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#the victorians did a lot of shit but by and large this one isn't on them
maddie-grove · 1 year
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I'm a bit annoyed that people are somehow mad at historical costumers/dress history enthusiasts in the "actresses being forced to wear unrealistically restrictive corsets" situation. Like, yes, the knee-jerk reaction of "THE EFF DID YOU SAY ABOUT CORSETS?!?!" is unbecoming, and I've been guilty of indulging in it myself. But this time, I've seen a large number of people in the community- influential people, like the creators behind RedThreaded and Prior Attire -expressing anger not that Corsets Are Being Slandered, but that abusive studios hide behind a false perception of "historical accuracy" to justify torturing actresses.
To me, as a dress history researcher, the idea of banning corsets rather than simply getting the actresses corsets that fit isn't enraging because it's Corset LibelTM. It's enraging because this particular twisting of the past is being used to normalize unsafe/unhealthy working conditions, and to shift the blame off the real culprits.
I totally agree with you. As indisputably bad as it was for that one tumblr user to claim that it’s “white feminism” to say that a corset can be uncomfortable, I’ve seen a lot of people coming from the other side making an identical mistake to that person by assuming that ill-fitting corsets used in a modern film production (because the health and safety of the actresses are disregarded) “say” anything about corsets/stays worn by the vast majority of women in the past, or vice versa. The people making these movies generally don’t give a shit about historical accuracy, and even the costubers with the worst takes are not actually subjecting actresses to this treatment.
There’s been an unhelpful amount of straw-manning and overgeneralizing re: “the corset brigade,” where the most obnoxious opinions are attributed to anyone who says “it’s bad and stupid that this movie set in the Middle Ages has a tight-lacing scene” or “most of the negative outcomes you’re talking about are specific to late Victorian/Edwardian corsets, as worn by a segment of the people who wore corsets, and some of them are exaggerated.” Or mott-and-bailey, where you can’t say “corsets weren’t torture devices straight out of a death metal album cover from 1987” without someone going “oh, so you’re saying nobody ever found them uncomfortable”? Or assuming that anyone who cares about dress history cares nothing about any other kind of history. And then wondering why some people are overly defensive about corsets.
And, frankly, I don’t see the point, because I think most of us can agree it’s inherently bad for society to exert pressure on how women dress or look. (Beyond, I don’t know, requiring close-toed shoes in a lab or whatever.) A corset doesn’t have to cut women in half or even be uncomfortable for it to be bad that women had to wear them to be considered respectable.
Like, I don’t know. I shave my legs. I think it’s sexist bullshit that I’m expected to, but I’d still be annoyed if (in the miraculous event that it fell out of fashion) people in the future claimed that 25% of women in the 2020s died from blood loss or had to get their legs amputated due to leg-shaving. Or if a good chunk of historical films about female characters decided to address the sexism of today mainly by having the heroine wince and sigh while shaving her legs. “They criminalized miscarriages,” I (or my ghost?) would say, “and, even if you’re looking only at grooming expectations, there was a time when you were pitied and disdained if you didn’t wear foundation.”
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chokemedaddyclown · 5 years
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Funhouse
Pennywise x Reader | Smut Request
Anon Request: Yooo I want Pennywise to furiously dry hump me in a secluded off tent at a carnival, with my legs spread wide as I feel his thick tentacle dick viscously rub against my clit through his clown costume. Could you do a one shot about that? Great blog btw I’m in love!
A/N: So, I tried to make this kinda nasty. I definitely have a kink for tentacle dick Penny now.
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The Derry carnival was always your favorite. It was a shame that it was only in town once a year. Tonight was the last night, and you were determined to take in every bit of the atmosphere as you could to hold you over until it came around again. You had already sampled all various foods from vendors, even going on a few rides and getting yourself completely lost in the mirror-house more than a few times. The friends that you had come with had all left out over an hour ago, having had enough of it for the year.
