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#wot amol spoilers
amyrlinegwene · 21 days
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My youngest sister favs <3
I feel like I don't really see people talking about how many parallels Egwene and Moiraine have in the books so here is my venn diagram. Feel free to add any more parallels from the books
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butterflydm · 5 months
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restructuring the wheel of time into ten books
So a little while ago, there was a poll about people's favored choice for how many books should have been in WoT -- I voted for 'ten' and this is, I guess, my argument for a ten book series.
Books 1-5, I don’t really have any notes on when it comes to structure. Every book is complete in and of itself. While books 2 & 3 do have something of a repetitive structure, I think that works better in a book series than in a tv series.
The only suggestions that I would have structurally would be minor things like “tweak Rand’s power levels in the early books to keep him more in line with what he does later” (aka what the show is doing, lol) and maybe not having Ishamael present during the Battle of Falme and having that purely against the Seanchan, so that we don’t have super similar climaxes for Rand two books in a row (Rand could get his wound in Tear instead). And those are the sorts of things that I think it might be likely that Jordan would have done if he’d known exactly how long the series would end up being -- ex. he clearly backed down on Rand’s power jump when he realized that the series would be going for longer than he’d originally planned.
One minor plot change that I would do is put Perrin feeling Rand tug at him as the epilogue of TFOH or thereabouts. Just a little hint of Perrin in there, showing that he'll have a bigger role in the next book.
Book 6, though... I have some thoughts there.
Lord of Chaos/A Crown of Swords: this is the first book where the beginning really takes some time getting off the ground -- there are several Salidar chapters that could have been combined. This is really the first place in the books where characters hang around doing nothing (we're told more than once in Elayne & Nynaeve's PoV that they're barely being taught anything and that being there feels pointless), waiting for it to be time to actually Do Some Plot (the big Healing of severing) and it's just the beginning of a bad trend.
The other structural change that I would suggest is not doing the weird feint with Mat's character where he starts off doing a "Rand's general" storyline and then creakily transitions over to Salidar instead. Since Mat isn't actually going to Illian, he doesn't need to be marching south. He could just still be in Cairhien/Caemlyn and have Rand take him to Salidar from there. As it is, we end up spending several chapters on a storyline that gets abruptly terminated part of the way through the book so that Mat can do a completely different storyline instead and that really pads out the pages unnecessarily (this was a really bad trend that happened with Mat's character in particular more than once in the books; his storylines would just stop in their tracks and get shifted to something else entirely and never go back to his original storyline; ex. we literally never find out why/what the murdered caravan of Tuatha'an had to do with anything, because Mat never bothers to tell Rand their message because he spends the entire rest of the book series doing completely unrelated things and only ever sees Rand again for a brief conversation that is dominated by everyone catering to his slaver wife -- we never get payoff for the vast majority of Mat's storylines, even the minor threads). It really does feel like Jordan started writing the book, then went "oh shit, Mat needs to meet & marry the DotNM" and just abruptly changed Mat's story to yeet him to Ebou Dar without actually rewriting the earlier bits in the book.
Outside of that, the main change I would suggest being made in these books is improving Min’s characterization and Min and Rand’s relationship by NOT having Min change herself for Rand. Let Rand fall in love with Min as she is, not the dolled-up version of Min that she invents for Rand’s benefit (there are other characterization tweaks I would recommend as well, but Min is kinda the biggest issue imo).
The main ‘story arc’ for Rand that's set up in LoC is ‘defeating Sammael’ and it should take place over the course of a single book, not two separate books. Parts of ACoS would be saved for the next book but the Illian climax should happen in the same book that the story starts. I would title this book “A Crown of Swords” so that the focus is on Rand’s story, not the Forsakens' (and part of the oddness here is definitely due to Jordan changing his mind about doing the Taim-Demandred combo, so he sets up something that ends up going nowhere).
Inciting incidents:
Egwene is summoned to Salidar leading to Rand sending Mat there as well
Min arrives in Caemlyn, leading to The Box Incident
Turning point:
After the Box incident, Perrin and Rand stage a fight so that Perrin can go find Masema
Egwene sends Elayne, Nynaeve, Mat & co to Ebou Dar to look for the Bowl of the Winds and they actually take advantage of Mat being ta’veren right away instead of waiting around for a month (all the delays in Mat's various storylines had a knock-on effect in delaying everyone else's storylines, imo -- the Slog happens because everyone is waiting on Mat, whether they know it or not)
Climax:
Rand defeats Sammael
The attack of the Seanchan on Ebou Dar begins
A Crown of Swords/The Path of Daggers/Winter’s Heart: The Path of Daggers only needs some of trimming imo. Once that trimming is done, I think Elayne’s section of the prologue of WH could slid into it fairly neatly as a bit of an ‘upbeat’ epilogue, which would be a contrast to the darkness of Rand’s ending in the previous book and his defeat here when he tries to repel the Seanchan from Ebou Dar.
Also have Mat interact with Tuon throughout this book, essentially like he did in WH (Mat's interactions with Tuon in WH make sense with his previous characterization; it's in CoT & KoD when Jordan had him completely reverse on his moral outlook on slavery so that he would be willing to make out with a slaver - genuinely, how Mat goes from sympathizing with slaves in WH to sympathizing with slavers in CoT remains one of the most baffling writing choices that I've ever run across; especially with how limp and one-sided it made everything about Mat & Tuon feel in those books for me, because Jordan drained all the potential interesting conflict out of the pairing so that he could focus on Mat navel-gazing about his self-inflicted prophecy woes, making him just Min 2.0. *sigh*). This book I would choose to be named “The Path of Daggers” out of the available options.
Inciting incidents:
Elayne & Nynaeve use the Bowl of the Winds as Ebou Dar is invaded by the Seanchan and Mat gets left behind during the escape
Perrin & co find Masema, etc.
Egwene uses the rule of law to take control of the Salidar Aes Sedai
Turning point:
Mat first meets Tuon -- maybe give Mat & Tylin’s first meeting to Mat & Tuon instead, where he accidentally greets her using the Old Tongue, thus sparking her interest (cut out Mat & Tylin’s ‘relationship’ entirely, it was zero percent needed and is needed even less if Tuon arrives in the first wave of the attack, as I'm suggesting here)
Rand learns about the invasion by the Seanchan and goes campaigning
Egwene & the Aes Sedai jump to Tar Valon and begin their siege (since they no longer need to kill time to let Mat's plotline happen)
Climax:
Rand fails to defeat the Seanchan & gets attacked in the Sun Palace but kills the attackers here instead of us needing the Far Madding detour (which just felt like a less emotionally-impactful version of The Box to me and Jordan giving in to his desire to write a travelogue)
Faile learns Masema is dealing with the Seanchan and kills him, cutting off that entire path of slog by not getting kidnapped (we really only need one kidnapped wife imo)
Mat escapes Ebou Dar, kidnapping Tuon along the way (there's our allotted Kidnapped Wife)
Egwene is captured by the White Tower Aes Sedai when the rebels block off the harbors to Tar Valon
Winter’s Heart/Crossroads of Twilight/Knife of Dreams: All three of these books would have greatly benefited from being massively cut down to a single volume. This one also has a touch of TGS in it, mostly because Egwene had a lot more story left after KoD than pretty much any other character except maybe Mat.
Specific items to change or cut:
Cut out Far Madding entirely (Rand killed the attackers in Cairhien). Since Tuon arrived with the initial Seanchan invasion fleet in Ebou Dar, Nynaeve can be honest with Rand about Mat being left behind but Rand can see (in his color swirl vision) that Mat is no longer in Ebou Dar and has already escaped, filling that plot hole (the list of contrivances to keep Rand from knowing what happened to Mat frustrated and annoyed me so much when I was reading books WH-KoD).
Have the love confessions and Rand sleeping with Elayne, but don’t do the bonding yet. Have Rand leave Min behind in Caemlyn when he takes Nynaeve off to do the cleansing, so she can (emotionally) bond with Elayne & Aviendha. Since Min was just at ground zero for a terrible attack that was focused on Rand (which should, to Rand, prove his fears about being a danger to the people he loves to be correct!), it really is so bizarre that he keeps backpacking her around to dangerous place (Far Madding) after dangerous place (the Cleansing) after dangerous place (parlay with the Seanchan) and mostly shows that Jordan a) just had no more plot beats for Min until she played pregnancy test for Tuon in the epilogue and b) primarily saw Min as Rand’s Hero Reward rather than a character in her own right. But the whole affair mostly just undermined Rand’s character journey for me (he's so isolated! ...except for his live-in girlfriend).
Don’t do the Shaido plotline at all (have the Shaido scatter back to the Waste post-Dumai’s Wells); instead this should be where Perrin starts his wolf boot camp, so that he actually has a more appropriate amount of time for training before the Last Battle (and his emotional storyline would be a conflict with Faile over her killing Masema). I guess you can do the Whitecloaks storyline here.
Have Mat be the one to make a treaty with the Seanchan, and have Semirhage order the ‘airfleet’ against the White Tower instead of Tuon doing it. Instead of Mat accidentally giving himself away for nothing, have the Mat-Tuon marriage as part of the deal to seal the treaty, since Mat has figured out that she believes that he needs to be her husband, per prophecy, so he uses that to actually get concessions out of her. Because we aren’t trying to convince the readers that Mat is the sort of person who is capable of falling in love with a slaver in the space of a single month, we don’t need to spend two whole books wandering the Altaran countryside doing random shit and instead can get to the politics of it all. Let Mat actually continue to be smart and empathetic in this section of the storyline, rather than lopping off those parts of him and turning him into a zombie bootlicker yes-man. You can still layer in elements of Mat seeing potential in Tuon to be more than just a slaver, just don't have him toss his entire brain & morals away in order to kiss her ass.
Out of the available titles here, I think “Knife of Dreams” is the best one.
Inciting incidents:
Egwene undermines Elaida from within the Tower
Perrin starts Wolf Boot Camp
Rand & Nynaeve cleanse saidin
Turning Point:
Rand faces off against Semirhage and captures her
Egwene finds out from Verin about the extent of the Black Ajah in the White Tower
Aviendha leaves to go to Rhuidean to become a WO
Mat finds out that sul'dam (and thus Tuon) can channel and actually uses it as a negotiation tactic against her, please let this man use his brain during literally any of his conversations with Tuon, I am begging you. The way he reacts in the books to finding out that Tuon is a sul'dam and then that Tuon can channel is SO FUCKING BIZARRE. He just Does Not Care about slavery at all in CoT & KoD and is all Me Me Me about all of the Tuon revelations. In the previous books, Mat claims to be selfish even while constantly doing heroic/selfless things, but in CoT & KoD, he really does just come across as a genuine selfish bastard, someone who only thinks about himself and who doesn't give a shit about anyone else.
Climax:
Tuon and Mat agree on the terms of their marriage alliance and Say The Words
Elayne defeats her fellow claimants to the throne; maybe Min helps root out that Darkfriend captain in her guards, which would lend weight to her being able to do the same later for Tuon and also make it so that Min is at least as helpful to Team Light as she was to the Seanchan
The Seanchan (sent by Semirhage before she went to face Rand) attack the White Tower.
The Gathering Storm/Towers of Midnight: ToM has never made any sense as a title, so I would call this combined book “The Gathering Storm”. This section is more about putting things in a somewhat different order than they happened in the books, with a few tweaks.
Inciting Incidents:
Egwene defeats the Seanchan at the White Tower
Semirhage is freed by Elza and captures Rand, and (stealing @markantonys's excellent suggestion) Nynaeve is the one targeted when Semirhage forces Rand to her will, making Rand push Nynaeve away 'for her protection'
Rand and Egwene have a tense encounter that makes her doubt his sanity.
Turning point:
After taking the test to become full Aes Sedai, Nynaeve gets Lan's bond from Myrelle and then, since Myrelle was literally right outside the Black Tower at the time, Nynaeve and Logain deal with the Black Tower
Egwene deals with the assassins in the Tower (Gawyn subplot)
Perrin deals with the dreamspike and kills Slayer | Egwene deals with Mesaana
Aviendha returns from Rhuidean and reunites with Elayne & Min
Climax:
Rand attacks his father, leading to the moment on Dragonmount
post-epiphany, Rand actually goes to check in on his friends and loved ones, thus making his epiphany have an impact on the storyline -- he Travels to where Mat is and is the one who helps Mat get from Point A (Altara) to Point B (Caemlyn) and letting them actually have a real reunion, delivering Aludra to Elayne, where she is ready to make weapons. In Caemlyn, he talks to Elayne, Aviendha, & Min, leading into the bonding moment.
Mat saves Moiraine from the Tower of Ghenjei.
(epilogue) Tuon arrives back in Ebou Dar and takes control of the Seanchan forces, letting everyone know that there is now a treaty with the Westlands. Her going back with a treaty already tentatively in place would actually make the triumphant tone that the books try to take her with her return make a lot more sense than... readers apparently supposed to be happy??? that one slaver is taking over from another slaver, even though Tuon is just as willing to do awful shit to our protagonists as Suroth was, so it feels like a distinction without a difference to me. Technically, is Tuon marginally better than Suroth? Eh, maybe, but not by much.
A Memory of Light: Most of my changes here either follow from earlier ones (we already have a treaty with the Seanchan, so Mat can just go to Merrilor to start General’ing right away), but apart from that:
Let the Emond’s Field Five (plus Elayne) have a group reunion! (easier to do in this version where Mat's storyline isn't all about sucking up to Tuon, I admit)
Let Perrin and Mat be at Rand’s funeral! (genuinely so bizarre that Sanderson didn't do a one-sentence fix of this tbh; that would have been the easiest thing in the world to fix. One sentence is all you would have needed.)
Let Moiraine be the person who realizes that Rand is still alive, not Cadsuane.
The battle itself could have been cut down somewhat in order to leave more room for character interactions (we probably don't need three separate sword duels for Demandred; kinda excessive). This is a goodbye to people some of us spent over a decade loving; we should be given proper goodbyes to them.
I also feel like there's no need to have everyone and their brother know that Rand is in a relationship with three women? And it felt pointless to have people know that Rand is the father of Elayne's kids too. Have Rand tell his dad (and then have Tam actually act like he has that knowledge during his scenes with Elayne; it is genuinely bizarre how formal Tam and Elayne's interactions were in AMoL; she knows that he's Rand's dad! That's the grandfather of her kids!) but there's no need for a continent-wide memo about Rand's love life. I know this was likely all because of the epilogue where the whole world knows about ~the three~ grieving widows but this is all about a theoretical world of only ten books total, so some tweaking of the epilogue is happening regardless.
Inciting incidents:
Moiraine arrives (with Mat) to help heal the rift between Egwene and Rand
Darkfriends attack Caemlyn through the Ways
Climax:
Rand vs The Dark One
Everyone else vs the Shadow’s forces
So, that would leave us with ten books total (plus the New Spring prequel):
The Eye of the World: the journey begins
The Great Hunt: more important plot elements are introduced, like the Seanchan; Rand begins to learn leadership
The Dragon Reborn: Rand accepts being the Dragon Reborn & takes on a full-time leadership role; Mat now has his luck & Perrin has met Faile
The Shadow Rising: Perrin takes on a leadership role when he leads the defense of the Two Rivers
The Fires of Heaven: Mat takes on a leadership role during the Battle of Cairhien, creating the Band of the Red Hand
A Crown of Swords: Egwene takes on a leadership role by becoming Amyrlin Seat of the rebel Aes Sedai
The Path of Daggers: Elayne takes on a leadership role by putting in her claim to become Queen of Andor
Knife of Dreams: Rand & Nynaeve reverse the Dark One’s counterstroke and then Rand tries and fails to make an alliance with the Seanchan (fake!Tuon); Perrin goes to wolf boot camp; Mat makes a treaty with the Seanchan via marriage alliance to the DotNM; Elayne gets all ten Houses she needs to secure the throne; Egwene has all-but won over the White Tower as well.
The Gathering Storm: we all prepare for the Last Battle; Rand has his epiphany, in whatever form it takes; Mat saves Moiraine; Perrin defeats Slayer; Egwene and Elayne prepare their respective areas for TLB.
A Memory of Light: the journey ends (for this age)
I feel like this gives us a more consistent build-up to the ending, with each piece building upon the ones before, and not taking an excessive amount of time with subplots in the endgame. Each character also has a more consistent progression as well.
