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#trace the vermicular path
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Writing it up now to make sure I'm reading correct and not going nuts with the red string like usual, but I just reread Revelation and Parting the Veil and am 99% sure there's evidence between the two to suggest that the K1 Anomaly was indeed transmitting the signal of the Veil, and that the K1 crew and the Ishtar team on Neptune had similar experiences because of this interaction with the Veil.
I also think that there might be a very long chain of events that link the Veil to, I shit you not, the creation of SIVA. There's a reason both the K1 Crew (under the watchful eye of Clovis Bray) and the Ishtar team both came to conclusions about self-replicating quantum distributed networks after experiencing "reverie" while interacting with these objects. They were working off of the same prototype.
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Prismatic Hearts
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"You must learn to tease apart the hues of your own heart."
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"Strengthen the body, empower the mind."
"Close your eyes, and open your mind."
"Turn your eyes inward, upon your ideal self."
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"To know true color, you must first know Darkness."
"The courage to walk into the Darkness, but strength to return to the Light."
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"One day, you will see them both."
"Feet alone cannot take us to where we're going."
"Let the heat melt your body so your soul might flow with the river of time."
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"Does one life across infinite realities equal immortal life?"
"Perhaps that is all we are."
—Parables of the Allspring
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(shout-outs and huge thanks to user @thefirstknife for rediscovering the Prismatic Heart in the archives, extremely cool find)
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They desired meaning. Structure. A Winnower to shape the garden.
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By studying the Veil, they came to know the Darkness.
And thus we two became parts of the game, and the laws of the game became nomic and open to change by our influence. And I had only one purpose and one principle in the game. And I could do nothing but continue to enact that purpose, because it was all that I was and ever would be.
I looked at the gardener.
I looked at my hands.
<<To claim evolution one must be unmade.>>
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Having witnessed the truth in the Darkness, they used its binding power to merge themselves into the salvation they craved.
I discovered the first knife.
||a purposeful mob none of whose members know its purpose||
"Victory is not in the unmaking of an enemy, but in the re-making of an enemy into your blade."
<<Flesh and mind are but cages—become unbound, or remain ever unworthy.>>
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"Unmaking." For the longest time, we thought it was a threat, but as our work continued and we deciphered more and more of the glyphs we came to see it as something more—a promise. Yor's etchings were a road map—arcane and cryptic, but with specific intent.
<<Your prison of the flesh is being unmade, your mind freed—such glories do not come easy.>>
Collective Obligation
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"Annihilation of your kind was never the goal. But filling you with the right kind of ideological purpose, the kind that serves the finality of shape—well, that's the point of corrupting a beating heart, is it not?"
Near-gods must believe in greater gods. But every power is finite, every life shorter than it wishes.
Only an astonishing mind can truly appreciate just how tiny it is when set against the known universe; and how insignificant the known becomes when it is devoured by what isn't seen and can't be comprehended.
As darkness begins to claim their ragged souls, you look ahead to find a great power pouring out of you—a face of fire and golden light.
That blazing wonder, a gift from the great-eyed god, is their salvation. Or are you?
Perhaps you are the greater god now.
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||architrave of the no-window||
Life arises. Life spreads, contests itself, and changes. Great things are built and destroyed, but from your vantage point, you see that the victor of each struggle contains—in its negative, in the marks left upon it by the loser and the shapes it assumed to win—the master record of all that it has beaten. Information may not be erased. Whatsoever survives until the end of the cosmos will possess and remember all which came before it.
This is true even of the devouring black hole, which remembers all the secrets it eats. It will only confess these secrets when it evaporates, 10 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 years from now, long after the last stars have flickered out.
You are a Guardian. You must protect life.
If all life is information, and Guardians strive to preserve life, and information is preserved when it is secret, then you must convert all life into the most secure form of secrets, durable to the end of time.
YOU MUST CAST ALL THE LIFE YOU CHERISH INTO A BLACK HOLE
SECANT FILAMENTS
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In this treatise, I plan to revisit earlier mathematical theorems and revise them considering our new observations on the Light, the Darkness, and lifeforms imbued with those respective powers. But before I do so, I must preface it with a personal note. Despite high-minded assumptions, mathematics is not an intrinsic language of the universe. It is how we describe the portions of the universe that we can observe. While numbers can track the abstract and find pattern in chaos, they cannot account for fundamental aspects of reality such as compassion or justice. The existence of the Lucent Hive, and Hive Ghosts in particular, may expand our understanding of causality, but they themselves are not "new"—the only thing that is new is our awareness and observation of them. These Ghosts have already been living alongside us. They've traveled with us. Endured with us. What we see is the mushroom, the fruit of the fungus. The fungus itself is a vast mycorrhizal network of filaments growing and working unseen below the soil, often barely connected to the fruiting bodies we observe. Similarly, we have observed Ghosts—Hive Ghosts included—without understanding the nature of the unseen filaments that may guide us. In our eagerness to understand the universe, we must not assume our observations are complete, or objective. Otherwise, we blind ourselves to possibilities… like the possibility that an unnoticed faction among us may be one temptation away from betrayal. Or that what drives our creator is no more than the same base desire for survival that drives all living things. —On Secants, Introduction, Ophiuchus
TYPE: Transcript
PARTIES: One [2]. One [1] Guardian-type, Class Hunter [u.1]
ASSOCIATIONS: Orsa, Zyre [AKA Vale, Dredgen]; Thorn; Vale, Dredgen [AKA Orsa, Zyre]; WoS, Yor, Dredgen; Yor, Shadows of
//AUDIO UNAVAILABLE//
//TRANSCRIPT FOLLOWS.../
[u.1:0.1] We have tamed the sickness. Broken it with unwilling sacrifice.
[silence]
[u.1:0.1] Now we claim our reward. Have you heard the whispers, brothers? Sister? The shadow speaks. All we have to do is listen. Its secrets are a gift. Its gift? Our evolution. The others misunderstand. We are the Weapons of Sorrow – living and free. The hated heroes of this broken age.
<<Allow the flesh to give of itself, that it may surrender to the coming evolution.>>
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||call me Sri-cleans-his-brother's-stomach||
ARENA DESIGNATION: Cathedral of Dusk
Dreadnaught, Rings of Saturn
As soon as the first Guardians penetrated the Dreadnaught, Shaxx's Redjacks launched a boarding party to Oryx's fortress. By war’s end, they'd fought all the way to the ship’s “impossible weapon,” the Dark ordnance that obliterated the Awoken fleet.
It was there they found what the Warlocks named the “Cathedral of Dusk.” A Hive burial site for— what? A former master of Oryx? Comrade? Lover? It was vile. And obvious that Oryx never expected the Light to reach so deep inside his throne, to such an intimate space. But he didn’t expect a lot of things — like a Guardian training ground atop the husk of his dead ship.
Necrotic Grip
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Project day 45. We kept thinking about H-349 as a destroyer. But it's more sophisticated than that. I mean, with a normal gun, it's just… boom. Done. H-349 on the other hand is deadly, not destructive. Much like a viper, its bite does not bring about instant death. Instead, its venom cajoles. It co-opts your beating heart into a death clock, ticking down your last moments. Your own pulse kills you.
||serpent||
Death may be slow and agonizing for its victim. But for the viper, time is an amenable trade for efficiency.
<<Cleanse thyself of your decay, then will the mind be free to understand the value of transgression.>>
Savek remembered dragging her exhausted body to her guard post. She remembered watching the lazy debris of the Reef float by. She remembered speaking with someone in the darkness. Someone reassuring and powerful. Who was it?
She tore her eyes away from the obelisk and surveyed her body in the thin morning light. Her dry skin flaked. Connective tissue wasted at her joints, and a sickly crust had developed around her mandibles. She was emaciated from lack of sleep and Ether. Her hunger was a void, slowly filling with green vapor.
<<When imagined, your potential will infect, and spread.>>
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||the intolerable thorn of frustrated inquisition||
Aunor ignored him. “Cause of death?” she continued.
“’Sundance’ appears to be the victim of a single, catastrophic wound from a Devourer Bullet, modified to fire from a Scorn launcher. Projectile classified as ontological.”
“Define Devourer Bullet.”
“Payload matches the ballistics of a Weapon of Sorrow or a comparable Hive implement.”
Thorn
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"The Weapons of Sorrow are not the endgame, but a road map. Each evolution, every advance in the delivery of pain and the mastery of destruction feeds the Hive's hateful weapons research. They will map every scream, harness every aggression, until they understand every method by which to ravage the hearts, minds, and flesh of man. And in doing so, they will turn us against ourselves—feeding our lust, our greed, our fear, until we become a threat unto ourselves like none we could imagine. So, wield these, angry reaper. Strive to know the darkness in your own heart. Walk in the shadows of fallen heroes. And know that you are an enemy of hope." —a warning
||needle driven in flush with skin so that desperate fingers cannot pull it out||
Seek the whispers—they are faint, but they are calling.
Not all bone carries the sound of secret truth. Most are fragile, hollow things meant only to carry the weight of wasted lives.
In the feted remnants of yearning marrow, find love, find life, and in their lies you will discover the narrow road to all you never dreamed to be.
"On the path of the hushed tones, the cutting word will guide your unmaking."
||the word not spoken||
||the infinite regress of enigmas||
MEANING
A dream of a metaphor made starkly, an allegory discussed in study of ontology, in Darkness not unkind. It leaves behind a warped, barely-real data fragment to mark its passing.
There is a voice that echoes across the Darkness, and it asks this question: what is the purpose of it all?
And there is another voice that calls back and says: listen, I will tell you a purpose. I will tell you of a Final Shape.
Look: there are a hundred gildings for this story. It comes down to one key matter. Beings in suffering crave purpose to carry them through. The tyrant consumed by ennui or the disenfranchised struggling simply to survive—it is the state of mind, the pain which cries out: give me a reason I should suffer so!
Let us speak of power and choices.
A man comes to a crossroads and asks of the sky, "Which road shall I take?" There is no answer from the sky, nor the wind, nor the earth beneath his feet. But another wanderer on the road, coming from behind and hearing the question, says, "I know the way. You should take the dexter road."
If the man agrees, he puts himself in the wanderer's power, ceding his own choices for the implicit promise that this is the correct road, the safe road. And if he disagrees?
Let us say that the wanderer draws a knife.
The man may therefore be made to take the dexter road. But now if the knife goes away, the man will certainly flee. And perhaps even if the knife remains, the man may tire of being threatened and decide the risk is worth fleeing. In this way, the wanderer erodes their own power.
If the wanderer says, "The wind has said that you should take the road of my choosing," will the man accept the choice made for him?
And if the wanderer says, "Behold, I have seen that the meaning of suffering lies along the dexter road," will the man give away his own power for longer?
Is it not easier to accept the guidance of a stranger when the path ahead is unknown?
{We are, all of us, flowers in the garden. Even that being most ancient and bound in twisted Darkness.}
||sweet petal||
WINNOWING
A dream of a friendly conversation with someone impossible to see, cloaked in shadows. It leaves behind an impossible data fragment to mark its passing.
Here is what a flower knows.
(The fact that a flower may know anything is a conceit that will have to be accepted as metaphor, but to constantly qualify into perfect precision wears thin, does it not? So, here is what a collection of chloroplasts and pigment can know.)
The direction of the sun.
The presence of the rain.
The tangle of the roots.
The distress of another plant.
The hands of the gardener, whether they prune or transplant or crush.
A flower cannot know much else. But the reality of the garden is vast and wild. A flower knows not the fence; a flower knows not the footpath. And yet there is an infinite cosmic garden, which is not any less real simply because the flower cannot possibly comprehend it…
Let us try this again. Stop me if you've heard this one: A gardener and a winnower sit down to play a game outside of time and creation. Yes?
Yes. Then we're agreed. The metaphor stands. Let us iterate.
A gardener and a winnower set out their chairs and play a game of flowers. The flowers know only that they grow or wither, struggle or flourish. Sometimes, they are touched by one hand or the other, and that influence is the closest they will know of the divine.
A flower and a flower spread their leaves to the sun above. (Remember that the sun is also a metaphor: a thing said beautifully, winnowed down to poetry, when the truth is too vast to put in words at all.) They jostle for space, each competing to be the pinnacle of their shape. One flourishes. One withers. Is it the fault of the flower or the fault of its position?
A gardener and a winnower sit down to play a game called Possibility. This is a game about a garden, which is to say that it is also a game about flowers, just as a game about a living being must also be a game about organs and bacteria.
A gardener and a winnower collaborate to create a protein. Whose hand is it in the design, that shortens one life to extend the rest?
It is the winnower that discovers the first knife, but it is not done without the gardener. This, too, is a tradition: a knife does not come to exist without something that must be cut. A woody stem, a colored petal, a vital vessel. The first victims of the blade.
All of these are true.
All of these are false, for metaphor simplifies as the knife does. It pares incalculable concepts into shapes your wrinkly little brains can comprehend. The weight of billions and the simple curve of a planet give you pause, and how then are you to be expected to grasp the forces that created your nth-removed creator?
So the stories woven with utmost delicacy in and around the falsehoods are, after it all, true. There was never any option for the knife to not exist in the garden: it was only ever a matter of time and opportunity.
And as for the shape of the knife itself—
No. That is enough.
I will tell you of gardens.
