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#tysm for giving me an excuse to word vomit incomprehensibly
milfygerard · 1 month
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hi hi hi i’m sorry about the everything in life for a distraction i would love to hear your detailed thoughts on your favorite mcr albums or taylor albums or a detailed ranking of either i just love Music Opinions and also i hope things get better soon<3
thank you sm for sending in <3
im terrible at ranking so ill turn to opinions hmmmm
My favorite mcr album changed by day hour minute but i think i wanna talk about.....bullets....yeah bc bullets is so insane as just a sheer proof of concept, like an expression of raw skill and talent that was growing within this band. Rays guitar work alone was enough for it to make complete sense for major labels to be knocking at the bands door begging to suck them off and then they also had GERARD!!! And this was even before mikey really could write bass parts and frank was still not really in the band like its just ray gerard and geoff (and otter who wrote drum parts that r cool but also somehow out of his skill range? girl you MADE THEM). The fact that vampires not onky exists but was like the second or third song written? Like before mcr gerard either never wrote music or wrote shitty three chord throwaway punk that existed as an excuse to print band stickers and arent even good enough to save on tape and then you decide to start writing for real to cope with major national level trauma and your first song is SKYLINES??? and youre next songs are VAMPIRES and OUR LADY OF SORROWS???? and oh my god the vocals gerard gives on the albuk as a completely untrained vocalist who did one musical once in middle school and otherwise never sang professionally unless you count crazy kids song in breakfast monkey. and then you hear the vocals on fucking vampires???? Like gerard doesnt exactly sing like celine dion on bullets but the raw harmony work and ability to PERFORM and really stretch the emotions of a song and do whatever strange or vulnerable thing is needed to sell the track. Theres still few songs more affecting than early sunsets. Like i fully think gerard is probably the strongest vocalist in the emo scene just because of their ability to completely and utterly sell you on the songs emotions (not just anyone can sing im not okay and get away with it) and thats before all the developing technical talents both already present like how gerard can just toss a melody onto a track without thinking about it or the fact gerard did a lot of the base writing for mcr while fucking barely knowing guitar how did that even work girl. Like i havent even mentioned the lyrics??? How do you. Like you can tell both that gerard never learned how to write songs and also that gerard listens to so much music that he can just fake it anywayyheres like 2 songs with actual choruses on the album and neither of them are the self proclaimed pop song h4h which opens with a queen riff?????? ans then is like a hardcore version of a beatles pop song????dont talk to me about drowning lessons. deomolition lovers!?!?! half of these songs are just poems that gerard hammered into songs and theyre so like. genuinely so incredible and they work??like the album works! as a cohesive piece! it coheres!
and thats the first album. Id say my favorite ts album is probably evermore though i might actually have less to say on it just bc i havent had it since 2015. Evermore is just so....ANGSTY!!! it feels like a complete fulfillment of what she was exploring on folklore with the fictional framing devices and keeping the songs clearly personal while also removing herself in a way she never really has before. It feels like a level of introspection through art that taylor has always been both pushing towards and shying away from because too much introspection or strangeness or even pulling away from the diaristic idea too much never worked with where taylor was at with her career. Evermore had a new collaborator, and the massive success of folklore as well as the continued quarantine gave her both an unprescedented level of artistic isolation personal confidence and professional security that allowed her to just go "fuck it" and write fucking. cowboy like me and dorothea and coney island and closure and she GOT AWAY WITH IT!!! like the albums been out for 3 years or something like that and I still feel like i havent fully processed its existence despite listening to it constantly. It truly felt like she was unshacked and was able to write about herself while also completely pulling away from any sort of literal Truth and going crazy with concept and the way she writes feels so unconstrained from the rules she would sometimes set for herself, it felt like a natural evolution from the freedom she felt jumping into the lover era but its past the honeymoon phase and like it is pop music but its also not scared to be...not pop music if that makes sense? She really fully settles into folk as a genre for the first time and it lets her writing flourish. Songs with no choruses songs with barely any structure at all lyrics that stretch at the ends of verses and fun bouncy wordplay and just allowing herself into a characters life and seeing how it fits her. She has some straight up ren faire tracks on here liek willow is just a collection of similies and metaphors she likes smushed together over a lute and its so GOOD. It feels like she was allowed to really live in adulthood as a woman in her early thirties who creates art because she loves it and because it keeps her alive ALSO proof that she needs to keep collaborating w new ppl bc whenever she does you can feel her pushing herself harder and she becomes so willing to try these new kind of weird things that she may have never tried otherwise aughhhh!!!! i didnt even talk about coney island!!!! I love how moody and dour the whole project is it feels like November where fall drags you into a cold unforgiving winter and you're just trying to survive with your sanity and any of your personal relationships intact. its so!!! tbh its SO new england also which makes me biased. ok thats all
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