If it was up to you, it'd last all year, but that was just a passing thought. It was getting close to shutting down and only a few people remained around the vicinity as you walked around the place, catching in the last few sights of the bright lights and taking in the cool night air, making the billowy dress that you were wearing flow in the cool autumn air.
As you walked through each of the concessions, some of them already closed, you noticed a tent near the outskirts of the place that you hadn't seen here yet, and you had seen literally everything. Being the ever curious person that you are, headed straight for it. It wasn't a newer looking tent like the rest of them, it was a bit dilapidated to say the least, with a few dimly burning lights inside of it.
You stepped through the flaps of it, trying to keep yourself from sneezing with how dusty they seemed to be as if it was some sort of ancient structure that hadn't been touched in years. You examined the inside of the place, and there were a few stray pictures, a small work desk that had a few items spread across it, and.. Why was everything so damn dusty?
You looked up, eyeing the few pictures that were on the wall. A lot of them pictured a clown, and a man that you could on assume was the clown. They both seemed to have the same sharpened front teeth. One photo showcased what look like a carriage with a huge mural on the side.
"Pennywise The Dancing Clown," you whispered out loud as you read the photo.
You noticed that the carriage had a strong resemblance to the tent that you were standing in now. It was definitely weird to say the least, but you assumed that maybe this was meant to be a small museum of sorts. Perhaps this was a person that had something to do with starting the first carnival in Derry?
Once you had seen just about everything, you started to leave, but before you could, all of the already dim lights in the place burned out at once, leaving you in the complete darkness.
"Shit," you said, having to resort to feeling your way out.
Your hands found the small work desk that you were just looking at, your hands dragged their way across the wood of the table, gathering up plenty of the dust as they did so, until your hands landed in something wet. It was thick to the touch, and you shuddered, letting out a small noise of disgust as you tried to flick whatever it was off of your hands before wiping it down your dress.
"I don't even wanna know," you groaned, still slowly making your way around, trying to find the tent opening.
"You're going the wrong way, y'know," a friendly, but menacing voice called from the darkness.
This made you gasp, your body freezing up instantly as you stood there. You hadn't seen anyone in here when you came in before, nor did anyone speak to you before this. Was it a prank, was it part of the show here?
"Who's that?" You called back, squinting your eyes in the darkness.
Suddenly, you could see a small, yellowing light appear from what looked like a pair of white-gloved hands and it illuminated a large, white face of a clown with a red-tipped nose and two red stripes that went from his red lips up to his eyes. You were more confused than ever as you took a step back from the clown in front of you.
He looked familiar.
"I'm Pennywise The Dancing Clown," the clown said in a cheerful, cracking tone as it's head twitched, making a few unseen bells jingle.
"Oh," you gave a sigh, "Like the pictures. You work here?"
"Nooo," he answered in a sing-song tone.
His eyes began to narrow as if he couldn't focus on any sort of communication. He only stared at you from beneath a prominant brow with piercing blue eyes, and drool gathering on a plump bottom lip.
"Uhh, yeah," you squinted at him. You had this uneasy feeling in your chest as he seemed to stare right through you. You side-stepped, intent on finding the exit. "Well, I'm gonna go, sorry for disturbing you."
"Don't go," a more guttural tone escaped him.
Before you could even begin to find the exit, he was directly in front of you now. How did he even do that? He completely towered over your small frame, even in this complete darkness, that was apparent. One of the small lights in the back of the room began to shed dim light on the back corner of the room again, making it a little more distinguishable to see the place now and to see him. Whatever and whoever he was, was in complete clown attire. Full makeup and a Victorian era-esque silver costume, complete with red trimmings and ruffles.
But that wasn't the focus of your attention for very long. Those piercing blue eyes had turned into a haunting golden color and they were.. glowing? You blinked your eyes hard a few times, trying to make your eyes focus on what you were actually seeing. This all had to be a dream, it just had to be. There was no way there was an almost 7 foot clown standing in front of you with glowing, gold eyes and.. Fangs?!
