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godziiwa · 3 years

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HAIKYU AO3 FANFIC RECOMMENDATIONS

please, before reading any of this fanfics read the hashtags! also, all the credits to the authors! enjoy

MY FANFICS:

i bet you look god on the dance flor (2100 words, club, dancing, iwa’s birthday, just fluff. confessions)

this house is a circus (2300 words, on going, covid, quarantine together)

you probably couldn't see for the lights but you were staring straight at me (10k, college au, drugs, first meetings)

right now im working on a demon slayer au and nascar/racing au

IWAOI

you're looking like you fell in love tonight (fake dating au, 35k words)

conquering the great king (so much smut, 105k words)

only for the weekend (fake dating, 34k words)

say my name (one shot, literally this is only smut, 2700 words)

new phone who dis (texting, so funny 57k words,)

waiting in the stars (bodyswap, 116k words)

rich boy, poor boy (107k words)

coffee king (coffee au, 187k words)

arrest me, officer (police au, this fanfic is so good and so funny pls read it, 122k words)

what you came for (police iwa, personally my favorite iwaoi fanfic, 108k words)

trial by fire (lawyers au, so good, 76k words)

mind reader (iwa can read minds, 40k)

lockdown (prison au, everybody is a criminal expect karasuno, 72k words)

press "1" to get a call from your drunk best friend (funny, one shot, drunk iwa)

six month lover (89k, pining, this one is SO good)

it's lonely on Jupiter (122k, iwa is an alien, college)

lacrimae (22k, I'm sorry this is literally only smut, but soooooooo good)

I choose you (soulmate au, 9000 words)

build me a temple (this one is really good, god oikawa, 39k words, its like read a ghibli movie)

to be first, to be best (26k, so good)

the courtship ritual of the Hercules battle (future fic, so good, 66k)

they say it rains diamonds on jupiter (iwa pines, 35k)

UPDATED 9/03/21

the panty dropper (band au, 21k)

antithesis (10k)

tokyo boy (16k)

lucky number 13 (12+1 things, 17k)

kireji (police oikawa, 11k)

I sure hope that the sun got rhythm ('cause he gonna dance when that music hit'm) (dance au, 28k)

never just acting with you (actor oikawa, roadtrip, 45k)

the loyalty of a traitor (yakuza boss oikawa, GREAT FIC, 77k)

shining so bright (9000 words)

fall line (this one is so cute, strangers to lovers, 21k)

silver tongue (office au, SUPER FUNNY, 10k)

I know when you're around ('cause i know the sound of your heart) (coffe shop au, 17k)

new flame (sugar daddy iwa, THIS ONE IS SO GOOD AND SO FLUFFY, 58k, on going)

we’re going home (6000 words)

the best best (domestic fluff, 12k)

all kinds of winners (this is only smut but its so good)

dinner and a movie (fake dating, 11k)

its not love, probably (7000 words)

mint (18k)

as close as you need (8000 words)

piece of cake (baker iwa 15k)

good vibrations (only smut but inmaculate)

tooru’s toil and trouble (soulamate au, 11k)

dear diary, i met a boy (he made my dull heart light up with joy) (pining, 15k)

cotton breathing (sumer lovin, 15k)

all the words of time and space (online friends, 46k)

get ripped, get laid (personal trainer iwa, 13k)

desperado (thieves, heist fic, 82k)

as much as i do (oisuga fake dating, 42k)

have mercy on me (hanahaki, 10k)

yellow white red (camellia/gardenia) (flower shop au, 9000)

UPDATED 17/6/21

one for two (3700 words, smut, sex toys)

good together (1120 words, smut)

kotov syndrome (50k detective au)

ambus (1900 words, smut)

soft wool, agile fingers (knitting au 11k)

i’d marry you in a dumpster (or in your room) (2600 words, love conffesions)

storm warning (10k post-graduation)

no sex for you in a really long time (3600 words, public sex)

of moonlight and covens (20k, ritual sex, sabrina au)

undechiperable (4800 words, love conffesions)

tips on how to get with your crush (7500 words, mutual pining)

phone home (6500 astronaut oikawa)

amicus curiae (43k, lawerys au, SO GOOD!!!)

boy like you (2200 words, strip tease)

till lies do us part (50k mr & mrs smith au)

bet i can (1800 words, smut)

don’t let me go (20k, pining, ftl)

make a wish (7400, iwaizumi’s birthday)

rule number two: just don’t get attached to) (20k, detective au, SO GOOD)

you find me in a hospital bed (11k, hospital au but without angst)

driving me crazy (17k, smut with plot)

baby you might need a seat belt (11k time skip smut)

i’ll never feel whole (19k, roommates)

synaisthesis (14k, violinst oikawa and pianist iwa, this is so good a deserves more, please read)

in the business of love (22k, fake dating)

some fools rush in (7800 words fake dating)

i’ve been missing you for a long time (7300 words, fluff)

a little sweetness (2600 words)

breath in (5800 words, drugs)

hell mision (22k bodyguard iwa)

a coffe shop’s acoustics (23k coffe shop au and musician oikawa)

relationship thing (25, different first meeting)

fuck ups and hook ups (13k, ne night stands, smut with plot)

kissing both (1700, kissing both)

we might be (37k)

places (15k)

inside, this place is warm (6500 words, established relationship)

betrayal (2400, love conffesions)

meant to be (6000 words, college au)

galaxies, within you (21k college au)

kiss me on the mouth and set me free (18k mutual pining)

i’m no poet (4000 words, love conffesions, THIS IS SO SWEET)

the prince of yakuza (8000 yakuza smut)

just friends (6000 words friends with benefits)

misconceptions (5000 words, 5+1 things)

balustrade (10k, neighbors)

made of our longest days (4000 words, love conffesions)

burning heart (7000 words, firefighter iwa)

i want you, i’ll hope you’ll come to me (15k to all the boys au)

walking the dog (11k)

routine (2900 words)

terrarium (11k, THIS IS SO GOOD PLEASE READ)

fake it till you make it (12k youtubers au)

yours for the weekend (14k, actor oikawa)

we shine like diamonds (26k homophobia)

i shure hope that guy gets fired (29k, time-loop)

15 minutes (17k)

lips likes sugar (8000 words, practing kissing)

in this same space (23k, cosplayer oikawa and doujinka iwa)

thirty years and change (19k, future fic)

焦がれて怖くなる [I yearn for you so much that I'm getting scared] (4800 words, hanakotoba)

trouble with texting (12k texting)

salt water (8000 words)

the stars in your eyes (5350 words love confessions)

it takes seven days (26k bakery au)

from your mortal enemy (11k, 5+1 things)

conqueror of hearts (29k royalty au)

stranger danger (14k texting college au)

the bachelor (16k the bachelor au)

my heart is where it’s always been (21k)

rise (12k, college au)

sleeping habits (6000 words)

KAGEHINA

blinding problem (hinata pines, 220k words)

I like the way your clothes smell (canonverse, 75k words)

dial (phone sex, the smut is immaculate, personally one of my favorites, 103k words)

I can do better (canonverse, 45k words)

deadly (this fanfic is so good please you have to read it, laundry au, 42k words)

the job (this is personally my favorite, you MUST read it, 61k words)

the crown and the crow (soulmate au)

happy birthday, idiot (fluff, canonverse, 31k)

love biscuits (fluff, humor, hinata is a vet)

something old and something new (this one is very cute, canonverse, 17k)

UPDATED 09/03/21

open 24 hours (smut, food kink, 11k)

sweet tooth (11k)

perfecting the latte heart (coffe shop au, 31k)

routine (29k, cam boy hinata)

that's it for now, I'll be updating once in a while

#haikyu #iwaoi fanfic #kagehina fanfic #haikyu fanfics #haikyu fanfic recommendation #haikyuu fic recs

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precuredaily · 4 years

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Precure Day 187

Film: Yes! Precure 5 The Movie: Miracle Adventure in the Mirror Kingdom! Date watched: 16 May 2020 Original release date: 10 November 2007 Screenshots: https://imgur.com/a/OLloFxz (500 pics for you to enjoy!) Project info and master list of posts: http://tinyurl.com/PCDabout

these butterflies will kick your ass

This continues our trend of absolutely excellent Precure movies, and stands strong with themes of love, compassion, and bettering yourself. It also introduces Dark Precures for the first time, who will go on to be a recurring idea for a few years. As always it has excellent animation and a moving plot to keep you invested so let’s explore and then I’ll tell you what I thought.

But first, a note! Throughout this review, I will refer to the villain Shadow using the singular "they” pronoun because their gender is never specified in the film. They have a mostly androgynous appearance, with some traditionally masculine features but a distinctly feminine voice provided by veteran seiyuu Park Romi, and they speak using the feminine pronoun “atashi.” Perhaps the animators were designing a gender-neutral character, or perhaps I’m reading too much into it and the character was meant to be an effeminate man. There is a long and complicated history of queer-coding villains in media that I don’t want to get into, so I’m just going to stick with “they”. However, the translation I use in my screenshots opted for he/him, that is out of my control.

