tommykinrd

[tommykinrd]

tsunami thoughts 🌊

#911 #buckley-diaz family #fanart #adorableeee #do queue like that?

[tommykinrd]

TAYLOR SWIFT Fortnight Music Video (2024)

#taylor swift #music #do queue like that?

[tommykinrd]

#air support would be so fucking cool omg #and different from just doing another location #911 #polls

[tommykinrd]

Coming out as 911 enjoyer

#gorgeousss #fanart #911 #buddie #do queue like that?

[tommykinrd]

That Croz and Rosie protected Buck's locker for eighteen months is just hnnghghh.

You know they never opened it, barely looked at it. I have decided it wasn't stored away, it was just tucked under the bunk. When newbies rotated in, and tried to move it or god forbid open it, Hellfire would rain upon them. We do not touch Major Cleven's shit. That's Buck's Bunk, you're just renting it.. Show some goddamn respect.

Not only did they need to believe that he, and Bucky, and the rest of their friends and men were alive, and would return, they were absolutely totally terrified of what would be unleashed on them when Bucky got back only to learn they'd sent Buck's locker back to Marge.

#mota #i loveee #do queue like that?

[tommykinrd]

Tell us more about tommy edging buck 🩵

so. it happens accidentally in the sense that, at first, they're making out on the sofa. tommy is leaned back against the arm rest, buck is on top of him, their legs are slotted together, and everything is great. buck is grinding against him and every time he gets close to coming, tommy shifts his position so he loses the friction. and he doesn't even do it on purpose, that's the worst part, he just — he's so fluid. tommy's body is constantly in motion when they're making out because he wants to experience everything all the time and that's hot and great and buck is a big fan of that except he's going fucking crazy here. and so after the third time, buck is literally panting against his skin and he's flushed and so turned on everything feels oversensitive, and he's like "i swear to god if you don't stop moving, i'm either going to start crying or i'm going to kill you" and tommy is like "well that's a very fun threat and i'm not not into that, but what did i do" and he shifts again so that buck gets that friction back and he moans and tommy is like. oh. oh. this is fun. so he catches up pretty quick and slots his leg right between buck's so that he's right up against his erection and is like "go on, baby, take what you need" and buck comes in like .5 seconds flat. which would be embarrassing if not for the fact that he's been trying to come for like half an hour now, so sue him.

but tommy. tommy files that whole thing away in the back of his mind to reexamine later.

so sometime later, let's say a couple weeks, they're on the bed, they're naked and making out and everything is good, and tommy's just like "so. i just had a fun idea" (he says like he's not been thinking about this for weeks) and buck is like "oh?" and tommy is like "mmmm. you remember that one afternoon where you were trying to get off and it just was not happening?" and buck is like "..... yes...." because he knows his man well enough by now to be moderately scared of how this is going to go because tommy kinard is a freak and a half. and tommy's like "well :) i was thinking we could be a little more intentional about it :) have you ever heard of edging" and buck's brain immediately glitches because, like. he has heard of edging, thank you very much, he's familiar with the concept, and the thought of tommy doing that to him has his cock twitching and leaking, has his hips thrusting up into nothing, and so. needless to say he's on board.

and that's how buck ends up getting the slowest, most torturous blowjob of a lifetime. tommy deepthroats him, and then pulls off. jerks him off while keeping the head in his mouth, and then stops. on and on and on until buck is crying and begging, literally begging, to come. (tommy lets him, eventually, and buck orgasms so hard he nearly blacks out. it's the greatest thing he has ever experienced).

#HELLO THIS IS DELICIOUS #911 #kinkley #do queue like that?

[tommykinrd]

just realized that if christopher were to watch that video eddie took of him in 2x10 meeting santa, he would hear buck in the background fondly and proudly saying, “i really admire that kid. i love the way he always wants to do everything on his own.”

#HEY NOW I'M SOBBING #my wife <3 #911 #buckley-diaz family #frens tag 💕 #do queue like that?

[tommykinrd]

eddie diaz + faceless °2

#911 #eddie diaz #do queue like that?

[tommykinrd]

Howie 'Mr. April' Han

#911 #chimney han #do queue like that?

