#the treasure of san teresa | Explore Tumblr Posts and Blogs

indiafishydish · 1 year

Text

Advice to heed, steal once pay twice

I had sephora send me a second lip balm because it’s trash tbh.

But really if it’s trash why do I need a second one do you guys know what I mean because I knew when I received it it was a trash product

Things are getting pretty gross and when the lower class community once used products from Sephora, that’s when they get nastier because you don’t want new products after all you want trash I had to go ahead and edit the order number because I had a feeling that Kelsie or Stephanie or Nick, or one of those trash bowls would probably interfere with my order because they want to receive interior products themselves yes can be left off to be honest with you. it sounded better without it.

— Dr. Lang you don’t hate all Indian women right you just hate the ones that are super super smart and fresh. Is that right? Bullseye bitch oh my God it’s like oh my God.

But Mark, is he intentionally acting like a scumbag or is he really that much of a scumbag

— well well if it’s oh God Roger that is not cool. Oh my God you need to have a talk with that bitch that is disgusting. That is not my grandmother you let that fucking cinnamon roll eating Cunt know exactly what I said.

Sexual hygiene, children Jesus Christ you guys are nasty as fuck. Unfortunately the doctor has like a needle in the back of my neck right now so I feel a little bit like forced to go along with some of the shit I’m not gonna get aids because you guys think it’s funny though.

So you guys piss in the pool and then you have to eat from that same trough Nick what’s it like eating at a restaurant you don’t even wanna be eating at but it’s your fault

Stephanie, is that gross? Oh fuck me she just continues to be gross well so she’s in the same category as Teresa and a lot of other people that’s pretty nasty you guys.

Mark brought up animal farm while he mentioned that Doctors eat from a certain trough and they never stop if they are going to continue to be piggies. They will probably be piggies until they are stopped gosh it’s relevant. It makes a lot of sense to me.

Ashley would later tell me that Stephanie tried to cross that line and she cannot do that so that must really be a point of jealousy. That’s a nasty nasty line to cross to try. I understand that she is not particularly the most intelligent girl around. She’s just your average bag of trash.

But all children need love I’m not saying I’m gonna cross any line don’t misunderstand me. I already did cross that line and it’s kind of interesting because it calmed her down. Whatever the fuck I naturally gave without thinking before it’s probably because we’re not having a Chan versus San disagreement.

So you’re telling me India was jealous of your treasure or something like that Wayback in the day right John Wayne

I’m not a big fan of that poor potato bullshit. I told you guys in America

I said corporatized and wow yeah I am not a fan I love potatoes and I love dogs and I really love dogs. Did I ever tell you that John Wayne knows that right well you know my other grandfather he is the guy who is sort of John Wayne to me but I’m a little bit too sentimental sometimes so it’s not like my heart is split into and Amanda Palmer can’t ever feel that for herself the way that I can feel that for myself it’s always about what you guys can steal for yourselves. You can’t go around telling people or telling me that I was just so privileged all of this time.

I think grandfather would love you I really do

#emily haines #Sephora #lip gloss boost in your America #Kelsie cashin #used Beauty products #dr Langs severe hatred for Indian women really?#aids #stds #oh fuck me #ugh she guesses #jealousy I reckon ha #Joy Cooper and Stephanie bryant #steps but desperation #Billy Corgan #ain’t my desperation #fresh she said #restaurant eating #yeasty

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eviltwinbobworld · 4 years

Photo

Marius Goring as Rudi Siebert in The Treasure of San Teresa (1959) directed by Alvin Rakoff.

 Trivia: The long sheepskin overcoat he is wearing in the top two photos as Rudi Siebert is the same one he had previously worn as Colonel Henri in Odette (1950) - bottom photo. Also, the knitted white gloves are the same ones he can be seen wearing in several other films and television series such as The Man Who Watched Trains Go By (1952) and The Expert (1968-1976). He was a great recycler!

mariusgoring.com

#marius goring #rudi seibert #the treasure of san teresa #colonel henri #odette

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go-redgirl · 3 years

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OLDEST AMERICAN CITIES -

Our History

Founded in 1565, St. Augustine is the oldest continuously occupied settlement of European and African-American origin in the United States. Forty-two years before the English colonized Jamestown and fifty-five years before the Pilgrims landed at Plymouth Rock, the Spanish established at St. Augustine this nation's first enduring settlement.

Architecture

The architectural legacy of the city's past is much younger, testimony to the impermanent quality of the earliest structures and to St. Augustine's troubled history. Only the venerable Castillo de San Marcos, completed in the late seventeenth century, survived destruction of the city by invading British forces in 1702. Vestiges of the First Spanish Colonial Period (1565 to 1764) remain today in St. Augustine in the form of the town plan originally laid out by Governor Gonzalo Méndez de Canzo in the late sixteenth century and in the narrow streets and balconied houses that are identified with the architecture introduced by settlers from Spain. Throughout the modern city and within its Historic Colonial District, there remain thirty-six buildings of colonial origin and another forty that are reconstructed models of colonial buildings. St. Augustine can boast that it contains the only urban nucleus in the United States whose street pattern and architectural ambiance reflect Spanish origins.

Discovery of Florida

Historians credit Juan Ponce de Leon, the first governor of the Island of Puerto Rico, with the discovery of Florida in 1513. While on an exploratory trip in search of the fabled Bimini he sighted the eastern coast of Florida on Easter Sunday, which fell on March 27 that year. Ponce de Leon claimed Florida for the Spanish Crown and named it Florida after the Easter season, known in Spanish as Pascua Florida. This newly claimed territory extended north and west to encompass most of the known lands of the North American continent that had not been claimed by the Spanish in New Spain (Mexico and the Southwest).

Settlement

In the following half century, the government of Spain launched no less than six expeditions attempting to settle Florida; all failed. In 1564 French Huguenots (Protestants) succeeded in establishing a fort and colony near the mouth of the St. Johns River at what is today Jacksonville. This settlement posed a threat to the Spanish fleets that sailed the Gulf Stream beside the east coast of Florida, carrying treasure from Central and South America to Spain. As Don Pedro Menéndez de Avilés was assembling a fleet for an expedition to Florida, the French intrusion upon lands claimed by Spain was discovered. King Philip II instructed Menéndez, Spain's most capable admiral, to remove the French menace to Spain's interests.

Naming St. Augustine

On September 8, 1565, with much pomp and circumstance and 600 voyagers cheering, Menéndez set foot on the shores of Florida. In honor of the saint whose feast day fell on the day he first sighted land, Menéndez named the colonial settlement St. Augustine. Menéndez quickly and diligently carried out his king's instructions. With brilliant military maneuvering and good fortune, he removed the French garrison and proceeded to consolidate Spain's authority on the northeast coast of Florida. St. Augustine was to serve two purposes: as a military outpost, or Presidio, for the defense of Florida, and a base for Catholic missionary settlements throughout the southeastern part of North America.

Military Colony

Maintaining St. Augustine as a permanent military colony, however, was a mighty task. Without the courage, perseverance, and tenacity of the early settlers, it is doubtful that the community would have survived. English pirates and corsairs pillaged and burned the town on several occasions in the next century. Clashes between the Spaniards and the British became more frequent when the English colonies were established in the Carolinas, and later, in Georgia. As a consequence, the Spanish moved to strengthen their defenses, beginning in 1672 construction of a permanent stone fortress. The Castillo de San Marcos was brought to completion late in the century, just in time to meet an attack by British forces from the Carolinas in 1702. Unable to take the fort after a two-month siege, the British troops burned the town and retreated.

Underground Railroad

British attacks continued, however. Plantation and slave owners in the English colonies resented the sanctuary that Spanish Florida afforded escaped slaves who successfully made their way to St. Augustine, which became a focal point for the first Underground Railroad. There, escaped slaves were given their freedom by the Spanish Governor if they declared allegiance to the King of Spain and embraced the Catholic religion. In 1738 the first legally sanctioned free community of former slaves, Gracia Real de Santa Teresa de Mose, was established as part of the presidio’s northern defenses. In 1740, an even stronger attack on St. Augustine was mounted by the Governor of the British colony of Georgia, General James Oglethorpe. He also failed to take the fort.

