treehouseart

[treehouseart]

Hey, y’all

I’m moving tumblrs

I felt like I needed a fresh start for a long time now and I hope y’all will follow me to my new adventures. 

my new main (previous sideblog) is @adreamisadishyourmommakes

i’ll probably have a new art blog, but it’ll be a sideblog instead of a main. So if you like what I do just check it out

Bye! 

[treehouseart]

When you haven’t saved your file in awhile and suddenly the cursor freezes 

[treehouseart]

Webcomic tips

In the conclusion for now, some things I’d really recommend doing if you’re seriously considering making a webcomic (or really a comic in general). Some of these don’t really apply to strips or gag-a-day type of comics, but I’m not talking about those here.

1. Write down ideas\sketch stuff, LEGIBLY. “I’m gonna remember it later” NEVER works. And if you scribble it somewhere on a piece of paper, you’d better scan it or retype in one doc later, because tiny notes always get lost among other doodles in my skethbooks.

(i know it’s hard to keep everything clean and organized, but this mess is just not productive)

If your project is a collaboration, save your conversations. If you’re working alone, make a blog for your ramblings. You have no clue what tears of relief I cry when I open that blog and rememeber I don’t have to painstakingly look through my heaps of sketchbooks and folders for a tiny idea I’m not even sure I wrote down a few months ago.

2. Inspiration folders, or even better, inspo blog with tags also help with collecting and remembering ideas. Color schemes, landscapes, style inspirations, atmospheric stuff, maybe some photo references, all those neat things.

3. Basic tier: character design sheets. Top tier: common poses, expressions. God tier: outfits they wear throughout the comic. Holy cow tier: turnaround sheets for all those outfits.

(I’d die trying to find good pages for references without these)

4. If you haven’t finished detailing the plot, don’t even think about moving on to drawing the comic. You’re gonna regret it when you come up with a really cool plot element that can’t be incorporated anymore because you’ve already drawn all the parts you could’ve tweaked.

5. Don’t just define the plot, make a script. Writing down the lines and the brief description of the actions serves me fine:

(notice that I approximately divided the pages & the text that’d go to each panel on a page)

6. Hard mode: make thumbnails for all the pages, if possible. At least whenever a new chapter starts. 

7. If your story involves some convoluted chronology shenanigans, you’d better write down the events of your timeline in the chronological order.

8. Backgrounds. You can’t avoid them, bro. Like half of the comics are backgrounds, especially if your story involves a lot of adventuring and looking around. I know it hurts, but you’ll have to become friends with them. Read some tutorials, practice on photos, go out and sketch some streets, use 3d programs (like Google Sketch) to understand the perspective, use sites like houseplans to visualize your buildings better, I don’t know. Just be prepared for their imminent evil.  

9. If you’re drawing digitally, pick a brush size for the lines and stick with it. You don’t want your lines and detail levels to look all wonky and inconsistent in different panels. And I don’t mean the cool stylistic varying lines, I mean this:

Also, things on the background should have thinner and/or lighter lines to avoid distraction. Usually less details too, unless you’re making a busy background with a simple foreground to help it pop out. Or wanna draw the attention to an object on the bg.

10. Readable fonts. Even if you chose to ignore people with poor sight or dyslexia, the majority of your readers aren’t gonna be excited about struggling to decypher this:

Also, as much as I love my black speech bubbles, colorful text on black still kinda hurts the eyes. I wouldn’t recommend doing that for all the characters. Black speech bubbles are usually used for creepy, inhuman voices. And yes, having a colorful outline in this case helps.

11. Probably newsflash, but did you know that panels have their place, order and functions? They do! My favourite thing ever is how I used panels when I was like 12:

(comics ain’t rocket science, but this one is)

The composition of the panels and word balloons always serve for a better reading experience. They guide your eyes over the page, so that you never feel lost or confused. The images in the comic equal frames in a movie, so it’s pretty damn important in what order you look at things and how quickly you can understand what’s going on!