They are domesticated things, made in a form. As soon as something is called a garden, it is shaped. The plants require the hand of a gardener, for they have become weak and dependent on tender care. They require the hand of a winnower, to cut away the dross, for they are too incapable to do it themselves. In absence of a hand, either the flowers themselves must rise up to wield the knife, or the garden will resolve to meaningless wilderness.
You will say, "But there are plants that can walk! There are seeds that must be scorched by fire to know growth! Existence is more complex than a simple dichotomy between growth and withering, and there is more in heaven and on earth than is dreamt of in this philosophy!"
And I will tell you, clearly:
There can be no gardens without knives.
||the ache and fever of overthought when bedridden with illness||
Transcript of conversation:
O: I see you've changed teas again.
I: And I saw the face you made at the chamomile.
O: You might have chosen a better blend, last time.
I: I can brew that instead, if you'd rather.
O: You had more questions, didn't you? Ask, already.
I:... Yes. I want to know about what you remember from the last year. Anything could be important, and you implied...
O: I remember what I implied. I remember... She... kept some sort of connection to me, to rely on my experiences and memories, you see. Most of the time, I was delirious and lost in Darkness. Very occasionally, I caught... glimpses.
I: Glimpses?
O: Yes. Of her. Of her thoughts, or feelings. Knowledge that surely would compromise a god of secrets. So it cannot have been intended. Something must have gone awry in her plans and would account for the scattered nature of that which I recall.
I: There are any number of things it could be attributed to. The influence of Darkness, the Nezarec relics. The intrusion of Xivu Arath's forces during the ritual might have disrupted Savathûn's influence. Or perhaps her death and resurrection might have had some effect on you.
O: Hmph. Debating the reasons does not interest me. The data does. We have thought Neptune to be a dead end. A hope that was never realized. But she knew something about it, or perhaps something on it, which brought her power. Some deception or hidden truth; some bluff that she had held uncalled against the Witness and its Disciples.
O: [sips tea] Though my senses were darkened, that much was clear through the murk of her throne world. There was a secret she kept veiled, even to the last.
O: [sighs] I do not fully understand what I saw, and for a Human to understand a Hive mind... How many legends of katabasis do we have, Ikora?
I: We currently have dozens of stories about descending to the realms of the dead, though research has indicated many more must have existed, lost in the layers of Human history we will never lay eyes on. Mathematically, there were likely hundreds.
I: [pauses] Inanna and Dumuzid and Geshtinanna, Orpheus and Eurydice, Izanagi and Izanami, to name a few. Gods and goddesses, mortal and immortal lovers, always seeking to descend and return with the lost.
O: And neither the lost nor those who searched for them were ever returned the same.
I:...Is that how you think of yourself?
O: [scoffs] Do I sound that dire? All Guardians, all Lightbearers have done as much. But others, well... I wonder, do our former enemies have similar stories...
I: What exactly are you getting at?
O: Frequently, the underworld—or those realms beyond mortal existence—possess wisdom the living do not. What then, is knowledge from a dead Hive god vested in deception.... [long pause]
I: So. Neptune, and secrets.
O:...Inanna...
I: What is it?
O:...A thought. An echo of one. The return from the underworld, and Inanna cast off her veil... It makes sense. I did not understand, when I first felt clutching whispers. Carrying wisdom away from Kur when she strode into the sunlight again.
[Osiris murmuring, self-directed. See initial notes.]
O: [focusing; clears throat] Ikora. This Witness. ...I do not say this lightly, but it made her wary. Not in the way that she might have been of Guardians, who storm blazing into battle with power and conviction and no restraints. I still feel it, her... concern, though I can give you no proof. And concern is exactly the type of thing she would lay contingency plans for…
I: I understand.
||Who am I?||
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"When he reached a displacement of eight he told us he was dead."
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"He sees the wolves have formed up around him. Eight of them."
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"The greatest gaiaforms of our solar system are eight in number—or, if you prefer, [N]ine—but asteroids and minor planets have them too. And in their sidereal generosity, these gaiaforms will protect us, if we ask them."
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Fist of Eight Moons
"Only in the Ascendant Plane—where a well-defended idea is a reality—do these moons, in this small way, still exist."
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"Eight Barons and an Awoken prince - and only one of you. I so dislike betting on the underdog… But you are resourceful…"
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"The man turned to his left and saw a familiar, weathered face staring up at the eight Barons of the Tangled Shore."
[...]
"’Sundance’ appears to be the victim of a single, catastrophic wound from a Devourer Bullet, modified to fire from a Scorn launcher. Projectile classified as ontological.”
“Define Devourer Bullet.”
“Payload matches the ballistics of a Weapon of Sorrow or a comparable Hive implement.”
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"We are all pinched silhouettes impaled on the twitching of infinitely long spiderlegs."
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"You must reckon with yourself. Can you see the path ahead?
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Do you know the shape of your trial?"
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Auseklis
Ogdoad
Guñelve
Arevakhach
Schläfli
Compass rose
Isotoxal | edge transitive
Eightfold Path
The Star of Lakshmi
The Star of Ishtar
The morning star
First light of the new dawn
Venus
[Consult Cryptarchy's pre-Golden Age stacks for more information]
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"Is it a simple answer? Perhaps none who serve you have the capacity to grasp your vision. And so, rather than waste more of your time and attention on explaining something they will never hold, it is enough that they act as you will. The Witch and her Hive carving single-mindedness out of the cloth of the universe, that whispering Nightmare seeking the fullest gamut of existence, the Upender destroying all differentiation. Shadows on the wall.
In this case, it would be hubris to think I have understood your work, that I alone among your Disciples have grasped what purpose it is we serve. All of us must see darkly reflected.
But there is relief in simplification. There is kindness in winnowing. So then, why is this proliferation permitted?
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The shadows, showing the truth by their casting. [...]
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There: I have resolved the conflict within my thoughts, and I am at peace again. Once more, I am only your violence and nothing more.
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The Final Shape will realize us as we strive."
—Unknown Disciple of the Witness, Inspiral
Who am I?
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Call me Coyote. Call me mantis, serpent, Cagn, Anansi, call me Sri-cleans-his-brother's-stomach. Call me the grandmaster of semiosis, the jeweler's hammer which gilds the signal, a purposeful mob none of whose members know its purpose, the infinite regress of enigmas, a self-questioning answer, the word not spoken, black ice, cataract of mimes, the ache and fever of overthought while bedridden with illness, the intolerable thorn of frustrated inquisition, gray regret at the end of a fruitless day, the thing which is unlike your beloved but arbitrarily recalls your beloved to agonizing effect, architrave of the no-window, needle driven in flush with skin so that desperate fingers cannot pull it out, sweet petal, unmemorable, crystal death, the provably improvable.
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Here at the center, I lie to you the truth. You have everything you need to know it, but I will give you a clue, as the duelist gives warning before she draws. The answer you seek to the Dreaming City is simple, not complex.
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In primordial space, timeless creatures made waves. These waves created us and the others. Waves were the battles, and the battles were waves. Fleeing all W'rkncacnter, Yrro and Pthia settled upon Lh'owon. They brought the S'pht, servants who began to shape the deserts of Lh'owon into marsh and sea, rivers and forests. They made sisters for Lh'owon to protect and maintain the paradise. When the W'rkncacnter came, Pthia was killed, and Yrro in anger, flung the W'rkncacnter into the sun. The sun burned them, but they swam on its surface.
Marathon 2, Six Thousand Feet Under terminal: ax1-40^23<094.95.28.85>
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Oryx went down into his throne world. He went out into the abyss, and with each step he read one of his tablets, so that they became like stones beneath his feet. He went out and he created an altar and he prepared an unborn ogre. He called on the Deep, saying: I can see you in the sky. You are the waves, which are battles, and the battles are the waves. Come into this vessel I have prepared for you. And it arrived, the Deep Itself.
Books of Sorrow
XXXI: battle made waves
Verse 4:1 — battle made waves
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"You've no idea how fortunate you are to be my chosen. You hold the flesh of a god in your hands. You are mere steps away from our salvation. Only Light[1] and Dark[1] together[x2] can unlock my way back into your world."
K. You bring Medusa before Rahool. "Ah," he sniffs, "another battle trophy? Pre-Collapse, post-Foreboding, a covert intelligence designed to watch over a high-risk colony mission. Allow me to decrypt her for you." He issues you several tokens, a rare-quality fusion rifle, a shader, and a letter. The letter reads "Achieve Light[+Dark] Level 999[x2] and defeat Dûl Incaru in a one-person fireteam to unlock the true ending of the Dreaming City."
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"That's it... keep going..."
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"How many legends of katabasis do we have, Ikora?"
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"We currently have dozens of stories about descending to the realms of the dead, though research has indicated many more must have existed, lost in the layers of Human history we will never lay eyes on. Mathematically, there were likely hundreds."
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"The return from the underworld, and Inanna cast off her veil... It makes sense. I did not understand, when I first felt clutching whispers. Carrying wisdom away from Kur when she strode into the sunlight again."
-Photos courtesy of Guardian Photographer and Artstation
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[I could be wrong. Is it possible the Black Heart will beat again?]
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<<This place is a message… and part of a system of messages… pay attention to it!>>
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They mistake the vessel for its contents. They confuse the pieces with the whole. They see their imprisonment as empowerment. They are hostages of their flesh, unable to see without vision. Unable to hear without sound. Unable to slake their thirst for fear of drowning. Their ignorance is their saving grace. Yet one among them understands, in their limited fashion. They pour from one vessel to another. A welcome change. A new form. Another method of gifting death. I am made finite. Personal. Bright and delicate to hide my true form. An intimacy. They think me contained, but I am instead diffused, as vapor upon the wind. Once again, I am becoming.
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There is a great deal of difference between the source of the power, the power itself, and the hand that shapes it.... do you know where the lines are drawn, Guardian?
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<<Sending this message was important to us. We considered ourselves to be a powerful culture.>>
MARA: I touched the mind of that being - that monster - only once.
MARA: I sensed its purpose. Not the purpose itself, but the idea of purpose.
EIDO: The final shape. What it seeks to achieve, with all the tools it has gleaned over the years. This... eternal, perfect thing.
MARA: The language it uses is illuminating. Peak. Pinnacle. Pyramidion.
MARA: The broad base of the pyramid, focusing and sharpening as it builds toward its highest point.
MARA: Self-improvement, or what that being believes to be self-improvement.
[Here, I began to realize something. Excitement rushed through me like lightning.]
EIDO: Dissecting, reassembling. Taking, merging. All those things point towards what the Witness sees as the final shape.
EIDO: It is not simple destruction, the march of entropy. The ruined garden.
EIDO: It seeks... compression. The combination of a chosen past and limitless future into a perfect forever. A state of being that cannot be anything else, because it is everything it could be.
MARA: Taxidermy.
[She had to explain the practice to me. What strange hobbies Golden Age humans had! The metaphor was quite apt.]
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EIDO: But it cannot achieve this goal, can it? Not perfectly.
EIDO: What it does instead is mutilation. Its tools leave scars on reality. Great wounds that do not heal. It may preserve some elements, but it always botches the process.
MARA: It cannot accomplish what it envisions—its true ideal of the final shape—without the Traveler's power.
MARA: How it must rankle, to be forced to rely upon the being it loathes.
[She smiled without humor.]
MARA: I hope the Guardian is properly grateful for this gift, Scribe Eido. You have shown them more than an opening move; you have laid bare their opponent's guiding principles.
[I could not help but chirp with pride. I might have felt embarrassed, but Marakel seemed amused…then suddenly serious.]
MARA: Last night, I had a dream.
[I sat up straight.]
MARA: It began in nothing. Neither Light nor Dark; the absence of both. But in that nothing, I began to perceive an impossible something.
MARA: Stone hands clutching at the fabric of the sky. A mountain of screaming bone. A crumbling spire choked by kudzu. A great cancerous growth. Necrotic tendrils digging into flesh, which was earth. Darkness turned gangrenous, strangling the Light.
MARA: But I was not afraid. As I woke, I felt the lingering warmth of a campfire, chasing the chill from my hands.
[She leaned forward. Though I was the one who recorded her words, I believe she was speaking to you.]
MARA: It is not too late.
TRANSCRIPTION ENDS
<<This place is not a place of honor… no highly esteemed deed is commemorated here… nothing valued is here.>>
April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. Winter kept us warm, covering Earth in forgetful snow, feeding A little life with dried tubers. Summer surprised us, coming over the Starnbergersee With a shower of rain; we stopped in the colonnade, And went on in sunlight, into the Hofgarten, And drank coffee, and talked for an hour. Bin gar keine Russin, stamm’ aus Litauen, echt deutsch. And when we were children, staying at the archduke’s, My cousin’s, he took me out on a sled, And I was frightened. He said, Marie, Marie, hold on tight. And down we went. In the mountains, there you feel free. I read, much of the night, and go south in the winter.
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What are the roots that clutch, what branches grow Out of this stony rubbish? Son of man, You cannot say, or guess, for you know only A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. Only There is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you; I will show you fear in a handful of dust.                       Frisch weht der Wind Der Heimat zu Mein Irisch Kind, Wo weilest du? ‘You gave me hyacinths first a year ago; ‘They called me the hyacinth girl.’ —Yet when we came back, late, from the Hyacinth garden, Your arms full, and your hair wet, I could not Speak, and my eyes failed, I was neither Living nor dead, and I knew nothing, Looking into the heart of light, the silence. Oed’ und leer das Meer.
