top 5 (or 10 if you have em) scully taking care of mulder moments <3
she said IF i have 10 😭😭😭
1/ sein und zeit
i fear i have talked about this television scene more times than anyone has ever talked about a television scene....like. one, two, three, four, i was even foolishly invited onto a podcast to talk about it more...
my tags here:
she gets down on the Ground. there's something so primal about it. there's such a lack of pretense and sense of desperation about it. the way he hits the table. we so Rarely see him lash out like that. but it's just too much to Bear. like everything in him is just Breaking the only thing that he's even remotely been able to hold onto amidst all of the unbearable loss and trauma in his life has failed. he's fumbling around for anything that might make it better. that audries fic describing him in this moment as an 'addict out of a fix' with 'newborn anger.' “this is the world? this is it?” it's the way that he spends this whole ep cooking up some elaborate mythology about missing children and how they can be found and then the last shot of the episode is that wide shot of all of the children's graves. sometimes he's just wrong. the world is so much fucking darker and uglier sometimes than the way he sees it. and that's what is crashing down around him in this moment. and she's sitting in the wreckage holding him tight.
this is such brave, brave love. i keep thinking about CSM in the following episode, standing in scully's apartment, warning her. "allow him his ignorance, it's what gives him hope."
she doesn't know what will happen to him, to her, to them, when she breaks down the only method of coping that he has. his mother lost her bedrock too, and she didn't survive. from the moment scully enters, you can watch it break her. she does it anyway. she gets down on the ground, and she cries, and she holds him. god, it all just would've been so different, if there'd been just 1 person, 27 years ago.
(thinking about mulder reaching up to hold scully when missy died, and these tags asking: did anyone hold him, when it was his sister?)
i love the show's message on grief (and trauma), in that this is all that is necessary for "closure." there is no "Truth," (and there really isn't any closure, there's no "beyond" the sea). but it matters that someone knows. it matters that someone bears witness. it matters that someone tells you the truth, even when it fucking breaks their heart. sits in the destruction with you.
the exhaustion in her voice the next morning, when she tells skinner, "it's been a hard night for him." she's still wearing her work clothes from the day before. she was up all night. she's tired, and she's scared, and she's sad. it's been a hard 7 years. it's been a hard 27 years.
it makes me tear up every time i see it, the way she blocks him in the doorway. she's not moving. this is just so scully. it's not even starbuck, it's just so scully. she would keep him in that apartment where she could cover him and control what touches him forever, if she could. (she can't, so you're not taking him anywhere without her. the way she looks her boss in the eye and tells him he better book her a flight too. brave love.)
2/ demons
god, this one just makes me sad. this might be the one that makes me saddest. she's dying. she doesn't have it in her, anymore. i talked about this in my newsletter (and i wrote a fic about it once) but this is like...the only time where she never calls him out on what he's doing. she never yells. she never rolls her eyes. she never gets frustrated with him. she doesn't have it in her. she's dying. he will be alone. she won't be here the next time. what can she even do about it?
i always think about this post:
and you know she is thinking about how if she hadn’t been there he would’ve died. and how the next time he does something like this, she won’t have enough life left in her to keep them both alive. she might not even have enough left for herself. and she’ll give whatever she does have left to him, but it won’t be enough to save either of them. she’ll die cold and pale and he’ll burn himself out. and what can she do but hold him? who will he have when she’s gone? what will he do to himself? who will he call?
and these tags:
this is so cautious and tender and apologetic. sorry for all the pain he feels constantly. and sorry that nothing can ease it. and sorry that she is dying and leaving him like this.
she started writing to him as soon as she was diagnosed, begging. begging forgiveness, begging courage, begging grace. begging for him to not feel there was anything more he could've done, to not become the next cause he is lost in. for him to keep going, as she needs to know he's "out there."
but she's seen him hold a gun to himself too many times, and she knows he's coming down with her. and it's such a loss? this is a person she gave up everything, including her life, to follow, because she believed in him and what he wanted to do in the world that much. but things are different now. he won't survive this. he won't be "out there" saving the world.
what can she do? go to rhode island at 5am, wrap him up. stay quiet, stay still, but scream and thrash at anyone who's careless with him. sink down next to him, cover him, hold him. "maybe we need every answer in the world to survive a single question: how long do we have each other?" (x)
(also, her memento mori journal, in general. she sat in that hospital alone, for days, knowing she was going to die. and she wrote letter, after letter, after letter, to him. so that he would have something. so that he wouldn’t be left alone with nothing, again.)
