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#thelostdaughter
hollywoodeaqui · 2 years
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Autêntica, como sua personagem no filme Persuasion, que estreou na @netflix Dakota Johnson confessa a @vanityfair que reescrevia os diálogos de Cinquenta Tons de Cinza, para que ficassem mais parecidos com o roteiro do filme que ela gostaria de fazer, não o filme que a autora dos livros insistiu em realizar. Diz também que considera Jamie Dornan, seu parceiro na trilogia, um irmão. Fala de sua produtora, a área Time, de seu vibrador, da tatuagem que fez na cozinha de @mgyllenhaal ,que a dirigiu em @thelostdaughterfilm e do carro antigo que ganhou do namorado Chris Martin, ao mesmo tempo que defende a escolha das mulheres, na questão do aborto. Na matéria, comentamos os destaques dessa que é uma das melhores entrevistas da atriz, em homenagem a mais um de seus filmes brilhantes. Imperdível conferir o link na nossa bio. @dakotajohnson #dakotajohnson #persuasion #netflix #thelostdaughter #maggiegyllenhaal #chrismartin #jamiedornan #fiftyshadesofgrey #fiftyshadesfreed #fiftyshadesdarker #cinquentatonsdecinza #cinquentatonsmaisescuros #cinquentatonsdeliberdade #teatime #maude (at Los Angeles, California) https://www.instagram.com/p/CgM5vUTrHbt/?igshid=NGJjMDIxMWI=
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don-lichterman · 1 year
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'The Lost Daughter' Cast On Their Unbreakable Greek-Island Bond | Entertainment Weekly
‘The Lost Daughter’ Cast On Their Unbreakable Greek-Island Bond | Entertainment Weekly
Jessie Buckley, Dagmara Dominczyk, Dakota Johnson, Olivia Colman and Maggie Gyllenhal sit down to discuss their new Netflix movie ‘The Lost Daughter.’ Subscribe to EW ►► http://bit.ly/EWSubscribe #AroundTheTable #TheLostDaughter #JessieBuckley DagmaraDominczyk #DakotaJohnson #OliviaColman #MaggieGyllenhal #EntertainmentWeekly #Netflix EW News Flash brings you breaking news and exclusive stories…
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haylendaria · 2 years
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Dakota Johnson at Screening The Lost Daughter in New York
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schizophrenicsworld · 2 years
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Last six movies I saw : The power of the dog (2021), The lost daughter (2021), Licorice pizza (2022), Nightmare alley (2022), Coda (2021), Belfast (2022).
Favorite : “Nightmare alley” ♥
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yekuana · 2 years
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🎞️👒🎬 #LaHijaPerdida (2021) Sinopsis Sola en unas vacaciones junto al mar, Leda (Olivia Colman) se ve consumida por una joven madre y su hija mientras las observa en la playa. Intrigada por su atractiva relación (y por su estridente y amenazante familia), Leda se siente abrumada por sus propios recuerdos del terror, la confusión y la intensidad de la maternidad temprana. Un acto impulsivo lleva a Leda al extraño y ominoso mundo de su propia mente, donde se ve obligada a enfrentarse a las decisiones poco convencionales que tomó como madre joven y a sus consecuencias. Dirección #MaggieGyllenhaal Reparto #OliviaColman Jessie Buckley Ed Harris #DakotaJohnson Peter Sarsgaard Paul Mescal Oliver Jackson-Cohen Dagmara Dominczyk Alba Rohrwacher Año / País: 2021 / 🇺🇸 Estados Unidos Título original: #TheLostDaughter Género #Drama #Intriga #ThrillerPsicológico #Maternidad #Grecia #Feminidad (en Isla de la Cuarentena) https://www.instagram.com/p/Cadl0-PspR2/?utm_medium=tumblr
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pwilzfan73 · 3 years
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See instagram ‘pwilzfan73’ for full post… I don’t normally post about Patrick’s family but breaking with tradition for this because Mrs PWilz had one of her own film premieres in NYC on Wednesday night (29th Sept) for ‘The Lost Daughter’. As we know Patrick is still here in the UK filming #aquamanandthelostkingdom so eldest son Kalin stepped up to escort Mum/Mom to her premiere. How beautiful does she look and how tall is Kal now. Both doing a fab job for The Wilson Clan 👏👏👏👏😊🥰 #patrickwilson #pwilzfan73 #family #dagmaradominczyk #thelostdaughter premiere https://www.instagram.com/p/CUbwfHuMU6m/?utm_medium=tumblr
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twotrey23 · 2 years