Rand
tEotW: worries about being a male channeler
TGH: told he is the Dragon Reborn but assumes the White Tower wants to use him as a false Dragon
TDR: goes on a journey to prove whether or not he’s TDR and proves that he is; taking control of Tear
TSR: becomes the Car’a’carn
TFoH: takes control of Cairhien
ACoS: takes control of Illian
TPoD: has his first major failure when he is unable to repel the Seanchan from Ebou Dar
KoD: succeeds in cleansing saidin but fails to make peace with the Seanchan
TGS: has rock-bottom moment and then his epiphany; he learns he doesn’t have to do it All On His Own
AMoL: re-seals TDO
Egwene
tEotW: sets off an adventure
TGH: experiences great trauma at the hands of the Seanchan
TDR: Black Ajah Hunter
TSR: Goes to the Aiel Waste to begin her training
TFoH: One of her mentors (Moiraine) dies
ACoS: is called to take on a leadership position
TPoD: takes control of the rebel Aes Sedai
KoD: besieges Tar Valon and is captured
TGS: become Amrylin of a united White Tower
AMoL: leads in the Last Battle and becomes an inspirational figure
Perrin
tEotW: discovers that he’s a wolfbrother
TGH: is first placed in a leadership position when Rand disappears
TDR: meets Faile
TSR: defends the Two Rivers (Slayer introduced)
TFoH: feels the tug of ta’veren and leaves the Two Rivers again
ACoS: saves Rand
TPoD: finds Masema; Faile kills Masema
KoD: Wolf Boot Camp
TGS: deals with Slayer in the Wolf Dream
AMoL: leads the wolves at the Last Battle (instead of it being Elyas)
Nynaeve
tEotW: sets out to protect the four kiddos
TGH: adopts Elayne as a fifth kiddo
TDR: Black Ajah Hunter
TSR: Tanchico & the SAD bracelets; Egeanin
TFoH: defeating Rahvin & capturing Moghedien
ACoS: Salidar & Ebou Dar
TPoD: using the Bowl of the Winds
KoD: cleansing saidin
TGS: the Black Tower plotline
AMoL: with Rand at the climax of TLB; being the Ultimate Protector
Mat
tEotW: finds the dagger
TGH: blows the Horn of Valere
TDR: discovers his luck
TSR: Rhuidean & prophecy
TFoH: the Battle of Cairhien & the Band of the Red Hand
ACoS: Salidar & Seanchan invasion in Ebou Dar
TPoD: meets & kidnaps the Daughter of the Nine Moons
KoD: forms a marriage alliance with the Daughter of the Nine Moons
TGS: saving Moiraine
AMoL: General of the forces of Light at the Last Battle
Elayne
tEotW: meets Rand, heads off to Tar Valon
TGH: gets a found family in Egwene, Nynaeve, & Min
TDR: Black Ajah Hunter (meets Aviendha)
TSR: Tanchico & the SAD bracelets; Egeanin
TFoH: bonding Birgitte; Circus storyline
ACoS: Salidar & Ebou Dar
TPoD: using the Bowl of the Winds & heading to Andor
KoD: becoming Queen (plot climax)
TGS: bonds Rand (emotional climax)
AMoL: powerful leader during the Last Battle
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birgittesilverbae · 2 years
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head empty these teotw-amol parallels only
Egwene, standing firm against overwhelming odds as she faces one of the Forsaken for the first time and the last
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Rand, powerless to protect her no matter how much he's learned
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asha-mage · 25 days
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WoT Meta: Feudalism, Class, And The Politics of The Wheel of Time
One of my long standing personal annoyances with the fantasy genre is that it often falls into the trap of simplifying feudal class systems, stripping out the interesting parts and the nuance to make something that’s either a lot more cardboard cut-out, or has our modern ideas about class imposed onto it.
Ironically the principal exception is also the series that set the bar for me. As is so often the case, Robert Jordan’s Wheel of Time is unique in how much it works to understand and convey a realistic approach to power, politics, government, rulership, and the world in general–colored neither by cynicism or idealism. How Jordan works the feudal system into his world building is no exception–weaving in the weaknesses, the strengths, and the banal realities of what it means to have a Lord or Lady, a sovereign Queen or King, and to exist in a state held together by interpersonal relationships between them–while still conveying themes and ideas that are, at their heart, relevant to our modern world.
So, I thought I’d talk a little bit about how he does that.
Defining the Structure
First, since we’re talking about feudal class systems, let's define what that means– what classes actually existed, how they related to each other, and how that is represented in Jordan’s world. 
But before that, a quick disclaimer. To avoid getting too deep into the historical weeds, I am going to be making some pretty wide generalizations. The phrases ‘most often’, ‘usually’, and ‘in general’ are going to be doing a lot of heavy lifting. While the strata I’m describing is broadly true across the majority medieval and early Renaissance feudal states these things were obviously heavily influenced by the culture, religion, geography, and economics of their country–all of which varied widely and could shift dramatically over a surprisingly small amount of time (sometimes less than a single generation). Almost nothing I am going to say is universally applicable to all feudal states, but all states will have large swathes of it true for them, and it will be widely applicable. The other thing I would ask you to keep in mind is that a lot of our conceptions of class have been heavily changed by industrialization. It’s impossible to overstate how completely the steam engine altered the landscape of socio-politics the world over, in ways both good and bad. This is already one of those things that Jordan is incredibly good at remembering, and that most fantasy authors are very good at forgetting. 
The disparity between your average medieval monarch’s standard of living and their peasants was pretty wide, but it was nothing compared to the distance between your average minimum wage worker and any billionaire; the monarch and the peasant had far more in common with each other than you or I do with Jeff Bezos or Mike Zuckerberg. The disparity between most people’s local country lord and their peasants was even smaller. It was only when the steam engine made the mass production of consumer goods possible that the wealth gap started to become a chasm–and that was in fact one of the forces that lead to the end of the feudal system and the collapse of many (though by no means all) of the ruling monarchies in Europe. I bring this up because the idea of a class system not predicated on the accumulation of capital seems pretty alien to our modern sensibilities, but it was the norm for most of history. Descent and birth mattered far more than the riches you could acquire–and the act of accumulating wealth was itself often seen as something vulgar and in many countries actively sinful. So with that in mind, what exactly were the classes of feudalism, and how do they connect to the Wheel of Time?
The Monarch and their immediate family unsurprisingly occupied the top of the societal pyramid (at least, in feudal states that had a monarch and royal family- which wasn’t all of them). The Monarch was head of the government and was responsible for administering the nation: collecting taxes, seeing them spent, enforcing law, defending the country’s borders and vassals in the event of war, etc. Contrary to popular belief, relatively few monarchs had absolute power during the medieval period. But how much power the monarch did have varied widely- some monarchs were little more than figureheads, others were able to centralize enough power on themselves to dictate the majority of state business- and that balance could shift back and forth over a single generation, or even a single reign depending on the competence of the monarch. 
The royal family usually held power in relation to their monarch, but also at the monarch’s discretion. The more power a monarch had, the more likely they were to delegate it to trusted family members in order to aid with the administration of the realm. This was in both official and unofficial capacities: princes were often required to do military service as a right of passage, and to act as diplomats or officials, and princesses (especially those married into foreign powers) were often used as spies for their home state, or played roles in managing court affairs and business on behalf of the ruler.
Beneath the monarch and their family you get the noble aristocracy, and I could write a whole separate essay just on the delineations and strata within this group, but suffice to say the aristocracy covers individuals and families with a wide range of power and wealth. Again, starting from that country lord whose power and wealth in the grand scheme of things is not much bigger than his peasants, all the way to people as powerful, or sometimes more powerful, than the monarch. 
Nobles in a feudal system ruled over sections of land (the size and quality usually related sharply to their power) setting taxes, enforcing laws, providing protection to the peasants, hearing petitions, etc. within their domains. These nobles were sometimes independent, but more often would swear fealty to more powerful nobles (or monarchs) in exchange for greater protection and membership in a nation state. Doing so meant agreeing to pay taxes, obey (and enforce) the laws of the kingdom, and to provide soldiers to their liege in the event of war. The amount of actual power and autonomy nobles had varied pretty widely, and the general rule of thumb is that the more powerful the monarch is, the less power and autonomy the nobles have, and vice versa. Nobles generally were expected to be well educated (or at least to be able to pretend they were) and usually provided the pool from which important government officials were drawn–generals, council members, envoys, etc–with some kingdoms having laws that prevented anyone not of noble descent from occupying these positions.
Beneath the nobles you get the wealthy financial class–major merchants, bankers, and the heads of large trade guilds. Those Marx referred to generally as the bourgeoisie because they either own means of production or manage capital. In a feudal system this class tended to have a good bit of soft power, since their fortunes could buy them access to circles of the powerful, but very little institutional power, since the accumulation and pursuit of riches, if anything, was seen to have negative moral worth. An underlying presumption of greediness was attached to this class, and with it the sense that they should be kept out of direct power.
That was possible, in part, because there weren't that many means of production to actually own, or that much capital to manage, in a pre-industrial society. Most goods were produced without the aid of equipment that required significant capital investment (a weaver owned their own loom, a blacksmith owned their own tools, etc), and most citizens did not have enough wealth to make use of banking services. This is the class of merchants who owned, but generally didn’t directly operate, multiple trading ships or caravans, guild leaders for craftsfolk who required large scale equipment to do their work (copper and iron foundries for the making of bells, for example), and bankers who mainly served the nobility and other wealthy individuals through the loaning and borrowing of money. This usually (but not always) represented the ceiling of what those not born aristocrats could achieve in society.
After that you get middling merchants, master craftsfolk and specialty artisans, in particular of luxury goods. Merchants in this class usually still directly manage their expeditions and operations, while the craftsfolk and artisans are those with specialty skill sets that can not be easily replicated without a lifetime of training. Master silversmiths, dressmakers, lacquer workers, hairdressers, and clockmakers are all found in this class. How much social clout individuals in this class have usually relates strongly to how much value is placed on their skill or product by their society (think how the Seanchan have an insatiable appetite for lacquer work and how Seanchan nobles make several Ebou Dari lacquer workers very rich) as well as the actual quality of the product. But even an unskilled artisan is still probably comfortable (as Thom says, even a bad clockmaker is still a wealthy man). Apprenticeships, where children are taught these crafts, are thus highly desired by those in lower classes,as it guaranteed at least some level of financial security in life.
Bellow that class you find minor merchants (single ship or wagon types), the owners of small businesses (inns, taverns, millers etc), some educated posts (clerks, scribes, accountants, tutors) and most craftsfolk (blacksmiths, carpenters, bootmakers, etc). These are people who can usually support themselves and their families through their own labor, or who, in the words of Jin Di, ‘work with their hands’. Most of those who occupy this class are found in cities and larger towns, where the flow of trade allows so many non-food producers to congregate and still (mostly) make ends meet. This is why there is only one inn, one miller, one blacksmith (with a single apprentice) in places like Emond’s Field: most smaller villages can not sustain more than a handful of non-food producers. This is also where you start to get the possibility of serious financial instability; in times of chaos it is people at this tier (and below) that are the first to be forced into poverty, flight, or other desperate actions to survive.
Finally, there is the group often collectively called ‘peasants’ (though that term is also sometimes used to mean anyone not noble born). Farmers, manual laborers, peddlers, fishers- anyone who is unlikely to be able to support more than themselves with their labor, and often had to depend on the combined labor of their spouse and families to get by. Servants also generally fit into this tier socially, but it’s important to understand that a servant in say, a palace, is going to be significantly better paid and respected than a maid in a merchant's house. This class is the largest, making up the majority of the population in a given country, and with a majority of its own number being food-producers specifically. Without the aid of the steam engine, most of a country’s populace needs to be producing food, and a great deal of it, in order to remain a functional nation. Most of the population as a result live in smaller spread out agrarian communities, loosely organized around single towns and villages. Since these communities will almost always lack access to certain goods or amenities (Emond’s Field has a bootmaker, but no candlemaker, for example) they depend on smalltime traders, called peddlers, to provide them with everyday things, who might travel from town to town with no more than a single wagon, or even just a large pack.
The only groups lower than peasants on the social hierarchy are beggars, the destitute, and (in societies that practice slavery) slaves. People who can not (or are not allowed to) support themselves, and instead must either eke out a day to day existence from scraps, or must be supported by others. Slaves can perform labor of any kind, but they are regarded legally as a means of production rather than a laborer, and the value is awarded to their owner instead. 
It’s also worth noting that slavery has varied wildly across history in how exactly it was carried out and ran the gamut from the trans-Atlantic chattel slavery to more caste or punitive-based slavery systems where slaves could achieve freedom, social mobility, or even some degree of power within their societies. But those realities (as with servants) had more to do with who their owners were than the slave’s own merit, and the majority of slaves (who are almost always seen as less than a freedman even when they are doing the same work) were performing the same common labor as the ‘peasant’ class, and so viewed as inferior.
Viewing The Wheel of Time Through This Lens
So what does all this have to do with Robert Jordan’s Wheel of Time? A lot actually, especially compared to his contemporaries in fantasy writing. Whereas most fantasy taking place in feudal systems succumbs to the urge to simplify matters (sometimes as far down to their only being two classes, ‘peasant’ and ‘royalty’) Jordan much more closely models real feudalism in his world. 
The majority of the nations we encounter are feudal monarchies, and a majority of each of their populations are agrarian farming communities overseen by a local lord or other official. How large a nation’s other classes are is directly tied to how prosperous the kingdom is, which is strongly connected to how much food and how many goods the kingdom can produce on the available land within it. This in turn, is tightly interdependent on how stable the kingdom is and how effective its government is.
Andor is the prime example: a very large, very prosperous kingdom, which is both self-sufficient in feeding itself via its large swathes of farmland (so much so that they can afford to feed Cairhien through selling their surplus almost certainly at next to no profit) and rich in mineral wealth from mines in the west. It is capable of supporting several fairly large cities even on its outskirts, as well as the very well-developed and cosmopolitan Caemlyn as its capital. This allows Andor to maintain a pretty robust class of educated workers, craftsfolk, artisans, etc, which in turn furthers the realm’s prosperity. At the top of things, the Queen presides over the entire realm with largely centralized power to set laws and taxes. Beneath her are the ‘great houses’–the only Houses in Andor besides the royal house who are strong enough that other nobles ‘follow where they lead’ making them the equivalent of Duchesses and Dukes, with any minor nobles not sworn directly to the Queen being sworn to these ten.
And that ties into something very important about the feudal system and the impact it had on our world and the impact it has on Jordan's. To quote Youtuber Jack Rackham, feudalism is what those in the science biz would call an unstable equilibrium. The monarch and their vassals are constantly in conflict with each other; the vassals desiring more power and autonomy, as the monarch works to centralize power on themselves. In feudalism there isn’t really a state army. Instead the monarch and the nobles all have personal armies, and while the monarch’s might be stronger than anyone else’s army, it’s never going to be stronger than everybody else’s. 
To maintain peace and stability in this situation everyone has to essentially play Game of Thrones (or as Jordan called it years before Martin wrote GoT, Daes Dae’mar) using political maneuvering, alliances, and scheming in order to pursue their goals without the swords coming out, and depending on the relative skill of those involved, this can go on for centuries at a time….or break apart completely over the course of a single bad summer, and plunge the country into civil war.
Cairhien is a great example of this problem. After losing the Aiel War and being left in ruins, the monarch who ultimately secured the throne of Cairhien, Galldrian Riatin, started from a place of profound weakness. He inherited a bankrupt, war torn and starving country, parts of which were still actively on fire at the time. As Thom discusses in the Great Hunt, Galddrian's failure to resettle the farmers displaced by the war left Cairhien dependent on foreign powers to feed the populace (the grain exports from Tear and Andor) and in order to prevent riots in his own capital, Galldrian choose bread and circuses to keep the people pacified rather then trying to substantially improve their situation. Meanwhile, the nobles, with no effective check on them, began to flex their power, seeing how much strength they could take away from each other and the King, further limiting the throne’s options in how to deal with the crisis, and forcing the King to compete with his most powerful vassals in order to just stay on the throne. This state of affairs ultimately resulted, unsurprisingly, in one of Galladrin’s schemes backfiring, him ending up dead, and the country plunging into civil war, every aristocrat fighting to replace him and more concerned with securing their own power then with restoring the country that was now fully plunged into ruin.
When Dyelin is supporting Elayne in the Andoran Succession, it is this outcome (or one very much like it) that she is attempting to prevent. She says as much outright to Elayne in Knife of Dreams–a direct succession is more stable, and should only be prevented in a situation where the Daughter Heir is unfit–through either incompetence or malice–to become Queen. On the flip side, Arymilla and her lot are trying to push their own agendas, using the war as an excuse to further enrich their Houses or empower themselves and their allies. Rhavin’s machinations had very neatly destabilized Andor, emboldening nobles such as Arymilla (who normally would never dream of putting forward a serious claim for the throne) by making them believe Morgase and Trakand were weak and thus easy to take advantage of. 
We also see this conflict crop up as a central reason Murandy and Altara are in their current state as well. Both are countries where their noble classes have almost complete autonomy, and the monarch is a figurehead without significantly more power than their vassals (Tylin can only keep order in Ebou Dar and its immediate surrounding area, and from what she says her father started with an even worse deal,with parts of the capital more under the control of his vassals than him). Their main unifying force is that they wish to avoid invasion and domination by another larger power (Andor for Murandy, Illian and Amadica for Altara) and the threat of that is the only thing capable of bringing either country into anything close to unity.
