writeblrsupport - Tumblr blog

writeblrsupport · 3 months

Text

Some of my favorite words and phrases to describe a character in pain

coiling (up in a ball, in on themselves, against something, etc)

panting (there’s a slew of adjectives you can put after this, my favorites are shakily, weakly, etc)

keeling over (synonyms are words like collapsing, which is equally as good but overused in media)

trembling/shivering (additional adjectives could be violently, uncontrollably, etc)

sobbing (weeping is a synonym but i’ve never liked that word. also love using sob by itself, as a noun, like “he let out a quiet sob”)

whimpering (love hitting the wips with this word when a character is weak, especially when the pain is subsiding. also love using it for nightmares/attacks and things like that)

clinging (to someone or something, maybe even to themselves or their own clothes)

writhing/thrashing (maybe someone’s holding them down, or maybe they’re in bed alone)

crying (not actual tears. cry as in a shrill, sudden shout)

dazed (usually after the pain has subsided, or when adrenaline is still flowing)

wincing (probably overused but i love this word. synonym could be grimacing)

doubling-over (kinda close to keeling over but they don’t actually hit the ground, just kinda fold in on themselves)

heaving (i like to use it for describing the way someone’s breathing, ex. “heaving breaths” but can also be used for the nasty stuff like dry heaving or vomiting)

gasping/sucking/drawing in a breath (or any other words and phrases that mean a sharp intake of breath, that shite is gold)

murmuring/muttering/whispering (or other quiet forms of speaking after enduring intense pain)

hiccuping/spluttering/sniffling (words that generally imply crying without saying crying. the word crying is used so much it kinda loses its appeal, that’s why i like to mix other words like these in)

stuttering (or other general terms that show an impaired ability to speak — when someone’s in intense pain, it gets hard to talk)

staggering/stumbling (there is a difference between pain that makes you not want to stand, and pain that makes it impossible to stand. explore that!)

recoiling/shrinking away (from either the threat or someone trying to help)

pleading/begging (again, to the threat, someone trying to help, or just begging the pain to stop)

Feel free to add your favorites or most used in the comments/reblogs!

#resources

39K notes · View notes

writeblrsupport · 3 months

Text

Disability Writing Guides

Collecting all of these in one convenient place! If you have any requests, questions, comments, and especially concerns about what/how I’m writing these, please let me know!

Writing Chronic Pain

Writing Deaf Characters

Writing Disability and the Idea of Cure

Writing Wheelchair Users

General Disability Etiquette for Writers

Overused Disability Tropes

Writing Blind/Low Vision Characters

Writing Facial Difference

Writing Seizures

Writing Visible vs. Invisible Disabilities

Writing Disability and Eugenics

Asks!

#resources

2K notes · View notes

writeblrsupport · 3 months

Text

As a reader, if I can't make it past the first 50 pages without being bored, then I won't continue the book. It really doesn't matter if the "rest of the book gets good", if a reader can't get past a certain threshold, then they will drop the book.

It's important to have a good introduction to your story!

Your Readers Don't Know

So recently I shared the first 30 pages of my WIP with my writing mentor, and she had some pretty brutal feedback. It was too slow, you didn’t get to know the characters very well, and she said my worst nightmare “it was hard to get into, and I didn’t want to keep going.”

Oof.

My first reaction was to think, well that’s because it’s only the first 30 pages. If she only read a little bit more the characters really start to shine in the next bit—and that question she had about the world is answered just a few pages later.

Then I realized I was missing the point. It didn’t matter if I had the most amazing story after page 30 that would have brought her to tears. Because she would never know—she wouldn’t have read past the point that I lost her.

That was the moment I realized I needed to completely rewrite my first 30 pages. The point was—the reader doesn’t know when it’ll get good. They don’t know that your characters are amazing once you get past a certain point, because in all likelihood, they won’t suffer through to get to that point.

It has to be solid from page one all the way through to the end. Most books and authors don’t have the liberty to retain readers through anything less.

