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#to it now looking all professional
notachair · 8 months
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thinking about how Sypha described Alucard like a "cold spot in a room" in S2, and Alucard showing up at the end of Nocturne S1 looking all desaturated, though yes ethereal, but also in a sense cold and ghostly, all buttoned up at the front. Sypha saying his sadness being like an icy well. And here he'd been so soft and happy by the S4 finale 😭 I'm nervous- but excited. And I fear the new groupie got some walls to tear down
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clownsuu · 10 months
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Hello, sorry to bother you, I really love your oc and au, so I drew these drawings!
Because I was shadowbanned a while ago, so I’m not sure if you’ve seen these before.
Please let me know if this bothers you! Have a nice day!
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Robbie is really cute and cool, he’s giving a vibe like “Chaos? I called it FUN!!!”
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And of course, Mob! au, I can imagine that Robbie throw Rubee to speed her up and help her change the direction!
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And the besties went to jail together, I love relationship between mob Julie and mob Sally, so cute!
AWEEEE ROBBIEEBBBBB SO MUCH LIL GUY CONTENTTTTT
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fisheito · 3 months
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i told myself that yakuei only had one position then i proved myself (sorta) wrong
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my fave face here:
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#technically... if they were boinking in outer space... a lot of these would be the same position#makes a rotate-y gesture with my fingers#what is yakumo's kabedon if not a vertical missionary#so i've half proven myself right AND wrong! i'm net neutral in outer space broskis!!!!!#zizz-asdf if ur reading these tags i'll have u know that u inspired me to Do the Research1#like. 5 garu riding eiden? no. it can't be. does yaku do one specific thing with eiden 5 times? *tries to write it down*#i can't quite... what's the word for that position...uhhhh#ah forget it i'll just draw it out#<- that was the process of creating this. collage? 😆#THE MATRIX OF YAKUEI BOINKINg POSITIONS (under construction)#when u about to be semi-normal and make a spreadsheet but ur sexcabulary is stunted so you resort to visuals instead#legit opening up every intimacy room and skipping thru sections to get as complete a picture as possible#wondering... where are yaku's feet planted in this one. (skips to 8minute mark)#ah! there they are. theyre not supporting his weight in this one *draws it*#while drawing crimson phantom room 2 my brow was furrowed and i was mentally narrating#[and this one i affectionately call.. rectal exam - professional misconduct Grounds for Termination)]#surprised they str8 up havent done classicdoggstyle yet. is it because he's a snake? garu should teach him#also surprised that there's been no Light SSR for yaku yet. come on!! Light mode on the double!#uhhh i think the only repeated positions were freestanding (choco liqueur r2 and dark nova r2)#and standing AGAINST! THE! WALL! (choco liqueur r5 {interior} and shadow lineage r5 {cave})#wait. *throws papers around* i swear they did missionary more than once. was it only ocean breeze???#i know with the intimacy rooms they gotta modify the positions into certain angles to make it...look...better#but seriously? only one missionary out of the lot of them? despite the aesthetic tweaks??? how can that ........#*tosses more papers around with increasing befuddlement* WHERE IS MY PURE 100% VANILLA BEAN ICE CREAM#sighs as all the papers lie scattered on the ground#dude... i don't know anymore..... this is beyond my scope#now that i see how evenly spread out the positions are...#i BET the devs have SOME SORTA CHART tracking yaku's positions. now THAT'S a funky office corkboard!#yakuei#nu carnival eiden
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abyssalzones · 14 days
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What's your comic writing process like? I'm starting to get into making my own comics and I really admire your work!!! Any advice?
Ah, intrepid traveler, you've done well to journey to this secluded mountaintop spire, in search of the answers you seek. I indeed can provide such forbidden comicmancy knowledge... at the cost of your mortal soul...
