wait.
The Sinclair parents are only touched on in brief sections for the sake of filling the episodes, only ever playing a more major role in Season Four. If you could call it that. I'm sure most of you couldn't even tell me their names off of the top of your heads. (It's Charles and Sue, by the way.)
Argyle was the first somewhat major character of color to be introduced to the show after Erica played her part in season three. I could say similar things about his role in the season overall that I can about Lucas and Erica. Except they set him up to play a bigger role in the next season at the end of season four, going as far as to show him in Hawkins and have Jancy verbally allude to him sticking around, only for the show heads to ghost Eduardo Franco and let him find out he wasn't being brought back through an official social media cast photo.
Kali was a former subject from the same lab El came from, having escaped and subsequently began to lead a vigilante life of enacting revenge on those who played a hand in her suffering. She was the first subject El ever met after leaving the lab, shown to be incredibly powerful and strong-willed. Her and El had an immediate connection, calling themselves sisters right after meeting. But after El was finished with her self-discovery period on the S.S. Kali Gang for one (1) often-forgotten and poorly-written episode, Kali was quite literally abandoned both in spirit and on screen, never to be seen or even mentioned again.
All other characters of color are either killed violently (Patrick), have like ten minutes of screentime total (Jeff and Calvin Powell), or are just straight up background only and may not even have names.
They can dedicate an entire section of season four's plot to Suzie's family, but not to genuine character development for Erica or for Kali to return. They can make room for a whole pointless predatory plot between Billy and Karen, but not to give a more important role to the Sinclair parents. They have room to include a whole plot about El getting bullied in school, but not for Lucas to have a more meaningful story outside of his white friends and girlfriend. They can platform three known white zionists while Palestine currently undergoes a gruesome genocide even as I type this, but they don't have room for Argyle in season five (or even the decency to give Eduardo a fucking phone call).
Not only do the Duffers constantly write themselves into holes because they keep adding unnecessary fodder to the plot, and refuse to kill ANY of their main characters in favor of just creating new characters for the sake of killing them off in mediocre ways despite the fact that they're trying to fit 20+ B plots into 8-9 40-50 minute episodes per season and wondering why half their show doesn't make sense- The time they DO dedicate to character-specific B plots and character arc progression visibly favor the white characters.
If I watch S5, and that's a huge if, I will be sailing the high seas. Between all of this, the fact that they filmed part of season four in an old Nazi prison and tried to turn it into a fucking AirBNB, and the fact that at least four people who play major roles in the show actively support the current genocide of Palestine- I won't be giving them (or Netflix for that matter) another cent of my money.
While you're here, please do your completely free daily click to send aid to Palestine, and here's a list of other resources for how to help more directly.
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issasomma · 1 month
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Fanfic tiktok is wild... I see so many people saying shit like "I could never read anything below 60k!!", or "What story can you even tell in under 5k words?" or "A oneshot below 10k isn't even a story!" or "I always filter completed fics by 100k< only!"
And I'm like...
A) which fandoms are you reading fics for where you have this kind of offerings on the regular?
B) have you heard of short stories? If you truly think every story NEEDS to be longform to connect with people, I sincerely feel sorry for you.
C) Average novel length is between 50k to 100k. I'm sorry, but CONSISTENTLY demanding fic writers to push out fics of that length is insane. Just think about it: YOU DEMAND AUTHORS TO PUT OUT FICS THAT COMPARE TO COMMERCIAL NOVELS IN LENGTH (AND QUALITY) AS A BASELINE.
Yall are wilding.
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issasomma · 1 month
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issasomma · 1 month
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I come from a long line of people with something wrong with them
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issasomma · 1 month
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Im just feeling a certain way rn
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issasomma · 1 month
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issasomma · 1 month
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Top-Tier Villain Motivations
They will be safe. It doesn't matter who else or what else burns as long as They will be safe.
I will be safe. The hunger and the cold will never touch me again.
Fuck any bitch who's prettier(/cooler/better-liked/better at making dumplings) than me.
Yes, Master
Love me. Love me. Love me. Love me. LOVE ME!
I know the terrible things these so-called "heroes" will do if I don't stop them (<- is absolutely wrong)
I don't want a better future, I want a better past!
No other way to get performance art funded these days
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issasomma · 1 month
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issasomma · 1 month
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kicking a hornets nest.
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issasomma · 1 month
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Girlpool—Before the World Was Big // memorial bench quoting Toni Morrison's Sula // @inanotherunivrse // Iain S. Thomas, I Wrote This For You // Zadie Smith, Swing Time // Fall Out Boy—The Kids Aren't Alright // Audrey Emmett // Mikko Harvey, "For M" // Mahmoud Darwish, Memory for Forgetfulness: August, Beirut, 1982 (tr. Ibrahim Muhawi) // Langston Hughes, "Poem"
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issasomma · 1 month
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One of the hardest things for me to learn and practice in my writing is that people do not say that much.
My character dialogue frequently feels contrived. They open up to partners too quickly, maintain perfect communication with friends, and hold back exactly the right info from enemies. Yet, irl, I've observed and contributed to much miscommunication, lost opportunities, and unconscious distrust of friendly motivations. Natural speech is not tailored, and appropriately expressing abstract thoughts takes skill.
We've heard film media fans deride "therapy talk" wherein characters uncharacteristically divulge their inner struggles to others and receive perfect, textbook advice in response. This feels inauthentic because most humans don't talk like that! We skirt around our problems, we feel uncomfortable when others vent, we want to avoid conflict and rejection, and our well-meant words often do more harm than good.
People also tend to talk a lot, but say little. As writers, we generally don't want our stories stuffed with useless conversations, banter, and small-talk that don't advance the plot—we want that story grown up and moved out! But please, include those things. Have scenes where friends hide thoughts from friends by joking around or discussing hobbies instead, where a rival saves the MC's thoughtless speech for later, where a happy couple argues over a minor miscommunication. These aspects can add depth to a story that feels manufactured, or life to characters that sound scripted.
If this is you, take your time; natural dialogue takes a while to finesse. Currently, I write the meaning behind the dialogue first then smudge it up in redrafts. As with all the lessons I've learned/shared, each piece of writing advice should come with a "Daily Value" label affixed, lol. Balance is needed and adjustments should be made until you have the story you want.
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issasomma · 1 month
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Beyoncé - AMERIICAN REQUIEM
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issasomma · 1 month
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YOU DONT WANT NO HEAT WITH ME JOLENE!
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