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abobobo · 3 months
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Cover art for Ayakashi no Shiro (Game Boy, 1990) by Hitoshi Yoneda. A first-person dungeon crawler that was never released outside of Japan. (Source)
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abobobo · 5 months
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Illustration by Yasushi Torisawa.
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Vasum aka Dando, an unreleased game for the Mega Drive by Aicom
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abobobo · 5 months
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Puzzle Bobble 2 (PlayStation). Taito, 1996. (Source)
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abobobo · 6 months
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Saiyūki World (Famicom). NMK, 1988. (Source) Its sequel, Saiyūki World 2: Tenjōkai no Majin, was brought to North America as Whomp 'Em.
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abobobo · 6 months
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Advertisement for Kalin no Tsurugi (Famicom Disk System, 1987) from Bi-Weekly Famitsu #29. (Source)
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abobobo · 6 months
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Tritorn (PC-88). Sein-Soft, 1985. (Source)
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abobobo · 6 months
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The Famicom/NES port of Wizardry: Proving Grounds of the Mad Overlord (the first game in the series) was co-developed and published by ASCII Entertainment (aka Nexoft) and released in 1987. Jun Suemi designed the monsters for this port and his illustrations grace the trading cards shown here (a partial set only). From my understanding, one random card was included when you bought the game in Japan.
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abobobo · 7 months
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Mugen no Shinzō (PC-88). Xtalsoft, 1984. (Source)
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abobobo · 7 months
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Mugen no Shinzō (PC-88). Xtalsoft, 1984. (Sources: 1 | 2)
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abobobo · 7 months
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Majyūō (Super Famicom). Nihon Soft System, 1995. (Source)
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abobobo · 7 months
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In the ending of Konami's Mystic Warriors: Wrath of the Ninjas (1993), four of the protagonists are shown grieving for the fifth, who is captured at the beginning of the game and ends up sacrificing themselves. (Source)
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abobobo · 7 months
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Battle Blaze (Super Famicom). Aicom, 1992. Illustration by Yasushi Torisawa. (Source)
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abobobo · 7 months
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From: ClockWerx
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abobobo · 7 months
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Nosferatu (Super Famicom). SETA, 1994.
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abobobo · 7 months
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Maps by Mike Winterbauer, for Might and Magic IV: Clouds of Xeen (1992) and Might and Magic V: Darkside of Xeen (1993). (Sources: 1 | 2)
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abobobo · 7 months
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Top Management II (PC). Koei, 1998. (Source)
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abobobo · 7 months
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Necromancer key art for Diablo 4, by Piotr Jabłoński. (Source)
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