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coughs. anyway, I'm going to warn you immediately that what works for me does not work for everyone else, and in my experience the way I do things can prove very slow and discouraging for anyone who is more interested in the actual "drawing the damn comic" part of the process. I only do it this way because I enjoy weaving a narrative web that feels not only fully contained but re-readable, but my projects are often so long and my memory so shitty that I can't just keep all of it in my head! It would spill all over the place and make a really embarrassing mess of brain-juice. Not ideal.
but as for my own process, uhh... I suppose a comic would be fitting, right?
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a little choppy but you get the idea.
as for turning words into art, I've been experimenting with figuring out the best way to do that for a little while now. Originally what I was doing for something like Ad Astra Per Aspera was to take my "script" and sketch it out on paper very loosely, before transposing that onto my canvas and working from there:
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...but, I've found that can make it kind of difficult to space everything around on your standard page-size, and the thing I'm having the most problems with currently seems to be finding the sweet spot of panel-size proportions. So, I've taken to printing out standard thumbnail templates (you can just find these on google) and sketching very tiny panels in those, which seems to give me a slightly better sense of scale... (mild chapter 5 spoilers, sorry ad astra fans)
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but I have yet to totally pull through on this, so who knows, maybe I'll try something else in the future!
As for advice, this is probably most applicable to me, but as a disabled artist I have a very hard time managing my workload without literally working myself into injury. I don't think I talked about this publicly but when I was working on that ten year anniversary comic I was literally drawing every single day for 3 solid months. Sometimes, in my case, I really can't bring myself to stop once I've latched onto an idea, and sometimes I find the most rewarding thing I can do with my time is to draw- but I seriously cannot overstate: Do not fucking do this.
You will fuck up your wrist, your back, your neck, your eyes, and probably your mental health. It's a well-known fact that mangaka have a lower life expectancy than the average japanese person due to the intense workload imposed on them by deadlines and personal expectations. Comics are a very demanding artform, and even though I'm not on any sort of mandated schedule there are times where I've toiled away at something when I likely should have been exercising or taking vision-breaks. Therefore the best advice I can give you is to chill the hell out.
Namely, find parts of the process you can be lazy about, and embrace the laziness! You don't like digitally sketching? Don't do it! Skip it, or maybe find a way to traditionally sketch things out in advance like I do. Hate lineart? Don't fucking do it. You really don't feel like wasting your time writing 72k words of comic scripts? ...then, don't be like me. skip that part. I'm a flawed human being and what works for me might not work for you.
The second most important piece of advice I could give is to read comics. Of all kinds. The reason for this is pretty self explanatory: In order to figure out your own comic-making style, you should first pick out bits and pieces from the artist's buffet to add to your plate. Manga, graphic novels, american comics, european comics, weird niche little webcomics, funny papers, anything and everything. This advice rings true of pretty much any art form, but I find it to be essential to honing comic-making skills because so many things you feel will just come intuitively often don't. and that's okay! nobody is born knowing how to leave space for speech bubbles or shape their panels in a way that imitates stretches of time. The best way to figure out stuff like this, in my experience, is to study the "masters", and then after becoming well accustomed to the basics, figure out what rules you want to bend or break to create your own style.
I consider myself to be in equal parts a writer and an artist, which lends itself well to making narrative comics, but maybe you're a bit more of an artist and want to focus on panel-by-panel visual storytelling. Or, conversely, maybe your talents lean closer towards writing, and the art itself is more of a secondary skill. Regardless of your unique blend of talents you can and should make a comic, you should just also be aware of your strengths and try to hone in on those- there will always be opportunities to build up skills you lack, but focusing on what you do best will always lead you in the right direction.
Anyway, that being said, here are some recommendations in no particular order:
Monster, Naoki Urasawa (!!)
Bone, Jeff Smith
Witch Hat Atelier, Kamome Shirahama
The first IDW run of Transformers comics (namely More Than Meets the Eye and Lost Light)
Persepolis, Marjane Satrapi (!!)
Through the Woods, Emily Carroll (really any Emily Carroll comics)
Kill Six Billion Demons (webcomic) (!!)