The Plot

Before the actual movie begins, there’s a short sketch with Coco, Nuts, and Milk explaining what Miracle Lights are and how and when to use them. (more on that here) When they explain why you shouldn’t throw them, the audience is gifted with this nightmare-inducing image of Coco being cut.

you know, for kids

After they get the do’s, don’ts, whens, and whys out of the way, the movie starts for real.

In the throne room of the Mirror Kingdom, which is an ominous land filled with reflective surfaces, a blue-haired Jojo villain named Shadow bosses around two bears named Migirin and Hidarin and has them conjure up an image of Nozomi. Shadow takes Nozomi’s image and reflects it into one of the five color-coordinated crystals that decorate the throne room. Nozomi’s image quickly turns into a full figure within the crystal, and as Shadow channels power into it, the crystal shatters and a dark version of Cure Dream is born. The camera leaves the castle and shows a desert filled with mirror slabs with sleeping anthropomorphic animals trapped inside of them.

Via a very clever set of establishing shots through a series of mirror reflections, we transition to Natts House where the five girls and Milk are hanging out. Nozomi is bored and looking for something to do, and each of her friends suggests an activity (futsal, watching TV, playing cards, or doing homework) but she rejects them all. Coco pulls out a flier for a place called Princess Land and suggests they go there. All the girls are entranced by the idea and they agree to go.

The opening theme plays over a montage of them traveling, arriving, picking dresses, leaving to change, showing off to Coco and Nuts, and then walking down a path with a huge crowd of people, including some costumed characters of bear princes. And then a mysterious gothic lolita girl appears on a nearby rooftop, looking out at everything...

The girls wander around Princess Land, acting like princesses while being silly with each other, Urara brags about a Pinky that she caught earlier, Nozomi tries to sneak up on Coco but he comments that he can tell when she’s nearby, and occasionally the mysterious girl from the roof walks by and steals glances at them. The girls enter a house of mirrors, and at one point, the mysterious lolita appears behind Nozomi’s reflection in the mirror, along with Migirin and Hidarin.

all of these are perfectly normal events

In the next room, Nozomi and Coco have a heart-to-heart, reiterating their feelings for each other and that they will find each other if they ever get separated. Afterwards, Nuts stays to talk with Coco, cautioning him about making that sort of promise since they’ll have to go back to the Palmier Kingdom soon. While they’re talking, Migirin and Hidarin sneak up from inside the mirror, take control of Coco and Nuts’s reflections, and then pull the real Coco and Nuts into the mirror world. The girls make their way to the exit, followed by Coco and Nuts. Nozomi notices Nuts is smiling, which is uncharacteristic for him.

Next, all the girls partake in a game where they run around a field as boys try to place flower crowns on their heads. Karen and Komachi are already out by the time we see them, Nozomi and Urara don’t last long, but Rin dodges and outruns all the boys, because she is too good for them. She receives a bouquet for her trouble, which she goes to offer to Nuts. However, Nozomi has noticed that Coco and Nuts aren’t acting themselves, and when Coco brushes Rin aside and asks Milk for the Dream Collet (side note: why does she have it? Nuts is its caretaker), Nozomi steps in and exposes the princes as imposters. While this is happening, the mysterious lolita watches from a distance.

The fake Coco and Nuts pull out a pair of Kowaina masks and morph into a large two-headed creature, so the girls all transform into Precure as well. The monster is very blobby and absorbs their attacks. Nozomi fires off a Dream Attack into one of the masks but when the smoke clears, the face recovers. While the girls fight, the lolita girl holds up a mirror that captures their images, and Shadow reflects Rouge, Lemonade, Mint, and Aqua into the remaining four crystals. With her work done, the lolita disappears back to the Mirror Kingdom. The Precures continue to fight, unaware of the malicious plans afoot. Aqua concludes that if they attack both masks at once, they should be able to defeat the Kowaina, so after Dream, Lemonade, and Mint gain the upper hand, Rouge and Aqua swoop in with their special attacks. As the monster disappears, what’s left are.... Migirin and Hidarin! They try to flee but Rouge captures them and takes them back to Natts House. There, the girls interrogate them about the location of the real Coco and Nuts. They’re reluctant to talk until Milk slaps the shit out of them.

They explain how Shadow took over the Mirror Kingdom, imprisoning all the residents and stealing the kingdom’s crystals, the source of its energy. Shadow then promised to return everything if Migirin and Hidarin were able to get the Dream Collet. Coco and Nuts are being held captive in the Mirror Kingdom, and there are specific conditions to get there that involve the Miracle Lights which Migirin and Hidarin have. So the girls get ready, and at 2 AM they depart. But they barely have time to take in the sight of the desolate kingdom before Shadow appears in the flesh, claiming that they can get whatever they desire with the Dream Collet! The girls transform into Precure, but Shadow smugly says the Precures won’t be fighting them, and then they teleport the red, yellow, green, and blue crystals behind themself. The mysterious lolita girl also appears behind Shadow, and Nozomi is shocked at this girl who looks so much like her. The lolita is encompassed in flame as she transforms, revealing herself as Dark Dream.

At the same time, the other four crystals burst and Dark Rouge, Dark Lemonade, Dark Mint, and Dark Aqua emerge.

Color-coded mirrors appear behind the heroine Precures as their dark counterparts quickly lunge at them and pull each of them into a mirror, where they each arrive in a new dimension. The Dark Precures speak to their originals about their twisted ideals, which all share the common theme that the Dark Cures believe friends are worthless and the clones are better because they don’t have that reliance on others. Each girl engages in battle with her doppelganger and the Dark Cures waste no time demonstrating their superiority.

Milk, Migirin, and Hidarin can do nothing but watch the mirrors. Shadow, however, isn’t interested in waiting to see the outcome of the fights, so they forcefully take the Dream Collet from Milk and teleport back to the castle. There, Coco and Nuts are shown trapped in mirrors, and Shadow taunts them before explaining that they came to the Mirror Kingdom so they could quickly collect all 55 Pinkies. They hold the Dream Collet up and the mirrors scattered around the room change to show all the Pinkies scattered around the world (very convenient that they’re all by reflective surfaces). They get sucked into the mirror, into the Mirror Kingdom, and then into the Dream Collet! Coco is sad because he’s helpless to stop this and thinks he may never see Nozomi’s smile again.

The Dark Precure fights resume, and they’re getting brutal, but the tide is starting to turn in favor of our heroines. Dark Dream says she’s an exact copy of Nozomi, but without her weaknesses. However, Nozomi turns it around and says Dark Dream is a clone of a past version of her, she continues to improve herself and she’s stronger than she was yesterday, an hour ago, a minute or even a second ago. It’s a damn good line.

The other girls also question the motivations of their counterparts and explain that having friends is what motivates them and makes them strong. We cut back to Milk and the bears. Milk wants to follow Shadow to save Coco and Nuts and recover the Dream Collet, but Migirin and Hidarin are too scared to go with her, feeling too weak and pointing out even Precure couldn’t do it. Milk scolds them for not wanting to save their own kingdom and sets off on her own. She makes it to Shadow’s castle, and Migirin and Hidarin show up after all to help her.

Nozomi and Dark Dream continue to fight, and Dark Dream’s confidence gives way to anger, confusion, and grief that she doesn’t have anyone she cares about like Nozomi does. Rin, Urara, Komachi, and Karen all manage to defeat their dark counterparts with the strength brought on by their friendship and confidence, recovering the crystals used to create them in the process. Dark Dream attacks Nozomi out of desperation but her heart isn’t in it, and Nozomi effortlessly swats the attack away. Dark Dream falls to her knees, crying about not understanding human feelings like love and friendship, and instead of fighting her, Nozomi offers her a hand and says she can learn, that Nozomi can teach her, and then invites her to return to fight Shadow with them. In the desert, all five mirrors break and the girls emerge from them. Rouge, Lemonade, Mint, and Aqua are surprised to see Dark Dream come out with Dream, and Dark Dream is clearly uncomfortable, but Nozomi says she’s a friend and that’s the end of that. The six girls run off to Shadow’s castle, and arrive just in time to save the mascots from a destructive attack by Shadow. However, Shadow boasts that it’s too late because they’ve already collected all the Pinkies, and they make their wish to become the ruler of the world. Power courses into the Dream Collet, the cures brace themselves, and then.... nothing happens.

Lemonade remembers the Pinky that she caught earlier which is still in her Pinky Catch, so Shadow can’t have all 55 of them and therefore their wish didn’t come true. Undeterred, Shadow lashes out at the team, lunging straight at Dark Dream and brutally punching her in the stomach, but quickly separates the other girls, and paralyzes Dream. Shadow moves to destroy Dream but Dark Dream moves in front of her and takes the blow instead, cracking the jewel in her chest. Nozomi is freed from the restraint and holds her copy in her arms, begging to know why she saved her. Dark Dream responds that it’s because she likes Nozomi, and after all, she’s just a copy. Nozomi says she’s not a copy, she’s her friend, but it’s too late, and Dark Dream starts to glow and fade away, leaving behind only her crystal. Shadow remarks that Dark Dream was a traitor who had it coming, but Nozomi will not take this slander against one of her friends, and through her tears she fights Shadow, delivering a good kick to their stomach before performing Crystal Shoot, seemingly defeating the villain.