Your lips parted as you breathed out, watching the clown narrow his eyes at you as he opened his mouth to reveal a row of sharpened fangs in his mouth that were now wet and sloppy with his drool.
"What the fuck," you whispered, backing up as you watched him close the distance between the two of you, a primal growl escaping his throat.
"What's wrong, (Y/N), not having fun with ol' Pennywise?" He growled again, his lips turning upward into a sinister smile.
You could feel your heart race in your chest as your backside his the wooden table again. You breathed heavily as he closed in on you. You were scared, but you felt something else, too. Something that was entirely wrong and immoral as you gazed up as this thing that was clearly not a human-being. You felt an attraction. You bit down into your lip, hoping it'd just get whatever it wanted to do to you out of the way.
He lowered his face to yours, those glowing eyes getting brighter. He opened his mouth wider to only stop midway as his eyes snapped back down to yours as the two of you locked into a fierce staring competition. His eyes narrowed again as he studied you, he seemed to be confused with your demeanor. It was clear that he was very much used to people being in nothing but a sheer panic when they were near him, and rightfully so.
His gloved-hand reached out to wrap around your throat, causing you to yelp as he pushed you back against the table, lowering his head to sniff at you, a few stray drops of cold drool plopping onto your skin made it well up instantly with goosebumps. He growled again as he jerked his head back, putting his face right into yours as you were pulled up onto the table.
You dress rode up further onto your hips, exposing you almost completely. You felt his body and the silky feel of his costume force between your legs as he leaned into you, still staring at you intently.
"You're not afraid" he growled, his lip curling up into that wicked smile again as he gazed at you. He tightened his grip on your throat as he took a breath. "But I can sense something else.."
Truthfully, you weren't afraid now. Especially when he was pressing himself so tightly against your body that your legs were spread wide for him to lean himself against you. You were still trying to decide if it was the best or worst day to not to wear panties with this dress. He was pressed so roughly against you that, whatever was beneath his suit was pressing hard against your sex and every movement sent a jolt of arousal straight to your clit and it made a small moan escape your lips.
You were a complete fucking mess.
"Please," you whined. At this point, you didn't know if you were whining for him to let you go, or if you were whining because you didn't want him to let you go.
He chuckled, pressing his head right up against yours as his tongue slithered from between his lips, dragging it up along your face to leave a trail of saliva in it's wake.
"Desperate and disgusting little human.. I can smell the arousal on you.. I know that you don't want to leave, I know what you crave," he purred in a gravelly tone. "Isn't that right?"
You couldn't speak, you could only look up at him through your lashes, your breathing becoming needy and desperate as you felt the first, shallow roll of his hips against you, making your breath hitch as you felt him hardening under his costume.
"Isn't that right?!" He spat, demanding that you answer his question.
You nodded quickly. "Y-yes."
He growled, snapping his teeth in approval, shaking his head as he slung drool onto your face again, rolling his hips into you again. "Then say IT. Say it for me. Say it for Pennywise. You want to live, don't you? SAY IT."
"I- I am a disgusting human," you croaked out.
If he couldn't bring the fear out of you, he damn sure seemed intent on humiliating you. Which, oddly enough, was also a turn on.
Nothing about you was fearful anymore, in fact, you were almost ashamed at how utterly turned on you were at this point. You could feel just how wet you had become and you already knew that you were leaking onto his costume. You could still feel his length hardening beneath his costume, and it felt huge.
"Good girl," he cooed, thrusting his hips against you a little harder this time.
You moaned, feeling his cock hit your clit again front beneath the suit. It felt as if it was moving beneath the surface, as if it was growing, pulsating, even. It was fairly obvious that that wasn't a human, nor was this a human-like cock, either. God, this whole thing was disgusting, and you knew it was disgusting, but you couldn't help it nor did you care. Here you were getting off inside of an old dank tent to some sort of monster that was set on killing you five minutes ago, and even that turned you on.
