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bisham456 · 1 year

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anais-mitchell · 4 years

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a comprehensive list of every never before seen hadestown lyric revealed in “working on a song”

Note: This list will not include any lyrics from the OBCR, Broadway previews documented in audios, the London run, the Edmonton run, or the NYTW run. Only lyrics that Anaïs has never revealed before. Also, I strongly recommend everyone actually read the book and support Anaïs! It has amazing insights into the show we love.

(Also, any ellipses mean the song just goes into the lyrics we already know)

Wedding Song

In early Vermont productions, Wedding Song did not exist; there was another duet called Everything Written.

Fates: Seven Sisters / Little Dipper / Great Bear, Hunter / Drinking Gourd / Libra, Leo / Pisces, Pluto / Venus, Virgo / Capricorn

Eurydice: Don’t it make, don’t it make you feel so small? / Orpheus, when you look up at it all? / When I look into the skies / I lose my head for scale and size / And still you’re larger in my eyes / Than any star / You pull on me like gravity / I want to be where you are

They say that everything is written / Everything written in those stars / The very lives we’re living / The very love in our hearts

Orpheus: Who could write, who could write this kind if love? / From such a height, all these light-years up above? / And all these light-years down below / I don’t need any star to show me / What my heart already knows / Eurydice / You pull on me like gravity / I want to be where you are

Eurydice: Come here

Orpheus: I’m here

Eurydice: It’s so cold

Orpheus: So clear

Eurydice: It’s so dark

Orpheus: So fair

Eurydice: Come near

Orpheus: I’m here

Eurydice: You’re there

A workshop version of Wedding Song included this exchange:

Eurydice: You have a way with words don’t you? It’s too bad none of them are true

Orpheus: It’s not a lie- It’s poetry

Eurydice: How many mouths does a poem feed?

Epic I

From 2007 Vermont:

Orpheus: King of diamonds, king of spades! / First there was Hades, king of the dirt / Miners of mines, diggers of graves / They bowed down to Hades who gave them work / And they bowed down to Hades who made them sweat / Who paid them their wages and set them about / Digging and dredging and dragging the depths / Of the Earth to turn its insides out / Singing la la la la la la la...

Then came Persephone, Hades’s wife / Our Lady of Shadows and Meadows entwined / Made to spend half of the days of her life / Right alongside of him down in the mine / But the other half she could walk in the sun / And the sun in turn burned half as bright / Which is where the seasons come from / And with them the cycle / Of the seed and the sickle / And the lives of the people / And the birds in their flight / Singing la la la la la la la...

So it was and it might have stayed / And the sun came up and the sun went down / A circle of fourths, a perfect cadence / The serpent’s tail in the serpent’s mouth / But the strong will take what they want to take / And the weak can only tell the tale / And the king began to lay his heavy hand upon the scale / What did he want? He wanted Our Lady / To have and to hold, not half, but wholly / To love him and never to leave him again / And as for the seasons, to hell with them! / And the earth warmed over in the dead of winter / The stillborn spring lay cold beneath / Summer gave a stormy sermon / Autumn walked in the wake with a wreath / And the people moved like weather patterns / Looking for shelter, looking for warmth / Helter-skelter the four winds scattered / The scavengers over the ravaged earth / Singing la la la la la la la...

From a workshop, presumably pre-London:

Hermes: Orpheus was a poor boy / But he had a gift to give / There was one song he’d been working on / He could never seem to finish / A song about this broken world / That he rewrote again and again / As though if he could find the words / He could fix the world with them

Livin’ It Up On Top

From pre-NYTW workshops:

Persephone: A hundred sunny summer days / Till my lover comes to find me / A hundred blooming olive trees / And a hundred grapevines climbing / Singing songs when the sun goes down / Light the fire in the darkness / Brother, pass that bottle around / And we’ll raise a glass to the harvest, it’s / Just enough fruit for the pressing / Just enough wine to fill our cups / But what we have is a blessing / It isn’t much but it’s enough

Eurydice: A hundred starry summer nights / Since my lover came and found me / Picking fruit and hopping freights / With his music all around me / Stay up late making love / All the stars are naked / Talking sweet and sleeping rough / Our bed is where we make it, there’s / Just enough fruit for the pressing...

Way Down Hadestown

From when Anaïs was 21, long before the show was even a concept:

Follow that dollar for a long way down / Far away from the poorhouse door / You either get to hell or a border town / Ain’t no difference anymore...

Suckin’ on the gristle and chewin’ on the bone / Thinkin’ ‘bout missiles and the old Dow Jones / All alone on your chromium throne /And lonely, lonely, lonely, lonely...

From 2006:

Persephone: Though I’m happy at his side / He’s not an easy man to love / I used to keep him satisfied / But lately he can’t get enough / Never enough of the mine and the mill / Never enough of his working girls / Never enough of the wall he’s building / All around the underworld / Way down Hadestown...

Orpheus: Mr. Hades is slick as an eel / Fountain pen, crocodile shoes / Quick as a snake, and he’s hot on your heels / He’ll make you an offer that you can’t refuse! / Way down Hadestown...

Hermes: Speak of the devil and the devil comes / Here comes Mister Hades now / To gather up his chosen ones / And bring ‘em down to Hadestown / Way down Hadestown...

From 2007:

Hermes: Make room, make room for Hermes, sir! / Make a little room for Hermes, ma’am / They call me a messenger / But that ain’t half of who I am

I’m a man of influence / I’m connected up and down / And I got all the documents / You need to get to Hadestown / Way down Hadestown...

Tired of walking in your worn-out shoes? / Tired of running on nothing at all? / Tired of standing your bets to lose? / Tired of losing? Give me a call, we’ll go... / Way down Hadestown...

Orpheus: Mister Hades got an iron fist / Step outta line and he’ll have your head / In the blink of an eye, with a flick of the wrist

Hermes: Hang around here and starve instead!

Orpheus: It’s a cattle pen!

Hermes: It’s a feeding trough!

Orpheus: He’ll fatten you up just to cut you down! / I’d rather starve

Hermes: I’d rather stuff my pockets down in Hadestown! / Way down Hadestown...

Hey, Little Songbird

Anaïs says she tried out this line in 2017 to include a more explicit “job offer” in the wake of the MeToo movement:

Hades: Hey, little songbird, gimme a song / I’m a busy man, and I can’t stay long / I’ve got clients to call, I’ve got orders to fill / I’ve got millions of souls on my payroll, but hell / I could fit you as well if you wanted

When the Chips are Down

From Vermont, 2006:

Fates: Cross my palm! Grease my chin / Can’t you see the kind of shape you’re in? / What you gonna do... ?

Wait For Me

From Vermont, 2007:

(These exchanges intercut the chorus)

Hades: Hermes! / Hermes: Hades! / Hades: Back in town! / Please, sit down / Please, relax / You’ve been around the world and back / Haven’t you, Hermes? / Hermes: I have / Hades: How’s the weather? / Hermes: Worse than ever / How’s your wife? / Hades: My wife is fine / Hermes: You’ve been spending a lot of time together / Haven’t you, Hades?

Hades: What have you brought? / Hermes: The latest crop / Hades: The freshest cut? / Hermes: A cut above / Hades: How many of them, a lot? / Hermes: A lot / Hades: A few too many perhaps / What’s this? / Why have you brought me Orpheus? / I know I never ordered that / It seems you’ve gone behind my back / Haven’t you, Hermes?

Hades: What was that? / Hermes: What was what? / Hades: I heard a voice / Hermes: I heard it not / Hades: Someone singing / Hermes: I heard nothing / Hades: Some kind of song / Hermes: You could be wrong / It could have been the wind / Hades: The wind? / Hermes: It could have been the rain / Hades: The rain? / Hermes: It could have been the train... (the train / the train / the train / the train...)

From “an early cutting room floor version”:

Fates: One (one, one) / You forget the sun

Eurydice: I forget the sun

Fates: You forget where you come from / You forget the sun

Eurydice: I forget the sun

Fates: Two (two, two)

Why We Build the Wall

Pre-NYTW:

Hermes: A lot can happen behind closed doors / With the big boss and his fountain pen / A lot of dirty deals go down / When there ain’t nobody watching...

Our Lady of the Underground

The 2006 version of the song was called “A Crack in the Wall” and these were the lyrics:

Persephone: Come and see the stars! / They’re fixin to fall / Slidin’ and a-slipping’ / In their gravity shoes / Old Man Mars / Taking Venus to the ball / Big dipper dippin’ / To the blue-sky blues

Have you forgot? / Which was is up? / I think you’ll find / I have just the thing for you / Put a quarter in the slot / You can fill your loving cup / With a little bit of moonshine / From the pay-per-view

How selfless! / The silent moon / Holding a mirror / For an ungrateful sun / Hey, Orpheus! / Are you leaving so soon? / Every night around here / Is a fateful one

Maybe you got blindsided / Lost your papers! / Lost your mind! / Maybe you once lost an angel / Just to watch her fall / Look a little closer and / The water turns to wine / Look a little closer: there’s a crack in the wall!

So I raise my cup / To the stars in the sky / If you want a show / Go on, get in line / Step right up brothers / Don’t be shy / What the boss don’t know / The boss won’t mind

Way Down Hadestown (Reprise)

A 2013 version of this song was called “No One Now,” delivered to Orpheus, and these are the lyrics:

Fates: Used to be a blushing bride / That was on the other side / Better to forget her face / Now she’s like the rest of us / One more number in a crowd / Maybe she was someone once / She ain’t no one now

Used to be a loving wife / That was in another life / Carve it on a marble stone / Now she’s like the rest of us / One more body in the ground / Maybe she was someone once / She ain’t no one now

Brother don’t you think we all / Used to have a name to call? / A tale to tell as well as her? / Now she’s like the rest of us...

Maybe when she first arrived / So alive, so naive / All the bright lights in her eyes / All her insides fluttering (alt. Heart aflutter on her sleeve) / Maybe she was someone then / Back when Hades drew her in / Like a moth into his flame / Borne aloft on burning wings / Well she ain’t the first and she ain’t the last / Hades’ fire is hot and fast / Just ask all the other girls / Sweeping up the ashes in the underworld / See even when the flame is new / She doesn’t hold a candle to / The woman Hades truly loves / So maybe she was someone once / But now she’s like the rest of us / All used up, all burned out / Maybe she was someone once / She ain’t no one now

From the Dartmouth workshop:

Hermes (to Orpheus): If you wanna get around down here in the tank / Down here in the clink / Down here in the hole / You got to think the way they think / Which is to say, your mind is blank / Which is to say, don’t think at all / Come / I’ll show you how it’s done

Welcome to the skeleton crew! / Welcome to the chain gang, kid / Lemme introduce you to / The members of the working dead / Old Jack Hammer! / Mister Miner / Wandering forever in the catacombs / Working on a hole to China / Diggin’ up them dino bones / Way down...

Sweatshop Sally! Missus Miller! / Workin’ in the cellar where the sun don’t shine / Sad eyed little Cinderella / Sweeping up the ashes of the summertime / Used to be one a the boss’s pets / Now she’s just another stiff / One night in the boss’s bed / And a lifetime on the graveyard shift / Way down...

Flowers

Did not exist in Vermont, but there was a brief reprise of “Everything Written”:

Eurydice: If it’s me- if it’s me you’re looking for / Orpheus, I can’t be with you anymore

Fates: She signed in blood / She signed for good

Eurydice: I signed before I understood / And I’d unsign it if I could / But it’s too late / They say that everything is written / Everything is written in those stars / Even these lives we’re living / Even this love

Fates: Seven sisters...

Papers

Pre-NYTW:

Hades: Let me see your papers, son / Let me see your documents / Or could it be that you have none? / You’re on the wrong side of the fence...

If It’s True

Pre-concept album:

Orpheus: If it’s true what they say / If there’s nothing to be done / If there’s no part left to play / If there’s no song to be sung / If it’s true what they say / If there’s no stone left to turn / If there’s no prayer left to pray / If there’s no bridge left to burn / If it’s true what they say / I’ll be on my way / If it’s true what they say / Then I have lived a lie / They can take the sky away / Take the stars out of my eyes / And my face will be a mask / And my heart will be a stone / And I’ll throw away the past / And I’ll go away alone...

How Long?

Pre-concept album:

Persephone (to Hermes): Brother Hermes, god of speed / Put your feathers on his feet / Hasten his delivery / Keep him hale and whole / Brother, I’m a jaded woman / But there’s something in his singing / And it feels like spring a-comin’ / To the winter of my soul

Brother Hermes, god of speed / Put your feathers on his feet / Hasten his delivery / Keep him safe and sound / He reminds me of the lover / That I was when I was younger / Back before my heart went under / Undercover / Underground

Chant (Reprise)

Dartmouth Workshop, 2014:

Hades: And in this symphony of mine / Are power chords and power lines / Which I arrange and orchestrate / And every day I dedicate / The magnum opus of my life / To my unkind, ungrateful wife / Persephone, and she shall see / Her name in lights on my marquee / And every night, another show / My symphony will never close! / And she shall have a front row seat / Which she shall never, ever leave! / Young man, you can strum your lyre...

Epic III

Vermont:

Orpheus: The strong will take what they want to take / And the weak can only tell the tale / And the heart of the king loves everything / Like the hammer loves the nail

The heart of the king is iron and steel / The heart of the king is the color of rust / The heart of the king is soldered and sealed / The heart of the king is a tinderbox / That he has to keep under lock and key / That it not catch fire inside his chest / Cos a lover’s desire is a mutiny / A lover’s desire is a wilderness

But even that hardest of hearts unhardened...

