Tumgik
#which Nolan goes about literally everything in the show will never stop fucking me up.
variousqueerthings · 3 years
Text
Tom Hardy Movies rated least to most queer
I made a list of some Tom Hardy movies and I rated them based on my own, non-specific criteria about what makes a movie queer. Results below the cut.
(Some films not included, because I haven’t watched them yet, because Mr Hardy’s only in them for a few minutes, because the subject matter doesn’t lend itself to this list, or because I just don’t want’em here. TV series also not included. The list is organised into both groups and ratings, because I’m doing The Most.)
Movies are divided into four groups and rated from 0 – 10 on the Queer-Scale, scroll down to the bottom if you want the ratings without the commentary.
Disclaimer: This list is subjective. Don’t come at me because I didn’t rate Inception higher, Nolan himself is as queer as cargo shorts. 
1. This movie would make more sense if it were queer
If this movie were queer it… might not become a perfect film all of a sudden, but it’d make a hell of a lot more sense than what’s actually going on. With an occasional dose of “are the cis-straights okay?”
This Means War (2012): So Chris Pine and Tom Hardy are ostensibly both in love with Reese Witherspoon, but say “I love you” to each other pretty much constantly throughout the movie and their friendship is often presented as a domestic partnership. Cool, cool, cooool.
Queer Rating: 2 out of 10. This movie hate-crimed me by having Tom Hardy literally spell out his relationship with Chris Pine, only for the script to then have him say… “can you imagine all that… but with a woman…” Later on the movie explicitly denies polyamory is possible. Fuck this film.
The Dark Knight Rises (2012): Batman movies should always be queer. Mr. Hardy’s the only one who acceptably camps it up, despite Nolan’s best attempts to make him “acceptably gruff.” No matter what you do, Bane is a massive daddy in a mask and thanks to Mr Hardy’s honestly iconic fucking speech pattern in this film, it goes from pretty atrociously straight to just queer enough to imagine a future where Robert Pattinson plays batman and maybe adopts a bunch of kids.
Tumblr media
(the only truly decent mask in this franchise tbh)
Queer Rating: 3 out of 10. Mr Hardy’s back is the one that’s actually broken carrying any semblance of fun in this overly long movie all on his own.
Lawless (2012): Wow, this really was the year of the not-queer-enough, wasn’t it? Look, it’s “based on a real story,” but it’s also a movie and movies don’t need to stick to the truth, and this one certainly doesn’t. Was the guy queer in real life? I don’t know. But that doesn’t matter, what matters is that it’s just kind of an eh movie and maybe being queer would add something to it. One of those “but why make someone queer? because it’s always more interesting to do so,” movies.
Queer Rating: 3 out of 10. It’s just not queer. But Tom Hardy wears cardigans and described his character as a “mother figure,” which adds an interesting dynamic to him.
2. Actually Queer but in a homophobic way
Tom Hardy plays a canonically queer character, yaaay. The whole movie contains a strange sense of the director being too not-queer to actually engage with that and everything around him is almost aggressively straight, noooo.
RocknRolla (2008): Honestly this movie has the funniest coming out scene ever + that familiar undertone of “all these manly men secretly want to fuck each other” is only heightened by one of them actually being gay and in love with his best friend. It’s such a fucking… it’s such a movie. Personally I find Mark Strong, Idris Elba, Thandie Newton, and, of course, Tom Hardy to be really hot in it, so that’s a plus. There’s a scene in which Strong’s character teaches another gangster how to do a proper backhand. It’s really gay of him. Also slow-dancing at a gay club. Butler’s character needs to get himself together, you really don’t think 2008 Tom Hardy is hot? Mate.
Tumblr media
(left to right: functional queer, disaster queer, distinguished queer)
Queer Rating: 6 out of 10, for having an actual gay character who is played by Tom Hardy doing a sexy phonecall voice to another guy, but then there’s that feeling you can’t shake that the whole movie is vaguely uncomfortable about it, like a family member awkwardly patting you on the shoulder after they found out you were queer second-hand, but they’ve still got 50 years of bias to unlearn. Also Thandie Newton is killed, fuck that noise. 
Legend (2015): If I had a nickle for the amount of times Tom Hardy’s played a gay gangster, I’d have two nickles. Which isn’t a lot, but weird that it happened twice (looks at Peaky Blinders and thinks it ought to be three times). I’ve watched Legend three times and every time it just… loses me. And because this is a biased list, I’ll only specifically mention that it fails to make Ron’s queerness anything but a way for him to shock others. Gangsters could be gay? Gasp! On the upside Tom Hardy has so much sexual tension with everyone in this movie, including himself (why would you do that? Asks Ron, bemused. Because I can’t kill you, no matter how much I fucking want to, hisses a blood-soaked Reggie right into his ear. It’s hot).
Queer rating: 5 out of 10 because the film is just not very queer for a movie with several queer men in it.
3. Straight as a forced family dinner
It’s straight.
Locke (2013): He’s a married man who had an affair and trying to deal with the fallout of it. This isn’t a spoiler for most of the movie, it’s a pretty neat movie where we look at Tom Hardy having a bit of a mental breakdown and taking lots of phonecalls (my personal hell). Is it queer? Not in the slightest.
Queer Rating: 2 out of 10 for Hardy’s face being in almost every shot.
The Revenant (2015): Yeah, yeah, DeCaprio’s and Hardy’s characters are obsessed with each other, yeah it’s a man’s world where the only women are dead wife, kidnapped sexually assaulted native princess, or background whore, yeah, they fight each other and there’s a ton of grunting, but also… I just fucking don’t like this movie. The thin line where a storyline like this one becomes queer might be crossed for others, but not for me. Fuck these guys and their stupid  bear fights.
Queer rating: 3 out of 10 for it being about dirty men in the middle of nowhere (but you could just watch Brokeback Mountain or The Lighthouse or God’s Own Country or any Mad Max, or, or, or…)
4. Queer? Queer. Queer? … Queer…
The plots, aesthetics and/or characters played by Tom Hardy lend themselves to a queer reading, even if there is no overt intention towards queerness. Often this is because of a deliberate lack of heterosexual and/or cisgender writing, which in this day and age is still pretty uncommon not to include within a plot.
Inception (2010): Okay, I don’t even need to write about the added “darling,” or the “go to sleep Mr Eames.” I don’t need to go on about the absolutely bonkers amount of fanfiction written for Eames and Arthur, based on a few minutes of film and a boatload of chemistry. It’s queer.
Queer Rating: 7 out of 10, because the actual plot of the film isn’t very queer, but between the Arthur/Eames dynamic and Elliot Page, Nolan was really given a gift he didn’t deserve.
Warrior (2011): Okay, so first off, this might be my favourite Tom Hardy film, at least some part of my brain is fixated on it at almost all times and I’m considering watching it for the third time in two weeks. I don’t only consider it queer based on Mr. Hardy’s character, although he has no romantic or sexual interest and could be read as aroace, but because of the themes, especially those surrounding said character, who is coded as a caregiver to women and through close emotional connections to men. It’s got possibly unintentional deconstructions of masculinity and two men (brothers) who need to forgive each other and can only do so through the catharsis of violence. It speaks to me as a transmasc with several cis brothers, struggling with my own masculinity. It’s not at all written for me, but I find myself all over it. I could talk about this movie forever.
Queer Rating: 8 out of 10. I’m not allowed to say any more or I’ll never stop writing about it. I love you Tommy…
The Drop (2014): Bob’s lack of sexual and/or romantic interest in Naomi is so strange to her that she doesn’t know what he would want from her otherwise. Bob really just wants to raise a dog with her (and also forgiveness for past sins). Bob is such a rare ace and possibly aro coded character, it really throws me every time I watch this film how obvious it is. Bonus points for also being autistic-coded and not in the stereotypical ways.
Tumblr media
(Tom Hardy’s most challenging role: pretending he doesn’t know dogs)
Queer Rating: 9 out of 10 because it’s so fucking rare to see ace and aro coded characters that aren’t, you know…. serial killers. Also Tom Hardy adopts a puppy and has a very cute, kinda lispy voice. How often does Tom Hardy play softer men like this?
Mad Max: Fury Road (2015): Very deliberately no sexual or romantic writing included in Max’s and Furiosa’s relationship. Sure, there’s not a lot of time for that in the post-apocalyptic wasteland, but it was also done with a purpose! “It was always going to be two warriors on par, starting off with very little respect for each other and ending up with a massive respect for each other.” - Charlize Theron. “So of course they meet, of course there’s a relationship, an unspoken understanding. A recognition.” - Tom Hardy.
Queer Rating: 9 out of 10. It’s not just the characters, but the world and it’s apocalyptic BDSM leather scene, the questions it asks about sustainability and about people as tools, and the found family. It’s about overcoming violence through multiple kinds of love. And it’s about watching a guy playing flame-thrower guitar. What could be queerer?
Venom (2018): Talented, brilliant, incredible, amazing, show stopping, spectacular, never the same… No, but Eddie is queer. The only question is whether the sequel will acknowledge that aspect or not, but even if not. Even if it manages to straightly bypass the reality of a symbiotic relationship with a genderless? genderfluid? being from another world that is linked to you down to your very cells and understands you more intimately than any other person possibly could… even if all that: Eddie is queer. Venom and Eddie are in a relationship. Any relationship Eddie ever enters into will automatically become a thrupple. He makes out with Venom in the movie! Eddie is queer.
Tumblr media
(aw yeah that tongue is going down his throat)
Queer Rating: 9.5 out of 10, because it’s still coded by the creators in the language of bromance (hey, bro, is it gay if we’re physically and emotionally closer than any other people on earth?), but the movie is so, so camp and Mr Hardy’s acting choices are beautiful – the screaming? The lispy soft voice and lack of taking up space? The lobster tank? The only people who don’t know how queer this is are the people making it apparently. Fingers crossed for that sequel!
Hon. mentions:
Star Trek: Nemesis (2002): Star Trek – even at it’s worst (especially at its worst?) – is camp af + Hardy is a straight-up baby in this film.
Bronson (2008): It’s about a real person who’s still alive, so I won’t comment on the actual man. However the film seems to code the character Bronson along an ace line and also has genderqueering Vaudeville. Someone let Tom Hardy do more of whatever was going on in those stage-bits.
Tumblr media
(this right here: this the good shit)
Tinker Tailor Soldier Spy (2011): Another ensemble piece not massively about Hardy’s character, but it’s a movie that centers around queerness in a strange, depressing way. Tom Hardy’s character isn’t queer. Colin Firth and Mark Strong are though. The book makes me cry.