(Eric Shanower & Scottie Young’s Wizard of Oz)

12. One update a week is fine for testing waters. Don’t overestimate yourself, especially if you have a pretty busy life outside it. A stable comic that updates slowly, but regularly is better than an unpredictable erratic one. You can always pick up the pace later, if you feel confident enough.

13. Try to always have a buffer - a couple of pages in reserve. If you’re making the pages much faster than you’re updating, this shouldn’t be a problem. But if those paces are equally the same, it’s goddamn HARD. But on the other hand, if something happens and you skip an update, those come in handy.

If you’re looking at this list and thinking “wow that’s a LOT of work”, you’re totally right. And it’s okay to be intimidated at first! But that’s why it’s important to start with something small. Once you get the formula down, these things will be natural to you.

[treehouseart]

Some kind of Jester sketch while listening to Critical Role 

[treehouseart]

here’s some adora doodles I did as warm up 900 years ago, using an earlier version of her design

[treehouseart]

Sebastião Salgado is such a good man, I’m super proud of him

Today I learned about a couple that decided to rebuild their deserted piece of land of 600 hectares in Aimorés, Brazil. They planted more than 2 million tree saplings. As a result, the site has 293 plant species, 172 bird species and 33 animal species, some of which were on the verge of extinction. It only took 18 years!

In the early 1990s, Brazilian photo-journalist Sebastião Ribeiro Salgado was stationed in Rwanda to cover the horrific accounts of Rwanda genocide. The on-ground experience left him traumatised. In 1994, he was returning to his home in Minas Gerais, Brazil, with a heavy heart, hoping to find solace in the lap of a lush green forest, where he had grown up.

But, instead, he found dusty, barren land for miles and miles, in place of the forest. In only a few years, his beautiful hometown underwent rampant deforestation, leaving it fallow and devoid of all the wildlife. For him, everything was destroyed. “The land was as sick as I was. Only about 0.5% of the land was covered in trees,’ he shared in an interview with The Guardian. Salgado was shattered.

Saldago’s Wife Wanted to Recreate The Forest

It was at this time that Salgado’s wife Lélia made a near-impossible proposal. She expressed her wish to replant the entire forest. Salgado supported her idea, and together the couple set out on a heroic mission. Brazil Photographer Forest

Salgado bought an abandoned cattle ranch from his parents and started building a network of enthusiastic volunteers and partners who would fund and sustain their mammoth project. In 1998, the couple founded Instituto Terra – the organisation which tirelessly worked to bring a forest back to life.

PNHR Bulcão Farm | by Weverson Rocio – 2012

Salgado sowed the first seed in December 1999. The couple hired around 24 workers in the beginning and was later joined by numerous volunteers over the years. They worked day and night – from uprooting the invasive weeds to planting new seedlings. Soon, their hard work bore fruit as tropical trees native to the region started flourishing in the area. They received a donation of over one lakh saplings which gave rise to a dense forest. The handcrafted forest comprises mostly of local arboreal and shrub varieties. Latest satellite imagery revealed how a soothing green forest cover has enveloped the area which once was a devastating arid eyesore.Since 1998, they have planted more than 2 million saplings of 293 species of trees and rejuvenated 1,502 acres of tropical forest. The biodiversity-rich zone has recently been declared as a Private Natural Heritage Reserve (PNHR).

The Impact of Salgado’s Forest

The afforestation project, which is undoubtedly one of the greatest environmental initiatives in the world, has also helped to control soil erosion and revived the natural springs in the area. Eight water springs which once dried up, flow at around 20 litres per minute at present, relieving the drought-prone region of its woes. Salgado’s forest also happens to solve the much-debated notion about climate change, proving that the trend can be reversed if tried. His forest has resulted in causing more rainfall to the area and cooler weather, bringing a drastic and desirable change in the climate.