(I just have to say I fucking love this imagery of a fire oh my god)

Lover’s Desire

Anaïs once set the original Lover’s Desire melody to lyrics around the area of Wedding Song:

Orpheus: Lover, can you hear me? / I’m asking for your hand / Your hand for better or for worse / Forever / Whether you’re sick or well / For rich or poorer, to have and to hold for as / Long as we both shall live

Eurydice: Lover, can you hear me? / I’m asking for a hand / A hand that’s steady and strong / To lean on / To catch me if I fall / That’s the hand that I’ll have and I’ll hold for as / Long as we both shall live

Word to the Wise

Early workshops:

Fates: Hey / Hey / Hey / It’s judgement day! / Are you gonna let ‘em just walk away? / What you gonna do... ?

Wait For Me (Reprise)

Vermont:

Hades: Hermes!

Hermes: Hades!

Hades: Time to go / Time to bring this to a close / Time to lay this thing to rest

Hermes: Orpheus?

Hades: Orpheus / It’s all agreed / We’ve struck a deal / He’s free

Hermes: He’s free?

Hades: He’s free to walk

Hermes: And she?

Hades: To follow at his heel / And she, to follow at his back

Eurydice: Wait for me, I’m coming...

Hades: And she shall follow at his back / And she shall follow in his wake

Hermes: And what’s the catch?

Hades: The catch is this: / He shall not turn to see her face / And if he turns, the game is up / The deal is off, his race is run / And that’s the end of Orpheus / You’ll see it done?

Eurydice: Wait for me, I’m coming...

Written at an unspecified time but never used:

Hermes: A poor boy and a hungry young girl / Walking single file / While the music played / Brother, they looked for all the world / Like they was walking down the aisle / On their wedding day

We Raise Our Cups

The show once ended with an alternate song called “Cloud Machine” in Vermont, the lyrics of which Anaïs says she is embarrassed by:

Orpheus: What have I done? Mother, what have I done? / Squandered the gift that you gave me / Gambled with Hades and Hades won / And there’s no song now that can save me

Mother, I failed! Oh Mother, I tried / And I fell like a fool would fall / And I left my love / On the other side / On the other side of the wall

(Alt. There’s a crack in the wall / It’s a little bit wider / It’s a little bit wider, that’s all)

Persephone: Come, my son, don’t take it so hard / Everything is forgiven / You have done naught / But to play out the part / That the Fates in their wisdom have written

Orpheus: Raise up the curtain! The crowd goes wild! / The Fates are drunken clowns / All of us dreamers are walking the wire / While they juggle our dream around

Apollo, come down in your cloud machine / Apollo, come swallowing fire / With your thunder and lightning and kerosene / For the Fates and their funeral pyre

Persephone: Come, my son, we try and we fail / Every tail has an end

But the pale dawn breaks / And the snake eats it’s tail / And the tale begins again...

#hadestown #working on a song #anais mitchell #orpheus #eurydice #hades #persephone #hermes #eva noblezada #amber gray #reeve carney #patrick page #andre de shields #my posts #this took so long omg pls don’t sleep on it #so many of these lyrics are so beautiful #if anyone wants to discuss them PLS hop in the inbox or dms

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bananaofswifts · 3 years

Link

Your guide to the singer-songwriter’s surprise follow-up to Folklore.

CARL WILSON

When everything’s clicking for Taylor Swift, the risk is that she’s going to push it too far and overtax the public appetite. On “Mirrorball” from Folklore, she sings, with admirable self-knowledge, “I’ve never been a natural/ All I do is try, try, try.” So when I woke up yesterday to the news that at midnight she was going to repeat the trick she pulled off with Folklore in July—surprise-releasing an album of moody pop-folk songs remote-recorded in quarantine with Aaron Dessner of the National as well as her longtime producer Jack Antonoff—I was apprehensive. Would she trip back into the pattern of overexposure and backlash that happened between 1989 and Reputation?

Listening to the new Evermore, though, that doesn’t feel like such a threat. A better parallel might be to the “Side B” albums that Carly Rae Jepsen put out after both Emotion and Dedicated, springing simply out of the artist’s and her fans’ mutual enthusiasm. Or, closer to Swift’s own impulses here, publishing an author’s book of short stories soon after a successful novel. Lockdown has been a huge challenge for musicians in general, but it liberated Swift from the near-perpetual touring and publicity grind she’s been on since she was a teen, and from her sense of obligation to turn out music that revs up stadium crowds and radio programmers. Swift has always seemed most herself as the precociously talented songwriter; the pop-star side is where her try-hard, A-student awkwardness surfaces most. Quarantine came as a stretch of time to focus mainly on her maturing craft (she turns 31 on Sunday), to workshop and to woodshed. When Evermore was announced, she said that she and her collaborators—clearly mostly Dessner, who co-writes and/or co-produces all but one of these 15 songs—simply didn’t want to stop writing after Folklore.

This record further emphasizes her leap away from autobiography into songs that are either pure fictions or else lyrically symbolic in ways that don’t act as romans à clef. On Folklore, that came with the thrill of a breakthrough. Here, she fine-tunes the approach, with the result that Evermore feels like an anthology, with less of an integrated emotional throughline. But that it doesn’t feel as significant as Folklore is also its virtue. Lowered stakes offer permission to play around, to joke, to give fewer fucks—and this album definitely has the best swearing in Swift’s entire oeuvre.

Because it’s nearly all Dessner overseeing production and arrangements, there isn’t the stylistic variety that Antonoff’s greater presence brought to Folklore. However, Swift and Dessner seem to have realized that the maximalist-minimalism that dominated Folklore, with layers upon layers of restrained instrumental lines for the sake of atmosphere, was too much of a good thing. There are more breaks in the ambience on Evermore, the way there was with Folklore’s “Betty,” the countryish song that was among many listener’s favorites. But there are still moments that hazard misty lugubriousness, and perhaps with reduced reward.

Overall, people who loved Folklore will at least like Evermore too, and the minority of Swift appreciators who disapproved may even warm up to more of the sounds here. I considered doing a track-by-track comparison between the two albums, but that seemed a smidgen pathological. Instead, here is a blatantly premature Day 1 rundown of the new songs as I hear them.

A pleasant yet forgettable starting place, “Willow” has mild “tropical house” accents that recall Ed Sheeran songs of yesteryear, as well as the prolix mixed metaphors Swift can be prone to when she’s not telling a linear story. But not too severely. I like the invitation to a prospective lover to “wreck my plans.” I’m less sure why “I come back stronger than a ’90s trend” belongs in this particular song, though it’s witty. “Willow” is more fun as a video (a direct sequel to Folklore’s “Cardigan” video) than as a lead track, but I’m not mad at it here either.

Written with “William Bowery”—the pseudonym of Swift’s boyfriend Joe Alwyn, as she’s recently confirmed—this is the first of the full story songs on Evermore, in this case a woman describing having walked away from her partner on the night he planned to propose. The music is a little floaty and non-propulsive, but the tale is well painted, with Swift’s protagonist willingly taking the blame for her beau’s heartbreak and shrugging off the fury of his family and friends—“she would have made such a lovely bride/ too bad she’s fucked in the head.” Swift sticks to her most habitual vocal cadences, but not much here goes to waste. Except, that is, for the title phrase, which doesn’t feel like it adds anything substantial. (Unless the protagonist was drunk?) I do love the little throwaway piano filigree Dessner plays as a tag on the end.

This is the sole track Antonoff co-wrote and produced, and it’s where a subdued take on the spirit of 1989-style pop resurges with necessary energy. Swift is singing about having a crush on someone who’s too attractive, too in-demand, and relishing the fantasy but also enjoying passing it up. It includes some prime Swiftian details, like, “With my Eagles t-shirt hanging from your door,” or, “At dinner parties I call you out on your contrarian shit.” The line about this thirst trap’s “hair falling into place like dominos” I find much harder to picture.

This is where I really snapped to attention. After a few earlier attempts, Swift has finally written her great Christmas song, one to stand alongside “New Year’s Day” in her holiday canon. And it’s especially a great one for 2020, full of things none of us ought to do this year—go home to visit our parents, hook up with an ex, spend the weekend in their bedroom and their truck, then break their hearts again when we leave. But it’s done with sincere yuletide affection to “the only soul who can tell which smiles I’m faking,” and “the warmest bed I’ve ever known.” All the better, we get to revisit these characters later on the album.

On first listen, I found this one of the draggiest Dressner compositions on the record. Swift locates a specific emotional state recognizably and poignantly in this song about a woman trapped (or, she wonders, maybe not trapped?) in a relationship with an emotionally withholding, unappreciative man. But the static keyboard chord patterns and the wandering melody that might be meant to evoke a sense of disappointment and numbness risk yielding numbing and disappointing music. Still, it’s growing on me.

Featuring two members of Haim—and featuring a character named after one of them, Este—“No Body, No Crime” is a straight-up contemporary country song, specifically a twist on and tribute to the wronged-woman vengeance songs that were so popular more than a decade ago, and even more specifically “Before He Cheats,” the 2006 smash by Carrie Underwood, of which it’s a near musical clone, just downshifted a few gears. Swift’s intricate variation on the model is that the singer of the song isn’t wreaking revenge on her own husband, but on her best friend’s husband, and framing the husband’s mistress for the murder. It’s delicious, except that Swift commits the capital offence of underusing the Haim sisters purely as background singers, aside from one spoken interjection from Danielle.

This one has some of the same issues as “Tolerate It,” in that it lags too much for too long, but I did find more to focus on musically here. Lyrically and vocally, it gets the mixed emotions of a relatively amicable divorce awfully damned right, if I may speak from painfully direct experience.

This is the song sung from the POV of the small-town lover that the ambitious L.A. actress from “Tis the Damn Season��—Dorothea, it turns out—has left behind in, it turns out, Tupelo. Probably some years past that Xmas tryst, when the old flame finally has made it. “A tiny screen’s the only place I see you now,” he sings, but adds that she’s welcome back anytime: “If you’re ever tired of being known/ For who you know/ You know that you’ll always know me.” It’s produced and arranged with a welcome lack of fuss. Swift hauls out her old high-school-romance-songs vocal tone to reminisce about “skipping the prom/ just to piss off your mom,” very much in the vein of Folklore’s teen-love-triangle trilogy.

A duet with Dessner’s baritone-voiced bandmate in the National, Matt Berninger, “Coney Island” suffers from the most convoluted lyrics on Evermore (which, I wonder unkindly, might be what brought Berninger to mind?). The refrain “I’m on a beach on Coney Island, wondering where did my baby go” is a terrific tribute to classic pop, but then Swift rhymes it with “the bright lights, the merry go,” as if that’s a serviceable shorthand for merry-go-round, and says “sorry for not making you my centerfold,” as if that’s somehow a desirable relationship outcome. The comparison of the bygone affair to “the mall before the internet/ It was the one place to be” is clever but not exactly moving, and Berninger’s lines are worse. Dessner’s droning arrangement does not come to the rescue.

This song is also overrun with metaphors but mostly in an enticing, thematically fitting way, full of good Swiftian dark-fairytale grist. It’s fun to puzzle out gradually the secret that all the images are concealing—an engaged woman being drawn into a clandestine affair. And there are several very good “goddamns.”

The lyrical conceit here is great, about two gold-digging con artists whose lives of scamming are undone by their falling in love. It reminded me of the 1931 pre-Code rom-com Blonde Crazy, in which James Cagney and Joan Blondell act out a very similar storyline. And I mostly like the song, but I can’t help thinking it would come alive more if the music sounded anything like what these self-declared “cowboys” and “villains” might sing. It’s massively melancholy for the story, and Swift needs a far more winningly roguish duet partner than the snoozy Marcus Mumford. It does draw a charge from a couple of fine guitar solos, which I think are played by Justin Vernon (aka Bon Iver, who will return shortly).

The drum machine comes as a refreshing novelty at this point. And while this song is mostly standard Taylor Swift torrents of romantic-conflict wordplay (full of golden gates and pedestals and dropping her swords and breaking her high heel, etc.), the pleasure comes in hearing her look back at all that and shrugging, “Long story short, it was a bad ti-i-ime,” “long story short, it was the wrong guy-uy-uy,” and finally, “long story short, I survived.” She passes along some counsel I’m sure she wishes she’d had back in the days of Reputation: “I wanna tell you not to get lost in these petty things/ Your nemeses will defeat themselves.” It’s a fairly slight song but an earned valedictory address.

Swift fan lore has it that she always sequences the real emotional bombshell as Track 5, but here it is at 13, her lucky number. It’s sung to her grandmother, Marjorie Finlay, who died when Swift was in her early teens, and it manages to be utterly personal—down to the sample of Marjorie singing opera on the outro—and simultaneously utterly evocative to anyone who’s been through such grief. The bridge, full of vivid memories and fierce regrets, is the clincher.

This electroacoustic kiss-off song, loaded up with at least a fistful of gecs if not a full 100 by Dessner and co-producers BJ Burton and James McAlister, seems to be, lyrically, one of Swift’s somewhat tedious public airings of some music-industry grudge (on which, in case you don’t get it, she does not want “closure”), but, sonically, it’s a real ear-cleaner at this point on Evermore. Why she seems to shift into a quasi-British accent for fragments of it is anyone’s guess. But I’m tickled by the line, “I’m fine with my spite and my tears and my beers and my candles.”