Akira, Katsuhiro Otomo
The Third Person, Emma Grove
Tintin, Hergé (can be super racist please be wary)
Dungeon Meshi, Ryoko Kui
Calvin & Hobbes, Bill Watterson
Maus, Art Spiegelman
Cucumber Quest (webcomic)
Jellyfish Princess, Akiko Higashimura
Golden Kamuy, Satoru Noda (!!)
Note that I did not grow up with manga so I am seriously behind on a lot of extremely influential japanese comics such as Dragon Ball, One Piece, basically any of the original Shonen Jump comics, but they're widely considered building blocks of the genre so if you love the artform I think you should give them a try! Same goes for classic non-shonen manga genres like various Shoujo, Josei, Yuri, Gekiga, ETC.
same as above applies to a lot of classic DC and Marvel works, I unfortunately am just not a big fan of superhero comics... but I'm sure there's good stuff in there. a couple of my mutuals talk about booster gold and the blue beetle all the time so I'm assuming there has to be something worthwhile.
...and many, many, many more that I'm forgetting! I noticed as I made this list that, to my knowledge, hardly any of these are made by black or just non-japanese-mangaka BIPOC artists, which makes me sad about the gaps in my own comic collection. Therefore, anyone is welcome to add their own recommendations in the replies!
now go forth, and combine images with text!!!!!!!!!!!
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t-rina · 2 months
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You have news, Saru.
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sunbun-fnaf · 6 months
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working on some Silly Shit™ 
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Saw this ad today and it reminded me how idiotic the people who think that AI “art” is good somehow are because like-
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Are you gonna look me dead in my eyes and tell me that the first one isn’t leagues better????
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maxsix · 1 year
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hegodamask · 1 year
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Thinking about Syril doing his own tailoring.... how did he learn? Did Eedy teach him or did he teach himself? Has he been sewing since he was a kid? What do sewing kits even look like in the gffa? Does he go fabric shopping? Does he genuinely enjoy doing it or is it just a necessity to him? I’m fascinated. 
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dragonsdomain · 5 months
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You! Are! History!
I drew some of Pit's fabulous adorable poses from his battle cry in Chapter 5. I love him so much.
There were more, by the way, but I got tired after inking and coloring two. Have all five sketches under the cut:
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newtafterdark · 8 months
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Jester Moment™ 🎉
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girls-and-honey · 2 months
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#okay so random tag post even though it's been ages#me thinks the current place i work is actually decent a la accepting-queer-ppl so?? miiiiight. consider actually putting my#pronouns in my email signature (which hardly gets used but shh) but like. the actual ones not the society/people assume anyway ones#idk i attended a virtual tech focused event for trans dov (yes early but they didn't want to put the event on sun) and you know when#everyone is just sharing their stories and experiences and it's just like... an overwhelming sense of community? anyway that#and since it was hosted by a professional org the topics were all workplace focused and mayhaps that's something i'm thinking abt for#this year. at least within our pride group I might be ready? wild bc for a long time tumblr has been the only place I feel comfy being 100%#myself. but hearing real people's stories makes me feel like that kind of community would be nice to have elsewhere too#and the whole looking to others also turns around into the leading by example thing bc then we had some breakout groups at the end for#networking which is not my favorite but! i did my intro and said I use she/her for work but will use she/they for this group and#then the next person said he/him at work but for this group he/they so that made me wonder if it was bc of me saying so first?#which if it was is kind of like oh. the way I'm looking for those people for me.. I can also be that for someone else#anyway this sounds dumb typed out but irl/professional me has always separated out queer identity so it's new to me#i'm allowed to be giddy okay. just a little. as a treat (is tumblr still using 'as a treat' i really hope so)#oh shit is this what gender euphoria feels like#alright that's it for now i think#gah emotions and whatnot#missed you all btw i'll start actually being online again soon#personal