It was all wrong on so many levels, but you had never been so fucking turned on in your entire life.
He tightened his grip against your throat, still grinding himself against your sex, making you moan louder and louder with each thrust. He growled in unison with you, his mouth opening to reveal those sharpened fangs again as he lowered his head, biting down into your shoulder as it caused you to scream out in pain. Long, sharp claws wrapped themselves around your waist, digging in as this thing grinded and dry humped against your soaked cunt.
"That's right. Scream for me, pretty little human," he chuckled darkly, slamming his hips into yours. "Beg for me like a good little slut."
You gasped, feeling the pain radiating in your shoulder and your waist, but it only served as fuel for the pleasure that you also felt as this clown rubbed your pussy raw. You had completely soaked through at this point, but what real concern was that anyway?
"Please," you begged, obeying his orders. "Please, don't stop."
He bit down even harder into your shoulder this time, and you screamed again, the tears welling up in eyes as you felt his grip tighten on you again. This was it. You were sure he wasn't going to let you go. He was gonna kill you right here and there.
And the thought of that in itself sent you completely over the edge as you moaned out. One hand reached out to grab as his costume, pulling and ripping at it until you heard something tear off in your hand, and your other hand shot between the two of you as you pressed your fingers into your swollen clit, rubbing feverish circles around it to prolonge the powerful orgasm that washed over your entire body as Pennywise growled and drooled against your skin, still grinding himself against your body.
You breathed hard as your orgasm finally subsided. Pennywise pulled himself away from you, his mouth covered with a mix of saliva and your blood as he met you face-to-face again, his eyes still glowing a wicked golden color as he unhinged his jaw, revealing a whole mouth a throatful of teeth with three distinct lights in the center as he got closer to you. You gasped, closing your eyes to it as you turned your head away, preparing for him to finish you off then and there.
You wait for a few seconds, and a few seconds more. Nothing. Was he fucking with you?
You cracked open one of your eyes, half expecting to see him standing there, still ready to pounce as soon as you let your guard down, but there was no one. You opened them back up to see the room was empty, and all those dim lights from before were finally back on, illuminating the entrance of the tent.
You sighed, but it wasn't necessarily relief . Had you completely fucking lost it? What just happened?
You sat there for a moment, still in shock before you could even begin to move. There was no evidence. The bite marks were gone and all the blood you expected to see turned out to be nothing but red face paint that you had stuck your hand in earlier in the dark.
You gritted your teeth, mildy upset that this had been some sort of hallucination. You sighed again, lowering yourself off of the table. You were so lost in your own head that you hadn't even noticed until then, that you were gripping something extra tightly in your fist. You pulled your hand up to open it, revealing a small bell with red trim around it.
Your eyes widened as you looked at it.
That was on Pennywise's costume.
You looked around the room frantically as you backed out of it, clutching the small bell in your hands. A small smile escaping your lips as you exited the tent, stumbling out of it as you turned to get one last glance inside of it. It had gone pitch black inside of it again, and you could have sworn you saw a faint glow of golden eyes from inside.
You turned on your heel and began to run towards home.
This was one night at the carnival you'd never forget.
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lizzybeth1986 · 6 years
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Quick Thoughts on DD Book 1 Chapter 4
• Jesus, this book is expensive.
• Like I assumed Chapter 3's one accomplishment-one-or-two-LIs-or-a-family-member thing would be a one-off, just to introduce us into the system/ease us into the story, but no...they've (sort of) repeated it this chapter. I was hoping they would spread out the accomplishments at least, but perhaps they want us to have at least most of the accomplishments worked out before we leave for London.
• I really hope this doesn't become a regular thing because it will only cause players to lose interest in the books for lack of affordability, in the long run. As it is the book largely caters to a niche audience...alienating that audience by having them lose of on half the story won't bode well for the book.