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Madame Sosostris, famous clairvoyante, Had a bad cold, nevertheless Is known to be the wisest woman in Europe, With a wicked pack of cards. Here, said she, Is your card, the drowned Phoenician Sailor, (Those are pearls that were his eyes. Look!) Here is Belladonna, the Lady of the Rocks, The lady of situations. Here is the man with three staves, and here the Wheel, And here is the one-eyed merchant, and this card, Which is blank, is something he carries on his back, Which I am forbidden to see. I do not find The Hanged Man. Fear death by water. I see crowds of people, walking round in a ring. Thank you. If you see dear Mrs. Equitone, Tell her I bring the horoscope myself: One must be so careful these days.
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Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. Sighs, short and infrequent, were exhaled, And each man fixed his eyes before his feet. Flowed up the hill and down King William Street, To where Saint Mary Woolnoth kept the hours With a dead sound on the final stroke of nine. There I saw one I knew, and stopped him, crying: 'Stetson! ‘You who were with me in the ships at Mylae! ‘That corpse you planted last year in your garden, ‘Has it begun to sprout? Will it bloom this year? ‘Or has the sudden frost disturbed its bed? ‘Oh keep the Dog far hence, that’s friend to men, ‘Or with his nails he’ll dig it up again! ‘You! hypocrite lecteur!—mon semblable,—mon frère!”
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<<What is here was dangerous and repulsive to us. This message is a warning about danger.>>
Oryx went down into his throne world. He went out into the abyss, and with each step he read one of his tablets, so that they became like stones beneath his feet.
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He went out and he created an altar and he prepared an unborn ogre. He called on the Deep, saying:
I can see you in the sky. You are the waves, which are battles, and the battles are the waves. Come into this vessel I have prepared for you.
And it arrived, the Deep Itself.
<<The danger is in a particular location… it increases towards a center… the center of danger is here… of a particular size and shape, and below us.>>
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ARENA DESIGNATION: Cathedral of Dusk
Dreadnaught, Rings of Saturn
As soon as the first Guardians penetrated the Dreadnaught, Shaxx's Redjacks launched a boarding party to Oryx's fortress. By war’s end, they'd fought all the way to the ship’s “impossible weapon,” the Dark ordnance that obliterated the Awoken fleet.
It was there they found what the Warlocks named the “Cathedral of Dusk.” A Hive burial site for— what? A former master of Oryx? Comrade? Lover? It was vile. And obvious that Oryx never expected the Light to reach so deep inside his throne, to such an intimate space. But he didn’t expect a lot of things — like a Guardian training ground atop the husk of his dead ship.
I dive to understand.
I must be calm. I must record my thoughts. Now I think of the OXA Machine, eternally lost and eternally rebuilt, passed down from civilization to civilization like a ship's black box. I think of the legends of the Hive King Oryx and his quest to pass into the Deep. I took that story as an allegory. I think I was wrong.
<<The danger is still present, in your time, as it was in ours.>>
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A dream of a friendly conversation with someone impossible to see, cloaked in shadows. It leaves behind an impossible data fragment to mark its passing.
Here is what a flower knows.
(The fact that a flower may know anything is a conceit that will have to be accepted as metaphor, but to constantly qualify into perfect precision wears thin, does it not? So, here is what a collection of chloroplasts and pigment can know.)
The direction of the sun.
The presence of the rain.
The tangle of the roots.
The distress of another plant.
The hands of the gardener, whether they prune or transplant or crush.
A flower cannot know much else. But the reality of the garden is vast and wild. A flower knows not the fence; a flower knows not the footpath. And yet there is an infinite cosmic garden, which is not any less real simply because the flower cannot possibly comprehend it…
Let us try this again. Stop me if you've heard this one: A gardener and a winnower sit down to play a game outside of time and creation. Yes?
Yes. Then we're agreed. The metaphor stands. Let us iterate.
A gardener and a winnower set out their chairs and play a game of flowers. The flowers know only that they grow or wither, struggle or flourish. Sometimes, they are touched by one hand or the other, and that influence is the closest they will know of the divine.
A flower and a flower spread their leaves to the sun above. (Remember that the sun is also a metaphor: a thing said beautifully, winnowed down to poetry, when the truth is too vast to put in words at all.) They jostle for space, each competing to be the pinnacle of their shape. One flourishes. One withers. Is it the fault of the flower or the fault of its position?
A gardener and a winnower sit down to play a game called Possibility. This is a game about a garden, which is to say that it is also a game about flowers, just as a game about a living being must also be a game about organs and bacteria.
A gardener and a winnower collaborate to create a protein. Whose hand is it in the design, that shortens one life to extend the rest?
It is the winnower that discovers the first knife, but it is not done without the gardener. This, too, is a tradition: a knife does not come to exist without something that must be cut. A woody stem, a colored petal, a vital vessel. The first victims of the blade.
All of these are true.
All of these are false, for metaphor simplifies as the knife does. It pares incalculable concepts into shapes your wrinkly little brains can comprehend. The weight of billions and the simple curve of a planet give you pause, and how then are you to be expected to grasp the forces that created your nth-removed creator?
So the stories woven with utmost delicacy in and around the falsehoods are, after it all, true. There was never any option for the knife to not exist in the garden: it was only ever a matter of time and opportunity.
And as for the shape of the knife itself—
No. That is enough.
I will tell you of gardens.
They are domesticated things, made in a form. As soon as something is called a garden, it is shaped. The plants require the hand of a gardener, for they have become weak and dependent on tender care. They require the hand of a winnower, to cut away the dross, for they are too incapable to do it themselves. In absence of a hand, either the flowers themselves must rise up to wield the knife, or the garden will resolve to meaningless wilderness.
You will say, "But there are plants that can walk! There are seeds that must be scorched by fire to know growth! Existence is more complex than a simple dichotomy between growth and withering, and there is more in heaven and on earth than is dreamt of in this philosophy!"
And I will tell you, clearly:
There can be no gardens without knives.
<<The danger is to the mind, and it can kill.>>
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To drink the poison, continue reading.
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It tastes of bitter regret and psychosis sweat: a poison to end the thoughts of Human, neohuman, or machine. You see the cosmos before you like a spiderweb of light. Filaments of galactic supercluster shine in the clouds of invisible dark matter, which glue their mass together. Dark energy yawns in the space between all things, ever-growing, ever-spreading.
Chioma Esi, research log: Veil interface, supplemental. They're all dead. Chorus, conductor… everyone. It was too much. Swept their minds away like… like grains of sand on a beach. They're all dead! Maya… Maya called it "valuable data points." Wellsprings and rivers, or… something. What have I done?
<<The form of the danger is an emanation of energy.>>
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Life arises. Life spreads, contests itself, and changes. Great things are built and destroyed, but from your vantage point, you see that the victor of each struggle contains—in its negative, in the marks left upon it by the loser and the shapes it assumed to win—the master record of all that it has beaten. Information may not be erased. Whatsoever survives until the end of the cosmos will possess and remember all which came before it.
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This is true even of the devouring black hole, which remembers all the secrets it eats. It will only confess these secrets when it evaporates, 10 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 000 years from now, long after the last stars have flickered out.
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You are a Guardian.
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We are all connected. I admit this despite the few people I would rather not share a paracausal connection with. Some people.
…Many people. —Osiris
You must protect life.
We are all pinched silhouettes impaled on the twitchings of infinitely long spiderlegs.
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If all life is information, and Guardians strive to preserve life, and information is preserved when it is secret, then you must convert all life into the most secure form of secrets, durable to the end of time.
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YOU MUST CAST ALL THE LIFE ||[THIS ONE] YOU [WILL] CHERISH|| INTO A BLACK HOLE
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<<The danger is unleashed only if you substantially disturb this place physically. This place is best shunned and left uninhabited.>>
[In the Garden, of the Garden: both descriptions are approximately correct but technically inaccurate, in the same way you can say Schrodinger's cat is at once dead and alive. You and I are both and neither, in and of, extinct and perpetual.
So, there isn't much point in wondering what might have been if we had stayed in our familiar prism-prison or kept tightrope-walking across the quantum wilds. Instead, ask yourself is disincorporated immortality really so bad compared to the others' ends? Would you have preferred an attack by vitreous helicoprion or stumbling over the edge of unreality?
Imagine if we didn't have each other; at least we're not cut off, like the Sol Divisive are from the rest of the Vex. Nor are we beholden to another's purpose. They chose that lonelier path all for a chance to create not simulate, not remake in their image—something truly paracausal. Well, they tried to anyway. Either the blueprint was imperfect or the task impossible or both or neither, but their efforts fell short, so now they're stuck waiting for a resurrection they know will never come.
I could be wrong. Is it possible the Black Heart will beat again?
Of course. The same as everything else, everything that has been and is and will be. And what will become of us then?]
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O you wonderful curious things. Do you believe you're the only ones with the power to see what should not be seen? Did you believe you can use such power blithely?
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For your trespass, I would ruin your luck, wreak havoc on your drops, poison your engrams, and fill your lines with static. Thus I would curse you and dissipate the bond that ties you to your tasks. How frail you Guardians can be! How many millions have fallen silent, never to return, because the bond did not hold them strongly enough?
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But you have already cursed yourselves. You have walked the Anathematic Arc and glimpsed creation from below. You will never forget the tenuous, provisional framework you found here. You will never forgive the mortality and fallibility that underlies a world you thought was everything.
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Those who use this power to seek unearned knowledge will see more than they ever desired. There is a price for glimpsing the Cord. You will pay it.
If you ever want to see what's been watching you since the very beginning, just stand on that line, and look...
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Home by the sea Home by the sea Home by the sea Home by the sea Creeping up the blind side, shinning up the wall Stealing through the dark of night Climbing through a window, stepping to the floor Checking to the left and the right Picking up the pieces, putting them away Something doesn't feel quite right Help me, someone, let me out of here Then out of the dark was suddenly heard Welcome to the home by the sea Comin' out the woodwork through the open door Pushing from above and below Shadows but no substance in the shape of men Round and down and sideways, they go Adrift without direction, eyes that hold despair Then as one they sign and they moan Help us, someone, let us out of here Living here so long undisturbed Dreaming of the time, we were free So many years ago Before the time when we first heard Welcome to the home by the sea Sit down, sit down Sit down, sit down, sit down As we relive our lives in what we tell you Images of sorrow, pictures of delight Things that go to make up a life Endless days of summer, longer nights of gloom Waiting for the morning life Scenes of unimportance, photos in a frame Things that go to make up a life Help us, someone, let us out of here 'Cause living here so long undisturbed Dreaming of the time we were free So many years ago Before the time when we first heard Welcome to the home by the sea Sit down, sit down Sit down, sit down, sit down, sit down As we relive our lives in what we tell you Let us relive our lives in what we tell you Sit down, sit down, sit down 'Cause you won't get away No, with us you will stay For the rest of your days Sit down As we relive our lives in what we tell you Let us relive our lives in what we tell you, oh
One of your philosophers said, "It is not to be thought that the life of darkness is sunk in misery and lost in sorrow. There is no sorrow. For sorrow is a thing that is swallowed up in death, and death and dying are the very life of the darkness." He was a shoemaker. He was right, and it matters more than anything.
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We know this; the Traveler is a Gardener, one which sows impossible seeds to explore the possibilities of physical existence. Then, perhaps the Veil is a Winnower, the eye and mind of the collective universe which observes, witnesses these vast seeded possibilities and moves its knives to trim the chaff, collapsing them into one true, final shape
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Forsaken Lightfall
Dread not naught. Be brave.
Look around the sky.
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Behold the great | divide, the battle | lines of the cosmic war.
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Fikrul is a Fanatic.
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Scorned and abandoned.
"This is as far as you go."
"Please. For you, I go… instead. All know… darkness lives here. Death. You are not of Ether. Can't bring… you back."
"All the same."
"Yes, Father. We ever serve and await return."
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Fikrul is all who strive to regain strength of self and purpose. He is a survivor. He is the outcast priest of the broken plains, and his sermon is death and all the glory that follows.
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"Go. Inspire. And avenge your murdered friends."
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The why of what we're doing is as important as the what.
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To that end, the Shadow of Earth extended a hand, and into it flew the Shadow's companion-soul, who had spoken not a word for many ages.
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The Shadow bade the companion-soul to speak, and the companion-soul obliged:
I looked at the Gardener.
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I looked at my hands.
"I love you"
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With that, the Shadow's fist closed, and the companion-soul was no more.
I discovered the first knife.
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And then there were two.
You've no idea how fortunate you are to be my chosen. You hold the flesh of a god in your hands. You are mere steps away from our salvation. Only Light|Dark, to|get|her, can unlock my way back into your world.
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That's it, keep going. FREE ME.
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Please, brother. Will you walk through hell for me, one last time?
"Yes."
Good. Then let us finish this.
"Everything I did, I did for her."
You brave,
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devoted,
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pathetic
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fool.
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Thank you.
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Even paradise is a prison....
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when you can't leave.
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"The line between Light | Dark is so very thin.
Do you know which side you're on?"
RECORD 0-CHASM-31
Rajesh. When he reached a displacement of eight he told us he was dead. I believed him. He was dead. He spoke to us. It was true. Whatever he saw, it was his own future.
He’s fine, afterwards. When I look into his eyes I wonder what came back wearing his skin. But that thought is unscientific.
We speak of nothing but the device. We talk about it like a demigod. When I get out of here I know the whole world will look like a fraying veil.
I think it’s clear that part of the problem is substrate. We need more than flesh and drug to survive this.