[tommykinrd]

i got my cameo from lou (an hour before it was going to expire) and tommy & buck are thriving✌🏼

#I never lose #look what happens when you have fun #911 #kinkley

[tommykinrd]

i don't think i've seen a lot of people talk about eddie, canonically, having a chevelle, that he keeps in his garage and probably casually works on to unwind. i know he talked about working at his dad's shop if he didn't go to the army, but that's about it. but i love the idea eddie is a gearhead enough to own one that he works on, and as soon as he meets a friend who is also a gearhead he was just more than happy to show off his toys. i adore that so much

#Tommy and Eddie have toys buck has holes #I’m sorry el I had to #but truly I’m obsessed with it #eddietommy my beloved #911 #Eddie Diaz #teddie

[tommykinrd]

Your icon is soooo cute

Isn’t it adorable?!? It was made by the lovely @nilefreemans !!! 💖

#answered #anonymous

[tommykinrd]

BODIES BODIES BODIES (2022) dir. Halina Reijn

#bodies bodies bodies #movies #do queue like that?

[tommykinrd]

Who's excited for tonight's episode???? I am!!!

A lil bit of buck/tommy as a good luck charm for tonight!

*

Want something like this? Commission me here: x

#SCREAMING THIS IS SO CUTE #fanart #911 #kinkley #do queue like that?

[tommykinrd]

LOVEEEEE the new mobile theme!

OBSESSED WITH YOU 🥺😍💖

#answered #godlightbuckley #frens tag 💕 #MWAH ILY ANNIE

[tommykinrd]

ever since you talked about bucktommy with kids i can’t stop thinking about eddie and chris’ reactions and feelings and the new dynamic like are they excited when they find out that buck and tommy are having kids? is chris talking about them like they’re his siblings or is he jealous at first just another parent in his life getting taken away? do they end up having play dates do they go to the zoo together? does eddie get upset on chris’ behalf? do they ask eddie to be the godfather? do buck and tommy call eddie in as reinforcements bc he’s the only one who’s immune to their children’s shenanigans? do they call him uncle eddie or is it like chris and buck where it’s their eddie simple as that

well. i'm a buddietommy girl at heart, so even if they aren't all in love, they're all still very much, like. a unit. so in my head, eddie and chris are thrilled by the change in dynamic because they know it doesn't mean buck loves them any less. there's no jealousy anywhere. everyone is just, like, really happy to have more people in their little family to love. and yes it's an adjustment but. it's not a bad one. chris definitely takes on an older brother role and the kids look up to him like he hung the stars in the sky. the three of them get into all kinds of mischief together, much to eddie, tommy, and buck's chagrin. eddie DOES sometimes interfere when the kids aren't listening to their dads and he's like "step aside amateurs, i've got this" and. it's actually really fucking hard because god buck and tommy have some cute kids and he's a little softie anyway — especially for these kids, like, these are his best friends' kids — but someone has to be strict around here. might as well be him. he's not the godfather he's not the fun uncle, he's just their eddie, yeah. and a couple times when the babies are little, they call all three of them daddy and it melts everyone's fucking hearts. and even though they understand eddie's not technically their dad when they get older, they sometimes still call him pop or pops anyway just because :)

#THEY'RE ALL A FAMILY!!! #buddietommy #911 #do queue like that?

[tommykinrd]

If there would be a tommy begins episode, what would you like to see?

I have waited... my entire life for this moment.

Sorry, I'm about to answer this question in the most Jack way possible. Strap in, I'm about to enter my director era. Okay, let's get to it.