Dream turns to Migirin and Hidarin and asks them to use the Miracle Lights to free Coco and Nuts, which they do. She embraces Coco and reminds him that she said she’d find him, no matter where or how. Their reunion is short lived, though, as Shadow stands up, cursing the Precures, and transforms into their true form: giant, buffer, and now with long red hair for some reason. They attack the Precures, and then launch a huge energy ball, but Migirin and Hidarin step in to block it with the Miracle Lights, proclaiming that they’re no longer afraid of Shadow. Then they turn their miracle lights on the Precure, wishing to grant them the strength to defeat Shadow. Migirin and HIdarin aren’t strong enough, so they ask for help. Coco, Nuts, and Milk help to! So does the audience! You! Yes you reading this right now, wave your miracle light and give the Precure power!

Well everyone’s wishes come together to grant the Precure new power, and they metamorphose into Super Precure. (I’m serious, they literally cocoon up and then emerge with new outfits and sprout butterfly wings.) Then they perform Precure Five Explosion, against Shadow’s protests of overwhelming power. They explain it isn’t just their power, but the power everyone gave them, the power of everyone’s hearts and courage becoming one! Shadow is no match for the combined strength of everybody, and disintegrates.

Afterwards, the cures use their butterfly wings to carry the five crystals back to their pedestal mounts in the throne room. The pink crystal notably has a large fracture in it, a lasting reminder of Dark Dream’s short and tragic existence. With all the crystals restored, the Kingdom of Mirrors returns to its natural beautiful state, a land of greenery and crystals poking up from the ground, and the inhabitants are freed from their prisons. Urara, Komachi, and Karen comment on how beautiful it is. Inside the throne room, Nozomi stares wistfully at the pink crystal, recalling her short-lived friendship with Dark Dream. Rin and Urara call her to go to the celebration party, and as she runs out of the room, the camera does a slow zoom in on the cracked crystal while the ending theme begins to play.

The ending itself is Ganbalance de Dance again, but the girls are in their princess gowns, while the fairies are wearing their corresponding garb, and Migirin and Hidarin make a few appearances.

vimeo

The Analysis

The three movies from the “Futari wa” shows in 2005-2006 were all about the girls overcoming internal conflict to become better friends with each other, and each of them did it in a somewhat different way. You could certainly explore that dynamic with a larger team, and in fact the show did just that in episodes 23-24, but instead this movie derives its conflict from the girls’ own personalities. They’re not fighting each other, they’re fighting themselves, and recognizing their supposed weaknesses as strengths. In this way, they achieve growth. It’s a great character exploration and shows what teamwork means in a larger group setting. Additionally, the story is well-paced and flows naturally from one event to the next without ever lagging, but it also gives you some necessary breathing room in between dramatic moments. As we’ve come to expect, the animation is generally much better than the television series, and the fights look phenomenal. The aspects I find less enjoyable are mostly to do with the fairies and the merchandising, and a bit of a rushed finale.

The major themes of this movie are friendship, trust, redemption, and growth. Friendship is the most obvious one, because it’s at the core of this entire franchise. The bond that each member of the team has with the others is their greatest strength and what allows them to push past their own limits. It’s what clues Nozomi in that Coco and Nuts are missing. It’s what the Dark Precures are missing which leads to their defeat, and it’s also what allows Nozomi to befriend Dark Dream rather than defeating her. We are shown time and again that having people to support you is the most wonderful thing imaginable. Trust is perhaps both the most broad and the most limited theme in this film. It’s closely connected to friendship and you can see it overlap with that a lot. Because of their friendship, each girl trusts that the others are winning their battles against their counterparts as well. However, a small place where it heavily applies that’s easy to overlook is during Nozomi and Coco’s moment alone in the hall of mirrors. They promise they’ll always find each other no matter what they look like or where they go. True to her word, as soon as Nozomi realizes Coco has been replaced with an imposter, her only goal is finding the real deal, and Coco has unwavering trust in her to do it. It’s a powerful moment that gets lost in the commotion of the movie, but I love it.

The Dark Precures are easily the most famous aspect of this film, with good reason. The idea of an evil twin is an ancient storytelling technique, and it remains very effective, because it can simplify character design by allowing you to base your evil character on an existing protagonist while letting you deviate in small or large ways from their design as needed. It's also be a convenient way to explore and develop a character’s personality by having them face off against someone of a similar, but twisted, ideology. A case could be made that the Kiryuus in Splash Star were a form of villain counterpart Precures without being explicit copies of the heroines, but these are the first to be directly and transparently copies of the heroines, and of the three full dark teams as of this writing (Yes 5, Heartcatch, and Smile) they’re the best fleshed out. Each of them represents a quirk of their doppelganger, but turned selfish.

Dark Dream is devoid of aspirations and joy

Dark Rouge believes friends prevent you from being your true self

Dark Lemonade feels that trying to entertain others is a waste of effort.

Dark Mint believes the best defense is a good offense, and protection is a weak ability

Dark Aqua thinks that friends keep you from growing stronger

They gloat about being better because they don’t have the dependency on friends, but most of them go down precisely because the heroines feel empowered by being in a team, even when fighting alone. Each of the heroines recognizes that their strength comes from having friends to protect and fight alongside, that friends help you grow and improve yourself. The hubris of the Dark Cures is ultimately their undoing and it ties back into the film’s central themes of friendship. This is explored clearly across all five fights by careful editing, which involves giving each battle a little bit of time in focus before changing perspectives. We hear short exchanges between the original and dark cures, and sometimes conversations are continued between battles, as their debates are very similar. Ultimately, the Cures’ confidence in their friends is what allows them to succeed over their counterparts, as just having faith is enough of a motivator and a power boost to keep them going, and each fight concludes with the girls accepting and explaining how the flaw the Dark Cures see in them is actually their greatest strength. It’s beautiful. I was particularly moved by Komachi and Karen’s statements to their doppelgangers. Komachi said “I wanted to protect you, too,” as Dark Mint disappeared in her arms, which is a powerful rebuttal to an opponent who criticized her for only protecting herself, and you could feel Komachi’s regret. Meanwhile, Karen told Dark Aqua that her dark version reminded her of herself before she made friends, and therefore she wants to surpass that version of herself, which speaks to Karen’s growth both on and off the screen.

Nozomi and Dark Dream’s battle, however, is on a different level from the others. Dark Dream was actually a reflection of Nozomi herself rather than Cure Dream, she was around for longer than the others and got to see Nozomi just hanging out with her friends being happy, so she has the most fleshed out personality and perspective while the rest of the Dark Precures were created and immediately thrown into battle. Consequently, Dark Dream starts out cynical about Nozomi’s friendships, but when Nozomi begins to show how her friends help her grow and improve herself constantly, Dark Dream begins to falter. Her confidence turns to anguish as she bemoans her lack of understanding about friendship, happiness, laughter, sadness, sorrow, or any other emotions. She was created to fight and that’s all she knows how to do. But instead of destroying her, Nozomi offers to help her learn these things, and this act of kindness shakes Dark Dream to her core. Her reason to exist has been stripped away, but Nozomi has given her a chance to be more than just a clone made for destruction. More amazingly, the other Precures accept her as well. As soon as Nozomi declares her a friend, they all accept her as one of their rank and proceed to fight Shadow. For the first time in her life, she’s not just needed, she’s wanted, and this shows off the depths of Nozomi’s compassion and her power to unite people. Unfortunately, just when Dark Dream has found someplace she belongs and people who care about her, she makes the ultimate sacrifice to save Nozomi, and that breaks my heart. Her story mirrors that of Kiriya, someone else who was created for evil, but through the compassion and kindness of the heroines, tried to forge a different path, only to die before he could truly make a new life for himself. It’s the same kind of tragedy, that of unfulfilled potential, and it’s a mature plot direction for this series. It hurts but I applaud the writers for it. I also love that Nozomi doesn’t forget this at the end. Nozomi made a new friend, that friend died so she could survive, and the ending where she stares at the pink crystal with only the bottom of her face visible really gets to me. I’m not sure if it’s symbolic that she’s lost a part of herself or if it’s because eyes are major sources of expression and hiding them enforces that she’s not her usual happy self, but it’s excellent framing and it contrasts well with the happy face she puts on when Rin and Urara summon her for the party.

Additionally, this scene of Dark Dream’s desperate attack is beautiful, primarily in how the audio cuts out from the moment she throws it until it hits the ferris wheel. It’s an excellent use of silence.

vimeo

Beyond having ideals that clash with those of the Precure 5, the Dark Precure also have their own spin on special attacks. The butterfly motifs are gone entirely, Dark Dream simply lobs a ball of energy around, Dark Rouge shoots fireballs and can use a phoenix attack, Dark Lemonade creates blades by kicking her feet and can decimate with her singing, Dark Mint launches orbs that can pierce barriers, and Dark Aqua uses an energy staff, and later a sword. In some respects they resemble the Cures’ attacks and in others they’re completely opposite. It’s a clever and imaginative use of each girl’s powers.