3/ the end
"as mulder appears. the look on his face is of a man who's seeing, smelling, and tasting the loss of everything he has worked for. it's the look of utter defeat. angle on scully at the door. she sees only mulder right now...she moves to him now. putting her arms around him, holding on to keep him from breaking. off this, we fade out. the end." (script)
i think so often about the script notes of this scene. the description of mulder, as absorbed in destruction. everything that he's worked for, literally reduced to (cigarette) ash. scully only focused on him.
in the final angle of the season, you can really see how she's standing in front of him. her fingers clutching him. but when she first grabs him, it's so tentative. it almost feels like she's trying to see if he's still there, if he exists, if his work doesn't.
this is...the whole thing! there's a reason why this was "the end." the final image of this iteration of the series, before everything changes. this is what it is all about. it's mulder walking headfirst into the devastation of the world. drenched in loss. seeing it. smelling it. tasting it. surrounded by it. and it's scully knowing what he'll find even as he's still moving (this script note, from the hallway: "reverse on scully. returning the look. knowing what mulder is going to find. and what it will mean.")
following behind. eyes on him, while he takes in the ash. just holding on for dear life; trying to keep him close, whole.
(also, i love the moment before the fire, at his apartment, after diana was shot. the way scully tells skinner that he can reach her at mulder's if he needs her, because that's where she'll be. he doesn't even have a bed, or anywhere for her to stay!! she's not leaving him.)
4/ paper hearts
oh, starbuck. we are really in it now.
paper hearts is an ahab and starbuck episode, yes. but mostly it's about grief. mostly it's about harsh awakenings. mostly it's about confrontation with fear, scully's included.
one of the most haunting moments of the series, to me, is when they speak to the father of the 14th victim, twenty-one years after his daughter went missing. and through tears, the father says, "i used to think...that missing was worse than dead, because...you never knew what happened. now that i know, i'm glad my wife's not here. she got luckier."
in that moment, as mulder looks over at the photos on the mantle, missing is not worse than dead. it is not worse than knowing. and later that day, in his first scene, roche calls it exactly as it is: "i understand you take this very personally, mulder."
i've written about this scene in the hallway so many times, because it's truly the crux of this episode (my favorite episode).
from my newsletter:
There’s something so viscerally deep about this episode that’s hard to put into words, but to me, it is most palpable in the moment in the hallway when Mulder asks Scully if she believes that his sister was abducted by aliens. And you can see in his face that he knows the answer, and he’s challenging her to come out and say it. You can see in Scully’s that she would rather admit to anything else.
he's challenging her. he's taking their entire dynamic, and throwing it in her face. not to be cruel. not to disrupt. but just to say...so what now? isn't this what you believe?
i don't think that they've ever been so fragile, as in this hallway, honestly. they rarely threaten to break it all down. their entire lives are built on him walking up to tragedy and saying: it was aliens. it was XYZ. and her following behind saying: no. it was a killer, it was a man.
what does that mean? what is she really saying?
this episode is hard on scully. mulder has never been more haunted. there has never been a bigger reminder of what they are actually doing. they are not just chasing little green men, having adventures, studying sewer worms. they are trying to make sense of something that will never make sense. they are trying to find a "truth" that they do not want to know. they are living their lives in mourning, in bereavement, in remembrance, of a missing little girl, and scully is terrified that they'll find her. that it will be exactly like roche threatens. that missing is not worse than dead.
and there is no one else. there is no one else that even knows how haunted he is. how stuck he is, in that childhood bedroom, like he said all those years ago. how deeply sad it is.
it's all of the little things. it's the "you did good work, mulder" in the beginning. it's the way she asks if he's okay to go tell the 14th victim's family. it's way she exclaims "oh my god" when roche says that he just wants to see mulder's face, when he finds samantha's body. one of the few times that we ever see scully lose control, but she just stands up and screams, opens the door and wordlessly waits for mulder to get up and get out of there.
it's the way that she hears "help me, scully" and digs in the dirt, with her bare hands.