Tommy Begins (Jack's Version)

Opening scene: We see a kid (8yo) playing with Legos on his bedroom floor. His room is very much so a boy's room—there are dinosaurs and dragons and a soccer ball in the corner—but it's very sparse. This family is not wealthy by any stretch of the imagination. He's building a car, and beyond his closed bedroom door, you can hear muffled shouting. It's his mom and dad. The boy stops playing with his toys and listens as a door slams downstairs (his mom leaving) and heavy footsteps come up the stairs. He's already scooting backwards when the door opens and his father stands in the doorway. He's visibly drunk, and the camera is angled at Tommy's height so that the man in the doorway looks scary and imposing. (We're really leaning into the visuals here). So his dad looks at him and says, "Tommy, were you eavesdropping?" He wasn't, of course, but it doesn't matter because his dad is already undoing his belt (to beat him, not for anything else!!). Little Tommy continues to scoot backwards as his father comes into the room, and closes the door behind him. Before the door closes and the light from the hallway is shut out, we get a shot of the man's shirt—his father is an auto mechanic and the name Kinard is stitched into his clothing.

Similar to 5x17, where Jonah is introduced as a random little boy before the narrative makes the connection as to who he really is, this is the point where the audience realizes, oh, this isn't just any Tommy, this is our Tommy. And he's about to get his ass beaten.

Oh shit.

And then the 9-1-1 title card appears.

Now, all the begins episodes parallel past with present, so in my head, Tommy is off-work. Buck is moving in that day (this isn't a Buck/Tommy focused episode at all, but Buck is the vehicle for this episode to happen) and Tommy needs to finish going through his stuff to make room for him. He comes across a large box in the back of his closet that's stuffed with all his random keepsakes. He reaches into the box and pulls out a small Rubik's cube on a keychain.

The next scene flashes back to the past. We see Tommy as a teenager, getting into trouble with his idiot friends. They're all high as kites, and one of his friends overdoses on [drug]. He notices—he's the only one that notices, actually—and tells one of his other friends to call 9-1-1. They don't because they're kids, there are drugs involved, and they're stupid, so Tommy calls 9-1-1. He follows the operator's instructions and stays on the line until the paramedics get there. He accompanies his friend to the hospital and someone—a cop who is familiar with him, from having plucked him out of trouble a handful of times—waits with him. He tosses Tommy a Rubik's cube (the same one from the box) so that he can keep his mind occupied. His friend is okay, but the cop is like, "Listen, kid. One day, that's going to be you and one day, it's not going to turn out so well. You've got to straighten up or end up dead." Basically, the whole thing is kind of a wake up call. Before the scene changes, we see Tommy look up and look toward a container of pamphlets on the hospital wall. One of the pamphlets has a soldier on it. In his hand, the Rubik's cube has been completed.

In the present, Tommy continues going through his belongings. This is a dense episode, so we're not going to linger too much on what's happening in the present because it's secondary to what's going on in the past, but Buck and Tommy are texting. Buck is excited and has no idea the turmoil that is going on in his boyfriend's head. Tommy matches his enthusiasm (and it's genuine) but also takes a lot of effort at the moment. Still he smiles a little before he puts the phone down and continues digging through the box. Next, he withdraws his dog tags (and if it isn't obvious by now, the items in the box parallel with the next flashback because these are memories that are actively being triggered while the audience watches).

So, the next scene is obviously back to Tommy's time in the Army. Now, ideally, this would be a ninety-minute episode and I'd have the time to explore all the layers of Tommy's time in the service, but, alas, the boundaries of network television. In my head, most of Tommy's trauma comes from his childhood rather than his time in the Army anyway (which isn't to say it doesn't exist, just that it's not at the forefront of his issues) so we're going to have to gloss over that a bit. When we see him again, he's already in the Army, already well into his career, and the audience can see that he's shaped up and matured quite well. He's well-liked and good at what he does.

He's doing repairs on a helicopter when his CO approaches him and asks where he's going and what he's going to do after he's discharged. Tommy looks across the [hangar] and the camera pans to a a young man. He's in his 20s. Handsome in a boyish way. He's already looking at Tommy, but he looks sad and guilty and hesitant. They meet each others eyes and stare just a bit too long to be casual, and there is a lot of unspoken feeling between the two of them. Their relationship, such as it was during the DADT era, is heavily implied and it does not have a happy ending. Tommy looks back at his CO and says he's headed back home to Los Angeles. As for the rest, he doesn't know what he'll do after he leaves, but he'll figure it out as it comes to him. When he looks up at the guy, he's already gone. It's kind of a metaphor for the way the things he wants always seem to slip away.