The combat sequences are some of the best I’ve seen in any movie so far, with the characters alternating between rapid-fire punching and kicking and their energy attacks. Each battle takes place in a unique environment, which lets the perspective switch rapidly between fights without confusing the audience, and the director keeps an excellent balance between them, only staying a few minutes at each before changing perspective. Dream fights in a carnival, primarily by a ferris wheel (which could be the one seen at the Princess Land), Rouge fights in space on a bunch of floating orbs, Lemonade and Mint both fight in cities surrounded by buildings and parks, and Aqua fights in a flowery meadow.

The other villain of the movie, Shadow, offers very little to discuss. They’re a power-hungry tyrant with no motivation other than to rule over everything. They’re super over-the-top in their mannerisms, very sadistic, mocking, and uncaring about anybody else. They view the Dark Precures as nothing but tools and they feel no remorse for their defeat. We know nothing about their history or what led them to become this way, and since most of the movie is them pushing other people around or letting the Dark Cures fight on their behalf, we don’t get the chance to explore their motivations deeper than the surface level. Shadow is a decent fighter, at least, when they go toe-to-toe with the Precure they demonstrate immense speed and of course their glyphs are able to both restrain opponents and teleport small objects. It’s good to have a five-on-one fight against a human-sized opponent after spending half the movie in solo fights, it shows how strong Shadow is, but ultimately of course the Precure overpower them, driven on by the death of Dark Dream. I enjoy seeing them gloat and ham it up but they’re less compelling than their predecessors Sirloin, Freezen and Frozen, and maybe even the Dark Witch. This of course is due to Shadow’s lesser screentime, since the Dark Precures are the main attraction of this film, but I still wish they’d gotten a little more time in the limelight.

The other new characters of this film are the denizens of the Mirror Kingdom, Migirin and Hidarin. They are annoying and I do not like them. I take pleasure in seeing Milk slap the shit out of them.

They are voiced by a comedy duo called “The Touch” who are real-life twins named Takuya and Kazuya. Their line delivery is very bland and, frankly, they’re boring characters. Their main gimmicks are speaking in sync or finishing each other’s sentences, and their only character trait is cowardice that they have to learn to overcome. Beyond that they’re only in the movie to have an in-universe explanation for the Miracle Lights.

Let’s address the elephant in the room here. This is the very first Precure movie to have Miracle Lights. Almost every movie after this will also include a new Miracle Light, so get used to them. I wrote a long explanation on PCD Status that you can read, but the short version is that kids in the audience receive a real Miracle Light with their ticket purchase, and at key points in the movie they’re supposed to light it up and wave it in the air, giving the Precure power in a simple form of audience participation. In this film they mask the fourth wall breaks pretty well by having Nozomi turn towards the fairies when she asks for help, even if she’s facing the camera. It’s just enough plausible deniability to not break the immersion.

The plot of the film is really good until about the last fifth, and then as I alluded to earlier it gets rushed and kind of muddy. The entire prologue and the sequence at the Princess Land is the kind of wonderful fun, comedy, and antics I’ve grown to expect from this show. It highlights all their characters wonderfully and you get some small, tender moments as well. Karen and Milk’s close friendship is on full display, Komachi pushes Nuts away from a mirror that makes the viewer look fat because she doesn’t want to see him that way, and of course there’s Nozomi and Coco’s comments about detecting and finding each other. My two personal favorite shots are the bit with Urara, Komachi, Karen, and Milk performing a hime laugh because it’s just so wonderfully absurd.

youtube

And then my other is personal bias, but during the princess crowning, Rin manages to outrun all the boys. If you’ve been in the fandom you may have heard the joke “Nobody loves Rin,” which relates to the other four girls each having an official or widely accepted shipping partner (Nozomi and Coco, Urara and Syrup, Komachi and Nuts, Karen and Kurumi). Well my rebuttal to this, based on this scene, is that Rin has no partner because there’s nobody good enough for her yet. We stan best girl!

The interrogation at Natts House is good, and of course when they arrive in the Mirror Kingdom they’re almost immediately confronted with Shadow and the Dark Cures, who I gushed about above. The part where I believe the film starts to crack just a bit and the pacing hurts is after the defeat of Dark Dream. Shadow goes down really quickly, and then once the team turns into Super Precure, they almost immediately perform Five Explosion. From the time the six girls confront Shadow in the castle to Shadow’s defeat is about 10 minutes of a 70 minute movie, and 5 minutes in the middle of that is Miracle Light shenanigans and Shadow transforming. Most of the rest of the fight is the Five Explosion stock sequence, and whereas normally the Cures would deliver some epic speech before they land the final blow, this time their righteous lecture is rather short, saying that the power is everyone’s power. It’s effective but it feels truncated.

I found the soundtrack to this movie to be.... largely uninspiring. It wasn’t bad or anything, but it just seems to be remixed or rerecorded tracks from the show’s BGM., but listening to the OST there was only one track that really hit that sweet spot in my brain. It’s “Surpassing my Past Self”, track 18, and I like how everything in it builds up. You’ve got strings for the melody backed by rhythm guitar, joined later by brass, and then the guitar starts to take a more active role in the tune as it ramps up in intensity. This is the song that plays when Nozomi is winning against Dark Dream and starting to persuade her, when she makes her epic speech about being stronger than she was before. This song sticks out to me in a way that nothing else does.

Visually the movie is gorgeous, with some occasional hiccups into TV quality, but of course the movie budget overall means they get to do more than they can with a weekly TV show. Check out the opening sequence and all the little details in it!

vimeo

I especially love this bit from just before the title card where the girls’ portraits flip around to show the dark cures.

you can find a higher resolution version of this gif in the gallery

Curiously, there are still some animation shortcuts taken, like during this shot where the camera zooms in on the double doors and you can clearly see the transition between the low-detail wide shot and the high-detail close-up. I know why they did it but I wish it was smoother.

Something I find really clever is that when Shadow first creates Dark Dream in the pink crystal, the silhouette that is generated is just Nozomi in her school uniform, she doesn’t take on her new appearance until she’s fully formed.

The designs of the Dark 5 are really good and I could probably gush about them for another week, but in a nutshell they manage to effectively invert the aesthetics of the Precures, replacing cream with black, and their outfits are different from each other’s in a lot of the same ways that the main team are. Dark Dream has a two-piece outfit, Dark Lemonade’s skirt is a bit different, Dark Mint and Aqua have a band of color around their waist that the others lack, things of that nature. They’re distinct from their counterparts and from each other, which is more than can be said about their dark successors.

Dark Dream, in her civilian guise, is also an incredible design. Gothic lolita is a great look and I think it’d be cool if the franchise would utilize it a little more often.

The lace-front maroon dress with a flower petal skirt is very nice, and the black petticoat accentuates it. The headdress with roses compliments the purple bow and also reflects Nozomi’s small pigtails, and her purple lipstick and eyeshadow bring it all together. It’s almost a shame she loses the makeup when she transforms.

The Super Precure designs are nice. Not as elaborate as the Phoenix Forms from the second Max Heart film, but I appreciate the subtle redesigns.

Obviously the butterfly wings are the most prominent element, but their sleeves are longer and frillier than on their normal outfits, which means the stock sequence for Five Explosion had to be largely reanimated..... and this means the coloring error with the Lemonade Castanet is fixed!

And my last art/animation comment is to point out that there sure are a lot of stomach attacks in this film!

Some other bookkeeping: the Dark Precures are voiced by different actresses than those who play the protagonists, and this is the only time that happens, because future Dark Cures will share an actor with their counterpart. Some of them have had supporting voice parts in previous Precure seasons, and all five of them will have roles in future seasons, though again some are small parts. The most notable ones are Nishimura Chinami as Dark Dream, she would later play Aoki Reika/Cure Beauty in Smile Precure (and therefore Bad End Beauty as well); and Kugimiya Rie as Dark Lemonade, who later portrays Madoka Aguri/Cure Ace in Dokidoki Precure. The others are: Minaguchi Yuko as Dark Mint, who plays Flora in Precure 5 GoGo; Kiuchi Reiko as Dark Aqua, who previously played Kiriya in Futari wa Precure, and Nagasawa Miki as Dark Rouge, both of whom will play characters-of-the-week in Heartcatch Precure.

By the way, according to the Precure Wiki, there was a scene after the credits in the theatrical version that showed the Dark Precures being revived, however I cannot find any legitimate citation for this, and it’s also not mentioned in the Japanese wikipedia article for the film, so I’m considering that claim false unless more reliable information surfaces.

Overall this movie is excellent and once again it raises the bar for what you can achieve in a Precure movie. It features fun hijinks and high-stakes emotional drama! It tackles the doppelganger idea better than any subsequent series due to the possibilities of film and the artwork is great. If you haven’t seen it, go check it out!

Next time, in Precure Daily, we return to the main plot as Despariah appears before the girls! Look forward to it!

Pink Precure Catchphrase Count: 1 kettei!

