The moment you’ve been waiting for has arrived! It’s our pleasure to announce that the Witch Class is now available to playtest, free for patrons. With spell tokens, covens, and curses, explore a variety of flavorful new mechanics at your table.
In the next few months we'll be putting together a questionnaire for anyone who's interested in giving us feedback, so keep your eyes open for that. We can't wait to hear your thoughts!
Check out the new class, and much more, at patreon.com/worldsbeyondnumber
Extra special thanks go out to our incredible collaborators on this project:
Design: Mazey Veselak, Brandes Stoddard
Additional Design & Editing: Brennan Lee Mulligan, Hannah Rose, Erika Ishii
Playtester in Chief: Erika Ishii
Layout: Ruby Lavin
Illustrators: Corey Brickley, Tucker Donovan, Lorena Lammer, Taylor Moore
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A meeting of the Coven of Elders is nigh … and meanwhile, our Coven of Designers is eager to receive your official feedback on the witch class! We promise that, unlike certain Elder Coven witches, we have Ame’s best interests at heart. In fact, we want to make her abilities (and Fox) even better—and that’s where you come in.
If you’ve played a witch, played in or run a game with a witch, or even just read through the PDF, we would love to hear from you in this survey! (If you already left a comment on Patreon, it would be super duper helpful if you could also put your feedback in the form, but we will read the comments regardless.)
The feedback form will be open for a month, through midnight Pacific Time on Sunday, March 10th. The most helpful feedback is simply telling us what you enjoyed or didn’t enjoy and why, not what you think the mechanics should be. Too many cooks in the cottage’s kitchen and all that.
Friends, spirits, wanderers between worlds—thank you. We can’t wait to hear your thoughts.
Access the survey here: https://www.patreon.com/posts/98344047
If you've not yet tried the Witch Class, consider pitching in $5 a month to our Patreon for access to that, and so, so much more bonus content!
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How do you imprison an ex-president with lifetime Secret Service protection?
If Trump is convicted, his Secret Service protection may be an obstacle to his imprisonment.
All former US presidents, including Donald Trump, are provided Secret Service protection for life — technically this entitlement and protocol applies, even if Trump were to be convicted and sentenced to prison or home confinement.
By Spencer S. Hsu, Carol D. Leonnig and Tom Jackman
The Washington Post - August 4, 2023
https://www.washingtonpost.com/dc-md-va/2023/08/04/trump-criminal-cases-prison-secret-service/
This article originally appeared in The Washington Post August 4, 2023. It was republished in Australia by The Sydney Morning Herald and The Age - August 5, 2023:
YouTube video >> Please Explain Podcast - Inside Politics: Is Donald Trump going to jail? [Podcast (televised) 4 August 2023 / 18mins.+35secs.]:
From the newsrooms of The Age and SMH, Please Explain Podcast provides daily insight to the stories that drive the world.
On Tuesday 1 August 2023 in the Federal District Court in Washington DC, special counsel Jack Smith filed an indictment against former US president Donald Trump, for his role in the violent aftermath of the 2020 US election.
Trump faces four criminal charges related to alleged conspiracies to overturn the results of the 2020 election and obstruct the process of certification of those results on January 6 2021, the day of the violent Capitol riot.
If convicted, Trump could potentially go to jail for decades.
Please Explain Podcast host Jacqueline Maley talks with North America correspondent Farrah Tomazin and international editor Peter Hatcher on the latest charges against Donald Trump.
Try looking at the Trump legal saga without congratulating yourself.
How the Modern Meritocracy made Trump inevitable.
By David Brooks
This article originally appeared in The New York Times August 2, 2023. It was republished in Australia by The Sydney Morning Herald and The Age - August 7, 2023:
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Tell us about the wellness to fash pipeline tho
Here's a recent piece from the guardian on wellness communities and Qanon, so don't take my word for it.
"Wellness" is not just alternative medicine, it is essentially a theory of the body which posits if something makes you feel better, you are better in some meaningful way. I would argue it one of the most commonly held nonreligious magical beliefs in the modern world.
Wellness as a concept has its genesis in the 1950s with "workplace wellness" programs, a sort of budget alternative to offering employee healthcare benefits. This was an era soaked in itinerant business preachers offering classes on things like "hypnosis at a management level" and "yoga to improve leadership abilities". I am exaggerating for effect, but not by much.
The capitalist medical system regularly abandons people. We've all heard stories of profit driven pharmaceudical companies holding the ill hostage for extreme markup on life-saving medicines. People have real, legitimate, reasons to mistrust medical professionals.
Let's say you have chronic pain, and everything your doctor offers you is either ineffective, expensive, or addictive. You are desperate for literally any release, so you start looking into other solutions. You will find an OCEAN of snake-oil salesmen willing to sell you "the secrets doctors don't want you to know."