Peaky Blinders (2013-): Because it’s a TV series I left it out. There’s a lot of straight nonsense going on there, but Alfie Solomens is gay. There’s nothing in the series that disputes that and plenty that lends itself to the reading.
Dunkirk (2017): Tom Hardy plays an RAF pilot in a deep emotional connection with the other main RAF pilot. That’s immediately gay. However he’s not in the movie much because of the way it’s constructed, so I left it off.
Queer Ratings (least to most)
No queer to be found here traveller:
This Means War: 2 out of 10 - illegal movie, Tom Hardy swore he wouldn’t do another rom-com after
Locke: 2 out of 10 - straight Welshman and his straight problems. He pretty though
Lawless: 3 out of 10 - cardigan-Hardy being a mother-hen, but very straight for all that
The Dark Knight Rises: 3 out of 10 - a superhero movie that doesn’t deserve Mr Hardy’s camp talents (unlike Venom)
The Revenant: 3 out of 10 - doesn’t give me what I want out of a movie full of dirty, bearded men
Queer but we deserve more:
Legend: 5 out of 10 - timid homosexuality, considering the source material. 
RocknRolla: 6 out of 10 - hey bro, is it gay if we kill the only female lead in our massive ensemble cast
The queerest of Hardy’s:
Inception: 7 out of 10 - Elliot Page and JGL kissing was an all-around terrible choice that made no sense, we know the truth, Nolan
Warrior: 8 out of 10 - I’m still crying, Edgerton’s crying, Hardy’s crying, we’re all crying, and I think that’s really emotionally healthy and queer of us
Mad Max: Fury Road: 9 out of 10 - non-romantic love in the time of BDSM post-apocalyptic wastelands is something that can actually be so personal
The Drop: 9 out of 10 - “Fucking punk. Go out to dinner dressed like you're still in you living room! You wear those big hippity-hoppity clown shoes! You speak to women terribly! You treat them despicably! You hurt harmless dogs that can't defend themselves! I'm tired of you man. I'm tired of you. You embarrass me!”
Venom: 9.5 out of 10 - Sometimes a relationship is an anxious reporter, the sentient goo inhabiting his body, his kinda-ex-girlfriend and her new doctor boyfriend, and I think that’s beautiful
217 notes · View notes
broadstbroskis · 3 years
Text
the countdown | kevin hayes
a/n: @hockeynetwork ran another wonderful fic exchange this season! i had the lovely @fanfics-for-the-hockey-fan and one of the questions i asked you was for your favorite tropes. you gave me “families are super close and have a bet going on who realize they are in love with each other first.” this is...not quite that 😂 but similar and i hope you enjoy anyway 💚
8:43 pm
Olivia slams her car door shut and checks her watch, swearing as she jogs around to the passenger side to gather everything she’s brought. Besides her activity ring judging her for not meeting her goal, she’s late and she’s going to take so much shit for that.
She practically jogs to the door (or, well, as best as she can in her high heeled booties), plate of her famous chocolate chip cookies in hand, and then stops abruptly right on the front porch when the door opens before she can do it herself.
There goes her hope of just sneaking in.
It’s Jimmy. Of course, it’s Jimmy, with that classic Hayes shit-eating grin on his face as he greets her, even though this isn’t even his fucking house. “Livvy! Rolling in 45 minutes late even though you’re the closest one here.”
“This is honestly so rude of you.” She complains, even as she pulls him in for a hug. She wouldn’t have expected any less from Jimmy, who gives her just as much shit as her own older brother does and always has, ever since they were all kids growing up together in Dorchester. “This is how you treat me, after I show up here with cookies I made especially for you?”
His eyes light up, like she knew they would, even though they both know they’re not just for him. But her chocolate chip cookies are a big hit with all of them, and instead of calling her out on it, he reaches for the plate. “I’ll just take those from you now; put them somewhere safe.”
Olivia laughs. “Nuh-uh. Lemme in; it’s cold as fuck out here.”
Jimmy finally steps aside so she can follow him in the doorway, and only then does Liv hand him the plate of cookies, so that she can take off her coat, revealing the sparkly tank she’d dragged out of her closet just for the evening. “Where’s the champagne?” She pouts, as he leads her on a familiar route deeper into the house. “You came to greet me at the door and didn’t even bring me bubbly?”
“Kristin probably drank it all already.” He jokes, which is straight blasphemy, because she knows his wife set aside at least two bottles just for the two of them to share the minute she walked in the door. 
“My girl would never!” Olivia says confidently, and sure enough, the second the two of them walk into the family room to join the rest of the families, his wife is holding up two flutes of champagne with a large smile on her face.
“Livvy!” Kristin cheers and Liv finds herself being pulled into the blonde for a hug and a glass of champagne being thrust into her hand before anyone in her own family can even say hello to her. “You’re here, finally.”
“Oh my god!” Olivia takes a sip of her champagne and rolls her eyes, exasperated. “Every person in this room has been more late to something than I am right now! Jack’s never showed up to Thanksgiving on time or without a hangover in his life and nobody says shit!” She deflects to her younger brother, who holds his hands up innocently.
“We’re not talking about me right now, Livvy.” The grin on Jack’s face widens, somehow. “We’re talking about you lying to all of us.”
She’s absolutely taken aback by that because she hasn’t? She’d panicked in the group chat earlier about getting stuck on a call at work, and then stuck in traffic, which set her back getting ready to come over here and meet all of them. She would have been on time. She’s always on time. “What are you talking about?” She frowns, as a tall person drops an arm around her shoulders and squeezes. “I haven’t lied to anyone.” She looks over at Nolan and pulls a face at him, and then laughs as he deadpans one back to her. 
She’d been sure that her long time best friend’s roommate had hated her when they first met, but Kevin had been quick to assure her that was just how Nolan was. It hadn’t taken her long to realize that was true. Beneath Nolan’s resting bitch face that put hers to absolute shame, was an absolute sweetheart; she hated having to admit she was wrong to Kevin. 
“To anyone?” Jimmy and Mike, Liv’s older brother, are looking at each other with this ridiculous look of both disbelief and mocking. “Not lying about anything?”
“You saw me literally last week?” She addresses her brother. She’d gone home for Christmas; they’d sat with all their cousins at their grandmother’s and had a great time, just like always. “What the fuck are you on?”
“Olivia!” Her mom snaps, half-heartedly, not even looking away from the conversation she’s having with Liv’s dad and Kevin’s parents. 
But Mike merely grins at her. “I don’t know, Liv.” He says, as she’s lifted off the floor and twirled around. “You tell me.”
But she can’t really hear anything he says after that, too busy laughing and shoving at Kevin, trying (unsuccessfully) to get him to put her down. He does, finally, but leaves his arm around her shoulders, even when she tries to shove her shoulders against him in retaliation (a wildly unsuccessful attempt, he goes absolutely nowhere, she really just ends up bringing herself closer to him).  “Here’s my girl!”  Kevin cheers, shaking her enough that she almost spills what’s left in her champagne glass (and she would have killed him for wasting such a commodity). “ I told you to take off today.”
“Ugh, I wish I could have.” Except they have this huge launch in the first week of the year and they’re still putting finishing touches on, so that was absolutely not happening. It’ll be a miracle that they finish on time as it is. She’s going to pop so much champagne once this goes off.
Kevin, who’s definitely familiar with this work project that she’s been bitching about for months now, laughs; he knows she couldn’t take off earlier, even if she’d really wanted too, and he squeezes her shoulders once. “A few more days and you’re done. Forever.” She clinks her glass against his beer in a cheers. Bless. “Thank god.” He continues. “I don’t like the person you are when you’re 3am deep in emails, Livvy.”
“Lies.” She elbows him, the only time she can really get some leverage against him, when her bony elbow manages to find the spot just under his ribcage. “You love me all the time.”
“Well that’s cute.” Mike says, in that dangerous voice that Liv always finds hard to read. “Just the nicest couple of liars.” And it’s the way he says couple, that really does it for her, but it goes right over Kevin’s head, if the way he just leads her to the kitchen to put down her cookies and get a plate of food, is any indication.
-----
9:23 pm
“Okay, spill.” Kristin says, the second she manages to get Liv alone, not a terribly easy feat, as Liv’s been doing everything she can to avoid that. 
“Spill what?” Kristin’s got that look in her eyes, like she’s not going to let this go...whatever this is.
“Whatever’s going on with you and Kev.”
Olivia blinks. “There’s nothing going on with me and Kev.” Except that’s maybe not exactly true. It’s not a lie- there’s definitely nothing going on between them. They’re still friends, definitely still friends. But...there’s definitely not nothing between them either.
There’s too many late nights on one of their couches, spent doing absolutely nothing but talking. Too many lingering touches that don’t lead anywhere. Too many glances across a crowded room where she feels like a magnet is pulling her there in the first place, and then can’t seem to pull herself away.
So like. There’s not nothing. But nothing’s changed; they’re still goofy Kevin and organized Liv, best friends taking on the world (in Philly, now; together again, finally).
“Bullshit.” Kristin calls her out, but Liv’s saved by the arrival of one of Kevin’s sisters, who tries to wrangle them in for a picture before they all become too messy later.
It’s an easy reminder though, of how well these people all know her. So it’s probably time to lock it down for the night.
-----
10:05 pm
It’s quiet in the kitchen, where Olivia has made herself busy cleaning up after stopping in the bathroom. She’s gathered up leftovers of anything that needs to be put away, separated into bags and containers for everyone to take home, and then started on the dishes, when suddenly she feels a finger poke her side, before an entire arm wraps around her stomach.
“Stop that.” Kevin murmurs into her ear, trying to tug her away. “They’ll still be dirty for us tomorrow.”
“It’s fine.” She fights against him. “The whole thing took me like, five minutes.”
“You’ve been gone for fifteen.” Kevin says, wrapping his other hand around her waist and lifting her away from the sink. “And that’s not the point.”
He sets her down on the other side of the counter; the sink’s not even in reach anymore. She gets her revenge by wiping her wet hands on his henley, but Kev doesn’t even blink, still staring down at her. “I was almost done!” She protests.
“We can clean the kitchen tomorrow.” Kevin says calmly. “Come hang out with us. I know you’ve got this thing about cleaning and order and shit but I swear to God, Nols and I are not going to fight you on this; you can put everything back wherever you want to put it tomorrow.”
Liv bites her lip so he won’t see her laugh, but of course he knows and a grin immediately stretches across his face. “I’m going to hold you to that.” She says. “I’m finally reorganizing your spice shelf.”
“It’s chaos and we like it that way.” Kevin grins and it’s only when she shakes her head, and the ends of her hair actually hit his face does she realize how close he is.