We’re going to be talking about the advice she gave me a bit more in the next few posts, so watch out for that :-)

#resources #admin: sabel

1K notes · View notes

writeblrsupport · 4 months

Text

More medieval dyes for y'all!

#resources

44K notes · View notes

writeblrsupport · 4 months

Text

Working Through Identity Issues and Other Pitfalls With Representation

We get a lot of asks from people with lived experience in one aspect of marginalization— LGBTQIA+, neurodivergent, physically disabled, ex-religious people—and the asks boil down to, essentially: can I take all of my own trauma and put it on someone multiply marginalized?

This question has many facets, which this guide is set to outline.

Power Dynamics and Intersections

Within any space centred around a marginalized identity, white supremacy and colorism still play a very large part within those spaces. Imani Barbarin of Crutches and Spice observed that white disabled people can only exercise the full extent of their white privilege within disabled spaces, because white supremacy has ableism built in and views disabled white people as lesser; white people are denied the ability to be completely white in abled society. As a result, the only opportunity they have to exercise the full extent of white privilege is disabled spaces.

The same goes with LGBTQIA+ spaces; they can end up colonialist because of white people in those spaces assume that their methods of coming out and living in their identity are the only way that exist, when people of colour can (and often do) have totally different but still perfectly valid ways of living in their identity. Again, white supremacy has homophobia built in, so white LGBTQ+ people don’t have full access to white privilege unless they’re with other LGBTQ+ people.

As a result: if you pick an identity that you have power over, you are bringing all of those power dynamics to the table in your representation. Even if you share a marginalization with the character, one aspect of discrimination does not an understanding of all discrimination make. Identities are all intersectional.

Representing multiple axes of marginalization is much more difficult, because you will have to unpack your own power, realize how many other ways of existing there are, and leave your own ideas for how the story should go at the door in order to respect experiences you don’t have in full.

You have to listen to the people you’re representing, or else you won’t be writing representation for them.

The Bias Game of Telephone

Insiders to any given group are taught a lot of “truths” about outside groups without spending much time listening to those groups, which results in a lot of problems. What might have been said or observed once or twice travels around people in a game of telephone, fanning xenophobia because it’s so much easier to critique people over there than ourselves.

So yes, you heard that Over There, the practice is x. Apply some stereotypes, spread it around as a societal “everyone knows”, and suddenly you think you know a lot more than you do about any one group.

For example: the Public Religion Research Institute polled over a dozen religious groups in the United States on whether they support LGBTQ rights in 2019, and the results were that people who are Catholic, Protestant, Jewish, Muslim, Buddhist, Hindu, and basically every religious group you could think of except Jehovah’s Witnesses were in favour of legal LGBTQ+ protection. They even polled in Christian denominations separating out white, Hispanic, and Black—and all of them agreed: LGBTQ+ rights needed to be put into law. (Source: Broad Support for LGBT Rights Across all 50 States: Findings from the 2019 American Values Atlas )

Throws a wrench into “everyone knows that [insert group here] is homophobic”, doesn’t it?

The problem is, these biases are going to colour your initial research stage. If you “know” that x group believes y, then you’re going to “naturally” slot them into that role in the story, then come to us asking if that’s okay.

Instead, what you need to do is poke your own assumptions:

Why did you make this situation happen that way?

Do the numbers support this assumption?

Have you actually spent any time in groups with these individuals to see how they live?

Did you read even one multiply-marginalized person’s social media feed to see what they believe? Preferably multiple?

Once you’ve done those steps, you’ll be in a much better place to see if you’ve even made something realistic, or if you’re projecting your experience too much as a 1 to 1 in situations where it just wouldn’t happen that way.

White is Not Neutral

Any identity you have as a white person is going to look different for someone not white. Being queer, Muslim, and Black in America looks a lot different than being gay, white, and Protestant in America. Those combinations of identities will look different again if you’re in a Muslim-majority country vs Muslim-minority, Christian-majority vs Christian-minority.

