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triumphorce · 5 years

Text

under stars that feel as far as

real does..

at the moment.

at any moment..

kidnap me.

any chance presented

& in moments prior.

spent alone

zone.

far from progress.

stasis,

stationed next to

hope & regret.

on either side.

stamina. breathe now

to breathe more.

no free will.

i got to survive.

i got to make it,

especially if i just change aim

change rim-height,

relate with reality

change chin height,

keep head up,

lower expectations

keep pen up.

can’t make shit up,

so i make this shit up

dig deep, drain soon as i wake up

from sleep, or conscious nap..

break up

buildup

of words

that

feel

millions.

euphoric

ultimatum;

write,

or just

waste.

can’t wait

to post, create.

post haste

long ass roads that really dont have

an end, or means to.

I just become more of

whatever comes;

whatever emotions

i allow;

however

i react;

whoever,wherever,

when tf ever

‘cause all i am

is now, here.

a little more conscious..

that’s it.

&the more i remember,

the more i forget.

gotta pick and choose.

careful.

careful, please.

carefully

cut ties, choose way

‘cause by the time it's time to remember

new knew's

once was' just can’t keep up

and i accidentally

delete something

important,

or distort it..

gotta

slow down

life...

ssssshhheesh

i once was in less pieces,

&I at least, once, knew peace, but didn’t know it,

more than likely still do

staring at sky blue.

so blue..

eyes find it soothes

waiting on.

bus late.

contemplating, mind rages

sea

lost in deep

hue pool

sharp, wind wrapping body.

waitin on,

waiting on.

contemplating. gone.

daydreamin way thru life.

thru the little things

i always belittled.

cause I thought I had what i needed. or what I had was mine to keep.

...just because.

i need a little more somethin

a little more new, more original stop cliches, tropes,& archetypes in general

droll,

repetition equals learning, well i'll just lurn-less

beg to differ, by beggin questions, even when forced to tread slow,&only do so in head.

we’re all middlemen.

just fiddlin’

‘round in world,

in universe,

riddled withh riddles,

that

trickle,

drip

complex

descent

from cognitive

beginnings.

ephemeral glimpses of outside-nighttime-world,

through blinds in bed, as a child to now, still just as far from.

as far as real feels.

feelin nothing like how I do now.

but pain passes,

so it just must be my brain's capacity for trust shrank. & elaborates time taken for to cross neural pathways,

not get lost, and make it back safe save, all at the same time, while i attempt to ignore age

pay mind solely to the idea i can do, &I don't have to prove.

to become honest, so potential growth is optimum to be one with me, and know I can't ever be anything but and no idea is ever done, no matter finished, no grey matter greyer, no more dr. bender's, no more directions, no more winners, reflect on self, &what it means-to be better, i deflect defects w/ skylark teeth,

a truer sense of.. truth

a higher level basic

newfound fundamentals

that all the world and creation in it,

then, now, or later

are truly small

no life was ever finished

nobody wants to give it up,but we learn to

and as a consequence return to world what we wish to see beyond our existence

to find trust again love again feel again believe again hurry up, clock's tickin

get it, grind look and find get inspired go inspire go perspire run a mile two three four

five seconds six seconds

gotta go for it gotta get better,

never listen only instrumentalz for me

in a room aspire to be able to define my every rhyme and reason behind thoughts had,

itchin to stay consistent, keep on writing and don't worry about why, keep on filing tomes of dreams, ordering guides to self, from one idea to a whole library of shit I did,

like,

"oh, damn kid, you wrote that?"

damn right I did.

conversations that I have in my head

while I reread pieces

an elixir, a pensive remedy

for when I feel reluctant toward

reality, when in reality

it's really just the people around me that I trusted, busted ass for, gave up past for filled up gigabytes, sticky notes, notepads for designed a whole world for,

put off parties, friends, a part of me I never gave a chance for. became an outcast for. put on mask for.

to be compared and not contrasted warned and not encouraged critiqued but not heard

made me want

to tell, create a story and not give a damn about glory.

although i worry how i come off..sometimes..

made me

change style time after time for some time, now..

made me have

to boost own confidence, own own ego; inflate like raft, & float to shore,

common ground with action &

focused on

how I'm amounting in life.