Treaty of Paris

The Treaty of Paris in 1763, ending the French and Indian War, gave Florida and St. Augustine to the British, accomplishing by the stroke of a pen what pitched battles had failed to do. St. Augustine came under British rule for the first time and served as a Loyalist (pro-British) colony during the American Revolutionary War. A second Treaty of Paris (1783), which gave America's colonies north of Florida their independence, returned Florida to Spain, a reward for Spanish assistance to the Americans in their war against England. Upon their return, the Spanish in 1784 found that St. Augustine had changed. Settlers from a failed colony in New Smyrna (south of St. Augustine) had moved to St. Augustine in 1777. This group, known collectively as Minorcans, included settlers from the western Mediterranean island of Minorca. Their presence in St. Augustine forever changed the ethnic composition of the town.

Second Spanish Period

During what is called by historians the Second Spanish Period (1784 to 1821), Spain suffered the Napoleonic invasions at home and struggled to retain its colonies in the western hemisphere. Florida no longer held its past importance to Spain. The expanding United States, however, regarded the Florida peninsula as vital to its interests. It was a matter of time before the Americans devised a way to acquire Florida. The Adams-Onîs Treaty, negotiated in 1819 and concluded in 1821, peaceably turned over the Spanish colonies of East and West Florida and, with them, St. Augustine, to the United States.

Florida Becomes a State

For the next twenty-four years, East Florida and with it St. Augustine remained a territorial possession of the United States. Not until 1845 was Florida accepted into the union as a state. The Territorial Period (1821-1845) was marked by an intense war with native Indians, the so-called Second Seminole War (1835-1842). The United States Army took over the Castillo de San Marcos and renamed it Fort Marion.

Civil War

In 1861, the Civil War began. Florida joined the Confederacy, but Union troops loyal to the United States Government quickly occupied St. Augustine and remained in control of the city throughout the four-year long war. St. Augustine was thus one of the few places in the United States where Abraham Lincoln’s Emancipation Proclamation, issued in 1862, actually freed any slaves. After the war, land was leased to freed slaves on what was then the west bank of Maria Sanchez Creek. Initially called Africa, the settlement later became Lincolnville and is today listed in the National Register of Historic Places, along with three other historic districts in the city.

Vacation Town

Twenty years after the end of the Civil War, St. Augustine entered its most glittering era. Following a visit to the crumbling old Spanish town, Henry Flagler, a former partner of John D. Rockefeller in the Standard Oil Company, decided to create in St. Augustine a winter resort for wealthy Americans. He owned a railroad company that in 1886 linked St. Augustine by rail with the populous cities of the east coast. In 1887, his company began construction of two large and ornate hotels and a year later added a third that had been planned and begun by another developer. Flagler's architects changed the appearance of St. Augustine, fashioning building styles that in time came to characterize the look of cities throughout Florida. For a time, St. Augustine was the winter tourist mecca of the United States.

Newport of the South

In the early twentieth century, however, the very rich found other parts of Florida to which they could escape. With them fled Flagler's dream of turning St. Augustine into the "Newport of the South." St. Augustine nevertheless remained a tourist town. As Americans took to the highways in search of a vacation land, St. Augustine became a destination for automobile-borne visitors. The tourism industry came to dominate the local economy.

Restoration

The city celebrated its 400th anniversary in 1965 and undertook in cooperation with the State of Florida a program to restore parts of the colonial city. The continuation of an effort actually begun in 1935, what became known as the "Restoration" resulted in preserving the thirty-six remaining buildings from the colonial era and the reconstruction of some forty additional colonial buildings that had previously disappeared, transforming the appearance of the historic central part of St. Augustine. It was in great part a tribute to such efforts that King Juan Carlos and Queen Sofia made this small city a part of their 2001 visit to the United States.

Civil Rights Era

In 1964, St. Augustine played a role in America’s civil rights struggle when Dr. Martin Luther King, Jr. led a local campaign to dramatize national efforts designed to secure Congressional approval of what became the landmark Civil Rights Act of that year. The city now contains a series of historical markers noting sites associated with the civil rights movement here.

Flagler's Hotels

The first of Henry Flagler's three great hotels, the Ponce de Leon, was adapted for use as an institution of higher learning in 1971. As Flagler College, it expanded to embrace a student body of some 1,700 by the end of the century, offering a traditional four-year arts and science degree program. The second of his hotels, the Alcazar, has since 1948 contained the Lightner Museum, (and in 1973 the City of St. Augustine municipal offices). The third Flagler hotel, originally called the Casa Monica, stood vacant for thirty-five years before St. Johns County converted it for use a county courthouse in 1965. In 1999, under private ownership, the building was restored to its original function, and is now the only one of Flagler's three great hotels still serving that purpose.

St. Augustine Attracts Visitors

Some 2 million visitors annually make their way to St. Augustine, lured by the sense of discovering a unique historic part of America. While the venerable Castillo de San Marcos remains the traditional magnet for visitors, there are many other appealing historical sites and vistas. The City of St. Augustine maintains architectural control over the colonial city, insuring that the inevitable change which occurs in a living urban area respects the past.

Historical Timelines

View the Periods of History in St. Augustine

Before 1492: Pre-Columbian or Pre-Historic Period

1513 to 1565: Discovery Period

1565 to 1763: First Spanish Colonial Period

1763 to 1784: British Colonial Period

1784 to 1821: Second Spanish Colonial Period

1821 to 1845: U.S. Territorial Period

1845 to 1861: Early Statehood Period

1861 to 1865: U.S. Civil War

1865 to 1885: Post-Civil War Period

1885 to 1913: Flagler Era

1913 to 1919: World War I Era

1920 to 1926: Boom Time

1926 to 1941: Depression Era (Florida)

1941 to 1945: World War Two\\\

NOTE: We bet our current President couldn’t answer that question nor could the so-called Vice President Ms. Harris

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nellynog · 4 years

Photo

Marius Goring as Leutnant Felix Schuster in ‘The Spy in Black’ (1939). As Stormtroop Leader Fritz Gerte in ‘Pastor Hall’ (1940). As Oberst Günther von Hohensee in ‘So Little Time’ (1952). As Major General Karl Kreipe in ‘Ill Met By Moonlight (1957). As Rudi Siebel in ‘The Treasure of San Teresa’ (1959). As Oberst Elrick Olberg in ‘The Angry Hills’ (1959). As General Harras in ‘The Devil’s General’ (1960). As a German major in ‘Up From the Beach (1965). As Oberst Muller in ‘The 25th Hour’ (1967). And as Field Marshall Paul von Hindenburg in ‘Fall of Eagles’ (1974).

He was interviewed by Stars and Stripes in February 1965 while filming ‘Up From the Beach’. The italics in bold are my own.

Marius Goring: A German only in the movies by James Gunter (10 February 1965) Stars and Stripes

MARIUS GORING was a homicidal maniac before World War II. He has been a Nazi officer since the war.

A character actor whose name sounds German but who is as English as afternoon tea, Goring said he once took the part of a mad killer in a London play and was immediately typed.

"From then on, it was homicidal maniacs for me," he said. "Then the war was over and I suddenly found myself a German."

Goring was in France to act the role of a Wehrmacht major in a new film about the Normandy invasion of 1944, "Up From the Beach." It makes about a dozen times that he has performed the role of a German in World War II uniform, starting as a colonel in "So Little Time" with Maria Schell. (Incorrect. He played a German submarine officer in 1939 in ‘The Spy in Black’ and a stormtroop leader in 1940 in ‘Pastor Hall’.)

"I keep going up and down in rank," he said. "Mostly I have played officers."

Actually, Goring thinks he has too much rank in his present film portrayal of a captured major who was occupation commandant of a small French village.

"It's a gross error," he said. "I should have been a sergeant."

Of his German roles, he remembers best the general he played in a picture called "Ill-Met by Moonlight" and the Luftwaffe general he did in a television film, "The Devil's General."

He said most of his own countrymen think he is German because his name is similar to that of Hermann Göering who headed the Luftwaffe in World War II.