In the present, Tommy is still going through his stuff. He unearths an old Academy shirt, so the next scene is his first day at the 118.

Tommy doesn't know it yet, but this is the first day of the rest of his life. Immediately, seeing those walls and doors fills the viewer with a sense of peace. Finally he's where he's supposed to be. He learns on his first day what type of boys club the 118 is under Gerrard. He's visibly uncomfortable (visibly to the viewer, who knows him well enough by now to read his face, but not to the old guard) the first time someone makes a homophobic joke. But he laughs and joins in, aware of but refusing to acknowledge the fact that they are making jokes at his expense. Just like that, he's accepted.

We see him assimilate quickly; the 118 goes on several calls. Not necessarily a montage, but we don't linger on the calls either except for a big fire. He saves Sal DeLuca and is rewarded with lots of accolades and praise. Tommy is one of the "in-crowd" and things are going well. But then Chimney shows up and Hen shows up shortly after. We all know how this plays in canon, so we don't linger too long on the times when Tommy is a dickhead but we do understand, from his perspective, that he has disdain for Hen and Chim—not because he's racist but because their existences threaten to dismantle this bubble of safety he's built around himself at the 118. The goal isn't to make the audience dismiss his complicity, but rather make them understand why he made the choices he made.

Because I am self-indulgent, there is one additional scene right before Tommy leaves for Harbor, where he and Hen are sitting in the locker room. She asks if he's going to miss it. He says he doesn't know, then he pauses and says "Kind of." There are lots of mixed feelings here. He suffocated himself in the closet within these walls and became someone he did not recognize, someone who went along with things rather than fight against the status quo, but he also learned how to breathe and exist a little freely once Gerrard left and Bobby took his place. He got his first taste of what it looks like to be Queer and proud within these walls, and that means something to him.

He looks at Hen and there are so many things he'd like to say to her that he doesn't know how to articulate, mostly because he cannot yet articulate them to himself. He's getting to that point but he's not there yet, so when she asks why he's looking at her like that, he just says "Thank you." "For what?" "For showing me another way." (This, of course, has a double meaning: first, referencing the idea that Hen/Chim showed him another way to be a firefighter, to be a family, to be a human being, and second, referencing the fact that Hen showed him another way to be Queer—showed him that Queerness doesn't have to be filled with self-hatred and pain. It can just... be... and people can either accept it, or they don't). Hen gets the sense that there's a lot he's not saying, a lot under the surface that she's not privy to, but she says "You're welcome."

The next scene is Tommy at Harbor, and the moment he gets there, the viewer can see a weight slip off his shoulders. He's back where he belongs—back with the mechanics, back with the big toys that make him feel at ease. It's a direct parallel to Buck's first meeting with the 118 (not for any Buck/Tommy purposes, just because I love a good narrative parallel) where Bobby pranks him. But Tommy smiles when they bust his balls, and settles into himself, and the viewer can see that he's okay. Things might not be perfect—he might not be perfect—but he's on the right track to being the person the audience will know and love in a few short seasons.

Back in the present, Tommy is pulled out of his walk down memory lane by the sound of his front door opening. Buck is standing on the other side with an overly large box in his hands. Tommy helps him carry it in, and offers to get the rest of his stuff from the Jeep, but Buck waves him off. He studies his face for a long moment, and asks if Tommy is alright. Tommy opens his mouth to answer and discovers, almost shockingly, that he is. He is alright. Maybe he wasn't a couple minutes ago. Maybe those items from the past dredged up memories that were best left forgotten. But he's here now, in this moment with his boyfriend, and he's fine. He's survived a lot. He's grown a lot. He's happy. So he smiles and he says yes, yes he's alright, and he kisses Buck, who also smiles, deeply. The doors close, implying sexytimes and Tommy closing the door on all the chapters of his life that have led him to this place, where he's now ready to embrace and walk into his future.

aaaaand SCENE :) the end.

#HELLOOOOOOOO #WHEN DO I GET TO WATCH THIS EPISODE #JACK YOU WERE NEEDED IN THE WRITERS ROOM LIKE YESTERDAY #911 #tommy kinard