The Crouching Venus (Lely version) - Doidalses of Bithynia, third century BC // Combing Her Hair - Torii Kotondo, 1929
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Torii Kotondo (Japanese, 1900-1976)
Make-up (At the Mirror)
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Asa Negami (morning hair)
Torii Kotondo
1930
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Torii Kotondo (1900-1976), Lion Dance (Kagamijishi), Showa period, 20th century, previously mounted as a hanging scroll: ink, colour, gold and gofun on silk, signed Kiyonobu ga (Pictured by Kiyoobu), sealed Ryoyoi, 45 x 55 cm., 17¾ x 21⅞ in.
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Torii Kotondo, “Hair Combing” (1932)
Explore Hundreds of Thousands of Japanese Woodblock Prints in a Ukiyo-e Archive
Yoshida Hiroshi, “Sailboats: Forenoon (Hansen, gozen)” from the series ‘Inland Sea (Seto Naikai shû)’ (1926)
Asano Takeji, “Twilight In The Village, Nara” (1953)
Shoson Ohara, “White Herons and Willow” (1926)
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In a Long Undergarment, by Torii Kotondo, 1929
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Torii Kotondo, Morning Hair.This image was considered so wildly provocative in 1930s Japan, that it was banned from further publication, remaining prints being destroyed.
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Fragrance of the Hot Spring, by Torii Kotondo, 1930 shinhanga
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Torii Kotondo (Japanese, 1900-1976)
Morning Hair
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Combing the Hair (Kamisuki)
Torii Kotondo
Showa period, 20th century
woodblock print
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