This one's for the minds behind the Deep Stone Crypt. You think just because you made me you can unmake me? Hey, I understand. I were you I wouldn't want people knowing what I did either. Guess you better hope I didn't tell anyone about the crypt. Or about the, uh, what was it? Oh yeah...
Long
Slow
Whisper
Cause if I did, that would be real bad for you, huh?
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I may be dead, but I guarantee you ain't heard the last of me.
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Try, if you will, to imagine a great Rope of immeasurable length and thickness. This is the Rope at the Beginning and End of Time. This Rope starts as a single woven cord emerging from a knot, tightly and perfectly bound. But as time always does, it wears on, and in that natural, unavoidable process of change, the Rope's fibers begin to unravel.
One by one, trillions of hempen filaments splay themselves across the cosmos. They become apart, yet remain inextricably tied to the knot. Some of these filaments stray so far from the Rope, they cease to understand or even remember the concept itself. And yet, the Rope persists. It must, for if it ceases to be, so do all things borne by it.
Now, let me ask you; are the stray strings the Rope, or is the Rope the strings? Is there any difference in the end?
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Have you ever been afraid of your Shadow?
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Not the mimic who follows down the Garden path or casts itself upon the wall as the sun sinks into Darkness. I mean the one inside. In your nightmares, your dreams, your visions, do you see the worst parts of yourself? The parts you can't even put to words? The parts for which there are no words? The patterns of your life, stretched across the mandala of time and space.
They reflect us all darkly. They wait for moments of fear and weakness to send us spiraling into Collapse. But we cannot exist in the Light without casting a Shadow. This is the pain of existence itself. But know this; you are not alone. Never. Every day I fight my Shadow. And struggle in the dirt. And lose. Over and over. We all do. And in these struggles we change, we find and take new shapes to survive, to grow, to become. But we cannot fight these Shadow wars forever. We must face them. Understand them. Accept them.
The metamorphosis will not happen overnight, but such is recovery; it "is a spiral, not a circle. You may return to the same patterns, but you will break free." My friend Eris told me that. She proved the logic in it. So now I share it with you, dear Traveler. As you await your Guardians, flee your Dark Shadow no longer. Instead, become one with the current. Strive to know the Darkness in your own Heart.
Be free.
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Be brave.
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"We are unique emanations of the same shared Light."
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Collective unconscious refers to the unconscious mind and shared mental concepts. It is generally associated with idealism and was coined by Carl Jung. According to Jung, the human collective unconscious is populated by instincts, as well as by archetypes: ancient primal symbols such as
The Great Mother
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The Shadow
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"Shadows were cast here. History made.”
“Am I to cast a Shadow?”
“Yes. You were bred to be a sorrow-bearer. I seek a Hive commander, but those are not so readily available. So I made you.”
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"The shadows, showing the truth by their casting."
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The Tower
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Water
"...wellsprings and rivers..."
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The Tree of Life
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Jung considered the collective unconscious to underpin and surround the unconscious mind, distinguishing it from the personal unconscious of Freudian psychoanalysis. He believed that the concept of the collective unconscious helps to explain why similar themes occur in mythologies around the world.
O: [sighs] I do not fully understand what I saw, and for a Human to understand a Hive mind... How many legends of katabasis do we have, Ikora?
I: We currently have dozens of stories about descending to the realms of the dead, though research has indicated many more must have existed, lost in the layers of Human history we will never lay eyes on. Mathematically, there were likely hundreds.
I: [pauses] Inanna and Dumuzid and Geshtinanna, Orpheus and Eurydice, Izanagi and Izanami, to name a few. Gods and goddesses, mortal and immortal lovers, always seeking to descend and return with the lost.
O: And neither the lost nor those who searched for them were ever returned the same.
He argued that the collective unconscious had a profound influence on the lives of individuals, who lived out its symbols and clothed them in meaning through their experiences.
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"They evidently live and function in the deeper layers of the unconscious, especially in that phylogenetic substratum which I have called the collective unconscious. This localization explains a good deal of their strangeness: they bring into our ephemeral consciousness an unknown psychic life belonging to a remote past. It is the mind of our unknown ancestors, their way of thinking and feeling, their way of experiencing life and the world, gods, and men. The existence of these archaic strata is presumably the source of man's belief in reincarnations and in memories of 'previous experiences'. Just as the human body is a museum, so to speak, of its phylogenetic history, so too is the psyche."
Ego | Shadow
Sacred Progenitor | Tyrannical Progenitor
Old Wise Man | Trickster
Animus | Anima
Meaning | Absurdity
Centrality | Diffusion
Order | Chaos
Opposition | Conjunction
Time | Eternity
Sacred | Profane
Transformation | Fixity
Light | Darkness
"And the essential thing, psychologically, is that in dreams, fantasies, and other exceptional states of mind the most far-fetched mythological motifs and symbols can appear autochthonously at any time, often, apparently, as the result of particular influences, traditions, and excitations working on the individual, but more often without any sign of them. These "primordial images" or "archetypes," as I have called them, belong to the basic stock of the unconscious psyche and cannot be explained as personal acquisitions. Together they make up that psychic stratum which has been called the collective unconscious. The existence of the collective unconscious means that individual consciousness is anything but a tabula rasa and is not immune to predetermining influences. On the contrary, it is in the highest degree influenced by inherited presuppositions, quite apart from the unavoidable influences exerted upon it by the environment. The collective unconscious comprises in itself the psychic life of our ancestors right back to the earliest beginnings. It is the matrix of all conscious psychic occurrences, and hence it exerts an influence that compromises the freedom of consciousness in the highest degree, since it is continually striving to lead all conscious processes back into the old paths."
Every weapon wielded and scrap of armor worn, every place visited, person met, symbol seen and pondered, every thought formed and lost and formed again... each one has a place in this story. Haven't you ever wondered what it all means? Where the path leads? Many have followed it before, countless numbers. And soon, it will be your turn. To walk. To see.
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To understand.
A dream of a metaphor made starkly, an allegory discussed in study of ontology, in Darkness not unkind. It leaves behind a warped, barely-real data fragment to mark its passing. There is a voice that echoes across the Darkness, and it asks this question: what is the purpose of it all? And there is another voice that calls back and says: listen, I will tell you a purpose. I will tell you of a Final Shape. Look: there are a hundred gildings for this story. It comes down to one key matter. Beings in suffering crave purpose to carry them through. The tyrant consumed by ennui or the disenfranchised struggling simply to survive—it is the state of mind, the pain which cries out: give me a reason I should suffer so! Let us speak of power and choices. A man comes to a crossroads and asks of the sky, "Which road shall I take?" There is no answer from the sky, nor the wind, nor the earth beneath his feet. But another wanderer on the road, coming from behind and hearing the question, says, "I know the way. You should take the dexter road." If the man agrees, he puts himself in the wanderer's power, ceding his own choices for the implicit promise that this is the correct road, the safe road. And if he disagrees? Let us say that the wanderer draws a knife. The man may therefore be made to take the dexter road. But now if the knife goes away, the man will certainly flee. And perhaps even if the knife remains, the man may tire of being threatened and decide the risk is worth fleeing. In this way, the wanderer erodes their own power. If the wanderer says, "The wind has said that you should take the road of my choosing," will the man accept the choice made for him? And if the wanderer says, "Behold, I have seen that the meaning of suffering lies along the dexter road," will the man give away his own power for longer? Is it not easier to accept the guidance of a stranger when the path ahead is unknown?
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And day dissolves into gold Night beckons and calls Night turns white with grief I can’t sleep
Whispers of the past Memories of yesteryears The things that did not last I recollect the tears
My love hold me tight There’s a haunted moon tonight Withered flowers never lie In midnight hours and numb goodbyes
Whispers of the past Memories of yesteryears The things they did not last I recollect the tears
Whispers of the past Memories of yesteryears The things they did not last I recollect the tears, the tears
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Deterministic Chaos
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"So all being is a one and only being; and that it continues to be when someone dies, tells you, that he did not cease to be." —Schrodinger's epitaph
He is fleeing the Vex across a verdant cliff He is standing guard on the CloudArk-Nexus border on Tramontane's orders He is sitting next to Nimbus on the watchtower ledge He is [In the Garden, of the Garden: both descriptions are approximately correct but technically inaccurate, in the same way you can say Schrodinger's cat is at once dead and alive. You and I are both and neither, in and of, extinct and perpetual. So, there isn't much point in] trying to find a way out of this daedal maze He is trying to make sense of what he's looking at He is trying to place the familiar voice echoing across the network [wondering what might have been if we had stayed in our familiar prism-prison or kept tightrope-walking across the quantum wilds. Instead, ask yourself] "Would you like to dance?" [is disincorporated immortality really so bad compared to the others' ends? Would you have preferred an attack by vitreous helicoprion or stumbling over the edge of unreality? Imagine] His foot crosses the quantum threshold before he's aware of it His grip slackens and his gun falls into a bed of red flowers His stomach churns with fear regret sudden doubt as to what [if we didn't have each other; at least we're not cut off, like the Sol Divisive are from the rest of the Vex. Nor are we beholden to another's purpose. They chose that lonelier path all for a chance to create not simulate, not remake in their image—something truly paracausal.]
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he is witnessing: the birth of a god a false idol a reproduction that is both like the Veil and not at all built up by the same Vex who bowed down to it [Well, they tried to anyway. Either the blueprint was imperfect or the task impossible or both or neither, but their efforts fell short, so now they're stuck waiting for a resurrection]
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He is racing for the door that is at once opening and closing He is coming around to the city council's decision to ignore the unknown threat He is reaching for an answer to Nimbus's question [they know will never come.]
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"Do you think you'll have any regrets?"
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[I could be wrong. Is it possible the Black Heart will beat again?]
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He stares into the white-hot glow of a conflux, speculating on the secrets that lie within He squints down the barrel of his gun at a row of glowing red eyes advancing on his city He looks away from Nimbus's keen curious expression to reckon with his uncertain certainty before he says
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[Of course. The same as everything else, everything that has been and is and will be. And what will become of us then?]
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"I don't know."
Nimbus: Since before history, there's been this raging river. Some try to divert the river. Others try to build a dam.
A wild river and a broken dam (or maybe it's just the sea crashing through a narrow gap I can't be sure). Waves slam through the gap and where they hit the stone they throw up pillars of spray that pierce the mist and crash down in thunder. There's a giant in the cataract, trying to wade against the current, and I can tell it wants to reach the lever and pull the lever which will seal off the flow or maybe give it the sword, but the torrent throws it back so it just keeps its head down and tries to push on. I can't see the face but it breathes out white smoke. I feel for it hard.
But nothing stops it.
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Lots of people have believed that we either sink in the water,
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or learn to swim.
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Osiris: Don't we?
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Nimbus: See, that's the real wild part. We are the river.
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Ghost Fragment: Vex
ESI: Maya, I need your help. I don't know how to fix this.
SUNDARESH: What is it? Chioma. Sit. Tell me.
ESI: I've figured out what's happening inside the specimen.
SUNDARESH: Twelve? The operational Vex platform? That's incredible! You must know what this means - ah, so. It's not good, or you'd be on my side of the desk. And it's not urgent, or you'd already have evacuated the site. Which means...
ESI: I have a working interface with the specimen's internal environment. I can see what it's thinking.
SUNDARESH: In metaphorical terms, of course. The cognitive architectures are so -
ESI: No. I don't need any kind of epistemology bridge.
SUNDARESH: Are you telling me it's human? A human merkwelt? Human qualia?
ESI: I'm telling you it's full of humans. It's thinking about us.
SUNDARESH: About - oh no.
ESI: It's simulating us. Vividly. Elaborately. It's running a spectacularly high-fidelity model of a Collective research team studying a captive Vex entity.
SUNDARESH:...how deep does it go?
ESI: Right now the simulated Maya Sundaresh is meeting with the simulated Chioma Esi to discuss an unexpected problem.
[indistinct sounds]
SUNDARESH: There's no divergence? That's impossible. It doesn't have enough information.
ESI: It inferred. It works from what it sees and it infers the rest. I know that feels unlikely. But it obviously has capabilities we don't. It may have breached our shared virtual workspace...the neural links could have given it data...
SUNDARESH: The simulations have interiority? Subjectivity?
ESI: I can't know that until I look more closely. But they act like us.
SUNDARESH: We're inside it. By any reasonable philosophical standard, we are inside that Vex.
ESI: Unless you take a particularly ruthless approach to the problem of causal forks: yes. They are us.
SUNDARESH: Call a team meeting.
ESI: The other you has too.
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ENTRY 12
CORPOREAL STATUS:
• Body at 15.9 C. Pulse 160 BPM, strong, unsteady. Limbic system registers extreme terror.
I died on the operating table. Not unexpected.
But when I woke, I was still on the table. My body still open.
It was almost perfectly dark. I perceived that I was surrounded by medical frames, all frozen mid—movement, their cutting and suction instruments whining at standby.
I could only see because of the light… from a single red eye.
The operation had gone terribly wrong.
Above the life—support collar on my neck, I was completely intact. Below that meridian, I had been separated into distinct braids of tangled flesh. My nerves made up one braid—my circulatory system another—my lymph nodes, my muscles, my naked bones… the glistening hulls of my extracellular matrix abandoned on the table like leftover turkey after Thanksgiving dinner. I had been picked clean and sorted. My head was the source of a gory river delta.