..apparently

im just climbing up invisible

mountains

but i don't let it make or break me,

used to,

but no more ,& nowit's just me.

&that's just crazy..

so im focused

on how im a mountain lion to moles tryna troll, but most the time, tho I'm...focused on settling score with where I've failed

& failed to respond to failure well

let go

of initiative, hung to anger

in orbit around regret towards doors left unopened, words unspoken to people gone, that could've changed life, if only They could hear these thoughts.. if only I had someone to talk to besides myself, & people that talk to high-five themselves; given approval never sought, advice for battles never fought, in a room for most of youth, stuck in head, so much to see, explore lore of stories never written, so much done even before i decided to pick pen up, before i decided I was ready for commitment decisions in head turn to an every 5 minute thing,

stuck in holes deeper than before

tell-tale signs around sub-subconscious that Im chasin nothin..

apparitions..

in front of people

waitin somethin fierce

for me to

summon what's already there

a mirror image of miracle from thinnest air from holes put in life for pride in pages of jumbled thoughts gaps in memories for drafts that define ironic, describing fine lines I believe are there, in thinnest mirror, between me and experience in eyes that remind me i am less, i am more i am worse, i am better everything in between all and nothing, not objective, but an object capable of observation, own purpose assigned no more worth than yours, no more than I have dealt my self chances missed to live for product tossed or lost in the end

x's & lines through a mind confused, backspaces scribbles procrastinating daily, delaying the inevitable, staring at.. ...coffee steam and letters linked in ink curves and ink in nerves

on nights only sleep's deferred as vivid as yesterdays and scenes in head of tomorrows mixed in with skips in consciousness obvious options almost always missed second guesses linger in gut like wtf

what the fuck am i doing everyday, if I don't contribute to future

to believe, or not to believe i was in control of will was the whole problem let go of all it hone on goals. fly low, that is...

as far a stretch as breath of desire to contribute to the world believing if chance exists, i will succeed I will fulfill promises thru notepads & audience

a caged bird singing

do or do not.

seems all I've done is try, it seems to try isnt good enough, seems what they want from me wasn't what I was told they want, which is for me to want from me & instead what they want to see is what they want to see

me to become this and not my own, no matter how many hours spent, no matter the font, text, or etiquette formed to gain attention, but apparently a proper use of improper use of prose prospered overtime & i kept my posture, keep me from losing self, going crazy, letting people make me think something's not okay, or wrong with me, or out of whack off top, not taken seriously

priorities of the majority of society made it difficult to captivate eyes, and garner respect, because of conflictive internal contradictions to set out for what I thought was spreading message, but was embedding judgment of self, & effort, looking at motives that been made a home in heart like they suspect, but they was who fucked with me when I wouldn't even fuck with me, wanna be someone else, something else, like what you want clave?

to wait for mine..

psh, nnn’eh, thinking I was good enough to be taken seriously ..

thinking there was nothing to do, but to do, but something changed course, one day,

one day atta time

thinking that I was right behind, could just lift up arm and touch but that wasn't the case, ever, constant race

couldn't hold on, couldn't hide the pain to psyche out greatest opponent, me

didn't want to, saw no point

repeating and repeating, over and again

so on and so forth, thus forth destroying self convinced I couldn't help it and still am

and still can't

accept I ever gave in, broke under pressure, buckled under what some would chuckle over, no pity, just recognition of jimity's petition to push when pushed, with thoughts into written gale force, in a position to always hope, so when foundation crumbles, there's another one up under

if not, I use earth to wander.

whether with excess of momentum or subsiding in subtle realization of sustenance behind life's work

purpose on course set to find reward I'm told I'm looking for..

fin

#poem #dps #clavevesari

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create-ninety · 5 years

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Wednesday 20th February, ’19. 10am.

There’s nothing quite like going to a gig at a small venue in a trendy part of town to make you feel like a geriatric.