(you can tell in his eyes here that he's been crying, and it really gets to me. there's so much that we don't see.)
in the end, they're back in the basement. nothing left but one scrap of tattered fabric, one more lost failure. it's over. she just comes down to check on him.
the progression of scully's face in this last scene is just unbelievably gut-wrenching to me. her smile, when she tells him to get some sleep, and he laughs. the way it disappears when he holds her, and can't see her anymore. with his mother, flashing that smile and hugging her was all that it took to convince her not to worry. when he repeats the same actions with scully, she looks like she could break.
this post:
Episodes like this make me think how alone - not just lonely, but truly alone - Mulder was before her. Nobody lost sleep over him falling apart under the fist of decades old trauma. Nobody grappled with him, let him wrestle his grief against them, and still stayed. Nobody visited him in the hospital, flew to Alaska, lied for him, stayed by his bed for days straight without an extra change of clothes. Nobody else knew he was suffering or wanted to, knew it more than he knew. That end of Paper hearts where she tells him to get some sleep, he laughs at the ridiculousness of it, but also out of incredulity at having someone to wish for better on his behalf. The heartbroken look on her face as he’s laughing into her waist seems to be her coming to the same realisation; “Who looked after you before? How long did you feel like this on your own?”
she is heartbroken. there is so much grief, in being starbuck. there's grief in being needed. there's grief in following ghosts. there's grief in loving someone who is so encased in pain, in loss. he will not go home and get some sleep. a well-placed joke, that smile, a hug, does not convince her that he's okay. he hurts so much, for so long, and he has one person who knows it. and all they do is keep moving: closer and closer to that breaking point that she is so afraid of, and they can't stop.
5/ redux ii
remember when dana scully lied on her death bed and looked up at mulder as he told her that he was not willing to jeopardize skinner to save himself, and she replied, "well, then, you have to lay it on me."
the way he smiles and shakes his head, chokes out "i can't...i can't do that." through tears...they are so kind to each other. all that she has left in the world is her reputation, and she says: take it. take it all. take everything.
she cries when he won't do it.
6/ herrenvolk
okay, i wanna get into some slightly lighter ones, so y'all remember when she nearly fully knocked skinner into the wall, because mulder came in with a (checks notes) scratch on his face?
this is just so scully.
she is so panicked. she just wants to slow him down, to stand between him and the world for even one moment longer.
these tags:
she's almost begging him not to go in. the extent of her worry is heartbreaking. she loves him. it frightens her to know what awaits him.
one of the biggest conflicts of scully's character is that she just cannot stop him, she cannot shield him, she cannot protect him. the way she leans up here, and pulls him to her shoulder. covers him with a blanket. this is what she can do.
there is so much grief in being starbuck!! in loving someone who walks blindly into a world that you do not trust. in following someone into the worst night of their life: over, over, over. years, years, years. in being first mate, holding the responsibility on your shoulders of having to steer in a safe direction, only having one to choose from.
(i also think it's really special, all of the little moments where she checks in. in the previous episode, in the hospital hallway, the way she says "are you okay?" so softly.
in paper clip, when she makes him stop, and says "no, wait, hold on a second...i don't think you've had time to process everything that you've been through."
remnants of the girl who told him she'll cover for him and he should just go get a beer, take some time for himself, after jersey. who suggested he talk to someone, when jerry lamana died. she's always wanted so much for him, but she understands more now. there's still room to pause, for a moment, before he carries on.)
7/ anasazi
ladies, would you shoot your man with a gun, to keep him from endangering himself, while he was being laced with LSD, and then drag him across the country singlehandedly, while he was unconscious, despite him being twice your size? and this, too, is taking care.
the way she says, "i was certain they would have killed you, mulder." and the fear in her voice, his hand on her knee. (she is so young. she really doesn't know what to do, not as often as she seems like she does). the way he says, "thank you. thank you for taking care of me." they are so kind to each other. it'll break your fucking heart.
(i remember asking y'all a few weeks ago, if mulder and scully ever say "i'm sorry," if they ever apologize to each other. and we came up with a couple of times. i'll tell you what, though: not as often as they say "thank you.")
8/ fire
girlbosses when they singlehandedly solve serial murders, to get their best friend's shitty ex away from them!!! okay, i put this one on here because we were talking about it yesterday, but scully really does handle the entire situation with phoebe so perfectly, and that's hard to do, when you're dealing with friends and abusers.
trish, i loved this part of your post yesterday:
scully gives him the space to talk about it, never says too much but she says enough. her phrasing is SO important. she repeats what he just told her in a way that frames it as wrong.
she's a little rabid, lol. we can see it on her face when she's alone, or when mulder's not looking. but around him (around phoebe too) she's calm. she listens, she addresses what he tells her as bad, without pressing. when he tells her that she's off the case, that he doesn't want to expose her to what phoebe is doing, she asks one time: are you sure you don't want help?