Meanwhile a lack of centralization has its trade offs; people enjoy more relative freedoms and social mobility (both depend heavily on trade, which means more wealth flowing into their countries but not necessarily accumulating at the top, due to the lack of stability), and Altara specifically has a very robust ‘middle class’ (or as near as you can get pre-industrialization) of middling to minor merchants, business and craftsfolk, etc. Mat’s time in Ebou Dar (and his friendship with Satelle Anan) gets into a lot of this. Think of the many many guilds that call Altara home, and how the husband of an inn owner can do a successful enough business fishing that he comes to own several crafts by his own merit. 
On the flip side both countries have problems with violence and lawlessness due to the lack of any enforced uniformity in terms of justice. You might ride a day and end up in land ruled by a Lord or Lady with a completely different idea of what constitutes, say, a capital offense, than the Lord or Lady you were under yesterday. This is also probably why Altara has such an ingrained culture of duels to resolve disputes, among both nobles and common folk. Why appeal to a higher authority when that authority can barely keep the streets clean? Instead you and the person you are in conflict with, on anything from the last cup of wine to who cheated who in a business deal, can just settle it with your knives and not have to bother with a hearing or a petition. It’s not like you could trust it anyways; as Mat informs us, most of the magistrates in Altara do the bidding of whoever is paying their bribes.
But neither Altara nor Murandy represents the extreme of how much power and autonomy nobles can manage to wrangle for themselves. That honor goes to Tear, where the nobles have done away with the monarch entirely to instead establish what amounts to an aristocratic confederacy. Their ruling council (The High Lords of Tear) share power roughly equally among themselves, and rule via compromise and consensus. This approach also has its tradeoffs: unlike Murandy and Altara, Tear is still able to effectively administer the realm and create uniformity even without a monarch, and they are able to be remarkably flexible in terms of their politics and foreign policy, maintaining trade relationships even with bitter enemies like Tar Valon or Illian.  On the flipside, the interests of individual nobles are able to shape policy and law to a much greater extent, with no monarch to play arbiter or hold them accountable. This is the source of many of the social problems in Tear: a higher sense of justice, good, or even just plain fairness all take a back seat to the whims and interest of nobles. Tear is the only country where Jordan goes out of his way, repeatedly, to point out wealth inequality and injustice. They are present in other countries, but Jordan drives home that it is much worse in Tear, and much more obscene. 
This is at least in part because there is no one to serve as a check to the nobles, not even each other. A monarch is (at least in theory) beholden to the country as a whole, but each High Lord is beholden only to their specific people, house and interests, and there is no force present that can even attempt to keep the ambitions and desires of the High Lords from dictating everything. So while Satelle Anan's husband can work his way up from a single fishing boat to the owner of multiple vessels, most fisherman and farmers in Tear scrape by on subsistence, as taxes are used to siphon off their wealth and enrich the High Lords. While in Andor ‘even the Queen most obey the law she makes or there is no law’ (to quote Morgase), Tairen Lords can commit murder, rape, or theft without any expectation of consequences, because the law dosen’t treat those acts as crimes when done to their ‘lessers’, and any chance someone might get their own justice back (as they would in Altara) is quashed, since the common folk are not even allowed to own weapons in Tear. As we’re told in the Dragon Reborn, when an innkeeper is troubled by a Lord cheating at dice in the common room, the Civil Watch will do nothing about it and citizens in Tear are banned from owning weapons so there is nothing he can do about it. The best that can be hoped for is that he will ‘get bored and go away’.
On the opposite end, you have the very very centralized Seanchan Empire as a counter example to Tear, so centralized it’s almost (though not quite) managed to transcend feudalism. In Seanchan the aristocratic class has largely been neutered by the monarchy, their ambitions and plots kept in check by a secret police (the Seekers of Truth) and their private armies dwarfed by a state army that is rigorously kept and maintained. It’s likely that the levies of the noble houses, if they all united together, would still be enough to topple the Empress, but the Crystal Throne expends a great deal of effort to ensure that doesn't happen,playing the nobles against each other and taking advantage of natural divisions in order to keep them from uniting.
Again, this has pros and cons. The Seanchan Empire is unquestionably prosperous; able to support a ridiculous food surplus and the accompanying flow of wealth throughout its society, and it has a level of equity in its legal administration that we don’t see anywhere else in Randland. Mat spots the heads of at least two Seanchan nobles decorating the gates over Ebou Dar when he enters, their crimes being rape and theft, which is a far cry from the consequence-free lives of the Tairen nobles. Meanwhile a vast state-sponsored bureaucracy works to oversee the distribution of resources and effective governance in the Empress’s name. No one, Tuon tells us proudly, has to beg or go hungry in the Empire. But that is not without cost. 
Because for all its prosperity, Seanchan society is also incredibly rigid and controlling. One of the guiding philosophies of the Seanchan is ‘the pattern has a place for everything and everything’s place should be obvious on sight’. The classes are more distinct and more regimented than anywhere else we see in Randland. The freedoms and rights of everyone from High Lords to common folk are curtailed–and what you can say or do is sharply limited by both social convention and law. The Throne (and its proxies) are also permitted to deprive you of those rights on nothing more than suspicion. To paraphrase Egeanin from TSR: Disobeying a Seeker (and presumably any other proxy of the Empress) is a crime. Flight from a Seeker is a crime. Failure to cooperate fully with a Seeker is a crime. A Seeker could order a suspected criminal to go fetch the rope for their own binding, and the suspected criminal would be expected to do it–and likely would because failure to do anything else would make them a criminal anyway, whatever their guilt or innocence in any other matter.
Meanwhile that food surplus and the resulting wealth of the Empire is built on its imperialism and its caste-based slavery system, and both of those are inherently unsustainable engines. What social mobility there is, is tied to the Empire’s constant cycle of expand, consolidate, assimilate, repeat–Egeanin raises that very point early on, that the Corenne would mean ‘new names given and the chance to rise high’. But that cycle also creates an endless slew of problems and burning resentments, as conquered populations resist assimilation, the resistance explodes into violence that the Seanchan must constantly deal with–the ‘near constant rebellions since the Conquest finished’ that Mat mentions when musing on how the Seanchan army has stayed sharp.
The Seanchan also practice a form of punitive and caste-based slavery for non-channelers, and chattel slavery for channelers. As with the real-life Ottoman Empire, some da’covale enjoy incredible power and privilege in their society, but they (the Deathwatch Guard, the so’jhin, the Seekers) are the exception, not the rule. The majority of the slaves we encounter are nameless servants, laborers, or damane. While non-channelers have some enshrined legal protections in how they can be treated by their masters and society as a whole, we are told that emancipation is incredibly rare, and the slave status is inherited from parent to child as well as used as a legal punishment–which of course would have the natural effect of discouraging most da’covale from reproducing by choice until after (or if) they are emancipated–so the primary source for most of the laborers and servants in Seanchan society is going to be either people who are being punished or who choose to sell themselves into slavery rather then beg or face other desperate circumstances. 
This keeps the enslaved population in proportion with the rest of society only because of the Empire’s imperialism- that same cycle of expand, consolidate, assimilate, repeat, has the side effect of breeding instability, which breeds desperation and thus provides a wide pool to draw on of both those willing to go into slavery to avoid starvation, and those who are being punished with slavery for wronging the state in some manner. It’s likely the only reason the Empire’s production can keep pace with its constant war efforts: conquered nations (and subdued rebellions) eventually yield up not just the necessary resources, but also the necessary laborers to cultivate them in the name of the state, and if that engine stalls for any sustained length of time (like say a three hundred year peace enforced by a treaty), it would mean a labor collapse the likes of which the Empire has never seen before.
A note on damane here: the damane system is undoubtedly one of chattel slavery, where human beings are deprived of basic rights and person hood under the law for the enrichment of those that claim ownership over them. Like in real life this state of affairs is maintained by a set of ingrained cultural prejudices, carefully constructed lies, and simple ignorance of the truly horrific state of affairs that the masses enjoy. The longevity of channelers insulates the damane from some of the problems of how slavery can be unsustainable, but in the long run it also suffers from the same structural problem: when the endless expansion stops, so too will the flow of new damane, and the resulting cratering of power the Empire will face will put it in jeopardy like nothing has before. There is also the problem that, as with real life chattel slavery, if any one piece of the combination of ignorance, lies, and prejudice starts to fall apart, an abolition movement becomes inevitable–and several characters are setting the stage for just that via the careful spreading of the truth about the sul’dam. Even if the Seanchan successfully put down an abolition movement, doing so will profoundly weaken them in a way that will necessitate fundamental transformation, or ensure collapse.
How Jordan Depicts The Relationships Between Classes
As someone who is very conscious in how he depicts class in his works, it makes sense that Jordan frequently focuses on characters interacting through the barriers of their various classes in different ways. New Spring in particular is a gold mine for this kind of insight.
Take, for example, Moiraine and Siuan’s visit to the master seamstress. A lesser writer would not think more deeply on the matter than ‘Moiraine is nobly born so obviously she’s going to be snobby and demanding, while down-to-earth Siuan is likely to be build a natural rapport and have better relationship her fellow commoner, the seamstress Tamore Alkohima’. But Jordan correctly writes it as the reverse: Tamore Alkohima might not be nobly born, but she is not really a peasant either–rather she belongs to that class of speciality artisans, who via the value placed on her labor and skill, is able to live quite comfortably. Moiraine is much more adept at maneuvering this kind of possibly fraught relationship than Siuan is. Yes, she is at the top of the social structure (all the more so since becoming Aes Sedai) but that does not release her from a need to observe formalities and courtesies with someone who, afterall, is doing something for Moiraine that she can not do for herself, even with the Power. If Moiraine wants the services of a master dressmaker, the finest in Tar Valon, she must show respect for both Tamore Alkohima and her craft, which means submitting to her artistic decisions, as well as paying whatever price, without complaint.
Siuan, who comes from the poor Maule district in Tear, is not used to navigating this kind of situation. Most of those she has dealt with before coming to the Tower were either her equals or only slightly above her in terms of class. She tries to treat Tamore Alkohima initially like she most likely treated vendors in the Maule where everyone is concerned with price, since so many are constantly on the edge of poverty, and she wants to know exactly what she is buying and have complete say over the final product, which is the practical mentality of someone to whom those factors had a huge impact on her survival. Coin wasted on fish a day from going bad, or netting that isn’t the right kind, might have meant the difference between eating that week or not, for a young Siuan and her father. 
Yet this this reads as an insult to Tamore Alkohima, who takes it as being treated with mockery, and leads to Moiraine needing to step in to try and smooth things over, and explain to Siuan-
“Listen to me, Siuan and do not argue.” she whispered in a rush. “We must not keep Tamore waiting long. Do not ask after prices: she will tell us after we make our selections. Nothing you buy here will be cheap, but the dresses Tamore sews for you will make you look Aes Sedai as much as the shawl does. And it is Tamore, not Mistress Alkohima. You must observe the properties or she will believe you are mocking her. But try thinking of her as a sister who stands just a little above you. A touch of deference is necessary. Just a touch, but she will tell you what to wear as much as she asks.” “And will the bloody shoe maker tell us what kind of slippers to buy and charge us enough to buy fifty new sets of nets?” “No.” Moiraine said impatiently. Tamore was only arching one eyebrow but her face may as well have been a thunderhead. The meaning of that eyebrow was clear as the finest crystal. They had already made the seamstress wait too long, and there was going to be a price for it. And that scowl! She hurried on, whispering as fast as she could. “The shoemaker will make us what we want and we will bargain the price with him, but not too hard if we want his best work. The same with the glovemaker, the stockingmaker, the shiftmaker, and all the rest. Just be glad neither of us needs a hairdresser. The best hairdressers are true tyrants, and nearly as bad as perfumers.”
-New Spring, Chapter 13: Business in the City.
Navigating the relationship between characters of a different class is something a of a running theme throughout New Spring–from Moiraine’s dealing with the discretion of her banker (‘Another woman who knew well her place in the world’ as Moiraine puts it), to having to meet with peasants during her search for the Dragon Reborn (and bungling several of those interactions), to wading through the roughest criminal parts of Chachin in search of an inn, and frequently needing to resort to the Power to avoid or resolve conflict. Moiraine’s ability to handle these situations is tightly tied to her experience with the people involved prior to her time as a Novice, but all hold up and give color to the class system Jordan presents. It also serves as set up so that when Moraine breaks the properties with a different seamstress near the end of the book, it can be a sign of the rising tension and the complex machinations she and Siuan find themselves in.
Notably, Moiraine and Siuan’s relative skill with working with people is strongly related to their backgrounds: the more Moiraine encounters people outside her lived experience as a noble daughter in Cairhien, the more she struggles to navigate those situations while Siuan is much more effective at dealing with the soldiers during the name-taking sequence (who are drawn mostly from the same class as her–common laborers, farmers, etc), and the people in Chachin, where she secures an lodging and local contacts to help in the search with relative ease.
Trying to navigate these waters is also something that frequently trips up characters in the main series as well, especially with the Two Rivers folk who are, ultimately, from a relatively classless society that does not subscribe to feudal norms (more on that below). All of them react to both moving through a society that does follow those norms, and later, being incorporated into its power structures in different, frequently disastrous ways.
Rand, who is not used to the complicated balance between vassal and monarch (which is all the more complicated as he is constantly adding more and more realms under his banner) finds imposing his will and leading the aristocrats who swear fealty to him incredibly difficult. While his reforms are undoubtedly good for the common folk and the general welfare of the nations he takes over, he is most often left to enforce them with threats and violence, which ultimately fuel resistance, rebellion, and more opposition to him throughout the nations he rules, and has down-the-line bad ripple effects on how he treats others, both noble and not, who disagree with him. 
Rand also struggles even with those who sincerely wish to serve and aid him in this context: he is awkward with servants, distant with the soldiers and warriors who swear their lives to him, and even struggles with many of his advisors and allies. Part of that is distrust that plagues him in general, but a big element to it is also his own outsider perspective. The Aiel frequently complain that Rand tries to lead them like a King, but that’s because they assume a wetlander King always leads by edict and command. Yet Rand’s efforts to do that with the Westland nations he takes over almost always backfire or have lasting consequences. Rand is frequently trying to frequently play act at what he thinks a King is and does–and when he succeeds it’s almost always a result of Moiraine or Elayne’s advice on the subject, not his own instincts or preconceptions.
Perrin, meanwhile, is unable to hide his contempt for aristocracy and those that willingly follow them, which leads to him both being frequently derelict in his duties as a Lord, and not treating his followers with a great deal of respect. Nynaeve has a similar problem, where she often tries to ‘instill backbone’ into those lower in the class system then her, then comes to regret it when that backbone ends up turned on her, and her leadership rejected or her position disrespected by those she had encouraged to reject leadership or not show respect to people in higher positions.
Interestingly, it’s Mat that most effectively manages to navigate various inter-class relationships, and who via the Band of the Red Hand builds a pretty equitable, merit-based army. He does this by following a simple rule: treating people how they wish to be treated. He accepts deference when it’s offered, but never demands it. He pushes back on the notion he’s a Lord often, but only makes it a serious bone with people who hold the aristocracy in contempt. He’s earnest in his dealings, fair minded, and good at reading social situations to adapt to how folks expect him to act, and when he breaches those expectations it’s usually a deliberate tactical choice. 
This lets him maintain strong friendships with people of all backgrounds and classes– from Princes like Beslan to horse thieves like Chel Vanin. More importantly, it makes everyone under his command feel included, respected, and valued for what they are. Mat has Strong Ideas About Class (and about most things really), but he’s the only Two Rivers character who doesn't seem to be working from an assumption that everyone else ought to live by his ideals. He thinks anyone that buys into the feudal system is mad, but he doesn't actually let that impact how he treats anyone–probably from the knowledge that they think he’s just as mad.
Getting Creative With the Structure
The other thing I want to dig into is the ways in which Jordan, via his understanding of the feudal system, is able to play with it in creative and interesting ways that match his world. Succession is the big one; who rules after the current monarch dies is a massively important matter since it determines the flow of power in a country from one leader to the next. The reason so many European monarchies had primogeniture (eldest child inherits all titles) succession is not because everyone just hated second children, it’s because primogeniture is remarkably stable. Being able to point to the eldest child of the monarch and say them, that one, and their younger sibling if they're not around, and so on is very good for the transition of power, since it establishes a framework that is both easy to understand and very very hard to subvert. Pretty much the only way, historically, to subvert a primogeniture succession is for either the heir’s blood relationship to the monarch or the legitimacy of their parent’s marriage to be called into question.