“It’s anxiety-inducing,” She corrects, smiling right back as Kevin brushes her hair back from her face. “And I don’t know how you two ever get any food made here.”
“Meal service.” Kevin shrugs, but his voice is almost overshadowed by the sound of a gasp behind her.
When she and Kevin both go to look though, the hallway is empty, and Liv shrugs right back at Kevin, before they both grab fresh drinks and join their families again.
-----
11:18 pm
Once Nolan eliminates her from the annual beer pong tournament (fuck him AND his bony elbows that were definitely over the line), Liv drapes herself over her mom’s shoulders and squeezes. Across from her, the Hayes’ both laugh, and her dad just rolls his eyes fondly, but Olivia knows her mom and knows she doesn’t care.
In fact, she welcomes it. Her mom squeezes her hand and she’s grinning, always happy for these moments with her children. “Tough loss, kid.”
“It’s fine.” Liv says, not at all bitter. “Nols is a cheating cheater who cheats. Kev will avenge me.” He’s already up by three cups; it’s looking pretty good.
There’s more laughter, and then her mom is squeezing her hand again. “We’re really happy for you, you know.” 
Liv’s a little tipsy, so she doesn’t really question the strangeness of that statement. She kisses her mom’s cheek and hugs her again. “Love you guys too!” She says, and then goes back to watching Kevin clean up for the rest of this game.
-----
11:55 pm
With five minutes to midnight and Kristin crowned as this year’s beer pong champ, the attention turns to the countdown and a flutter of activity toward preparing their traditional midnight champagne toast. 
Olivia accepts her glass from her mom and then wanders off to find her phone quickly, dead set on getting a picture of the toast for an instagram post in the morning. It’s still in the kitchen, where she’d left it when cleaning earlier, and she grabs it off the counter, ignoring most of the messages on there in favor of checking the one from Kristin (what she could possibly have to say when she’s literally across the room…).
It’s not actually a text; it’s a picture. A picture of Liv and Kevin, right after Kevin had beaten Nolan at beer pong. She’d thrown herself at him; he’d lifted her up in celebration, both of them laughing and cheering.  They look happy and perfect and like something...it’s practically a boyfriend filter...except it’s two of them, her and Kevin.
Definitely not nothing.
“Whatcha looking at?” Kevin’s voice surprises her; she’d been so focused she hadn’t even heard him come up to her.
Liv’s so not the risk taker in this friendship; Kev’s the one dragging her out to new places and new things while she’s the one telling him to take a step back and think things through. And yet, even though it’s the scariest thing in the world to show him, it somehow doesn’t feel like she’s diving in headfirst at all as she tilts the screen a little for him to see. “Kristin sent me this.” 
Even though he’s standing right next to her, Kevin still takes a step closer and his free hand, the one not holding his flute of champagne, slides around her waist. “Hey!” He grins, squeezing her gently. “It’s us!”
“Yeah,” She says, much more quietly. “It is.”
He’s quiet for a moment then, but doesn’t move away either. “It’s a good picture of us.”
“It is.” She repeats, agreeing.
“That’s not why you showed me this, is it?”
“No.” Liv swallows the lump in her throat nervously. “It’s not.”
“Livvy.” Kevin says gently and that’s it. That’s all it takes for her to open up.
“I’m so tired of this, Kev.” She shakes her phone, like that’s going to explain everything. “This-this in between thing. This more than friends, but not quite more. I hate it here! I hate looking at this picture and seeing what Kristin sees but knowing that what she sees is wrong. I hate the uncertainty, I hate feeling like there’s this thing but then neither of us does anything, so it just lingers.” She takes a breath, set on continuing, but Kevin jumps in before she can.
“You just hate not knowing something.” He grins.
“Kevin.” Liv snaps crankily, but before she can say anything else to him, he’s pressing her back against the counter and kissing her.
She’s vaguely aware of her champagne crashing to the ground, never more thankful for the fake plastic flutes that their moms always insist on, but Liv really can’t be bothered, even by spilled champagne, as she grips Kevin’s hips to pull herself closer and sinks into a truly amazing first kiss.
“Aw, hell yeah!” She hears from behind her, and pulls away reluctantly, noting the equally annoyed look on Kevin’s face. “I knew it, let’s go!”
It’s Jimmy, looking entirely too pleased to find his brother making out against a counter than he eats off all the time. Actually, it’s all of them- Jimmy, Kristin, Nolan, her brothers, Kevin’s sisters, their parents. All staring at them with bright grins on their faces and bickering.
“I told you-”
“We all fucking knew-” Jack shoves at Mike.
“-they’ve been together for ages.”
“Hey, back up! Just because they were making out now, doesn’t mean they’ve been together for ages; I had New Year’s in the pool!” Nolan pouts.
“I’m sorry,” Liv says, apparently sounding terrifying enough that every one of them stops talking. “There was a pool?”
Every one of them freezes, but for barely a moment, before they’re all talking over each other again and bumping into each other in their haste to back up. “Come on, we’re not even going to ask when this happened?” She hears Jack complain. “There’s $500 on the line here!”
“It’ll stay that way.” Kevin calls and Liv buries her face in his chest to hide her laugh. “Not telling you now!” A few groans echo back into the kitchen as he looks down at her to confirm her agreement. “We’re not telling them...ever, right?”
“Oh, it’s you and me to the grave.” Liv confirms, pulling him down for another kiss.
183 notes · View notes
bigbrotherlouis · 3 years
Note
the bag of chips scene from 'i ate you up the day we first spoke' for the director's cut meme!
whoohoo i actually loved writing this scene and i’m so glad someone asked about it yeeee
(director’s cut meme)
everything eases back into normal. tk picks nolan up for practice, because nolan’s car is inexplicably always out of gas, (this is true, i read an article about it somewhere) and ties nolan’s ties for him on game days, and follows him into his living room to eat all the good snacks nolan hides on increasingly higher shelves.
“how did you even get those?” he asks when he comes out of the washroom and finds travis eating illegal all-dressed his mom had sent down in his last care package. he’s pretty sure they were hidden, like, on top of the cupboards this time. he literally had to throw them up there. (food, when you move countries, is a really big deal. i always want to keep the mutlicultural aspect of a lot of hockey players in mind, because i was a young multicutural person in the united states, and home foods is usually a good way to do it. all-dressed are pretty distinctly canadian, and my cousin gets her parents to send them to her in california, so i borrowed that from her. also i liked the image of TK climbing on the counters to try and get at a bag of chips.)
tk shrugs and crams a handful of chips into his mouth. “smart thinking.”
“those are mine.”
“i don’t see you eating them,” tk says smugly and nolan thinks about it for precisely point two seconds before he launches himself at the sofa. (no thoughts, head empty)
it’s a familiar ritual, this one. tk cackles, going limp so he can noodle off the cushions onto the floor, the bag still clamped in his hand. he scrabbles backwards until he’s out of reach of nolan’s admittedly long arms.
“sucks to suck, babe,” he gloats, except nolan is not emphatically giving up, those are his chips, and he’s not going to let his idiot of a best friend eat them all. tk grunts when nolan lands on his lower half, hard, and pins down his legs so he can’t escape. he sits on tk’s knees and ignores the yelling. (travis “has never shut up once in his life” konecny strikes again)
“mine,” he says savagely, snatching the bag out of his hands. tk huffs, shoving at his legs.
“it’s rude— not to— share— fuck, patty, what are you doing in the gym?”
“some of us don’t skip leg day.”
“yeah, well, some of us aren’t built like a fuckin’ ox,” tk complains, as if he’s not just as in shape as nolan is. “i can’t even fuckin’ pinch you because you’re wearing jeans.”
“now who’s the smart think—  fuck!” (not you, pat. not tk either but still not you.) he shouts, flinching and rubbing at his side. that pinch is definitely going to bruise. tk uses it as a distraction to roll them, nolan’s shoulders thudding painfully against the floor, and straddles nolan’s stomach with his thighs. there’s another struggle but tk gets hold of nolan’s arms, pins them under his knees so nolan’s fists are at his sides. he’s effectively trapped. (too many nolans but what do you do when writing m/m. also this isn’t specific to this scene, but especially in hockey with all its nicknames, i like to write people’s internal narrative with whatever name they probably think of themselves as. that’s why nolan isn’t pat/patty here, and why tk is usually not travis)
“still me,” tk says, grinning at him with undisguised glee. he works the chips free and sits up, putting his weight just under nolan’s ribs so all the breath gets knocked out of him for a second.
“fucker,” nolan hisses, trying and failing to wriggle his way out. “what the fuck, teeks?”
“that’s what you get for not growing up with brothers, bro. gotta fight to survive. survival skills.”
“bud, you don’t even know. sisters have nails and they’re not fucking afraid to use them,” nolan says, his best murder glare in effect. he probably still has the scars in some places. (i know i do) tk snorts.
“sorry, i don’t see you scratching me here,” he says.  
“let me go and i’ll scratch you up real good,” he threatens and then his brain catches up with his mouth, his face going red as he realises what he’s maybe implied. “uh.”
tk doesn’t take the obvious chirp, just raises an eyebrow. there’s a considering look on his face, one that makes nolan want to squirm more and it settles somewhere down deep in his stomach. (so i wrote this scene because i needed a turn for both of them, relationship-wise. iirc, there’s been a few places where tk’s interest might be noticeable, but nothing super concrete for pat or for the reader. meanwhile, on tk’s side, he needed clear signals that pat’s into him before he tries to tell him again.)
“uh,” he says again because his brain is just fucking offline and his arms are still locked under travis’ legs and travis burns hot because nolan can feel it against his skin, through his t-shirt, and this is all going to get incredibly, incredibly awkward in about three seconds. (unfortunately, i love a good run-on sentence to build tension) he’s pretty sure popping a boner because a teammate is sitting on you is, like, not something you can get away with by laughing.
tk shifts, sitting up the tiniest bit, and reaches out the hand that’s not currently occupied with the fuckin’ chips— probably all crushed to hell now, anyway (foreshadowing!! also strategic last mention here so we know that tk is still holding them, and then they aren’t mentioned until the shoe drops for optimal dramatic effect) — and brushes his fingers against nolan’s cheek. he traces the blush from his cheekbone carefully down his neck, pausing to thumb at his jaw, and then bumps his fingers against his collar, where it disappears down into his shirt. (i really liked building the tension here. also this is fully just projection bc i would love to touch patty’s blush once in my life)
“you’re glowing, pat,” he says, so soft, and it makes nolan go redder. he glowers at a spot by tk’s ear, unwilling to look him in the face and see whatever is written there. (would tk actually tell nolan he’s glowing? probably not, but fictionally it gives the reader a good picture of what nolan looks like to someone else. i didn’t want to overuse red-- which didn’t quite feel like a strong enough word-- or blush, so glowing it was.) tk hooks his index into the collar and there’s a moment when nolan thinks he’s going to pull it down, see if his blush goes all the way down his chest— it does, if he’s embarrassed enough. it’s fucking terrible— and he turns his head away, dragging in a breath through his nose. he’s, like, so incredibly fucked that he can’t even think about it without going dizzy. (you’ll probably see this a lot if you look for it in my writing, but i like to add in a “like” or something similarly bro-ish when things get particularly emotionally fraught, to keep it more realistic. also i think it’s funny. anyway, i like the contrast of tk not being able to take his eyes away from something he wanted and nolan not being able to look at it. characterisation, wahey!) it’s better to just not look.
of course, it’s the exact opposite of what tk wants.