he says yes, and she does it anyway. she catches that fucking murderer so that this woman can go home. just, like, an inspiration to us all.
trish's tweet:
really, truly, genuinely. scully solving the case in fire was the absolute best course of action she could have taken. get that woman out of here, an ocean away from mulder. (give him freedom, let him heal, teach him what real love feels like)
(her eyes locked in on him here, phoebe behind her. the way that when phoebe leaves the room, scully says, "you alright?" instantly.)
meeting phoebe just a few months into their partnership made her so fucking crazy like...i make fun of her for being sick in the head in regards to everyone he meets (men and women alike) and never wanting anyone around him other than her but like, my god, can you blame her!!! he's such a gentle person and people are so cruel and it makes her eyes bug out of her head.
yeah, i really don't have much else to say here, you guys. she solved a murder herself, a case that she wasn't even supposed to be working, so that his old gf would go away and stop being mean to him. she doesn't play!!
(also! while we're on the subject of abusive exes, honorable mention to scully cornering diana into an empty room and telling her to "just think" about who mulder is, who he was when she met him, compared to where he is now. "and then try and stand there in front of me. look me in the eye. and tell me mulder wouldn't bust his ass trying to save you.")
9/ deadalive
oh, you guys remember that time she raised him from the dead, right?
scully at 8 months pregnant, sitting in that hospital chair, holding his hand, for days. knowing he can’t feel it, knowing that there’s nothing that says he’ll ever wake up. that it’s impossible. that there is no science…yeah. she just sits there and holds his hand.
i love the moment when she finds out, and she comes barreling through that hallway. she hits skinner first, and starts yelling, “i want to see him. no, i need to see him,” slams her fists into his chest.
then she moves onto doggett. repeats, “i need to see him” through tears. and the way doggett says… “i know. but i wish you wouldn’t.”
she’s loved. they want to protect her, protect her image of mulder as she knew him. but they also both know she will fucking plow them down.
i always think of this fic and feel so ill:
“I pulled you six feet out of the ground,” she whispers, dangerously low. “Because I couldn’t live without you. I gave birth to your child.”
she fed his fish while he was in a casket. she planned a funeral and decorated a nursery alone, at the same time. she ran herself ragged all over the country, trying to keep his work going. she raised him from the dead.
(i also feel that i can throw in here, as related, the time that she busted him out of prison and then abandoned everything in her entire life including her career, her family, and everything she owns, to go on the run from the law and live secretly in seedy motels for years to be with him.)
10/ fight the future
there are too many contenders for my last spot, so i’m gonna keep it simple, and go with the most special movie moment. (of all movies).
from my newsletter:
“Mulder watches the spaceship as it flies overhead, his face glows with a heart-melting grin of childlike wonder and awe.”(x)
That’s exactly what it feels like to me, it’s an innocence and excitement that was so present in season one, that was all over him when he told Scully to come look in the second episode, but that’s rare to see in the later seasons. It’s rare to see at this point in their story, after all that’s happened. They are stranded in Antarctica, both of them injured, both of them freezing in the cold, and they are holding each other and gazing up at the sky. What a perfect thing in their big momentous feature, to bring it all back to what it started with.
there’s such a reverent sentimentality to it, in the simplicity. she had stopped breathing, a few minutes earlier. but when he passes out, she pulls herself up, and grabs onto him. keeps him alive, keeps them both alive, just by holding him close. that’s really the heart of it.
(also, i find it so moving that this film is the only time in the franchise that scully considers leaving, not working with him anymore, and it’s because she thinks she’s not good for him. that she’s holding him back. she never considers him as anything other than wanted, something worth believing in.)
some honorable mentions to: little green men, which i’ve written about here. (especially her secret-signaling him to their secret meet-up place, just to ask if he’s okay). the erlenmeyer flask, which i’ve talked about here. (she literally stops him in the street to tell him that she should have listened to him, and she’s sorry, because she should have trusted his instincts. that means so much, you guys). her telling colton she hopes he falls on his ass after he was making rude comments about mulder in squeeze, screaming at a serial killer that she’ll gas him into hell herself and no one will stop her, if mulder isn’t okay, in beyond the sea….she has threatened and shouted at and smacked around so many people for fucking with him, and this too is care!! (anger meaning you’re worth being angry over, etc etc)
how desperately she became frantic to find their son, after 17 years resigned to never ever looking for him, never ever endangering him that way…because she became convinced that it’s the only thing that would help mulder.
and how important samantha is to her. it matters. it matters, that sam is remembered. that someone else in the world knows. someone knows that they played baseball in the summers, that they fought over the television, that he’s looked for her in every room he’s ever been in. someone else cares about her; not as a white whale, not as a photo on a desk, as a little girl who broke her collarbone because she played on swings too hard. scully listened to her journal, and cried. listened to how much she suffered. how much she just wanted to see her big brother. (scully kept a journal like that, too, once. underwent those same tests. almost died at the hands of those same men. wrote her testimony to that same person.) it’s taking care of mulder, to love samantha. and she does.