The traumas of being a certain identity in a society that doesn’t like you are racialized. White is not the default experience of how life happens, and a Hindu person with a strong connection to their family and wants to maintain some connection, just with boundaries, will have a much different set of priorities than an exvangelical who wants to get away from their family the minute they turn 18.

Even if you get a Hindu person who wants to get away from their family the minute they turn 18, the logic for getting there and the hurdles to overcome will be different, because they’ll have been raised differently. If you start to assume that you know how they’ll reach that logic, then you’re probably playing a game of bias telephone, as detailed above.

Mental illness, gender, disability and basically any identity under the sun will have a different expression in different cultures. A cross-cultural study on schizophrenia’s auditory hallucinations showed that the voices people hear are shaped by culture. In Accra, Ghana and Chennai, India—people mostly reported their heard voices as a positive thing. Meanwhile in San Mateo, California, not one person did the same. (source: Hallucinatory ‘voices’ shaped by local culture, Stanford anthropologist says)

Different cultures will define “man” differently. Cultures might have third genders that are more widespread and accepted than non-binary people in North America and Europe. Expectations for a parent will be different. Expectations for children will be different. Expectations between friends will be different. Disability (physical and/or mental) accommodations that are built into culture will be wildly different depending on cultural values. Wealth and class struggles will also be different.

All of these things will deeply impact a majority* character from a marginalized group, let alone one multiply marginalized. If you can’t answer how a majority character would behave based off cultural practices, then answer that before you work on a multiply marginalized person from that group.

* majority= cis, het, pale, financially stable, aka, somebody who has the most institutional power within that group even if they are marginalized in broader society (if they’re in a society where they are the dominant group, then they are privileged)

Healing, Distance, and Diversity

I know many marginalized people use fictional stories to be seen on paper, especially in a society where the stories for us just don’t exist. And you’re also aware of how white the representation of otherwise-marginalized people is, so you want to do your part to change that.

There are three paths you can take with this:

1- You are writing a story primarily for others, and have worked through your own stuff enough that you can use it as an influence instead of a story basis.

You realize you might not know exactly how a Buddhist East Asian person in a supportive family feels, but you know what it’s like to feel supported growing up and want to pull from that experience to show a loving Buddhist East Asian family. Or maybe you know what it’s like to love your parents but never, ever, ever feel safe coming out to them, and you want to show other people stuck in that place it’s okay, and it just so happens that the character this time around is Black.

This is a place where you can put aside your own desires and really dig into the research. Because it will take a lot of research. There will be so many little things that you don’t know. It will be diversity on hard mode.

2- You are writing this story primarily for yourself, but it’s just so emotional to think of your own context you want to make it Different, somehow

If you are in this position, consider keeping the story private. Not a judgement, at all—we all need private stories. But until you’ve worked through your own pain, you’re going to be relying a little too heavily on assumptions and your own experience to do respectful research.

That emotional situation you want to write about is going to look so different once you change the racial demographic, you probably won’t get the catharsis you want while writing it. Which means the story and your healing will suffer, because you’re not able to do research and you’re not able to work through all of your feelings from running into cultural roadblocks.

Get catharsis first, then consider doing diversity once your emotions are less intense. You need to be able to put “you” aside, and when your feelings are too big, that just is not happening. That’s okay! Not all of your representation has to be perfectly done for others to consume.

But that also means, you don’t have to ask WWC about it. Because you’re not writing a story for public consumption—you’re writing a story to process your own trauma.

3- You are writing this story primarily for others, but you’re simply trying to toss as much diversity in to “fix” the “everyone is white” problem and haven’t really stepped back to ask yourself if you’re representing them, or if you’re trying to show off.

This is a place you can very quickly be accidentally hurtful, because you don’t know what you don’t know. Maybe you’re wanting to toss in some background flavour, have some experience with death, decide to change the character’s race because they’re a smaller background part… and then you don’t look at what grief norms are in their culture over yours.

You could also find out that your experience has a lot of similarities and get lucky! Or you could get a few things wrong but at least you tried. Or, worst case, you could get it completely wrong and end up not representing anyone.