What is frustrating, is that pain is actually partially psychological. Some wellness techniques may have an actual, medical, benefit on some patients. The worst thing a conspiracy theorist can have is a point. So now you actually do kinda feel better, and you have a sense of loyalty to the grifter selling you 300$ Sumerian Cock Oil Pills. These people are the core of the wellness industry. They are the examples that everyone else points to and says "Well it worked for them!"
Reactionary thought blooms in environments like this. If the medical industry can't be trusted, what else can't be trusted? At any given time, you are two clicks away from "vaccines cause autism." Three clicks away from "Cavemen were 15 feet tall because they only ate meat." And four clicks away from "The medical industry is controlled by The Jews to drain our wallets and keep us sick." Echoes of Nazi attitudes towards German-Jewish doctors are a common backbeat.
Wellness itself is relatively harmless, (compared to the things it is adjacent to) but it acts as a sort of idealogical airport that exposes the curious to a deluge of potentially radicalizing communities. The longer you spend in communities like this, the higher the chance you'll come across something that meshes perfectly with your own biases.
If y'all wanna learn more about wellness and pseudomedicine grifters, I highly recommend the podcast Maintenance Phase.
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Why reblog machine-generated art?
When I was ten years old I took a photography class where we developed black and white photos by projecting light on papers bathed in chemicals. If we wanted to change something in the image, we had to go through a gradual, arduous process called dodging and burning.
When I was fifteen years old I used photoshop for the first time, and I remember clicking on the clone tool or the blur tool and feeling like I was cheating.
When I was twenty eight I got my first smartphone. The phone could edit photos. A few taps with my thumb were enough to apply filters and change contrast and even spot correct. I was holding in my hand something more powerful than the huge light machines I'd first used to edit images.
When I was thirty six, just a few weeks ago, I took a photo class that used Lightroom Classic and again, it felt like cheating. It made me really understand how much the color profiles of popular web images I'd been seeing for years had been pumped and tweaked and layered with local edits to make something that, to my eyes, didn't much resemble photography. To me, photography is light on paper. It's what you capture in the lens. It's not automatic skin smoothing and a local filter to boost the sky. This reminded me a lot more of the photomanipulations my friend used to make on deviantart; layered things with unnatural colors that put wings on buildings or turned an eye into a swimming pool. It didn't remake the images to that extent, obviously, but it tipped into the uncanny valley. More real than real, more saturated more sharp and more present than the actual world my lens saw. And that was before I found the AI assisted filters and the tool that would identify the whole sky for you, picking pieces of it out from between leaves.
You know, it's funny, when people talk about artists who might lose their jobs to AI they don't talk about the people who have already had to move on from their photo editing work because of technology. You used to be able to get paid for basic photo manipulation, you know? If you were quick with a lasso or skilled with masks you could get a pretty decent chunk of change by pulling subjects out of backgrounds for family holiday cards or isolating the pies on the menu for a mom and pop. Not a lot, but enough to help. But, of course, you can just do that on your phone now. There's no need to pay a human for it, even if they might do a better job or be more considerate toward the aesthetic of an image.
And they certainly don't talk about all the development labs that went away, or the way that you could have trained to be a studio photographer if you wanted to take good photos of your family to hang on the walls and that digital photography allowed in a parade of amateurs who can make dozens of iterations of the same bad photo until they hit on a good one by sheer volume and luck; if you want to be a good photographer everyone can do that why didn't you train for it and spend a long time taking photos on film and being okay with bad photography don't you know that digital photography drove thousands of people out of their jobs.
My dad told me that he plays with AI the other day. He hosts a movie podcast and he puts up thumbnails for the downloads. In the past, he'd just take a screengrab from the film. Now he tells the Bing AI to make him little vignettes. A cowboy running away from a rhino, a dragon arm-wrestling a teddy bear. That kind of thing. Usually based on a joke that was made on the show, or about the subject of the film and an interest of the guest.
People talk about "well AI art doesn't allow people to create things, people were already able to create things, if they wanted to create things they should learn to create things." Not everyone wants to make good art that's creative. Even fewer people want to put the effort into making bad art for something that they aren't passionate about. Some people want filler to go on the cover of their youtube video. My dad isn't going to learn to draw, and as the person who he used to ask to photoshop him as Ant-Man because he certainly couldn't pay anyone for that kind of thing, I think this is a great use case for AI art. This senior citizen isn't going to start cartooning and at two recordings a week with a one-day editing turnaround he doesn't even really have the time for something like a Fiverr commission. This is a great use of AI art, actually.