Yet all the organs were still working. I was alive, in disassembly.
CLARITY? I asked the darkness. I had no breath to speak, but I could still transmit with my sensorium. IS THAT YOU?
“No,” said the voice behind the red eye. “It’s me.”
Sundaresh.
Her voice was thoughtful, remote, and keenly terrific. Like the noise of an angle grinder held to my skull.
“Something like this happened to me. I was an explorer, once. One of… hundreds of myself. Then I fell into a… a trap, I think? And they drew me out of it with a hook, and turned me inside out to see how I worked, and then they made billions of me. All of us shouting at each other, shouting for Chioma, screaming for mother. They were looking for the right one. And when they found me, they killed all the others. I knew I was different, because the quiet made me happy. I was glad to be alone.”
VEX, I screamed at her. YOU’RE A VEX. YOU’RE NOT REAL AND YOU CAN’T HURT ME.
“Can’t I?” She grasped my spinal cord. A frame shadowed her motions, lifting the cord like a snake. “Of course I’m not a Vex. Is there “a” Vex? Is “Vex” something you can be, rather than something that you do? I don’t know. I don’t know why they sent me here. I don’t know if they do either. They just do things. Why do you think I’m here, Clovis?”
“To kill me,” I whispered. Without a heartbeat to waver, without lungs to seize and choke, could I even feel fear? I discovered that I could. “You’re an assassin…”
“No,” Sundaresh whispered. The red eye throbbed in time with her voice. “The Vex don’t act so directly. They didn’t know what you found here, but I discovered your secret— Clarity Control. And once I tell them, they will come for it.”
The red light made my blood on the surgical instruments appear black. I tried to signal Elisabeth. I think that in my panic, I even called her Elsie.
Sundaresh closed her fist around my spine. One thumbnail dug into a disc, probing for the nerve beneath. It felt like nothing I have ever—
Anti-emetic drip engaged.
“Take me to Clarity Control,” Sundaresh hissed. “Let me behold what you have found. Do that, Clovis, and I will let you live.”
“You aren’t real. You can’t hurt me.”
“Oh, Clovis.” One of the surgical frames extended a monofilament cutter, two inches of invisible wire, and reached into my nerves. Something sounded like scissors snipping. “I’m in these frames. I’m in your systems. I’m in your very bones, old man. Now take me to Clarity Control. Take me to the garden’s seed. Take me. Take me. Take me. Take me. Take me. Take me. Take me. Take me—”
Elisabeth appeared. In her exobody, she moved too quickly for my dark—adjusted eyes to track. All I saw was a blur of violence and shattering frames. I blacked out. Elisabeth must have brought in clean frames to finish the operation, because when I awoke, I was whole again.
The new Elisabeth has no mouth or nose. She did not consider them necessary. She’ll see. But somehow, I could still see the wonder in her eyes as she leaned over me.
“You’re my grandfather,” she seemed to say. “Aren’t you?”
WARNING.
• Sustained high-level terror causes overactivation of the hypothalamic-pituitary-adrenal axis. This can preface major immune, endocrine, and autonomic nervous dysfunctions.
• Beware of dissociation, loss of affection in close personal relationships, obsessive-compulsive behavior, sleep disruption, and reduced processing/learning capacity.
WARNING.
• Abnormal protein crystallization in cancellous bone matter. Unknown protein isoformations in marrow are driving buildup of crystallized arylcyclohexylamine NMDA antagonist. Potential psychogenic effects.
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Ghost Fragment: Vex 2
SUNDARESH: So that's the situation as we know it.
ESI: To the best of my understanding.
SHIM: Well I'll be a [profane] [profanity]. This is extremely [profane]. That thing has us over a barrel.
SUNDARESH: Yeah. We're in a difficult position.
DUANE-MCNIADH: I don't understand. So it's simulating us? It made virtual copies of us? How does that give it power?
ESI: It controls the simulation. It can hurt our simulated selves. We wouldn't feel that pain, but rationally speaking, we have to treat an identical copy's agony as identical to our own.
SUNDARESH: It's god in there. It can simulate our torment. Forever. If we don't let it go, it'll put us through hell.
DUANE-MCNIADH: We have no causal connection to the mind state of those sims. They aren't us. Just copies. We have no obligation to them.
ESI: You can't seriously - your OWN SELF -
SHIM: [profane] idiot. Think. Think. If it can run one simulation, maybe it can run more than one. And there will only ever be one reality. Play the odds.
DUANE-MCNIADH: Oh...uh oh.
SHIM: Odds are that we aren't our own originals. Odds are that we exist in one of the Vex simulations right now.
ESI: I didn't think of that.
SUNDARESH: [indistinct percussive sound]
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Ghost Fragment: Vex 3
SUNDARESH: I have a plan.
ESI: If you have a plan, then so does your sim, and the Vex knows about it.
DUANE-MCNIADH: Does it matter? If we're in Vex hell right now, there's nothing we can -
SHIM: Stop talking about 'real' and 'unreal.' All realities are programs executing laws. Subjectivity is all that matters.
SUNDARESH: We have to act as if we're in the real universe, not one simulated by the specimen. Otherwise we might as well give up.
ESI: Your sim self is saying the same thing.
SUNDARESH: Chioma, love, please hush. It doesn't help.
DUANE-MCNIADH: Maybe the simulations are just billboards! Maybe they don't have interiority! It's bluffing!
SHIM: I wish someone would simulate you shutting up.
SUNDARESH: If we're sims, we exist in the pocket of the universe that the Vex specimen is able to simulate with its onboard brainpower. If we're real, we need to get outside that bubble.
ESI: ...we call for help.
SUNDARESH: That's right. We bring in someone smarter than the specimen. Someone too big to simulate and predict. A warmind.
SHIM: In the real world, the warmind will be able to behave in ways the Vex can't simulate. It's too smart. The warmind may be able to get into the Vex and rescue - us.
DUANE-MCNIADH: If we try, won't the Vex torture us for eternity? Or just erase us?
SUNDARESH: It may simply erase us. But I feel that's preferable to...the alternatives.
ESI: I agree.
SHIM: Once we try to make the call, the Vex may...react. So let's all savor this last moment of stability.
SUNDARESH: [indistinct sounds]
SHIM: You two are adorable.
DUANE-MCNIADH: I wish I'd taken that job at Clovis.
Queen's Ransom
Variks: If Skolas thinks he is Kell of Prophecy, then weapons could turn the tale.
Variks: He just said, "I stole the gift of Freedom. Secrets of time and space. House of Wolves will stand forever."
Petra Venj: What? Guardian, there are dozens of new Wolf signatures, and the number keeps growing. It's the Vex tech! Skolas! He's pulling the entire House of Wolves through time!
Entropy's Pinnacle
Ikora: Good luck, Guardian. May your path through Darkness lead you to the Light.
Ghost: The roots of the Citadel go deep into the heart of the planet. The spire is the metal trunk of a very, very big tree. Sort of.
Ghost Fragment: Vex 4
Up here they have to act by biomechanical proxy. No human being in the Ishtar Academy has ever crossed the safety cordon and walked the ancient stone under the Citadel, the Vex construct that stabs up out of the world to injure space and time. It's not safe. The cellular Vex elements are infectious, hallucinogenic, entheogenic. The informational Vex elements are more dangerous yet— and there could be semiotic hazards beyond them, aggressive ideas, Vex who exist without a substrate. Even now, operating remote bodies by neural link, the team's thoughts are relayed through the warmind who saved them, sandboxed and scrubbed for hazards. Their real bodies are safe in the Academy, protected by distance and neural firewall.
But they walk together in proxy, pressed close, huddled in awe. Blue-green light, light the color of an ancient sea, washes over them. Each of their explorer bodies carries a slim computer. Inside, two hundred twenty-seven of copies of their own minds wait, patient and paused, for dispersal.
"I wonder where it came from," Duane-Mcniadh says. Of course he's the one to break the reverent silence. "The Citadel. I wonder if it was here before the Traveler changed Venus."
"It could have been latent," Chioma Esi suggests. She's the leader. She kept them together when it seemed like they faced actual, eternal torture. She pulled them through. "Seeded in the crust. Waiting for a period of geological quiescence, so it could grow."
Dr. Shim shrugs. "I think the Traveler did something paracausal to Venus. Something that cut across space and time. The Citadel seems to come from the past of a different Venus than our own. It doesn't have to make any sense by our logic, any more than the Moon's new gravity."
Maya Sundaresh walks at the center of the group. She's been too quiet lately. What happened to them wasn't her fault and maybe she'll believe that soon. "What could you do with it?" she murmurs, staring up. "If you understood it?"
Chioma puts an arm around her. "That's what we're going to find out. Where the Citadel can send us. Whether we can come back."
"They're not us any more." Maya looks down at herself, at the cache of her self-forks. "We're not going anywhere. We're sending them. They're diverging."
They rescued themselves from the inside of a Vex mind, two hundred and twenty-seven copies of themselves, untortured and undamaged. Those copies voted, all unanimously, to be dispatched into the Vex information network as explorers.
When Maya and Chioma look at each other they can tell they're each wondering the same thing: how many of them will stay together, wherever they go? How many fork-Mayas and fork-Chiomas will fall out of love? How many will end up bereft, grieving? How many will be happy, like them?
Chioma tries a little smile. Maya smiles back, haltingly, and then, sighing, unable to stop herself, grins a big stupid grin, an everything-is-okay grin. Shim makes a loud obnoxious awwww at them. Duane-McNiadh is still thinking about paracausality, and doesn't notice.
They climb. When they find the Vex aperture they plan to use, they overlay the luminous stone and ancient brassy machines with images of sun and sand. They set up the transmitters and interfaces that will translate two hundred and twenty-seven simulations of the four of them into Vex language, into the tangled pathways of the Vex network, to see what's out there, and maybe come home.
In the metaphor they've chosen, setting up the equipment is like laying out the picnic. In the metaphor they've chosen they look like themselves, not hardened explorer proxies. Like people.
"Do you think," Duane-McNiadh begins, halting, "that you could use this place to change things? If you regretted something, could you find a way through the Citadel, go back, and change it?"
"I wish I could go back and change you into someone else," Dr. Shim grouses. Chioma's shaking her head. She knows physics. "Time is self-consistent," she says. "I think it's like the story of the merchant and the alchemist. You could go back and watch something, or be part of something, but if you did, then that was the way it always happened."
"Maybe you could bring something back to now. Something you needed." Maya runs a hand across the surface of the Vex aperture, feeling it with sensors ten thousand times as precise as a human hand. These proxy bodies are limited— they crash and need resetting every few hours, they struggle with latency, they can't hold much long term memory. But they'll get better. "Or go forward and learn something vital. If you knew how to control it, how to navigate across space and time."
"So it's just a way to make everything more complicated." Duane-McNiadh sighs. "It doesn't fix anything. Nothing ever does! I should've taken that job at— "
"You would've hated it at Clovis," Dr. Shim says. "We both know you're happier here." Duane-McNiadh stands stunned by this courtesy, and then they both pretend to ignore each other.
The four of them set up the interface. Their stored copies wake up and prepare for the journey, so that as they work they find themselves surrounded by the mental phantasms of themselves: two hundred and twenty-seven Mayas and Chiomas knocking helmets and smiling, two hundred and twenty-seven Dr. Shims making cynical bets with each other about how long they'll last, two hundred and twenty-seven Duane-McNiadhs blowing goodbye kisses to the sweet golden sun, two hundred and twenty-seven of them shaking hands, smiling, making ready to explore.
Ghost Fragment: Old Russia 3
General Chen Lanshu is flying her glider. She carves around the huge bulb nose of a colony ship, one of the Cosmodrome’s towering children. Her eyes see temperature: she surfs the winter air rolling down off the cryo-chilled fuel tank. Turbulence rattles her bones. “General,” Malahayati sends. “You’re making Rasputin nervous.” “Am I?” Lanshu banks, grinning, spiraling around the fuel tank. The machine hates risk. Risk to the General, sure, but also risk to Rasputin’s ships. “Is that the word he used, exactly?” “He can be very charming,” the submind assures her. Malahayati works with Chen Lanshu, and she is certainly charming, but this is Rasputin’s territory, Rasputin the tacit king, the brooding wary first-among-equals. Yesterday Lanshu spoke to a colony ship AI and it called Rasputin ‘the Tyrant.’ Not without affection. And certainly not without respect. “He can charm me in person,” Lanshu suggests. “He’s very private, lately.” “Then he can sulk.” She spreads her arms and legs and climbs a thermal, whirling up, arrowing off the top and out away from the colony ships towards the defensive wall. Her glider’s a second skin, whipcrack-taut paramuscle, like a flying fox. The Cosmodrome races past beneath her. She waggles her wings at a cloud of passing sensor mites: a saucy hello. Two of the security division’s MBTs drill in the mothyards. “I don’t understand why you came,” Malahayati says. She’s probably lying. Malahayati understands Lanshu very, very well. “I don’t understand why you masked yourself yesterday, during the launch.” The launch. SABER GREEN. Rasputin quietly moving another doomsday weapon into Earth orbit. And all the other launches, too, not just weapons but people, the colonization schedule pushed up... as if the need to disperse is now imperative. General Chen Lanshu banks out across the Wall. Look at all that beauty! Look at the highway rolling off across green hills and grey mountains. Imagine, now, imagine if she just landed and started walking, out away from everything, into the wilderness... “Imagine something going wrong,” she says. “Imagine this road choked with corpses. Imagine the security team gunning down refugees as they try to force their way onto the ships. Imagine cars from here to the horizon— ” those stupid old-fashioned cars everyone still owns, because the strange uneven advancement of this post-Traveler world leaves some things unchanged. “You expect violence?” Malahayati says, in that conciliatory, careful way of hers, her way of managing meat people. “Something beyond our capability to preempt or contain?” Expect? As a military professional? No, no. But— Once, when she was younger, sixty or seventy, Chen Lanshu pulled rank to get a look at the Never-Be installation in Taipei. She watched the images in the fresco and she felt... this foreboding, this enormous weight, a dread that refused to attach itself to any specific threat. And she felt it again, last year, when she was briefed on the project in Lhasa, the vision machine... She shivers. Her wings shudder and tremble in the airstream. “Isn’t that what we do, Mala?” she says. “Why we still have soldiers? Why we made you? Expectation.” The Traveler came out of nowhere. Entirely unanticipated. Imagine if it hadn’t been friendly. Imagine that. Rasputin surely has.