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Crazy #Netflix @netflix @netflixfilm #awards delivery #1 today: #TheLostDaughter @thelostdaughterfilm screener, score CD, novel, & bottle of sauvignon blanc. #OliviaColman #DakotaJohnson @dakotajohnson #JessieBuckley #MaggieGyllenhaal @mgyllenhaal #ElenaFerrante #DickonHinchliffe #film #cinema #movies #films #movie #awardseason #awardsseason #award https://www.instagram.com/p/CWcutt4LcgQ/?utm_medium=tumblr
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awardseasonblog · 3 years
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Annunciati i vincitori della 78 edizione della Mostra internazionale d'arte cinematografica di Venezia: -Il Leone d'oro al miglior film: #LÉvénement di #AudreyDiwan I Leoni d'argento: -Premio speciale per la regia: #JaneCampion per #ThePoweroftheDog -Gran Premio della Giuria: #EstatalamanodiDio di #PaoloSorrentino -Premio speciale della Giuria: #Ilbuco di #MichelangeloFrammartino -Coppa Volpi per la migliore interpretazione maschile: #JohnArcilla per On the Job: The Missing 8 -Coppa Volpi per la migliore interpretazione femminile: #PenelopeCruz per #MadresParalelas -Premio Osella per la migliore sceneggiatura: #MaggieGyllenhaal per #TheLostDaughter -Leone del futuro - Premio "Luigi De Laurentiis" per la miglior opera prima: #Immaculate di #Monica Stan e #GeorgeChiperLillemark -Premio Marcello Mastroianni per il miglior attore emergente: #FilippoScotti per #EstatalamanodiDio di #PaoloSorrentino #Venezia2021 #Venezia78 #VeniceFilmFestival #BiennaleCinema2021 https://www.instagram.com/p/CTsPvBgMP6b/?utm_medium=tumblr
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Look… I don’t know if they’re dating… not that I believe otherwise… cuz I’m pretty much convinced that they ARE! At least in my head…
#dakotajohnson #jakegyllenhaal #dakotaandjake #thelostdaughter #maggiegyllenhaal #venicefilmfestival2021 #theguilty #fiftyshadesofgyllenhaal https://www.instagram.com/p/CToL1jGgNbT/?utm_medium=tumblr
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riemiyake · 2 years
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今日もNetflix見てます8-2
 映画「ロストドーター」について、一つだけすっごく良かったと思う点があるので、もう少し書きます。
 それは、子育てのシーンです。
 母親が機嫌よく子どもと接してるシーンもあれば、イライラして人形を窓から投げ捨てたり、子どもを部屋に閉じ込めてギャン泣きさせたりしたかと思えば、子どもが疲れ切った母親の頭叩いたり、今言うそれ的な要求ぶっ込んできて更に親の神経逆撫でしてきたりと、子育てあるある情景を何のジャッジメントも被せずに描いているところです。
 もしも母性の絶対性をベースにしていたら、子育ては常に子ども目線で子どものためを思って自分を犠牲にして遂行されるべきものとして描かれることでしょう。
 でもね、どこにそんな聖人然として母親がいると思ってるんだ?世間の大方の皆さんよ。そんなメッセージがそれぞれの子育てシーンから聞こえてくるようです。
 そんなメッセージを具体的に書くならば次のようになるでしょうか。
 何故にワンオペ育児で毎日疲弊させられ尚且つ女性も社会で活躍しろとか言われている昨今に、自分の要求だけを訴えてくる小さな人間を私一人が24時間7日世話しなきゃならないの?できる訳ないだろ?私も一人の人間なんですよ。
 この映画が描く子育ての情景は良い悪いを抜きにした子育ての実情、世間の女たちが突きつけられた現実をよく表現していたと思います。
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itsredwritinghood · 2 years
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I watched the Oscars for the first time in decades because I wanted to see CODA win. I learned about a lot of movies I’d never heard of throughout the evening, #thelostdaughter being one of them. I decided to listen to the book first then take a gander at the movie. I can’t really put my finger why I didn’t like the book. Maybe it’s my own Mommy issues since my Mom took off in the middle of the night and wasn’t seen for years like the main character does here, but more so it just felt really underwhelming. The movie wasn’t much better though it did help me make a few connections I didn’t get while #reading it. I guess it just wasn’t for me. #bookstagram #bookgeek #bookworm #booknerd #booktomovie #bookish #netflix #bibliophile #bookaddict #bookaholic #bibliotherapy #readersofinstagram #read #books #audiobooks https://www.instagram.com/p/Cbv5rORL1fR/?utm_medium=tumblr
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fashionartfilmalien · 2 years
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Best Films and Performances of 2021 Part III Paul Thomas Anderson’s wonderfully well made and divisive Licorice Pizza w star making Alana Haim. Maggie Gyllenhaal’s The Lost Daughter with the great Olivia Colman and Jessie Buckley. Steven Spielberg’s superb West Side Story with a superb adaptation by Tony Kushner, and star performances Rachel Zegler, Ariana DeBose and icon Rita Moreno. My favorite animated film the beautifully made Encanto. #bestof2021 #bestfilmsof2021 #bestfilm #licoricepizza #paulthomasanderson #alanahaim #thelostdaughter #maggiegyllenhaal #oliviacolman #bestactress #jessiebuckley #bestsupportingactress #westsidestory #bestfilm #bestdirector #stevenspielberg #rachelzegler #arianadebose #bestsupportingactress #anita #icon #ritamoreno #bestadaptedscreenplay #tonykushner #bestanimatedfilm #encanto https://www.instagram.com/p/Cbn8E9qplyA/?utm_medium=tumblr