• Title: Best Foot Forward. Man, this one is easy. Of course it refers to dancing. And quite a lot of dancing is done this chapter, that's for sure!
• Sooo...the Earl has decided to introduce us into society in Edgewater with a garden party. Lots of hobnobbing, some dancing, a few games and you meet at least one 'suitor'.
• Did You Know: According to writer and garderner Kim Wilson, who wrote a book titled In the Garden with Jane Austen, gardens were viewed as markers of social status. In an interview with The Scotsman, she says, "each family's garden reflected not only their needs but, if they had enough money, their social aspirations". The poor cottagers of the time were mostly concerned with growing food and having a place to keep their chickens whereas wealthier families would have had kitchen gardens, but also often extensive pleasure grounds, which were places to display their wealth and taste. (from an article about Jane Austen's love for gardens in The Scotsman).
• Last chapter had us learning (optionally) the art of the fan from our Lady Grandmother, so it makes sense that what happens in this chapter is this:
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Lololol just kidding.
• So the chapter begins with the MC and Briar talking. Briar is excited about the fact that a Duke (who, she reminds us, is "one step below a Prince Regent"), and the MC can either choose to be excited or very confident. Interestingly, if you're excited, she reminds you to "not forget your roots", which I think is a recurring theme in this book. After all, that was the last thing the MC's mother told her on her deathbed.
• Dominique enters the room and both she and Briar present us with a pretty pink lace dress that is sure to improve both our social standing and catch everyone's eye at this introductory garden party.
• It looks quite pretty, actually. But that's because I love lace.
• We head downwards, finding Annabelle performing for herself in the foyer and having a thoroughly good time.
• I'm wondering if I should have a tally for the number of times she says "a thousand pardons" (and for the record, I think her way of saying "fiddlesticks" is adorable xD).
• Our third "accomplishment" (and our second paid one) is presented to us here: dancing. It's not like the MC doesn't know dancing - she does - it's that the country dances (this might be a reference to the English Country Dances that were popular among all classes) are different from the ones Annabelle has learned, and indeed the popular ones for the aristocracy that are coming in from other places, like France.
• Annabelle mentions a couple of dances that were popular for its time: the cotillion (originated from France), the Quadrille (also from France), and La Boulanger (also French). If we choose the shoes the Lady Grandmother got made for us, Annabelle wastes no time in teaching us the last one.
• Annabelle speaks to us about the Quadrille being new. She isn't lying. The Quadrille became fashionable in England around 1815.
• Again, the good thing about the accomplishment scenes is that they're meant only for learning the skill, and Annabelle can develop in her individual scenes independent of this. Though I'm not sure if cramming both her individual scenes and her accomplishment scenes in the same chapter, two chapters in a row is a very good idea.
• Another marker of how new the MC is, lies in her interaction with Mr Woods (who is perhaps the only member of the housing staff we see at the party. Briar disappears completely after she's done her work of getting the MC ready, and Luke doesn't appear either). Mr Woods is surprised the MC deigns to speak to him in public, and Henrietta uses her interaction with him to point out how little she fits in, what with talk of the MC's "roots".
• Lol the exchange with the Earl if you bought the scene with the Lady Grandmother is quite funny haha. He speaks about Dominique drilling him into learning the names of all the families and the MC - saucy little shit that she is 😄 - looks at her fan and says "oddly enough, I know exactly what you mean".
• Ernest Sincliare makes his appearance after two chapters, and there's some banter about compliments if you're wearing the pretty lace dress I think. She teases him about it and he retorts that since he passes compliments so rarely, you can be sure that when he does he means every word. I can see that logic in that, Sinclair, but must you look like a child who has accidentally sucked on a particularly sour lemon when you do? 😂
• Throughout the chapter, you get references to the Season in London, and each time the MC by default takes it for granted that she will not be going there. Sinclaire hosts parties in London, Annabelle Parsons will be going there for the Season. Up until the end of the chapter, the vibe given overall is that she won't be seeing the two for a while now that they will be leaving Edgewater, and she won't.