"Goring is a completely English name," he said, pointing out such place names in England as Goring on Thames, Goring Gap and Goring on Sea in Sussex, where he came from. (Incorrect. He was born at Newport on the Isle of Wight).

"Göering came to London in 1938 and tried to find a connection with the Goring family for political reasons, but he couldn't," he said.

Adding to Goring's German image is his German wife, Lucie Mannheim, a leading actress in Germany before 1933 and after the war. Also he speaks German so well that he has appeared in Berlin theatrical presentations. (And German films such as ‘Nachts auf den Straßen’ (1952) and German TV productions).

"I was in Munich for more than a year as a student," he said. "During World War II, I talked to prisoners and got to know a certain type of senior officer and the way that they thought.”

During World War II, Goring was an enlisted man in the Queen's Royal Regiment. (He enlisted on 26 July 1940 in the Queen's Royal (West Surrey) Regiment which was the oldest line regiment in the British army, established in 1661. Regimental Service Number: 6099377). Later, he was connected with the British Foreign Office as a political commentator making broadcasts to the German-speaking countries under the pseudonym of Charles Richardson. (His father’s first name was Charles and his maternal grandmother was a Richardson). In 1944-45, he was a member of the intelligence staff of SHAEF.

"I was then a full colonel," he said. "I used to pray, ‘Dear God, let me meet up with my old regiment. They would have had to present arms.”

Goring was trained at the Old Vic dramatic school and played with that company as well as the Royal Shakespeare company in Stratford. He still makes regular appearances in London theatres.

The actor is a big man with blond hair (actually red gold) and blue eyes. In a German uniform, he is a model for soldierly bearing.

"I trained as a dancer in the beginning and I go back to dancing class when I am in London to keep in shape," he said. "It's a form of discipline.”

How long does Goring think he will continue to be a German officer in the movies?

"Well, I hope it goes on, because I understand it," he said. "But, of course, I don't want to do it until I drop.” mariusgoring.com

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christopherleefan · 7 years

Photo

Christopher Lee and the cast of The Treasure of San Teresa (1959)

#christopher lee #look at christopher's smile #so cuuute #<3 #born to be a christopher lee fan #keep calm and love christopher lee #the treasure of san teresa #1959

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moviepostersinc · 7 years

Photo

Hot Money Girl AKA The Treasure of San Teresa 1959

"She was Trash! She would do anything for a price!”

#the treasure of san teresa #hot money girl #german cinema

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amtopmthoughts · 5 years

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OSCARS

Legenda:

Legenda - Winners I have watched

Legenda - Winners I don’t know of

Legenda - Winners I know of

Legenda - Nominees I have watched

Legenda - Nominees I don’t know of

Legenda - Nominees I know of

1927/28

BEST MOVIE

Wings

The Racket

7th Heaven

= 0

BEST ACTRESS

Janet Gaynor:

for her role as Diane Angela, The Wife in 7th Heaven and Street Angel Sunrise: A Song of Two Humans

Louise Dresser:

for her role as Mrs. Pleznik in A Ship Comes In

Gloria Swanson:

for her role as Sadie Thompson in Sadie Thompson

1928/29

BEST MOVIE

The Broadway Melody

Alibi

Hollywood Revue

In Old Arizona

The Patriot

= 0

Mary Pickford:

for her role as Norma Besant in Coquette

Ruth Chatterton:

for her role as Jacqueline Floriot in Madame X

Betty Compson:

for her role as Carrie in The Barker

Jeanne Eagels:

for her role as Leslie Crosbie in The Letter

Corinne Griffith:

for her role as Emma Hamilton in The Divine Lady

Bessie Love:

for her role as Hank Mahoney in The Broadway Melody

1929/30

BEST MOVIE

All Quiet on the Western Front

The Big House

Disraeli

The Divorcee

The Love Parade

= 0

Norma Shearer:

for her role as Jerry Bernard Martin in The Divorcee

Nancy Carroll:

for her role as Hallie Hobart in The Devil’s Holiday

Ruth Chatterton:

for her role as Sarah Storm in Sarah and Son

Greta Garbo:

for her role as Anna Christie/Madame Rita Cavallini in Anna Christie Romance

Norma Shearer:

for her role as Lucia Marlett in Their Own Desire

Gloria Swanson:

for her role as Marion Donnell in The Trespasser

1930/31

BEST MOVIE

Cimarron

East Lynne

The Front Page

Skippy

Trader Horn

= 0

Marie Dressler:

for her role as Min Divot in Min and Bill

Marlene Dietrich:

for her role as Mademoiselle Amy Jolly in Morocco

Irene Dunne:

for her role as Sabra Cravat in Cimarron

Ann Harding:

for her role as Linda Seton in Holiday

Norma Shearer:

for her role as Jan Ashe in A Free Soul

1931/32

BEST MOVIE

Grand Hotel

Arrowsmith

Bad Girl

The Champ

Five Star Final

One Hour with You

Shanghai Express

The Smiling Lieutenant

= 0

Helen Hayes:

for her role as Madelon Claudet in The Sin of Madelon Claudet

Marie Dressler:

for her role as Emma Thatcher Smith in Emma

Lynn Fontanne:

for her role as The Actress in The Guardsman

1932/33

BEST MOVIE

Cavalcade

42nd Street

A Farewell to Arms

I Am a Fugitive from a Chain Gang

Lady for a Day

Little Women

The Private Life of Henry VIII

She Done Him Wrong

Smilin’ Through

State Fair

= 0

BEST ACTRESS

Katharine Hepburn:

for her role as Eva Lovelace in Morning Glory

May Robson:

for her role as Apple Annie in Lady for a Day

Diana Wynyard:

for her role as Jane Marryot in Cavalcade

1934

BEST MOVIE

It Happened One Night

The Barretts of Wimpole Street

Cleopatra

Flirtation Walk

The Gay Divorcee

Here Comes the Navy

The House of Rothschild

Imitation of Life

One Night of Life

The Thin Man

Viva Villa!

The White Parade

= 0

BEST ACTRESS

Claudette Colbert:

for her role as Ellie Andrews in It Happened One Night

Grace Moore:

for her role as Mary Barrett in One Night of Love

Norma Shearer:

for her role as Elizabeth Barrett in The Barrett of Wimpole Street

Bette Davis:

for her role as Mildred Rogers in Of Human Bondage

1935

BEST MOVIE

Munity on the Bounty

Alice Adams

Broadway Melody of 1936

Captain Blood

David Copperfield

The Informer

The Lives of a Bengal Lancer

A Midsummer Night’s Dream

Les Misérables

Naughty Marietta

Rugs of Red Gap

Top Hat

= 0

BEST ACTRESS

Bette Davis:

for her role as Joyce Heath in Dangerous

Elisabeth Bergner:

for her role as Gemma Jones in Escape Me Never

Claudette Colbert:

for her role as Jane Everest in Private Words

Katharine Hepburn:

for her role as Alice Adams in Alice Adams

Miriam Hopkins:

for her role as Becky Sharp in Becky Sharp

Merle Oberon:

for her role as Kitty Vane in The Dark Angel

1936

BEST MOVIE

The Great Ziegfeld

Anthony Adverse

Dodsworth

Libeled Lady

Mr. Deeds Goes to Town

Romeo and Juliet

San Francisco

The Story of Louis Pasteur

A Tale of Two Cities

Three Smart Girls

= 0

BEST ACTRESS

Luise Rainer:

for her role as Anna Held in The Great Ziegfeld

Irene Dunne:

for her role as Theodora Lynn in Theodora Goes Wild

Gladys George:

for her role as Carrie Snyder in Valiant is the Word for Carrie

Carole Lombard:

for her role as Irene Bullock in My Man Godfey

Norma Shearer:

for her role as Juliet Capulet in Romeo and Juliet

1937

BEST MOVIE

The Life of Emile Zola

The Awful Truth

Captain Courageous

Dead End

The Good Earth

In Old Chicago

Lost Horizon

One Hundred Men and a Girl

Stage Door

= 0

BEST ACTRESS

Luise Rainer:

for her role as O-Lan in The Good Earth

Irene Dunne:

for her role as Lucy Warriner in The Awful Truth

Greta Garbo:

for her role as Marguerite Gautier in Camille

Janet Gaynor:

for her role as Esther Victoria Blodgett/Vicki Lester in A Star is Born

Barbara Stanwyck:

for her role as Stella Martin Dallas in Stella Dallas

1938

BEST MOVIE

You Can’t Take It With You

The Adventures of Robin Hood

Alexander’s Ragtime Band

Boys Town

The Citadel

Four Daughters

Grand Illusion

Jezebel

Pygmalion

Test Pilot

= 0

BEST ACTRESS

Bette Davis:

for her role as Julie Marsden in Jezebel

Fay Bainter:

for her role as Hannah Parmalee in White Banners

Wendy Hiller:

for her role as Eliza Doolittle in Pygmalion

Norma Shearer:

for her role as Marie Antoinette in Marie Antoinette

Margaret Sullavan:

for her role as Patricia “Pat” Hollmann in Three Comrades

1939

BEST MOVIE

Gone With The Wind

Dark Victory

Goodbye, Mr. Chips

Love Affair

Mr. Smith Goes to Washington

Ninotchka

Of Mice and Men

Stagecoach

The Wizard of Oz

Wuthering Heights

= 0

BEST ACTRESS

Vivien Leigh:

for her role as Scarlett O’Hara in Gone with the Wind

Bette Davis:

for her role as Judith Traherne in Dark Victory

Irene Dunne:

for her role as Terry McKay in Love Affair

Greta Garbo:

for her role as Nina Yakushnova “Ninotchka” Ivanoff” in Ninotchka

Greer Garson:

for her role as Katherine Bridges in Goodbye, Mr. Chips

1940

BEST MOVIE

Rebecca

All This, and Heaven Too

Foreign Correspondent

The Grapes of Wrath

The Great Dictator

Kitty Foyle

The Letter

The Long Voyage Home

Our Town

The Philadelphia Story

= 0

BEST ACTRESS:

Ginger Rogers:

for her role as Kitty Foyle in Kitty Foyle

Bette Davis:

for her role as Leslie Crosbie in The Letter

Joan Fontaine:

for her role as The Second Mrs. de Winter in Rebecca

Katharine Hepburn:

for her role as Tracy Lord in The Philadelphia Story

Martha Scott:

for her role as Emily Webb in Our Town

1941

BEST MOVIE

How Green Was My Valley

Blossoms in the Dust

Citizen Kane

Here Comes Mr. Jordan

Hold Back the Dawn

The Little Foxes

The Maltese Falcon

One Foot in Heaven

Sargeant York

Suspicion

= 0

BEST ACTRESS:

Joan Fontaine:

for her role as Lina McLaidlaw Aysgarth in Suspicion

Bette Davis:

for her role as Regina Giddens, The Little Foxes

Olivia de Havilland:

Emmy Brown, Hold Back the Dawn

Greer Garson, Blossoms in the Dust

Barbara Stanwyck, Ball of Fire

1942

BEST MOVIE

Mrs. Miniver

The Invaders

Kings Row

The Magnificent Ambersons

The Pied Piper

The Pride of the Yankees

Random Harvest

The Talk of the Town

Wake Island

Yankee Doodle Dandy

= 0

BEST ACTRESS:

Greer Garson, Mrs. Miniver

Bette Davis, Now, Voyager

Katharine Hepburn, Woman of the Year

Rosalind Russel, My Sister Eileen

Teresa Wright, The Pride of the Yankees

1943

BEST MOVIE

Casablanca

For Whom the Bell Tolls

Heaven Can Wait

The Human Comedy

In Which We Serve

Madame Curie

The More the Merrier

The Ox-Bow Incident

The Song of Bernadette

Watch on the Rhine

= 0

BEST ACTRESS:

Jennifer Jones, The Song of Bernadette

Jean Arthur, The More the Merrier

Ingrid Bergman, For Whom the Bell Tolls

Joan Fontaine, The Constant Nymph

Greer Garson, Madame Curie

1944

BEST MOVIE

Going My Way

Double Indemnity

Gaslight

Since You Went Away

Wilson

= 0

BEST ACTRESS:

Ingrid Bergman, Gaslight

Claudette Colbert, Since You Went Away

1945

BEST MOVIE

The Lost Weekend

Anchors Aweigh

The Bells of St. Mary’s

Mildred Pierce

Spellbound

= 0

1946

BEST MOVIE

The Best Years of Our Lives

Henry V

= 0

1947

BEST MOVIE

Gentleman’s Agreement

The Bishop’s Wife

Crossfire

Great Expectations

Miracle on 34th Street

= 0

1948

BEST MOVIE

Hamlet

Johnny Belinda

The Red Shoes

The Snake Pit

The Treasure of the Sierra Madre

= 0

1949

BEST MOVIE

All the King’s Men

Battleground

The Heiress

A Letter to Three Wives

Twelve O’Clock High

= 0

1950

BEST MOVIE

All About Eve

Born Yesterday

Father of the Bride

King Solomon’s Mines

Sunset Boulevard

= 0

1951

BEST MOVIE

An American In Paris

Decision Before Dawn

A Place in the Sun

Quo Vadis

A Streetcar Named Desire

= 0

1952

BEST MOVIE

The Greatest Show on Earth

High Noon

Ivanhoe

Moulin Rouge

The Quiet Man

= 0

1953

BEST MOVIE

From Here to Eternity

Julius Caesar

The Robe

Roman Holiday

Shane

= 1

1954

BEST MOVIE

On The Waterfront

The Caine Mutiny

The Country Girl

Seven Brides for Seven Brothers

Three Coins in the Fountain

= 0

1955

BEST MOVIE

Marty

Love is a Many-Splendored Thing

Mister Roberts

Picnic

The Rose Tattoo

= 0

1956

BEST MOVIE

Around the World in 80 Days

Friendly Persuasion

Giant

The King and I

The Ten Commandments

= 0

1957

BEST MOVIE

The Bridge On The River Kwai

12 Angry Men

Peyton Place

Sayonara

Witness for the Prosecution

= 0

1958

BEST MOVIE

Gigi

Auntie Mame

Cat on a Hot Tin Roof

The Defiant Ones

Separate Tables

= 0

1959

BEST MOVIE

Ben-Hur

Anatomy of a Murder

The Diary of Anne Frank

The Nun’s Story

Room at the Top

= 0

1960

BEST MOVIE

The Apartment

The Alamo

Elmer Gantry

Sons and Lovers

The Sundowners

= 0

1961

BEST MOVIE

West Side Story

Fanny

The Guns of Navarone

The Hustler

Judgment at Nuremberg

= 1

1962

BEST MOVIE

Lawrence of Arabia

The Longest Day

The Music Man

Mutiny on the Bounty

To Kill a Mockingbird

= 0

1963

BEST MOVIE

Tom Jones

America America

Cleopatra

How the West Was Won

Lilies of the Field

= 0

1964

BEST MOVIE

My Fair Lady

Becket

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb

Mary Poppins

Zorba the Greek

= 1

1965

BEST MOVIE

The Sound of Music

Darling

Doctor Zhivago

Ship of Fools

A Thousand Clowns

= 1

1966

BEST MOVIE

A Man for All Seasons

Alfie

The Russians Are Coming, the Russians Are Coming

The Sand Pebbles

Who’s Afraid of Virginia Wolf

= 0

1967

BEST MOVIE

In the Heat of the Night

Bonnie and Clyde

Doctor Dolittle

The Graduate

Guess Who’s Coming to Dinner

= 0

1968

Oliver!

Funny Girl

The Lion in Winter

Rachel, Rachel

Romeo and Juliet

= 1

1969

BEST MOVIE

Midnight Cowboy

Anne of the Thousand Days

Butch Cassidy and the Sundance Kid

Hello, Dolly!

