Tumgik
#thinking back to mizu binding. i wonder how he felt
hel1anthus-annuus · 6 months
Text
Tumblr media
Love this bitch for having multiple gender filters on. He’s transmasc, he’s a woman who’s a man, she’s nothing at all
983 notes · View notes
ramblesbiab · 5 months
Text
(so uh. i deleted this earlier cuz i got some negative comments and felt bad but im putting it back up now cuz i like it still.)
Gosh, slowly entering Blue Eye Samurai Tumblr is kinda disappointing with how many people are against headcannoning Mizu's gender. I personally view Mizu as a gal, which seems to be the prevailing opinion often stated with the most contempt for headcannons. But not acknowledging other interpretations goes against the very idea of literature if you ask me. Mizu's story can be viewed in plenty of ways that are all unique and wonderful.
Cis female is often defended as the only identity which properly aligns with the difficulty of fighting societal expectations of gender at the time of this story, but the fact is, any trans perspective would also obviously be against the expectations of 1600's Japan. I say any trans perspective because there's three main ones, from what I've seen at least - Trans Male, Trans Female, and Nonbinary.
I have a lot to say so I'm putting the rest under a read more lol. Also fair warning I'm not actually that good at describing things, but I promise I'm trying my best. :)
(From here on, I'll be switching Mizu's pronouns per section.)
Trans Male
Trans Male is an incredibly evident interpretation. Mizu has a traditionally male name in Japanese culture from what I've learned, binds his chest, presents as male and worries about being seen as female. Yes, there's the counterpoint to this stance of Mizu saying he "had to be a man" for the sake of getting revenge, however, he says this to a man he's taken interest in. A man who, given the society then live in, would likely not understand or agree with the idea that Mizu considers himself a man, let alone like him still.
This is a point where Mizu is, arguably, at his weakest, giving into society for the sake of happiness, which is still powerful from a trans male perspective, of a trans man feeling trapped but desperately clinging to anything that makes life feel okay, even if it involves breaking away from his own comfort.
As a trans woman I can't speak specifically on that, but in the year before I started socially transitioning, I would cling to anything that made me feel happy despite the pain of being seen as a man that came with it. It's valid for a pre- or non-transitioning trans person to sacrifice some gender comfort for other comfort if that's all they can attain for the time being.
Back to Mizu, I don't think it's less powerful for moments of "Mizu is nervous about being found to be a woman" to be turned into "Mizu is feeling pain from being misgendered and wishing he could live truly as himself." It's not an interpretation I personally follow, so I'm certain it could be better articulated by someone else, but it still upsets me that some people try to invalidate it.
Trans Female
So, this is one I haven't seen as often, or at all truthfully, but I found myself relating to Mizu as she effectively has to boymode throughout the story. It recontextualizes Mizu saying she "had to be a man", now being a truthful statement about the desperation to be seen as her real self, and turns her time as a wife into even more of an escape. Further on, it makes Mizu being referred to as a monster more depressing, as it rings true to an unfortunately real part of life, of transphobes feeling a sense of unearned betrayal upon finding out someone they like is trans.
It adds to the relief of Mizu removing her binding and relaxing, and to the pain of Mizu trying to come out to Master Eiji while he denies it. Given the society Mizu lives in, it's such a painful desire to have to want to be a girl - to know your destiny is something that will hurt you. Living as a girl would make her happy, so she doesn't want to be happy. She needs to lie, and escape from desire, so she looks for a way to feel satisfied while repressing her feminine side.
As a trans woman, this sensation is like the struggle accepting one's identity, along with trying to avoid accepting it even once it has become obvious. Being trans is not easy, it never has been, so it's not unrealistic that Mizu would latch onto priorities, or at least what she convinces herself are priorities as a method of escapism.
Honestly, it's not the easiest position to defend, as it's one of the least clear out of the possible Mizu headcannons, but it's still important to me that I pointed it out.
Nonbinary
It's time for my hottest take - Mizu's gender doesn't have to matter in the story. Yes, as many have pointed out, the disparity in social recognition between male and female can be incredibly important in their journey, but it's not required for every single interpretation of Mizu. Mizu wants revenge - they've made it evidently clear that this takes priority over everything else, over friendship, romance, and most likely, gender.
Now, I'm not saying nonbinary as a label is equal to disregarding gender, but in the case of Mizu - whose name means "water", or fluid - I feel it's applicable. I've talked a lot about priorities before as an excuse, but what if they're not? What if Mizu simply doesn't care for gender in any way? They certainly don't agree with social conventions, unless we consider how they see themselves and white men as demons, but that doesn't necessarily relate to gender.
It's hard to find direct examples of Mizu being nonbinary, as they live in an incredibly binary world where they serve as the exception. Mizu sticks out everywhere, too masculine to be a woman and too feminine to be a man, so they rest elsewhere, never seen correctly by another character in the story. Ringo says that it's okay they're a woman, Fowler insults them for it. Taigen and Akemi both have no reason to believe Mizu isn't a man, no matter how they feel about it.
Mizu only needs themself, because only they understands themself. They represent an idea that, in their time, doesn't exist - being neither man or woman - which opens up new ways of interpreting the events which Mizu goes through.
Conclusion, I guess
Which then leads to the point of this post which has gone on longer then I thought. New and unique ways to interpret a story are vital to media and literature as a whole, so why would we stop others from expressing and experiencing that? Unless a take is genuinely harmful or presented as though anyone who doesn't believe it is stupid or viewing the story incorrectly, then please, don't dissuade them - encourage them!
Learn more from others, share ideas and points about this amazing show, analysis and have fun, good-natured debates! That's the moral of this post. Have a nice day, everyone.
23 notes · View notes