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impact24pr · 2 years
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franklong12 · 2 years
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‘Lost Daughter,’ 'Drive My Car' Win Top Prizes At Independent Spirit Awards SANTA MONICA, Calif. (AP) — Maggie Gylle... Read the rest on our site with the url below https://worldwidetweets.com/lost-daughter-drive-my-car-win-top-prizes-at-independent-spirit-awards/?feed_id=153900&_unique_id=62263cf3d0175 #coda #DriveMyCar #IndependentSpiritAwards #movies #thelostdaughter
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hollywoodeaqui · 2 years
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Quer saber como é ficar frente a frente com as divas, indicadas ao Oscar, do filme @thelostdaughterfilm ? Nossa repórter @raquel_zambon participou de um papo exclusivo da @variety com @mgyllenhaal , que faz sua estreia como roteirista já concorrendo a estatueta na categoria. Também estava lá a protagonista Olivia Colman, que concorre na categoria melhor atriz e a talentosa Jessie Buckley, que está na disputa na categoria melhor atriz coadjuvante Esse evento é tão imperdível como o filme, corre pra conferir no link na nossa bio. #thelostdaughter #maggiegyllenhaal #oliviacolman #jessiebuckley #netflix #oscarrace #awardsseason #oscar2022 #variety #hollywoodéaqui #dakotajohnson (at Los Angeles, California) https://www.instagram.com/p/CaNQUx6pFBb/?utm_medium=tumblr
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doomonfilm · 2 years
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Thoughts : The Lost Daughter (2021)
Dagmara Domińczyk
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It’s a special thing to see an actor take their years of experience in front of the camera, working with multiple directors and generally building a body of work, all to eventually turn things around and contribute to the canon of film by taking a crack at things from the director’s chair.  Be it the likes of Clint Eastwood, George Clooney, Robin Wright, Regina King, Jordan Peele, Jonah Hill, John Krasinski, Bo Burnham, Greta Gerwig or any other countless number of names I’m forgetting, the results are almost always interesting, and now we have been blessed with the pleasure of adding a new name to this list : Maggie Gyllenhaal.  Thought her acting career is likely far from over, a handful of production credits over the past couple of years has led to her 2021 feature film debut in a writing/directing role, The Lost Daughter, an adaptation of the 2006 Elena Ferrante novel of the same name.
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Maggie Gyllenhaal sets the table for her film by placing Leda (her protagonist) in a vacation situation, a locale and travel selection that is primarily done for celebration, escapism and relaxation.  Rather than dwell in these realms, however, Gyllenhaal subverts expectations by turning the vacation scenario into a realm of isolation, self-reflective regret and the need to come to terms with the past.  While most people vacation to relax, we find Leda doing just the opposite as she sits alone observing, avoids intimacy when she isn’t struggling within the midst of it and navigating through a number of conversational landmines with strangers.  Through this, it is implied that Leda struggles with showing restraint and with her perceived judgement of others, even when she is acutely aware of the collateral damage that can be found in the wake of these things.  Her ruminations on her self-image in relation to how the remainder of the world perceives her are not only displayed through her interactions with the male gaze, but through her own constant dwelling in her memories as the now reminds her of her shortfalls in the past.  What we are ultimately left with is a dose of tough self-love that grows squarely from Leda coming face to face with the reality that she is a bad mother and less than ideal wife, and we are asked to walk with her through the process of accepting this and learning to still grow.