And yet despite that, few of the countries in Jordan's world actually use primogeniture succession. Andor does, as do some of the Borderlands, but the majority of  monarchies in Randland use elective succession, where the monarch is elected from among the aristocratic class by some kind of deliberative body. This is the way things are in Tarabon, Arad Doman,Ghealdan, Illian, and Malkier, who all elect the monarchs (or diarchs in the case of Tarabon- where two rulers, the Panarch and the King, share power) via either special council or some other assembly of aristocrats. 
There are three countries where we don’t know the succession type (Arafel, Murandy, and Amadicia) but also one we know for sure doesn't use primogeniture succession: Cairhien. We know this because Moiraine’s claim to the Sun Throne as a member of House Damodred is seen as as legitimate enough for the White Tower to view putting her on the Sun Throne as a viable possibility, despite the fact that she has two older sisters whose claims would be considered superior to her own under primogeniture succession. We never find out for sure in the books what the succession law actually is (the country never stabilizes for a long enough period that it becomes important), but if I had to guess I would guess that it’s designated,where the monarch chooses their successor prior to their death, and that the civil war that followed the Aiel War was the result of both Laman and his designated heir(s) dying at the Bloodsnows (we are told by Moiraine that Laman and both his brothers are killed; likely one of them was the next in line).
One country that we know for sure uses designated succession is Seanchan, where the prospective heir is still chosen from among the children of the Empress, but they are made to compete with each other (usually via murder and plotting) for the monarch’s favor, the ‘best’ being then chosen to become the heir. This very closely models how the Ottoman Empire did succession (state sanctioned fratricide) and while it has the potential to ensure competence (by certain metrics, anyways) it also sows the seeds of potential instability by ensuring that the monarch is surrounded by a whole lot of people with bad will to them and feelings of being cheated or snubbed in the succession, or else out for vengeance for their favored and felled candidate. Of course, from the Seanchan’s point of view this is a feature not a bug: if you can’t win a civil war or prevent yourself from being assassinated, then you shouldn’t have the throne anyways.
Succession is far from the only way that Jordan plays with the feudal structure either. Population is something else that is very present in the world building, even though it’s only drawn attention to a handful of times. In our world, the global population steadily and consistently rose throughout the middle ages and the Renaissance (with only small dips for things like the plague and the Mongol Invasion), then exploded with the Industrial Revolution and has seen been on a meteoric climb year over year (something that may just now be stabilizing into an equilibrium again, only time will tell). This is one of the pressures that led to the collapse of feudalism in the real world, as a growing aristocratic class was confronted with finite land and titles, while at the same time the growing (and increasingly powerful) wealthy financial class of various countries were beginning to challenge the traditions and laws that kept them out of direct power. If you’ve ever read a Jane Austen novel (or really anything from the Georgian/Regency/Victorian eras) this tension is on display. The aristocratic class had never been as secure as people think, but the potential to fall into poverty and ruin had never been a greater threat, which had ripple effects for the stability of a nation, and in particular a monarch who derived much of their power from the fealty of their now-destabilized vassals.
In Jordan’s world however, we are told as early as The Great Hunt that the global population is steadily falling, and has been since the Hundred Years’ War (at least). No kingdom is able to actually control all the territory it has on a map, the size of armies have in particular shrunk consistently (to the point where it’s repeatedly commented on that the armies Rand puts together, some of no more than a few thousand, are larger than any ‘since Artur Hawkwing's day’), large swathes of land lay ungoverned and even more uninhabited or settled. Entire kingdoms have collapsed due to the inability of their increasingly small populations to hold together. This is the fate of many of the kingdoms Ingtar talks about in the Great Hunt: Almoth, Gabon, Hardan, Moredo, Caralain, to name just a few. They came apart due to a combination of ineffective leadership, low population, and a lack of strong neighbors willing or able to extend their power and stability over the area.
All of this means that there is actually more land than there are aristocrats to govern it; so much so that in places like Baerlon power is held by a crown-appointed governor because no noble house has been able to effectively entrench in the area. This has several interesting effects on the society and politics of Randland: people in general are far more aware of the fragility of the nation state as a idea then they would be otherwise, and institutions (even the intractable and mysterious White Tower) are not viewed by even their biggest partisans as invulnerable or perpetual. Even the most powerful leaders are aware, gazing out constantly, as they do, at the ruins of the hundreds of kingdoms that have risen and fallen since the Breaking of the World (itself nothing more, to their understanding, then the death of the ultimate kingdom) that there are no guarantees, no promises that it all won’t fall apart. 
This conflict reflects on different characters in different ways, drawing out selfishness and cowardice from some, courage and strength from others. This is a factor in Andor’s surprisingly egalitarian social climate: Elayne and Morgase both boast that Andorans are able to speak their minds freely to their leaders about the state of things, and be listened to, and even the most selfish of leaders like Elenia Sarand are painfully aware that they stand on a tower built from ‘the bricks of the common folk’, and make a concentrated effort to ensure their followers feel included and heard. Conversely it also reflects on the extremely regimented culture of the Borderlands, were dereliction of duty can mean not just the loss of your life, but the loss of a village, a town, a city, to Trolloc raids (another pressure likely responsible for slow and steady decline of the global population). 
The Borderlanders value duty, honor, and responsibility above all else, because those are the cornerstones holding their various nations together against both the march of time and the Blight. All classes place a high value on the social contract; the idea that everyone must fulfill their duty to keep society safe is a lot less abstract when the stakes are made obvious every winter through monsters raiding your towns. This is most obvious in both Hurin and Ingtar’s behavior throughout The Great Hunt: Hurin (and the rest of the non-noble class) lean on the assurance that the noble class will be responsible for the greater scale problems and issues in order to endure otherwise unendurable realities, and that Rand, Ingtar, Aglemar, Lan (all of whom he believes to be nobly born) have been raised with the necessary training and tools to take charge and lead others through impossible situations and are giving over their entire lives in service to the people. In exchange Hurin pays in respect, obedience, and (presumably) taxes. This frees Hurin up to focus on the things that are decidedly within his ken: tracking, thief taking, sword breaking, etc, trusting that Ingtar, and later Rand, will take care of everything else.
When Hurin comes up against the feudal system in Cairhien, where the failures of everyone involved have lead to a culture of endless backstabbing and scheming, forced deference, entitlement, and mutual contempt between the parties, he at first attempts to show the Cairhienin ‘proper’ behavior through example, in the hopes of drawing out some shame in them. But upon realizing that no one in Cairhien truly believes in the system any longer after it has failed the country so thoroughly (hence the willingness of vassals to betray their masters, and nobles to abandon their oaths–something unthinkable in the Borderlands) he reverts to his more normal shows of deference to Rand and Ingtar, abandoning excessive courtesy in favor of true fealty.
Ingtar (and later Rand) feel the reverse side of this: the pressure to be the one with the answers, to hold it all together, to be as much icon and object as living person, a figure who people can believe in and draw strength from when they have none of their own remaining, and knowing at the same time that their choices will decide the fates and lives of others. It’s no mistake that Rand first meets Hurin and begins this arc in the remains of Hardan, one of those swept-away nations that Ingtar talks about having been left nothing more than ‘the greatest stone quarry for a hundred miles’. The stakes of what can happen if they fail in this duty are made painfully clear from the start, and for Rand the stakes will only grow ever higher throughout the course of the series, as number of those ‘under his charge’ slides to become ‘a nation’ then ‘several nations’ and finally ‘all the world’. And that leads into one of the problems at the heart of Rand’s character arc.
This emphasis on the feudal contract and duty helps the Borderlands survive the impossible, but almost all of them (with the exception of Saldaea) practice cultures of emotional repression and control,spurning displays of emotion as a lack of self-control, and viewing it as weakness to address the pains and psychological traumas of their day to day lives. ‘Duty is heavier than a mountain, death lighter than a feather’, ‘There will be time to sleep when you’re dead’, ‘You can care for the living or mourn the dead, you cannot do both’: all common sayings in the Borderlands. On the one hand, all of these emphasize the importance of fulfilling your duty and obligations…but on the other, all also  implicitly imply the only true release from the sorrows and wounds taken in the course of that duty is death. It is this, in part, that breaks Ingtar: the belief that only the Borderlands truly understand the existential threat, and that he and those like him are suffering and dying for ‘soft southlanders’ whose kingdoms are destined to go to ruin anyways. It’s also why he reveals his suffering to Rand only after he has decided to die in a last stand–he is putting down the mountain of his trauma at last. This is also one of those moments in the books that is a particular building block on the road to Rand’s own problems with not expressing his feelings or being willing to work through his trauma, that will swing back around to endanger the same world he is duty-bound to protect.
I also suspect strongly that this is the source of the otherwise baffling Saldean practice of….what we will call dedicated emotional release. One of the core cultural Saldean traits (and something that is constantly tripping up Perrin in his interactions with Faile) is that Saldeans are the only Borderlanders to reject the notion that showing emotion is weakness. In fact, Saldeans in general believe that shows of anger, passion, sorrow, ardor–you name it–are a sign of both strength and respect. Your feelings are strong and they matter, and being willing to inflict them on another person is not a burden or a betrayal of duty, it’s knowing that they will be strong enough to bear whatever you are feeling. I would hesitate to call even the Saldaens well-adjusted (I don’t know that there is a way to be well-adjusted in a society at constant war), but I do think there is merit to their apparent belief in catharsis, and their resistance to emotional repression as a sign of strength. Of course, that doesn't make their culture naturally better at communication (as Faile and Perrin’s relationship problems prove) but I do think it plays a part in why Bashere is such a good influence on Rand, helping push him away from a lot of the stoic restraint Rand has internalized from Lan, Ingtar, Moiraine, et al.
It also demonstrates that a functioning feudal society is not dependent on absolute emotional repression, or perfect obedience.  Only mutual respect and trust between the parties are necessary–trust that the noble (or monarch) will do their best in the execution of their duties, and trust that the common folk in society will in turn fulfill their roles to the best of their ability. Faile’s effectiveness as Perrin’s co-leader/second in command is never hindered or even implied to be hindered by her temperament or her refusal to hide/repress her emotions. She is arguably the one who is doing most of the actual work of governing the Two Rivers after she and Perrin are acclaimed their lord and lady: seeing to public works projects, settling disputes, maintaining relationships with various official groups of their subjects.
The prologue from Lord of Chaos (a favorite scene of mine of the books) where Faile is holding public audience while Perrin is off sulking ‘again’ is a great great example of this; Faile is the quintessential Borderland noble heir, raised all her life in the skills necessary to run a feudal domain, and those skills are on prime display as she holds court. But that is not hindered by her willingness to show her true feelings, from contempt of those she thinks are wasting her time, to compassion and empathy to the Wisdoms who come to her for reassurance about the weather. This is one of those things that Perrin has to learn from her over the course of the series–that simply burying his emotions for fear they might hurt others is not a healthy way to go about life, and it isn’t necessary to rule or lead either. His prejudices about what constitutes a ‘good’ Lord (Lan, Agelmar, Ingtar) and a ‘bad’ one (literally everyone else) are blinding him, showing his lack of understanding of the system that his people are adopting, and his role in it.
Which is a nice dovetail with my next bit–
Outsiders And the Non-Feudal State
Another way Jordan effectively depicts the Feudal system is by having groups who decidedly do not practice it be prominent throughout the series–which is again accurate to real life history, where feudalism was the mode of government for much of (but by no means all) of Medieval and Renaissance Europe, but even in Europe their were always societies doing their own thing, and outside of it, different systems of government flourished in response to their environments and cultures; some with parallels to Feudalism, many completely distinct.
The obvious here are the Aiel who draw on several different non-feudal societies (the Scottish Highland Clans, the Iroquois Confederation, the Mongols, and the Zulu to name just a few) and the Seafolk (whose are a combination of the Maori and the Republic of Piracy of all things), but also firmly in these categories are groups like the communities in the Black Hills, Almoth Plain, and the Two Rivers.
Even though it’s an agrarian farming community made up primarily of small villages, the Two Rivers is not a feudal state or system. We tend to forget this because it looks a lot like our notion of a classic medieval European village, which our biases inherently equate to feudal, but Jordan is very good at remembering this is not the case, and that the Two Rivers folk are just as much outsiders to these systems as the Aiel, or the Seafolk. 
Consider how often the refrain of ‘don’t even know they’re part of the Kingdom of Andor’ is repeated in regards to the Two Rivers, and how much the knowledge of Our Heroes about how things like Kingdoms, courts, war, etc, are little more than fairy tales to the likes of those Two Rivers, while even places unaffected directly by things like the Trakand Succession or the Aiel War are still strongly culturally, economically, and politically impacted. 
Instead of deriving power and justice from a noble or even a code of law, power is maintained by two distinct groups of village elders (The Village Council and the Women’s Circle) who are awarded seats based on their standing within the community. These groups provide the day-to-day ordering of business and resolving of conflicts, aiding those in need and doing what they can for problems that impact the entire community. The Wisdom serves as the community physician, spiritual advisor, and judge (in a role that resembles what we know of pre-Christian celtic druids), and the Women’s Circle manages most social ceremonies from marriages to betrothals to funerals, as well as presiding over criminal trials (insofar as they even have them). The Mayor manages the village economics, maintaining relationships and arbitrating deals with outsider merchants and peddlers, collecting and spending public funds (through a volunteer collection when necessary, which is how we’re told the new sick house was built and presumably was how the village paid for things like fireworks and gleeman for public festivals), while the Council oversees civil matters like property disputes. 
On the surface this seems like an ideal community: idyllic, agrarian, decentralized, where everyone cares more about good food and good company and good harvests than matters of power, politics, or wealth, and without the need for any broader power-structure beyond the local town leaders. It’s the kind of place that luddites Tolkien and Thomas Jefferson envisioned as a utopia (and indeed the Two Rivers it the most Tolkien-y place in Randland after the Ogier stedding, of which we see relatively little), but I think Jordan does an excellent job of not romanticizing this way of life the way Tolkien often did. Because while the Two Rivers has many virtues and a great deal to recommend it, it also has many flaws.
The people in the Two Rivers are largely narrow minded and bigoted, especially to outsiders; The day after Moiraine saves the lives of the entire village from a Trolloc attack, a mob turns up to try and burn her out, driven by their own xenophobia and fear of that which they don’t understand. Their society is also heavily repressed and regressive in its sex norms and gender relations: the personal lives of everyone are considered public business, and anyone living in a fashion the Women’s Circle deems unsuitable (such as widower and single father Tam al’Thor) is subject to intense pressure to ‘correct’ their ways (remarry and find a mother for Rand). There is also no uniformity in terms of law or government, no codified legal code, and no real public infrastructure (largely the result of the region’s lack of taxes). This is made possible by the geographic isolation and food stability–two factors that insulate the Two Rivers from many of the problems that cause the formation or joining of a nation state. It’s only after the repeated emergence of problems that their existing systems can not handle (Trolloc raids, martial law under the White Cloaks, the Endless Summer, etc) that the Two Rivers folk begin adopting feudalism, and even then it’s not an instantaneous process, as everyone involved must navigate not just how they are going to adopt this alien form of government, but how they are going to make it match to their culture and history as well.
This plays neatly with the societies that, very pointedly, do not adopt feudalism over the course of the series. The Aiel reject the notion entirely, thinking it as barbaric and backward as the Westerlanders think their culture is–and Jordan is very good at showing neither as really right. The Aiel as a society have many strengths the fandom likes to focus on (a commitment to community care, a strong sense of collective responsibility, a flexible social order that is more capable of accounting for non-traditional platonic and romantic relationships, as well as a general lack of repressive sex norms) but this comes at a serious cost as well. The Aiel broadly share the Borderlander’s response of emotional suppression as a way of dealing with the violence of their daily life, as well as serious problems with institutionalized violence, xenophobia, and a lack of respect for individual rights and agency. Of these, the xenophobia is probably the most outright destructive, and is one of the major factors Rand has to account for when leading the Aiel into Cairhien, as well a huge motivating factor in the Shaido going renegade, and many Aiel breaking clan to join them–and even before Rand’s arrival it manifested as killing all outsiders who entered their land, except for Cairhienin, whom they sold as slaves in Shara.
And yet, despite these problems Jordan never really suggests that the Aiel would be better off as town-or-castle dwelling society, and several characters (most notably the Maidens) explicitly reject the idea that they should abandon their culture, values, and history as a response to the revelations at Rhuidean. Charting a unique course forward for the Aiel is one of the most persistent problems that weighs on the Wise Ones throughout the second half of the series, and Aviendha in particular. Unlike many of the feudal states faced with Tarmon Gai’don, the Aiel when confronted with the end of days and the sure knowledge of the destruction of their way of life are mostly disinterested in ignoring, running from, or rejecting that revelation (those that do, defect to the Shaido). Their unique government and cultural structure gives them the necessary flexibility to pivot quickly to facing the reality of the Last Battle, and to focus on both helping the world defeat the Shadow, and what will become of them afterwards. This ironically, leaves them in one of the best positions post-series, as the keepers of the Dragon’s Peace, which will allow them to hold on to many of their core cultural values even as they make the transition to a new way of life, without having to succumb to the pressures to either assimilate into Westlands, or return to their xenophobic isolationism.