= 0

1970

BEST MOVIE

Patton

Airport

Five Easy Pieces

Love Story

M*A*S*H

= 0

1971

BEST MOVIE

The French Connection

A Clockwork Orange

Fiddler on the Roof

The Last Picture

Nicholas and Alexandra

= 0

1972

BEST MOVIE

The Godfather

Cabaret

Deliverance

The Emigrants

Sounder

= 0

1973

BEST MOVIE

The Sting

American Graffitti

Cries and Whispers

The Exorcist

A Touch of Class

= 0

1974

BEST MOVIE

The Godfather Part II

Chinatown

The Conversation

Lenny

The Towering Inferno

= 0

1975

BEST MOVIE

One Flew Over The Cuckoo’s Nest

Barry Lyndon

Dog Day Afternoon

Jaws

Nashville

= 0

1976

BEST MOVIE

Rocky

All the President’s Men

Bound for Glory

Network

Taxi Driver

= 0

1977

BEST MOVIE

Annie Hall

The Goodbye Girl

Julia

Star Wars

The Turning Point

= 0

1978

BEST MOVIE

The Deer Hunter

Coming Home

Heaven Can Wait

Midnight Express

An Unmarried Woman

= 0

1979

BEST MOVIE

Kraver vs. Kramer

All That Jazz

Apocalypse Now

Breaking Away

Norma Rae

= 1

1980

BEST MOVIE

Ordinary People

Coal Miner’s Daughter

The Elephant Man

Raging Bull

Tess

= 0

1981

BEST MOVIE

Chariots of Fire

Atlantic City

On Golden Pond

Raiders of the Lost Ark

Reds

= 0

1982

BEST MOVIE

Ghandi

E.T. the Extra-Terrestrial

Missing

Tootsie

The Verdict

= 1

1983

BEST MOVIE

Terms of Endearment

The Big Chill

The Dresser

The Right Stuff

Tender Mercies

= 0

1984

BEST MOVIE

Amadeus

The Killing Fields

A Passage to India

Places in the Heart

A Soldier’s Story

= 0

1985

BEST MOVIE

Out of Africa

The Color Purple

Kiss of the Spider Woman

Prizzi’s Honor

Witness

= 0

1986

BEST MOVIE

Platoon

Children of a Lesser God

Hannah and Her Sisters

The Mission

A Room with a View

= 0

1987

BEST MOVIE

The Last Emperor

Broadcast News

Fatal Attraction

Hope and Glory

Moonstruck

= 2

1988

BEST MOVIE

Rain Man

The Accidental Tourist

Dangerous Liaisons

Mississipi Burning

Working Girl

= 0

1989

BEST MOVIE

Driving Miss Daisy

Born on the Fourth of July

Dead Poets Society

Field of Dreams

My Left Foot

= 1

1990

BEST MOVIE

Dances with Wolves

Awakenings

Ghost

The Godfather III

Goodfellas

= 1

1991

BEST MOVIE

The Silence of the Lambs

Beauty and the Beast

Bugsy

JFK

The Prince of Tides

= 1

1992

BEST MOVIE

Unforgiven

The Crying Game

A Few Good Men

Howards End

Scent of a Woman

= 0

1993

BEST MOVIE

Schindler’s List

The Fugitive

In the Name of the Father

The Piano

The Remains of the Day

= 1

1994

BEST MOVIE

Forrest Gump

Four Weddings and a Funeral

Pulp Fiction

Quiz Show

The Shawshank Redemption

= 3

1995

BEST MOVIE

Braveheart

Apollo 13

Babe

The Postman (Il Postino)

Sense and Sensibility

= 4

1996

BEST MOVIE

The English Patient

Fargo

Jerry McGuire

Secrets & Lies

Shine

= 0

1997

BEST MOVIE

Titanic

As Good as it Gets

The Full Monty

Good Will Hunting

L.A. Confidential

= 3

1998

BEST MOVIE

Shakespeare in Love

Elizabeth

Life is Beautiful

Saving Private Ryan

The Thin Red Line

= 3

1999

BEST MOVIE

American Beauty

The Cider House Rules

The Green Mile

The Insider

The Sixth Sense

= 1

2000

BEST MOVIE

Gladiator

Chocolat

Crouching Tiger, Hidden Dragon

Erin Brokovich

Traffic

= 3

2001

BEST MOVIE

A Beautiful Mind

Gosfrod Park

In the Bedroom

The Lord of the Rings: The Fellowship of the Ring

Moulin Rouge!

= 1

2002

BEST MOVIE

Chicago

Gangs of New York

The Hours

The Lord of the Rings: The Two Towers

The Pianist

= 1

2003

BEST MOVIE

The Lord of the Rings: The Return of the King

Lost in Translation

Master and Commander: The Far Side of the World

Mystic River

Seabiscuit

= 0

2004

BEST MOVIE

Million Dollar Baby

The Aviator

Finding Neverland

Ray

Sideways

= 1

2005

BEST MOVIE

Crash

Brokeback Mountain

Capote

Good Night, and Good Luck

Munich

= 0

2006

BEST MOVIE

The Departed

Babel

Letters from Iwo Jima

Little Miss Sunshine

The Queen

= 2

2007

BEST MOVIE

No Country for Old Men

Atonement

Juno

Michael Clayton

There Will Be Blood

= 1

2008

BEST MOVIE

Slumdog Millionaire

The Curious Case of Benjamin Button

Frost/Nixon

Milk

The Reader

= 1

2009

BEST MOVIE

The Hurt Locker

Avatar

The Blind Side

District 9

An Education

Inglorious Basterds

Precious: Based on the Novel “Push” by Saphire

A Serious Man

Up in the Air

= 4

2010

BEST MOVIE

The King’s Speech

127 Hours

Black Swan

The Fighter

Inception

The Kids Are All Right

The Social Network

Toy Story 3

True Grit

Winter’s Bone

= 5

2011

BEST MOVIE

The Artist

The Descendants

Extremely Loud & Incredibly Close

The Help

Hugo

Midnight in Paris

Moneyball

The Tree of Life

War Horse

= 3

2012

BEST MOVIE

Argo

Amour

Beasts of the Southern Wild

Django Unchained

Les Miserábles

Life of Pi

Lincoln

Silver Linings Playbook

Zero Dark Thirty

= 4

2013

BEST MOVIE

12 Years a Slave

American Hustle

Captain Philips

Dallas Buyers Club

Gravity

Her

Nebraska

Philomena

The Wolf of Wall Street

= 4

2014

BEST MOVIE

Birdman

American Sniper

Boyhood

The Grand Budapest Hotel

The Imitation Game

Selma

The Theory of Everything

Whiplash

= 2

2015

BEST MOVIE

Spotlight

The Big Short

Bridge of Spies

Brooklyn

Mad Max: Fury Road

The Martian

The Revenant

Room

= 3

BEST ACTRESS:

Brie Larson, Room

Cate Blanchett, Carol

Jennifer Lawrence, Joy

Charlotte Rampling, 45 Years

Saoirse, Brooklyn

2016

BEST MOIVE

Moonlight

La La Land

Arrival

Fences

Hacksaw Ridge

Hell or High Water

Hidden Figures

Lion

Manchester by the Sea

= 5

BEST ACTRESS:

Emma Stone, La La Land

Isabelle Huppert, Elle

Ruth Negga, Loving

Natalie Portman, Jackie

Meryl Streep, Florence Foster Jenkins

2017

BEST MOVIE

The Shape of Water

Lady Bird

Call Me by Your Name

Get Out

Darkest Hour

Dunkirk

Phantom Thread

The Post

Three Billboards Outside Ebbig, Missouri

= 4

BEST ACTRESS:

Frances McDormand, Three Billboards Outside Ebbing, Missouri

Sally Hawkins, The Shape of Water

Margot Robbie, I, Tonya

Saoirse Ronan, Lady Bird

Meryl Streep, The Post

TOTAL = 71/

6 notes · View notes

elcinelateleymickyandonie · 3 years

Text

DAWN ADDAMS.

Filmography

1951: Night into Morning

1951: The Unknown Man

1952: Singing in the Rain

1952: The Hour of 13

1952: Plymouth Adventure

1953: Young Bes

1953: The Moon Is Blue

1953: Die Jungfrau auf dem Dach

1953: The Robe

1954: Riders to the Stars

1954: Mizar (Sabotaggio in mare

1954: Secrets d'alcôve, episode Divorces him

1954: Return to Treasure Island

1954: Khyber Patrol

1954: Il visconte di Bragelonne

1955: Il tesoro di Rommel

1955: I quattro del getto thunder

1957: Le avventure dei tre moschettieri

1957: A King in New York

1958: Londra chiama Polo Nord

1958: The Silent Enemy

1959: I battellieri of the Volga

1959: Die feuerrote Baronesse

1959: L'île du bout du monde

1959: Pensione Edelweiss

1959: The Treasure of San Teresa

1959: Geheimaktion schwarze Kapelle

1959: Secret Professionnel

1959: Voulez-vous danser avec moi?