I also know an artist who is going Hog Fucking Wild creating AI art of their blorbos. They're genuinely an incredibly talented artist who happens to want to see their niche interest represented visually without having to draw it all themself. They're posting the funny and good results to a small circle of mutuals on socials with clear information about the source of the images; they aren't trying to sell any of the images, they're basically using them as inserts for custom memes. Who is harmed by this person saying "i would like to see my blorbo lasciviously eating an ice cream cone in the is this a pigeon meme"?
The way I use machine-generated art, as an artist, is to proof things. Can I get an explosion to look like this. What would a wall of dead computer monitors look like. Would a ballerina leaping over the grand canyon look cool? Sometimes I use AI art to generate copyright free objects that I can snip for a collage. A lot of the time I use it to generate ideas. I start naming random things and seeing what it shows me and I start getting inspired. I can ask CrAIon for pose reference, I can ask it to show me the interior of spaces from a specific angle.
I profoundly dislike the antipathy that tumblr has for AI art. I understand if people don't want their art used in training pools. I understand if people don't want AI trained on their art to mimic their style. You should absolutely use those tools that poison datasets if you don't want your art included in AI training. I think that's an incredibly appropriate action to take as an artist who doesn't want AI learning from your work.
However I'm pretty fucking aggressively opposed to copyright and most of the "solid" arguments against AI art come down to "the AIs viewed and learned from people's copyrighted artwork and therefore AI is theft rather than fair use" and that's a losing argument for me. In. Like. A lot of ways. Primarily because it is saying that not only is copying someone's art theft, it is saying that looking at and learning from someone's art can be defined as theft rather than fair use.
Also because it's just patently untrue.
But that doesn't really answer your question. Why reblog machine-generated art? Because I liked that piece of art.
It was made by a machine that had looked at billions of images - some copyrighted, some not, some new, some old, some interesting, many boring - and guided by a human and I liked it. It was pretty. It communicated something to me. I looked at an image a machine made - an artificial picture, a total construct, something with no intrinsic meaning - and I felt a sense of quiet and loss and nostalgia. I looked at a collection of automatically arranged pixels and tasted salt and smelled the humidity in the air.
I liked it.
I don't think that all AI art is ugly. I don't think that AI art is all soulless (i actually think that 'having soul' is a bizarre descriptor for art and that lacking soul is an equally bizarre criticism). I don't think that AI art is bad for artists. I think the problem that people have with AI art is capitalism and I don't think that's a problem that can really be laid at the feet of people curating an aesthetic AI art blog on tumblr.
Machine learning isn't the fucking problem the problem is massive corporations have been trying hard not to pay artists for as long as massive corporations have existed (isn't that a b-plot in the shape of water? the neighbor who draws ads gets pushed out of his job by product photography? did you know that as recently as ten years ago NewEgg had in-house photographers who would take pictures of the products so users wouldn't have to rely on the manufacturer photos? I want you to guess what killed that job and I'll give you a hint: it wasn't AI)
Am I putting a human out of a job because I reblogged an AI-generated "photo" of curtains waving in the pale green waters of an imaginary beach? Who would have taken this photo of a place that doesn't exist? Who would have painted this hypersurrealistic image? What meaning would it have had if they had painted it or would it have just been for the aesthetic? Would someone have paid for it or would it be like so many of the things that artists on this site have spent dozens of hours on only to get no attention or value for their work?
My worst ratio of hours to notes is an 8-page hand-drawn detailed ink comic about getting assaulted at a concert and the complicated feelings that evoked that took me weeks of daily drawing after work with something like 54 notes after 8 years; should I be offended if something generated from a prompt has more notes than me? What does that actually get the blogger? Clout? I believe someone said that popularity on tumblr gets you one thing and that is yelled at.
What do you get out of this? Are you helping artists right now? You're helping me, and I'm an artist. I've wanted to unload this opinion for a while because I'm sick of the argument that all Real Artists think AI is bullshit. I'm a Real Artist. I've been paid for Real Art. I've been commissioned as an artist.
And I find a hell of a lot of AI art a lot more interesting than I find human-generated corporate art or Thomas Kincaid (but then, I repeat myself).
There are plenty of people who don't like AI art and don't want to interact with it. I am not one of those people. I thought the gay sex cats were funny and looked good and that shitposting is the ideal use of a machine image generation: to make uncopyrightable images to laugh at.
I think that tumblr has decided to take a principled stand against something that most people making the argument don't understand. I think tumblr's loathing for AI has, generally speaking, thrown weight behind a bunch of ideas that I think are going to be incredibly harmful *to artists specifically* in the long run.
Anyway. If you hate AI art and you don't want to interact with people who interact with it, block me.
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