I’m torn about the vague imagery and vague music of the first few verses of the album’s final, title track. But when Vernon, in full multitracked upper-register Bon Iver mode, kicks in for the duet in the middle, there’s a jolt of urgency that lands the redemptive ending—whether it’s about a crisis in love or the collective crisis of the pandemic or perhaps a bit of both—and satisfyingly rounds off the album.

#taylor-swift #pop #rock #country-music

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daisworld-app · 3 years

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Lockdown Fluff getting to you? Five lovely diets to shed those not-so-loved kilos

It’s been a great deal of time since the initial lockdown. A lot of things changed after the 2020 lockdown phase was over. But what remained constant was first, the Corona Virus and second, the extra fat we all accumulated because of the cooking and eating spree we had during the lockdown last year.

As we scroll through the Insta feeds all we see are people doing yoga, the Zumba and the Suryanamaskars at home, which does inspire us to do something. Sure. But that’s the ideal world!

In the real world, people get inspired alright but after spending just 30 precious minutes of their day in a downward dog position, they give up. But let’s not blame just the lockdown, we haaaaaate exercising. So, even while the gyms and parks opened up temporarily before the 2nd wave hit us, we still excused ourselves from exercising. Not that we scored even pre-lockdown – Busy schedules, unending projects, ever-scary deadline – there was nothing that encouraged us to keep that workout regimen going.

And whats worse? Those non-Insta-worthy photos and many many discarded selfies that picked a raw nerve within us - often making us feel miserable about our own lack of self-love. Well, let’s not beat ourselves up and let’s recollect that there exists an 80/20 rule – 80 per cent of the recipe to lose weight and look good is, Nutrition or Diet. So even while you skimp on that 20, let’s get you 80% up there at least.

But in this area, be warned crash diets are not the way to go. So if you’re looking for a 5-day-5-kg crash diet, stop reading right here.

Over the decades, we have seen and heard our friends follow so many of these diet fads:-

The dramatic reduction of the bread and pasta under the Atkins and Keto diets – low carb, high protein, high-powered diets that start the process of ketosis in your body.

Vegan and vegetarian diets that insist you only eat plant-based food – so no eggs, meat, dairy, seafood for you while on this regime.

The Paleo diet that takes you back to the stone ages eating foods only that can be hunted or gathered – so eat nothing that came in a tin/box/plastic bag/foil wrap.

Vegan diets prescribing to eat nothing but raw plants in their uncooked, natural forms.

The Whole 30 diet where you go through a 30-day detox by eating 3 “Clean” meals a day- free of inflammatory foods like beverages, baked goods, junk stuff, legumes, dairy, sugar, sweeteners etc.

Since these were generic diet plans read off the internet, they worked for some while failed miserably for the others. One has to accept that every individual has unique body requirements, what may slim me down may not work for you at all, making you tired, hungry and discouraged by the process.

So rather than blindly following a diet, check out a convenient diet plan to suit your body type and your goal. Here are some of the trending ones this season you could check out and see what fits you best.

And oh, did you know that summer is the best season to lose weight?!!

The Mediterranean Diet

One of the most popular diets for many years, the Mediterranean diet comprises of the food eaten in the Mediterranean region including whole grains, fruits, vegetables, fish, olive oil and healthy fats. Red wine, eggs, and dairy products are included in a moderate amount, while red meat and saturated fats are consumed less. It has numerous health benefits like weight loss, reduced cholesterol, reduced risk of cancer and other chronic illnesses, and diabetes control. Fairly convenient to follow, it always remains one of the top trending diets of most years. Although a little bit of activity is warranted with it to take full benefit of the Mediterranean culture.

The DASH Diet

Sounds like hype but it isn’t. DASH stands for Dietary Approaches to Stop Hypertension where the purpose is to control blood pressure through diet. So this is serious business. The diet includes whole grains, vegetables, fruits, lean fish and meat, low-fat dairy products, all of which are low in sodium. This diet not only reduces blood pressure but also helps reduce the risk of chronic illnesses, ensuring a healthy heart and promoting weight loss.

But be careful of going overboard, low sodium is not good for your general health either.

The WW Freestyle

Do not mistake this as a form of sport. WW Freestyle, among the most popular diets, is a program designed on a SmartPoints system. Here, each food and beverage item is assigned a point based on its nutritional value. The dieter’s current weight and goal decides the number of points that one can consume daily.

Formerly called Weight Watchers, this diet program has over 200 SmartPoint foods, starting with fruits and vegetables at 0 points. Online chats, workshops, weight check meetings and the support of weight management experts keep dieters motivated through this community approach program. Who knows maybe you could make some friends online who follow the same regime. Worth a try, huh?

The Flexitarian Diet

The dietitian, Dawn Jackson Blatner introduced the word ‘Flexitarian’ in her 2009 book, "The Flexitarian Diet: The Mostly Vegetarian Way to Lose Weight, Be Healthier, Prevent Disease and Add Years to Your Life,".

As the name hints, ‘flexitarian’ is a combination of two words: flexible and vegetarian. In her book, the dietitian suggests ways of following a healthy vegetarian diet without sacrificing meat. The idea is to include fruits and vegetables, whole grains, dairy products and proteins like beans, eggs, etc. in your diet. A wholesome diet with low consumption of meat ensures weight loss and reduced risk of heart diseases, cancer and diabetes.

The Intermittent Fasting

Fasting is a tradition existing for centuries. But the intermittent fasting fad gained momentum just a years ago. In the simplest terms, intermittent fasting means assigning time slots for food consumption and fasting the rest of the hours of one’s day.

The most popular methods within this diet plan are the 16/8 method, the 5:2 method, and the Eat Stop Eat method.

In the 16/8 method, dieters only eat during an 8-hour time window (e.g. 12 noon - 8 pm) and do not eat anything outside that time window (e.g. from 8 pm till the next day at noon).

In the 5:2 method, dieters have a normal diet for five days of the week and restrict their food consumption for the remaining two days.

The Eat Stop Eat plan is similar to the 5:2 plan though more rigorous. In this plan, the dieters eat everything during the week except for one or two days of complete fasting. Research has proven weight loss, better metabolism and reduced diseases with intermittent fasting methods, making it one of the top favourites of weight-watchers for years now.

You should be able to follow any of the above diets provided when you know what your goal is. Sit down, chart your daily activity and decide on a realistic goal - weight loss, healthy lifestyle, better drive, higher energy, regular bowel movements could be one or many of your objectives.

Research what you can and cannot eat in each of these diet plans. Even if it’s difficult to gather ingredients to follow some of the diets to the absolute, be prepared to find alternatives and workarounds so that you don’t get demotivated once you have started out on a path.

A realistic and practical plan based on your requirements would help you follow a diet plan for a long time. Restrictive dieting will only lead to excessive binge eating when you are off the diet. Instead, make small gradual changes to your lifestyle, give up some habits on a consistent basis (reduce smoking, drinking more water, stopping caffeine consumption, walking while talking on long phone calls etc.) and adapt newer ones as you go and you are sure to see longer-term sustained health benefits,

‘Cos that’s all that we at Dais World care for – “The health and well-being of our readers.”

Eat well, be well, stay home, stay safe – wishing you great health!

#health diet bestdiet mediterranean food foodblog lovefood

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lucknowips-blog · 4 years

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How To Choose Best School For Kids?

School education is a significant step in a person's life. Everything as adults they are has their roots in their schools. Choosing the perfect school for your kid that matches their intellectual ability, creativity, and personality can make a massive difference for their academics and overall career success.

To ensure your child is educated to meet his or her specific needs, it is necessary to know what to look for in a school. In some case scenarios, this may be the public school on the street, while other kids may need a different environment to help them learn more effectively.

In a period of the rat race, where so many children have been seen chasing for marks, it has become essential for students to give proper attention to their intellectual and creative abilities as the competition has made it necessary for them to learn an all-inclusive pattern of progress.

Here are some tips for choosing the right school for your kid:

1. Do the analysis

Before selecting the schools that you may be active in, have a detailed understanding of what best fits your family and your child. How does your child like working in a structured or unstructured environment? Does your child need additional attention? Equipped with detailed answers to these questions, you can create a list of schools that match your needs.

The school websites and prospectus will provide you with plenty of information to help you add the schools to your list. Communicate with like-minded parents, and ask for suggestions.

2. The School's core values

Start figuring out what is their educational philosophy. Talk to the founders of the school director to know about their approach to school. Do they only believe in academic performance or educate children by providing them with plenty of opportunities in other fields, including the arts and sports?

3. Does it fulfill the needs of your child?

Consider the specific teaching and learning approach of the school. In certain areas, your kid might be a slow learner; does the school provide these students with enough support? Is it also probable that the children would be a little prodigy; will it help them reach their full potential through challenging activities or creative outlets in these cases?

Keep your analysis for a long time, not just this year, and shortlist schools that match your child's personality.

4. In pre-school, the teacher-student relationship is key

It is more important to connect children to teachers than any curriculum. Think of it this way: the 3-year-old or 4-year old is accustomed to being around caring people, parents, and siblings 24 hours a day, and school spends most of their day outside them for the first time. You want to look for a highly engaged, pre-school teacher. Have a discussion about their current classroom with a prospective lecturer.

They should be able to converse about the strengths and weaknesses of individual students and be well aware of their background, interests, emotional and academic rewards. You want a teacher who is very proud and always open to improving the success of his or her students.

5. Infrastructure

Do they have ample playgrounds for sports and athletic events? Are the classrooms motivating, clean, and well managed and showcasing some projects done by the students? Is all the school premises well maintained, and do they have hygienic bathrooms? These are some of the infrastructure questions you must examine.

6. Academic Performance

Although extra activities and divergent learning are much needed for the growth of the child, their academic performance is equally important.

Compare the average scores of the school examinations at the district and state levels. See how many grades they have secured and how many trends they have fallen; the ranks have been raised or falling, and why? Also, ask the school how their best students did in their higher education.

7. Healthy Environment

Overburdened and frustrating environments can lead to a decrease in the ability to learn. If organizations such as the school are highly susceptible to an environment stuck around a noisy place that lacks the main features of a proper location, the level of understanding would be affected. The atmosphere with authentic and diligent students encourages different other children to follow the same pattern of discipline.

Environmental circumstances of the best school in Lucknow contribute to the overall development of the child. When the environment is suitable for the students, the other way round the scenario can be positive.

The parents need to make sure they are looking for a school that complies with precise rules while taking into consideration students. It is another element that tends to make their children's environment fruitful.

8. Teachers and Staff

Evaluate the quality of teachers in the school during your visit; ask regarding their qualifications, experience, and training. Look at how the schools have full-time professional staff such as a psychologist or a speech therapist.

Remain aware of what the teachers and staff say about the school. As they're the closest adults to children, knowing their attitude, devotion to teaching, and work would be helpful. Make it a point of analyzing the principal's background; a good principal can make a whole difference to the school.

9. The Extracurricular Activities

Many researchers and educationalists have consistently acknowledged the importance of extracurricular children in their development and the fact that they are developing leadership and social skills. Participation in creative activities can give a student an extra boost as it promotes intuitive and intellectual abilities. The creative sessions of art, music, dance, or sports give students a break from the long, tiring classes.

Extracurricular activities also help students to keep an interest in academics. The schools recognizing this very own fact have ingrained the extracurricular activities for each class in the timetable. Various seminars and student participation in these activities improve the students' soft and hard skills while promoting their social skills.

Parents need to recognize that the most productive way to use the time that students get after their theoretical studies has emerged from these activities. Also, school students who carry out workshops and classes based on sports and creative activities are more able to acquire new skills.

10. School Curriculum

Curriculums are accessible from boards like CBSE, ICSE, and IGCSE. Which one teaches to the school? Subject combinations and options in higher classes like 11 and 12 are of significant importance. Differentiates the school board from primary school to high school and offers more than one curriculum? Also, until what is the school grade? If the school only contains the primary grades, you may need to change in the future.

11. Access to Modernity

Days are gone when parents had to visit their kid's schools to know every academic detail. With the emergence of digitization, even more, organizations are attempting to match the speed of this rapid advance by digitizing their presence.

Schools like this have developed immersive websites and apps that are easy for parents and students to access. These websites provide teachers, students, and parents with a platform for communicating directly with each other.

As higher-level students look up to e-books for exam preparation and educational background, many schools maintain their websites up-to-date with digital study guides and allow parents to monitor their child's overall performance.

Another phenomenon that has made the classroom sessions exciting and engaging for the students in the digital classrooms and smart classes. So keep in mind its digital life and modernity the next time you judge a teacher's skills.

12. Communicate to the students and parents

While the staff can create the best image of the school, the students and their parents tell you how they are. You can get details on the school's actual quality when you can find students who are studying there and talk to their parents. Ask if the staff are adequately responsive to all students ' needs and how strong their contact with the parents is. This information can help you decide whether or not to go to school.

#bestschoolinlucknow #schoolinlucknow #CBSEschoolinlucknow #LIPS

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marvelficrec · 5 years

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do you have any 100k stony?¿

Massive list of 100k+ stevetony fics for your slow burn needs (under the cut cause there’s 20+ fics!!)

REBIRTH SERIES - 300k - i love

If you think of life and death on a continuum, finding the point where it tips is complicated. It cuts across all political lines and gets to the root of our humanity. It requires faith informed by years of intimacy that you’re doing what’s right for your loved one.

But Tony is just a man. And there’s only so much he can do.

(Or that time when Tony does what is necessary to survive just so that he can continue to fix things and makes extremely rash decisions; because even if Steve may have left him behind, doesn’t mean Tony would do the same. Kind of.)