When in doubt, ask. If you’ve never seen x group handle y, then look it up before you go writing about it—same way you’d research any other component of your plot. Fear is not the place to write diversity from.

TL;DR

No matter how many marginalizations you have, it’ll still be different if you don’t share race

Marginalized spaces are often the only spaces where marginalized white people have full access to white privilege, so they can be extremely hostile to PoC

Groups grow, change, and evolve, as time goes on. Don’t assume that you know how they’ll actually handle any given marginalization unless you’ve listened to them at length.

Context matters; the same identity will have a different experience depending on their level of privilege within their society/group

There are limits to how much you can extrapolate your experience to relate with others who share an identity (chronically ill, LGBTQ+, etc) with you

If you’re just taking PoC to make the story different from your lived experience, keep the story private and heal before you start to write for others

Simply trying to avoid criticism of writing all white people is a poor place to start writing diversity, and you need some basic research before you polish things

~Mod Lesya

#resources

2K notes · View notes

writeblrsupport · 4 months

Text

Writeblr Poll: Music genres

#asks #admin: sabel

19 notes · View notes

writeblrsupport · 4 months

Text

A Step-by-Step Marketing Guide so we can spite traditional publishers (and make people cry).

~ This is a guide specific for fiction/writeblr. All of this is for free and there is little social media posting/ads involved (unless you want to venture into that). ~

Within the writeblr spheres, there's this underlying hope that our stories will find their audience. Perhaps we'll have a fandom full of fanart and video essays, or maybe we'll be an instant classic and sit on collectors' beloved bookshelves. Our stories could sit within the deepest corners of someone's heart and maybe they never tell a soul about what's so special to them. Maybe our stories become those 'underrated masterpieces'.

Or we just want to see people ugly cry over our writing.

Whatever your hope may be, marketing is an important path to venture on (especially because traditional publishers are rejecting diverse books in favor of ones that are already famous + the whole sub-par machine thing they seem obsessed with.)

And thus, my childhood marketing obsession will hopefully be of use to you. This is all for free (unless you want to spend money) and you don't need to figure out social media platforms (unless you want to, and this guide works if you decide to take that route too.)

Step One: Characters

Marketing spheres will define these fictious people as 'avatars' or 'the target audience'. You could also call them characters. Because that's what they are: fictional people.

For this step, you shall create characters that would love your story.

And here's some great news: You've already done this.

Perhaps you wrote your story to comfort a prior version of yourself. Perhaps each character in your story holds an aspect of your personality. Perhaps you were ridiculously self-indulgent and made the story you would've loved to read. These are all possible characters you can reuse for marketing.

Write down 2-4 quick archetypes for these characters. You'll chose an aspect of your story (characters, themes, or the younger-self that you wrote it for) and write a thumbnail sketch. (Main issue, fears, wants, personality traits if they relate to the main issue.)

I'll do it for my story (the Land of the Fallen Fairies) down below:

Anuli-like (my MC): Overthinking and aloof. Wants a happy ending but thinks their current personality/character isn't good enough for one. The present stales in comparison to the past/the childhood they lost. The 'gifted theater kids'. Kamari-like (side character): Postpones happiness in favor of creating a perfect schedule/getting accomplishments. Heavy masking. Creative but doesn't create anymore. Promises themself they'll enjoy themselves later, when they've earned it. Workaholics. My younger self: Wanting a fantasy escapism to embody the traits they wish they had in real life. Dissatisfied and worried about reality. Perfectionists. Self-indulgent: People who love plants and forests and fantasy worlds far away from reality/humanity.

Great! Now it's time to find these characters.

Step Two: Setting.

(Let's assume you're using the internet for your marketing. But a similar method works for real life too.)

Where do the characters live?

In order to figure that out, we need to discover the characters' interests, what they watch to solve their problems, and who they find #relatable.

(You can do this for each character or for all the characters at once.)