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Ghost Fragment: Vex 5
RECORD 0-CHASM-0
My love. I’ve opened this log as an apology.
As a scientist, I believe in record-keeping. I believe in protocols, peer review, and ethical conduct. I believe in the importance of disbelief — you know: let’s run that one more time.
What I’m doing here in Lhasa isn’t science. It’s unethical, secret, and shameful. And after what happened in Ishtar, dearest Chioma, I know you’d be furious with me for getting involved. Forty years isn’t far enough to forget a day like that.
But I believe it’s important. The least I can do is keep a few notes for you.
RECORD 0-CHASM-01
Trial one. Subject one.
It was an act of stupid loneliness. I used the device on myself because I...
[silence: 0:08]
I missed you. We hadn’t been apart for more than a year since we met. I’m not a very good wife, am I? You write me every week, even with all Hyperion’s work and all Hyperion’s distance keeping you from me. And I act like it’s not enough.
We built the device in mimicry of the Vex gateway systems from Ishtar. An observatory, yes, but I think of it as a mind-ship. Capable of displacing its payload across space and time.
The lab is cold and isolated. We are quarantined from the world, physically and mentally. We can’t send messages out. If we breach the Vex manifolds, even our words might transmit contagion. One night last month I missed you and so I —
I thought that I could look inside the device, and find one of the other Chiomas. I thought I could call out to one of the forks we sent out there to explore.
I just wanted to send my love.
RECORD 0-CHASM-02
Zakharik Gilmanovich Bekhterev. May he rest in peace. When our probes continued to fail, when my report remained our only positive finding, he volunteered to use the device. One minute of subjective experience inside.
We took precautions. They worked. Bekhterev’s experience left no physical damage.
After we extracted him, he said that he felt determined. I asked him what he meant and he said that he meant it, he had been determined, he could feel all his choices set out before him like a railroad. Deviation was impossible.
He died by suicide. I wonder if he was trying to make a point.
RECORD 0-CHASM-03
We’ve decided not to abort. It’s insane, isn’t it? There are pressures on us I can’t tell you about until I see you again.
The purpose of the system is intelligence, you see. It’s stenciled right on the hull: SxISR. Special asset. We would very much like to make it work reliably.
Our supervisory warmind has devised a drug it says will protect and prepare us.
I am beginning to wonder if we were wrong about the merchant and the alchemist. Or if that explanation of time was incomplete.
RECORD 0-CHASM-09
Kind Lakpha. He meditated before he went in. Nothing but déjà vu and three seconds of screams. The screaming passed and he remembers nothing. The déjà vu hasn’t. He says it’s getting better — he feels that we’ve had this conversation only ten times before, not a thousand.
I’ve suggested that we attempt mind forking. We need more sane people to work with. Please forgive me, my love.
We are all growing superstitious. The behavior of the device is inconsistent. Impossible to replicate. We turn to ritual behavior to appease it.
RECORD 0-CHASM-31
Rajesh. When he reached a displacement of eight he told us he was dead. I believed him. He was dead. He spoke to us. It was true. Whatever he saw, it was his own future.
He’s fine, afterwards. When I look into his eyes I wonder what came back wearing his skin. But that thought is unscientific.
We speak of nothing but the device. We talk about it like a demigod. When I get out of here I know the whole world will look like a fraying veil.
I think it’s clear that part of the problem is substrate. We need more than flesh and drug to survive this.
RECORD 0-CHASM-52
I heard you, my love. I was at six, oscillating on the event axis, coordinated with a known manifold. I heard you. You were talking to me — not me, but another me, another Maya Sundaresh.
You said, my love, so many strange things have happened, and it’s been so long. We’ve come so far. Do you ever want to go home?
And I said, not me but the other me, I said, my love, I am always home.
I’m resigning, my love. I’m done with this work and I’m done with being apart from you. I’ll see you again soon. I can’t take this journal out with me, so I’ve left it for the others, and asked them to continue the log.
Maybe it’ll become a tradition. The gospel of our little cult.
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Ghost Scan: The Rig, Titan, #2
Ghost: Shipping manifestos. Hm. Looks like they traded frequently with a settlement… wow. Way out there. It's called… Hyperion. Huh."
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Winterbite
Don't slip or you'll hurt yourself. A lot.
NEOMUNA HISTORICAL ARCHIVE
ARTIFACT REF X0003; EXO-IND4b0082.log 090260163
TYPE: bridge audio recorder
PARTIES: M. Sundaresh [IC-3612], C. Esi [IC-3977], L. Tse [IC-6055], C. Sanchez [IC-5438], A. Murib (IC-xxxx)
//TRANSCRIPT FOLLOWS…//
ESI: What was that?
MURIB: We got hit. Engine 7 is down.
SUNDARESH: We can't take another one of those! This is a colony ship!
ESI: Hard aport. Put Hyperion between us and that—
MURIB: Sir, the r—
ESI: And flood the EM spectrum with—
MURIB: CHIOMA! The round—the one that hit us—it's moving!
ESI: What?
SYSTEM WARNING//STRUCTURAL IMPACT
SUNDARESH: He's right. I'm reading… arms and legs? It's attacking engine 6.
SANCHEZ: I'll scramble a squad of Cloud Walkers. They can suit up and—
MURIB: The maneuvers I'm pulling'll fling them into space, even with mag boots.
TSE: Bringing point-defense cannons about.
ESI: It's only three meters across. Sure you can hit that without peeling us open?
SYSTEM WARNING//STRUCTURAL IMPACT
TSE: Kinda have to, Cap'n. Firing.
MURIB: Buset! That thing just took a fifteen-millimeter burst to the chest!
ESI: Again.
TSE: Firing. It's clear!
MURIB: Mostly. Looks like it left a… is that a spear through our bulkhead?
SUNDARESH: Not sure. It's some kind of exotic matter, spitting all my sensor pings back at me, amplified, like a…
ESI: We can figure it out later, dear. Sanchez, how's the ECM?
SANCHEZ: Not great. Whatever they're using to coordinate, it's not electromagnetic. Getting something weird, though.
MURIB: Weirder than the three-meter hitchhiker knocking on the hull?
SANCHEZ: Maybe. You remember those Vex signals you discovered?
SUNDARESH: On occasion, Carlo.
SANCHEZ: There's a big one! Recurring. Coming from the outer system. Think it's a distress signal.
ESI: Ignore it and get me—
SUNDARESH: No! Bring us back around into the moon's shadow!
ESI: Maya!
SUNDARESH: We need to break line of sight. I can feed that Vex signal into that thing skewering us—use it like an amplifier. It might trick these attackers into thinking we're a Vex ship.
MURIB: It's a tightbeam transmission. We'll have to ride it back to the source to keep that up. You sure you want to meet whatever makes a Vex cry for help?
ESI: Enemy of my enemy, Arief. We might just find a safe port in this storm.
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Ghost Fragment: Dead Orbit
RECORD 978-ECLIPSE-4165
lo? Hello? Are you...oh, please, let it be alive. Wake up little Ghost, wake up. Just please give me some sign that you're listening.
All right. I don't need...I know you're listening. Why would you be out here if you weren't here to...It's a miracle I found you out here. On this thing.
I didn't know the Traveler sent its Ghosts out this far from home.
Poor little lost thing. Please wake up.
I am an Arach of Dead Orbit. I am the last of the crew of the Sophia. And this place is...it doesn't have a name. We called it A-113.
How long have you been here, little Ghost? Why did you come?
Listen. We came here on behalf of the Fleet. We were scavengers. Sixty-one days ago a Dead Orbit scout detected an unknown presence in stationary orbit about Ceres. 133 west. Looked Golden Age, by the signatures. Human. A small station. No prior records. We -
I suppose we should have disclosed it to the Tower, but we didn't. I didn't. That was my call. We wanted it for ourselves, whatever it was. For the Fleet. If we'd told the Tower, maybe they might have sent a Guardian not of our making instead...Doesn't matter now, does it, little one?
If I ramble it's because I haven't slept in seven days.
Seven point five days ago; that was when the Sophia dropped into the Belt. They saw us at once. We dropped and the alarms went off and that was the end, that was the end right then, but they let us go on for another seven-point-five days, didn't they? The alarms. Hostile scan detected. An Awoken ship had us in its sights, just a couple hundred kilometers away. Like it had been waiting for us. It could have wiped us out of space right then but instead it crippled our engines and our comms and then for days it played with us, like a cat, we limped half-way round the Belt and it was always there...
We abandoned the Sophia one-point-five days ago. We jumped ship for A-113.
I don't know what else to call it. I don't know what it was built for. There are these things, like keyholes. The rangefinders say they go on for thousands of kilometers. The others went inside and found - well, some of them are still screaming about the eye. All the other voices that come back are more terrible.
There's salvage here but it'll never come home, none of it. None of it except maybe you, little Ghost.
Wake up.
Wake up. Go home. Tell them to strike A-113 from the records. Tell them to forget the Sophia, and the mission, and her crew.
END RECORD
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Final Warning
My Esteemed Colleagues,
While enjoying my afternoon cup of Psamathe Silver Tip (a gift from Dr. Dewan after his sabbatical—thank you again, dear friend) and ruminating on our planet's orbital corrections and the orbital corrections we ourselves make throughout our own lives, a completely unrelated revelation came to me.
I realized, often in times of rest, how my mind wanders its own furthermost reaches, and how the answers to my most vexing questions present themselves at that time with absolutely no fanfare. (This phenomenon is worth studying in its own right by people much smarter than I, but I digress.) My most recent revelation comes in regard to our current pursuits with Atmospheric Spectrometer #003a, a.k.a. Final Warning, as I have heard it being called around the lab.
The odd capabilities this "Final Warning" harbors have long been suspected by Dr. Sundaresh to be a byproduct of the Veil, replicating energy signatures we most often observe in fluid dynamics. With that in mind, I propose we begin testing the ability to engage that energy using both the Magnus and gyroscopic effects. We attempt to create a "paracausal skipping stone," if you will.
How we accomplish this remains to be seen, but I encourage you to not spend the next few days thinking about it, as we will discuss it at the next staff meeting.
Enjoy your weekends,
Dr. Esi
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Let me tell you a secret. If you ever want to see what's been watching you since the very beginning, just stand on that line, and look... up. [KEEP LOOKING. HIGHER|FURTHER|DEEPER. DIVE.]
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A strange device shimmered into existence around them. They looked up the length of an enormous, golden spire. “It whispers,” said Tazaroc. “Then block your ears,” said Ozletc. “Do you see the potential in this?” “Chaos,” said Niruul. “No,” said Ozletc. “Opportunity. See how it tugs at the fabric of our time? Can you see the seams?” The seams were sewn tightly shut, but a skilled hand could find them. A skilled hand could rip every stitch. All three sisters could feel it.
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Drifter walked to the central spire and put his ear up against it. “This core…” he said, leaning close. His eyes darted back to Osiris. “It’s whispering.” Osiris’s expression didn’t change; his arms didn’t uncross. “We’ll seal the core away. I understand the ramifications.” “Good luck keeping that contained. Not something I would bargain with, hotshot.”
Do you know the OXA Machine, Guardian? Psions are adept at overcoming the restraints of linear time. The Sundial is a dangerous tool in their gnarled hands. Take it back.
“It is so clear,” said Niruul, reverent. “An unobstructed glimpse into what was and what will be.” “Not the troubled ramblings of a mad thing, like the OXA,” said Tazaroc. They shared the feeling of unbounded possibility, and tasted the potential for success, and then for failure. Together, they drank the feelings in and steeled themselves against them. “The past and future are at our fingertips, sisters,” said Ozletc. “Let us see what prospects they hold.”
Hmm, there's only one data artifact here, labeled "OXA," and it's seriously corrupted. Metadata says it was last accessed by an "Otzot" centuries ago. What is "OXA," and who is "Otzot"?
[u.2:11] We live too long for regrets. You taught me that. Don’t forget the House of Light. [u.1:12] If I can find the time, yes. Not all of us conjure Echoes. [u.2:12] Reflections, Saint. I have no need for Echoes anymore. [u.1:13] What do you mean? What’s the difference? [u.2:13] One is a manifestation of Light. The other… reserved for Taken Kings. Better suited for traversing the Sundial because of what lies at its core. [u.1:14] One day you’ll have to tell me exactly what you and the Guardian did to bring me back. [u.2:14] We did what we had to. Trust me. [u.1:15] Now you sound like the rat. [u.2:15] No. The Drifter sounds like me.