Deep in the Heart of Me - 256k

Veteran single dad Steve runs a tattoo shop. For his 40th birthday, Pepper arranges for Tony to get that tattoo he always wanted, and he winds up with the mother of all crushes instead. Jumping out of airplanes is one thing, but falling in love is something else entirely. Steve struggles with the idea of actually letting someone into his life. Tony is left trying to keep his heart from being broken while Steve figures things out.

I Said “I Love You,” What Does it Matter if I Lie to You? - 96k (its almost 100k, I love it too much to not rec)

18 year old Tony Stark is your typical teenager. Well, except for how he’s the playboy billionaire heir to Stark Industries and working on two PhDs. Oh, and 6 months ago he was kidnapped by - well, no one really knows who. Since his rescue (excuse you, Tony liberated himself), he’s also been keeping a pretty big secret. Here’s a hint: it’s shiny, red and gold, and flies. Tony’s had a productive couple of months, but the fact that his grandfather keeps trying to hire bodyguards for his “safety” is really putting a cramp in his ability to keep his secret superhero identity, well, a secret.

Steve Rogers wakes up in 2015 and finds out that he’s missed 70 years (Oh god, does this mean he’s 94?), a revelation that he handles with much less grace than usual. Mostly, Steve just wants to be Captain America again, but on his own terms and without a lot of fanfare. To fill the time while Steve tries to figure out the best way to resurrect a dead superhero, his good friend Isaac Stark offers him a job: bodyguard to Isaac’s grandson, Tony Stark - who seems to get into a surprising amount of trouble for a teenager. “There’s no better introduction to the 21st century than through Tony,” says Isaac. Somehow, Steve is not reassured.

Paved With Good Intentions (I’m on the road to hell) - 194k

When the mysterious group of vigilante assassins known only as ‘The Avengers’ are tipped off about the dirty secrets that lie within Stark Industries, Steve Rogers has his heart set on taking out Tony Stark for good in order to protect the rest of the world from his evil. He’s seen the footage, after all- Stark is a man who fights only for himself. And of course, when a job arises as chief bodyguard for Stark, to protect him from the growing threat of an ominously infatuated stalker, the opportunity is way too good for him to miss out on. It’s the perfect placement, and the perfect way to find out whether or not their tipoff is genuine.

But as Steve falls into rank as the new bodyguard for Mr. Stark and he spends time getting to know and protect him, his initial hatred begins to falter and merge into something different, something far more terrifying than the prospect of killing the face of Stark Industries.

Steve Rogers may just be falling in love with him instead.

America Isn’t Chicken - 130k - eh.

After a Civil War, death, rebirth, a takeover by Osborn, brain deletion, and the fall of Asgard, Steve and Tony might just be starting to get back on solid ground with one another. Things aren’t perfect, not yet, but they can be in the same room as each other without resorting to violence, and they’ve even managed to share a smile or two.Seems like the perfect time, then, for Tony to try and fuck it all up with a stupid game of gay chicken.

Meanwhile, as if he didn’t have enough to worry about, Tony realizes some kind of supervillainous trouble is brewing when increasingly advanced armors start popping up all over Manhattan, looking strangely reminiscent of his tech. On the other side of the world, Steve gets news that Zola is on the move in Russia, with some sort of nefarious plan at work.

Which will ruin them first? Will it be this unknown armored villain who is after Tony’s tech? Or will it be Zola unleashing his mysterious plan on the world? Or will Steve and Tony prove to be their own worst enemies, destroying the tentative truce they managed to forge with their own stubbornness?

Blue Lips, Blue Veins verse - 307k

Tony Stark is Iron Man.

Before that, he was an man with bigger heart than brain. Before that, he was an asshole with a bigger mouth than sense. And before that, he was was a scared little boy. Not that it matters. Stark’s always have had iron in their backbone.

Scatterlings and Orphans - 210k

It’s really got to say something about a guy when you can defeat Doombots, AIM, Interdimentional Yeti, SHIELD’s systemic obfuscation, Asgardian Gods, Fox News, and also kick some serious Alien ass with a guy, and still want to punch him in the head over dinner, hasn’t it? Tony’s sure that means something.

Wipe Your Tears Away - 121k

Steve likes taking care of his team. It gives him focus in a confusing new world. But one member of the team never learned that it’s okay to be taken care of. Until the night Tony gets a concussion, and his deepest secret - that, when he’s absolutely sure he’s alone, he likes to role play being a toddler - comes out into the open and affords Steve the perfect opportunity.

Sixpence In His Shoe - 103k

Steve and Tony should really read the fine print on what they’re signing. Then again, some mistakes are not really mistakes.

almeno tu nell'universo - 114k - good! nice!

Tony drives off.

Well, he wants to.

But he can’t.

Because.

Steve Rogers is in front of his car.

Steve fucking Rogers. Is in front of Tony’s fucking car.

Double Time - 123k

Cassino, Italy, December 1943. Special Agent Tony Stark, former Marvels adventurer, is sent to investigate a Cosmic Cube found by the Invaders – and it’s the perfect opportunity for him to rekindle his secret romance with Steve Rogers. But when Hydra attempts to steal the Cube, an inadvertent wish for help leads to the appearance of a Tony from the future of another world: Director Stark of SHIELD. This Tony is a man with a lot on his mind. He refuses to tell them anything about the future, but he seems to know much more than he should about Captain America. And something’s happened that’s clearly killing him inside, but he’s not talking. When Director Stark’s failed attempt to return home leads to the unexpected appearance of another visitor from his universe, all the lies come undone. Now there are two wars to fight, and the second one could ruin all of them.

Irreparable - 131k - WIP but good

Forgiveness is a journey, or so Tony was maybe told a long time ago. He doesn’t know about any of that and doesn’t particularly care to. In the wake of civil war, the Avengers remain, as do their enemies. And Tony Stark rebuilds, as always.

He destroys the phone, he burns the letter. But he can’t (he won’t) eliminate Steve Rogers from his mind.

Blank Space - 113k

During a fight with Doom, Steve is hit with a spell that takes all of his memories from his time as a Super Soldier. The last thing he remembers is going in for the Project Rebirth experiment. Now he’s being told it is 80 years later, he’s a Super Soldier called Captain America, and he leads a team of other super powered people.

One week earlier Tony finally takes the leap and makes a move on Steve. It works out great and they start dating, without telling anyone. Now Steve doesn’t even remember ever knowing him and Tony doesn’t know how to tell the guy from the 1940’s that they are in a relationship.

Sins of Omission - 155k - another WIP but good

A Post-Civil War, Pre-Secret Invasion AU where Steve is dead, Tony’s a mess, and everything sucks.

In which Tony deals poorly with Steve’s death, falls off the wagon, sees ghosts, and misses a lot.

Oh, and the Skrulls are about to invade.

Resurrection Verse - 338k

Doom brings Steve back from the dead. Hijinks ensue, some of which might vaugely be considered plot.

Even the Light is an Illusion - 102k

Death threats are an unfortunate side-effect of being Tony Stark, so he’s learned to ignore them. The problem is, when someone really wants you dead, hiding your head in the sand just kinda exposes your ass.

But it’s not just Tony’s behind on the line. Whoever wants him dead wants him to suffer first, and they’re willing to do anything to make that happen. Tony knows there’s only one way out. To save Steve, the Avengers, and the general public, Tony has to die. Of course, death isn’t always the end, and Tony does what any other self-disrespecting scientist would do: he finds a way to fake his death and avenge his own murder.

The trouble is, terrible decisions usually have a terrible price, and this one is no different. Tony has a chance to save the day, but the cost may be more than Tony was ever expecting to pay…

In Which Tony Stark Builds Himself Some Friends (But His Family Was Assigned by Nick Fury) - 343k

Steve takes things like personal responsibility and respect seriously. Tony’s got people he pays to take care of that kind of thing, and anyway, he’s pretty sure that he’s going to die of some exotic disease in his workshop, because Dummy’s still a little spotty about what is 'clean’ enough to put on an open wound. The rest of the Avengers are in this for personal gain, except for Clint, he just enjoys being a dick.

And some things shouldn’t be a chore.

Earth-1796 - 619k

Captain America respectfully requests that all complaints be addressed to him in writing. On paper, the nice old-fashioned way, because the computer screen hurts his eyes.

Put your phone down, Tony.

Road To War verse - 177k

Tony rebuilds, modifies. Takes fragments and gives them new order. He does not create. He can’t, not anymore. Not after this.

Or: After the events of Ultron, Tony rebuilds the tower by himself and shuts everything out to the point that Pepper takes desperate measures and asks Steve to come and help.

Pulse, Beat, and Measure verse - 134k

You should always meet your heroes. (Or: Tony Stark, formerly of Marvels magazine, encounters Captain America, formerly nobody special, at a party in 1942.)

Tales of the Bots - 514k

When Tony Stark was seventeen years old, he built his first AI. On that day, he ceased to be his father’s creation, and became a creating force in his own right.

That one act likely saved his life, and not always in the most obvious ways.

Truth Behind Masks - 98k - close enough, and its good so

Steve Rogers has plenty of friends. He just doesn’t know two of them are the same man.

That’s just how Tony Stark/Iron Man likes it. Until he comes to regret it.

#ope thats a lot #asks #long #stevetony #tony stark #stony #tonysteve #Steve Rogers #fic rec #stony fic rec

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tristansspark-blog · 4 years

Text

When Jill and that i first got into self-publishing the book world become

place than it is today. There became no Google, no Amazon, no print-on-call for, no blogs. There had been two massive wholesalers, Baker and Taylor, and Ingram. (Well, not the whole has changed.) But Reagan ingramer become president, fuel value about 90 cents a gallon, and Magnum, P.I. was the top display on television. some time past self-publishing turned into far more concerned and expensive. You needed to parent out how to publish a e book, generally something best large companies did. You had to print a minimum of quite one thousand copies at a price of several thousand dollars. These are barriers maximum citizenry simply couldn't recover from . You needed to be dedicated, driven, or determined.

Barriers Have Shrunk

Today there are various websites offering "publishing packages" where all of the work has been performed for you (or so as that they claim) and with the help of simply importing a file you may instantly come to be a "posted author." during a few cases, you'll obtain this distinction without spending a penny, goodbye as you're willing to buy for the books that outcome from this process. And this gadget has allowed many citizenry to urge into the hobby quit of e-book publishing, that's admirable. But self-publishing for profit, self-publishing as a enterprise decision, or as an extension of a enterprise agenda--like improving a consultant's reputation in her field--nonetheless requires an enormous dose of gaining knowledge of and tons of persistence.

What Hasn't Changed

Here are a number of the items that haven't modified a touch from the time of $100 cover proofs, bluelines that smelled like ammonia, and Reagan , the film celebrity president:

you would like a intent to post your e book---I accompanied Dan Poynter's define for publishing because it match my state of affairs quite well. I had the primary book to be published on my subject, and an audience of various thousand people anxious to urge the ebook. This became my intent. I knew i might be capable of pre-sell sufficient copies to pay the printing bill, so there was no monetary fall upon my part. In essence, the individuals who could purchase those first copies made it feasible to launch the e-book into the ebook trade. the truth that print-on-demand has eliminated the necessity for up-front sales hasn't at the identical time eliminated the want for the ebook to possess a rationale. The self-publisher nevertheless has got to reply the questions of why the ebook desires to be published, and who will purchase it.

you would like to supply a amazing e-book to possess an opportunity within the marketplace--Luckily I had worked inside the publishing industry and altered into working a photograph design enterprise once I became a self-publisher. I knew how to rent an editor, and had the power to provide a e

book with an equivalent carriers who had been serving the large publishers. I knew my ebook could be an equivalent to the books from my "competitors." Today it's nonetheless obligatory the self-publisher to rent editors, e-book designers, indexers, cowl designers, then on to urge a e-book produced at a consultant level, or to form use of a book producer who will lookout of the complete pre-press production of your book for you. Whichever manner you go, without a dedication to quality, your e-book will undergo as compared to others.

you would like to be willing--no, eager--to market your ebook, your program, or your ideas--We launched Body Types with the general pre-book overview program, news releases, pattern reviews, e book photos, creator bios, mailings with blow-again postcards, bigger ebook-date review mailings, interviews and workshops. Let's face it, it's quite few work to require on. It best makes experience if you'll outline your message, who it'll benefit, and find out the humans likely to have an interest . Today you would like to answer all an equivalent questions we had then, but now in the context of the blogosphere, social media, and therefore the revolution that appears to be slowly unfolding in e-book distribution and therefore the flow to every ecommerce and epublication. The challenges of lauching and advertising and marketing a book today demand the identical kind of focus, attention to the marketplace, and innovative thinking they continually have.

The More Things Change...

Self-publishing remains a possible enterprise for citizenry inside the proper situation and with the proper temperament to require it on. And a couple of people are simply determined to communicate their specific vision, expression, or mind to stage and wish to realize this during a manner that earns the respect of the marketplace. But almost by using definition, a self-writer is launching a enterprise and can do themselves a favor through approaching it with the seriousness and dedication it deserves.

Another aspect that hasn't changed is how powerful it's miles to post a ebook. After spending the higher a part of a 12 months writing and revising my e-book via lonely hours at my table on weekends and evenings, I become capable of keep the e-book in my hand. Now, 23 years later I'm amazed at how long a e-book that gives facts and usefulness to readers can last. Body Types features a new cowl and has gone lower back to press for its fifth printing.