While probably not intended, it is interesting to take this film in knowing that it was written and directed by an American telling a story about a British woman vacationing in Greece, with the antagonist role being largely filled by either Italian or Latin-based (forgive my ignorance) characters.  We are lead to believe that the cultural observations, clashes and differences of opinions that arise from this scenario would send all parties involved running from common ground, and yet, once Leda’s darkness begins to rise to the surface based on remembrances caused by her interactions with Nina and Callie, common ground suddenly begins to have a deeply magnetic pull to the cadre of women struggling with motherhood.  This juxtaposition creates a handful of interesting narrative mysteries we get to watch unfold, with issues like cultural misunderstandings, wrong foot encounters and deep personal reflection all serving as the basis for said mysteries.  With the specter of post-traumatic stress lingering in the midst of the shadows threatening to present itself as viewers gain a deeper narrative understanding, we find ourselves waiting for the symbolic other shoe to drop in regard to Leda’s life and spirit, not to mention her ability to reconcile with the children she clearly damaged.
In terms of technical aspects, the most immediately recognizable touch is how dark, moody and deeply dramatic the lightning choices can be for the film... while the sun tends to bring all things to light (no pun intended), anything that doesn’t take place under its watchful eye is absolutely drowned in shadows and darkness, creating a “tension in paradise” scenario.  The cinematography enhances these feelings by making sure to stay the course in terms of illustrating the isolation, separatist feelings and standoffish nature of interaction, as communicating adults almost never share a frame when the moments are explicitly tender.  For a dramatic, slice of life film, the sound design is surprisingly deeply immersive, with the insects, sound of water and nature all making their presence continually known while Leda moves cautiously through her vacation paradise.  Musically, a back and forth between a jazz-based score and symphonic one do wonders for mood-setting and tone, while the diegetic sound is infectious Latin music.  Overall, Maggie Gyllenhaal’s directing is full of the patience and observant nature that normally comes from a veteran director, with her pacing relying heavily on individual moments that unveil larger truths rather than standard exposition dumps. 
Olivia Colman has received the lion’s share of praise connected to this film, and it is certainly apparent why, as she is able to make the regrets and what-ifs that come with reflecting on parenthood and make even the ugliest parts feel at least somewhat appealing through her calmness and resolve.  Perhaps it’s the chronologically reverse foundation that Colman lays that enhances Jessie Buckley’s shared performance as Leda... all of the peaceful acceptance shown by Colman makes the panic, frustration, stress and regret that Buckley exudes hit that much harder.  Interestingly enough, a similar parallel dynamic exists between Dagmara Domińczyk and Dakota Johnson, with Domińczyk mirroring present day Colman and Johnson directly reminding present day Colman of her younger child-raising experience.  A base level tension Domińczyk and Johnson full of sisterly jealousy and negative history as well.  Ed Harris and Paul Mescal provide Colman with tension-filled distractions based on their different ways of communicating their attractiveness, while serving the dual role of being harbingers of doom in regard to Leda’s interactions with Nina and Callie.  Peter Sarsgaard helps bring the frustration of young Leda to life through his carefree spirit and implied recklessness, which stands starkly in the face of Leda’s need for peace and order from kids that, inherently, cannot meet and fulfill her desires.  A large supporting cast brings the rest of the world to life, with highlights including performances by Jack Farthing, Oliver Jackson-Cohen, Robyn Elwell, Ellie Blake, Alba Rohrwacher, Nikos Poursanidis, Alexandros Mylonas and more.
While it feels that I have shared much about this film, to go any deeper into what makes this film so strong would be to do anyone interested in having an unfiltered experience with it an injustice.  It is crystal clear that Maggie Gyllenhaal is attempting to make a timeless film, and for my money’s worth, she does any amazing job doing so, which is even more impressive considering this is her directorial and writing debut (as mentioned several times before).  In a different year, The Lost Daughter would certainly stand to make a good showing during awards season, but the competition this year is amazingly stiff.  That being said, don’t be surprised if The Lost Daughter does manage to walk away with one or two awards.
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