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⌜Know No Evil | Chapter 09
Chapter 09 | sparks and schemes⌟
╰ ⌞🇨🇭🇦🇵🇹🇪🇷 🇮🇳🇩🇪🇽⌝
❘ prev. chapter ❘༻✦༺❘ next chapter ❘
The pre-dawn light filtered through your curtains, painting the room in soft hues of gray and blue. You stirred, a slow smile playing on your lips as you remembered the night's events months ago.
The thought of attending U.A., a mere suggestion transformed into a reality, held a strange allure. It wasn't the prospect of heroism that excited you, but the promise of something new, a crack in the monotony of your existence.
Reaching for your phone, you saw a message from Bakugo.
𝐏𝐎𝐌-𝐏𝐎𝐌 𝐏𝐔𝐏
Be at the entrance by 7:30 sharp
Don't be late. Or else.
The last sentence was punctuated with a single, explosive exclamation mark, a classic Bakugo signature. You chuckled softly, a low rumble in your chest. "Good puppy," you murmured to yourself, the nickname taking on a new meaning in your mind.
The rest of the morning unfolded in a leisurely manner. Unlike Bakugo, who likely woke up at the crack of dawn and launched himself into some pre-exam training ritual, you opted for a more relaxed approach.
You lounged around in your room, absentmindedly squeezing and stretching one of your mother's many stress balls. Each satisfying squish was a small rebellion against the looming entrance exam, a reminder that the facade of normalcy you maintained still held some power.
As you contemplated the upcoming challenges, a detached amusement settled over you. You envisioned the predictable strategies of the other hopeful heroes, and found yourself lacking any real sense of anticipation. It all seemed so… ordinary.
Just then, the shrill blare of your alarm clock pierced the quiet. With a sigh, you acknowledged that even an eternity could feel dull after a while. The entrance exam awaited, and with it, a chance to stir things up a bit.
A glint of something akin to excitement flickered in your yellow eyes.
☆
☆
You arrived at the bustling entrance of U.A. High, the air thick with nervous energy. Students milled about, a cacophony of excited chatter and worried mumbles filling the air.
Many wore the familiar uniforms of middle schools across the city, their faces a mix of determined anticipation and nervous trepidation.
There were fewer students in your own school uniform, a fact you noted with a detached curiosity.
Dodging a group of overenthusiastic students launching into a mock battle with invisible opponents, you were about to turn a corner and find a quiet spot to observe the chaos when you were suddenly slammed into by a blur of pink.
A yelp escaped the source of the collision, a girl who shot back upright with impressive speed. She bowed deeply, her apologies tumbling out in a rapid-fire stream of words. "Oh my Gods, I am so incredibly sorry! I wasn't looking where I was going and—"
She cut herself off as she finally got a good look at you. Her large, black sclerae widened, the yellow irises in the center seeming to vibrate. A deep blush bloomed across her cheeks, the light pink of her skin turning a shade closer to crimson.
You tilted your head, a bemused smile playing on your lips. For a moment, you thought you might have broken her, or perhaps she'd hit her head during the collision.
Reaching out cautiously, you brushed a finger against the side of her face, expecting to encounter some sort of injury. Your finger met smooth skin, cool and flawless.
"Are you okay, sweetie?" you asked, your voice laced with a gentle concern that came naturally to you, a habit you'd picked up from your overly nurturing mother. Internally, you cursed your ingrained politeness, wondering if a more callous approach might have been more appropriate.
The girl seemed to short-circuit for a moment, her already wide eyes bulging even further. She stammered, her words tripping over each other in a frantic jumble. Finally, she managed to blurt out a single, incoherent sentence.
"Y-you're so hot, oh my Gods, ignore me!" With that, she spun on her heel and bolted away, her pink curls bouncing with each hurried step.