1960: Die zornigen jungen Männer

1960: Die 1000 Augen des Dr. Mabuse

1960: The Two Faces of Dr. Jekyll

1961: Follow That Man

1961: Les menteurs

1962: L'éducation sentimentale

1963: Come fly with me

1964: The black tulip

1964: Ballad in Blue

1966: Where the Bullets Fly

1970: The Vampire Lovers

1971: Sapho ou La fureur d'aimer,

1973: Zeta One

1973: The Vault of Horror.

Créditos: Tomado de Wikipedia

https://es.wikipedia.org/wiki/Dawn_Addams

0 notes

mikumanogi-blog · 1 year

Text

2023-05-25 “Teresa’s because of Teresa for Teresa” Tereblog #62 [ENG]

I chose this blog title from a submission, Maken (temporary) san, thank you ✨

Heyo it’s Teresa.

Thank you for coming to read my blog today ＼(^^)／

For the first time in a while I’m going answer some questions that were asked on Letters

Observed food ▼

Bonless pork rib don (with a photo of Ikeda to accompany it 🐽)

A clump of ham, probably smoked

A handmade Seada

Some kind of food truck

A kiss tempura ( ˘ ³˘)

Tamagotoji hamburg steak that looked like an omurice

Soft and flaky fillet sandwich

Sesame balls

By the way right now Ikeda is eating a salmon and camembert croissant. Delicious 🥐

Q&A.

✉️ Which do you prefer, chicken or pork?

(letter name: Dakishimeteiru!)

🕊️Hmmm… I can’t decide. But I think I like tonkatsu less than karaage … yup, I think I’ll hold back on answering!!!! Speaking of which Aya gave me 21 piece of karaage as a present for my birthday (this is the second time this year I’ve been tortured by karaage) The honey miso was delicious. 🐝⋆

✉️ There’s a Midsummer National Tour performance in Okinawa this year isn’t there. Teresa-san have you ever been to Okinawa?

(Letter name: Mao)

🕊 I have ('-'ㅇ)

But I’m not a big fan of the ocean and so I would earnestly pick up shells with my mother and also making Okinawan Lions!!!! We have a lot of them at home (ฅ˙Ⱉ˙ฅ)

✉️ The other day I was inspired by Teresa-pan and I went to get a fluffy crab and named it ‘Kani-pan’ and I love it. Tere-pan did you name your crab?

(Letter name: Hitori bocchi no breath)

🕊 There’s no need to identify crabs 🦀

✉️Heyo Tere-pan 🐼 Today, May 20th, in China has the meaning “I love” Wo ai ni

(Letter name: Teretenaide Shakitsu toshite!)

🕊 Heyo, well then I guess I 520 you 🫶🏻🐼

✉️What part of the graduation concert made you tear up the most?

(Letter name: Chi)

🕊 Probably on day two during “Hito ha Yume ow nidomiru’. It’s not good to surprise people like that Asuka-san!!!!

✉️ Family dog, smells good, cat odor is good too but dog odor is great. Tere-chan, since you started living on your own what dog breed would you get if you were to get a dog?

(letter name: Nanu)

🕊I would want to get a really big dog or a really small dog 🐶🐕🐾 I haven’t even met the family dog in over half a year.

✉️ Do you talk to any other Sakamichi members?

If you have any stories of going out to eat please tell them!

(letter name: Mabumi Sensei)

🕊I often read the blogs of other Sakamichi members but apparently the other 5th generation members have been steadly creating communities without me knowing about it ( ; ; ) why am I so shy…

But during the 5th generation LIVE Shogenji Yoko-san gave me a letter. For me it’s an important treasure and my only connection ^ ^ It’s nice to dream about having idols in the same grade as you in school, I’m jealous.

Food? I only ate lamb with Aruno, seriously. I live in a tiny community. 🐑

I want to eat horse next.

✉️ Teresa are you perhaps interested in chemistry? I recently so a chemistry experiment and I’ve been addicted to it

(letter name: Koizumi)

🕊 Your hoppy is watching chemistry experiment!? Ho..hobby…… I took a basic chemistry course and got marks on my report.

✉️ Thank you for your hard work Teresa, are you tired?

(Letter name: T)

🕊The first day after a holiday is rough isn’t it! That’s why I live everyday like it’s Friday I also do good morning auditions ☀️

The end!!

The cake Hina gave me for my birthday celebration 🎂

Yesterday was Kuu-tan’s birthday! Congratulations on turning 20 \( ¨̮ ( ¨̮ ( ¨̮ )/

I hope you have a good year. Happy Birthday to everyone that has a birthday today!

Well then!

Thank yo-yo for reading until the end ( ･_･)/-------◎

Bye for now

#Tereblog #62(One and only Tere-pan)

https://www.nogizaka46.com/s/n46/diary/detail/101482?ima=3034&cd=MEMBER

0 notes

eviltwinbobworld · 4 years

Photo

Marius Goring as Inspector Lucas in the film The Man Who Watched Trains Go By (1952), as Hiart in Rough Shoot (1953), as Dr Henry Dysert in Rx for Murder (1958), as Rudi Seibert in The Treasure of San Teresa (1959) and as Professor John Hardy in the TV series The Expert (1968-1976) Series Four Episode Two: Blood Line (broadcast 1 October 1976).

Marius liked to wear the same clothes and accessories in different roles. Here he’s wearing the same knitted white gloves in five different productions.

mariusgoring.com

#marius goring #inspector lucas #the man who watched trains go by #henry dysert #rx for murder #professor john hardy #the expert #rudi seibert #the treasure of san teresa

