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glitchbirds · 1 year

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1 3 10 for horror asks

<3 1: top 3 favorite subgenres -WELL. i find it hard to really determine what i think the main horror subgenres to chose from even Are because i feel like you can make a nigh-infinite number of different subgenres or sub-subgenres- like, do i consider "splatstick" its own thing or just a subset of a splatter film? or of horror comedy? are zombie films just a type of monster movie, or are they their own separate thing? etc etc broadly speaking, i feel like i like most types of horror, i clearly like slashers a lot, and i love a lot of psychological stuff; and i do really like horror comedy when its done well (a lot of modern horror comedy in particular is very mediocre to me, feels like theres more and more of a tendency towards either lowbrow edgy offensive dudebro comedy OR annoyingly self-aware fourth wall breaking w/o an understanding of how to use metahumor appropriately... the latter also creeping into a lot of modern slasher films, even if theyre not strictly horror-comedy). i love found footage and a lot of highly experimental surreal stuff, though both feel more like descriptions of styles than genre (but then, film noir has more or less escaped the confines of "only referring to visual style and not actually a distinct genre", at least depending on who you ask, so why cant "found footage"?) and i really have become more and more fascinated with exploitation films this last year, which is itself a ridiculously broad "genre" whose definition seems to change depending on who's describing it at any given moment, and which definitely crosses over heavily with horror... idk! i think my top 3 would roughly be exploitation horror, psychological, and slashers, but its up for debate 3: top 3 favorite decades -love this one because ive been thinking about this exact question a Lot lately. most of the horror movies ive seen have been from the 80s but i think my favorite decade overall is the 70s, its that perfect sweet spot just before a lot of common horror tropes became horror tropes and thus before a lot of stuff began to be repeated to death; a lot of my favorites are from the 70s (halloween, tcm, lets scare jessica to death, hausu, death bed, carrie, jaws, magic, alien... etc); and idk i just love the style of a lot of 70s films. even a really mediocre 70s movie can usually be partially saved by looking nice enough or having a good enough vibe to carry me through the runtime. the past few weeks ive been making more of a conscious effort to watch 50s/60s movies as well, including ones that i dont hear talked about that often (if at all) and ive been having a great time with that. i think next year im going to try to focus more of my attention on that general 50s-late 70s horror time frame and watch as much as i can from then, good and bad. and pre-50s films too, ofc (short answer: 70s favorite, 80s second place, maybe 60s third place?) 10: favorite final girl(s)

-laurie strode is obviously taking the top spot <3 love her. off the top of my head theres not a lot of other traditional final girls who come to mind, aside from sidney prescott; i do LIKE final girls like nancy from elm street or stretch from tcm2 but i dont consider them favorites. most of my favorite horror characters (at least non-killer ones) arent from slasher movies, so im a bit more reluctant to give them the final girl status. and ash williams. obviously

#txt #julianbashir #asks

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bledmagic · 3 years

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**the following is no way indicative of direct rp interactions & is solely referring to the personal canon to idrylla. if your muse wants to refer to the closeness of one of the companions listed here by all means, unless you are holding another rper muse in mind as that connection is different & not based upon these by the interactions idrylla & that muse has had. however if you would like to base interactions on these descriptions with your muse def lemme kno & we can plot on this further !

idrylla is not the only focus of the story, they are one of many that line the cast of our main tale & the interactions between idrylla & these characters drive the story forward or back. as the game still rests within the area of early access & there are hints from datamining of future companions this list is not complete nor is it going to contain anything proper beyond act 1 in terms of connections. with the previous statement said, here is each of our companions & the relationships held with idrylla as per the canon to their character & me. **i will note if i have romanced a npc like this, as the game is in early access n just like in who’s line is it anyway the choices n points dont matter there is no canon romance for idrylla at this moment in time.