Instituto Terra’s Fauna | by Leonardo Merçon – 2012

The most important positive aspect of the forest till now has to be the return of the lost fauna. More than 172 species of birds, 33 species of mammals, 15 species of amphibians and reptiles have been spotted in the forest interiors, something which was beyond imagination two decades ago. Many of the plant and animal species in his forest actually feature on the endangered list.

Efforts For Good

Climate change is a harsh reality. Mankind is bearing the brunt of the relentless destruction they inflicted on the planet. Yet, people like Salgado and Lélia fill us with hope, proving that patience and persistence can be our keys to heal the wounds of nature. If two people can create a 1502-acre forest in just 20 years, then imagine how much can be done if everyone comes together to protect the environment. It must be reminded that for every tree we plant, we are adding 118 kgs of oxygen to the air every year, and reducing the carbon footprint by 22 kgs.

Efforts For Good urges all the readers to actively engage in planting trees and gradually turn this into a fixed habit.

Sources: http://www.scienceinsanity.com/2019/03/brazilian-couple-created-1502-acre.html

https://www.reddit.com/r/interestingasfuck/comments/bg0ebn/a_couple_decided_to_rebuild_their_deserted_piece/

[treehouseart]

@jessleewong

[treehouseart]

[treehouseart]

So, I’m doing Inktober too

I’m working on a custom list that is a storytelling exercise to work my way to comics. The theme is “Rogue”, the theme of the first day, and that’s the name of that fox

On day two she met a new friend! What will happen next? 

#inktober2018 #inktoberday1 #inktoberday2 #inktober #traditionalart #ink #inkwash

[treehouseart]

After drawing this picture I was made aware my mother does not know who Cerberus is and therefore this picture was not funny to her

I need a Cerber-hug from the Cerberpug

#cerberus #greekmythology #art #digitalart #what am i doing with my life

[treehouseart]

Gold pens are life and I will protect them

(hey follow me on twitter if you want, I’m @bellsdraws)

#art #digital art #mixed media #original character #oc

[treehouseart]

I did this little comic for Cassandra Clare’s Giveaway. Her stories have and keep on inspiring me so much it would be an honor just to have a chance she sees this <3

(reading the book before I die of anticipation wouldn’t be half bad too)

This comic is about that time in the distant days of 2014 when I got to see Cassandra live in a São Paulo book fair. I had missed the chance to get her autograph because my roomate overslept. 

I was so sore, I was so exhausted, so many people cut the line to the q&a session and security did nothing to stop it… But it was all worth it when I sat on the ground to see her speak for a whole hour. It’s a very special memory <3

#malec #malecparty

[treehouseart]

Hey everyone, I had some trouble with a sanders sons comic and this person and reported them

I made a post about how I handled it, if anyone wants to read how that conversation worked out

http://treehouseart.tumblr.com/post/173797540870/why-reblogging-is-so-important-to-artists-why

The art theft blog is now steve-general-rogers. From their posts, it looks like they don't plan on stopping with the reposts so I guess all we can do is report when one of our things comes up.

Ty for keeping me up-to-date, I haven’t seen them post any of mine yet but the second they do I’ll report it. 

[treehouseart]

Why Reblogging Is So Important to Artists | Why Being Nice Online is Important | Storytime

First of all, I wasn’t going to talk about this. Because I thought it wasn’t needed, because I thought there was enough information out there asking people NOT TO REPOST ART and if we do, at least give PROPER CREDIT.

But there isn’t. That’s alright. Let’s talk about it.

 Two days ago I was approached by the lovely @vaugleysassygrunt​ who told me someone was reposting my art. They said this person had been changing their url all day (and they’re still doing it) and sent me a hyperlink to the art they had posted. It was one of the comics from my on-going Sanders Sons series, a sequential comic I have been working on for almost a year. It was pretty dear to my heart (and the context was pretty important as well). 

