The struggles of art, are not for everyone.
It’s really not, indeed.
You have to like the process first and foremost.
If when putting the tip of the pencil down onto paper your main thoughts are how you’re bad, how you won’t have any progress, or hope you’ll be as good as those famous artists you follow on here or Twitter, then you’re really doing it wrong.
I’ve been drawing for forever and I still don’t seem to make anything better than before but having an old drawing around always puts things into perspective. I draw because it gives me peace of mind. If it just gives you anxiety then sure, it’s not for you.
And in the end, what I love the most about it is the sensation of my pencil-tip scratching that blank void that a sheet of paper is. Not the prospect of earning likes, a following, or money from it. I have tons of art that’ll never see the light of day for many reasons, that I’m so hang up on the fact that I made it. I was in my best condition when I made those pieces, in the right headspace, I was whole. The muses guided my hands these times, God smiled down on me.
What can I say? I’m a girl of simple things.
But the whole debate about whether AI is a medium for creation or easy theft, has soured my mood.
I do NOT consider AI art when its main ‘reference’ is straight up stealing and plagiarising someone’s sweat and tears. Before feeding it your favourite artist’s (or writer’s) work to mince and chew it up like it’s nothing in order to vomit a halfassed attempt at creation on your part remember this, the artists and writers the works of you used, are real people. They breathe, they eat, they cry. They pour TIME into their works. Time that you do NOT respect. They put feelings into their works. Feelings that you do NOT respect. For some of them, it’s also their main income. Income that you DEVALUE by stealing what is considered a unique trait of their trade!
You will NEVER learn anything nor get better at anything other than stealing that way. Because you haven’t known the value of hard work. The value of putting a chip of your soul into what you make. The value of living inside every work you’ve ever CREATED. You never lost sleep, food, or a piece of your sanity trying to make something from scratch. Trying to make it work. Trying to give birth to something unique.
What pitiful existences really, are those who can’t value someone else’s soul enough to respect it…
Anyway… this is getting heavy for me so I’m not going to rant over this anymore. I just want to say that I’m going to release some basic everyday steps for those who really want to learn drawing to follow on their own. Art takes time. Great writing takes time. It also takes for someone to be happy each time for what they were capable of creating.
That said, let me be clear that these mini exercises aren’t gonna clinch you a job at mappa, nor are they going to teach you proportions or whatever else those tutorials promise you, they’re specific to making you understand how 3D and observation works in order for you to be able to pick the elements you need every time you make a new piece. That’s all!
Progress isn’t jumping from 3yo art to fucking Rembrandt. It’ll suck ass before it even looks remotely decent!
Make sure to have that☝️printed and posted on your wall. That’s an order! *flexes whip*
Ok, I’m kidding, but seriously that’s your only motto from now on if you want to get better.
And now let’s prepare the ground for your exercises.
What you’ll need first is either a normal pencil or a 2mm one. No 0,5’s or whatever… in general NO mechanical pencils. Personally I’d recommend starting with a wooden pencil, though.
A good eraser that doesn’t smudge. It doesn’t matter what colour or brand as long as it erases the graphite well and without too much mess. Remember, NO SMUGES! *Forgot to say, a charcoal eraser will be a good friend, if it’s affordable. (Sorry for forgetting that.)
Now, hardness:
Find your typical hand writing pressure in the table below.
Generally the harder you press, the more difficult to erase. So bigger pressure (aka black marks, scratches etc) is 5.
5 4 3 2 1
2H H HB B 2B
How it works:
If you’re 3 you’ll need:
H: tracing
HB: outline
2B: shading
If you’re a 5 you’ll need:
2H: tracing
H or HB: outline
B: shading
If you’re 1 you’ll need:
HB: tracing
HB or B: outline
2B: shading
If you are 2 or 4 you’ll have to go through trial and error. Sorry. Just keep in mind that depending on where you lean; extremes or average (3), you follow the guidelines above.
For example, I am a hard 5 (if not 5,5 lol) so at some point I resorted working with just 2H and HB. I only ever use B when I need something to be black— which admittedly happens rarely. It’s only a few times you’ll need to depict actual black.
> You generally need a tracing pencil that won’t leave too dark visible marks behind when erased. People 5 and 4 will have to be a little careful though and not scratch the paper but that will come with practice.
> Your outline has to be enough to ‘stain’ the paper so you won’t lose your main sketch. It’s also correction time. Yey!
> Your shading shouldn’t smudge because you’re going to use layers. Yes. Even in traditional art you darken in layers, typically in as light moves as possible and in varying angles until you get the shade you want but that’s for later.
I personally don’t have any specific papers to propose to you (bitch you’re using basic photo-printing A4 papers wth lol). You’ll just need a hard surface, especially my 5 and 4 palls.
Ok, that’s it for today, folks.
Let me also slap a disclaimer here: I am NOT a professional art tutor. I just love art. 🤗
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