You blinked, left standing there with a bewildered expression slowly morphing into amusement. Here you were, about to infiltrate the most prestigious hero academy in the country, and your first encounter was with a lovestruck ball of pink.
It was a bizarre start to the day, a stark contrast to the steely resolve you'd steeled yourself with. But a flicker of amusement danced in your yellow eyes. U.A. was certainly proving to be... interesting.
"Well, wasn't that an exit," a voice drawled, snapping you out of your thoughts. Turning your head, you came face to face with a boy who looked every bit the part of a bored aristocrat.
He was of average height, his blond hair styled in a way that seemed designed to perpetually obscure one eye. His periwinkle blue irises, framed by dark lashes, were half-closed in a look of perpetual disdain. A sardonic smirk played on his lips, completing the picture of someone utterly unimpressed by the bustling activity around him.
You raised an eyebrow, intrigued by this unexpected encounter.
There was something about him, a subtle aura of entitlement mixed with a hint of hidden potential, that piqued your curiosity.
While the other students exuded nervous energy or boisterous enthusiasm, this blond boy stood out with his air of detached amusement.
A faint whisper, "Denji," echoed in your head, a fleeting association you couldn't help but cling onto.
Deciding to give him a bit of your time, you tilted your head slightly, your yellow eyes meeting his half-closed gaze. "I'll say," you replied, your voice laced with a playful challenge. Turning your full attention towards him, you gestured towards the fleeing pinkette. "Am I that hideous that I make people run away screaming?"
The boy regarded you for a moment, a low hum escaping his lips. He seemed to ponder your question for a beat before offering a nonchalant, "Maybe, let me see." With that, he took a casual step forward, invading your personal space to get a better look at you.
You were decked out in your Aldera Junior High uniform: a classic black blazer with white and red trim hugged your frame, paired with a crisp white collared shirt and a vibrant red tie. A pleated skirt stopped just above your knees, showcasing your toned legs clad in white socks that disappeared into practical black loafers.
Your stance radiated a cool confidence, a blend of defiance and preparedness that spoke volumes about your personality.
As the sunlight fell upon you, you seemed to take on an almost ethereal glow. Your fluffy, red hair, styled in loose twists, framed your face like a halo. But it was your eyes that truly captivated the blond boy. The bright yellow irises held him in a gaze that was both intense and strangely alluring.
His reaction mirrored that of the pink girl—a blush bloomed across his cheeks, spreading like wildfire across his pale skin. He seemed momentarily speechless, his usual smirk replaced by a look of stunned admiration.
Finding his reaction humorous, a genuine smile played on your lips. You broke the silence with a playful tilt of your head, stepping closer until you were mere inches from him.
This close, he could see the faint dusting of freckles sprinkled across your nose, a charming imperfection you'd inherited from your mother.
"Well, am I ugly?" you purred, raising an eyebrow in a challenge.
The boy stammered, struggling to form a coherent sentence. "Y-you..." he sputtered, completely flustered by your sudden proximity and the unexpected beauty he found himself face-to-face with. This wasn't how he'd expected his day to begin.
A slow smile spread across your face, the amusement clear in your yellow eyes. This unexpected encounter had been... enlightening.
With a playful wink and a final, teasing smile, you turned away, leaving the lovestruck blond speechless in your wake.
No need to linger any longer; the real game was elsewhere.
Fishing your phone from your pocket, you scanned Bakugo's latest message, a crudely drawn map leading to some secluded corner of the school. A satisfied hum escaped your lips. Perfect.
Just then, a gruff voice boomed from a few feet away, shattering the bubble of amusement you'd created. "Don't stand in front of me. I'll kill you."
You recognized the voice instantly. Turning your head slightly, you witnessed the explosive arrival of Katsuki Bakugo. He stormed past a familiar green-haired boy, leaving a trail of nervous mumbles in his wake.
"Erk... M-Morning! L-Let's both do our best!" Midoriya stammered, scrambling out of Bakugo's way. His voice, filled with a mix of fear and nervous determination, rang out clearly.
Several students murmured amongst themselves, their voices filled with a mixture of awe and apprehension. "Hey, isn't that Bakugo? The one with the Sludge Villain?" one whispered. "Oh, he's the real thing!" another chimed in, his voice tinged with excitement.
You watched the scene unfold with a detached amusement. Seeing Bakugo effortlessly command attention, even amidst the chaos of the entrance exam, reminded you of the volatile energy he brought to everything he did.