For example:

Anuli-like -

interests: Stories. Analysis videos. Fantasy escapism. Things that remind them of their childhood. (so nature, warmth, comfort, play, imagination and the times they would actually enjoy learning.)

Places to look: Nature quotes, ambience videos, children's shows and fairytales (comfort shows). Fandom culture - fanfic video essays, fan art.

Solving problems (the problem being wanting a 'happy ending' but feeling that their personality/lifestyle/characteristics aren't right for one): Mindfulness things. Self-healing. Quotes and meditations and candles galore. Slow living. Nature vlogs. Self care. All that 'live in the moment' culture.

Places to look: Slow living. Nature vlogs. The 'softer self-help' (spirituality stuff. Magic/ overnight answers). Witchcraft. 'aesthetic nature' places. Guided meditations.

#relatable: Burnt out gifted kids. People who think so much that their life passes them by. Storytellers and creative who create to make sense of the world. People who like dark, gory things in spite of who they want to be. People who don't like reality.

Places to look: Those 'learn better and remember everything' places. (The 'burnt-out gifted kid' recovery places.) Stop overthinking spots. Those quotes on Pinterest from poetic people who think too much /aff. Storyteller places. Dark academia. Classical music. One off quotes/ poetry.

Okie dokie. Once you have this, find channels, social media accounts, blogs, songs, books, etc. that fit with the categories you wrote down. (They should appeal to the characters) You can search up some of the terms you listed into searches and see who pops up. Bonus points if you find people that overlap with multiple sections.

I know I didn't include booktube or booktok in here. You can if you want too. But those can be a bit... 'consume these 500 books'. You also want to find other places where people who would like you story live, even if they don't follow booktube or booktok.

Congrats! Now you know where your characters live!

Step Three: the scary part

Take everyone you found on your search for the settings and write them down a list. Make sure you get an email/contact info. (they usually list them somewhere under 'for business inquires') Also feel free to watch their content and get to know what attributes these settings have.

And now... we talk to them. about our stories. You can do it. I believe in you.

This called 'pitching your product' in marketing spheres. But you can be informal about it.

I know it can be difficult to talk about your work, so here's a tone to have:

'I made this thing I like and I think you'll like it too'.

What you'll do is send an email (or dm) that goes like this (inspired by Creative Hive on youtube):

Hi [name],

[Genuine compliment]

[Quick sentence or two about your story. Include the themes and who it appeals to. If you have a logline/sentence summary, include that. But I find that the underlying themes and 'who's it's for' is more engaging.

For my story, I might say something like.

I've written a story you might enjoy, since you like [interest]. It's called the Land of the Fallen Fairies. It's a nature-themed commentary on the pursuit of happiness and fixing yourself to deserve that happiness, told by an overthinking, unreliable, houseplant narrator. It was supposed to comfort me when I got frustrated with myself and my happiness chasing, and I hope it can comfort others too.

(That's probably a bit long and I can trim it down a bit.)

You can phrase it like a gift if you want too.]

[Call to action.

'If you like it, I'd appreciate a mention on your [platform].

I know this part may be difficult to mention (imposter syndrome is not fun.) But I promise that if they do like it, they'll be happy to mention it.]

If they don't respond within... four-ish days? (A week at most). then you can include a follow up. For this you can include a template with info about your story. This way it's easy for them to talk about your story.

The template:

title

genre

blurb

Author

where to find the book

Bonus points if you have an additional, physical thing to send them.

Congrats! Now do this pitching process a few times until you've covered most of your bases. (Pitch to as many people as you can. It will get more comfortable as you do it. Play your favorite song and don't let yourself think too hard about it.)

----------

The benefits of this process are that you find people that are already interested in the themes and vibes of your story (in comparison to to ads, which get shoved in everyone's faces.). Someone your audience already trusts will talk about it, which means you don't need to do all this trial and error to find your audience and make content for them.

It's basically a bunch of people talking about something they like!

AND you diversify your audience across niches, but with an underlying theme/interests. Booktok/booktube must appeal to everyone, so it's a hit or miss for recommendations. (Unless there is someone that specifically does one genre/type of story.)