The Seafolk provide the other contrast, being a maritime society where the majority of the people spend their time shipboard. Their culture is one of strong self-discipline and control, where rank, experience, and rules are valued heavily, agreements are considered the next thing to sacred, and material prosperity is valued. Though we don’t spend quite as much time with them as the Aiel, we get a good sense of their culture throughout the mid-series. They share the Aiel’s contempt for the feudal ‘shorebound’, but don’t share their xenophobia, instead maintaining strong trade relationships with every nation on navigable water, though outside of the context of those trade relationships, they are at best frosty to non-Seafolk. 
They are not society without problems–the implication of their strong anti-corruption and anti-nepotism policies is that it’s a serious issue in their culture, and their lack of a centralized power structure outside of their handful of island homes means that they suffer a similar problem to the likes of Murandy and Altara, where life on one ship might be radically different then life on another, in terms of the justice or treatment you might face, especially as an outsider. But the trade off is that they have more social mobility then basically any other society we see in Randland. Even the Aiel tend to have strongly entrenched and managed circles of power, with little mobility not managed by the Wise Ones or the chiefs. But anyone can rise high in Sea Folk society, to become a leader in their clan, or even Mistress of the Ships or Master of the Blades– and they can fall just as easily, for shows of incompetence, or failures to execute their duties. 
They are also another society who is able to adapt to circumstances of Tamon Gai’don relatively painlessly, having a very effective plan in place to deal with the fallout and realities of the Last Battle. The execution gets tripped up frequently by various factors, but again, I don’t think it’s a mistake that they are one of the groups that comes out the other side of the Last Battle in a strong position, especially given the need that will now exist to move supplies and personnel for rebuilding post-Last Battle. The Seafolk have already begun working out embassies in every nation on navigable water, an important step to modernizing national relationships.
How does all this relate to feudalism and class? It’s Jordan digging into a fundamental truth about the world and people–at no point in our own history have we ever found a truly ‘perfect’ model for society. That’s something he’s constantly trying to show with feudalism–it is neither an ideal nor an abomination, it just is. Conversely, the Two Rivers, Aiel, Seafolk, and Ogier (who I don’t get into to much here for space, but who also have their own big problems with suffrage and independence, and their virtues in terms of environmental stability and social harmony) all exist in largely classes societies, but that doesn't exempt them from having problems or make them a utopia, and it certainly doesn't make them lesser or backwards either–Jordan expends a lot of energy to show them as complex, nuanced and flawed, in the same way he does for his pseudo-Europe.
Conclusion
To restate my premise: one of Jordan’s profound gifts as a writer is his capacity to set aside his own biases and write anything from his villains to his world with an honest, empathetic cast that defies simplification. Feudalism and monarchy more generally have a bad rep in our society, for good reasons. But I think either whitewashing or vilifying the feudal system is a mistake, which Jordan’s writing naturally reflects. Jordan is good at asking complicating questions of simple premises. He presents you with the Kingdom of Andor, prosperous and vast and under the rule of a regal much loved Queen and he asks ‘where does its wealth come from? How does it maintain law and order? How does the Queen exert influence and maintain her rule even in far-flung corners of the realm? How did she come to power in the first place and does that have an impact on the politics surrounding her current reign?’. And he does this with every country, every corner of his world–shining interesting lights on familiar tropes, and exploring the humanity of these grand ideas in a way that feels very real as a result.
The question of, is this an inherently just system is never really raised because it’s a simplifying question, not a complicating one. Whatever you answer–yes or no–does not add to the depiction of these systems or the people within them, it takes away. You make someone flat–be it a glorious just revolutionary opposing a cackling wicked King, or a virtuous and dutiful King suppressing dangerous radical dissidents, and you make the world flatter as a result. 
I often think about how, when I began studying European history, I was shocked to learn that the majority of the royalists who rose up against the Jacobins were provincial peasants, marching against what they perceived to be disgruntled, greedy academic and financial elites. These were, after all, the same people that the Jacobins’ revolution claimed to serve and be doing the will of. Many of the French aristocrats were undeniably corrupt, indolent, and detached from their subjects, but when you look closer at the motives of many of the Jacobins you discover that motives were frequently more complex then history tends to remember or their propaganda tried to claim, and many were bitterly divided against each other on matters of tactics, or ideals, or simple personality difference. The simple version of the French Revolution assigns all the blame to the likes of Robespierre going mad with power, and losing sight of the revolutions’ higher ideals, but the truth was the Jacobins could never properly agree on many of their supposed core ideals, and Robespierre, while powerful, was still one voice in a Republic–and every person executed by guillotine was decreed guilty by a majority vote.
This is the sort of nuance lost so often in fantasy stories, but not in Jordan’s books. The story could be simpler–Morgase could just be a just and good high Queen archetype who is driven by love of her people, but Jordan depicts her from the beginning as human–with virtues and flaws, doing the best she can in the word she has found herself. Trying to be a just and good Queen and often succeeding, and sometimes falling short of the mark. The Tairen and Cairhienin nobility could just all be greedy, corrupt, out-of-touch monsters who cannot care for anything beyond their own pleasures–but for every Laman, Weairamon, or Colavaere, you have Dobraine, Moiraine, or Darlin. And that is one of the core tenets of Jordan’s storytelling: that there is no system wholly without merit or completely without flaw, and no group of people is ever wholly good or evil.
By taking this approach, Jordan’s story feels real. None of his characters or world come across like caricature or parody. The heinous acts are sharper and more distinct, the heroic choices more earned and powerful. Nothing is assumed–not the divine right of kings, or the glorious virtue of the common man. This, combined with a willingness to draw on the real complex histories of our own world, and work through how the unique quirks of fantasy impact them, is what renders The Wheel Of Time such a standout as a fantasy series, past even more classic seminal examples of the genre, and why its themes of class, duty, power, and politics resonate with its modern audiences.
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markantonys · 2 months
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AITA for joining a "cult" that thinks my sister and mom are Darkfriends?
First, some backstory. I (30m) have always been an outsider in my family. It wasn't anything to do with my parents - dad (dead) always spent all his time with me instead of my younger siblings, and (step)mom (43f) always gave me extra attention compared to her bio kids because she didn't want me to feel neglected - or with my brother (21m), who's always looked up to me. It was all because of my sister (19f). She's hated and bullied me ever since she was a toddler, and I have no idea why. I guess maybe she doesn't think I'm her real brother, or blames me for telling on her whenever she did irresponsible things like climb trees and talk to strangers. All I've ever done is try to keep her safe, but she's never appreciated it.
Anyway, there's this organization (my sister claims it's a cult, though I don't think that's fair) that's dedicated to serving the Light. My mom always hated them and kept them banned from our country because she thinks they have an agenda against women who can channel, and she's one herself, as is my sister. I used to believe her, but after reading one book written by the organization's founder, I realized that my mom has a totally biased view of them and they're actually doing really important work founded on admirable principles. So when my sister went missing at the hands of women who can channel, I decided I'd had enough of those women lying to everyone all the time and I joined this organization.
I did have my view of them shaken when I found out my mom had been kidnapped, abused, and murdered by one of their leaders (turns out she's actually still alive though, don't worry about that), but I challenged that leader to an honorable duel and killed him to avenge my mom, and my friends and I rooted out a handful of other corrupt members of the organization, so now with that small minority gone, the rest of us can continue doing the Light's work and spreading awareness of the evils of the One Power.
To be clear, I OBVIOUSLY don't think my sister and mom are Darkfriends; it's only everyone else who uses the One Power who is. I've explained this to my sister multiple times but it only makes her angrier instead of grateful that I'm making an exception for her and choosing to believe the best of her. It feels like I can never do anything right in her eyes, but maybe I've somehow got the wrong understanding of the situation. So, AITA?
******
u/dainbornhald: NTA. Your sister's problem isn't actually that you joined this organization (which totally does sound 100% Light-serving). She doesn't think you're her real brother and is just looking for any excuse to continue the bullying, manipulation, and gaslighting she's been using on you since she was a toddler. [+5k votes] u/childbyar: Came here to say this. Sister sounds like a textbook abuser, and, honestly, almost definitely a Darkfriend. I'd go no contact with her, OP, and maybe get a restraining order if you have to - she's obviously unhinged. [+1.2k votes]
u/amyrlinseat: You joined a cult that thinks your sister is a Darkfriend based on an innate characteristic about her that she didn't choose and can't change (unlike you, who DID choose to join this cult), and you're whining that she's mad at you for it??? YTA [-749 votes]
u/luckyfox: YTA for the cult thing, but this whole family's got serious mommy AND daddy issues (take it from an expert). Sister resents you for getting all your parents' attention growing up, and you have a victim complex about being a stepchild/half-brother. I can only wonder what might be going on with the middle brother who wasn't mentioned much here. You guys need to go to therapy. [+2 votes] u/galaddamodred [OP]: My brother always seemed very well-adjusted, but a few hours after I made this post he actually died going on a suicide charge in battle because he thought he was unimportant enough to risk and no one would care much if he died in the attempt. Which sucks because now the only sibling I've got left is my sister who hates me. [+273 votes] u/luckyfox: oh my god [+312 votes]
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My dear friend @battlestarbones finished a memory of light yesterday.
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And as a bonus, their very good final thoughts on finishing the gathering storm a few days before:
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cairhienin · 1 year
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bonus:
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adorkableshephard · 1 year
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Demandred kills Gawyn fairly simply. He nearly kills Galad. Lan barely manages to defeat him and it nearly cost him everything. Demandred is clearly a hugely skilled sword master, and he probably would’ve killed Rand if Al’Whore wasn’t busy with other things.
But I am willing to die on the hill that half of the two rivers men have enough skill in the quarter staff to have beaten Demandred. Someone should write Cenn Bouie vs Demandred.
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toastandjamie · 1 month
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“Hey! You must be General Mat’s daughter, right? I’m Joiya!”
Don’t you hate it when your father sends you to the magic school your mother despises to protect you and you meet a really pretty girl but she’s the daughter of your mothers political enemy and your dads dead best friend?
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tyrantleto · 3 months
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I wish I knew exactly what this scene did for me, but it really does something
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battlestarbones · 4 months
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I need need need to see Tam al'Thor and his two rivers archers burning a precise trail through the trolloc army like a red carpet to lead Lan to his fight with Demandred
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amyrlinegwene · 2 years
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I have a question for WoT readers who were not spoiled, did you ever actually think that Rand was going to die at the end of the series?
Because I never for a second thought he was
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butterflydm · 10 months
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wot reread: a memory of light (chapter 38-epilogue)
spoilers for a memory of light!
Well, the rest of the chapters have fewer pages in total than chapter 37 did, so this is going to be my last full reread post, though I do have a couple of follow-ups planned.
My timing ended up being pretty good, even though my original intention was just to reread books 1-3 in anticipation of the second season of the show. And now I’ve still got over a month to get good and excited about everything the show will be bringing to the table.
1. We go back to Rand, still deep in his conversation with TDO. The chapter “the Last Battle” really revolved around the battle between the forces outside Shayol Ghul, because it ended when the commander of the other army finally was killed (though there are still a ton of his forces to take care of, the head of the snake was cut off and so was the person who fancied himself Demandred’s replacement).
2. The ‘let go’ that Rand is hearing in his mind is in his father’s voice, and the meaning expands here -- let them sacrifice. it is their choice to make. And then Egwene’s voice -- am I not allowed to be a hero too?
Because this is something that Rand has been resisting over the course of the books -- basically ever since he accepted that he will be the sacrifice, he’s struggled with knowing that he’s not the only one, with knowing that other people are sometimes even sacrificing just to get him here, to this place. And, I imagine, with his tentative plans to maybe even survive this ‘sacrifice’, that’s going to make him feel even more guilty about other people giving up their lives in this fight.
3. He talks in dialogue with Egwene’s voice in his head (given that he’s existing around and between reality, it might really be Egwene’s voice too). He is not in charge of protecting her. He decided to take that charge on himself, back in EotW, but it was never his to claim. Let us die for what we believe, and do not try to steal that from us.
4. And so Rand takes himself through his list again, backwards, this time, releasing his feelings of shame for failing to save them, releasing his need to protect them. Letting go of the mountain that has been crushing him for the majority of the series.
He hadn’t realized how large it had become, how much he had let himself carry.
...
Ilyena was last. We are reborn, Rand thought, so we can do better the next time.
So do better.
5. And now Rand, as he stands surrounded by all time and nothing at the same time, comes to understand that the Darkness was never a being, never an entity of its own. It is the between of everything. It can only win if no one is willing to keep fighting against it.
6. Mat gets the news of Lan’s reported death. As he did with Egwene and with Elayne, he swallows the grief and doesn’t let it show to anyone else, instead using the news to spur the army onward to attack the now-stunned foe.
7. Rand tells TDO that he can’t win, and TDO argues that it has Rand in its grasp right now, and Rand says that that’s missing the point, because it was never just about his victory. The people he lists:
Morgase (?) - a woman, torn and beaten down, cast from her throne and made a puppet
Thom - a man who remembered stories and took fool boys under his wing
Moiraine - a woman who hunted truth before others could
Perrin (?) - a man whose family was taken from him, but who stood tall
Nynaeve - a woman who refused to believe she could not Heal those who had been harmed
Mat - a hero who insisted with every breath that he was not a hero
Egwene - a woman who would not bend her back while she was beaten and who stone with the Light for all who watched
Rand realizes -- “it was never about beating me. It was about breaking me.”
8. Okay, I have to say. I have to! But this is... this is literally also how the Seanchan work. This is their philosophy of life -- to take people and break them to the Seanchan’s purpose. As I’ve said before, there really is no way around the fact that the Seanchan are going to be the Great Evil of the Fourth Age. There are just too many Shadow-Seanchan parallels! Maybe Mat and Min can slow the train slightly but I don’t think they can actually put the breaks on it.
9. But back to now -- Rand and TDO watch the battlefield, where Mat is fighting -- Tam at his side, then Karede and his suicide-slave troops, then Loial and the Ogier. “Outnumbered three to one”. Mat is shouting in the Old Tongue: For the Light! For honor! For glory! For life itself!
I will take a moment to be glad that, despite the first half of this book trying so hard to align Mat with the slavers for whatever fucking reason, he’s not fighting for the slavers in this battle. That he actually did become the General of the Forces of the Light, not primarily the General of the Slavers. Looking back, it really does feel like the change was signaled when Mat first took off his Seanchan clothes and put back on his Two Rivers coat*. That seems to have been a visual cue about his change in characterization -- how he started pushing back more against Tuon, forcing her into more compromises, and standing more aligned with the Forces of Light rather than pandering to the slavers all the time. idk, maybe forcing Mat over to Ebou Dar at the start of the book was Sanderson’s way of trying to finally create a synthesis between the horrible Mat of CoT & KoD and the non-horrible Mat of the earlier books, and he felt like he actually had to take Seanchan!Mat to his worst conclusion before bringing him out again? It still really sucks that the Mat and Rand reunion happened during our low point of Mat’s characterization, though.
(* which appears to have been triggered by the ‘not pleasant’ conversation that Mat and Tuon had after Tuon berates him for not telling her that Egwene was briefly enslaved by the Seanchan. After that (off-screen) conversation, Mat starts being much more combative re: the Seanchan -- after that conversation is when he has his bitter/sarcastic thought that he’s not done much to convince Tuon to stop using damane and when he suggests to Min that she mislead Tuon about her viewings to try to soften her stance on Aes Sedai; so I think we can safely give Egwene credit for the turnaround in Mat’s characterization -- I wish that that conversation between Mat and Tuon hadn’t happened off-screen! like so many important emotional moments!, but it seems like perhaps that was a watershed moment for Mat)
Rand and TDO watch, and TDO taunts Rand “the son of battles. I will take him [Mat!]. I will take them all, adversary. As I took the king of nothing [this is Lan, I assume]”.
10. Mat thinks about how he knows he can win this battle, despite the horrible odds. He just needs “a favorable toss of the dice”.
And, not too far away, with the Trollocs outside his hiding place, Olver gives up on the idea of trying to get the Horn to Mat, and lifts the Horn of Valere to his lips.
11. First Mat, and then everyone else, hears Rand’s voice -- he calls out Shai’tan as wrong, telling everyone that Lan isn’t dead. And just after he says that, Mat hears the familiar golden and clear note of the Horn of Valere.
...wow, the Seanchan feel so superfluous to requirements right now. They didn’t show up until after the final combat was engaged, after Rand had his final necessary epiphany, after the Horn was blown (they have still not shown up, technically).
I’m going to take a moment to daydream about a world where Tuon’s nature as marath’damane was revealed and accepted, so she really did flee with the Seanchan (so that she can try to recover from this blow to her powerbase) and the Seanchan never returned to the Last Battle. This would be a much easier way to de-tangle Mat from the Seanchan than whatever he’s gonna need to actually do post-canon.