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eponymous-rose · 5 years

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Weird question, but you seem really productive despite seeming to have a constantly fluctuating routine, with both your work and your hobbies. Most people think having a solid routine is the only way to increase your productivity but I've pretty much given up on having a routine since my life seems similar to yours--a lot of travel, weird and always changing work hours. Do you have any advice on how you deal with routine and productivity in spite of that?

Oh gosh, this is definitely something I struggle with a LOT, and I’m not sure I’ve found a coping strategy that works for me yet. But the small things that have been helping have been (1) keeping a routine in my planning even if the stuff I do changes dramatically (even if I’m traveling, I have a notebook where, every Sunday, I list all the stuff that has specific dates/times for the following week, I list the stuff where I still have to come up with a date/time, and I list the stuff I’ve gotta do that week for sure), and (2) finding multiple ways to approach the same goals that I can tailor to my level of energy/spare time on any given week (so this week I’m just not in a super exercisey mindset and can’t rely on having the motivation to run every day, but instead I’m making an extra effort not to eat out this week—lower-effort for my current state of mind, but all toward the same goal of feeling a bit healthier overall).

I’m also very cognizant of how little time at work is actually spent working, so I try not to feel guilty if the total number of hours worked is low as long as the work’s getting done. I’m an incredibly routine-oriented person, but it’s been a bit freeing to slowly and steadily teach myself that stuff just has to get finished one way or another, and the easiest way to do that is to just focus on specific goals and let the rest be flexible.

Anyway, yesterday I was thinking of this ask and was like, “You know, I’ll just write up what I do on Monday as an example, and I bet things will go hilariously awry.” And so they did.

So here’s what my weekly planning list looked like last night:

Dated Events:

Call with paper coauthor at 9AM Monday

Call with leadership academy planning committee at 10AM Monday

Call with peer mentoring group at 9AM Tuesday

Sit in on class at 11:30AM Tuesday and Thursday

Seminars Wednesday at 3PM, Thursday at 4PM, and Friday at 3PM

D&D Saturday at 6PM

Undated Events:

Coordinating abstract submission for an upcoming conference (early week)

Setting up Skype calls with a couple friends I haven’t talked to in a while (late week)

Assorted Priorities:

Book hotel for work travel in July

Accept journal article review request and scope out how long that’ll take

Review some materials sent out for my peer mentoring call

Revise my paper and submit the revisions before the Monday deadline

Get my driver’s license renewed (the joys of yearly visa renewal… your license has to be renewed yearly as well)

Put together a schedule for a biweekly Twitter feature highlighting new publications for the account I run for a subcommittee in my field

Respond to an e-mail about a conference in January about some weird deadline that popped up for next week

Come up with conference abstract ideas before the as-yet-unscheduled meeting

Fill out some action items in advance of my 10AM Monday call

And some more specific checklists for four research projects I’m focusing on this week

I purposely try to group conference calls together, because I currently share my office and feel weird doing video calls when she’s stuck in frame five feet away from me while she tries to work. So Monday seems like a good day to work from home, and I can squeeze in Tuesday’s call before heading to the office that morning. I’ll be in the office Tuesday-Friday, which means I’ll be able to attend those seminars and classes with no problem. I have most of my D&D prep done already because we ended early last game, so I can leave that until Saturday. The only thing I might have to shuffle to next week is the driver’s license thing, because it’ll take three hours and I have to account for finding a Lyft there and back. Okay. Aces.

Wake up this morning to find my internet’s out, and I also somehow left the hard drive with all my research on it at work. Hoo boy. But staring over my to-do list, I think I can set today up as a “big picture” day and not have to do any actual coding, so I’m still okay to work from home. I can also phone in to the conference calls instead of using the video call software. All good.

Luckily, the internet comes back right before my first call of the day. Said call is with someone who also happens to be a dean, so she has a tendency to get held up at meetings, so I take that delay to look at the action items for my second call (I mean… if you send me action items at 8PM on a Sunday I am not gonna touch them until Monday morning).

When she did make it online, we chatted about the new paper, and she strongly encouraged me to send it to our other coauthors in case they have suggestions. We’re submitting on Monday, which is way too short-notice to read a 20-page research paper, but they already read the pre-revision version in great detail, so I shot them an e-mail that included a summary of the substantial changes and a note to the effect that if any of them want more time to look at this stuff, I can beg the editor for an extension on their behalf. Minor crisis averted.

Second meeting is very intense and structured. Everyone has to volunteer to organize and lead two webinars in the next three months, so I go ahead and volunteer for the two April ones so I’ll get it out of the way early. Aaand the first webinar is at 1PM this Friday. Okay. I’ll work from home that morning so I can do last-minute prep, then head into the office in time for the 3PM seminar. No biggie. One organizer puts together a draft schedule, and I send a quick e-mail suggesting a different use of one of the ten-minute time slots. One of the other organizers requests another conference call tomorrow instead of e-mails. I tell them I can only do after 4PM, if I leave work early. Eh. We’ll see how that works out.

After the call, I get through a bunch of small tasks in maybe 20 minutes: hotel booked, Twitter posts prepped, review request accepted (not due until May 20, so plenty of time on that), conference deadline e-mail chain started. I spend the rest of the time before noon getting sucked into an article someone sent me about the myths surrounding undergraduate grade inflation and then reading up on the peer mentoring materials for our call tomorrow. A couple other minor e-mails pop up (scheduling the precise date of a conference mixer in January, that kind of thing) and I manage to deal with them right away.

Lunch! Clearly working from home means I should take the opportunity to indulge in some fine cuisine, some leisurely cooking that highlights—

I heat up a microwave meal (chicken couscous) and watch YouTube videos for an hour.

Back in it! I write up some abstract submission ideas and make a valiant attempt at setting up a time to talk about them, but it looks like that might have to wait until next week. We’re still a ways before the deadline, so that’s okay.

Mmmmmmm someone on Twitter mentions a conference in Germany in September and a workshop in Colorado in July that both look like a good fit for my research. I’m in a situation where I have a big chunk of travel funding that’s going to disappear unless it gets spent in the next year. Oh no. But also oh yes.

Just in case, I put together a couple point-form ideas for stuff to propose that I can bring to the people holding the purse strings.

The rest of the afternoon is spent putting together weekly goals for four of my research projects: each one involves a collaboration with a different person, so I’d like to be able to send each of them an e-mail with at least one new thing to share about that project this week. Just in case that doesn’t happen, though, I rank them from most to least important. Worst-case scenario, I don’t have to send any of them this week, but it’ll make next week tougher if I don’t.

It’s only about 3:30 at this point, but honestly, I’m feeling a bit exhausted and overwhelmed (some of the e-mail chains have gone through five or six replies at this point and keeping it all straight is giving me a headache), so I opt to get some groceries and call it a day.

I may have added some stuff, but I got a lot crossed off today! Here’s how that last checklist looks at the end of the day:

Assorted Priorities:

Revise my paper and submit the revisions before the Monday deadline

Project #1: come up with a new exploratory figure and send to Person A.

Project #2: summarize the early results I started last week and send to Person B, along with an ask to see whether he’d be up for me presenting this stuff in Europe in November.

Project #3: improve on figures I showed last month and send to Person C.

Project #4: prepare a rough outline of the next paper to send to Person D.

Not having my work hard drive means I was able to just focus on the stuff that wasn’t specific to research today. In all the chaos of today, I’ve set myself up well for a research-heavy rest of the week where I (hopefully) won’t have to worry about non-research stuff or big changes to the schedule and can just burrow into research, emerging for occasional seminar/webinar breaks. A good Monday, all around.

#eponymous academia tag #karionwriting

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rpgsandbox · 5 years

Link

Enter the world of classic fantasy and old school tabletop gaming. Adventure in the ruins of the past, set out on a treasure hunt in Ruin Masters.

Published for the first time in 1982, and with its roots in Steve Perrin's Basic Role-playing and RuneQuest games, the Swedish "Drakar och Demoner" was known for its basic and fun-to-play system and rules. Throughout the years the game has been one of the best-selling Role playing games and the "retro version" that was released in Swedish 2016 is still one of the top selling games in Sweden.

Now we want to expand this system with an updated, and re-designed English version of the classic game, including a rich portfolio of new art and design, a cover from Adrian Smith, interior art from renown artists such as Jesper Ejsing, Johan Egerkrans and not least Alvaro Tapia, who is well-known for his fabulous art in Trudvang Chronicles.

This game is designed and produced by RiotMinds that brought you Trudvang Chronicles (Voted, "the MOST ANTICIPATED GAME 2017", By ENWorld community) and LexOccultum (named as "one of top five games of 2018", Yawning Portal)

Now, please help us bring Ruin Masters to life!

The game includes tactical Dungeon Crawl AND Hex Travel rules for boardplay! So, gather your friends in this combined classic roleplaying and tabletop dungeon crawl game! Let´s see how long you can survive!

What's included?

The core package (without Stretch Goals) include the following:

Rulebook including character creation, general rules and the Caldarox world setting (the official world of Ruin Masters), dungeon crawling rules (drop lists, challenges, spawn lists, etc.) and monster stats. Softback, approx. 150-200 pages (pending on final format)

3 cardboard pages of cut-out miniatures

3x5 combat mode markers

Deck of Start-up-Cards

4-color map over Caldrarox

20 Character Sheets

Dungeon Crawl Introduction adventure (pdf)

Please notice: Dices are NOT included in some pledges. To make sure you get box and dices pick the "Adventurer" or "Dungeon Crawler Reward". You need one or more 10-sided dice(s) to play.

Exclusive cover by Adrian Smith

Classic monsters, classic adventures, retro-play in a fast-paced, and easy to learn fantasy roleplaying game. Gather your old friends, kids, and family, and experience the thrill of a classic treasure hunt in the ruins of Caldarox!

Ruin Masters is a system which can be used with different approaches: roleplaying, dungeon-crawl boardgame, or even both!

Play classic, old-style fantasy roleplaying, or make your own dungeon using the Challenges, Spawn-, and Drop-lists to throw unexpected threats at the players as they crawl down in search for gems and artifacts.

Sample layout

Tentative Character Sheet

Goblin attack!!!!

About the rules and system

The game rules have their roots in the old-style Basic Role-play system, now with four characteristics (Physique, Mind, Intelligence and Charisma): each with a value ranging between 3 and 30 (3d10). There are also six broad skills (Combat, Outdoor, Knowledge, Magic, Burgling and Social), with a value between 1 and 100% (d100) and an easy-to-learn combat system with actions (Offensive, Neutral or Defensive) including attacks and parrying.

A number of Body Points define how much damage one can take before death. The damage dealt by weapons can result in an "open-ended" way (roll again, should you roll a 10, etc.). Armor and shield absorb some of the damage pending on size and type. The system also use a "seven body parts" system.

Character generation is quick and easy (each player plays an "adventurer"). Roll the characteristics, define the skill percentages according to your tastes, draw 3 start-up-cards, equip your character and get ready to play!

The "Dungeon Crawl mode" use the same basic mechanics for combat etc, however each challenge is defined by a roll on a list of challenges (pending on level of difficulty) or pre-generated and set by the Game Master (such as "Clear the dungeon", or "Find the artifact", or "kill the crazy mage"). Characters keep their loot and get ready for another dungeon crawl. It's all about the "party" vs the Game Master!

Same thing with the "Hex Travel mode". Move your party through the world of Caldarox towards the next adventure site and encounter monsters and challenges in each and every hex! Just use the "ready-to-roll" charts and guidelines.

Purpose of the game

The players create their adventurers to play them in various adventures prepared and designed by the Game Master (or official ones from RiotMinds). Each adventurer must use skills and equipment (and friends) to survive and hoard treasures and experience in order to improve the adventurer and prepare them for more advanced quests in the ruins (classic role play). The game is perfect for any gamer who wants to get going and have some fun, just playing some good old-school, classic RPG.

In dungeon-crawl mode, it is all about surviving and reach as far into the dungeon or ruin as possible. As a Game Master you can even have many player groups competing against each other, or replay the same dungeon over and over again, just to see how far the adventurers can reach. Set a goal, plant treasures and drops should they be successful! Tell them about that magic artifact that is rumored to be locked into that last room in the dungeon. Use the "encounter spawn charts" and start playing. This is Dungeon Crawl, or Ruin-play, as we say. Once you enter, there is no turning back! Cowards must fight their way back, just like they fight their way into the dungeon. And remember, every good adventure starts at the old inn!

Crush your players, see them driven before you, and hear the lamentations of their friends. This is Dungeon Crawl!

Every good adventure starts at the old inn!

Hex map travel rules (...and random encounter spawns...)

About the setting

Ruin Masters is a generic fantasy game system that can be played in any setting (or just, adventure-by-adventure-style). However, as an introduction to an adventurous world, we also include an easy-to-start-with setting of Caldarox. It's a post-cataclysmic fantasy world whereas the heroes explore and adventure in the ruins of a past civilization, a world full of monsters and treasures. In Caldarox the heroes meet classic fantasy monsters such as minotaurs, dragons, orcs and goblins, as well as evil mages and mysterious knights.

Needless to say, great inspirations is the old-style roleplaying games from the 1980s including RuneQuest, Rolemaster, the first edition of WFRP, and many more.

Play classic roleplaying adventures or skip the story and go all in for some hex-based dungeon crawl bashing and treasure hunt! The easy-to-learn rules fit for both.

Each site is an adventure!

Cardboard cut-out figures for dungeon crawl and ruin play!

Choose the "Adventurer" or "Dungeon Crawler" reward to get a Box and Dices!