From here you can do fun little things to build up hype and make the book launch feel like this fun event. (I love it when that happens so here's my thoughts about trying to create an event with your story... although that may require another post entirely.)

preorder goals

charity goals

Arg's and puzzles

fund with side plushies and trinkets

Book blog tour

book boxes

as many memes as you can make

rewards (like bookmarks or posters or smth) that people can get for supporting

Talk about the process of creating your story. I know this one channel called 'Dead Sound' that creates 'making of' videos for his short films and they are some of the best videos on youtube.

Okay dear storyteller! Now go forth and share your story with the world!

Additional resources:

Creative Hive <-- a youtube channel that goes through the pitching process.

This video is also very good <-- Haven't watched the rest of the channel but I assume it's also good.

One of the best marketing channels on the internet (the videos are actually entertianing to watch.

Seth Goldin <-- I read his book and took the parts I liked and modified for storytelling marketing.

Dead Sound <-- propaganda to watch the short film series he has (he did the whole 2-d 3-d style wayyyy before spiderverse did... and he's one person making these. One person. It's amazing.

Glitch <--- If someone can figure out how The Amazing Digital Circus was marketed then I will pay you money. It seems to be a lot of memes and funny things.

#resources

375 notes · View notes

writeblrsupport · 4 months

Text

Fantasy Writeblr Showcase:

Midnight Madness by @forthesanityofstorytellers

Blurb:

Lyra is a princess/highborn that is going to be sent away so she can partner with/marry another highborn in another kingdom. She does not want this. So she sets herself to the task to learning what she can about the world and the kingdoms from her tutor in order for her to be prepared when she finally enacts her plan to run away and go into the only place she thinks she’ll be left alone; the Wildlands.

See more on the Trello card in the writeblr library:

#support #the writeblr library

7 notes · View notes

writeblrsupport · 4 months

Text

Fantasy Writeblr Showcase:

The Shifting Tides by @basalamander-corner

Blurb:

❝ Blood spills at the drop of a hat. Lives are taken every day. It’s up to you to decide whether or not you want to fight, or be devoured. ❞

Cursed by the blood of a goddess, Saran Turakina has known a life of being less-than-human. His people are holindal, once regular humans now given the ability to shapeshift into draconic forms. To improve relationships with the Kingdom of Askana, Saran’s grandfather has arranged a marriage with their prince. While on a seaward journey to meet his future husband, Saran’s boat is intercepted by pirates, and he’s taken prisoner for a ransom.

On a ship far from home, and with only his two closest friends for company, Saran is forced to come face to face with the pirate king: Viridian Kambiri, captain of the Howling Wolf and charming leader of the Sea Wolves.

As Saran traverses the maze of secrets and betrayals that fester beneath Askana, it doesn’t take him to realize there’s more to the oppression and hatred towards the holindal diaspora than the monarchy is letting onto. And the secrets they hide is one he must bring to the light. But if violence is the only way of stopping them, then does that not make Saran a murderer, like them?

And if so, how will he stop them without losing his soul in the process?

-----

See more on the Trello Card in the Writeblr Library:

#support #the writeblr library

10 notes · View notes

writeblrsupport · 4 months

Text

Welcome 2024!

We’re in the final countdown until the New Year, and I’m so excited! What are y’all’s plans and resolutions for the next year? They can be related to writing or not!

Share in the replies or the reblogs, and everyone go support and follow each other!

#asks #admin: sabel

19 notes · View notes

writeblrsupport · 4 months

Text

New Writeblr Intro

Hi and welcome! My name is Gabriel and I'm not going to say exactly how old I am, but I am a minor*. I'm in high school and I study biology and geology through tertiary/university link. I'm from Aotearoa (sometimes known as New Zealand.) I love writing and have been writing (stories) as long as I have been able to write (words).