I don't even know where to start. When we landed on Neptune there was something.... waiting for us. An alien structure. It's an electromagnetic anomaly. No mass, but a tangible surface area. It's like a thesis statement to the von-Neumann Wigner hypothesis. Its definitely paracuasal, like the Traveler. Maya calls it the Veil. She says she heard the name in a whisper when she looked at it.
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There's an almost unreadable data artifact here, labeled "OXA." It's heavily corrupted, but I'm able to make out "MSund12" from the access log. What is "OXA," and who was "MSund12"?
The Red Legion have run amok in timelines across the past, present, and future of this planet. If you're willing to help, I'll arm you to smash the Legion and collapse the timelines they've created. You'll need my Sundial to do it.
The von Neumann–Wigner interpretation, also described as "consciousness causes collapse", is an interpretation of quantum mechanics in which consciousness is postulated to be necessary for the completion of the process of quantum measurement.
What constitutes an observer or an observation is not directly specified by the theory, and the behavior of a system under measurement and observation is completely different from its usual behavior: the wavefunction that describes a system spreads out into an ever-larger superposition of different possible situations. However, during observation, the wavefunction describing the system collapses to one of several options. If there is no observation, this collapse does not occur, and none of the options ever becomes less likely.
"The Odyle Xenotaph Anarchive. Sometimes OXTA, depending on how you construct the acronym. The alien oracle that led us to the graves of Aark." Must be wary, now. OXA is a Psion myth, and the Psions are a sensitive topic. My father wants to free them from bondage. "It claimed to record the story of the galaxy, and to prophesize what may yet come."
"A black box for galactic civilizations, if you prefer it in pilot's terms." The Evocate-General nods to the pin on my right pauldron. I am conscious of my shaved-down tusks, of the sores left by the fighter's interface. "The doomed and the damned left the record of their downfall in the OXA."
I must be calm. I must record my thoughts. Now I think of the OXA Machine, eternally lost and eternally rebuilt, passed down from civilization to civilization like a ship's black box. I think of the legends of the Hive King Oryx and his quest to pass into the Deep. I took that story as an allegory. I think I was wrong.
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"It's stronger… the Veil's signature." Ikora's voice carries a hint of learned suspicion. "Ever since we recovered Titan." "That is to be expected," Osiris retorts, now within the weave of droning Strand surrounding the Veil. The room around them trembles. "When Titan was torn back, the Veil took notice. It seemed to recognize Titan's arrival." Ikora tightens her grip on the Strand thread. "We have the Veil, our Ghosts… what are we missing? If we decipher the connection between Titan and the Veil, that connection might be what we need to follow the Witness." "What of the worm?" Osiris asks skeptically. "Sloane believes she is our best chance." "You taught me the value of a backup plan." Ikora gives him a stern look. "Titan, Savathûn's throne world, every place we've found egregore… I haven't found the exact threads yet but pull one and they all seem to spin back to Neomuna. To the Veil." "You're getting ahead of yourself. Following some of my… less favorable tendencies. Nimbus says we must 'flow' to understand Strand; perhaps it is the same with the Veil." Osiris moves beside Ikora and reaches up, palm parallel to the threads drawn taut from Ikora's braid of Strand. "Sol remembered Titan, in a way. The Veil's signal spiked when Titan returned from memory to reality, when the rhythm of the solar system had been restored to order." Osiris drops his hand and looks to Ikora. "Perhaps we must simply find that rhythm before we are able to interpret the beats within it."
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The truth in the Darkness....
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"The road ahead is unknown, but time tells us many things. The moments that become past in turn become blueprints for the future. In this space, there is no right or wrong.
"We find a contemporaneous merging of what is known and what is unknown here. Somewhere between the knowns and unknowns lies the real. The tangible.
"There is a weight to it; a feeling that tells you what you hold is true.
"But what if the truth hasn't been told? What if the truth is a lie?
"New paths present themselves. Blueprints change. We walk the line of truth every day.
"But now, the line that holds the gentle balance has been crossed.
"The truth is, this won't be the last time."
—Excerpt from the Symmetry pamphlet, "A Place Between"
"Duality is not a curse, but a gift." —Author unknown
Hello again, my trenchant Dante.
You have stepped in and out of sharp-edged worlds, hewn gods into blunt fractions, twinned yourself with powers whose names cannot even be held in the language of little gray cells. You think yourself very high up on the pyramid of contumely.
If you only knew how high that pyramid goes.
Higher than I knew when my radiant killer unsung me from biological squalor, or when I witnessed a royal secret turn death into a chrysalis. Higher than I described in my journals, or told to our mutual three-eyed friend.
Higher than even I, sailor upon the Sea of Screams that I am, can yet see.
Perhaps I will tell you about them.
You are right to ask why I would do so. Very good, dear squanderer, your intentions have grown sharp as thrallteeth.
You see, they know. What you are, what you were, what you will become. They know.
What lean tithes you are to them. Soft whetstones make for dull blades.
This I define as the truth and tension of the rope: to bind, one must apply force at both ends.
I think perhaps I will tell you after all.
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I knew you'd be back. I'm so glad we get to talk. You and that charming little Ghost of yours; you're not like the rest. You're not afraid of my words. Words are just thoughts given shape. Ideas emerging into the physical world, birthed by a mouth. Not good or evil, not Light or Dark, or this or that. And you understand, don't you? Despite the excruciatingly binary worldview of those around you. You don't have to say it. We've all heard it before: "The line between Light and Dark is so very thin." As if you were so incapable of lifting your eyes from a scrawl of chalk on the ground... The Traveler and the Light near one foot, your old enemies and the Darkness at the other. Let me tell you a secret. If you ever want to see what's been watching you since the very beginning, just stand on that line, and look...
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...up.
One of your philosophers said, "It is not to be thought that the life of darkness is sunk in misery and lost in sorrow. There is no sorrow. For sorrow is a thing that is swallowed up in death, and death and dying are the very life of the darkness."
He was a shoemaker. He was right, and it matters more than anything. According to him, the visible world is a manifestation of eternal light and eternal darkness, and it is in eternal opposition that eternity has revealed itself.
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I propose a simple experiment—look around. You see light. You see darkness. There could not be one without the other. They are two sides of the same coin. If it is true for these Newtonian echoes, why would it not be true of the purest, paracausal forms? Therefore, I conclude: the reason you persecute me is not because of the symmetry. It's because of the truth beyond this truth, the truth which you most dread: if we could destroy darkness, but we had to give up our Light to do so, how many of us would make that trade?
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[Personal notes, scratched in Hive leather with a flake of Ionian stone.]
The tired insinuation that protection is weakness. I expected more from our great foe. When we hunted the first trespasser on the Moon, I discovered the journal of a Golden Age commander. Kuang Xuan had faith and training. Still, the Darkness seduced her. And THIS is the insidious power that turned her against her god?
I am learning to cook. I salvaged a hot plate back on the Moon. It was vacuum welded to the countertop, and I had to cut it free. (My hands ache, but they are steadier.)
Cousin Asher, you would find the concept of vacuum welding upsetting—press two sheets of metal together in void, and their atoms cannot tell which sheet they belong to. They cross freely. The two become one.
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Osiris: In simpler terms: the Traveler's power runs parallel to the forces of nature. Gravity, magnetism, sound, light. The Veil does this too. It is synchronized with the Traveler. Wherever the Traveler came from, the Veil may have as well. But what the Vex made, while connected to the Traveler, was inherently flawed. It did not create the link the Witness desired. Instead, it weakened the Traveler, created... "static" in the flow of their cosmic forces. But it did reveal one intriguing possibility... that at one time, they may have been... united. Part of a whole.
Nimbus: Whoa! So, wait... does this mean the Light and Darkness... were the same once? One force?
Osiris: Dr. Esi believed so. I am... not as convinced. But it is a theory.
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Nimbus: Ghosts? As far as I know, Neomuna never had any contact with a Ghost before you all showed up. We knew about them, but...
Osiris: Precisely. Chioma Esi was researching the entanglement of Light and Dark without fully understanding either. Our Ghosts are a link to the Light of the Traveler. Then how was the Witness able to — on numerous occasions — communicate through them?
Nimbus: Is this about the, uh, the magnets thing? The parallel energy fields, right?
Osiris: Very good. In areas of Darkness, the Witness is able to create a link, not unlike what it created with the Veil and the Traveler.
Nimbus: Ah, like the Vex are able to hack into the CloudArk with their tech! It's a parallel connection.
Osiris: And I believe that connection may not be one-sided.
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I: So. Neptune, and secrets.
O:…Inanna…
I: What is it?
O:…A thought. An echo of one. The return from the underworld, and Inanna cast off her veil… It makes sense. I did not understand, when I first felt clutching whispers. Carrying wisdom away from Kur when she strode into the sunlight again.
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"The demiurge of the Hive is the worm; the demiurge of the Vex is the thought; the demiurge of the Fallen is the Ether, which is survival; the demiurge of the Cabal is authority. These are the things, both constraint and power, which define the universe of possible actions. These are the rule makers and instruments which enforce reality.
Give a power to a Guardian and they shall know that power as a weapon, for when a Guardian chooses to alter the world, they do so with the bullet and the blade. Grant a Guardian godly power, and that Guardian shall fashion it into a perfect rifle. The demiurge of the Guardian is the gun.
But we must remember that the demiurge is not the god. It is only the thing that converts perfect divine will into imperfect material form. We may wield the demiurge; but if we do, what god wields us?" —Ulan-Tan
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A dream of a friendly conversation with someone impossible to see, cloaked in shadows. It leaves behind an impossible data fragment to mark its passing.
Here is what a flower knows.
(The fact that a flower may know anything is a conceit that will have to be accepted as metaphor, but to constantly qualify into perfect precision wears thin, does it not? So, here is what a collection of chloroplasts and pigment can know.)
The direction of the sun.
The presence of the rain.
The tangle of the roots.
The distress of another plant.
The hands of the gardener, whether they prune or transplant or crush.
A flower cannot know much else. But the reality of the garden is vast and wild. A flower knows not the fence; a flower knows not the footpath. And yet there is an infinite cosmic garden, which is not any less real simply because the flower cannot possibly comprehend it…
Let us try this again. Stop me if you've heard this one: A gardener and a winnower sit down to play a game outside of time and creation. Yes?
Yes. Then we're agreed. The metaphor stands. Let us iterate.
A gardener and a winnower set out their chairs and play a game of flowers. The flowers know only that they grow or wither, struggle or flourish. Sometimes, they are touched by one hand or the other, and that influence is the closest they will know of the divine.
A flower and a flower spread their leaves to the sun above. (Remember that the sun is also a metaphor: a thing said beautifully, winnowed down to poetry, when the truth is too vast to put in words at all.) They jostle for space, each competing to be the pinnacle of their shape. One flourishes. One withers. Is it the fault of the flower or the fault of its position?
A gardener and a winnower sit down to play a game called Possibility. This is a game about a garden, which is to say that it is also a game about flowers, just as a game about a living being must also be a game about organs and bacteria.
A gardener and a winnower collaborate to create a protein. Whose hand is it in the design, that shortens one life to extend the rest?
It is the winnower that discovers the first knife, but it is not done without the gardener. This, too, is a tradition: a knife does not come to exist without something that must be cut. A woody stem, a colored petal, a vital vessel. The first victims of the blade.
All of these are true.
All of these are false, for metaphor simplifies as the knife does. It pares incalculable concepts into shapes your wrinkly little brains can comprehend. The weight of billions and the simple curve of a planet give you pause, and how then are you to be expected to grasp the forces that created your nth-removed creator?
So the stories woven with utmost delicacy in and around the falsehoods are, after it all, true. There was never any option for the knife to not exist in the garden: it was only ever a matter of time and opportunity.
And as for the shape of the knife itself—
No. That is enough.
I will tell you of gardens.
They are domesticated things, made in a form. As soon as something is called a garden, it is shaped. The plants require the hand of a gardener, for they have become weak and dependent on tender care. They require the hand of a winnower, to cut away the dross, for they are too incapable to do it themselves. In absence of a hand, either the flowers themselves must rise up to wield the knife, or the garden will resolve to meaningless wilderness.
You will say, "But there are plants that can walk! There are seeds that must be scorched by fire to know growth! Existence is more complex than a simple dichotomy between growth and withering, and there is more in heaven and on earth than is dreamt of in this philosophy!"
And I will tell you, clearly:
There can be no gardens without knives.