My immediate thought was “Oooh boy, my first art thief, that’s so exciting”. All the big ones get those. Along I went to this person’s tumblr and was about to send them a message when I saw they had already addressed the issue by saying they found reblogging annoying and that’s why they preferred reposting. That they never claimed the art was theirs.

Of course my first thought was “if you don’t like reblogging what are you doing on tumblr?”. But we shouldn’t give in to our first thoughts. They’re often rash.

So I get into a conversation with said art thief and try another way. Because THERE IS another way. We can’t nunchuk our way to awareness. This is what I wrote:

Hi, friendo! I'm sorry people are giving you a hard time, but crediting art is very important for us artists :( It's how we make our carreers. I understand you don't enjoy reblogging, but it can help people find our art and find more of our work if they need to. I also am really embarrassed to have to ask, but could you please credit sandersssons-comic or sanderssons in the quadruplets AU? It's a series I spent a lot of time on and I would hate it if people only read a part of it. Thanks and have a good day :D

They repond right away. Telling me they accept my apology (?)

Also that they found the image on google images.

Also asking how much artists get.

FIRST LESSON TO TAKE FROM THIS: Google Images, such as Google itself, it’s an image SEARCHER. It COMPILES images from the whole internet. An image being on Google Images DOES NOT MEAN IT’S UP FOR GRABS. Google Images provides the proper source of the picture.

BESIDES, Google Images can be a great tool for finding the author of an artpiece. Just go to Google Reverse Image Search. You can do it from your phone and from your desktop. Just put the image on and Google finds the original source for you!

So I proceed to explain to this person that artists don’t make much. Most of us get money from comissions that depend on the complexity. Some get Ko-Fis and Patreons and online shops with stickers and key chains and some other goodies.

ALTHOUGH, FOR YOU I ALSO SAY: PEOPLE ARE ENTITLED TO THEIR ART EVEN IF THEY DON’T GET MONEY FOR IT. BECAUSE IT’S THEIR OWN AND THEY MADE IT. DON’T BE A DICK.

They say: 

I don’t mean to be rude but you could just get more money by being an art teacher or something that pays good minimum wage. 

And you can imagine this big red flag raising in my head. Disengage. Disengage. Disengage. But this was a HUMAN BEING. And a misinformed one. I had already made contact. Might as well. I explained that we DO NOT WANT other jobs. This is our jobs. This is our choice of carreer. And it’s not hard to respect.

Reminder, that should go without saying: YOU DO NOT HAVE A SAY ON PEOPLE’S LIFE CHOICES

Our friend says they don’t understand cause they’re in high school and they don’t draw a lot (as if art knowledge just comes by osmosis when you draw a lot)

I said it was totally cool not to understand. Because it is

SECOND LESSON: SOMETIMES PEOPLE DON’T KNOW THINGS. I came back to tumblr for the Thomas Sanders fandom. A fandom that thrives on kindness and caring and validation of different people  

They thanked me for being cool and explaining things and asked if we could be friends. I said that absolutely

(After our little talk, they started giving credit to the pictures they could find. Read as: the ones that had signatures on the image)

We talked yesterday a whole part of the day. We get acquainted. They’re finding themselves as non-binary, they’re in high school. Things like that. I tell them I’m 20 and in college for journalism

In this proccess I explained how comissions worked and, again, why reblogging and not reposting was important

So yesterday night I’m already in bed when they message me “Hi”

I responded I was tired and going to sleep. They said they were going to bed too. And that they hated when they were accused of something they didn’t do. Which was stealing art

And I said that, indeed, they weren’t STEALING art per say. But reposting was a dick move. They got PISSED. So I tried to find an analogy they would understand.

Ok, think of it like this

You've painted a tradicional piece in oil and put it in your gallery with other paintings

Someone can't come and take the painting off the wall and put it on their gallery

Even if they say it's yours... It doesn't bring more people to your gallery. It exposes your work... But that's mostly it. 