The Artwork

As always, we work with the greatest artists to deliver the most stunning visual experience. We believe that the art is a major component to the setting and hence we spend months and months together with our artists to get the right design and feeling. In order to get the right "classic", yet modern and unique feeling, in this production we've been working in close collaboration with Alvaro Tapia (most known for the fabulous art of Trudvang Chronicles). We're also happy that Adrian Smith accepted to paint the cover for this production. He is well-know for his great art for Games Workshop, and his unique style just felt like the only possible choice for us. We're amazed how fast Adrian grasped the concept and how excited he was painting the cover. On board is also Johan Egerkrans who illustrated the retro-version in full, as well as Jesper Ejsing and Even Amundsen. Needless to say, we think that we co-lab with some of the greatest artists out there on this project.

Roleplaying or Dungeon Crawl? Your choice!

More cut-outs

Get ready for adventure!

Kickstarter campaign ends: Fri, April 19 2019 5:00 PM BST

Website: RiotMinds

#RPG #kickstarter #Ruin Masters #RiotMinds

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shepherds-of-haven · 5 years

Note

So I know that you've had tons of experience with writing, but how would you say that compares to your first IF novel? Are/were you nervous during the process, or was it smoother since you already had a world fleshed out?

Thanks for the great question! I’d say writing an IF novel is both much more difficult and much more freeing (and therefore easier) than a conventional novel. What I like most about the medium (and why I chose it) is that it allows you spend “screentime” with as many characters as the player wants. Whereas in a conventional novel, there is finite space–there are a certain number of pages for it to be printed on–so having a long conversation with a side character about their favorite foods or elaborating on their backstory and motivations (if they didn’t tie into the overall ‘plot’ of the book) was wasting the reader’s time. In a conventional novel, you have to be ruthless: you only have the reader for a little while, so too many side stories or other character arcs in 300 pages would be over-complex or confusing. In an IF novel, they get to choose which stories they want to explore, which characters they want to interact with, so there can be as little or as much ‘story’ as the reader prefers. You’re not holding them hostage by forcing them to read about so-and-so’s family until it gets back to the main plot. If they do read about so-and-so’s family, it’s of their own prerogative. It’s very freeing, and it allows me to sit down and treat each NPC as being as fully-fleshed and important in their own life arc as the MC is–something I could never do in a conventional novel. It also allows me to let the reader ‘explore’ the world in a much more nuanced and immersive way than in a novel. In a novel, if the main character picks up a crumpled newspaper ad or foregoes buying a drink because they don’t have enough gold, it’s like, “What was the point of this moment?”

In IF, there isn’t that scrutiny: picking up a newspaper ad and having it in your inventory to read later, or having to keep track of how much gold your character actually has and how much it takes to buy a drink in this world–it all slowly adds to and builds on the player’s understanding of the world. It’s okay for them to ‘absorb’ this extraneous information, because in IF, it’s more immersive: you are really inhabiting and controlling a person in this world. In a conventional novel, these details don’t “matter.”

I wasn’t nervous about starting the process of writing this game, mostly because of what you said: the world and characters were already worked out and familiar, so I was confident in my ability to convey them to the readers without too many plot holes or dangling questions. (It also helped that I’d had experience writing IF before, though not in ChoiceScript!)The one thing I will say has presented difficulty for me (and it might be a difficulty unique to writers with pre-existing work) is striking the balance between a player-controlled MC and an MC who must have a little life in them in order to drive forward the story. It’s especially difficult because this MC ‘replaces’ the protagonist of the novel series ShoH is based on, so it’s hard to keep that protagonist’s personality and feelings out of the MC. It’s difficult for me to juggle asking the player how the MC feels about some things–how much control do they want to have over this avatar?–and allowing the MC to have some common-sense reactions in order for the scene to proceed without breaking it up with yet another ‘choice’ to make. For example, I received a message in the early days of posting the demo where (after MC was confronted by Croelle about questions of free will) a reader wanted to have a long philosophical debate with Croelle about free will instead of having the reaction of “…who the hell is this guy and why is he talking to me?” As a writer, I thought anybody–not just this particular MC–would have a reaction of surprise when being randomly asked about free will by a stranger. But being constantly cognizant that the MC’s reaction might turn off a person who wanted to have more control or do something else is very difficult to balance. The other thing that’s different about IF is that (with Hosted Games) the readers/consumers are a much bigger part of the creative process. In conventional fiction, as you’re writing your novel or short story or poetry, the most feedback you’re going to get is having your story workshopped by peers or mentors. But their feedback is usually technical (at least in my experience), focusing on how the story works, and critiques on its content can be dismissed with “it’s not their cup of tea,” “they don’t usually read this genre”, “I’m not writing this story for them.” With IF, the readers that you are getting feedback from are uniquely also characters in the story you are weaving. They’re not just outsiders, looking in, pointing things out but ultimately detached from the final product: their desires and experiences are inherently going to be a part of the story. Factoring that in--but also being able to hold onto your creative vision without having it diluted by a thousand different preferences and requests--is probably the tensest part of writing a Hosted Games IF. That’s something I’ve never dealt with before, and in my personal opinion--aside from everyday life getting in the way--a failure to balance it is probably why a lot of WIPs fall apart or get abandoned. The pressure is a lot!

Of course, I still love it, which is why I’m still here and why this project has become such a big part of my life! It’s such a pleasure to interact with the community and stretch my writing in a way that you can’t achieve in any other genre. I’m very glad that I found ChoiceScript and that it’s providing me a platform to expand on the world of Blest in a way that could have never happened in one book (or two, or eight). If there’s anyone out there who’s thinking about writing a ChoiceScript game, or even just wants to talk about conventional writing, I’m here and I’d love to talk about it! Thanks again for the great question, anon! It was a pleasure to answer!

#meta #interactive fiction #choice of games #choicescript #choicescript games #hosted games #Shepherds of Haven #IF #fiction #writing

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lsesu · 5 years

Text

Your guide to: Extra curricular activities

You asked for more information on extracurricular activities, well buckle up people because there is LOADS that you can get involved in outside of study at LSE! It shouldn’t be all work and no play. You should be spending part of your time at university doing things that are not related to your course – it’s good for your mental health, wellbeing, happiness and your personal or professional development.

No matter what your interests or what you would like to achieve, we are sure that there will be an extracurricular event, project, initiative or “thing” that will take your fancy. Here’s a quick insight into the things that you can get involved in:

Events

Perhaps one of the easiest ways to make the best use of your time outside of lectures. We have tons of events that run every day, every week and every term! Some are run by us, some are run by students and some are run by LSE.

We (your Students’ Union) are the home of all the fun things, so you can expect our events to be ones to remember! In our recent SU Awards, it was the “Sweeney Todd” theatre performance by the Drama Society that won in the Best Event category, with a cultural showcase called “Ablaze” by the African Caribbean Society coming in a close 2nd. To find out more about LSESU events, keep an eye on our What’s on calendar.

The school itself also holds a variety of events throughout the year, these range from public lectures all the way through to fairs and workshops. For some LSE events, you can even catch up on what you missed if you weren’t able to attend with the LSE Player. To find out more about LSE events, keep an eye on the LSE events website.

RAG

Maybe you want to give back to the community? Do your bit for a good cause? Raise money for people in need? We have just the thing!

The LSESU Raising and Giving society (RAG) is a three-times award winning society that raises money every year for amazing causes and allows students to get involved in fun and exciting acts of charitable fundraising.

Getting involved with the RAG society could mean that you are granted with some of the most memorable experiences that you can have while at university. “Jailbreak” is an infamous annual RAG event, that challenges participants to get as far across the globe as possible from their starting point…with absolutely no money. Past winners have ended up in Thailand and Belarus!

What makes these once-in-a-lifetime experiences so great, is knowing that you are giving back to a good cause at the same time (as said by students who have been involved in RAG). Head over to the RAG page on our website to find out more

Oh, and keep an eye on their dedicated Facebook Page, as announcements regarding the 2019 RAG Band (LSE’s official Welcome week events) will be coming soon!

Funding

Have you got a big idea? Think it could really benefit the rest of the students at LSE? Well, you better get reading about our funding pots!

Here at LSESU, we are excited by student ideas and encourage students to develop and implement their own projects. So much so, that we have even set aside pots of money especially for you guys, so that you can make your big ideas happen!

We have a Student Union Fund that grants sums of money to students who have ideas for projects or initiatives, and you can apply for up to £20,000! Funding can be granted to any idea for any project, by any student or any student group…all you have to do is apply!

If there is something missing from your student experience or if there is a project that you’ve always wanted to try out, applying for one of our funding pots is a great way to make it a reality, enhance the lives of your fellow students AND build your CV in the process. You benefit, we benefit, your fellow students benefit – everyone is a winner!

Find out more about the Students’ Union Fund, the criteria and how you can apply for it here.

Fitness classes

Keeping fit doesn’t have to be a chore at university. While we have got our very own LSESU Gym on the 4thfloor of our building, we know that this won’t be everyone’s cup of tea for getting active.

Our fitness class timetable is a great way to get moving in a more social environment, where you can make friends and get fit at the same time. Exercise can often help to clear the mind and promote wellness, and many students have found that getting involved in our weekly classes is a fantastic way to maintain good wellbeing and mental health at LSE.

A class pass can cost you as little as £15 and will grant you unlimited access to all of the fitness classes that run throughout the term! Our class timetable includes Pilates, Self Defence, Yoga, Boxfit, Zumba, Swimming, HIIT and so much more.

Find out more about our Fitness Classes here.

Campaigns Hub

Is there an issue or a cause that you feel passionate about? How would you like the support, guidance and funding to be able to actually act on that particular issue?

At LSESU, we have a dedicated Campaigns Hub, which helps students facilitate, plan and run their own campaigns. In the past, students have seen big wins both at LSE but also in the wider world due to their involvement with Campaigns Hub.

Whether you are an activist to the core or are simply interested in acting on one particular issue, Campaigns Hub will be able to support you in the ways that you need. This is also a way to connect with and meet like-minded individuals, who also share the same passion that you do of making a difference in the world.

What better way to start an interview than by explaining how you had an idea for addressing an issue, you acted on it and it resulted in making a permanent, long lasting and historical change? There’s no reason why this can’t be you!

Elections

If you want to impress your future employer with an application or CV with ample experience, this is the BEST way to do it!

Every year we run Michealmas (1st) term elections and Lent (2nd) term elections. Students will nominate themselves for one of the student officer positions that we have available before campaigning for your votes. Whoever receives the most votes in the count will be elected as the new officer for that category.

Ok, so why are these officer positions so important? Our student officers actually have the power to change policy and decision making among the highest levels of LSE’s management…basically, they get to tell the big dogs at the school what to do. It’s important for the senior leaders at the school to get sign off and agreement from our LSESU Student Officers, which is why these positions hold great amounts of power and authority.

Now, if you haven’t already realised…these Officer roles are incredible leadership opportunities where you can negotiate and persuade the highest levels of management and shape the direction of a multi-million pound organisation. Plus, you’ll be managing massive budgets, project managing your own large scale initiatives, all within a highly politically charged context. If that’s not going to make your CV shine, then we don’t know what is!

We have 5 full time officer positions and 12 part time officer positions, which include Social Mobility & Class Officer, Raising & Giving Officer, International Students’ Officer and LGBT+ Officer. If you want to enrich your skillset and professional experience alongside your studies, then you should definitely consider nominating yourself for one of these officer positions!

But even if you don’t fancy standing for one of these roles, you should familiarise yourself with who your officers are and make sure you voice any concerns you have about LSE directly to them, as they have the power to do something about it! And at the very least, you should vote for your favourite candidate. After all, you don’t want someone who isn’t going to benefit you being put in charge!

Union General Meetings

Guess what! There is this awesome little thing at your Students’ Union called the Union General Meeting. Sounds really clunky, but we’re going to break it down for you:

The Union General Meeting happens every month during term time. It is an opportunity for you guys to submit motions for changes that you want to see at LSE. Previous motions have included the introduction of bean bags in the LSE Library (no, this isn’t a joke) and free menstrual products in the LSESU toilets.

At the meeting, the motion is pitched by the student who has proposed it, which is all captured on live stream so that any student can tune in to see all the action. Students can then vote for or against the motion on our website. If the motion gets more than 250 votes in agreement, then the motion passes and we HAVE to implement your changes!

So, this is why you will see the pre-mentioned beanbags in the library and free menstrual products in LSESU toilets, because the motions passed and we got it done!

Why not make your student life even better for yourself? Put forward your changes, campaign for your fellow students’ votes and make them happen! You can make long lasting changes at LSE, all you have to do is get involved.

Find out more about past motions and the Union General Meeting process here.

LSE Volunteer Centre

Here’s another way that you can give back in your spare time. The LSE Volunteer Centre runs tons of events and programmes where you can get involved in helping out some fantastic causes.

The great thing about the LSE Volunteer Centre is it has a range of flexible initiatives, so no matter what kind of student you are, they should have something to suit you. They run #JustOneHour opportunities, which are ways for those time-strapped students to do their bit for the community in an hour or less. There’s also one off volunteering and ongoing volunteering opportunities that you can sign up to.

Some of the causes that students have gotten involved with in the past include working with dementia patients, food distribution charities as well as NGOs in Africa, Asia and Latin America.

Volunteering was a big part of your General Secretary, Zulum’s, experience here at LSE and he says it made his LSE journey so much more rewarding. Find out more about the LSE Volunteer Centre here and keep an eye on their page for new and upcoming opportunities.