#Precure #Pretty Cure #Yes! Precure 5 #YPC5 movie #PCD187

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imnotcameraready · 5 years

Text

chivalry is dead (20)

A/N: BIG YEEHAW HOURS TODAY Y’ALL ITS BALL TIME!!!!!!! AND WE CAN’T HAVE A BALL WITHOUT A PRINCE *stars bawling*

costumes will come in another post bc i. got really excited and then drew them all like, last month (most of them, some were finished last night y e e et)

WARNINGS: remus mention, heist details, wound descriptions, sword mention, scar descriptions, threats of violence, thoughts of dying — alright, im pretty sure that's it, but this chapter has thicc details so if i missed anything pls pls pls lmk

Words: 4550

AO3 link!

MASTERPOST! <– look here!! for the longterm warnings!! including sympathetic Deceit and cursing/swearing!

enjoy !!! <3 <3 <3 ,3 <3

Deceit really was right, Patton thought while he looked around at the town. His arm was linked around Logan’s as they walked down one of the town’s side streets, from Dr. Picani’s office, and he was taking the time to admire how intricate all of the architecture had gotten. It was intricate and worn and every building seemed unique now, something that he hadn’t realized was missing during their first pass through.

There were arch ways, bridges between doors on the third floors of buildings. There were seemingly hand-woven canvases shielding some of the streets from the sun and, if Patton squinted hard enough, he could see actual detailed stitching and some stains of age. They passed buildings that had scratches and chisel marks, and Patton could clearly see that it was made from stone bricks that had been painted over. Twice, actually. Once with a very old and faded blue, then with a lighter cream that still let the blue show through in spots where the paint was gone.

He wondered a little what had caused those spots. Was it because you weren’t supposed to layer house paint? The spots were different sizes — how many memories were made here?

Patton stumbled, tripping over his thoughts and heels, and leaned more into Logan’s side.

Logan tugged at his arm. “Don’t ponder too hard, Patton,” his voice was soft, hushed to not draw attention.

They’d figured that the best thing to do was to not think about the world around them. Thinking too much about the world and specifically the things that they would affect about it made their focus wander onto fixing those things. Logan would get a headache, Patton would space out, and Deceit would….well, okay, Deceit hadn’t disclosed how and if he’d been affected. But Patton noticed he’d been sweating like a sinner in church, and how his fist would clench every so often, so it was clear that something was happening with Deceit. He didn’t want to force him to talk; honesty wasn’t Deceit’s strong suit.

The four Romans had agreed that that was the smartest decision; none of them nor all of them together were able to limit the Imagination enough. The Playwright had argued that, had Dragon and Damsel known that it was hurting the other Sides, then they would probably all have a unified thought enough to close up the unused worlds. But that would require discussing the entire matter with them, which, as the Thief pointed out, is “pretty fucking useless where they are now.”

So the focus thing was their current strategy. Patton grinned at Logan. “Thanks for the reminder, Octo-cutie-pie,” he smiled wider as Logan blushed.

“I–I’m–Octopi is the plural for octopus and there is only one of me,” Logan bit his lip, then patted Patton’s hand gently, “Thank you.”

Patton giggled, snuggling against Logan’s side briefly as they kept walking. They hadn’t actually talked about the whole love thing, hadn’t really established boundaries, but that seemed like a problem for tomorrow.

Right now, they were all going across town, invitations in hand, to the ball. And, at the very specific right now, Patton was admiring the Playwright and the Artist’s handiwork. They’d worked together to make everyone’s outfits and he’d be a liar if he said they weren’t handsome and beautiful.

Patton himself was themed after a cat — a grey cat, but a cat nonetheless! His dress had a long train for a tail, made of shimmering silver tulle, the same as his poofy sleeves. The skirt went from his waist to the ground, with a built in flair in his corset at the waist. Like, all of it was sparkling, all three tiers of his skirt, which went from grey to black with an inner layer gradient of blue to grey. His favorite part were his gloves, though. Silver for the most part, but with soft circles on his palms and the tips of all his fingers. His own lil’ toe beans!

Logan’s outfit was one of Patton’s favorites. His was themed after an octopus (“Known for their intelligence,” the Playwright had explained, face bright red as he tied Logan’s necktie into an Eldritch knot) with a dark blue blazer and slacks. He wore a vest that shimmered royal blue, with a white button down underneath. There was a piece of coral in his lapel where a flower would usually go, and his coat tails seemed to spiral in shapes that resembled an octopus’ arms. There were even rhinestone bubble decals on his shoulders, or suckers, if you wanted to interpret it that way. The Artist and the Playwright had a small argument about that.

He was dashing, in summation. Patton leaned his head against Logan’s shoulder. “Who knew the town was so big!” he said.

“That’s actually on purpose,” the Playwright said from behind them, “It’s actually not so big as the castle is small, using the same foreshortening techniques used at the Disney theme parks to make Cinderella’s castle, or Sleeping Beauty’s castle depending on which park you’re at—”

“I think he means how far Picani’s office is from the castle, God Mod,” the Thief responded.

The Thief and Deceit were walking in front, swords drawn on the chance that they ran into any guards, and so that the Thief could critique Deceit’s sword fighting skills. Surprisingly, he’d taken to the weapon, something about it being good to have at his disposal while dealing with the Others. The Thief offered to make him one once this escapade was over.

Or maybe it was an excuse for the Thief to keep touching Deceit’s hand. Because that was happening every so often. A lot more often than would be considered normal.

It wasn’t like Deceit was complaining about the touching. It was more the other way around. The yearning for physical contact was frustrating, but neither of them were going to admit that they wanted to hold hands. Even though they’d confessed to at least caring about each other.

“Oh,” the Playwright hummed.

“Cheer up, butter cup, I love hearin’ bout the forced perspective! The Disney parks are so~o~o fun,” the Bard sang out. “When’s the next time we get to go to California? Are we making a trip down to Anaheim? Can we PLEASE take a trip down to Anaheim!”

One of his arms was looped around the Playwright’s, while the other was looped around the Artist’s. They had settled on outfits that complemented each other’s, pulling from the same red and black color palette.

The Artist was the only of the trio in a suit, though his outfit could be considered the loudest. Buttoned down the middle with a high collar, half of his shirt was a solid black, while the other half was a diamond checkered pattern. All of the accents were gold, and his pants were half solid red and half checkered as well. Tonight, the Artist would be a jester.

An improvement on his self-esteem, the Bard had thought. The Artist had said so, too, saying he’d be dressing like a joke. It...was nice to hear.

The Playwright had also gone with a more light-hearted outfit, pun completely intended. He was dressed as the queen of hearts, with an A-line skirt that skimmed the ground and was almost entirely a replica of the skirt worn by the Queen of Hearts in Disney’s Alice in Wonderland animated movie. His corset had a low scoop neckline with a long heart that stretched down from the neckline to the bottom of the waist. His sleeves were poofy, black with red stripes between.

It was a deck of cards theme between the three of them. Honestly, they took a bit of solace in their three Musketeers situation. The Bard was dressed like a harlequin in a ball-dancing dress. His entire dress was checkered, a stiff corset traded for a looser fit bodice that was sinched at the waist by a thick black belt with a heart clip. Bits of tulle were attached to his wrists, ideal for dancing in, which was perfect for the plan. He and the Playwright had matching heart chokers, too.

As he’d said earlier, “We cute.”

Neither the Artist nor the Playwright had argued, and they had yet to pull away from him holding their arms. Maybe they didn’t hate him.

They didn’t! They were moving beyond all that!

Because they had to get the Child back, and Virgil back, and save the Damsel and they had a plan. Actually, they should run through the plan again, because the Bard had already forgotten most of it.

“Thief?” he called ahead.

“Mhm?”

“Can we run through the, uh,” they had a code word for it, shoot, what was it? Oh! Oh, right, “The waltz again?”

“Great Mona Lisa, Bard, how the fuck did you forget how to waltz?” the Artist groaned. “We’re going to a ball.”

“No, no, no, THE waltz,” the Bard nudged the Artist’s side with his elbow.

The Artist shot him a small confused glare, but realization struck his face quick after. “Oh. Oh, that waltz. Yeah, uh,” he turned to the Playwright, who also seemed confused, then to the front again, “Before we get in, we should go over the waltz again.”

The Thief and Deceit both stopped as well, fingers brushing once again. The Bard saw the motion and chuckled to himself. Sweet Chopin, they needed to just hold hands already. He could envision the love birds flying around their heads.

He felt a smidge bad, though. After all, he was the lucky Roman who got to kiss Patton.

Logan and Patton both turned back to them. Patton let go of Logan, then looked around. They weren’t quite at the castle yet; a side alley, wide enough for all of them to stand in and with ample trees, barrels, and an open door beside it would provide good cover.

“Let’s go over there,” Patton grabbed Logan’s arm again and led them all into the alley.

They grouped up into a small but tight circle, the Thief pulling them together. He was in a suit, and an ironic one at that. Originally his costume was intended for Deceit, but he suggested switching them, so that the Dragon would think he were Deceit while being less suspicious. He was themed after a snake, though the theming was less noticeable than the color palette; there were yellow sequins arranged in scale patterns across his black blazer’s forearms, and his vest was black as well, undershirt yellow, and bowtie black. It looked a little like a snazzed-up version of Deceit’s lawyer suit and, though he’d tell no one, the Thief loved the look.