• Did You Know: The London Season was developed to coincide with the sitting of parliament. During the months when parliament was in session, members of both Houses needed to be in attendance in London and came to the capital bringing their families with them. The London season grew up in response to this influx of upper class people who needed to be entertained.
Amanda Foreman, in her biography on Georgiana, Duchess of Devonshire, stated: "the aristocratic "season" came into existence not only to further the marriage market but to entertain the upper classes while they carried out their political duties. The season followed the rhythm of Parliament: it began in late October with the opening of the new session, and ended in June with the summer recess.” of course, later on this period of time gradually began to shift.
There also seems to be something called the "little season", but that seems more a fixture of the Victorian age than the Regency one (as mentioned in the article on the London Season from the Regency History website).
• The Earl and Mr Sinclaire share a more than cordial relationship: the Earl treats him with considerable warmth and Sinclaire shows a genuine respect and regard for him. You have a choice of asking him whether it is the Earl - or you - he has respect for (and the second option leads to a romantic moment), but it is what he says about the Earl, and his later interaction with Duke Richards that intrigues me:
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What happened to Ledford Park that the Sinclaires almost lost it? Why does his statement towards the Duke about Ledford sound so accusatory? Why is there such a strong undercurrent within the latter interaction? I want to know what the story behind Ledford Park is, and how the Earl helped save it.
• One of my favourite Sinclaire-related sequences is an additional scene featuring the fan, as taught to us by the Dowager Countess the previous chapter. I tried the last two with Florence, the MC who has no interest in Sinclaire:
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(the first four screenshots are from the "friends" option, and the next four from the "go away u suck" option)
Meanwhile, Marianne just goes in for the kill, fam. Homegirl didn't learn all those thot moves from Grandma for nothing 😄
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I do like that extra bit of sexual tension in this scene. I'm not very into Sinclaire yet, but I can see the appeal he'd have for someone who would want the Mr Darcy type of Regency male LI character. You also see a fair bit of it in the scene where the MC asks him if it is her he respects:
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• Sinclaire, dude, what is it with you and Italics??
• We now interrupt our regular programme with a game of Skittles. I'm not sure how many of you assumed Regency-era aristocrats were going to start passing around fruit-flavoured candy but I sure did 😂
• So this is skittles, played with nine pins. Very much one of the precursors to present day bowling from what I've read. Playing this game, and beating a champion like Mr Sinclaire at it will not only allow you to spend time alone with him, but also increase your social standing.
• It's simple enough: hit the red pin in the centre, and if you want you can distract the hell out of Sinclaire after he's fired his first shot.
• Twice this chapter, you see our resident comic relief for the day: Miss Theresa Oh-My-Smelling-Salts Sutton, and Mr Edmund Do-I-Look-Like-I-Care Malcaster, and I've decided I like them both (I wanted to add screenshots, but tumblr mobile sucks and won't let me put up more than ten images 😒)
• So we meet the "handsome", "titled" eligible bachelor our Lady Grandmother wanted us so badly to marry and...
...um. lol. ok.
Handsome? Charming? When was the last time you looked in the mirror dude, 20 years ago?
• You have a choice of how to respond after Duke Richards insults Mr. Sinclaire. You can either choose the Manners option, or you can choose to outright sass the man. If you don't sass him? The Lady Grandmother will do it for you.
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• With the Manners option we find out that the Duke is 51 years old.
• With the non-manners option we find out that the dude likes saucy little minxes.
• @ the last panel in Florence's playthrough, Grandma even you can't deal with this dude for two minutes without nodding off. Why are you dumping him on my head then? (don't tell me. I know the answer 😐). See, this is why Florence will eventually kiss her inheritance goodbye lol.
• Jesus can this man just...speak two words without touching me??