AU Sports Clubs & BUCS

And now for the more obvious ones, joining a student group. Joining one of our LSESU Sports Clubs also means that you become part of the Athletics Union. The Athletics Union is a large community of students who are interested in playing sport at any level, and it is a great way to make friends.

We have over 50 Athletics Union Sports Clubs that you can join, read more about them on our website. Most student groups will be running Give it a go sessions in the 1st term, so keep an eye on the Give it a go Calendar to spot any free taster sessions for the clubs that you’re interested in.

Societies

From Debate and united nations to beekeeping and cocktails, we’ve got such a huge range of societies for you to get involved in. No matter what your interests, beliefs or hobbies, we’re sure that you’ll find at least one that takes your fancy (we have over 200!). Or even if you don’t, you can easily start up your own society with the help of our Societies team.

Another great way to make friends and engage in your favourite things or pass times. Check out the full list of societies here. There will also be give it a go sessions for societies, so keep your eyes on the give it a go calendar.

Student Media Groups

Interested in gaining some experience in media? We are lucky to be one of the only student unions in the country with 4 student media groups, which means more opportunities for you guys! You can get involved with The Beaver (student newspaper), LooSE TV (youtube channel), Clare Market Review (journal) and PuLSE (radio station).

Find out more about the Beaver, LooSE TV, Clare Market Review and PuLSE on our website.

Basically, there are tons of activities that you can get involved in outside of study, all you have to do is get stuck in!

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thembekao-tee-us-blog · 5 years

Text

My experience of prac prep and first week of prac

The set-up in the big seminar room E--- is calmer and relaxing the DJ is playing good music everyone is excited to be in this Pre Practical. The supervisors are all in position and so are the students. We sat in this room for very long period of time, under unpleasant circumstances. There was student protest going on at the campus. We were all anxious and worried about our safety especially students who reside in on campus residents. Student protect had never prosper to interfere with the progress of compulsory lectures that we always have in this degree.

Never the less the pre prac was very beneficial as it was a recap of all the vital points of what is expected of us as student during practical’s. The guidelines on intervention planning and execution for better quality of life in our service providing process.

Transport on the first day at practical almost ruined the good start. You know it’s our human instinct to anticipate worse if the day start on the hiccup stanza. The venue I am at is the workshop institution , hence one need to be very strategic about encouraging participation in therapy as the time she spend in therapy literally means reduce work productivity. Conducting assessment and interview at the workplace was very challenging. So in my first day I resumed the spy characteristics. Oh yes!! Depend more on the observations and deductions rather than conducting formal assessment at this stage was impossible. Second day was a huge relieve as we were given the permission (by the workshop manager) to have our clients anytime and do individuals or group treatment outside of the working place. The one on one sessions run smoothly and this helped in rapid speed development of rapport in private and more convenient space.

The first impression … may be the simple old English proverb but I believe in this discipline it prove itself to be always true. The treatment planning will benefit my clients in developing their social skills, relaxation and constructive use of free time. This are some of the sub program am intending to focus on from the very beginning. Looking forward to more learning practical’s days in this institution and with a primary intention for self-growth and vital aim to provide all necessary and appropriate services to the workers in this institution.

Reference

https://www.topresume.com/career-advice/tips-for-success-on-day-one-of-your-new-job

http://www.scielo.org.za/scielo.php?script=sci_arttext&pid=S2310-38332015000300006

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wolfliving · 5 years

Text

On the subject of Making

From: Garnet Hertz

I made a Google Form to collect ideas in regards to an organization to fill the gap left after Make threw in the towel and closed their doors. The full responses are included below. At this point, it looks like something will be organized for sure... or at least I'll be starting up something. Thanks to Mitch Altman, Karen Marcelo and members of Nettime for sharing. There are piles of good ideas here: which of these do you think are the most important?

Here are the raw, unedited responses to the question "If you were running an open source maker-oriented organization that filled the gap left by Maker Media ceasing operations, how would you run it and what would you focus on?"

76 responses:

• Model it after dorkbot but instead of having meetings it can be geared around smaller regional Faires

• I would run it as a non profit and make sure that there are people from all over the world representing. Not only so US focused.

• Focus on low tech and tech critism...as much as possible far from western culture...let say the gambiara creative movement in LATAM (brazil) or Cuban style repair culture guerilla, community envisioned and run publications/workshops/happenings without the 'red tape' so often discussed as part of the Maker Media legacy. so, no forced branding, no forced commonalities (other than perhaps a shared manifesto), no minimum number of participants or fundraising requirement for it to be a 'real' event of the community, and much less of a focus on attracting, and then satisfying, corporate sponsors.

• Should be about critical making, open source, skill sharing, critical thinking and more...

• I think the most important thing is to help local people meet up with each other in person. This should go far beyond people who already go to a hackerspace - this is something that Make did well by bringing together all sorts of people from children, university students, hackers, artists, etc. I don't think this has to be large scale.

• Member-run co-operative; leadership positions only for women; women-only days; focus on understanding biases built into technologies and imagining ways around this (critical technical practice)

• Money. Without money you can’t go far

• Projects how tos. Wait. That's Instructables. Never mind.

• cats, and i'd not run it... i would do unconferences, get space, and allow people, provide limited scheduling facilities.

• Support groups with least access to money, education, and resources to setup, lead, and run such an entity.

• I would focus on local groups with local, f2f contacts and a (funding-)mechanism to facilitate the exchange of primarily people as visiting makers instead data-platforming and global marketing.

• A mostly decentralised movement that prioritises shared ideas over branding, focusing on providing easy-access models for small, local communities to start shared spaces and hold events.

• I'd make an organisation of organisations, and invite contributions from different organisations. If I was making a publication, I think I'd go with an interview format and I'd interview two or more organisations at once - inviting them to discuss their operations, their experiences and their hopes, together.

• Ideally, a new organization would be a resource, and not an organization. I think open-source maker communities are singular to the their local communities and their local interests. A global community that allowed the specificity of local/regional interests to shine is more important to me than an 'engineered' (imposed?) idea of maker-dom. I enjoyed the broad definition of making that Maker Media cast, but I think the organization was actually dominated by specific technologies and approaches to technology. I'd like to see an organization that could get past that.

• I would focus on positive technology that attempts to help us instead of just consumer goods

• Community building by featuring projects by makers through events and publications.

• I'm not sure if it needs a replacement, aren't the maker faires run independently? Also a printed magazine isn't something that many technology interested people buy in 2019. A website that collects nice projects and tutorials would be enough.

• Education of kids. the best energy seemed to be in helping people learn

• On content by the community (electronic media) and events

• I would run it as a collective that will use their power to make an impact in society. Use the power of us, humans to make our home planet better. I would focus on philosophy and ideas, since ideas are bulletproof and no one can’t take them away.

• n my market no matter the name of a brand, people do not come because the brand comes to create community

• Non-profit, volunteer-based, brutally and radically self-sustaining.

• a bit like hackaday but with a broader focus

• Celebrating and sharing builds.

• I currently part of a maker oriented NGO in Mexico, and our experience is that there are a lot of oportunities to fund and create open content. We get funds from bigger organizations like USAID, Save theCHildren and others to fund open programs like meteorito.io or robolution,mx, that anyone who speak spanish can use.

• Sustainability is challenge. What happened to Maker Media will happen again if you are a single entity trying to make ends meet. I would rather take a different approach. More about it below.

• I would still run it as a media and marketing company. Similar to how many makerspaces stay funded by offering production, design and development services utilizing their existing resources to for-profit companies. By providing some form of value-added business in a tangential indistry separate from the niche maker media was filling, (I know, you had the magazine, but magazines aren't big money makers these days. I'm thinking of something like a peer-to-peer lending platform that allows makerspaces and small businesses to fund expansion or a marketing and development support agency and platform that sells a specific set of services or products. ) that then turns around and uses it's profits to fund the sort of programs Maker Media was running. Does it suck to end up spending 80% of your time designing a UX system for a loan platform instead of planning maker faires? Yep. But a separate business organization that just has a charter to provide funding for a maker-centric organization out of it's profits can survive a bad turn a lot easier than the two being the same organization.

• Reach out to schools and do lots of mini fairies and training to get kids ready for the faire...

• Youth and education. If you inspire the next generation you guarantee longevity.

• I would not take VC. I would make an education and technology outreach non profit. I would make it just an events company, focussing on a few big, profitable events in a year in less expensive locations plus smaller community events. It doesn't have to make a killing, just enough to make ends meet.

• I am always more interested in seeing what strange things individuals make instead of groups.

• alternative energy

• I'd focus on reaching kids who don't have a ton of money, and teaching them how to get started on a shoestring in the world of making. Stop with satellite design and get into how to use openscad, how to tune a budget printer, things like that. Maybe teach people how to bring this stuff into schools and get started there. Maybe showcase some kids programming stuff each issue.

• Exclusive: Magazine, limited pre-release hardware, baubles. Growth: YouTube

• As a non profit.

• Focus on education to the widest audience. Not sure of the best model for running.

• A shared interest organization like Foundation or Cooperation on regional based clusters. Focus should be on life long learning and sharing resources and knowledge.

• Not For Profit - Focus on inclusion and education of the core making skills that are developed through designing, building and coding.

• coop, not too pricy, but not free

• Accessible workshops and showcases of diverse creators.

• Event organization to have people meeting all together

• A web/editorial site, with a modest branching off to video. I would not do the maker fairies and events because I am not good at event planning. But I would TOTALLY love to go to some more maker faires as both an attendee, and a presenter

• Building projects together as a group.

• I would run it with the goal of educating and providing tools to communities regarding electronics and maker skills

• Non-profit. Non-exclusive. Encouraging. Run by a team who think deeply about the impacts of their actions and go to great lengths to learn both in their areas of personal interest and in areas that are for the good of the global community.

• Non-profit with a benevolent dictator. Org holds the brand, collects grants, and gives out money city by city to recognize what people are already doing. The org would also certify maker educational content and products as a revenue stream through an open access review process, similar to academic journal reviewing. That said, primary focus would be on building awareness.

• Online daily content(curating from sources worldwide), long term brand partnership, spotlight on the makers themselves, low on staff- use local partners for all events

• how to run an organization is a question for an online poll?, I don't know even how to cook

• i would focus on keeping on supporting the community

• Creativity, diversity, inclusivity

• I run a Bangalore based social business by the name of "Makespace and Open Source Creativity" (www.bangaloremakepsace.org) and we are fully sustainable and have been operating successfully for the last 5 years. We gain revenues by hosting and conducting workshops for the local maker community as well as organize multiple events where the maker community can come together, collaborate in real time, and create connections to start their own "maker ventures". We focus on the "social business" model so it avoids incurring massive debts and costs. Everything is volunteer driven.

• The way it was run isn't a problem. It wasn't a leadership issue,it was a lack of sponsorship.The big tech companies didn't care anymore. Perhaps big events should be nixed in exchange for small local maker faire events.

• Let the healthy events operate themselves. Create a minimalist amount of requirements.

• Forming a non-profit board would be the first step. I personally like consensus-based models like the Circle Way with traditional models like Parlimentary procedure used as needed. I think major focus should be placed on education (NOT just for kids!), supporting novel technologies and models especially when it comes to sustainability, and providing access to the tools, skills and mindsets behind making to diverse communities.

• I subscribed to their magazine once and while I found it interesting, everything seemed a bit advanced and over my head. It would help if they had some material for beginners.

• Make it a playground open for all

• I imagine that organization embedded inside individual educational institutions and organisation. That way it becomes financially sustainable and viable.

• It'd continue to run and focus on education.

• Too tough to answe succinctly , maker faire

• Community is the critical component, and events like Maker Faire have been amazing places to visit that help keep the community active and contributing even when remote.

• Critical social maker issues.... improving urban environments, developing countries, citizen infrastructure solutions

• I would operate with advocacy and accessibility in mind. I would focus on how the maker movement can provide opportunity and equity to people underserved by institutionally-oriented models of production, research and business. I would look for opportunities not only to generate and platform content to this end, but also to find synergy with peers and indies. I would seek to publish quality instructional material, and also journalism on the maker community. I think a guiding principle should be elevating the maker movement's reach and relevancy in local economies.

• If i were? I think, I am

• I believe that Maker Faire actually had difficulty in getting makers to register over time because of bad feelings due to the fact that the business model was for-profit but MF gave no equity to the makers, who are literally the reason for the event. I would hope that such a future organization would be not-for-profit. In the long term, maybe it could even sponsor makers with projects of enormous scope.

• An open source franchise model with a common virtual platform to share "how-to", technical help forums, show and tell, etc. This should be supported with low member fee. Also needed are blueprints on how to have a brick and morter makerspace connecting into the franchise model.

• Would change the name, like Tech or DIY meetups.

• Membership based, maybe with organizational members (like hackerspaces) • 501c3, The community

• My favorite part of Maker Media was the Maker Faires.

• Considering the raise of streaming platforms as YouTube, I would focus on keep doing content and publish or online, keeping the already big community around Maker media.

• Kids first, then hobbyists

• Stop trying to claim the word "Make" as IP and focus on enabling and building the community through faires, meetups, clubs, forums, talks, etc. Give makers a place to go to meet each other, and an audience for their works. Don't promote "maker tax" businesses, but show how DIY can be cheap enough for everybody. Less STEM, less kids, more technical.

• I would run it as a distributed co-op, focussing on sustainability and radical change.

• I'd focus on highlighting the work of underrepresented folks from the start. Without conscious effort, it's easy to show a fairly homogeneous subset of the community.