My other interests are drawing, photography, and calligraphy and fountain pens lol. I love the natural world and am fascinated by everything of natural science and history. (Insane about biology--especially ecology and marine ecology!--, geology, palaeontology, astronomy, everything. The world. The universe.) I also like hiking, camping, hockey (ice, field, and inline), and lacrosse!

I'm not new to tumblr, but I'm new to this community and I've never shared any of my own writing or interacted with any other blogs here. I have recently started writing more seriously and I'd really like to make some friends/mutuals who also write because I don't know anyone in real life who does, so if you're interested please interact or come say hi!

(I also have a side blog where I'm less serious @goodlucktownsend .)

(*I'm not going to stay a minor very long, so I'd prefer not to interact with anyone under 16!)

my writing

I write fantasy pretty much exclusively, I think young adult or teen fiction grade. I also like science fiction, historical fiction, most things set in a world that isn't exactly the real one right now.

I have one WIP going right now that I've been working on for a little while currently titled Ephemera, which is YA fantasy. I've never tried to summarise it and I'm not sure I can so I'll just describe it.

my WIP

A group of teenagers (and one child)--Nikora, Tijil, Anahera, Edie, and Adityi-- living in a school town in a desert country that highly values community, education, and non-violence leave school and travel to try and figure things out for themselves after a series of strange events that become more dangerous and unpredictable.

Time is not working right and not everyone has the same experience of what is going on. Ghosts no longer avoid them. Some things happen that really don't. Nikora doesn't recognise himself in the mirror. Anahera is not in charge of his body. There is something wrong with Tijil's mind- he knows he is a threat to the others and needs to remove the danger, but no one understands his reasoning. Edie is acting different. Adityi does not remember.

The world around them is different- the landmarks are the same, but the grass has gone to rock and sand and the sky is always white now. Nikora feels differently about his best friend than how he used to. Bigger. He doesn't know what to do with it.

(I don't know where to end this. How do I end this. It's over by the way because I can't think of anything else to say.) (Content warnings for romance (gay) and minor aspects of mind control and body horror, but no 18+ content and no graphic violence.)

I have some reference drawings of the characters but not much else, I intend to do more but I might post them if anyone is interested!

I just feel like there should be a bulletpoint separating that from my goodbye

Anyway I'd love to meet some of you guys, especially if you write fantasy or are between 16-30! Hope to see you around :D

#support #admin: sabel

34 notes · View notes

writeblrsupport · 4 months

Note

Hi! I am really sorry in advance if this is rude or I’ve misunderstood in any way, but I saw that you reblog writer intros and things like that to connect people.

It’s totally ok if no (of course) but could you reblog my pinned post? It didn’t really get any interaction and I don’t care about notes but I’d really like to meet some other people who write and maybe make some mutuals or friends, because I don’t know anyone in real life who writes.

Again I am sorry (also for rambling. ._.) and thank you a lot! I really appreciate it either way and I like the idea behind your blog, thank you for running it!

Never feel bad for asking! We’re here to reblog anything! I can head over to reblog it now!

#support #admin: sabel

6 notes · View notes

writeblrsupport · 4 months

Text

Writing tips for long fics that helped me that no one asked for.

1.) Don't actually delete content from your WIP unless it is minor editing - instead cut it and put it in a secondary document. If you're omitting paragraphs of content, dialog, a whole scene you might find a better place for it later and having it readily available can really save time. Sometimes your idea was fantastic, but it just wasn't in the right spot.

2.) Stuck with wording the action? Just write the dialog then revisit it later.

3.) Stuck on the whole scene? Skip it and write the next one.

4.) Write on literally any other color than a white background. It just works. (I use black)

5.) If you have a beta, while they are beta-ing have them read your fic out loud. Yes, I know a lot of betas/writers do not have the luxury of face-timing or have the opportunity to do this due to time constraints etc but reading your fic out loud can catch some very awkward phrasing that otherwise might be missed. If you don't have a beta, you read it out loud to yourself. Throw some passion into your dialog, you might find a better way to word it if it sounds stuffy or weird.