“hey,” he says. “look at me.”
nolan refuses, a muscle ticking in his jaw. (this is hot to me idc) tk lets go of his collar to pull on his hair instead, just a little tug of a piece by his ear, and nolan can’t quite bite back the punched-out sound that he lets out. (also hot.)
“look at me,” tk says again, an edge to his voice, and nolan does. tk won’t stop until he does, he knows that well enough. (another look at their dynamic and how well they know each other) he lifts his chin, just a tiny bit, because he’s not going to do anything without a fight. tk’s hand tightens in his hair and it keeps him in place, nailed— ha— to the floor. (i write for the people whose brains make inappropriate jokes at the wrong moments) he couldn’t move if he wanted to, watches helplessly as tk leans down.
the hope in his chest is so thick, nolan thinks it might actually smother him, stop his heart. he’s breathing fast and shallow, almost on the verge of panting, and jesus fuck, isn’t that embarrassing. he’s so desperate, he could squirm with it and he briefly remembers travis months ago, writhing on his very rug and how much nolan wanted to help. he can smell snow again, sharp in the back of his nose. (this does the double work of calling back to an earlier scene-- ya girl loves a good callback-- and also building the anticipation some more. the snow reference reminds the reader that this is still a werewolf au, even in the midst of this. also, once when i was like fifteen, i read something about how to write kisses/romance and it talked about picking one or two aspects of the kiss to focus on-- breathing, hands, the feeling of someone’s mouth, etc. i still use that advice.)
tk shifts his weight and nolan has enough time to think holy fuck, is this happening? before travis fucking konecny upends the bag of all dressed-flavoured crumbs all over his face. (OKAY a lot going on here! it’s one of my favourite moments, really. first of all, here’s the resolution of all the chips talk! sure, i could’ve just abandoned them, but the subverting of expectations was a lot more fun and the story still wasn’t quite ready for them to kiss yet. second, this is tk chickening out. he had two choices and he chose violence. or, like, the buddies option, which is amusing to me because this is not buddies, boys. finally, the full name was necessary to convey nolan’s disappointment and anger, as was the full description of the chips. nolan is upset, and he’s going to notice these things, and that shows up in his internal narrative.)
“got ‘em,” he crows over nolan’s sputtering, letting himself get bucked off onto the floor. nolan wipes furiously at his face, all his feelings a confusing mix of horny and angry and confused, all with the thick overtone of humiliation.
“you’re a fucking dick,” he says and it’s flat, but tk is gloating too much to care. (he’s not, he’s trying to cover, but nolan’s too embarrassed to realise)
“you should’ve seen your face, pat.”
nolan glares daggers at the carpet, the chips spread out everywhere. it’s going to be a bitch to clean up. tk had better help. (makes sure the punch landed, and to give a final resolution.)
he leans against the sofa and waits for tk to tire himself out, listening to the laughter and trying not to get too angry or, like, cry. his neck feels hot, prickling uneasily. he rubs at it with his hand, startles when tk kicks him gently in the ankle. (in order for tk to not come out of this looking like an asshole, i needed him to make up his obliviousness by being observant in other times. and in order for tk to notice patty being mad, i needed to give patty actions that could be noticed, like not laughing along with the joke)
“sorry if i made you mad,” tk says quietly, all the giggles finally worked out of him. “you looked tense (no shit bud) and i thought it would make you laugh.”
it’s not tk’s fault nolan thought he was gonna, like, kiss him. (”like” again, to break up a too-honest moment) it was a dick move but tk doesn't have a cruel bone in his body, so: “it’s fine,” he mumbles and shrugs his shoulder. “it was funny.”
tk preens for a second. “i know.”
“you owe me a bag now.”
“i’ll buy you a family-sized pack. i’m sure they’ll ship it down here, amazon or ups or somethin’.” (patty’s attempting to be normal and tk is attempting to make amends.)
nolan nods and scratches at his face, tipping his head against the couch cushions. (little motions like him scratching his face aren’t super necessary for like plot or development, but it helps humanize characters and i like to add them in whenever i can, as long as it’s not overkill. they can also be helpful in pointing to emotional state without directly saying it.) it’s quiet for a few seconds, just the sound of them breathing heavier than usual, and it would be so normal. should be normal, by all counts, but nolan still kind of wants to crawl into a hole for while. wants to push tk out of the apartment and eat ice cream and google ‘how to stop a crush,’ like his sisters used to do when they were upset. he’s already googled it, a few days ago, and there was nothing but maybe someone’s offered good advice since then. (people make an impact on you, and family even more so, and i always like reminders of how close nolan seems to be with his sisters. also, it’s funny.)
tk flicks him on the wrist. (this is something that tk does consistently through the story, and even though it’s not super important to this scene, it establishes a behaviour in the larger story. that’s important too!)
“pat,” he says and it sounds it’s not the first time. nolan blinks.
“yeah?”
“i just asked you if you were hungry.”
“oh. uh. no, not really,” he answers truthfully. tk wrinkles his nose.
“do you, like, have anything in your fridge to eat?”
“mm, probably not.”
“typical,” tk mutters under his breath, as if he ever has anything regularly stocked besides protein powder and bacon. (protein rich foods that are easy to eat after a full moon, or after a workout) at least nolan has eggs pretty consistently. (also a protein rich food that’s less easy to eat after a full moon, but are easy to make when you aren’t a werewolf) “wanna go get sushi?”
nolan thinks about it. shoves his sweaty hair behind his ear and considers going out to their favourite place and pretending he’s not still fucking mortified. and, like, a little turned on. it makes him nauseous. (i get such physical reactions to emotional things that i write everyone into having them) 
“no,” he says. he’s not facing tk but he can still see him deflate, his shoulders hunching over. “i don’t— no.”
“okay. that’s… okay.”
“i think i’m getting a migraine,” lies nolan. “think i’m just gonna lay down.”
“do you need me to stay with you? keep you company?”
nolan’s shaking his head before tk even finishes the thought. “no, trav. i’m fine, i promise.” (the trav here works as a signal that something isn’t right! it’s why tk looks at him for so long in the next line.)
tk studies him for a long minute, his eyes searching the side of patty’s face presented to him. nolan keeps his expression as blank as possible and stares hard at his feet.
“text me if you need anything,” he says finally, the words coming out slow and gentle. it’s a lot to handle. “i’ll come back.”
“i know. i will.” he won’t, but that’s not for tk to know. he doesn’t move when tk goes out the door, squeezes his eyes shut when the door doesn’t slam into its frame, (tk’s taking care of him, still!) and decides to leave the pile of crumbs to deal with later. (the climax of this scene happened a while ago so this is another little reminder of what happened, just so it’s solidified in the reader’s head after the longish comedown. i end scenes a LOT like this-- two actions, and then a callback-- because they’re simple and effective, and usually sound great!)  /fin
ahh thank you so much for asking!! this was really fun to, like, process through and remember my logic for! i was actually really nervous writing this scene, because i knew the tension and the break had to be PERFECT for it to land right. but i do like how it turned out so at least there’s that. ily!!
8 notes · View notes
rhiezus · 4 years
Photo
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
KIM YOOTAEK ▰ GET TO KNOW.
“ i'm not young enough to know everything. ”
name: kim yootaek
nicknames: nino (he has no memory to why)
age: he is around twenty four.
zodiac sign: sagittarius.
FAMILY.
their parents names: seol taeha and kim mansook
their siblings names: seol bomi (half-sister)
favorite childhood memory: when he was about two years old, his parents got divorced and although he doesn’t remember at time when they were actually together and in love he still kinda looked up to his father, even if he went live on his own after his mom moved away and ended up marrying again. his father would visit him in years following, but it became less and less until they only talked on the phone and soon only on facebook or something like that. so his favorite memory is still of his father, despite he being a very emotional distant and weird man, he was quite fond of yootaek when he was little and when he was five or six year’s old he took him on a trip to his hometown in the countryside and they had a whole day together. yootaek really remembers every thing about this day, he remember falling asleep on the bus and his dad waking him up, remember him feeding him sandwiches from his bag, they went fishing and his father caught a very small fish so they had to pay for their meals but his father was so happy that it wasn’t a bad thing, then they played soccer with his dad’s school friends and by the time he woke up he was already home in his mom’s arms again. the whole feeling of being wanted, happy and innocent, is what makes this memory so special to him.
favorite family member: although he doesn’t quite show it, his favorite member is his half sister, bomi. he was very jealous when she was born, but he couldn’t help but take care of her and they ended up becoming good friends. she makes him laugh and for her he does kinda feel special to work and bring pizza in the evening, he wishes to have her low pressure in life but nevertheless he likes her as a person and that counts in a family that he couldn’t care about anyone less.
APPEARANCE.
faceclaim: youngk (day6)
height: 1.81
allergies: none.
diseases: had struggled with pretty bad anxiety in high school, he is better now but sometimes takes medication for it and when he can afford he tries to visit his psychiatric.
blood type: A+
fashion: he is punky, likes black and cheap necklaces. uses the same sneakers for years and years, he even has clothes that are very sketchy and with holes in it but he wears it anyway because he says “it adds character” to his sense of style. he doesn’t try to fit in with his rich friends, for that reason he is not afraid to go thrift shopping and find gems. wears the same thing over and over when he really loves it, but he never smells though he is a clean guy and has a nice scent.
tattoos: his first tattoo was just after he graduated from high school and had a bigger paycheck in his part time job, it’s pretty self explanatory, he just wanted to do something brave and crazy and decided to do a tattoo. he didn’t even search for a studio, he went in the first and coolest he found and asked for that. this one was after getting into collage, he just found it really awesome and did it. now, in this he was very drunk one day and decided it was a good idea to text his friend who is a tattoo artist that he wanted something like that, the next week he didn’t have the courage to say no and just decided to go for it cause well, you only live life one.
piercings: both his ears, and he wears earrings a lot too.