These are the raw/unedited responses for the question "If you had to pick only one thing for an open source maker-oriented organization to focus on, what would it be?"

• Community

• Smaller annual festivals (east bay maker Faire is a good size) organizing small gatherings so makers can meet makers

• check out OPEN BIDOUILLE CAMP

• maximising the good maker/craft engagements already happening on the grassroots level, rather than taking credit for them.

• Curating

• Small local events for people to show their projects and meet each other.

• Feminism

• Anything and Everything - once the money part of the game is taken care of. Without money, there is no chance to make

• Project how tos. Ugh.

• cats

• For making to focus on local need.

• I would focus on facilitating small-to-medium group ownership of open source projects as common-pool resources.

• Increasing diversity of the maker community by lowering the barrier to entry (financially, geographically, socially).

• Sustainability & Engagement. Yes, I know it looks like two things, but it's not. By this I don't just mean environmental sustainability, I also mean economic and social sustainability: Who's engaged? How is that broadened over time? And how does the organisation sustain itself? In many cases, the answer to "How does the organisation sustain itself?" will lead, by implication, to answering the question "Who is engaged?". (eg: A fablab that's in the orbit of a university will tend only to engage students! eg2: A glossy magazine about the "maker lifestyle" will tend only to engage middle class makers.)

• empowerment

• Teaching self sufficiency

• Ensuring at least one big event was happening annually to get makers together showing their projects.

• Accumulate interesting and useful projects, ideas etc.

• Helping kids create

• Events

• The idea that we can hack the planet for good

• in the community and not in the brands

• Facilitating cooperation, since this is the main thing that individual/independent makers lack in comparison to larger (corporate) structures.

• tutorials

• Celebrating and sharing builds

• Content creation

• Education and Outreach, I think the Make magazine and books were a great enablers.

• By far, I would pair down to just operating a online news site and the maker faires. I'd look at how Cracked brought itself back from the dead as an example.

• Tools to train kids to put on makerfaires

• Support the demonstrating makers

• Outreach focussed events - big ones and community ones. • These events have *enormous* impact on human beings and can make money.

• alternative energy

• Education and levelling the playground socially. This stuff doesn't have to be stupid expensive.

• YouTube

• Events

• Continue the magazine at all costs. It is the source of inspiration for many of all ages.

• Free physical and virtual spaces for learning and creation for all.

• STEAM focused. Especially for school aged children

• micro circuts

• accessible workshops and online materials

• free as in beer

• Community. I don't know how to foster that and not make it all about the money. It's hard because people make cool things and they want to get paid but "community" and "ceaseless self promotion " do not go well together

• Picking some project, and building it as a group with looking at the different elements of engineering, social science and acceptance, and presenting it to a different audience.

• Electrical engineering

• Diversity, equity, and inclusion of varied experience, culture, ideas, and methods.

• Right to repair to build more awareness around making

• Daily online content, but I think going diverse is safer

• I think I would like to focus in providing opportunities for makers that want to teach to teach, for example, I would love to teach programming for free, but havent found the space to do so

• community

• Community. Hands-down. There are many ways to address "Community" but it's the one thing I would pick over other characteristics like "Profit", "Longevity" or "Infrastructure" with respect to an open source maker-oriented organization

• Keep it small, nimble. Cater to the creativity of children, and keep it family friendly.

• Being not for profit.

• Providing access to the tools, skills and mindsets behind making to diverse communities.

• Wow, is that possible? :). I guess Arduino since you can do so many things with it.

• Let neither startup hype/pitch competition people nor social justice/identity politics people grab control over the space.

• Education and accessible technology for all

• Education

• Maker faire

• Community-organized events like Maker Faire I think are the one thing that allowed Maker Media to stand out

• critical approaches to design

• It is hard to pick one answer. I think there are several compelling opportunities for maker organizations focused on specific domains. One would be presenting maker skills in the context of a path to the trades. Another focus would be modernizing (and miniaturizing) common manufacturing processes outside the usual footprint of CNC technologies. I also believe there are a lot of opportunities for makers in agriculture and primary productivity - this is my own personal focus right now.

• Decentralization

• Whimsy. Maker businesses are fine, but there's nothing like the exhibits that elicit pure joy, which are made just because they can be made.

• Access to affordable maker spaces.

• Electronics DIY

• Regional events! Maker Faire Detroit has been so important for connecting makers in the midwest to each other and the rest of the country.

• Community building

• Events -- getting Makers together to talk, teach/share skills, show off their stuff.

• Creaste short videos that detect an issue in a community that could be somehow solved making some artifact, explain the creation process and show the impact it made.

• Physical computing

• Creating user controlled and built technological devices.

• Sustainability!! Many people are already afraid of the future, without knowing what they can do to improve matters. Be a beacon of hope. But also, as things move forward, there will be a lot of demand for this type of solutions. Renewable energy, repurposing/upcycling, interesting ways to produce food, and more. • social capacity building

Lastly, here are responses to the question "Any other thoughts or ideas?" (I've edited out some people's private contact information here, other than that these are the raw responses). Which ones resonate with you?

• the main ideas should realy come from the third world....they are way much more advance

• happy to get involved in helping build this - just let me know :) @c------- / [email protected]

• b-- here. I think the zine, + on demand + downloadable format would be great. Riso !!!

• Thanks Garnet!

• Maybe a how to magazine of critical and speculative design projects?

• well... another metaphor for cats is academia, or herding cats. other • For the organisation to be a meeting space for other locally focused groups not necessarily attached to making to encourage cross fertilisation of ideas.

• "Makers" are people, and community is people -- and we should eschew the platforming tendencies by single individuals, be it TechShop, Fab Lab, Maker Media, P2P, ecology ...

• And as I said earlier, together with m------:

"Shared Machine Shops are not new

Fab Labs are not about technology.

Sharing is not happening. Hackerspaces are not open. Technology is not neutral. Hackerspaces are not solving problems. Fab Labs are not the seeds of a revolution." (http://peerproduction.net/iss…/issue-5-shared-machine-shops/) P---- T------, [email protected]

• Great thoughts and ideas on Nettime. Keep up the good work! Hope to see you again IRL some time. J----

• No DARPA grants

• Open source is a strange thing to focus on. There are many maker companies that eschew open source, and many that require retention of copyright, etc. I wonder why you chose this phrasing.

• Be political neutral, don't force political opinions on people like the left wing Make magazine did.

• I am not sure I am right. This is just my gut reaction.

• Being a “maker” is a way of living based that we can hack everything for better :) we can be better, we have to.

• The maker movement is more alive and latent than ever.

• A post Maker Media organization should imho be membership-based, with membership revenue being the basis of what is possible financially. It would be a kind of global trade organization for makers of all kinds.

• HACK OTHER EVENTS: Attend events that attract makers who don't identify as makers: comicon (almost everyone is a maker there), wood and metalworking trade shows, custom car and bike shows, etc. We grow our community by joining other communities and infecting them with our enthusiasm for blending the disciplines into one big community of makers.

• I think building an alliance or consortium that brings together various organizations and individual is much better idea. The group could consist of organizations who's business is cater to maker community (open hardware companies, open source companies).

• I think the problem you're always going to run into is an issue of that the maker community has always struggled a bit with the idea of business as a part of the movement. At its core, the movement is a hobby to most people, so the vast majority of maker organizations have to or prefer to rely on outside sources of support because if you try to fund a makerspace internally and make business an integral part of it, it just becomes another factory workshop. I don't think it works if the organization funding it is the same one as the organization trying to coordinate the non-profit programs.

• Kinda like a national science faire but more maker oriented.

• S----- H--- is severely underrated and print is dead.

• MF, by it's very nature sort of made it hard for individuals to show stuff because it was just too exhausting. I would like to see a better way to do show and tell among individuals.

• this really sucks!!!!

• We don't need so much focus on Bay Area-type artists. We need to teach people, and especially kids, how to get started for themselves, and then help them develop skills.

• Support the independent makers. They are the "talent".

• For years heard many smaller maker companies lamenting that it was too expensive to participate in a maker Faire. It was a of once a maker made the leap from maker to a maker business Make Media wanted large sums of money to have a booth/representation at an event. This amount was unproportionally large compared to the revenue the business generated. And it all makes sense why the prices were so high when there were venture capitalists that needed to see returns. Treat it the new "Make" as a company of one, then it'll succeed long term. https://ofone.co/ (no, not affiliated with the book in any way)

• Makers are strongly connected to the UN SDG's - find ways to mutual development.

• Co-create strong independent networks, portals, platforms to survive autonomy in times of crises: Signal, Protonmail, etc

• Developing of the next generation of Makers should be something that should span more than just print and digital media. Deeper integration into schools, K12 and Collegiate, to help develop the skills needed to live and work in an Internet connected, coded world.

• do not try to be too big

• I've taken the time to carve out more space in my life to make things now that Make is gone. It felt like they had a handle on the whole making things deal. And that level of fit and finish isn't really my style. I feel like I have more space to just be me and do what I want. I know this is all in my head. I really want the books to continue under a similar imprint. It'd be a shame if they were all discontinued or sold to some soulless corporation.

• More drones!

• Women are makers, and “women’s crafts” are forms of making. People living in poverty are makers, and survival invention in developing nations is a form of making. Learn from Bauhaus’s eff-ups a century ago. Learn from innovation in literal ghettos and tenements.

• "making" is too broad to go mainstream. Folks that grok makerfaire dig it hard, yet folks that don't have no clue what the hell it is. We have a big awareness problem still. Rally around right to repair and teaching folks how to fix stuff so they start taking more stuff apart and questioning how it works.

• If I had the means to start I'd do it myself

• I am sorry to waste your time

• usually monetery and community focussed efforts conflict. it would be great if this was not the case

• Occasional events are better for outreach whereas regular meetups are better for cultivating a specialism

• Consider expanding the Maker Media empire, or whatever is left of it, to the Eastern Hemisphere/East -- India and China are the future, and if Make: had some of its outposts in these economies, radical change could be seen with respect to the global maker movement

• Nothing good lasts forever. Design the business accordingly.

• I attended probably 75% of the NYC MFs, including 2010. I believe the year things changed for the worse was when Barnes&Noble got involved, makers started complaining about the cost to exhibit, and weird unrelated large sponsors showed up (some kind of new soda). The reprap festivals might be a better way to go?

• I think it makes sense at this point to look at how we can form a network of small groups in many places working together towards a common mission with the support of a board providing guidance.

• How, and with whom, can I accomplish this in Reutlingen, Willi Betz Gelände?

• I know people are super sad about MAKE. Me too. It's very nostalgic considering all the friends and community we have made all around the world. But I feel, this is just the passing of an industry from the early stage to a mature stage. This is very similar to all the open source hardware grassroots clubs we had such as the famous Homebrew Club, but today people hardly build computers by hand anymore. We have "matured" into another level of technology.

• It's a cycle. What starts young, will one day become matured and even die off to give birth to something else totally new, while the remnants of the old will get embedded as part of bigger and more financially stable organisations.

• connect up all loal hackerspaces in a city and have them run an event in a conglomeration.

• One thing I feel is lacking in the usual maker pedagogy is fundamental business literacy. People can develop amazing skills through self-study, but business law is arcane by design.

• I think most makers stand to benefit greatly from some content demystifying business licensing, home accounting and independent consultancy work. There are already many organizations promoting independent business, but there seems to be little overlap between these and the maker community.

• The maker faire is a decentralized thing. Most of regional and mini maker faires are on. Perhaps instead of maker Media licenses we could just use a respected and recognized chapter, a document stating what is a maker faire and what is not. If the maker faire trademark will not be available for us, then we will have to think up and to agree on a new name.

• We can do better than Maker Faire.

• If there is a open source franchise model then each location could have a contributed fee that would assist with purchasing of new equipment, insurance, repairs, staffing etc. • It is a lower-cost way of sharing resources instead of having to rely solely on local volunteers or individual sites.

• Half focus on newcomers and other half in veterans. A lot of us started with Arduino, and some made custom PCB, wich is kinda normal.

• Not for profit please :D

• Get youtubers involved, like Simone Giertz, Laura Kampf, Mark Rober,

• Be an actual maker movement, about DIY and tech learning and FUN!, and not a profit-focused startup company. Be genuinely excited about making, not fake excited about selling us marked up crap. Get into the deep dive details.

• Be more like the 8/16 bit computer user group days, the Radio and Electronics days, the glee of building and fixing and modding shit. Be photocopied zine days and not glossy magazine days. More crazy tinkerers, less TED talk. Don't be a fucking TED talk. Never be that again.

• Scrappy and inclusive, not hipster and exclusive. Geezers and kids and adults and teens all treated with respect.

• For god's sake, the project is the star! Fuck "influencers". Nobody is a fucking star of makerdom.

• Engineering is modest, good hacks get kudos. No hate for n00bs. Everybody can come. You can do the thing!

• Make did an amazing job of combining different disciplines into one community. I'd love to see that again.

• stress anti-capitalist and regenerative capitalist models

If you'd like to input ideas, here's the form -

https://forms.gle/SB7FxpJVAyhVwnLp7

- and in reference to Nettime, I'm particularly interested in hearing people (by email) that might be interested in hosting some sort of events that have to do with DIY/art/tech/culture, sort of in the spirit of a revived Dorkbot - please give me a shout.

Thanks! Garnet

See More from Molly Hankwitz

-- Dr. Garnet Hertz Canada Research Chair in Design and Media Arts Emily Carr University of Art and Design 520 East 1st Avenue, Vancouver, BC, Canada V5T 0H2

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