6.) The moment you have an idea, write it down. If you don't have paper or a pen, EMAIL it to yourself or put it in a draft etc etc. I have sent myself dozens of ideas while laying down before sleep that I 10/10 forgot the next morning but had emailed them to myself and got to implement them.

7.) Remember - hits/likes/kudos/comments are not reflective of the quality of your fic or your ability to write. Most people just don't comment - even if they say they do, they don't, even if they preach all day about commenting, they don't, even if they are a very popular blog that passionately reminds people to comment - they don't comment (I know this personally). Even if your fic brought tears to their eyes and it haunted them for weeks and they printed it out and sent it to their friends they just don't comment. You just have to accept it. That being said - comment on the fic you're reading now, just do it, if you're 'shy' and that's why you don't comment the more you comment the better you'll get at it. Just do it.

8.) Remove unrealistic daily word count goals from your routine. I've seen people stress 1500 - 2000 words a day and if they don't reach that they feel like a failure and they get discouraged. This is ridiculous. Write when you can, but remove absurd goals. My average is 500 words a day in combination with a 40 hour a week job and I have written over 200k words from 2022-2023.

9.) There are dozens of ways to do an outline from precise analytical deconstruction that goes scene by scene to the minimalist bullet point list - it doesn't matter which one you use just have some sort of direction. A partial outline is better than no outline.

10.) Write for yourself, not for others. Write the fic you know no one is going to read. Write the fic that sounds ridiculous. You will be so happy you put it out in the world and there will be people who will be glad it exists.

#resources

22K notes · View notes

writeblrsupport · 4 months

Text

Let's talk

Hey all! Let’s chat a little! There’s been a bit of inactivity for both myself and Locke recently. I’ve been dealing with some IRL issues, and I know Locke has potentially been shadow banned. It hasn’t been easy trying to keep up with this blog, but by the gods we've been trying! We're hoping to bring more activity once the holidays are over, and hopefully Locke can fix whatever issue is going on.

With that being said, there's some things Locke and I specifically wanted to bring up in order to keep going down a few positive path for this blog!

Organizing posts

Going forward, Locke and I will be working on organizing posts. There's way too many in our backlog for us to realistically edit them all, which is why we'll try to organize them via these tags. Our pinned post will be updated with these tags once we figure this out!

#boosts — for sharing snippets that other people have wrote

#answers — when one of our mods sends out an ask, it will be tagged here!

#asks — these are for mass asks we send out to people!

#support — for our support posts

#admin: (user) — for specific mod posts!

#TW: (trigger) — current we have triggers for bigotry, violence, abuse, death, drugs, harassment, and dysphoria. If you think one should be added, let us know under a post!

#discourse — for any discourse posts that may show up.

What would you like to see?

Is there anything you'd like to specifically see in this blog? We want to make sure our content is the best it can be in order to help you all, so please give us any feedback through reblogs, replies, asks, submissions, etc.! Any feedback is welcome!

And finally, new blog admins

This is the last big thing. We would like to bring on at least 2 other members to help us with this blog. If you would like to join us, please send a message to @basalamander-corner and tell me about yourself, including what makes you think you're qualified for said position! We really need people we can trust, and people who can be strong pillars for the writeblr community.

That being said, we do have some restrictions on who will be allowed to apply, and that's the following:

You must be 20+. No exceptions.

You should have at least one blog (whether that's your main blog or your side blog) that focuses on writeblr!

You must have Discord for ease of communication!

Please be aware that as an admin of this blog, you may be subjected to dox/death threats, harassment, bigotry, and other nasty or sensitive content. If you want to be a mod, you'll need to be able to deal with these via deleting the posts and not interaction, since that's what they want. We also need people who will be strong pillars of positivity in this community, people who are willing to show kindness and empathy towards everyone around us! You'll also be expected to community thoroughly with the rest of the admins. As an admin, you'll be expected to reblog posts, share support, send out asks, and more!

Once again, please contact me if that sounds like something you're interested in! You can contact me here on Tumblr or on Discord, where I also go by basalamander!

#admin: sabel

23 notes · View notes