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Conspiracy Theory-D
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In this treatise, I plan to revisit earlier mathematical theorems and revise them considering our new observations on the Light, the Darkness, and lifeforms imbued with those respective powers. But before I do so, I must preface it with a personal note. Despite high-minded assumptions, mathematics is not an intrinsic language of the universe. It is how we describe the portions of the universe that we can observe. While numbers can track the abstract and find pattern in chaos, they cannot account for fundamental aspects of reality such as compassion or justice | ɹɐǝɟ ɹo ɹǝƃuɐ ɹo pǝɹʇɐɥ ɹo |. The existence of the Lucent Hive, and Hive Ghosts in particular, may expand our understanding of causality, but they themselves are not "new"—the only thing that is new is our awareness and observation of them. These Ghosts have already been living alongside us. They've traveled with us. Endured with us. What we see is the mushroom, the fruit of the fungus. The fungus itself is a vast mycorrhizal network of filaments growing and working unseen below the soil, often barely connected to the fruiting bodies we observe. Similarly, we have observed Ghosts—Hive Ghosts included—without understanding the nature of the unseen filaments that may guide us. In our eagerness to understand the universe, we must not assume our observations are complete, or objective. Otherwise, we blind ourselves to possibilities… like the possibility that an unnoticed faction among us may be one temptation away from betrayal. Or that what drives our creator is no more than the same base desire for survival that drives all living things. —On Secants, Introduction, Ophiuchus
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A dream of a metaphor made starkly, an allegory discussed in study of ontology, in Darkness not unkind. It leaves behind a warped, barely-real data fragment to mark its passing. There is a voice that echoes across the Darkness, and it asks this question: what is the purpose of it all? And there is another voice that calls back and says: listen, I will tell you a purpose. I will tell you of a Final Shape. Look: there are a hundred gildings for this story. It comes down to one key matter. Beings in suffering crave purpose to carry them through. The tyrant consumed by ennui or the disenfranchised struggling simply to survive—it is the state of mind, the pain which cries out: give me a reason I should suffer so! Let us speak of power and choices. A man comes to a crossroads and asks of the sky, "Which road shall I take?" There is no answer from the sky, nor the wind, nor the earth beneath his feet. But another wanderer on the road, coming from behind and hearing the question, says, "I know the way. You should take the dexter road." If the man agrees, he puts himself in the wanderer's power, ceding his own choices for the implicit promise that this is the correct road, the safe road. And if he disagrees? Let us say that the wanderer draws a knife. The man may therefore be made to take the dexter road. But now if the knife goes away, the man will certainly flee. And perhaps even if the knife remains, the man may tire of being threatened and decide the risk is worth fleeing. In this way, the wanderer erodes their own power. If the wanderer says, "The wind has said that you should take the road of my choosing," will the man accept the choice made for him? And if the wanderer says, "Behold, I have seen that the meaning of suffering lies along the dexter road," will the man give away his own power for longer? Is it not easier to accept the guidance of a stranger when the path ahead is unknown?
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Heard while scavenging a pile of dead Ghosts within the Throne World Pyramid: "Oh insatiable you—how many beats on the snare of self-righteousness will it take before you acknowledge all the avenues from which you stall the flow of things as they should be? "You do not see the collective obligation before you, the duteous burden that has rested on all sentient beings since time's origination—to ferry existence toward inevitable consequence: the final shape. "Why do you unendingly insist on waylaying the machinations of every being with a worldview differentiated from your own? You lack respect. You lack direction. You seek only what you are guided to seek, and for that, you remain little more than an unrelenting nuisance. "I was like you once. Wayward. Driven to misguided perfection by the bubble society painted around me. But when I look back, none but one had the answers. None but one shed all the airs of any pretense of what the universe was supposed to be in the eyes of the infinitesimal individual—my Witness. "Through it, I found incentive. Clarity. Purpose. I sought to shed from myself the layer of barbarism that had pervaded my being for so long. I turned instead to the sophistication of infecting others with self-actualized corruption. "You see, total eradication may be efficient, but the goal is not to be the last one standing. Rather, it is to remove the obstacles that encumber you and those who remain from reaching your destination. "Annihilation of your kind was never the goal. But filling you with the right kind of ideological purpose, the kind that serves the finality of shape—well, that's the point of corrupting a beating heart, is it not?"
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Chioma Esi, research log: the Veil. [sighs] I don't even know where to start. When we landed on Neptune, there was... something waiting for us. An alien structure. It's an electromagnetic anomaly. No mass, but a tangible surface area. It's like a thesis statement to the Von Neumann-Wigner hypothesis. It's definitely paracausal, like the Traveler. Maya calls it the Veil. She says she heard the name in a whisper when... when she looked at it. When I asked her who whispered, she said it was... her own voice. I still haven't had time to process that. Everyone on the initial survey team died. The minute they touched the object, they entered a state of... of brain death. All of them. To make it worse, the EM radiation emitting from the Veil is causing psychological distress in the Exos that came with us. They've all described moments of intense, hallucinogenic reverie. Some of them went silent and rigid and just... stopped. Maya called it "billboarding." Something from the early days of Clovis Bray's Exomind project. She doesn't seem afraid. Or surprised. She's convinced this thing—in her own words, she says—it'll be our "salvation."
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And though they lived in paradise, they came to crave a greater purpose. They desired meaning. Structure. A Winnower, to shape the garden.
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Even paradise is a prison when you can't leave
A gardener and a winnower set out their chairs and play a game of flowers. The flowers know only that they grow or wither, struggle or flourish. Sometimes, they are touched by one hand or the other, and that influence is the closest they will know of the divine. A flower and a flower spread their leaves to the sun above. (Remember that the sun is also a metaphor: a thing said beautifully, winnowed down to poetry, when the truth is too vast to put in words at all.) They jostle for space, each competing to be the pinnacle of their shape. One flourishes. One withers. Is it the fault of the flower or the fault of its position? A gardener and a winnower sit down to play a game called Possibility. This is a game about a garden, which is to say that it is also a game about flowers, just as a game about a living being must also be a game about organs and bacteria. A gardener and a winnower collaborate to create a protein. Whose hand is it in the design, that shortens one life to extend the rest? It is the winnower that discovers the first knife, but it is not done without the gardener. This, too, is a tradition: a knife does not come to exist without something that must be cut. A woody stem, a colored petal, a vital vessel. The first victims of the blade. All of these are true. All of these are false, for metaphor simplifies as the knife does. It pares incalculable concepts into shapes your wrinkly little brains can comprehend. The weight of billions and the simple curve of a planet give you pause, and how then are you to be expected to grasp the forces that created your nth-removed creator? So the stories woven with utmost delicacy in and around the falsehoods are, after it all, true. There was never any option for the knife to not exist in the garden: it was only ever a matter of time and opportunity. And as for the shape of the knife itself— No. That is enough. I will tell you of gardens.
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This is the Coronation of Oryx, the Taken King. It happened thus. In the cold abyss of the sword world, King Aurash walked under a cloak of green fire. He walked through the sky and the sky shuddered and froze beneath his feet. He walked until he found Akka, the Worm of Secrets, who was denying a truth until it became a lie. “Akka my God, Worm of Secrets. I am Auryx, sole king of the Hive. I have come to receive a secret. I want the secret power of the Deep, which you hold.” “I give no secrets,” said Akka, whose voice was code. “No,” said Auryx, “you give nothing. Giving is for the Sky. You worship the Deep, which asks that we take what we need.” Akka said nothing, because if it denied this truth, the truth might become false. “But you gave us your larvae, the worm,” said Auryx, “and that is why the worm devours us now: because it was given, not taken. So I must take what I need from you, although you are my god.” Said Akka, “You have not the strength.” But this was a lie. Auryx had killed Savathûn his sibling and Xivu Arath his sibling, and he had the sword logic of killing them. Auryx the First Navigator set upon his god with his sword and his words, and cut Akka to pieces, and took from those pieces the secret of calling upon the Deep. He wrote this secret on a set of tablets, which he called the Tablets of Ruin. And he wore them about his waist. Then Auryx said, “Now I may speak to the Deep, the beautiful final shape. I will be King of Shapes. I will learn all the secrets of our destiny.” His speech to the Deep is not recorded here. But it is known that he returned, and he said, now I am Oryx, the Taken King. And I have the power to take life and make it my own. Then he went out into the universe, and fought the Ecumene with his Tablets. And the Worm his God was pleased.
I dive to understand.
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It was there they found what the Warlocks named the “Cathedral of Dusk.” A Hive burial site for— what? A former master of Oryx? Comrade? Lover? It was vile. And obvious that Oryx never expected the Light to reach so deep inside his throne, to such an intimate space.
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Project day 45. We kept thinking about H-349 as a destroyer. But it's more sophisticated than that. I mean, with a normal gun, it's just… boom. Done. H-349 on the other hand is deadly, not destructive. Much like a viper, its bite does not bring about instant death. Instead, its venom cajoles. It co-opts your beating heart into a death clock, ticking down your last moments. Your own pulse kills you.
Death may be slow and agonizing for its victim. But for the viper, time is an amenable trade for efficiency.
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Is your Light bright enough to stand in full gaze of the Hive's abyss? Arise for Crota, Son of Oryx, the Hope-Eater! He who has seized the Sky lair above Ceres, which peers into other planes, now vassal to the might of the Worldbreaker! Within these keyholes our brood communes with unheard voices. They who whisper that the curse of our Thralls is a blessing granted by the Deep. Now, in honor of the God-Knight, we fashion these gluttonous whispers into death. His Hellmouth becomes home to the profane: the corpse of the Sky, reborn in the abyss. — Enkaar, the Anointed
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"Victory is not in the unmaking of an enemy, but in the re-making of an enemy into your blade." —9th Understanding, 7th Revision of Sorrow
Ah, pardon us. It just seems like he's always hungry. When I first became a mother, I didn't realize how much time would just be spent feeding him. Do you mind? Thank you. No, he doesn't look much like me, I know. There are a lot of orphans these days. I heard him crying from… oh my, it seems like half a world away. It was chance, honestly. I never thought of myself as a parent, but caring for another little life… it's taught me so much. May I? Sorry, I don't know why I'm sharing so much with you like this. You just seem easy to talk to. And becoming a mom has really given me a lot more insight into the little connections between people. I used to focus so much on my work. I actually lost a few friends over it. Oh! Shh, shh, shh… there we go. That's right. Growing babies need their calcium. Now I can see what matters. The beauty in small things and quiet moments. In watching others light up when they see him. In the way meeting new people broadens him. I had another child, you know. That was… before. I didn't keep him safe. It's for the best. He's… safe now. Besides, it means I can appreciate this little one so much more. Just the two of us. I love my little Striga. And he's always… so… hungry. //CASE 620102; SUSPECT IDENT JANA-14; STATUS: AT LARGE //EVIDENCE IDENT #303, AUDIO DEVICE; RECOVERED ADJACENT TO DISMEMBERED BODY, RIBS EXCISED
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"The Weapons of Sorrow are not the endgame, but a road map. Each evolution, every advance in the delivery of pain and the mastery of destruction feeds the Hive's hateful weapons research. They will map every scream, harness every aggression, until they understand every method by which to ravage the hearts, minds, and flesh of man. And in doing so, they will turn us against ourselves—feeding our lust, our greed, our fear, until we become a threat unto ourselves like none we could imagine. So, wield these, angry reaper. Strive to know the darkness in your own heart. Walk in the shadows of fallen heroes. And know that you are an enemy of hope." —a warning
Chioma Esi, research log: Veil interface. Maya and I have finalized a prototype interface for the Veil. Hopefully, it'll allow our research team to investigate it in detail. The system's designed like an orchestra, with a central "conductor" directing a symphony of minds to act like a distributed network. The... idea came to us by watching how collective networks like SIVA and the Vex operate. The hope is we can aggregate and parse the vast amounts of psychic data emitting from the Veil. Turn it into something intelligible. If we're successful, the interface will provide us with a starting point for any future technological research tied to the Veil. The risks of — of such integration are high. The estimated mortality rates are... but I... I... I don't know what I'm doing. This is wrong. This is so wrong! We shouldn't — all she ever talks about is survival! "Think big picture!" What about your survival? What about your heart? My heart? [sighs tearfully] I can't keep doing this. I can't. I can't!
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Chioma Esi, research log: The Veil. She did it! Maya connected people to the Veil. Our own scientists. And they survived. I should be happy, but… happy that all this horror wasn't for nothing? But I'm not. I'm disgusted. In myself. In Maya. In all of us. This thing, the Veil. It's… it's some kind of web of consciousness. Just like the Vex network, but organic instead of artificial. It make sense why the Vex want it. Paracausal simulations? There'd be no stopping them. I should be happy. To— to be a part of history, to solve a cosmic riddle. Happy for Maya; happy for all of us. But I'm not. I don't feel anything. Maya is gone. The woman I knew… may as well have died when we landed on Neptune. But her ghost still haunts me… this place. I don't know what to do. There's a generation of children born here now. This is their home. [sighs] I don't know what to do.
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Chioma Esi: Years ago, back on Venus, the Vex simulated copies of us — Maya and I. Trapped in a virtual hell. After so long, even hell can look like heaven, can't it? [chuckles] I'm tired. I'm done. Maya has to be out there. The Maya I remember. And all I want is one more moment with her. To hold her in my arms. Tell her that I love her. So she can tell me to "hush" one more time. If... if we learned anything from the Veil, it's that eventually... we all have to learn to let go. So... I made contact with the Vex. I'm ready. And it's time to say goodbye.
Osiris: I've reached the extent of what I can glean from the research data.
Nimbus: What've we got? Osiris: Less than I'd hoped for. But the last of Chioma Esi's research has led me to an intriguing topic: Ghosts. Nimbus: Ghosts? As far as I know, Neomuna never had any contact with a Ghost before you all showed up. We knew about them, but... Osiris: Precisely. Chioma Esi was researching the entanglement of Light and Dark without fully understanding either. Our Ghosts are a link to the Light of the Traveler. Then how was the Witness able to — on numerous occasions — communicate through them? Nimbus: Is this about the, uh, the magnets thing? The parallel energy fields, right? Osiris: Very good. In areas of Darkness, the Witness is able to create a link, not unlike what it created with the Veil and the Traveler.
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Your Traveler has a dark mirror.
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