Deceit had said it looked nice on him, too. The bowtie, specifically, but also the entire outfit, and also the Thief simply looked good — yeah, they were both kind of messes. Gone was the ability to seamlessly flirt, apparently.

Still, it was nice to see Deceit in something other than yellow for a change, too. He was dressed as a peacock, with no blazer but a side-cape that shimmered iridescent purple and green. Part of it had blue and green rhinestones inching up the shoulder, and his vest beneath was teal, while his undershirt was mint green. There were bands on his upper arms, keeping his shirt bunched back, that were dark blue. Even his ascot was an iridescent purple and blue.

They leaned against each other in the huddle. Brown eyes trailed all around the group, meeting similar expressions of steely determination.

They could do this.

“Alright,” the Thief started, “For the first hour, we’re gonna scope out the room and surrounding rooms. Meet wherever the snacks are in pairs, alternating pairs, and spread details. Patton and I will go twice.”

“Because you and I are gonna peel off after the first hour to go get Virgil and the Child,” Patton said, meeting the Thief’s eyes.

The Thief nodded. He looked around at everyone — Deceit and the Bard had both been fairly defensive about that choice, but he argued that they needed people who were good at causing distractions on the floor. Patton would be the best at comforting both Virgil and the Child, and the Thief was the only one who had any inkling of what the inside of the castle looked like.

He continued. “Right. We’re gonna try to get out and—”

“Say, what d’ya think that’d make us?” Patton asked, a tiny grin on his face.

“Oh, no,” Logan groaned, “Not—”

“Cat burglars!” Patton exclaimed with a giggle.

The Bard immediately broke out into a fit of giggles, leaning into Deceit a little as he did so. Deceit just rolled his eyes and patted the Bard’s back, letting him cling to his side.

The Artist stifled some chuckles of his own, and the Playwright grinned. Oh. Oh, no, not the idea grin.

“I think Dragon will be hard pressed to find flaws in our purr-fect plan,” he said, eyes shining as Patton laughed as well. “We’re just gonna have to distract him with our adorable kitty-Pat.”

Logan groaned again, in good humor this time. “I thought you were supposed to be on my side, Playwright,” he grumbled.

The Playwright immediately sobered up, mouth pressing into a line. “Ah, Logan, darling, I’m sorry, I didn’t—”

“Hey, but,” the Bard raised a finger at the Playwright, smile wide and mischievous, “If he catches wind of anything, you, Artist, and I can pull a wild card and deck him.”

That got the Artist and Patton to both laugh aloud, and even Logan smiled a tiny bit at the Playwright, if only to reassure him that his frustration was not directed at him.

The Thief seemed actually annoyed, though. He snapped his fingers in the center of the circle. “C’mon, focus here. Patton and I are going to get Virgil and the Child, then we’re going to come back up to the ball room at the second hour. At that point, Deceit—”

“I’ll be dancing with Dragon and, once you’re back, I’ll be distracting him enough for you to get out,” Deceit waved his hand, also slightly exasperated. He wanted Virgil back immediately and, as the time to pull off their hest approached, he grew more nervous.

“Right. Then, Playwright will take you backstage once everyone else has filed out,” the Playwright nodded to the Thief regarding his involvement, and the Thief looked around the group once more, “All of that sound good? Everyone else, be on the look out for Damsel. We don’t know where he’s gonna be. If he’s out on the ball floor, Logan, you—”

“I will approach him and explain that we are here to get him out,” Logan grimaced, “If he is not on the ball floor….”

“Then I’ll be on standby to head into the dungeons,” the Artist said, smile deflated, brow furrowed in thought.

“Good,” the Thief patted his shoulder, gripping reassuringly, “And if Remus is there, then Bard is going into the dungeons with Patton and I’m staying in the ball room to kick his ass.”

“This all sounds like a plan, Thief,” the Bard said, smiling at him, “Logan, thoughts?”

Logan huffed, frowning at the ground. He’d rolled the details over in his mind a few times, so he’d already worked out some of the issues, such as the irrationality of the original plan’s “jump out the dungeon’s windows, really, how large are the windows, and how do we know it’s not underground.” For right now, it seemed as though the plan were efficacious, but they couldn’t be certain until it was enacted.

But at that point, it’d be too late to change the plan to any degree of impeccability. They would have to wing it. And Logan wasn’t a fan of that.

But what choice did they have?

“It is as detailed and as faultless as we can arrange for it to be currently,” he said.

The Thief’s mouth twitched into a slight grimace, but he nodded all the same. That was as optimistic as he would be. “Once this is all over, we meet at the tree as fast as we all can get there,” the Thief said, casting one more look around, “If we pull this off right, no one’ll be leaving alone. If your partner gets injured, you carry them to the tree.”

“I don’t think….” the Artist said, frowning a tiny bit as his voice trailed off.

The possibility of injury was very high, actually. Death for the Romans, at least. And they didn’t know if the Dragon had injured Virgil or the Child. To be honest, they didn’t know if the Child was alive. Oh, goodness, what if Dragon had killed him?

“It’s gonna work,” the Bard said, “It’s gonna.”

He squeezed the Artist’s arm and gave him a nod. It was going to be okay. Roman was optimistic by nature, and the Artist did crave that sort of positivity.

“It must,” Deceit affirmed none too positively.

“It will,” Patton said, smiling at them all again before clapping, “And break!”

Everyone stood up on instinct. Then, they all shared slight laughs, small smiles.

The Bard leaned over and hugged Deceit with an arm, reciprocated a little. Patton leaned against the Artist, who didn’t hug back, but also didn’t flinch finally.

They were getting somewhere. It was going to be okay.

It was going to be okay.

….Without Virgil, they all felt as though their optimism was naively placed. But that was why they were going to get him back!

Once he was back, Deceit thought, he was never letting go again. If he was back. No, no, once he was back. He was coming back soon.

“Let’s go,” the Thief pulled his mask out from his coat, a black half-face mask covered in yellow sequins arranged like scales.

Everyone shared looks, nodding to each other as they slid on their own masks. Logan, Patton, the Artist, and the Playwright all had special masks that mimicked their glasses prescriptions so they wouldn’t need contacts, too. With faces obscured, they nodded once more, squeezing arms in reassurance and patting backs and giving smiles, and hurried out of the alley.

The Playwright walked at the front of the group, the only one not paired to any Side. He looked up at the sky. A storm had grown, clouds angry and grey above the castle, which was only a few blocks away now. Perhaps it would thunder during the ball.

He wondered vaguely what had caused the sudden shift in weather. During their week alone, it was all sunny skies.

Was it….

No. No, no part of Roman was that desperate, to have gone to Remus. Right? He’d been telling himself that ever since they’d begun this game, but the darker their future seemed, the more he worried about the Duke’s involvement.

The Thief seemed to think it was very real, enough to have a back-up written into the plan. C’est la vie. Such was life, he thought, the show must go on.

They walked quietly for only a few minutes. The closer they got to the castle, the more Imagination inhabitants they saw walking around them, some in pairs, some in groups, some alone. Everyone was in costume, most intricate. Good. This would be good, for coverage. The Thief had been a little worried that the ball would be sparsely attended, but this was good.

It was going to be okay.

They approached the drawbridge. Patton leaned against the Artist, gripping his arm tighter as the wind picked up. The Thief and Deceit were stoic behind them, and Logan and the Bard were simply quiet, though their hands were interlaced tight. It was going to be okay.

A line had formed on the bridge, in front of one man in a suit, perhaps the medieval equivalent of a bouncer. The group shuffled into the line, looking around at the castle, at the moat (“I think it’s filled with alligators,” the Bard murmured to Logan, who shook his head and was about to respond that that didn’t make sense, until an alligator’s maw jumped up and snatched a low-flying bird) and at the sky.

Angry, angry clouds.

It took an excruciatingly long eleven minutes for the Playwright to finally reach the front of the line, but when he did, he immediately grinned. He had to hand it to the Dragon.

“May I see your invitation?” Zac Efron asked, dressed in a black butler’s outfit.

Bless the Imagination’s castings. The Playwright handed over his invitation, and Zac looked over a list in his other hand before handing back the invitation and checking off a name. “You may enter to the ball room,” he motioned to the door.

The Playwright curtsied and hurried in. Behind him was the Artist and Patton, both of whom gasped a little, becau se holy shit, it’s Zac Efron.

The Dragon was really out here casting Thomas’ celebrity crushes as butlers. It was the first thing that the Artist had wholly agreed with the Dragon on, actually. Once they were Roman, they were going to have to look into that as a possibility.

One by one, each entered, walking down a grand hall with a ceiling so high and so vaulted that there seemed to be a sky inside. But, then again, there probably was. This was the Imagination. It looked somewhat like the Great Hall from the Harry Potter movies, this time shining with stars and constellations.

Logan could identify Aries and Pieces. That was actually accurate for the season and hour, so he gave a mental kudos to Roman for his design, then considered if it were his knowledge that had been used to perfect the stars. Well. That was inconsequential, I guess?

The hall was also lined with suits of armor, and bannisters adorned with Roman’s full crest. Though, Deceit noticed while he walked through, the entire crest was outlined in gold and the castle in the center was colored with grey and brown and black. He thought the Dragon was only supposed to be the outer tower and walls. If the Dragon called all of the shots around here, then why was the center tower also colored?