HOME LIFE.
born: busan, south korea.
resides: idk where the university at.
pets: can’t even take care of himself.
vehicle: doesn’t drive yet, doesn’t even have a license, he literally walks everywhere and takes the subway and bus a lot too cause he is just poor.
EDUCATION.
major: public relations.
career: honestly? he applied to public relations because it seemed to be the easiest course to get accepted at, and he did get in but despite his belief he actually likes it. he is very good at handling crisis, talking to people, debating and finding a common ground, he can blend in well with any kind of crowd and be appreciated for it but more than that he is an observant and likes to judge others by that. that’s why he wants to be a content strategist, dealing with pr issues at companies and stuff like that... right now he goes in between jobs at burger king, offices and the regular part times.
trained in: because of all the odd jobs he did since middle school, he knows how to work at a lot of places and can deal well with troublesome situations. he learns things very quickly and thinks almost strategically at everything.
languages: korean, barely english, just the usual to survive but he does say he speaks english in his resumee. he plans on taking english classes on the university to learn more, he is just procrastinating it.
BELIEFS.
religion: none.
felonies: none, yet.
drugs: had tried it, but he gets very aloof and hates it.
smokes: he prefers cigarettes and marijuana, so at a party if he is tempted to get high that’s very you will find him trying to loosen up. doesn’t smoke every day though, is just occasional or when he is stressed at the end of the week. but can’t deny he already had taken a test very high though, cause he did.
alcohol: he gets more high than drunk, if he drinks he is a complete mess and does a lot of crazy stuff, like crashing things and burning things down that’s why he tries not to drink alone to lose control.
diet: none, he drinks and eats everything.
RELATIONSHIPS.
sexual orientation: pansexual.
availability: free as a bird.
looking for: ain’t looking, he is not the type to believe he is ever gonna be in a serious relationship but doesn’t oppose to it if it ever does happen depending on the situation. he has a weak for independent women and reckless boys, so he gets more crushes than he likes to admit.
PERSONALITY.
hobbies: listen to music, taking the bus, working, studiying (or just pretending to study when he is in fact on youtube gossip of youtuber’s he doesn’t even know anything about), more music to listen... likes to watch movies and definitely has a letterboxd account, his favorite genre is of course suspense and documentaries, has a pretty thirsty desire to know useless and intellectual stuff, that won’t add anything to his life, he just wants to learn things non-stop. more listening to music, and sleeping in, sleeping late, not sleeping at all.
traits: hardworking, decisive, independent, loyal, perceptive, sage, aloof, misguided, opinionated, resentful.
mbti: estp.
moral alignment: chaotic good.
chinese zodiac: rat (is outgoing, cheerful, and sociable in character. they can get along well with different people, so there are a lot of friends around them. facing hardships, they show bold and positive personality traits due to their acute instinct and calmness.)
hogwarts house: gryffindor.
tarot card: the devil (a hedonist through and through. they follow their own pleasure, instincts, and take risks. people might find them to be intimidating at times but no matter what, there’s no denying they have a certain allure.)
tv tropes: the main character’s best friend that for some reason you feel so dangerously attracted to.
song: level of concern by twenty one pilots,
ideologies: oh my god, he has a lot on his mind but he doesn’t exactly believe in anything concrete because that’s too much responsibility to back it up. he is that option in bitlife when people ask if you believe in god and you say “which one?”, because somehow he doesn’t see rights or wrongs in any of them. people believe in whatever they want to believe, as long as they do it good, and honestly he doesn’t think people are doing so well with their beliefs because the world is fucked up so something needs to be changed about that. so he doesn’t believe, he just likes to keep all his options open and listen to everyone fair and square.
FAVORITE.
band: I DON’T KNOW HOW BUT THEY FOUND ME.
song: lucozade by zayn malik.
book: doesn’t have any.
place: his favorite place is taking the bus, any window seat on the bus for him is the most peaceful and neutral place on earth is like taking a trip to another dimension.
memory: his favorite memory is from when he went to the university for his first class, because he thought it was gonna be easy and even though he forgot all his pencils at home he just fucking memorized everything to write down when he was at his part time job later and it was just an exciting day, he finally had a goal for a change other than earning money to survive. he realized he could be someone, learn something and that was life changing.
person: he is very fond of taegon, actually, he feels like he is his only true friend despite their really different upbringings. he doesn’t share all his hardships with him, but he knows the other understands and they speak almost without words, they just vibe together and there is no other special reason to have a favorite person as, vibing is everything.
movie: inception dir. by christopher nolan.
tvshow: how to get away with murder.
sport: soccer.
food: korean barbecue, just meat.
beverage: redbull.
color: steel grey.
0 notes
Text
Welcome to the secondary aftermath
Hi! I thought a good place to start would be to make an introduction post to explain what the point of this blog is.
So first off, what is Secondary Aftermath?
Secondary aftermath is the name of the TV show I’m currently writing. I don’t know what’s going to happen with it - it may sit on my laptop for the rest of time, it may get picked up and actually put into production, I could end up doing it myself, I don’t know.
The title is a work in progress (and bonus points if you get the reference) but for now I’m happy with it. I’ve got 4 seasons mapped out so far but I’m confident I can go further, currently I’m finishing writing season 1 but I keep getting sidetracked by designing characters and writing parts of the later seasons that I’m SUPER excited for. I also have a prequel series surrounding Aliana’s time in Denver and everything that happened before she met the gang that sits in my brain, constantly knocking on the walls to remind me I need to write it. It’s fun.
I made this blog because I’m going stir crazy having this entire world inside my head with nobody to share it with. I realise nobody might even seen this account but at least I know it’s out there this way.
What’s the plot?
...So here’s the thing. I suck at descriptions. Really, really suck at descriptions. Here’s the short version:
Superpowers, robots, clones, bowling for soup, lgbt+ representation, My Chemical Romance and all the 2000’s alternative music you can take. That’s the best I can offer without making it over complicated. I’ll do a more detailed description below for season 1 but I can’t promise it’ll be great.
“Felix, Kurt, Rory and Vince are 4 people with different superpowers (I’m gonna do a detailed character post soon) who live in a gas station. The gas station is outside the town Felix and Kurt used to live in before it got burnt and all the residents were kidnapped 6 years ago. When Felix goes back to the town to get an important part for the car, they find Kayla cowering as she hides from the very people that took Felix’s town. After years of trying to find the people that committed the crime, they finally have a lead to chase - except that lead is now chasing them.
The group leave the station and head north, where they encounter the straight talking Aliana and her motorbike. After listening to Aliana explain that she can help them stop the bad guys and discovering she is also a special like the rest of the group, they agree to go with her to another abandoned town where Angus is waiting for them.
Together they make plans to stop the evil Planetary Inc. (more bonus points for getting the reference) and release all the captured citizens of various towns in the area whilst keeping Kayla safe, but it won’t be that simple. When the right hand man of Planetary’s leader shows up wanting to help, the group discover more about the company’s history in a day than they had in 6 years and trust is called into question.”
I like to keep a lot of things hidden so that’s a pretty vague description but I think it covers the basics of season 1. I might update it in future idk.
Who are the characters?
So like I said, I’ll do a detailed characters post soon where I give more information about each individual but for now I offer you some blurbs -
Felix
Felix can only be described as a non-binary sweetheart. They deserve the world and I’ll fight anyone that fucks with them. Their powers are that they can conjure force fields and play music as loud as possible. They feel responsible for what happened to the town and have spent the last 6 years trying to make it right, with no luck. They’re a total worry wart. The kind of person who would start vibrating if they found out someone they cared about was anything less than 100% happy. They act as the leader of the group but they’re not the firm type. Mcr stan if I ever saw one.
Kurt/K
Felix’s best friend, they’re inseparable. He also feels responsible for what happened but he’s better at hiding it. Kurt is the voice of reason within the group, when everyone else wants to act first and think later, he’s the one that sets them straight. His power is that he can conjure elements from his hands and control the weather within the area he’s located. Kurt’s the friend you go to when you’ve had a day from hell and just need someone to sit and listen to you without any interruption or judgement.
Rory
Imagine if you could capture chaos in a jar and eat it. That’s Rory. He used to be a doctor before he joined Felix and Kurt at the station which is handy because his powers are he can heal anything and see places in real time within his head. Rory is Vince’s boyfriend and it seems like they never stop arguing but god help you if you say something rude about one of them in the presence in the other. Rory seems tough but he’s seen some shit and been through some shit, it’s what got him and Vince bonding at first. The last person you’d expect to be giving sage advice but he’s actually really good at it. Rory’s brought some unsavoury characters to the station in the past but the group never hold it against him.
Vince/Vinnie
The only reason Rory hasn’t died yet. Vince is seen as “the strong one” of the group, he’s actually a big softie and a good man but that’s exactly why he’s the last person you’d want to piss off. His power is he can look into people’s memories to find the information he needs. Vince lost his daughter and her mother a year before finding the station after an experiment conducted by Planetary went horribly wrong, despite all that, he’s in good spirits and likes to look on the bright side of life.
Aliana
She’ll buy you dinner then poison your wine. Aliana is a no-nonsense, speak her mind kind of gal. Her power is that she can turn invisible which has helped her a lot when hiding from Planetary Inc. in the past. She’s “married” to Angus and lives in an abandoned town, courtesy of Planetary, a couple hours from the Station. Aliana briefly worked for Planetary at a pop-up research facility in Denver and struck up a good friendship with Phoenix before it all went pear shaped and she was forced to flee back home, where she found her own town abandoned.
Angus
We need to put bells on his ankles because you barely notice he’s in the room until he speaks. Angus prefers to observe than participate, he keeps to himself and doesn’t judge you on anything you share with him. He’s just full of wisdom. His power is that he can spawn in multiple places, giving him eyes and ears everywhere. Angus can be found caring for Kayla when the others are out dealing with Planetary, he prefers to deal with the logical side of things rather than the physical side.
Kayla
She literally didn’t ask for any of this but Nolan just had to bring a kid into this didn’t he. Ugh. Kayla is an absolute sweetheart who doesn’t really know what’s happening, she just knows the bad men are after her. Kayla was artificially born within the facility 4 years ago, but they had managed to rapidly speed up her aging so she was closer to the age at which children gain their powers. Kayla was the first success I.e the first person to be given powers without being born into them. Her power is that she can start and stop time but for obvious reasons, she’s not having the best time controlling them yet.