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orbemnews · 3 years

Link

Daniel M. Tellep, Engineer Who Steered Lockheed’s Progress, Dies at 89 Daniel M. Tellep, an aerospace engineer who initiated a merger between Lockheed and Martin Marietta to type the world’s largest navy contractor, then turned its first chief government, died on Nov. 26 at his dwelling in Saratoga, Calif. He was 89. His dying was confirmed by his daughter Susan Tellep. Mr. Tellep was at Lockheed’s helm because the Chilly Conflict was ending. Lockheed, based mostly in Calabasas, was struggling and taking a look at doubtlessly diminished demand with the comfort of world tensions, as was Martin Marietta, led on the time by Norman R. Augustine. The merger, in 1995, created a protection trade behemoth. In 2019, Lockheed Martin web gross sales had been $59.8 billion. “The ‘merger of equals’” that he orchestrated between Lockheed and Martin “led to improvements and capabilities that proceed to guard our nation, our allies, and our highest beliefs,” Marillyn Hewson, Lockheed Martin’s government chairwoman, stated in an announcement after Mr. Tellep’s dying. As a chief government at Lockheed after which at Lockheed Martin, Mr. Tellep oversaw improvement of navy communications satellites, photographic intelligence satellites, the Hubble House Telescope and extra. As an engineer at Lockheed, he was a pioneer of area and missile know-how methods. He was the principal scientist on the nation’s first re-entry flight experiments, carried out to find out how a nuclear missile may greatest undergo the environment, into area after which again into the environment with out being destroyed. He additionally labored on submarine-launched ballistic missile methods and on producing thermal tiles to guard area shuttles. “He had a number of information of preserve issues from burning up, principally,” his longtime colleague David Klinger stated in a telephone interview. “He was superb on the arithmetic in addition to the sensible aspect to really make issues work. And he was so good that the corporate put him answerable for increasingly individuals.” Daniel Tellep was born on Nov. 20, 1931, in Forest Metropolis, Pa., about 25 miles northeast of Scranton, to John and Mary Tellep. His father labored as a coal processor after which as a carpenter. His mom, who had immigrated from Jap Europe as a toddler, labored for a thread firm. The household later moved to San Diego, the place his father labored as a machinist and the place Daniel grew up. Daniel was obsessive about flight from a younger age, when he started growing a lifelong ardour for mannequin airplanes; in a memoir he wrote for his household, he recalled constructing his first: “Little doubt the completed mannequin was crude, however there it was, three-dimensional, recognizable as one of many common airplanes of the period, and I may maintain it out on my arm and transfer it as if it was in flight. I keep in mind taking a look at it for hours.” He studied mechanical engineering on the College of California, Berkeley, graduating summa cum laude in 1954 and incomes a grasp’s diploma in 1955. He joined Lockheed that 12 months. He was the principal scientist on the X-17, one of many earliest analysis rockets. Mr. Tellep’s work in re-entry know-how and thermodynamics gained him, at 32, the Lawrence B. Sperry Award from the American Institute for Aeronautics and Astronautics. He was later elected to the Nationwide Academy of Engineering. Rising by Lockheed’s ranks, Mr. Tellep was named president in 1984 and chairman and chief government in 1989. The corporate had been struggling, and he helped flip it round. He was in cost when it gained a big contract to construct the F-22, the most recent era of Air Drive fighter planes on the time. The contract translated to $70 billion in income for the corporate and its companions and solidified Lockheed’s company rebound. He management was observed. “All through Lockheed’s travails over the previous a number of years, Mr. Tellep has maintained his attribute outward calm and affability,” The New York Occasions wrote of him in 1991, “although he proved himself to be as robust as essentially the most ruthless company raider.” Mr. Tellep turned Lockheed Martin’s first chairman and chief government in 1995, serving as C.E.O. for 9 months and remaining as chairman till 1998. He met Margaret Lewis, in faculty and married her in 1954. The couple had 4 women and later divorced. He met and married Patricia Baumgartner, a psychotherapist, in 1970. They remained collectively till her dying in 2005. Along with his daughter Susan, he’s survived by his three different daughters, Teresa and Mary Tellep and Patricia Axelrod; his first spouse, with whom he remained shut; two stepdaughters from his second marriage, Chris Chatwell and Anne Bossange; seven grandchildren; and 5 great-grandchildren. Mr. Tellep’s ardour for flight prolonged into his grownup years, when he would take to the sky in engineless gliders, a pursuit requiring deep information of wind and thermodynamics. He flew radio-controlled airplanes into his early 80s. And the mannequin planes he constructed as a boy, together with a treasured one he misplaced, remained in his recollections. “On a scorching summer time day, I launched the glider,” he wrote in his household memoir, “and it appeared to circle ceaselessly, barely descending. This was once I realized about ‘thermals.’ This rising column of air carries with all of it issues mild — and this included my glider. Since I didn’t put my identify on it, there was no approach it might be returned. Now, so a few years later, it’s with me otherwise.” Supply hyperlink #Daniel #Dies #Engineer #Growth #Lockheeds #Steered #Tellep

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fayewonglibrary · 3 years

Text

Taiwan Pop Music's 200 Best Albums (2009)

SELECTED BY: Association of Music Workers In Taiwan

NOTES:

This book contains two separate lists. The classic list of 1975-1993 Top 100 Albums and the modern list of 1993-2005 Top 100 Albums. Faye appears solely on the latter list.

Among female artists, Faye had the 2nd most number of albums chosen with 6 total (Michelle Pan had 7).

16. SKY, 1994 　　 1994 was a special year for both Wang Jingwen (Faye Wong) and the Mandopop music industry. She released two Mandarin albums that year: MYSTERY which opened everyone's ears and SKY which was like a bomb dropped on the Taiwanese music industry. 　　 Whether an album can remain relevant for a long time depends on whether it can express the feeling of an era. SKY represents a snapshot of youth in the 1990s. Young souls who were restless and impatient with the old generation were just waiting to transform into an explosive force and set out without a purpose. Faye boldly turned "supporting words” into the leading role by breaking the rules of previous conventional song verses. With the pleasure of going straight to the sky, the liberation of the soul began with this album. It showed everyone that there was another way to express pop songs. 　　 Listening back to the popular records of the 1990s, many of them will cough up dust [sound old-fashioned], but SKY has a "maternal" feeling that has evolved to the present day. This is a masterpiece of the late producer Yang Minghuang in his heyday. It was also the last gasp of freedom before international record companies entered Taiwan in 1995 and popular music became mass-produced. 　　 SKY is full of European and American music elements absorbed by Faye. Lo-Fi, Indie Pop, Irish pop, all of which opened up domestic ears to the sounds of the world. Also from this album, the Chinese pop music industry began to hear female voices with more individualistic expressions. It introduced the cool singing of the Scottish band Cocteau Twins and the vastness of the Irish band The Cranberries. In contrast to most female singers who used a weepy tone, SKY moved away from that style and became a new model for female voices with its high-spirited attitude. 　　 There are several treasured works of art in SKY: "Chesspiece" which quietly told a layered story was simple but had triumphant power. "Angel" had unconstrained vocals and showed irony and wit. The Unplugged version of “Sky” made good use of the light characteristics of various instruments to leap over its naturally dark dramatic theme. The album is full of rich and varied beats making it fun and relaxing. The works of other artists could be so heavy, that the lightness of SKY was almost unprecedented. 　　 Because of this, 1994's SKY was a decisive exclamation mark with its excellent production, singing, and the self-confidence of rocking the boat. It became the best sound from the 1990s and the collective nostalgia of that generation’s youth. (Ma Xin)

33. THE DECADENT SOUND OF FAYE, 1995

In the 1980s, Teresa Teng’s voice floated across the ocean, touching the hearts of more than 100 million Chinese people. But it was condemned by mainland officials as the "decadent sound" of sensual pleasures. Faye Wong was a Beijing girl who was deeply influenced by this "decadent sound" when she was growing up and eventually also conquered Chinese society with her singing. Two months after Teresa Teng's death in 1995, Faye released the album THE DECADENT SOUND OF FAYE, a tribute to her idol. With her own name (she was no longer under the stage name "Wang Jingwen") and her own vocal and musical style, thirteen songs of Teresa Teng were transformed and became the premier Chinese cover album. 　　 THE DECADENT SOUND OF FAYE was a collaboration by a team from Hong Kong, including producer Alvin Leong and arrangers Adrian Chan and Alex San. This was their continuation from ONE HUNDREND THOUSAND WHYS (1993), RANDOM THOUGHTS (1994), and PLEASE MYSELF (1994), three revolutionary Cantonese albums with pioneering alternative colors. Here they created a new style by using Britpop, Indie Pop and other genres, while keeping the flavor of the original songs. The charming melodies of the original traditional and simple styles were transformed by using complex arrangements to outline the three-dimensional imagery. Whether it's the dense, distinct guitar and electronic synth of "Lotus in the Snow", the complex layers of "You Are In My Heart”, the rich and moving string music of "If I Were For Real", or the clear arrangement of "South China Sea Girl", they all demonstrated the arranger's meticulous and sensitive musical touch. 　　 And the most amazing element was naturally Faye Wong's agile and varied singing. Every word was confident and every sentence was a story. Teresa Teng’s voice was always graceful and sweet which showed the tenderness and sorrow of traditional women. But when Faye sang the same melody and lyrics, her voice was sharp and bold, and the texture was detailed and powerful. To a background of such rich music, one can almost clearly picture a woman with raised eyebrows singing while traveling between heaven and earth, sometimes strolling on the clouds, sometimes dipping into the valley, with mood swings and profound artistic conceptions. 　　 Faye’s strength was that she was respectful to the old music while at the same time, harmoniously incorporated her strong personal aesthetic and trendy style. Faye's version of "Wishing We Last Forever" continues to be popular and most of the new generations think that this song was originally sung by Faye. THE DECADENT SOUND OF FAYE connected the two eras, in which we can see the trajectory and symbol of time. It also confirmed that excellent pop music can penetrate time and space, and can be long-lasting and resonate for thousands of miles. (Chen Mingkuang)