The walk was long, heels clacking against the stone. They turned with the carpet to the left and entered through a pair of double doors that had to be at least two floors high.

Inside was life. The room was massive, stretching almost the size of a football field. There was a stage near the entrance door where there were musicians (with undetailed faces, Deceit noticed) were playing loud enough to echo across the room. The dance floor seemed to take up about half the room.

Farther away from the entrance were some circle tables, arranged around with some citizens already sitting down. Further back were some long tables, food stacked atop them, and even further….

The throne was elevated so the Dragon could see across the hall to the dance floor. The Thief’s fists clenched immediately upon seeing him wearing the Prince’s attire, white uniform a stark contrast to the black he was typically adorned with. It was a jarring difference.

He was taunting them. By Doc Holliday’s pistol, they were gonna take him down.

Beside his throne was a large Ottoman seat, where there was another figure. The Damsel, most likely, though his face was obscured by a sheer red veil and distance. He was wearing a large dress, which had a triple-tiered skirt that seemed to flare out orange, then red, then black. His corset was decorated with red and orange and yellow rhinestones, and raised behind his head. It almost looked like flames.

Burned. The Damsel’s scars were also entirely visible, scabs on his arms angry and red, clearly not fully healed. They weren’t openly bleeding, but the Playwright could tell that they would start bleeding at some point in the night.

His nose scrunched as he examined the pair. They didn’t seem to notice him, the Damsel leaning against the throne’s side and not moving, the Dragon stroking his chin and looking across the hall absently. He had a sword sheathed beside the throne, too, with its handle sticking up in an easily accessible manner.

He was waiting for them, he realized. Of course he was, this was a trap, you fool. You knew this. You’d planned. It was going to be okay.

The Playwright turned back to the group just as the last pair, Logan and the Bard, entered.

“Okay. I am going to move toward the snack table,” he nodded toward the thrones, “Octopus, would you like to join me?”

Logan let go of the Bard, who curtsied and stepped back, and then offered a hand to the Playwright. “It would be my pleasure,” he said, “How about we acquire a table, Hearts?”

The Playwright nodded, then shot the Thief a look. “Snake,” he said, a promise, a warning, “Let’s waltz.”

“Let’s,” the Thief responded, squeezing Deceit’s arm.

The Bard and Patton had already taken each other onto the dance floor, hoping to not be conspicuously waiting in a group by the door way, and the Artist was meandering around — nope, no, he just asked an Imagination citizen to dance. Blending in well.

Operation save Virgil and the Child was a go.

Virgil could hear the faint music from above. He squinted up, then closed his eyes and exhaled. What’d that matter?

His side was throbbing. It seemed that just wrapping a bandage around a wound did fuck all to stop it from hurting, or bleeding, especially if it was just wrapped once and around the front. Virgil would have to remember that for the next time he got stabbed by an evil Dragon, he thought snidely.

He and the Child had relocated themselves to the bed. Pretending to not be panicking was tiring, but luckily for him, the Child had fallen asleep.

He sniffed quietly, rubbing his eye with the butt of his palm. For the past half an hour, ever sine the Child fell asleep, Virgil had been silently crying. And there was no Damsel to conjure him a glass of water or tell him it’d be okay. Because he knew it wasn’t going to be okay.

Even if he didn’t die in the Imagination, he’d be exiting it alone. And that was fine!

The Child snuggled closer to his chest, tiny arms wrapped around him. Virgil sniffed again and hugged him tight.

If he did nothing else, he’d at least protect this Roman.

He wished he’d at least told Roman how he felt.

Maybe he’d never get the chance.

Gosh, this was really fatalistic, even for him. It wasn’t like he was gonna die in the Imagination.

Virgil shielded his eyes with an arm and, as illogical as it was, wished that he could use that one arm motion to block out the sounds of the ball going on above. Shit, he was gonna die in the Imagination.

….Usually that’d freak him out a bit more. Maybe he’d bled out to the point where he was too tired to be worried. And, maybe it was childish, but he really did want to dance with Roman.

taglists!

chivalry taglist: @starlightvirgil @forrestwyrm @daflangstlairde @marshmallow-the-panda @askthesnake @k9cat @patromlogil @theobsessor1 @ninja-wizard101 @fandomsofrandom

general taglist: @jemthebookworm @okay-finne

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sonoundiocreaturaottusa · 7 years

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Short review of one of the worst movies I’ve ever watched. Ladies and gentleman, poor souls happend here by chance, I have the honor to introduce:

Sleeping Beauty

(I’ll say it in my defence: I only watched it ‘cause Finn Jones was the protagonist).

It all begins with one of the saddest feasts ever shown on screen: the budget is so low they couldn’t even afford a decent tablecloth.

At the princess’s christening there are 10 people, being generous and counting the servants; after a couple minutes during which we can witness how poor the production is, the three fairies appear. Not even the time to bestow a gift (a tablecloth would be very much welcomed) and the EVIL appears.

A very blonde and very procacious evil witch (her name? Who knows. I was there for Finn Jones) casts the usual spell on the baby (Dawn, because Aurora was too sofistacated. Or probably they didn’t have the money for the copyright). A very lame magic battle follows:

Pro tip: the castle court has a very nice view over a graveyard.

Boom. 15 years later. The king hasn’t aged a day. Usual demonstration of how the princess is an idiot, doing the one thing she knew could’ve destroyed her and her people (those 10 guys who lost their way into the woods).

BOOM. 100 YEARS LATER.

Finally what I was here for. And…

Finn Jones is being beaten. Again. I’m kind of getting sick of this.

So, this poor soul is the wipboy of the prince we all want to see dead from the first second he is on screen (even though he’ll provide one of the trashest moments of the whole movie).

His name is Barrow and, if Downton Abbey has taught us something is that this name brings nothing but misfortune and misery.

Many minutes of bullying later, they all head to the castle to rescue the princess. Nobody has ever heard about the legend of the Sleeping Beauty before, but they all believe it because they are bored and have nothing better to do than go get themselves killed.

From now on, we must face the most horrific monsters ever seen. And with “horrific” I mean that the CGI was probably made by a friend of the director, who was the only one to own a decent computer.

Our heroes, Barrow and those guys we all want to see dead and whose names I don’t even remember, try to penetrate into the castle. At the beginning it seems they are in the court (the same setting of the parts with the princess, only without the tables and the 10 wandering guys), then they have to reach it and we see the castle from a sort of a hill. Mind that they were camping in front of the door just a couple minutes before.

Pro tip: the grass is perfectly cut even after 100 years of abandonment.

From now on, there is no plot to sum up.

The evil blonde witch summons her monsters, that include a variety of zombies with different custumes. Here a picture of an undead templar:

Why a templar here, in the North of Europe? No one knows. Apparently the custumes department asked the crew to bring every medieval custume they had in their attics, and it would explain a lot.

However, now they are all fighting this poorly made monsters and the unnamed characters start dying one by one, even though the one the prince sends as a bait for the monsters is always Barrow. Here we make the acquaintance of a little girl, Newt.

We don’t know why she’s here, we don’t know why she’s still alive among these monsters that have just killed a bunch of armed men, but she’s there to save Barrow’s ass every time the need arises. That’s to say, always.

When the three survivors make it to the princess, conviniently one by one, we reach the peak of the trash.

They are faced with the decision to kill the princess or die, and they obviously choose the latter since they are brave men and therefore must sacrifice their lives for a complete stranger we all know is an idiot.

Here what happens to a man who is as tall as the door he just passed: his backbone becomes of the length of half his arm.

However, our hero faces the witch while the little girl of about 9 manages to drag away the princess, unnoticed. How? There is no logical explanation.

Just to make things worse (for the viewers, obviously) the evil witch resurrects the prince and his companions, turning them into zombies. Then, just to provoc Barrow, she reminds him how the prince has always been heartless and feeds the prince his own heart, only because we needed another lame line in this movie.

She leaves them to fight, and Barrows manages to kill the prince stabbing him once.

The prince had just had his heart ripped from his chest without even blinking, but a sword managed too kill him at the first strike. Seems legit.

In the end, Barrows finally kills the witch and saves the princess. They go away holding each other as an happly and established couple. This is the first time ever the princess sees him, but as we already said, she’s not particularly bright and, let’s admit it, this time we can understand her.

BOOM. 1 YEAR LATER.

Obviously our poor Barrow, who apparently hasn’t suffered enough in his short life, has married the dumb princess and fathered a daughter.

Who is six months old.

I’m not that good at maths but I’m pretty sure this isn’t possible, not even if they started fucking in that lovely graveyard two seconds after seeing each other for the first time.

You think it couldn’t get any worse? My sweet, sweet summer child.

The name of the baby is Day since they are so talented in this family with names. If we keep this pace up we can hope to have dealt with this family in 3 or 4 generations.

Now, we are at the end of the movie and they have obviously run out of money, so

This time the tablecloth is made of paper as well as the flowers. Let’s not even talk of the quality of the cutlery, this post is already long enough. Let’s just say I’ve seen better cosplays.