• FINALLY. Miss Parsons. We choose a hiding place to get away from the Duke and then she offers to show us a new part of the estate: the lakefront. The great thing about gardens, esp in the writing of the time, was that it provided privacy for people at the time and allowed them to interact in ways they couldn't in public.
• Did you know: Austen herself used gardens pretty extensively in her writing. Mr Knightley confesses his love to Emma close to a shrubbery. Elizabeth jokes to her aunt about deciding to marry Mr Darcy after seeing the grounds in Pemberley. Fanny Price of Mansfield Park remarks, “To sit in the shade on a fine day, and look upon verdure, is the most perfect refreshment.” Catherine Morland of Northanger Abbey falls in love with hyacinths, Marianne Dashwood of Sense and Sensibility has a passion for fallen leaves in an autumnal garden, while Anne Elliot of Persuasion is always inspired to think of poetry when enjoying the beauties of nature.
Susannah Fullerton in her essay "Jane Austen and her gardens" (for the website Garden Drum) says: "Many proposals [in Austen's novels] take place out of doors where lovers can find some privacy amongst the gravel walks and flower beds; garden improvements are planned by some of the characters; and her heroines all enjoy going into a garden to think". 
• Makes sense then that one of the special scenes of this largely "forbidden" relationship (if you choose for that to happen) would take place in greenery, close to a lake. If you notice, it's quite in keeping with the times that most of the romantic moments this chapter happen either in an isolated section of the gardens or while dancing, both of which allow for some measure of interaction between people interested in each other.
• Miss Parsons, the legendary hero of a Duck Prophecy xD
• I love her in this scene. Sure she gets shy when she receives attention she's not used to from us, and she's kind and educative and sweet, but she's also boisterous and passionate and not afraid to pull punches when she needs to (case in point: the shade she immediately throws Henrietta's way regarding her "tutelage"). This scene has her stealing cake from the party to feed the ducks, getting exhilarated from the race and her new friendship with the MC, and feeling extremely confused by her feelings if you speak to her romantically.
• The first half of this scene is pure fun, but the second inevitably shows the two women experiencing a sense of loss that their connection will be cut short - whether they are friends or whether this is a budding romance.
• What I do love about both the romance scenes are the extra touches added to both in the coding. In the skittles scene with Ernest, Marianne is spoken of by default as brushing her hand against his before giving him the ball, whereas Florence simply passes it to him.
• Even with Annabelle, if you acquire romance points with her, the ending of that scene is written quite differently:
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I absolutely love this part of the scene. And given that very often the female LI is treated like just the default best friend with some stray romance options attached, it really does feel good to have that sexual tension acknowledged.
• Florence, babe, what is it with you and Italics??
• TIME TO PUT ON OUR DANCING SHOES GUYS (if we bought them).
• So we're doing a dance called La Boulanger...which kinda looks like this:
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You dance in a circle, then keep switching partners.
• Did You Know: that the Boulanger was one of the very few dances mentioned by name in Jane Austen's novels? (Pride and Prejudice Chapter 3. I think the reel is mentioned in another).
• I have two left feet unless someone is heavily choreographing a flash mob and spends ages teaching me the steps lol so this looks pretty complicated to me 😂
• You have an option of choosing between Mr Sinclaire, Miss Parsons and Duke Richards. The first two are the usual you'd expect from romantic dance scenes if you choose either of the first two, impressing them with your dance moves and then catching their eye when you're dancing with Edmund, your stepbrother. With Miss Parsons there is an additional show of boldness in that there is a danger of making their affections public.
• The Duke Richards option, which I managed to see thanks to @i-dream-so-i-write ...seems pretty okay actually. He doesn't seem as handsy and creepy as he does in our first meeting (there is a moment where his "hands skim your waist" though, and he tells us we've been apart too long [a couple seconds, tops]), but he's also still talking our ears off. If anyone is interested in seeing it, I can attach the screenshots!