44. FUZAO, 1996 　　 Without FUZAO, there would be no Faye Wong. FUZAO was key for Faye to completely get rid of the popular commercial style of "Wang Jingwen", and it was also an important step towards the Faye Wong era. 　　 After the baptism of the two Mandarin albums MYSTERY and SKY in 1994, FUZAO was Faye's masterpiece of breaking free from commercial restraints. Although its style is not mature, it is an album that cannot be ignored when studying why Faye Wong is Faye Wong. It sounds casual, where she seems to be humming the melody and lyrics on a whim. But it actually contains Faye’s experiments with music and her laissez-faire attitude --- "In September / Plain and boring / Everything is fine / Only lacking worries". FUZAO revealed the mindset of Faye Wong at that time: her music and life were one and she found herself with a kind of beautiful energy. Backed by the success of the commercial market, Faye gained music dominance step by step, and brought her Beijing partners into her music circle. 　　 FUZAO was a music canvas for Faye to freely play on. In many songs on the album, it was Zhang Yadong who arranged the music first, then Faye sang lyrics while improvising in the studio. Therefore, some songs are full of strong Beijing flavor. There is a song with only 22 words, some songs are meaningless murmurs, while others are just simply instrumentals. After the experience of FUZAO, Faye Wong transformed from Wang Jingwen, who was merely a singer in the past, to Faye Wong who was a pioneer of music creativity and style. 　　 Faye Wong also collaborated with the Scottish band Cocteau Twins in FUZAO. The Cocteau Twins influenced Faye with their detached coolness, which was Faye's signature style. TiTi Kwan who was in charge of Faye's image and art direction, let her be with naturally messy hair and oily nude makeup as she casually posed on the cover (see no evil, speak no evil, hear no evil). It completely abandoned the concept of traditional album portraits. The music and packaging of FUZAO subverted people's long-standing customs. (Liang Daiqi)

51. MYSTERY, 1994 MYSTERY was Faye Wong (Wang Jingwen)'s first Mandarin album and it was also the album that allowed her to go outside of the Hong Kong market and become an Asian heavenly queen. Listening to this album now, perhaps the genre has been surpassed by future generations. But whether it is Faye’s extremely short "boy" haircut, her calm and sullen singing style, and the attempt to add a little rock-and-roll to traditional love songs with jazz elements, there is a message of change in the album. And you can hear the "unwilling to be ordinary" Faye Wong trying out different singing styles to express that decadent sound. 　　 What's interesting is that MYSTERY had a lot of songs to test out these sounds, including "Cold War" a cover of the piano prodigy Tori Amos' famous song "Silent All These Years", and the adaptation of "Heart Too Wild" from the Cantonese version of "Faye’s Rouge", etc. Although the style of this album is not cohesive, it produced a revolutionary change, just as the Chinese pop music industry took a crucial step away from the old model. 　　 The Faye Wong that made songs with the late music producer Yang Minghuang is different from the later Faye Wong who worked with Zhang Yadong. Faye Wong in her later years was an avant-garde queen of destruction and rebuilding. But the Faye Wong who was produced by Yang Minghuang in her early stages had a steady and flowing vocal style. Yang Minghuang slowly brought out the changing "Wang Jingwen" at the time. It seems that most of the songs were warm and slow. However, Faye Wong's singing could be varied with light, pleasant, and gentle power. No one can ignore "I'm Willing" which helped laid the foundation for Faye Wong (lyrics by Yao Qian and music by Huang Guolun). The producer clearly grasped the strengths of Faye's voice and elongated the final sounds of the syllables, foreshadowing the future of the "Fei singing" method. 　　 Whether it is Huang Shujun or Yang Minghuang's songs in the album, there is a sense of being one step ahead of the times. We can hear Faye’s early R&B singing and the unruly rock in her blood. In 1994, it was already very shocking. The producer slowly unearthed the singer's strengths. It can be said that without the patience of Yang Minghuang, there would be no "Faye Wong" now. 　　 Perhaps we have grown tired of those old-fashioned love songs, but Faye does sing these songs warmly and softly. In later years, most of her ballads were difficult to top. In 1994, MYSTERY was a beautiful beginning for her in the Mandopop music industry. (Ma Xin)

59. ONLY LOVE STRANGERS, 1999 　　 Regarding this album, there is a quote that makes a lot of sense: "This album represents the mood of the end of the century." It could be because ONLY LOVE STRANGERS was released shortly after Taiwan's earthquake disaster on September 21st while the public was anxious or that it was during the time of the countdown to the new millennium. Lin Xi used enlightened Buddhist ideas to turn the songs into pieces of poetry when they were sung from Faye Wong's mouth. It saw through the impermanence, like a knife that cuts through the fog. 　　 Following the high profile album SING AND PLAY in 1998, ONLY LOVE STRANGERS was once again produced by Alvin Leong and contained ten songs. The opening song "Last Blossom" is a majestic rock and roll track with a string arrangement that increases the dramatic tension. Using distortion, Faye Wong's voice sounds like a witch shouting: "Each and every idol / Is nothing more than this / All the idols we once obsessed over / Have one by one disappeared” -- it sounded like the prophecy of a future fallen star. Then the album immediately transitions to the folk song "The Moon at that Moment": "Can anyone tell me how strong I need to be / I dare to remember and never forget" - the words are open and meticulous, and the singing is calm and clear. The whole album is arranged in a strong style, alternating between tense and relaxed, to grasp the listener's heart firmly. 　　 This time, Faye Wong did not contribute many compositions. She only wrote "Spectacular" which was not particularly spectacular. Zhang Yadong’s old song "Only Loves Strangers" was playful and fresh, and "After The Beep" had a unique sense of indifference. "Spectacular" teased the possibility of Faye's electronic music. These three songs laid the groundwork for her next album FABLE (2000). In the entire album, compared to CY Kong's "Last Blossom" and "One Hundred Years of Solitude", Adrian Chan's "Butterfly" clearly fits the mainstream market; and two ballads by Taiwanese composers, "Passing Cloud" by Yuan Weiren and "Overthrown" by Chen Xiaojuan, were sung with emptiness inspired by pain. Faye Wong sang of sadness in a calm and self-contained tone. 　　 ONLY LOVE STRANGERS was sandwiched between two albums SING AND PLAY and FABLE. Although it was not as light and lively as the former or as unique as the latter, it was like a blooming flower at the end of the century, which singularly penetrates through time and can be listened to over and over again --- it is suitable for every stranger who is a latecomer. (Sun Ting )

71. FAYE WONG, 1997 　　 This 1997 self-titled album was the first album that Faye Wong released after she joined EMI Records (her last album under EMI in 2001 was also named FAYE WONG). This album created the second wave of Faye Wong's entertainment career. The first wave of the peak was in 1994 when Faye Wong entered the Taiwan market and released two Mandarin albums and two Cantonese albums in Hong Kong in the same year. She also held 18 consecutive concerts at the Hong Kong Coliseum and acted in "Chungking Express" establishing her position of Faye Wong the heavenly queen. In addition, her incorporation of alternative music and collaboration with mainland creators laid the foundation for another wave of her music career. 　　 On the surface, this album seemed to be an end to Faye Wong's artistic endeavor and a move towards the mainstream pop market. But in fact, it actually combined the energy of the Hong Kong era and the alternative music period. The main structure of the album is comprised of Lin Xi's lyrics and Zhang Yadong's arrangements. The Cocteau Twins, Miyuki Nakajima, and Chen Xiaoxia also contributed to the album. These names became more known in the Chinese pop music world when Faye Wong covered them. "Mortal World" was the only song that Miyuki Nakajima has specially composed for the Chinese music industry. And the two title songs "You're Happy (So I’m Happy)" and "Bored" composed by Zhang Yadong were even more popular and became immortal classics of Chinese pop. 　　 Faye put aside the wandering girl in the big city to become the heavenly queen in status and music. Her popularity in Chinese pop soared. She cleverly incorporated elements of non-mainstream music into popular ballads. And with this creative team, she kept a certain distance from the mainstream music of Hong Kong and Taiwan that dominated the market at that time and was still able to achieve unprecedented commercial success. No one has been able to replicate this kind of success. (Zheng Qiang Zhang)

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TRANSLATED BY: FAYE WONG FUZAO

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FURTHER READING RECOMMENDATION: TAKES ON 200

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