(The)Phoenix
He’s made some big mistakes in the past but he’s trying to turn himself around and regain Aliana’s friendship. He’s Nolan’s right hand man and ex-boyfriend, he spent many years dedicated to the cause but after Nolan’s experiment killed Vince’s town and they broke up, things went downhill. Phoenix is a tricky one, you’re never really sure what side he’s on and even when you think you know, there’s always room for doubt. He rarely makes sense and likes to keep you on your toes by never telling you the whole story. He originally never had powers but after Kayla, they found the right formula and he was able to acquire his own. His power is that he’s able to manipulate the minds of others to make them say and do whatever he wants them to, which is why you can never fully trust him.
Nolan
Tumblr media
This is all I’m willing to say on the matter.
Lindsey
I love her. I love her so much. Lindsey is a bass player in Felix’s favourite band who also coincidentally met Aliana when she was flying into Denver and became her best friend. Lindsey, along with her brother Tiger, helped Aliana and Phoenix in solving the mystery surrounding Planetary Inc. when Aliana worked for them. After Aliana was forced to leave without saying goodbye, Lindsey and Tiger were captured by Planetary but escaped after they were given powers of their own and Lindsey acquired her robot arm. Lindsey lost her left arm after a cockup on Planetary’s part during testing and was quickly given a robotic prosthetic arm by the facility in Denver. Her power is similar to Aliana’s, by request, she can camouflage to anything.
Tiger
On this show we support and cover trans individuals. Tiger is ftm and has cool lilac hair. As stated above, he helped the group when Aliana was in Denver and became good friends with her like his sister. Tiger plays lead guitar in the band with Lindsey and is often found with a book or a knife, it depends on the day. He’s a total sweetheart that would do anything for almost anyone if they asked. Tiger’s power is that he can sprout wings and fly, he can also produce balls of energy that reaaaally pack a punch.
The other stuff
I can’t really think of what else to say about the show? I’ve got drawings of the characters that I’ll definitely post, they’re not amazing in terms of detail but they’re simple enough that my level of talent can manage it and they look nice. I don’t actually expect anyone to pay attention to this account but if anyone wants to know more or has questions, shoot. I’ll be using the hashtag ‘#Release the secondary aftermath’ on all my posts (unless I think of a better one, in which case I’ll update this) so you can find everything there
0 notes
i-sveikata · 7 years
Text
Gabby liveblogs the new teen wolf ep
i mean technically it’s not liveblogging since I’m in australia and the delay obvs but here we go guys prepare for death:
-lololololololo the fuck they always gotta start it at the school cause they cant afford another set anymore
-whut scott is the assistant coach???!!!!!
-omg hayden left?????? why do they literally just remove all of their female characters with nonsense explanations??? hello kira???? havent seen her in a while. do females not exist in beacon hills?? apparently even being a love interest isn’t a good enough reason to keep the gals around anymore dear god.
-’you want my whistle? who gave you a whistle???’ omfg coach finstock is the best
-the fuck was that supposed to be a wolf on the field or a coyote??? or malia???? legit can’t even tell, oh nvmind scott and liam followed it into the woods found a pack of dead wolves with weird bugs that are crawling out of their eyes, naturally.
-malia heading out to paris and not wanting to help anyone with the problem is goals. but you know there are other ways to write female characters without making their only interest being climbing dick you know, we can have depth.
-liam and scott bonding, lol, they cute and feels, scotty all worried he’s losing control, making him repeat the werewolf mantra dear god this is dorky. giving it instrumental impressive music wont change that friends.
-lol, ‘i got ducktape’ this is me.
-oh goody more mental asylum stuff and weird frozen mummified rock shit, is this a throwback to pompeii or what?
-yeah touch the petrified ashy human corpse thing, that’s a great idea obvs like what is even happening right now.
-of course some dude exploded out of it, why are we even surprised people? oh that’s right we’re not. wait who the fuck is that? no wait, i can guess, it’s another mediocre white guy.
-’i like latin’ liam you dork, oh poor kid ‘this has been a really hard year for me’ ‘if you want to talk about your girlfriend guidance hours are posted’ damn girl that’s brutal.
-interesting that all the youngins are getting a senior registration and applying to colleges scenes talking about their futures at school but for the veteran characters we barely got a sentence about it.
-’you can see me right’ omg lol corey are you having some visibility issues.
-who wants to guess this new college guidance lady is probably not human- lol the music just changed and went all sinister like bruh we already got this, literally every new character we meet ends up being evil like cmon.
-who the fuck is this nolan kid- yet another mediocre white boy!!!!!- are they going for the olympics in white boys what is this shit- oh god she wants to talk about the animal attack on the field.
-lol him being like ‘that was no animal’ jesus fucking christ honestly am i in deja vu land are we just repeating tired drama from the first season now.
-liam how do you not know what a scarab is????? have you not seen the mummy what kind of kid are you??
-haha that girl screaming ‘why does this keep happening to our school’ when all the rats show up is the real shit.
-mediocre other mummy white boy appears in the classroom, stares a bit and tries to look interesting and then leaves. wow lifechanging moment.
-naturally liam and mason end up in the pipes again, because where else would teen wolf film things that happen.
-lydia making a bestiary yeah girl. Her mama isn’t being very smart saying no to that- who’s guess is it she dies almost immediately??? yeah girl leave that paperwork in mamas desk. 
-scott trying out his weird electrocution kink with his mum, i am uncomfortable, but also teaching her the ways of electrocution is vaguely sweet.
-mama mccall gonna cover all the werewolf shit when scott is gone i love it. family bonding stuff yeaaaaaahh. oh shit she electrocuted him whilst hugging. family fun times.
-’i held the button, didn’t I?’ ‘you held the buttton’ BEST
-rat king ew is that what they said. gross. lol malia making liam smell the gross dead rat.
-REROUTED. malia is determined to get on a plane to get that french dick apparently.
-how the fuck did mummy white guy end up in the sheriff station???? do the deputies no longer exist?? wheres papa stilinski???
-parrish on the creepy white dude, all is well apparently.
-liam and mason bringing mama mccall a nice dead rat. bring her dinner you sick bastards.
-the fuck??? hallways in flames, parrish meeting another possible hellhound??? what is trying to be said here, fucked if i know.
-weird white guy has some kind of blood kink, sniffing all the injured people in the hospital because of reasons.
-idiot dudes punched liam in the face and he lost his shit. some mantra kid. use the werewolf force. freaky white mummy guy looming in the hallway behind him, cue demon suspense music while he chases for liam now in a closing elevator.
-ANDDDDDD the door closes before mummy white dude can get to him. shocker. i am on the edge of my seat with surprise and  anguish obvs
-lydia showing up to get scott? i thought in the last ep stiles said hed be driving down to campus with lydia together???? does that mean she did and came back for some reason?? or stiles miraculously teleported there on his own. wow i love continuity. good thing im watching teen wolf huh.
-all the lights go out, because its lydia this is teen wolf and EVERYTHING MUST BE DARK AND HARD TO SEE AT ALL TIMES.
-phones ringing are always the most suspenseful thing to happen to me as well, love hearing that dialtone and having a wind machine suddenly blowing hair out of my face before appearing back in... wow you guessed it- the school!!!
-ohhhhhh spideyweb time. love it. gotta touched those creepy webs because otherwise what else could lydias banshee powers possibly do. lots of screaming. love that. was that gunfire? idk here this is stupid. 
-ah yes, lydia miraculously finds the perfect bit of web to touch because of unexplainable reasons.’ YOU LET IT OUT YOU WERE SUPPOSED TO RIDE WITH THE HUNT FOREVER’ k thanks im hanging up the web now byeeeeeee.
-how does nobody lock the fucking school doors at this point. parrish and mummy white dude just walked straight in.
-’what are you?’ ‘you know what i am im the same as you’ lololololololololl this is gonna be some weird hellhound pissing contest.
-’something you let out, something that needs to be stopped’ oh goody something new an differernt for us. so innovative.
-ah yes, the pissing contest begins. or fire contest i guess? idk?/ and oh hey the guidance counsellor lady was not as she seemed!!! wow, i never would have seen that coming in my life. thanks
-hey guys when you take away the fire, it’s just two shirtless dudes homoerotically wrestling with each other.
-oh well time for parrish to sleep it off,
-’if the wild hunt couldn’t keep you nothing can’ this is literally sounds like the fucked up adage ‘if i cant have you no one can’ and i am uncomfortable.
-oh boy white mummy guy isn’t after liam- i could never have guess that would happen.
-’it must be stopped nothing else matters’ wow, no, because here I was thinking just let the monster run free and kill people and pile up bodies and stuff. isnt that what teen wolf is about.
-OMG SCOTT GOT INTO THE JEEP  AND FOUND A ‘BE GENTLE’ LETTER FROM STILES THIS IS THE HIGHLIGHT OF THE EP I SWEAR
-what the fuck lydia, popping your ass up in the middle of the headlights like some kind of ghost haunting, ‘we cantt leave’ bruh you need to chill. 
-of course they need some scene with mason giving liam a pep talk like hes the most important character in this show, yeah id totally believe that. hey heres an idea instead of making it about comforting him for losing his girlfriend, how bout you dont write his girlfriend out, there i fixed it.
-malia’s flight no longer delayed!!! haha that squeal of excitement, omg she yelled ‘Oui Oui’ i gotchu girl leave this hellhole while you can.
-opp and heres scott and lydia out to ruin her fun. ofc.
-”no, no nonononono  no, its just rats and wolves- and maybe a little bug problem’ see shes got the spirit. let her get french dick in peace. but also, how the fuck are they gonna explain her and scott hooking up in the future because idk what a fucking ride.
-goes to the window instead because her friends are trying to cockblock her- shes DETERMINED PPL U CANT STOP THE DICK.
-lol scott steps aside and then lydia moves into malias way MY GOD before scott pulls her back out, fuckin i cannot.
-two seconds of disappointed looks but cmon guys lets not pretend that malias an independent person who can make decisions outside of the group- aaaannnnnn shes back. wow. quelle surprise.
-but hey at least she hit scott in the face with her bag, get it girl.
-injured white mummy hellhound staggering through the woods then shift to lydia, malia and scott in the car ‘we opened a door to another world and something came out with us’ THIS IS LITERALLY THE PLOT FOR SEASON 3? 4? THE ONE WITH THE NOGITSUNE CMON PPL.
-of course guidance counsellor college lady is gonna kill white mummy hellhound boy. i support her.
-’what kind of price a big price?” ‘big’ wow, A+ dialogue here, someone give them an emmy for this shit.
-oh no guidance counsellor lady in trouble. bu t of course when push comes to shove, shoot white mummy hellhound boy in the head. but white guy actually died for once???? props. lets see how long hell stay dead before theres a reason that makes no sense to bring him back. cough cough theo.