• This man is so freaking extra I can't even.
• The chapter ends with the Earl announcing that he is changing his will, and that the MC is heiress to Edgewater Estate now, which makes it essential for her, then, to make her debut at the London Season, and begin searching for prospective bridegrooms.
• There is a catch though. You get the inheritance if you marry someone of suitable rank. In short...at this point in the story, Marianne is doing alright, but Florence is well and truly screwed until there is a twist somewhere (and surely there will be at some point). Sorry Florence.
• Henrietta has something up her sleeve, and Edmund, who was expecting to inherit, is sad and tells the MC so. You get a relationship point with him if you tell him you understand how it must feel, but he reiterates that you probably won't. We have time, we can still get this dude (and his palpitating fiancée) on our side. Maybe.
• Looks like we'll be starting our journey to London straightaway, and making our debut in London at Mr Sinclaire's party by Chapter 6. Alsooo from the spoilery chapter descriptions it looks like Mr. Marlcaster will try tripping us up at least once, or more than once. Also looks like we have two more skills on our accomplishment board to learn. So far we've gotten needlework, music and dancing - we now need to see what the other two are. I THINK one of them is painting.
General Thoughts:
• Good chapter. It's a little slow which is fine, because I think all the action will actually happen during the London Season instead. We meet only two suitors, one of whom we have already met in the first chapter.
• I feel like the extra scenes that we'll get with the unlocked accomplishments will include other styles of the same art. We initially learn the piano, but I feel like unlocking it will lead to extra scenes with other instruments, and unlocking the dancing shoes will show us extra scenes of Annabelle teaching us other dances (the waltzes, the reel, etc). I'm not entirely sure about this, it's just a theory I have. I mean, once we're in London we'll need to learn waltzes and the minuet and stuff.
• Luke doesn't make an appearance this chapter, but then again nor does Briar as soon as the MC gets ready. I think we'll see more of him now that we will be traveling to London.
• Donna Hatch's (who writes a ton of historical romances, esp Regency) essay on the London Season lists the months active in each year for it, and in 1816 it was from February to July. In the story it's now the beginning of April. Usually it's best to go at the very start if you're looking for marriage prospects, but given the MC's particular circumstances this time of the season isn't too bad either I'd reckon.
• Remember how I told you guys last chapter about the inclusion of Mary Brunton's Self Control? And how she criticizes the popular "rake" figure in Regency fiction? I'm not sure Duke Richards adheres completely to how rakes were depicted at the time, but he definitely does seem to be channeling Colonel Hargrave a little here.
• I wonder what the Duke seems to be hiding. Besides of course the truth of his equation with Sinclaire. Why is he so focused on this new woman? I think there might be more to this. I also can't wait to see the other suitors, like the viscount and Mr Chambers.
• I do like how we learn more about Sinclaire and Annabelle here. Annabelle largely has the role that Hana had in TRR, and there are some similarities - but she also has a lot more wiggle-room and seems to be bolder and a little more outgoing. She has grown up with the limitations placed on women at the time, but unlike Hana, hasn't faced as many restrictions in her upbringing.
• As I've mentioned before, I love Annabelle and I love that they're trying to do a better job of her. But I'm not entirely sure if cramming two separate scenes of hers in single chapters of an already expensive book is a wise choice, or if it will harm her development in the long run because people find it too expensive to spend on her. IMO the accomplishment scenes should be a little further spread out in the books.
• Now that the MC is going to be a future Countess, what is in store for her? In her rightful home Edgewater, she has a limited audience and not as much expectation to live up to...what will become of her now that she will be participating in the Season in London? Guess we'll find out today, or in the coming weeks xD
• Tagging: @boneandfur @liamraines @thespiritpanda @alanakusumastan @ernestsinclairs @mrsthomashunt @private-investigator-nazario @bcdollplace @queenodysseia @mcbangle
If you'd like to be tagged in one of the QTs, please let me know!
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