12. The Heroes of the Horn return and our first sight of them is Birgitte coming to save Elayne from Mellar, with a shining silver arrow. 😍
Birgitte standing over her own corpse kinda cracks me up. Good for her! It’s also probably the first time she’s felt like herself in books and books.
“That was the bloody Horn of Valere!” Mat announces to his troops. “We can still win this night!” Inside, he marvels over how the Horn was sounded without him, showing that one of the things that he’d believed that he was permanently tied to isn’t tied to him after all.
Well, if that knot can be untied, Mat, maybe another one can be as well.
13. Between losing Demandred and the appearance of the Heroes of the Horn, the Shadow are now the ones who are on the defensive, with some Trollocs breaking and trying to run away.
The mist of the Heroes forms near Mat and he feels a moment of worry, wondering if maybe someone on the side of the Shadow summoned them. Hawkwing rides up to Mat, and tells him, “Do take better care of what has been allotted you. Almost, I worried we would not be summoned for this fight.”
I know, right? The lack of urgency in the Mat-in-Ebou-Dar half of the book about actually getting him to Merrilor to blow the Horn was really frustrating to me too!
When Mat confirms that this mean they’re fighting for the Light, Hawkwing tells him, “We would never fight for the Shadow.” The rumors about the Horn are wrong -- I feel like we learned this back in TGH as well but, you know, Mat was dying at the time, so I don’t blame him for not remembering.
Yeah, here’s the line: “We have come to the Horn, but we must follow the banner. And the Dragon.” So it was Rand, Perrin, and Mat who learned that. But, like I said, I don’t blame Mat for not remembering.
14. Hawkwing and Amaresu both scold Mat for not showing Rand enough appreciation for saving his life. Honestly, so fair and legit for Mat to finally be on the other end of a scolding like that. “I have seen you murmur that you fear his madness but all the while you forget that every breath you breathe - every step you take - comes at his forbearance. Your life is a gift from the Dragon Reborn, Gambler. Twice over.”
Mat feels so scolded. As he deserves.
He’s told that they can fight here because they have Rand’s banner and because Rand is... technically sort-of kind-of leading them... from a distance.
Amazingly, Mat takes a moment out of this encounter to marvel at how pretty one of the heroes is and then Remind Himself again that he’s married. He really does have to keep Reminding Himself. One of these days, he’s not going to remember to Remind Himself until after he’s already slept with someone else. It’s been more subtle in this book than in ToM, but Mat is still constantly checking out Every Other Lady around him.
15. Olver gets dug out of his hole by Trollocs but Noal, now one of the Heroes, arrives to save him. I don’t care about Noal, and Jordan definitely didn’t do enough to build up their relationship in CoT & KoD, but I still got a little misty at the tiny orphan child feeling grateful that one of the people who ‘abandoned’ him has finally come back.
16. haha, this next chapter is called ‘wolfbrother’ so I guess that Perrin is finally gonna wake up. But first, we have Elayne!
She’s able to wriggle lose enough to make the medallion copy shift away from her skin and fall to the ground, and now she can embrace saidar again. Elayne apologizes to Birgitte but Birgitte laughs it off, “Why do you mourn, Elayne? I have it all back! My memory has returned. It is wonderful! I don’t know how you stood me these last few weeks. I moped worse than a child who’d just broken her favorite toy.” Ah, yeah, that confirms that Birgitte’s spiral into bitterness was not meant to be a reflection of Elayne but on the dark place that Birgitte was in, with her loss of memories, I think. But it’s a shame that it feels like parts of the fandom just took Birgitte’s unrelated bitterness as a reason to slam on Elayne more. My girl gets so much undeserved hate.
And Elayne and Birgitte will ride back into the battle together. Not as Aes Sedai and Warder, but as friends. 😍 😍 😍 😍 
17. Aviendha! I’ve missed you! Her timeline isn’t advancing as quickly as it has been for those further away from Shayol Ghul, so not as much as happened here in the valley. She can feel the channeling inside the Pit of Doom - “a quiet pulse”. Oh! The wolfbrother of the chapter’s title is actually Elyas, who Aviendha runs across now. The Darkhound Wild Hunt is happening, and hundreds of wolves have come to fight back against them.
Aviendha is about to go fetch channelers to help bring down the Darkhounds, when she spies Graendal a bit higher on the slope, with some Turned channelers, and Aiel guards under compulsion. Aviendha alerts her companions (Amys & Cadsuane) and then begins the fight against Graendal.
18. Elayne has a sword again. Where is she getting these swords? I’m just gonna assume it’s made out of Air or something. More useful than the sword, Elayne creates a banner with the Power, the red lion of Andor, lighting up the night.
19. [Mat] remembered, within those memories that were not his, leading forces far grander. Armies that were not fragmented, half-trained, wounded and exhausted. But Light help him, he had never been so proud.
...
This was the moment he had been seeking. It was the card upon which to bet everything he had. Ten to one odds, still, but the Sharan army, the Trollocs and the Fades had no head. No general to guide them.
...
Elayne’s death had been a lie. Her troops had been in disarray - they had lost more than a third of their soldiers - but just as they were about to be routed by the Trollocs, she rode into their midst and rallied them.
20.  Catching up with Moggy! Hi, Moghedien. I bet your Last Battle is going pretty shitty. She kicks Demandred’s abandoned corpse. Oh, his devoted Shendla just left his body there to rot? Yikes. For Moghedien, she discovers that now that so many of the Chosen have been killed off, TDO is ready to let her have a taste of that sweet sweet True Power.
She disguises herself as Demandred and heads to the Sharan forces. I have to admit, given how open Min has been about her Talents, it’s kinda astonishing that Moghedien doesn’t know about her viewings. Min will tell anyone who stands still for five seconds, plus Tuon announced her as a Doomseer and has been plumping her up for the past whatever-number of chapters.
Moghedien starts to gear up for her role as Fake Demandred...
...and then she gets a blast of cannon/dragon-fire in her face from the Band’s part of Mat’s plan.
21. Instead of the Band leaving their caves to fight; channelers are opening them up brief windows to shoot through. Aludra is placed up on a high location with a spy-glass, giving orders to the channelers for the next locations for the booms. Honestly very clever.
22. As Aviendha fights in the valley, plants grow to cover her passage.
They had come right when she had needed them to hide her approach. Happenstance? She chose to believe otherwise. She could feel [Rand], in the back of her mind. He fought, a true warrior. His battle lent her strength, and she tried to return the same.
Determination. Honor. Glory. Fight on, shade of my heart. Fight on.
😍 😍 😍 😍 😍 😍 😍 😍 
23. Aviendha kills a Compelled attacker, only realizing it’s Rhuarc after she has struck the fatal blow. She kills him moments before he would have killed her, and only her shoulder gets injured.
She does her best to convince herself that she only killed a shell. That Rhuarc was already dead.
There is a burst of determination from Rand (Strength, Aviendha) and her fatigue leaves her, and she refocuses on the fight.
24. Aviendha studies Graendal and decides on her approach -- she creates a spear made out of fire and light, and some other weaves in reserve -- and charges for Graendal. See, this makes a lot more sense that Elayne randomly having a sword, because this is a weapon and Aviendha knows and has trained in most of her life. I think that Sanderson Just Likes Swords tbh.
I really love the description here because of how it brings back Aviendha’s Maiden roots as she launches her attack on Graendal. The ground explodes underneath her (her legs get pretty destroyed, it sounds like), but she’s leaping up already aimed like a spear herself, and she sinks the spear into Graendal’s side just as Graendal is using the True Power to Travel... and because they’re touching, she goes along with Graendal when she Travels.
25. Mat rides with the Heroes of the Horn. He gets them to confirm that he isn’t one of them. He can see Elayne from where he is.
Mat saw Elayne’s banner glowing above them in the sky, crafted of the One Power, and caught a glimpse of someone who looked like her riding among the soldiers, hair glowing as if lit from behind her. She seemed a bloody Hero of the Horn herself.
26. And then the great battle is over, at least here on the battlefield.
He would have to thank Tuon for returning. He did not go looking for her, though. He had a feeling she would expect him to perform his princely duties, whatever they might be.
Hmm.
27. He does feel that tugging. Rand needs him. He tries to convince himself that this was his part, out here, and whatever is going on where Rand is... that’s Rand’s business. The dice are still tumbling in his head. This part here manages to capture Mat’s double-think in a way that I didn’t feel like came across in the actual chapter when we had the Rand & Mat reunion.
After trying to talk himself out of it, Mat ends up saying that he’s a fool because “I need to go to Rand.”
As a parting note, he asks Hawkwing to go have a conversation with “their Empress” (Tuon), and hmm, interesting. Okay, I need to break this down a bit.
So, one of the things that gave Tuon the big jollies back in the negotiation chapter with Rand was Mat referring to the Seanchan forces as “our forces”, which she basically interpreted as “haha you’re mine now, no take-backs”. And here, he does not call the Seanchan empress “my” Empress. He says she’s “their” Empress. The Empress of the Seanchan, who he is not currently identifying with, it would seem. So. That’s interesting.
We don’t get to see the conversation between Hawkwing and Tuon, of course, but what would Mat assume about what Hawkwing would tell Tuon? Why would Mat send Hawkwing to talk to her? The Heroes of the Horn follow Rand, pretty explicitly. They literally just recently scolded Mat for not appreciating Rand enough. They are aware of current events in the world and of the Seanchan Empire.
Which is to say... of course, Mat is assuming that Hawkwing will try to set Tuon straight on how to be an Empress without abusing millions of people under her power. Hawkwing told him that they would never fight for the Shadow. I think it’s reasonable for Mat to assume that he would disapprove of slavery. And Hawkwing’s hatred of Aes Sedai in his lifetime was canonically influenced by Ishamael, if I recall correctly, so the idea that Ishamael’s corruption is still influencing him in his Horn-form just seems like kinda silly to me. So. That’s my stance on that. Mat has clearly stated in recent chapters that he disapproves of the damane system, in particular, and that he wants to influence Tuon to soften her stance on Aes Sedai. So we know what Mat’s motivations are in sending Hawkwing off to talk to her. And it kinda fits Mat’s pattern of trying to use other people to influence Tuon to be less awful.
28. Rand has thought about Mat often, here in the battle with TDO. He thinks of him again -- Beneath them, on the battlefield, the Trollocs had fallen, beaten by a young gambler from the Two Rivers.
29. Oh, hey, Perrin just woke up. Page 853. He went to sleep on page 670. Nice long nap. Missed... a lot of stuff.
He learns that the battle at Merrilor has been won, but the battle at Thakan’dar, outside of Shayol Ghul, rages on. He gets his exhaustion washed away by one of the Aes Sedai and goes physically back into TAR (where he left Gaul to guard the cave where Rand fights).
30. In the waking world, Thom is the one guarding that cave entrance and he ponders the various ways that the ending of the world can be turned into a song, once this is all over.
31. Mat goes to Grady and tells him that he needs to be taken to Shayol Ghul. He’s brought Rand’s banner with him. Hanging out with Grady are Olver and Noal. The dice are still tumbling in Mat’s head. As far as I can tell, they haven’t stopped since Elayne asked him if he knew what he was doing.
Mat, on thinking about Noal/Jain becoming a Hero of the Horn:
Well, you wouldn’t find Mat trading places with him. Noal might enjoy it, but Mat wouldn’t dance at another man’s command. Not for immortality itself, no he wouldn’t.
Another data point that I’m placing into the pile.
Grady says that Traveling is wonky in that direction. Can’t be done.
Mat won’t accept that as an answer, and he gets Grady to take him (and Olver) as close as they can get -- a Seanchan scouting camp, a day away.
32. lol, we get a tiny glimpse into Fain the mist god-demon here. This just feels so anti-climatic, to still have Fain around at a time like this. Anyway, he’s basically a walking Shadar Logoth at this point. Fain kinda suffers from the same issues as Slayer, in that it feels like he’s a villain that the story grew past and yet he hung around anyway.
33. Gaul has been standing alone against Slayer all this time in TAR, fighting against him and protecting Rand, on his own, while Perrin was taking his restorative nap. But now Perrin is back to help. On the plus side, because of the time dilation stuff, only two hours has passed for Gaul in here.
34. Since he couldn’t take a gateway to Shayol Ghul, Mat is going by dragon to’raken. And, yes, Mat takes time out of his terror at being up so high to notice how pretty the morat’to’raken is, even as he thinks that anyone willing to do this must be “completely insane”. Olver, who is riding with them, is having a great time, though.
From up high, Mat sees a mist covering the valley below and gets a tingling that tells him... it’s about Fain and the dagger.
35. Then their to’raken gets hit by arrows, killing the rider or knocking her out. Mat undoes his straps and climbs over to take the to’raken’s reins. So he’s... he’s riding the closest thing that this world has to a dragon. Subtext, fun for the whole family.
He does his best to give them a gentle landing. It is not terribly gentle.
36. In the aftermath of the crash, Mat thinks that kidnapping Tuon (aka marrying her) is the worst decision that he’s ever made. Hmm. And this is after she ‘returned’ to the battlefield per their plan.
“That,” [Mat] finally groaned, “is the worst bloody idea I’ve ever had.” He hesitated. “Maybe the second worst.” He had decided to kidnap Tuon, after all.
And he doesn’t undercut that thought with any kind of caveat. He just lets it stand as he moves on to the next thing. Another interesting data point.
37. Mat literally panics when he realizes that Rand’s banner has gone missing during their dragon to’raken flight. Why does it seem like Sanderson is so much better at writing Cauthor-related scenes when Mat and Rand are separated from each other?
Olver points out that the swirling clouds above them are forming Rand’s sign, and then he blows the Horn again, for good measure.
38. Rand breaks out of his frozen battle with TDO and re-enters his own body. “From his watching of the Pattern, he knew that although only minutes had passed here since he’d entered, in the valley outside this cavern, days had passed, and farther out into the world, it had been much longer.”
He points Callandor at Moridin, and Moridin promptly throws a knife at Alanna.
Broke back to consciousness by Nynaeve’s herbs, Alanna pulls herself together long enough to release the bond she forced on Rand before she dies.
...I kinda feel the need to point out that Moiraine has done nothing but be a battery for Rand since she entered the cave with him.
I also feel bad for Alanna, who really disappeared from the story once Min was bonded to Rand and could take over as Cadsuane’s Rand mood-ring, and now is only here so that she can die. I have extremely large beef against Alanna for forcibly bonding Rand but it feels like the story really should have used that beat even more than it did, rather than it disappearing after WH.
39. Perrin kills Slayer. Finally. And then he pulls back out of TAR and is “on the rocks in the valley of Thakan’dar”, near where the Aiel are gathered.
40. Mat leaves Olver with the Heroes and meets up with Perrin at the mouth of the cave. So, yes, Mat and Perrin get another reunion. Why does Perrin! Get all the reunions! This is what I was talking about when I said how annoyed I was that Mat thinking about Rand tugging on him wouldn’t end up with any good payoff. All we get is yet another Mat and Perrin reunion.
That Rand is literally inside that cave and yet the three ta’veren do not reunite here is honestly somewhat infuriating for me. Genuinely those two things: the Emond’s Five reunite and the ta’veren three reunite should have been at the TOP of Sanderson’s priority list! There is a lot that I have enjoyed about AMoL but there are just way too many important emotional moments that were either skipped or didn’t happen at all but should have happened.
And, fuck, letting Mat and Rand have a scene that doesn’t take place during Mat’s weird Ebou Dar adventure. That would have been nice! Once Mat decides that he’s not going to be a lapdog for the Seanchan/Tuon anymore, his storyline and his PoV get so much better and so much more enjoyable and I am just... eternal bitterness that our only Mat & Rand reunion was plopped into our most lapdoggy-Mat era.
Mat came here specifically to protect Rand and then he never sees him! That is just fucking awful. They deserved a better reunion. What was the point of having the Heroes scold Mat if we didn’t actually get to see Mat and Rand interact again after it? This is kinda a place where the epilogue is mostly at fault -- Mat just strolling off to plan a fireworks show for Tuon post-Last Battle conflicts pretty hard with him spending time with his dying best friend, tonally-speaking -- but that really just makes it all the more frustrating that the only Cauthor reunion took place when Mat was in his worst Seanchan-era.
41. Aviendha attacks Graendal with an exploding gateway; and Mat kills Fain/Mordeth/etc.
And Perrin almost takes off to go searching for Faile but manages to resist the urge: If Rand died, then he would lose Faile. And everything else.
Yes. I have tried to yell this at the fictional characters so many times: if the world dies, then so does your sweetheart! It’s nice that Perrin finally listened.