While I was getting ready for the event, I was wondering if I was going too casual – I was wearing a plain t-shirt with black jeans and an oversized floral blazer. Turns out I should have gone in what I normally wear as pyjamas! There were kids (I say kids, because while there were definitely a few ‘older’ people in the crowd, the majority looked like they were born this side of the century) wearing what I can only describe as their dorky mum’s clothes from the seventies. It was bizarre. Lucie and I stood to the side in a somewhat demure fashion by comparison, me sipping on non-alcoholic beer, and Lucie overheating from a temperature brought on by a nasty cold.

We both agreed that, if we were born when they were, it’s this kind of crowd we probably would have found ourselves in. Perhaps it’s because they were wearing exactly what we were wearing, once upon a time. I can imagine this isn’t a unique experience for people who find themselves looking over their shoulder at the next generation and wonder what the hell is going on.

The show itself was great – the band were amazing. I’ve seen them three times now and each time they’ve got better. The audience loved the performance and it was actually quite inspiring to see people passionate about their art in action. And it was obviously the kind of crowd that didn’t bat an eyelid that I was draped over completely over Lucie, which is always a plus.

When we got home, we lay awake talking about it the performers. I wondered what the process is that gets a person to the point where they feel confident enough to get on stage and perform in front of others. Essentially saying, “I am confident enough that my work is good enough to not only subject you to, but I am compelling enough to perform it in front of others.”

That’s a pretty brave thing, for anyone to do. To be inviting open criticism and to stand up and project vulnerability. I do, genuinely, marvel at musicians and stage actors who have to suspend what can only be described as ‘normal reality’ to sing, move about, and create a large amount of sound – something that in any other situation would be wildly inappropriate and strange. And yet there we all were, gathered around a stage, making noise for individuals who were inhabiting that space of vulnerability. I’ve decided that, for me, it’s actually less about hearing the music of the artists when I see the live show, and more about watching and observing the emotions that they’re going through, as they do it. And you can see it on their faces. The nerves, the little shakes, the awkward chatter between songs when the polished performance of practiced routine is paused.

Lucie pointed out to me that writing a novel isn’t so different to that.

In some ways, perhaps not, but by and large I think there are some key differences.

I think that if you’re a creative person by nature, then creativity has the opportunity to express itself in several key ways: as an actor, a musician, a visual artist, or a writer. Each of those could be called spheres with smaller subsets breaking off (stage actors vs film actors, painters vs photographers, poets vs fiction writers, and so on). I suppose it just depends what vehicle you ultimately are drawn to and prefer as your mode of expression. Because ultimately, the point of anything creative is fundamentally the same: it’s just that, expression. You are expressing something emotive, experiential, a message, something others might relate to. And each of those spheres give you the option to do it, but with completely different methods of execution.

When I was growing up I played with all of the different spheres and I can see them all, now, as different sizes and at varying distances from me. At certain points in my life I’ve actually valued them and explored them in different orders. Some have increased in resolution and texture while others have stayed smaller and smoother.

The smallest of my creative spheres, the one most under-developed and child-like, is visual art. I’m not bad at basic sketching or copying something. And I can stare at a piece of art and try and pull out its meaning. But when I was young, the pleasure I’d get from mixing paint or translating an emotion onto a canvas or something else just wasn’t very high for me. So I didn’t spend time doing it. There were moments where I’d develop a surge in interest (this still happens) – I’d go and buy watercolours and start painting for fun, or I’d be obsessed with sketching raccoons or something. But it’s always fleeting, and ultimately, not really something that I have been able to use as the best means of my expression.

I found a lot of joy in stage acting and performing when I was young, right up to my teenage years. I would include public speaking in this. I found it exciting. I liked playing characters with interesting stories, and I liked to turn different emotions on and off to create scenes with others. I liked finding mirrors of myself in characters, and ‘becoming them’, for a short time, was a small reprieve from myself. But sometimes it was hard to occupy the emotions of a character when my own were trying to take centre stage, so to speak. In my last year of high school when I was arguably involved in the most theatre I’d ever done – I was the lead role in my drama class’ final show, I was in a speech finals competition, I was sitting a speech and drama exam that had multiple theatrical components, I was in our school production, and in an improv team – I was stressed as hell. I realised, ultimately, I didn’t like standing up in front of others to be scrutinised as a version of myself that wasn’t me. I didn’t like that there was a ‘right way’ to act, and a ‘wrong way’. Because, well, there’s a director telling you what to do and how to do it. And so when I left school, I stopped any form of acting. I thought about joining a theatre company but I didn’t. I almost studied Theatre at uni, but I didn’t. It just wasn’t the creative vehicle for expression for me and I dropped it all together. I think, as a result, that acting is now my least valued and explored sphere.