We are witnessing the christening of this baby, and of course we have to deal again with a bunch of fairies bestowing their blessing. We finally hear the narrator announcing us this torture is over and that all is well, or, here I quote; “maybe not?”

Tadadadadan.

ANOTHER EVIL WITCH ARRIVES.

Worst ending ever, but it kind of matches the rest of the movie.

Last considerations? I laughed a lot watching it and I strongly recommend it if you want to laugh a little and brighten your day with a massive shot of trash. By any means, all the movie was worth just to see this:

Ah, the things I do for love. (Next time I’ll push a child from a window, it’ll take less time)

#sleeping beauty #sleeping beauty 2014 #finn jones #downton abbey #thomas barrow #house tyrell #Loras Tyrell #iron fist #danny rand #cersei lannister #Jaime Lannister #game of thrones #got

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justgotham · 7 years

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This Monday, Fox’s pre-Batman drama series “Gotham” wraps its winter run with the full, ferocious return of Jerome. Now, fans of the show are undoubtedly excited about the development, but casual comic book types are likely asking a simple question. “Who the Hell is Jerome?”

This is what you’d call a problem.

For three years, “Gotham” has worked hard to prevent itself from committing to any one portrayal of the Joker – the Dark Knight’s indisputable arch nemesis and perhaps the fan favorite supervillain of all time. But over the past two seasons, the show has also elevated recurring guest star Cameron Monaghan’s unhinged, circus-born serial killer Jerome Valeska to a major foe. With pasty-white skin, an ear-to-ear grin and a cackle that could curdle blood, Jerome has been one of the most memorable additions to a show that’s often in desperate need of crowd-pleasing moments.

So why not just call him the Joker? Despite “Gotham’s” insistence that it’s entire run will be an origin story for the Batman’s world, there are plenty of reasons that this one particular piece be put in place now. Below, CBR runs down six reasons why turning Jerome into the purple-suited Clown Prince of Crime will make the character and the TV show stronger.

Joker’s Nonexistent Past Is Hardly Canon

It can be argued that there’s never been a definitive origin story for who the Joker was before he gained his repulsive rictus. But don’t believe people who tell you that the villain has never had or should never have an origin tale. It’s not just that “Detective Comics” #168’s legendary story “The Man Behind The Red Hood!” gave us the most accepted version of Joker’s “thrown in a vat of acid by Batman” origin (written by co-creator Bill Finger, no less). Over the years, dozens of comic creators have filled in bits of Joker’s backstory, from Alan Moore to J. Michael Straczynski, though they’ve often left specific details vague.

Only since Christopher Nolan’s film “The Dark Knight” have people embraced the idea of a Joker who aggressively denies any true past as canonical. This may have been inspired by his initial, origin-less appearances, but back then, such things simply weren’t stated — like most comic villains of the era. So anyone who claims that Jerome’s origin of murdering his mother before going kill-crazy breaks some kind of rule established by the villain’s creators is missing a whole lot.

More importantly, film and TV versions of the character have been happy to create the character’s full backstory when it suits them – most famously the “mobster who murdered Bruce Wayne’s parents” angle in Tim Burton’s classic 1989 “Batman” movie. And stories like that – while usually much more widely seen than any comic book – have done little to blunt the impact of the Joker as a character all his own. Nobody today expects that making Jerome the Joker full-on would somehow taint the character or irrevocably alter how he’s portrayed in the comics.

Every Other Faux-Joker On “Gotham” Has Failed

Aside from the “making Jerome the Joker wouldn’t really hurt the character” case, there are plenty of great reasons why making this happen is a positive thing. First and foremost is the fact that ever other attempt “Gotham” has made at channeling the Ace of Knaves has fallen way flat.

Longtime viewers of the show will recall that in its early episodes, “Gotham” peppered in “potential Jokers” all over the place from failing comedians to frustrated family men. It was such an awkward, story-killing bit of business that the producers soon dropped it all together from their creative arsenal. Later, when the series attempted to revive a piece of Joker canon with the Scott Snyder/Greg Capullo-inspired Red Hood gang, the resulting mask mobsters were completely devoid of personality. Recent attempts to revive the Red Hood angle have fared no better.

Worst of all, since Jerome landed on the show and totally stole the scene from nearly every other plotline, the writers’ initial premise that his (since overturned) death would inspire mass insanity across the city has been a dropped ball. Even when they picked that idea back up as a way to reintroduce Jerome, the story pretty much went out of its way to show how no one would ever be as good as him.

So if the acid-squirting flower fits this guy so well, why not let him wear it?

Harley Quinn’s Impending Intro Is Flawless Timing

The producers of “Gotham” have made it no secret that they’ll be introducing their version of DC’s most popular female character later this season (sorry, Diana, but you know that Truth is Truth). But with some version of Harley Quinn in the offing, the big question becomes, what is there even worth doing with this character before there’s a Joker on the scene? In almost every major Harley story of all-time, the character is played as mild-mannered public servant until Joker unleashes the crazy within her. If “Gotham’s” past is any indication, their solution could be something as bland as a forgettable psychiatrist who occasionally says things like, “I can’t wear red lipstick…that’d be crazy!”

But putting Harley center stage right when Jerome steps into the real Joker role not only solves these problems, it opens up some scary good story directions. Imagine a season of the show where fans get to see the famous Harley origin story “Mad Love” writ large – a mash-up of “Natural Born Killers” and Tom Hanks/Meg Ryan movie where Jim Gordon and company are hopelessly outmatched? It leans into “Gotham’s” very best tendency for absurd action (and over-acting) rather than more lame attempts at making this madcap world feel “real” (whatever that means).

The Show Is At Its Best When It Goes Full Comic Book

Cementing the argument for Jerome as Joker is the fact that “Gotham” only really connects with the wider fandom when it fully embraces comic book identities. Remember when Ed Nygma was a nerdy annoyance who just said the word “Riddle” three times in a scene before being totally forgotten? That all ended when he finally was given motivation to strike back at Jim Gordon and went all-in planting Riddler-inspired clues and bombs across the city. Since then, the villain has been one of the most enjoyable members of the show’s ensemble.

And it’s not an accident that Oswald Cobblepot has remained both the most beloved member of the show’s cast at the same time as he’s been the only character graced with his comic book alter ego of the Penguin. From his crafty takeover of Gotham’s mayoralty to the way he’s weaseled through a crime world that considers him an outsider, this Oswald is virtually indistinguishable form his four-color counterpart. (Okay, maybe add 60 pounds, but otherwise…)

When you compare these fully fledged supervillain turns to the numerous also-rans in “Gotham’s” history (Balloonman, that awful Wall Street reinvention of Black Mask, the dead end Scarecrow story), it’s clear that the show’s creators find more fun to be had when tweaking comic book character’s identities – not just teasing them. At this point, Jerome doesn’t have to be quite the dapper danger we think of when we see the classic Joker. But giving him a name and a “first draft” version of the purple costume would feel earned after so much pussyfooting.

The Supervillain’s Influence Would Cement The Need For Batman

From the first episode of “Gotham,” the show has been caught in a massive Catch-22 scenario. If the series main plot is ostensibly about Jim Gordon and company’s attempts to be white knights in a city full of black-hearted crooks, how could it possibly end in a satisfying manner? On the one hand, Jim fails, and the entire show is a tragic waste of the audience’s time. On the other hand, if Gordon succeeds there’s actually no reason for Bruce to become Batman.

Watching the Joker fully rise up as a new kind of criminal threat alters this landscape in a way that truly prepares viewers for the birth of the Dark Knight. If Jerome takes charge in turning the show’s drab mobsters into insane supervillains, then Jim Gordon totally realigning the GCPD into a fighting force for good still comes up short without totally undercutting its ultimate redemption arc. Plus, the young Bruce Wayne will be given sufficient motivation for taking his quest for justice outside the law (right now, he’s got a pretty good example of police work being a righteous path in Jim). It’s a win-win for the show’s ultimate endgame.

This Show Needs the Lift That Joker Could Provide

Finally, “Gotham” needs to make Jerome the Joker because it needs to finally give people a reason to care about it. The Fox network is traditionally pretty shifty on supporting genre entertainment over the long haul, and while this DC series has fared better than the average “Dollhouse” due to its comic book roots, the show has slipped in the ratings compared to the rock-solid (and admittedly more forgiving) numbers its CW counterparts pull. With an impending “X-Men” TV series that Fox will own a bigger part of in the works, there’s no reason for the network to support the Batman’s world over many more seasons unless it delivers something big for ratings and buzz.

Plastering a fully-fledged Joker on the side of a bus at San Diego Comic-Con might seem like a shameless cash grab (because it would be!), but in the cold hard facts of the crowded superhero TV marketplace, it’s also a no-brainer.

Plus, for all the reasons explored above, adding the Joker to the show full time will be a major creative boon as well, and “Gotham” needs that more than any other show in years. While the series has undoubtedly improved from its absolutely wretched first season, it’s never gotten more than mediocre in quality. Jerome as the Joker provides the wild energy that the series has always flirted with and a marketing shot in the arm that could let this series go down as a worthy piece of Batman storytelling.

#Gotham #Jerome Valeska #Cameron Monaghan

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