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sherlock-is-ace · 27 days
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#remind me to never ask my mother for opinions on absolutely anything ever again#i only wanted to see which illustration should go on my portfolio for kidlit art#and her wonderful opinion was to take out an illustration of two dudes EATING TOGETHER because and i quote#"gay relationships are not suitable for children books. it simply isn't their target audience''#does she need the list of the thousand of books that are literally about gay couples or about gay kids?!#they're not even like overtly gay they are literally eating together!!! (sure it is actually gay cause it's fanart of a bl but whatever lol#it's literally two guys sitting at the same table eating...#how is that not appropriate for children?!#also even if they were gettin married or whatever... how's that inappropiate?!#ALSO also i'm sick of reading in every illustration agency how they're looking for artists and writers and whatever who tackle queer storie#like sure i'm not gonna say gay people don't experience discrimination but it's not the fucking 50s... there are opportunities out there#idk i'm just so fuckin upset right now because she's saying I'M the one that's taking it bad#like the whole ''i'm not homophobic but.... blah blah''#and it drives me up the fucking walls to have to deal with this when the only thing i wanted was to have a char about which drawing looks#the best for a professional portfolio lol#anyways now out of fucking spite i'm gonna send all the gay ones i have lol#dkfjhkdfg#angel talks#personal#wish me luck on this email btw i need work!#dfkjghdfg
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captain-harpo · 8 months
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the mermaid shit was the gayest ive ever seen in anything in my life for real
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sequintial · 20 days
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>:( pride festival was supposed to email me when they had more information about performance applications. said so in january
guess who just checked the website and found out the deadline was apparently in march and no one reached out to me.
like, it looks like there's two deadlines listed and one is later this month but i don't have TIME now, i start my new job in like a wek
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Hello
What’s the best episode of fraggle rock in your opinion?
Hi!!!!!!
So sorry, I have no idea how long this AAM has been sitting in my inbox!
Hmmmm… there are a ton of them that I rank in my personal favorites, and I could answer this according to that list, or from an objective angle based on overall writing and thematic traits.
Objectively, I’d say the best episode is “Change of Address”, as it’s the full circle moment that the series has been building up to- not to mention that I get CHILLS every time “Magic be With You” starts playing in that haunting choral arrangement. It’s impacted me so much, and maybe it sounds odd to anyone else, but it was the song I sung to my newborn niece to soothe her the first time I met her, and it worked. Overall if’s just a beautiful episode, and I’m always teary afterwards.
Other strong contenders based on objective reasons are “The Day the Music Died”, “Gone But Not Forgotten”, and possibly “River of Life” (?). I give RoL a hesitant nod because it’s so somber that I’ve only been able to watch it twice- and I’ve seen the entire series otherwise so many times I couldn’t even guess, maybe upwards of 30-40 full views? Probably more, honestly, since it’s been my favorite companion since I was a tiny kid.
In terms of my favorites though, I have a long list! It doesn’t have huge overbearing weight in the story, but “Capture the Moon” has always been one of my biggest comfort episodes, as have “Boober’s Dream”, “Red’s Blue Dragon”, and “Wembley’s Flight”. Oh, and “A Brush with Jealousy”!! Man, the song from that one… “show me the light in a butterfly’s eye/and show me the dreams of the earth and the sky”… ahh.. so pretty.. I just feel refreshed upon hearing it. :)
Capture the Moon is where the foundation for my two main Fraggle OCs comes from (and weirdly enough, I came up with them due to a very specific Fraggle dream I had as a little kid, so that’s probably why they’re so dear to me! Hah!)
I also (hot take, I know!) do have a couple episodes I don’t actually care for that much. Of course, I love them all, but I do definitely have some least favorites. (I have never really liked “The Great Radish Famine”. I can’t place why, but it’s 1000% near the bottom of my list, LOL!)
Anyway, you asked a short question, and I totally blathered on for way too long! I’m not sure if I gave a very satisfactory answer 😅 I do suppose I could be more specific and take a more analytical approach if you’d like!! There are several ways to answer this specific question, HAH! Please feel free to ask more!!!! :0
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