42. And for his final trick, Moridin grabs Callandor, and Moiraine and Nynaeve spring their trap, using the flaw in Callandor to take control of the ‘circle’ that Moridin has accidentally formed with them. With Moridin having pulled the True Power, Rand is now able to enter the link, and Moiraine and Nynaeve can feed him all three sets of Power: saidar, saidin, and the True Power. Light explodes from him, and from Shayol Ghul, as Rand uses the True Power to protect himself as he reaches through the Bore and grabs onto the Dark One.
43. We get a quick beat of people reacting to the light:
Elayne is on the battlefield of Merrilor, as they search for the living among the dead. She feels the “swelling of power in Rand” and her attention focuses on him.
Thom shields his eyes as the light bursts from the entrance to the Pit of Doom.
Min appears to have managed to get away from the Seanchan for now, changing linens for the wounded, perhaps also on the Field of Merrilor.
Aviendha is drawn back from the darkness of near-death by the light and the warmth of Rand inside her, and realizes that her explosion twisted the compulsion weave so that Graendal compelled herself to worship Aviendha. Awkward!
Logain sees the light and knows that it’s what was meant by the message that Egwene sent, and he breaks the seals on the Dark One’s prison.
44. In TAR, Perrin runs across Lanfear. Together, they walk into Shayol Ghul, and we learn that she apparently compelled Perrin a little while ago? He’s able to pull out of it by reminding himself of his duty and of Faile, and he snaps her neck, killing her.
*squints at the scene*
Yeah, I mean. That’s certainly still what looks like happened? Sorry, Sanderson, I’m not seeing your hints here about Lanfear tricking Perrin and surviving.
45. Rand holds the Dark One in his hand. Or the representation of his hand. And, once again, when Rand tells TDO how pitiful he is, all I see are echoes of the Seanchan:
You would have enslaved me as you would have enslaved the others. You cannot give oblivion. Rest is not yours. Only torment.
Rand can feel himself dying, his life blood slipping away. Realizing that the world that he’d seen without the Dark One would have been the truth, he knows that he cannot kill it. So he thrusts TDO back into his prison, braids saidar and saidin together to reforge a new shield onto the Bore.
With this new form of the Power, Rand pulled together the rent that had been made here long ago by foolish men.
He understood, finally, that the Dark One was not the enemy.
It never had been.
(because it only reflected the evil that people were already capable of)
46. The black hole inside the cave expands, as Moiraine and Nynaeve run for the safety of the cave entrance.
47. And now we are at the epilogue.
Much like I did with The Last Battle chapter, I’ll take the epilogue in sections by character. Rand & co will go last, this time.
Perrin
The spirits of the dead wolves fade back into the dream. Perrin voluntarily worries about Rand? Wow, that feels kinda out of character for Perrin, who has always been way better at pushing away thoughts of Rand than Mat has been, but I guess let’s go with it. It seems to exist to tell us that Perrin no longer sees color swirls and no longer feels any tugging towards anything. “Those seemed like very bad signs.”
“Have you sent for the three?”
What a weird way to ask “do Rand’s girlfriends know that he’s dying?”
I’m going to take a minute and count up the PoV & page counts everyone gets in the epilogue.
Rand: 3 PoVs (4 pages total)
Mat: 2 PoVs (1 1/5 pages)
Perrin: 3 PoVs (6 1/5 pages)
Loial: 1 PoV (3 pages)
Moghedien: 1 PoV (1 page)
Nynaeve: 1 PoV (2 pages)
Birgitte: 1 PoV (1 page)
Tam: 1 PoV (1 page)
Min: 1 PoV (1/2 page)
Cadsuane: 1 PoV (1 page)
That’s a lot of Perrin, comparatively-speaking.
Anyway, Perrin finds Faile, happy ending, etc.
...oh, I just looked it up and Sanderson answered some questions about the epilogue (tor[dot]com/2013/01/23/brandon-sandersons-wheel-of-time-answers-from-torchat/)! He added Perrin’s and Loial’s scene(s). Ha! I knew that Loial was a Sanderson addition because he uses “Matrim” instead of Mat (that is, imo, by far the easiest ‘tell’ of a Sanderson scene -- someone using ‘Matrim’ when they normally wouldn’t). And the Perrin scenes make sense too because it really builds off of and finishes the narrative thread that was at play earlier in the book for Perrin, which was presumably all written by Sanderson.
Mat
Mat strolls away from the aftermath of having killed Padan Fain, calling the dagger “a gamble I don’t want to touch”. The dice stop rolling in Mat’s head after he decides not to pick up the dagger. Hmm. Mat avoiding becoming the new Fain for the Fourth Age?
After that, we skip to his scene with Tuon. And there are only those two scenes with Mat in the epilogue -- killing Fain and finding out that he’s been baby-trapped into the Seanchan Empire. Though Perrin confirms in his own PoV scenes that he no longer gets the swirls or the tugging, we don’t get the same kind of confirmation in Mat’s (very short) scenes.
I will say that there is more subtlety in Mat’s ending here than I had remembered -- I was extremely unhappy about his ending but this marriage is pretty troubled already in the text, and so it’s not really the book that tries to pretend this is a happy “babies ever after” ending for Mat; I feel like that’s maybe more of a vibe that I got from fans at the time, rather than from the text. There are a lot of “male power fantasy” fans who just really like that Mat ends up married to an Empress and commanding vast armies, I think, at least from what I’ve seen around the internet (and especially back when the series was originally published).
And Mat specifically forces a grin at the news that Fortuona is pregnant, so he’s not genuinely happy about it (and we got things in recent chapters like Mat thinking that kidnapping Tuon was the worst idea he’d ever had).
But, honestly, I do still hate that it happens. I hate it up one side and down the other. It sucks as an ending for Mat so much. Miserable marriage, awful wife, horrible shackles tying him to a terrible fascist empire built on slavery.
That being said... just Tuon’s rule is incredibly fragile, this marriage is also incredibly fragile (which is probably why Jordan slapped a baby in there to begin with -- otherwise, given his general misery level in many of the Seanchan-related scenes, it’s difficult to see how Mat could bring himself to stick with Tuon for long enough to do whatever plot-related things Jordan was imagining would have happened in the outriggers -- the baby is a trap for Mat, not from Tuon but from Jordan).
There are still so many things about the Seanchan that could end up being deal-breakers for Mat if he finds out about them!
(ex. Bodewhin Cauthon is never mentioned in the books after Knife of Dreams, so it is entirely possible that she is among the new damane who were taken by the Seanchan in recent days, and Mat might end up seeing his sister with a collar around her neck post-canon. How would he react to that? And to Tuon’s unwillingness to let her go?)
In addition to Mat potentially seeing people he knows and cares about in collars, we also have the possibility of him learning just how brutal Tuon’s attack against the White Tower was (there isn’t any indication that he knows about the attack at all yet); or Talmanes telling him about Verin’s letter and Mat realizing how damaging his fear of Aes Sedai has been for the world; or further in the future there’s Mat’s potential reaction to the lethal political wrangling that Imperial heirs are meant to get up to (he was disturbed enough that Galgan liking him only means that subpar assassins will be sent against him -- when he realizes that Tuon might well encourage their own kids to kill each other to win her favor, it’s very hard to see him brushing that off). Plus he’s regained his sense of disgust over the damane system. So there are a lot of powderkegs waiting to be blown sky-high for Mat, post-canon.
idk, Mat’s storyline is maybe the one where I most have to untangle whether I dislike it more because I feel like it was executed poorly or if I dislike it because it sets up a situation that will never get resolution. And how connected are those things?
A big frustration that I’ve had with how Jordan and then Sanderson handled Mat’s storyline over the course of the last few books of the series was how many shortcuts were taken with his character and how artificial forcing him into the Seanchans’ arms has felt to me.
a. Mat getting trapped in Ebou Dar and then all the characters involved taking a vow of silence when it came to telling Rand about it. Mat getting trapped in Ebou Dar is plot nonsense: relatively forgivable. But having multiple characters being given the opportunity to change that situation and just... not bothering to do it is... that’s a characterization issue. It severely impacted my feelings about Nynaeve for Jordan to turn her into the kind of person who just doesn’t bother to tell Rand that his best friend was left behind in that kind of perilous situation. Plot manipulations... that’s just how the plot works. But over and over, characters got broken or bent for the purpose of jamming Mat into the Seanchan storyline.
b. Setalle Anan is a minor character, so I get why people don’t care about her, but she’s a character who pretty much completely reverses her characterization between WH & CoT (in WH, she is anti-slavery and finds Mat charming and trustworthy; in CoT & KoD, she protects and waits on Tuon while treating Mat like the dangerous one, including betraying Mat’s secrets to Tuon -- and her betrayals are never acknowledged by the text in any way; she just keeps on being treated as if she’s a friendly supporting character) and, from what I could see, it’s just so obviously done in order to protect Tuon from ever having even a sliver of character growth rather than it making sense for Setalle Anan’s character.
c. We keep tiptoeing up to the brink of Actually Having A Plot Happen with the Seanchan and then backing away at the last minute without really having a good reason to do it. Incredibly frustrating. This was one of my main annoyances with CoT & KoD. And in AMoL, both Rand and Egwene inexplicably back down when they have Tuon on the ropes and off-balance.
d. Mat’s teleportation to Ebou Dar in-between Towers of Midnight and A Memory of Light. I’ve talked about this one a lot but yeah. It’s just... really bad? I do suspect that Sanderson couldn’t figure out any way to actually make it believable that Mat would go to the Seanchan and that’s why he had it all happen off-the-page. But the careless damage that it does to Mat’s characterization is just horrific. Mat gets ripped out of the action of the first third of the book, and doesn’t get to the Last Battle itself until the book is more than half over. Once Mat is actually engaging in the Last Battle, his characterization steadies a lot but especially those first four chapters with Mat, it feels like we’re only working with half of his characterization and the other half has vanished somewhere in-between ToM & AMoL.
(and if Mat hadn’t been cut-and-pasted from the Tower of Ghenjei over to Ebou Dar, then we would have had a full reunion at Merrilor. So I’m annoyed/bitter about that too)
I could keep going but... let’s keep it at four issues for right now so that we’re not here all day, lol.
All of those issues are problems that I had with the execution of the storyline.
I am not inherently opposed to depressing endings for characters that I love but... it has to be done well. It has to make sense. And Mat’s ending just... required cutting away too many parts of him (and other characters) for it to make sense to me.
But though it is not always handled well (to put it mildly), Mat’s storyline with Tuon (and Tylin before her) is an example of the ‘typical gender roles are swapped’ done in a way that is more down to the very core of his storyline than a lot of other storylines, which are more on the surface.
He’s much less politically powerful than his spouse and needs to use guile, intrigue, and manipulation to get his way and try to persuade her to a gentler and kinder path than her warlike nature naturally aligns towards.
He undergoes something of a gender-swapped version of “The Taming of the Shrew” storyline, in which a fiercely independent person gets coerced/’tamed’ into being a properly submissive spouse (or, depending on your interpretation, into pretending to be one) -- many of the tricks that Tuon and Tylin use are similar to what Petruchio does to Katherine in the play. Mat gets publicly humiliated and starved by Tylin into submitting to her (which is what Petruchio does to Katherine during/after their wedding), and isolated away from his past connections during his time with Tuon, where he constantly has to act to try to figure out how to appease her without provoking her temper (Petruchio compares taming Katherine to falcon-taming, but Tuon would probably compare it to horse-training or damane-breaking), and Petruchio changes her name from ‘Katherine’ to ‘Kate’, which fits pretty well with Tuon’s insistence on never once calling Mat ‘Mat’.
Plus Mat getting his name changed to indicate that he now ‘belongs’ to Tuon’s people fits into this general category --  and historically, in the culture that Jordan belonged to, that’s normally a role given to women, to be given a new name that shows that they are now of their husband’s people and not their father’s; it’s usually their last name but, in the not too-distant past (and maybe currently in some places as well, idk), at least in the USA, women were often referred to as Mrs. “husband’s first name” “husband’s last name” with none of their own name making it into the address.
But a lot of the issues that I have with how this was written is that it felt like Mat was behaving like his hand was forced even when it wasn’t. Which is definitely a writing issue -- it’s a similar issue to the one that I have with the Rand & Min romance, for example, where Min desperately chases after something even though she doesn’t really want it at the start. Prophecy gets used as a way to skip actually writing important character or relationship beats, instead of prophecy being one of many tools in the writer’s kit.
So, yeah, it really is the execution of the storyline that is the biggest problem for me with Mat & Tuon, and the way it feels like he is pulled away from his other attachments whether or not that makes any narrative or character sense.
I really hope that the show does better with them, and with Mat in his endgame (should we get there, etc.).
I will say that I do think that Sanderson handled the romance better than Jordan did; the main problem was that it was already fundamentally broken by how the relationship was written in CoT & KoD, imo (the KoD collaring chapter in particular made me despise them as a pairing and my feelings never recovered from that moment). But in Sanderson’s books, we actually see the effects of Tuon compromising with Mat during various points of the Last Battle (though we see don’t actually see their private discussions and/or arguments that lead to those compromises), and there’s always a throughline showing how miserable the Seanchan lifestyle is for Mat, and those are two things that were majorly missing from CoT & KoD for me, but that make sense as the only way to make the romance even half-believable for Mat’s pre-established characterization from WH and earlier.
The three big issues that I have with Sanderson’s Mat are: the terrible first chapter of TGS (with the gross sexism); the terrible first chapter of AMoL (now featuring inexplicable teleportation); and the deep deep disservice done to Mat and Rand’s friendship (Rand got a personal goodbye with EVERYONE important to him EXCEPT Mat! And Mat got a personal reunion with everyone important to him, except Rand! All they got was the negotiation scene that was ultimately all about Fortuona and the Seanchan treaty, with Mat and Rand’s friendship being the set dressing around the scene).
But the relationship with Tuon honestly... makes a lot more sense in this book than it did in CoT & KoD (once we work past the brain-breaking logistics of the first chapter or so). There are TONS of hints that Mat has uncomfortable vibes going on underneath his casual exterior, plus Tuon actually does make some attempts at compromising with him, and if the well hadn’t been poisoned by how much I despised CoT/KoD-era Mat & Tuon then... I might have had a chance at enjoying AMoL-era Mat & Tuon for the toxic trainwreck that it is.
But, like all the characters & relationships in AMoL, we skip some pretty big moments in the Mat & Tuon relationship -- we see the effects of them compromising but we never actually see them coming to that compromise in private, which I feel like we needed after how unyielding and frankly how annoying Jordan made Tuon about everything.
We do end up with a Mat & a ‘Fortuona’ who remain at cross-purposes -- Mat continues to think of and refer to her as ‘Tuon’ while Fortuona has kinda reversed from thinking of him as a ‘buffoon’ to instead believing that he has the same kind of practical motivations behind his choices that she does, which is also not accurate. But Sanderson did add in some actual give-and-take to their relationship, which Jordan never seemed willing to do, so the AMoL-era Mat & Tuon is a lot more genuinely engaging for me, even if I do still think that they are one of the most obviously doomed fictional marriages that I have ever seen.
Final Mat-related question for the moment: the Seanchan Empire is based on authoritarian governments throughout history, so does how the Seanchan Empire operates mimic the behavior of a cult?
The popular model for cults is the BITE model, which was developed by a man who was deprogrammed from the Moon cult in 1976 (Steve Hassan). It’s an acronym:
Behavior, Information, Thought, and Emotion control. BITE.
Do the Seanchan seek to control people’s behavior? (yes) Do they seek to control the flow of information that the people under them learn? (yes) Do they seek to have their members reject critical thought and only apply to the group-think? (yes)  Do they manipulate the emotions of their followers, usually instilling fear or paranoia about outsiders? (yes)
We know from earlier books that the Seanchan culture =/= the Seanchan Empire. There are constant civil wars and uprisings in their native land. This is explicitly why they are such good soldiers, because they are always fighting each other. Yet they present themselves as a monolith when they come to the Westlands, bragging about how they’re here to bring ‘order’ to a lawless continent. What they say about themselves does not match the truth of what else we know about them.
How does the Seanchan Empire exercise its control over its people? Everything I included here is something I think we’ve see the Empire do, but I did bold ones that are particularly blatant in the text.