Music, on the other hand, was something I discovered in my late teens. I’d tried piano earlier but didn’t like it, because I was taught classical, which to me was basically mathematics with your fingers. I wasn’t good at translating the written music to something that requires you to be so profoundly dextrous. Years later I would discover tab, and learn the general principles of music accidentally. I realised that chords are the foundation of all music, and that chords translate across all string and wind instruments, including the piano. Once I understood that, and once I was able to master basic dexterity and rhythm, music became the most wonderful tool of expression. I was able to write lyrics, write melodies, and then later on, piece them all together to make a song on my computer. I must have made hundreds. I did struggle to ‘finish’ one, though, and my desire to perform them never became overwhelming enough to take it to the next level. For me, it really was just means to express something. I liked the personal nature of it. I liked the different emotions that could be conveyed through the different sounds and instruments. Sharing the songs with anyone was always a profoundly terrifying experience: the music was an extension of myself, as if I had translated my own identity and ‘suffering’ into sound – and for others to hear it, and to judge it, would be for them to judge me. And so the music sphere for me has grown large, but it has stayed at the same size for some years now. I pick up the guitar when I’m feeling emotional. Or when I want to put music to a poem. And when I see musicians perform, I see love for the vehicle. I often dream about writing an album to compliment a film. I suppose that now, there is actually the option to actually produce music without having to perform at all – you can do it all digitally. But I don’t think that I love it enough to put it out there. There is so much music available. I don’t think that what I create would be contributing to anything other than my own creative expression. And so, it’s for that reason, while it’s fun to dream, I think – unless I suddenly have unlimited free time and money – that it’s something I’ll never take further than just tinkering around when I fancy.

Writing, for me, is the perfect mode of expression. It’s a completely internal process. With music there is this external component, which I think is ultimately what turns me off about it, but with writing, it can be done completely behind a veil. When it is released into the world, it’s consumed by a reader internally. You are not the work. The work is as separate from you as possible (perhaps in many ways like visual art). This is what appeals to me so deeply. That I get to have a personal, raw, emotive and transformative experience writing something and exploring it in a depth that has so many layers of meaning. And when someone reads it, the work becomes a personal experience for them. You are just a a vehicle for the expression. My physical form, my personal likes and dislikes and expressions, are not relevant to the ideas being put out into the world. And I love this. Writing also carries with it the highest possibility for profound connection: books take a long time to be read, and upon each separate reading, new meaning can be found and uncovered. The same can be said for all the spheres, absolutely – I’ve certainly spent hours listening to the same song and attached various meanings to it, and felt connections to musicians I’ve never met – but there is something unique about a narrative with a character who goes on a journey. I would argue that in a book you can still experience all five senses, but in an abstract way.

I don’t like the thought of who I am as a person getting in the way of the message. I want to place the art and the ideas at the centre of the experience. When you involve yourself – in a way that musicians and actors have to do – then you become consumable. And that is a scary concept for me. One could argue that the person performing is actually, themselves, part of the art - I would imagine this to be true - but I think this is what differentiates the spheres.

And, more than anything, writing is as automatic and as essential to me as breathing. Or eating. It’s just something that’s part of my day and necessary for normal functioning. For people who master the other spheres, you can see that they have this feeling about their own medium. I saw it on the faces of the performers last night. They live and breathe music. Their instruments are extensions of their identities that they have to exorcise. When I scroll through the Instagram profiles of visual artists, their dedication to the craft is demonstrated through the picture after picture after picture of their creations.

And, finally, I am now – perhaps like the musicians – confident enough to think that my work is good enough. I also think it’s now good enough for others. So yes, maybe I am more like the musicians than I think.

#personal #createninety #journal #feb2019 #february2019 #thoughts #contemplation #writer #author

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