A small smile played on your lips. Perhaps blending into the background wouldn't be such a bad idea after all.
There was no need for additional attention on your first day at U.A.
Letting Bakugo be the center of the storm might be the most strategic move. You slipped away, disappearing into the crowd behind like a phantom.
Your phone buzzed in your pocket—a text from Bakugo undoubtedly. You ignored it, already finding a secluded corner that offered a clear view of the remaining students trickling in.
One face in particular caught your eye. Sitting a few rows ahead was Yumi, her presence was unmistakable. Her long, flowing hair, a vibrant shade of soft lime green—a clear inheritance from her father, Hiro, cascading down her back.
Complementing her striking hair, her soft lavender eyes, a gift from her mother, Shihsuki, mirrored the enchanting hues of twilight. They held a practiced charm, a reflection of her mother's Quirk.
You knew her Quirk, 'Absolute,' allowed her to get whatever she wanted—a power fueled by pure confidence. It was a fascinating Quirk, a twisted version of her mother's ability to draw people in and her father's knack for creation, all rolled into one.
However, the Quirk had a drawback. Yumi ran on confidence, and any situation that threatened her self-assuredness could backfire spectacularly, amplifying negativity around her. You mentally filed that information away—an interesting detail to keep in mind.
Yumi, oblivious to your scrutiny, was busy chatting with a group of girls. Her beauty mark, a tiny dot below her left eye, seemed to glitter as she laughed, her Quirk weaving its subtle magic.
You watched with a detached curiosity, wondering if her act would hold up under pressure. The entrance exam was notorious for weeding out the weak-willed, and Yumi's confidence, however potent, could crumble under the right circumstances.
You'd never had any personal issues with her, but a nagging suspicion gnawed at you that she was the one that despised your presence.
Ever since Yumi discovered the connection between you and Bakugo, a strange coldness seemed to settle in her demeanor whenever you were around.
A flashback flickered through your mind, transporting you back to a free period weeks ago.
🇫🇱🇦🇸🇭🇧🇦🇨🇰:
You were nestled comfortably in your usual seat by the window, engrossed in a book about the controversial theories and experiments of Doctor Pavolos.
A shadow fell over your page, momentarily blocking the light. Looking up, you came face-to-face with Yumi, her brow furrowed in a deep frown. Her arms were crossed defensively, and two of her friends flanked her on either side, their faces mirroring Yumi's disapproval.
"What brings you, Yumi?" you inquired, raising an eyebrow in question. Your parents had remained close friends with Hiro and Shisuki despite the unfortunate event that took palce a couple of years ago, and it had been assumed you and Yumi would naturally become best friends.
However, that bond never truly formed, leaving a gap that Yumi's current frosty demeanor only served to highlight.
Yumi rolled her eyes, her disdain thinly veiled. "My mom," she drawled, her voice dripping with forced sweetness, "thought maybe you could, like, tutor me or something." A snicker escaped her lips, quickly echoed by her giggling minions. They leaned in conspiratorially, their hushed whispers aimed at you. You could practically hear the words "ugly" and "stupid" laced with malice.
Before Yumi's charade could escalate further, a familiar voice cut through the air. Ignoring you completely, Bakugo stomped over to your desk. With a characteristic grunt, he tossed a bag of your favorite potato chips and a carton of strawberry milk tea onto your desk. "You need to stop leaving home without lunch, dumbass," he barked, his voice gruff but not unkind.
Without waiting for a response, he turned and retreated back to his seat across the room, his group of followers trailing after him like a pack of wolves. Yumi, momentarily frozen, finally found her voice. "You... you know Bakugo-kun?" she stammered, her voice laced with disbelief and a hint of something... bitter?
You shrugged, nonplussed by her reaction. "Know of him," you replied simply, your gaze returning to your book.
The encounter ended there, but it marked a shift in Yumi's behavior towards you. Her once indifferent attitude morphed into something akin to hostility. Her quips and taunts became more frequent, especially when Bakugo wasn't around.
It was clear she harbored a not-so-secret crush on the explosive blond, and seeing him acknowledge you, even in his own gruff way, had ignited a spark of envy within her.
The memory faded, leaving a sour taste in your mouth. Yumi's behavior was childish, but it served as a reminder of how inferior human emotions were, especially when jealousy reared its ugly head.
Of course, you could have easily neutralized Yumi's hostility with your powers, but causing a scene wouldn't exactly help you blend in. In fact, it would achieve the opposite.