Behavior control: Control types of clothing and hairstyles; permission required for major decisions; rewards and punishments used to modify behaviors both positive and negative; discourage individualism; encourage group-think; impose rigid rules and regulations; punish disobedience by beating, torture, burning, cutting, rape, or tattooing/branding; threaten harm to family and friends; encourage and engage in corporal punishment; instill dependency and obedience; kidnapping; beating; torture; murder
Information control: Distort information to make it more acceptable; systematically lie to the cult members; minimize or discourage access to non-cult sources of information; ensure that information is not freely accessible; control information at different levels and missions within group; allow only leadership to decide who needs to know what and when; encourage spying on other members; impose a buddy system to monitor and control member; report deviant thoughts, feelings, and actions to leadership; ensure that individual behavior is monitored by group; extensive use of cult-generated propaganda
Thought control: require members to internalize the group’s doctrine as truth; adopting the group’s ‘map of reality’ as reality; instill black and white thinking; organize people into us vs them; change person’s name and identity; use of loaded language and cliches which constrict knowledge; encourage only ‘good and proper’ thoughts; thought-stopping techniques to shut down reality testing: denial, rationalization, justification, wishful thinking; rejection of rational analysis, critical thinking, constructive criticism; forbid critical questions about leader, doctrine, or policy; labeling alternative belief systems as illegitimate, evil, or not useful
Emotion control: teach emotion-stopping techniques to block feelings of homesickness, anger, doubt; make the person feel that problems are always their own fault, never the leader’s or the group’s fault; promote feelings of guilt or unworthiness; instill fear, such as fear of: thinking independently, the outside world, leaving or being shunned by the group; ritualistic and sometimes public confessions of sins; phobia indoctrination: inculcating irrational fears about leaving the group or questioning the leader’s authority, no happiness or fulfillment possible outside of group; shunning of those who leave; being told there is never a legitimate reason to leave.
“Destructive mind control can be determined when the overall effect of these four components promotes dependency and obedience to some leader or cause; it is not necessary for every single item on the list to be present.“ (in this case, that would be to the Empress, ~may she live forever~)
(all taken from freedomofmind(dot)com -- not linking because sometimes outside links make tumblr act weird about posts)
On the page, we witness the slow process of Leilwin née Egeanin pulling away and deprogramming from the Seanchan Empire, and then in this book, it feels like Mat has begun that process as well. And it feels like they started the same way -- because of a massive overreach by Tuon, the leader of the cult/Empire. Leilwin née Egeanin gets humiliated and punished by Tuon for no reason; just because Tuon felt like being a brat that day, and that moment of humiliation -- the re-naming and the forcing of the jewelry on her in a way that treated her like a slave -- was really what made Leilwin née Egeanin start to pull away from the other Seanchan and go into the path that eventually led to her being, however briefly, Egwene’s Warder.
For Mat, it really seems like whatever happened in that ‘not pleasant’ discussion that he and Tuon had after she berated him for, essentially, prioritizing Egwene’s privacy over Tuon’s desire to get information from him... that discussion (that we didn’t get to see) really seemed to lead to the more combative Mat who refused to back down and roll over for her. Mat still feels a level of protectiveness and affection for Tuon through the rest of the book but he stops letting her push him around and he starts acting like he cares about doing something about the slavery system in the Seanchan Empire again, which was a part of him that we lost at the start of CoT and I have hated so much that we lost in his character. But it slowly grows back over the course of the second half of AMoL.
Again, my big regret here is that the Mat & Rand reunion happened before Mat started his spine regrowth program. Even though Mat does start to push back on Tuon more here, he still never finished several of his character arcs that were set up over the course of the entire series: namely his own mistrust of Aes Sedai and his fear of Rand as a channeler. Both of those fears were things that he was actively working in the text and that he abruptly backtracked on when Tuon was introduced into his life (because being chill with channelers and being chill with people who enslave channelers is contradictory and so Jordan decided... to go with being chill with slavers). So those are two flapping loose ends for his character at the end of this series that never got to fully be addressed because the ‘romance’ was prioritized over Mat’s characterization.
Loial
Loial is looking for people to help him with accounts for his book and “Perrin ignored me and Mat cannot be found”.
Mat just completely disappearing from the Westlands side of things to go set up a fireworks show for Tuon (and asking Aludra to be the one to set it up, which just seems kinda mean, considering that the Seanchan pretty much completely eliminated the Illuminators) is just... frustrating. Apparently Mat visited the battlefield here “smiling and healthy” but then vanished. So, in theory, there’s an empty place here where Mat might have visited Rand and talked to Elayne & co one last time, since Rand is in the main healing tent on this battlefield.
Loial also notes how odd it is that Elayne and Min don’t seem to feel any urge to go in to hold Rand’s hand while he’s dying (Aviendha is getting her legs looked at). I know, Loial! They’re the worst fake-grievers who ever lived, I swear. If the whole point is to trick people into thinking Rand is dead, then it might be a good idea to... actually try to trick people?
Moghedien
In which Tuon’s people are already breaking the terms of the treaty by snatching up channelers from the battlefield at Merrilor. No hundred years of peace, Rand. I’m sorry.
Rand (& all those who say ‘goodbye’ to him, or who don’t)
Rand leaves the mountain, slipping on his own blood and carrying a body. Shayol Ghul is trying to close before he can leave and he only barely makes it out in time before the cave snaps shut behind him.
Moiraine tells Rand that he did well, and Nynaeve tries desperately to keep him alive, but eventually, and without ever waking back up, ‘Rand’ dies.
Elayne, Aviendha, and Min do the absolute worst job of playing grieving widows ever. Like, if Rand had actually died, I could understand this better. Because they might really be in shock. But they know he’s alive! And their whole job is to convince people that they absolutely believe that he’s dead! Just... pinch your arm until you start crying! This is literally the most suspicious way that they could have gone about things -- Nynaeve is already extremely suspicious of how they’re acting. Seriously, she’s gonna wiggle the truth out of them pretty much five seconds post-epilogue.
Birgitte comes to say goodbye to Elayne because she’s about to be reborn... and to mention that she’s tossed away the Horn of Valere. Sure hope that Elayne doesn’t regret that in ten years when they’re at war with the Seanchan!
Tam hopes that now his son can get some rest. My hope is that Rand will, you know, go and talk to his dad after he’s had a chance to recover from the stress and trauma of the Last Battle. Also, Tam... you’re gonna have grandkids. No thoughts on that, I see. Still no thoughts on that.
The funeral scene frustrates me to pieces.
Honestly, the most frustrating thing about the funeral scene is how easy it would have been to casually mention that Mat and Perrin were there? Like, that’s ONE SENTENCE. Just... the erasure of those years of friendship, because heterosexual marriage, in Jordan’s fictional world, meant that close male-male friendships just stopped existing. It’s depressing. That CADSUANE is considered to have more right to be at Rand’s funeral than his childhood friends who were also vital parts of the Last Battle. It’s insulting. And apparently Tam organized it? But he couldn’t be bothered to invite his kid’s best friends. Definitely a place where Sanderson should have done some editing of the original epilogue. One sentence is all that was needed.
*sigh*
I do think that Sanderson did try to set up why Mat wouldn’t have gone -- we have seen Mat, in several of his recent PoV scenes, swallowing his grief over losing people he loves and not letting it appear to affect him openly, even as it rocked him deeply, so Rand’s death would be another of those gut-punches that he would do his best to pretend didn’t happen. But, fuck... it just sucks that the friendship between Mat and Rand is such a sublimated thing in this last book, when Rand and Mat both got to much more openly deal with pretty much every other important relationship that they had (though I will note that Rand and Sulin never got a reunion either! Rude!).
Perrin didn’t get anything like that kind of subtextual explanation, but Perrin actually did visit Rand’s healing tent while he was dying, so at least he got that much. *shrugs*
Min thinking here about how the assembled people expect a ‘show’ of grief -- yes, they have all found it exceedingly odd that none of you appear to be grieving the man you said that you loved.
Rand wakes up in his new body, washed clean of the wounds that he’d taken over the course of the series. No more missing hand; no more agonizing pain in his side. 
I have to admit “she left me some money” feels like a pretty anti-climatic way for Alivia to “help Rand die”? She wasn’t really involved in his “death” at all -- it was really Moiraine and Nynaeve who were the ones who ‘helped’ him die. I mean, any one of Min, Elayne, or Aviendha could have left him some money, since they all know he’s alive. I wonder if Jordan was originally thinking that Alivia would be the one joining Rand & Nynaeve for the cave journey, and it was Sanderson who decided that Moiraine would be more appropriate? Nothing distinctively Moiraine happens in that cave, not the way that Nynaeve was needed to be there to heal Alanna without using the Power. Like, this poor woman was harassed by Min for a handful of books because of that prophecy and all she did was leave Rand some money! Min better find her and apologize to her! (I already know that she won’t)
Haha, so confession: my brain edited out that new!Rand had lost saidin. My brain was just like “nope, of course he can still channel”. Personally, I’m not a huge fan of Rand not being a channeler at the end of the story, so that part I’m not thrilled about. He does have his newfound ability to use the threads of reality to basically channel anyway, though. Or at least I assume that’s what the pipe scene is about.
And then his thought, too, about ‘which’ of the women will follow him - yeah, you’re right that thinking that means you’ve gotten a swollen head! They all have responsibilities! Though since Rand leaves so abruptly here, there’s a lot that he doesn’t know, and the two things that most affect this specific question are: the extent of Aviendha’s injuries and the extent of Min’s involvement with the Seanchan. Literally zero of them is in a position to go chasing after Rand, even if they wanted to! Rand is the one who has no obligations and can easily visit them if he wants (well, maybe not ‘easily’ if Min does end up in the Empire).
But I can still remember, wow, what a relief it was that he was alive at the end, and free and unbound. The rest can be... adjusted by post-canon theories.
In terms of ‘things that aren’t covered but that we can probably assume’:
It does look like Elayne ended up with all three of the medallion copies -- the one Mellar used on her, the one that was on Birgitte’s body, and the third was with Lan and she probably reclaimed it (there’s nothing to indicate that Mat spoke with Lan and got it back), so the slaver empress never gets that medallion that Mat wanted to give her back in ToM. Tragic.
Despite Elayne and Tam speaking frequently over the course of AMoL, they somehow never speak about the whole grandkids issue. I feel like we can assume that this happens at some point, post-epilogue? Elayne and Aviendha both seem like they would go back to Caemlyn to rebuild. And Tam doesn’t really have a reason to go back to the Two Rivers at this point, so I can see him ending in Caemlyn too because: grandkids.
Technically, Min has slipped the Seanchan net at this point and could just not go back if she wants, so she can either go back to the Seanchan or she could go to Caemlyn with Elayne & Aviendha, but if she does stay away from the Seanchan, Tuon is going to try to get her back. Unless she was super-turned off by Min actually standing up to her in front of all the Blood and hastily makes Selucia her Truthspeaker again. That’s another possibility.
Ah, since we were told earlier that Melaine was about ready to give birth and Birgitte tells Elayne that she’s about to be reborn: Melaine might be her mom. I feel like Birgitte being reborn as Aiel sounds kinda fun.
I feel like Rand would not actually enjoy traveling all on his own after a while, given what we know about him, so he would probably end up visiting Caemlyn. And given how suspicious Nynaeve already is in the epilogue, I’m going to guess that she knows the truth by the time Rand goes to Caemlyn.
If Mat decides to leave the Seanchan behind at any point, he will probably also go to Caemlyn, and Mat and Rand can finally have a good reunion.
All in all, there are things about the ending that don’t thrill me but there are also things I really like. And having an ending at all helps in terms of sparking the imagination for fanfiction or meta or... an Amazon Prime television series. I don’t think we would have ever gotten the series if the books had stayed unfinished.
The epilogue checklist (and my theories about how it affected AMoL)
So, while reading AMoL, it felt like Sanderson took a couple of shortcuts in order to bruteforce the characters into reaching their epilogue endpoints, because there simply wasn’t enough time for it to happen naturally. This is my list of things that I believe got shortchanged due to “writing to the epilogue”:
Fortuona is pregnant in the epilogue: at the start of AMoL, Mat gets teleported to Ebou Dar without any kind of narrative or logistical explanation (contradicting his PoV chapter in the ending of ToM, where he was planning to return to Caemlyn, which would have thrust him directly into the main stories at play in the prologue & early chapters). I feel like part of it is that Sanderson really wanted to get that bun in the oven as quickly as possible.
“they expected something from the three of them; a show of some kind” : There’s just a wide acknowledgement in the epilogue that literally everyone knows that Rand has three girlfriends, so everyone just already knows in AMoL that Rand is in a relationship with three women now. No need for anyone to have emotional reactions to it, please! (not even Rand’s literal dad!) This one also ends up being weird because it seems to change from moment-to-moment whether or not the whole army knows that Rand has three girlfriends (if everyone knows already, why is Rand playing spy games with Elayne?).
Min is Fortuona’s pregnancy test: Min instantly respects ~Fortuona~ as an empress even while thinking that she doesn’t normally respect nobility. Bizarre, considering Min’s own history with the Seanchan from Falme.
Mat kills Fain: we got two super-quick glimpses of Fain earlier in the book to set up this moment but Mat had so much other stuff to do that Sanderson couldn’t really do more than say: yeah, Fain exists and he’s bad, lol.
Minor elements I think were affect by the epilogue:
Rand is still pondering over the idea of choosing between Elayne, Aviendha, or Min: we get Rand’s going “am I allowed to love three women? idk sounds fake” when he and Aviendha sleep together in chapter 4, which just was kinda silly. I think the epilogue is also the genesis of the vibe where Rand appears to consider “having sex with Min for months” to not be any kind of “choice” when it comes to the three women, but having a romantic interlude with Aviendha or Elayne would signal a choice -- because the epilogue acts like the situation between Rand and each of the three women is roughly equal, so “months of sex with Min” appears to hold the same emotional weight to Rand as “pining from afar with two nights of intense passion” does when he thinks of either Elayne or Aviendha.
Mat has no thoughts about any of the Westlands characters: I think that this is more of a subconscious effect -- as he focused more on the final book, I think Sanderson focused on the relationships highlighted in the all-important epilogue... and the only person that Mat cares about in the epilogue is himself *cough* I mean, Fortuona, of course, lol. In both TGS and in ToM, Mat’s deep affection for various Westlands characters was constantly on display, as shown in his own ‘loves lying to himself’ way. This gets curtailed in AMoL, especially in the early Ebou Dar chapters.
I think I’m going to let myself might let myself marinate over the various books before I post a final list of my personal ranking of the books.
One thing that I’ve really noticed is that, more than any other character, the quality of Mat’s storyline has a huge impact on my overall enjoyment of the book. In CoT & KoD, Elayne and Egwene (both of whom I love), got pretty good stories. But Mat’s story was so bad that it made it difficult for me to enjoy the good parts. But maybe some time just letting myself think about the series as a whole will balance out my thoughts. Does that make Mat my favorite character or just my most impactful character? idk. I feel like Elayne or Rand would more consistently hit the top of my favorites.
Overall top five characters throughout the entire series:
1. Elayne
2. Rand
3. Egwene
4. Mat (might be higher if not for CoT & KoD)
5. Nynaeve (might be higher if she didn’t basically disappear after she married Lan)
Then, moving on to the next favs, I think there’s more uncertainty there for me:
6. Verin, probably, but it could be Moiraine. Let’s say they tie.
7. Aviendha and Siuan can both go here. Both generally very good and interesting characters.
8. You know, I had a real turnaround with Gawyn in this reread of the books; I’m gonna put him here. He can share this spot with Leilwin née Egeanin.
9. Loial, probably. Needed more PoV; that would have been nice. I’ll put Faile here with him.
10.  For more minor characters, I gotta give a shout-out to Narishma (favorite Asha’man), Sulin, Pevara during her Black Ajah Hunter phase, Olver is really good in his sections here in AMoL, Asmodean for being my favorite fail-Forsaken and Moghedien for sticking it out until the very end, Elaida honestly very fun PoV as far as villains go, Teslyn and Joline for being troopers and enduring Mat Cauthon at his very worst, my girl Berelain who always deserved better, the ‘Finn in general always lots of fun, Aludra and Juilin who always kept their integrity intact.
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birgittesilverbae · 1 year
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when RJ does it: talented, brilliant, incredible, amazing, show stopping, spectacular
when bransan does it: you fucking donkey
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asha-mage · 8 months
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People complaining about the "Rand is lashed to a wheel" symbolism being heavy handed has got to be my new favorite flavor bookcloak delusion. In the books Rand is slathered in so much Messiah symbolism that the wiki has a subsection of his page dedicated to the different references. That man collects stagmata like Pokemon gym badges. He is every mythological savior archetype tossed into a blender with a healthy does of King Arthur, Baldr, and Achilles just to be safe.
The only reason Robert Jordan didn't crucify Rand "literally dies for the sins of humanity" al'Thor himself is because he probably couldn't find a spot to fit it in between him get Spear of Destiny'd and pulling the sword out of the stone. (Fun fact the ot Sword In the Stone was called Caliburn which you might note is remarkably similar sounding to Callandor. If you think that wasn't intentional I'd like to discuss some exciting bridge realty opportunities with you.)
Anyways lashing Rand literally to the symbolic representation of the enteral cycle of conflict in which all humanity is trapped, and Rand specifically is charged with preserving is dead on Jordan shit and I can't fathom anyone thinking otherwise.
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markantonys · 1 month
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i'm rereading the garden scene and i'd completely forgotten about this moment of gawyn just totally losing his marbles over rand i'm HOWLING the case for (onesided & unknown-to-rand) randwyn gets stronger every day
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