-two seconds later cause apparently thats enough time for her to escape without the Gang sans stiles noticing. even though two of them have increased hearing and sense of smell?!!!??!! because it wouldnt be teen wolf otherwise.
-lydia ‘i thought you couldnt kill a hellhound’ WHEN WAS THAT EVER SAID??? I LITERALLY DO NOT REMEMBER THAT BEING STATED???
-scott, picking up the bullet casing which apparently killed an unkillable hellhound but hes just so good its not an issue. oh hey, is that a fleur de lis?
-’argent’ ooooooooohhh more suspense. dont think i can take it.
-’the sound of someone who’s never lifted a hand against a human being’ you can says shes a hunter lydia, her trunk was full of murdery shit we get it.
-also whats with teen wolfs repetitive need to make girls have an emotional distressing response to something before they go all ‘i kill you, ill kill everyone, ill kill myself idgaf’ and their expression goes all Tough Girl. like cmon. u realise girls dont all react the same way to the same things right?
-but hey props to guidance lady for not dying, though i mean she’s a girl and shes not white so lets assume her chances arent strong for future eps.
-lol all three of them sitting on scotts bed together. is it just me or should they all just make out, im just saying.
-’can we say we forgot?’ omg lydia PHRASING, u literally forgot stiles barely a few eps ago, dont crush him already.
-’we almost lost him last time’ i just love how the girls have all the emotional lines and scott just gets to sit there a nod like stiles hasnt been his best friend for years and years. but apparently connection on teen wolf means only if you want to fuck each other since scott magically forgot stiles without much effort and the entire season was about lydia getting him back even though they literally werent even dating and theyd given no indication shed even liked him when he was taken. but suddenly shes magically interested in him and the connection with scott, his best fucking friend for life somehow wasnt strong enough and I AM SALTY.
-malia- ’if this turns out to be somthing big and we don’t call him-’ ‘he would kill us’ hey look Scott got to say something accurate about his best friend, yay!
-’you guys didn’t hear his voice, he was really excited to be there’ aww scott, but seriously you asshole writers are still telling me their connection wasn’t enough for scott to bring him back? for shame.
-’lets just play the voicemail’ lol here comes the swelling emotional music.
-but seriously fuck you guys, heres stiles telling scott to leave beacon hills behind him and that its not his responsibility and not to worry about it and take stiles’ jeep (which we know he loves more than anything) and drive, and the instrumentals are getting really emotional showing stiles at the fbi and youre still trying to tell me that scott wouldnt have remembered his best friend without lydia???? fuck off.
-omg the nerd stopped at the fbi seal and straightened his tie i fucking love it.
-seriously whats with this music??? like stiles just won the damn noble peace prize or something just for showing up. its no wonder ppl think scott isnt the main when the writers give stiles all these storylines and attention, like this is not subtle ppl.
-stiles constantly interrupting the fbi dude in the middle of the presentation gives me life omg.
-’one recent manhunt had our crisis response team chasing down a bizarrely feral unsub in the wilderness of north carolina-”
-OFMG LOL ITS DEREK 
-STILES SPAT WATER EVERYWHERE THIS IS GREAT
-are they literally trying to sell that this is current??? like that is clearly season 1 footage of derek what the fuck is happening right now. why cant he just have a vacation for fun, why do the writers have to ruin everything for him but nope, mass hunting derek time ofc,
-the way stiles put his hand over his mouth as if that would cover up the fact that he literally spat water everywhere. smooth stilinski.
-omg the presenter dude look down at the list of names seeing Mieczyslaw Stilinski and legit being like ‘uh... young man’ thats awesome.
-’just got a little excited’ honestly what the fuck teen wolf. you baiting sterek fans or what?
-stiles trying to find out what they’re after him for- ‘Murder’ but what type of murder. “Mass murder’
-suspenseful music AGAIN jesus fucking c h r i s t.
-OMG now they’re just zooming in on dereks tattoo, increasing the music. dude we fucking get it, thats derek hale and you, the writers, fucking hate him. chill.
6 notes · View notes
weekendwarriorblog · 4 years
Text
Why Have Movie Theaters Become So Divisive?
I’m probably going to regret writing about this, but someone has to, so it might as well be me. After all, I’ve only been writing about this for months now, and 90% of the people who have attacked me for my opinion on reopening movie theaters probably have only read a few tweets I’ve made without ever reading a single word I’ve written beforehand for any sort of context. 
Most people already know where I stand on this debate, an argument that believe it or not (shocker!) doesn’t have a “right” or “wrong” side to it. You can stand on your high-horse soapbox all you like, but as I’ve said before, movie theaters are no more dangerous than any other public activity when it comes to spreading COVID. 
I’m not going to repeat myself over and over but when you compare movie theaters even to outdoor dining, the former offers many more opportunities to see whether they’re spreading COVID (and how to stop that spread) than sitting around with friends drinking, eating and jawing away in close proximity to others. (NYC has had these outdoor dining areas, many which are barely six feet across, open for months now with no huge spikes so...) The thing is that you know where I stand, so you should know that I’m writing this from an extremely biased place, too? Got it. Good. Let’s go on...
What’s interesting and actually kind of infuriating is how what should be a discussion about getting movie theaters reopened safely -- just as it should be about getting movie and television production restarted so there’ll be content when they do finally reopen -- has turned into this huge argument where there are two clear sides: The people who want the option to go to movie theaters to see movies and the people who not only refuse to go to movie theaters themselves until there’s a vaccine, but they’ll spend their time writing long pieces about why they won’t do their movie-related jobs until that’s the case. (Few of them have the excuse of being “high-risk” themselves, let alone being around “high-risk” relatives.)
By the way, I’m going to put this caveat here because I have probably said it 100 times already and oddly, when I say this, people completely ignore it to focus on anything else I may be saying: NO ONE IS FORCING YOU TO GO TO A MOVIE THEATER. Got it? Just because I or someone else says that people who want to return to movie theaters should be allowed to do so, if you don’t want to go, then DON’T GO. Half of the non-critics complaining about movie theaters rarely were rarely more than once a month to movie theaters pre-COVID. They are outliers. But don’t start railing against me or others for wanting to have the option to make our own decisions. 
Let’s make no mistake. Like everything else in this county, this “debate” is first and foremost a political one. It’s the left vs. the right, the liberals vs. the conservatives, the Democrats vs. the Republicans, and it mostly comes down to a President who is saying to reopen businesses to Democratic Governors saying “Hold on, we have to do this sensibly.” And that last statement actually makes absolute perfect sense, and it’s one I outright agree with, too. Yes, things need to be reopened safely in a way that doesn’t create or elevate the spread of COVID, but why are movie theaters specifically being targeted as the “worst possible scenario” for COVID spread? Especially after I’ve written literally thousands of words stating why that isn’t the case.
The latest development is that Fauci the Fearmonger (as I will be referring to him from now on) was interviewed by actress* Jennifer Garner on Instagram (*I don’t want to demean the profession but Garner, while a lovely person who I’ve met before, is not a doctor or a journalist), and she asked Dr. Fauci about returning to theaters to “see people on stage” and he responded by saying that he doesn’t think that even with a vaccine, people will be safe to return to regular activities until mid-to-late 2021. How does say something like this help ANYTHING? What’s happening is that what Fauci said, which again, is not specifically or directly about movie theaters, is being twisted into something that assholes like Cuomo can now use the next time he’s asked about reopening movie theaters. He’s already made it clear that casinos, gyms and the fucking Mets museum are more important than one of the more popular (and safer!) forms of public entertainment.
But even the support for Dr. Fauci is political because Republicans and even Trump have spoken against him, despite him being the leading and foremost authority on COVID... according to the people who support him. It’s kind of amusing to see how influential Fauci is on the public but he couldn’t convince a number of high-powered officials who he was around every single day the last six months to wear masks, to do something earlier to make sure people knew how serious COVID was? That was his JOB and if you’re going to blame COVID fully on Trump than you also have to blame Fauci because he was complicit and didn’t stand his ground when it came to making sure COVID didn’t kill hundreds of thousands of Americans.
So is this just a matter of a bunch of anti-Trump liberals fighting back against the President? Nope, it’s also a number of people who want to fight back against corporations that are quite desperately trying to reopen. Everyone goes after AMC and Regal and Cinemark and the other big chains for wanting to reopen and you know, not got bankrupt, because they see their desire to reopen theaters as “greed,’ as the big bad corporation trying to capitalize on the poor hard-working moviegoers who are desperate to get out of their house and spend time around other people, even if it’s wearing masks and being six feet apart.... which anyone with half a brain agrees is the best way to put an end to the spread of COVID in a pandemic.
People also have repeated attacked Warner Bros and Christopher Nolan and the movie Tenet itself as the worst offenders of greed... this big powerful white male director flexing his muscles to get his way because he believes in the theatrical experience, and anyone who has backed him on this (including other filmmakers) are similarly attacked. The narrative against returning to movie theaters and sitting at home watching the dozens of streaming networks you subscribe to has been so pervasive so of course, no one is going to want to go back to movie theaters since they’ve been badgered and bludgeoned by the people with a voice who want to make sure people know about “aerosols” and enclosed spaces (even when they tend to have less than 30 people spread out), etc. When Warner Bros. reported the first North American numbers for Tenet and they were lower even than the lowest expectations, the theatrical naysayers were back making their jokes on Twitter and saying, “See? No one wanted to go back to movie theaters, so we were right this whole time!”  (Granted, many people out there may not have even realized that movie theaters were open in their region. I don’t know about you, but I haven’t seen a single movie commercial on television in over six months, other than for movies on streaming services.)
But make no fucking mistake. This whole argument is basically about the haves vs. the have nots. It’s about the people who can afford to own a car and go to a drive-in whenever they please, vs. those who don’t drive and are accustomed to taking public transportation everywhere. It’s about the people who can lounge around at home watching movies on their 70″ (or 80″ if you go by Sam Rockwell’s boasting) television vs. those who can’t afford such luxuries who maybe live in tiny apartments where something like that wouldn’t even be physically possible. It’s about the people who can afford to pay $100+ a month for every streaming service and all the new and old movies they may ever need to watch vs. the people who work hard all week to shell out $15-20 for a ticket to the latest blockbuster in theaters. But more importantly, it’s about the people who literally are delivered every movie they might watch for FREE via digital screeners they can watch at home whenever they want without having to go out in public and be around other people (which I will freely admit, I am one of them!) vs. those who have to pay to see movies and who don’t have some of those other options (which oddly, I am ALSO one!)  