You thrived in the shadows, manipulating situations from a distance. There was the unfortunate incident with the new literature teacher, who lasted a mere week after harshly critiquing your well-written paper. (In reality, the man's envy over your intelligence and his subsequent humiliation after you corrected him in class fueled a strange "accident" that led to his swift departure.)
A mischievous glint sparked in your yellow eyes. Using your control ability, you latched onto the hearing of a small rat scurrying near a hulking student in the back of the room. The boy's head resembled a rough-hewn rock, and various critters nestled comfortably on his broad shoulders. The rat, drawn by the scent of crumbs, scampered towards Yumi's group, providing you with the perfect opportunity to eavesdrop.
Yumi's voice, laced with a sickening amount of sweetness, filled your borrowed ears. "Finally, Bakugo will be mine," she gushes, unaware of the listening ears. "No one, especially not her," she sneers, referring to you, "can stand in my way."
Her minions echo her sentiments, their voices a chorus of agreement and disdain. "Yeah, she's got no chance," one chimes in, emboldened by Yumi's confidence.
Yumi, however, snapped at her, her voice laced with a sharp edge. "He was never interested in her! They were just childhood friends or something, nothing more!" she hissed, her carefully constructed facade momentarily crumbling.
The implication that your bond with Bakugo was insignificant, a mere childhood connection easily forgotten, sent a spark of fury coursing through you.
How dare she speak of your Bakugo... your pet, as if he were some prize to be claimed?
A predatory smirk filled your face. The entrance exam was about to begin, but it seemed you'd have a little pre-game entertainment first. Dealing with Yumi's inflated sense of self-importance was a task you could relish in.
Just as Present Mic boomed, "For all you examinee listeners tuning in, welcome to my show today! Everybody say "hey"!" you focused your control on the rat near Yumi. With a silent command, you sent it scurrying up her leg.
Surprised by the sudden movement, Yumi yelped and instinctively looked in your direction. Seizing the opportunity, you reached out with your Quirk, subtly manipulating her nervous energy.
The effect was instantaneous. Yumi's eyes widened as she launched into a booming reply to Present Mic's welcome, her voice echoing through the previously silent auditorium. "Heeeyyyy!"
Everyone's attention snapped towards the lime-haired girl, their gazes filled with a mixture of shock and amusement.
Present Mic, oblivious to your manipulation, pumped his fist in the air, mistaking Yumi's outburst for enthusiasm. "That's what I'm talking about, listeners; bring the spirit!" he cheered, further escalating the bizarre situation.
From your vantage point, you watched with detached satisfaction as Yumi's Quirk instantly backfired. Her usually vibrant green hair dimmed, mirroring her plummeting confidence. Her minions, once fueled by her Quirk to hype and covet, turned on her, their whispers laced with snide remarks.
Yumi stammered, desperately trying to regain control, but her voice came out in weak, pathetic snaps. "I—I just got a little carried away, that's all!" But her retorts fell flat, drowned out by her own nervousness and the crowd's growing murmurs.
Present Mic, ever the showman, continued his presentation. "Then I'll quickly present to you the rundown on the practical exam! Are you ready?! Yeah!" Once again, you exerted your influence, amplifying Yumi's anxieties. This time, she couldn't hold back.
With a startled yelp, Yumi jumped to her feet, her voice cracking as she echoed Present Mic's question at an ear-splitting volume. "Oh, I'm ready!" Her shout echoed, far too loud and far too earnest, drawing stares and snickers.
Bakugo, who had been observing the scene with a bored expression, let out a disgusted scoff. "Jeez, what a clowny extra," loud enough for those nearby to hear. His words, laden with contempt, seemed to echo in the suddenly quiet room, sealing Yumi's fate as the object of ridicule.
The final blow.
Tears welled up in Yumi's eyes as the auditorium erupted in stifled laughter. Shame burned on her cheeks, turning her face a vibrant shade of crimson. Without a backward glance, she bolted from the hall, tears streaming down her face.
You let out a satisfied hum, your prank complete.
Turning your attention back to Present Mic, you settled in to listen to the rest of the exam instructions, a sly smile playing on your lips.
Who knew presentations could be so entertaining?
***guess who the two unamed people were, 👀. and if you're wondering are they in the upcoming growing harem??? yeath....anywho, i have about 8 more prewriteen chapters so after ch.17, updates won't be as quick and sparodic as this, but no worries! Summer break begins May 4 for me 🥳🥳 until next updates, lovelies~
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