To which they replied:

The Mona Lisa got stolen once and people have made counterfeit paintings in the past 

Which, goes without saying DOESN’T MAKE IT OKAY. Just because someone already murdered another, it doesn’t mean we can go around on a killing spree.

Besides, tumblr has original content and tools to get replicated inside the website. And so I told them.

And then again:

Why are the majority of people here artists who clearly don’t realize they can get a part time job? 

And I told them, AGAIN, they do not want part time jobs. They want these jobs.

They said I lied then, when I said art didn’t pay well. And proceeded to say they didn’t understand why people want to be starving artists.

Also that tumblr didn’t have the kind of images they wanted. EVEN THOUGH THIS WHOLE THING WAS HAPPENING BECAUSE ARTISTS FROM TUMBLR WERE FINDING THEIR ARTWORKS REPOSTED ON THEIR ACCOUNT.

I was also making them upset.

I tried to explain further, but they blocked me.

Fortunately, I was able to send one last message and I think it’s the biggest message I want to pass here.

I'm sorry I'm upsetting you but I've been nothing but respectful

Be respectful. Even when you’re mad. Even when people are rude. Kill them with kindness. If they’re too immature to listen to you, that’s on them. Practice what our dear youtubers preach (Thomas Sanders, Jack, Mark). 

This person is still reposting, yes. They’re giving credit, but still reposting. It’s a start, I believe. It’s more than I would have gotten sending a hate ask. 

So now, princes, princesses and non-binary royalty, I give you the

TL;DR

Artists are ENTITLED TO THEIR ART. You. Are. Not. It doesn’t matter if it’s on tumblr, on google images or on the street. If there’s a signature or not. Getting money for it or not (also, since I’m here, don’t forget that art is not only visual arts, but also videos, music, podcasts and a bagillion other things. If it’s not yours, don’t post it)

You DO NOT get a say on how people should get their wage (just like you don’t get a say on how they dress, on where they go, or who they love)

When you REBLOG, you help the artist to get known. It costs nothing. When you REPOST, you’re a dick. You’re not helping anyone and you’re giving yourself more trouble than just clicking a simple button

It’s okay not to know everything, but listen when people talk respectfully

Don’t be hard on people when you can be nice. Aggravating people will only make enemies of people who can be friends

Be mature enough to accept sometimes you’re wrong

BONUS ROUND: I believed we were done, but I saw this post short after. I didn’t think it was relevant to include, but I feel like I must say something.

I’ve had it with everyone being nothing but mean and antagonizing me. I’m not the bad guy and I really want to kill myself or leave tumblr. I’m never accepted by anyone or anywhere. Hell its hard to tell my friends I’m into men and women or that I like certain things. I get rejected constantly so goodbye forever 

And later proceeded to post normally.

Please notice that your life BEING HARD does not make up for BEING A DICK and REFUSING TO BE EDUCATED. I will not refrain from telling you the truth R E S P E C T F U L L Y to protect your feelings just because you’re LGBTQ+ (specially because the you being B part was totally new information for me in this post/and I’m in the community too).

So since I’m giving moral lessons, do this for your friends. We should not stand for something we do not agree. Real friends will respect your side and reconsider. If a person hostilizes you for having a different opinion - or, in this case, being right - they’re not someone you want to have around.

PS.: I will not disclose this person’s identity because it’s irrelevant. I’m only posting this in hopes it can help someone else

PPS.: I ended up did reporting this person for giving my comic specifically the wrong credit

#art #reposting art #storytime #please don't repost art

[treehouseart]

NOTE: one type of fold will rarely appear on its own - they interact with each other quite a bit! for example, spiral folds might define the outline of a pant leg, while the interior folds might be zig-zag folds.

i’m trying to re-learn how to draw clothing, so i made this little guide to the most common shapes of folds that appear. hope it helps someone else too!

[treehouseart]

“haha yeah im a writer”

[treehouseart]

quick animation test with a blinking virgil

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