So you can see why I might feel a little torn about this debate and how I’ve landed right in the center of it, because I’ve chosen not to shut up and be bullied by the vocal minority on #FIlmTwitter who think they know better than everyone else (and not just on COVID or the reopening of movie theaters either.)  I’ve decided that I have gone to enough movies and movie theaters over the past 20 years that I consider myself an expert on the pluses and minuses of being allowed to have that experience. I’m not one of those people who never goes to the movie theaters anymore because of “texting” and “talking” and “lazy underpaid teenager workers who don’t care enough to do their jobs properly.” That last complaint is what has really gotten me riled because it is literally one of the most elitist statements in this argument I’ve heard about why movie theaters can’t reopen safely. They attack the corporations for forcing their employees (who probably need those jobs and money) back to work in a “dangerous environment” even after being told REPEATEDLY all of the safety precautions being taken over and over and over. 
The next time someone interviews Fearmonger Fauci, they should ask him when was the last time he went to the movies pre-COVID. For all we know, he is such a germaphobe by nature that he wasn’t a fan of being places like movie theaters for LONG before COVID showed up. I’m willing to bet that he has no concept of the benefits of the theatrical movie experience for those that still believe in it. Due to a few casual comments about a possible vaccine, politicians like Cuomo now have even more ammo about keeping movie theaters closed. Who knows why Cuomo is so hesitant because the only time Cuomo was asked, he was so flippant and dismissive of the idea, that maybe there’s more going on. Maybe he feels that places like AMC or Regal don’t pay their fair share of New York State taxes for some reason, and doesn’t see them as an important part of the New York economy despite the hundreds of millions of dollars sold in movie tickets in New York pre-COVID. Who knows? There’s more going on there than anyone is willing to admit, and until I’m allowed into one of those press conferences to grill him about it, we may never know. All I know is that if you want to know what the PUBLIC, what real people, think of what’s going on. Follow one of Cuomo’s press conferences on Facebook and read some of the comments. People are outright ANGRY with him right now.
Listen, this argument isn’t going away. I’ve already lost friends over this and lost  respect for a number of people who I cherish having in my life. Losing some of these friends hurts more than others, but the point is that no one seems to be able to even TRY to agree or see another point of view besides their own. You want peace in the Middle East? Bullshit. We need peace right here in America, and it isn’t the alt-right racist pro-life conservatives who are all at fault here. It’s just as much the people (on both sides) who refuse to listen to anyone who has any opinion ... or religious or political beliefs, for that matter ...  than themselves. If you’re not willing to listen (or in my case READ) what others are saying, then don’t come back to me with “Oh, but the aerosols!” or anything else you’ve read in the papers that to be honest, I have read, too. I read a lot, believe it or not.
But I also know that this argument doesn’t have a right or wrong. Your desire to do something that you love doing, whether it’s going to the gym or going out to eat or gambling at a casino or riding the NYC subway system “just for fun” and yes, going to see movies in theaters in a better setting/environment than sitting on your futon watching on your 13″ laptop... that is or at least it should be one of your rights as a human and as an American. Someone who has a car or a 70″ television that allows them to watch with their families (another thing some of us don’t have) shouldn’t be making your decisions for you, and in some cases, bullying you or shaming you for disagreeing with them.
Like I said, this was always going to be a biased piece, but after being attacked repeatedly by people who don’t know me, and don’t know where Im coming from, and worst of all: NEVER READ A WORD I’VE WRITTEN BEFORE RESPONDING TO A SINGLE TWEET I MAKE, forced me once again to put “pen to paper” and address the situation. Hopefully, someone reading this will think, “Hey, you know what? This is a stupid argument. Why am I getting so riled up by someone saying they want to go to movie theaters if they feel safe? Why am I railing against an industry that has allowed me and my family to live comfortably under a roof and allowed me to buy this car and large-screen television?” But that won’t happen. Because the people who need to read this, won’t read this, just like everything else I write. They’ll just wait for me to make a short statement on Twitter and then retweet it with whatever context makes them feel better about themselves and/or makes others think worse of the person having an opinion and standing up for their rights to express it i.e. me.
Because that’s what it comes down to. Unlike that frivolous lawsuit against New Jersey to reopen movie theaters (which it actually has now), this argument is about the First Amendment, and it’s also about people who have been paid way too much money for way too long to be deemed “movie experts” who thinks that makes them experts on anything and everything else.
Look, I have a lot to say on this subject. If I’m ever allowed to be around people again, I’ll gladly have a conversation about it, but I don’t even have that option. I have seen exactly ONE person from the film-writing/entertainment community in the last six months... and I had to take a train out to Connecticut to do so.  If screening rooms were allowed to reopen, I’d gladly have this discussion with anyone who can break themselves away from their HDTV at home to actually go out to see a movie that’s projected on a screen, as they should be. Believe it or not, I’m always open for intelligent discussion, but only when it doesn’t involve outright attacks on me, my opinion and where I stand on a subject that I’m quite passionate about... and mostly by people who are too lazy or indifferent to read a word I have to say about movies at any other time of the year with or without a pandemic.
0 notes
percontaion-points · 5 years
Text
Let’s Play “Moments: Lust Under The Moon 2″, Part 14
As everybody watches “Sabine”, Zeke tells SF to follow him behind the bar. He knows about the siren being there, and reassures SF that he's safe from her feeding off of him so long as he's in the club. Siren has arranged for Zeke to bring SF to a private meeting, and SF asks if he thinks that this is a set up. He's so certain that she'll be safe in the club, and doesn't even consider for a single second about physical attacks. He says that one of siren's henchmen will send for SF, and she's like “Oh no, any one of these club-goers could be working for her...”
“Sabine” finishes her song, and SF tells the rest of the pack what's up. Liam instantly knows who that somebody is when Amelia comes over to them. Amelia assures them that the siren hasn't done anything “bad” to her, only just did a binding on her, like what master has over Barry (and SF through Barry). Oh no.
Amelia takes SF to a private room, but the siren needed to show up last to make an entrance. She says that SF “looks just like her”, but SF has no idea who she's talking about. There's an option to take a trip down memory road to their first encounter, but SF is like “HARD PASS.” Also: THOSE DIAMONDS ARE FOR SEXY TIME WITH PATRICK.
Siren goes on to say that there's a darkness that's becoming stronger inside of SF. SF takes the high road and insists that everybody has a darkness in them, but siren is just like “BITCH, YOU KNOW WHAT I MEANT!” Siren goes on to say that she knows that they're planning to reverse the spell and give Marcus his soul back, but it would return her to her prison, and she'd do literally anything to avoid going back. She goes on to say that if the spell were reversed, the oracles would get a second chance to do literally everything all over again. She also scoffs over how Seven never told SF about this, and takes a moment to trash them. Which... can't say I blame her. Seven was probably the nicest one of the lot, and even she only cared about herself. She continues on about how Mia wasn't the only one to attempt to shape the future... and I believe her. She says that wars and deaths and the like are the result of oracles meddling in shit. And, thanks to her, the only oracles left are the ones like master who hide among the humans. She encourages SF to pick her mate now and move on with her life, free from oracles. (Why is this not an option? Give it to me!)
But SF is upset that everybody's lives have changed a lot in the past two years, so she wants to undo that if she can. She talks about the paths of destruction that her would-be lovers fell down, but... as I said earlier, there's nothing to say that they wouldn't fall down that path again when she picks Patrick. But also, she's thinking about the bonds of Amelia and herself. Those are things that wouldn't have happened if they hadn't meddled in the timeline. But she also feels bad about the people she killed in the fightrings.
Which goes back to the darkness inside of SF. It's the main reason why she wants to reverse the spell. But siren is so quick to point out that there's no way to know if SF hadn't turned down this path of darkness if history had played out as it should have. Or that those she'd rejected wouldn't have turned out the way that they had. (THANK YOU!) But then she says that the spell only changed SF's destiny, and not the others... Which is kind of bullshit, because even if she hadn't picked them, I still think that they would have listened to what she had to say. Even if you aren't fucking them doesn't mean that your destiny isn't affecting other people's destinies. But SF calls bullshit on what she's saying, and says that there's no way to know for sure if they would have. Siren is so confident over what she's saying, though. There's an option to ask her where she'd been these past two years, but that's VIP. Asking the real questions, though...
Siren goes on to say that they're a lot alike in that they had their destines stolen from them. (Except that siren is being punished for being a shitty creature. SF is a victim.) She talks about cutting SF down to get what she wants, which...??? What exactly would that accomplish? She can do anything she wants, but I doubt that it would bring back her dead friends and family.
SF says that she won't allow siren to murder any more people, but siren insists that history has painted her out to be a monster. That men have twisted her into something that she's not. Which, if this is true, then I feel sorry for her... but she's still fucking murdered ALL of the oracles, and that's not okay. Siren says that there's no more need for blood, unless she's provoked. She also says that she can feed off from psychic or sexual energy, so she doesn't NEED flesh and blood to sustain herself. She then looks to Amelia, and there's an option for SF to make out with her, but... yeah. I'm not going there. (Sorry, but even if Patrick wasn't around, it's VIP.)  She then starts to describe various sexual things, and SF says that it's like being drawn into a vampire glamour. She also randomly gives SF a bunch of dresses.
Later, SF goes back to the villa and tells everybody else what happened. Also, she invited everybody to a masquerade ball. Lucas is all like WTF. Nolan says that freedom can't possibly be the only thing siren wants. SF however is worried that the retained memories from this alternate timeline will ensure that the oracles do not fail on this task, and that's the last thing that any of them want. But the brothers seem to think that there must be something that they could do to stop the oracles from doing the spell or something.
SF then turns to Liam, since he's been quiet since she got back. He asks what she wants to do, and she says to undo everything. Everything is just too much, and knowing that she could fix it would weigh her down. However, if Lucas hadn't fallen into his coma, he wouldn't have met Jeremy, so he's kind of upset over that thought. Which... dude. Priorities. He leaves the room, and SF is upset because she doesn't know how to comfort him. Liam eventually tells her to go talk to Lucas.
She goes to him, but he's a little upset with her right now. She wants him to listen to her, but he says that he's done listening, and now it's her turn. He's really happy right now. And it seems unfair that SF would get to reset everything so that SHE can have her happy ending, while he gets left with nothing. He stands up and shifts, tells her that he can't do this, and runs off. And like... I get it. It must seem like the only thing that SF is after is her own happy ending. But for Lucas to stop all of this because he wants to be with some guy? That's like a super dick move right there.
SF goes back inside, her heart heavy. Nolan asks about his brother, and tells her that they need to press on, regardless of him. After all, this is about more than just what Lucas wants... and she is the alpha. She has to take care of her pack.
Marcus shows up, and says that his witches have figured out how to unbind his soul from the spell. They hear Lucas howling in the distance, which means trouble.
0 notes