LAE’ZEL: idrylla has very few memories of the nautilus. their capture, their containment, & the escape itself is somewhat of a blurry mess. what they do remember is lae’zel. they remember her face, her struggling, her escaping that pod. they saw the moment the mind flayer infected lae’zel & the fear held within the githyanki’s features. all of this is unspoken between the two, but for idrylla it’s spurned a lot of emotions that have boiled down to pushing idrylla to get close to lae’zel & be quite defensive of her with strangers( shadowheart can make a few insults as a treat, lae’zel in return can make some serious threats in return as a treat ). it is with the first weeks of travel idrylla can be found hanging out along side lae’zel like a safety net, finding the familiarity of their escape as a bridge to base a friendship upon. despite that link that idrylla has tied between them they find lae’zel absolutely delightful in every way possible & considers lae’zel probably the closest friend idrylla has had in years, the honesty lae’zel shows in the most blunt way a refreshing change from the passive aggressiveness of the wizards guild peers. beyond all this, lae’zel is also the first githyanki has ever known & has prodded the poor warrior with a multitude of questions to absorb the info like a weird elf sponge, even going out of their way to learn on their own & ask lae’zel about later on. idrylla holds lae’zel’s opinon in high regard & often will ask her or look to her for her advice & even if not followed takes it in consideration. anyways they are best friends. ( lae’zel: we are not ‘friends’ / idrylla: you’re right. we are best friends, pal. / lae’zel: tch. ) **lae’zel has been romanced

SHADOWHEART: while idrylla did try to save shadowheart from her pod, idrylla also has particularly failed at every turn to get shadowheart to even attempt to trust them. traditionally anyway. since the common ground of the parasite & needing to team up & trust each other has failed to get shadowheart to loosen up, idrylla has taken the approach to just be a utter nuisance to shadowheart. often chiding the other with jokes or teases, stirring up trouble between shadowheart & lae’zel, forcing shadowheart to go talk to people at parties( notable example is when idryl forced shadowheart to dance with them at the big fun tiefling celebration party in which shadowheart was so emabrassed she probs would have died on the spot if she wasnt actually having fun the whole time ), etc etc. shadowheart stresses idrylla out, so tightly wounded & clearly bothered by something that is clearly at times more dire than the worm in their brain. it activates idrylla’s older sibling mode near instantly as often the fussing of the other reminds idrylla very warmly of their younger siblings, one being very similar to the uptight cleric. when shadowheart does breakdown some of those walls & reveals her religious beliefs idrylla presents themselves as very accepting. while agnostic themselves, they do make a point to show they hold no ill will to shadowheart & support them, but more importantly wants shadowheart to learn to rely on them from then on to be more honest about anything. it’s after this shadowheart tends to be less antagonistic toward idrylla. but only a little less.

WYLL: idrylla noted early on that the “”””stone”””” that rests in his socket has a heartshaped looking pupil & annoyingly( to everyone except wyll himself ) calls him hearteye. as a baldurian they are very well versed in knowing the various tales & stories of the blade of frontiers. wyll is idrylla’s favorite drinking companion & the two get along like a pair of bros in a budding bromance that will make the fans go crazy. wyll holds a hard sense of justice that idrylla tends to think of a buzzkill at times, but does value the pull of morality his chiding holds considering her own moral standing at current is fuzzy at best. she does truly worry about how skiddish he tends to be about his guarded secrets & once learning upon the truth they promise to aid them in his quest to save his ‘totally not devil girlfriend’ & when wyll protests about such a title idryl simply responses ‘oh no i totally get it, hearteye.’ with a laugh & wink. idrylla also has wyll teach them the use of the blade, taking those teachings & applying them to their learnings of the staff as a weapon vs a channel for magic. often one can see them sparing in camp on down time. wyll is also the only one of the companions who gave idrylla a proper condolence when idrylla’s less than tragic backstory is revealed to the the companions, to which idrylla who was properly touched thanked him with a hand to their heart & a ‘aww, thanks man. you’re a real one.’

ASTARION: idrylla is far softer on astarion than they should be & they will deny it. usually such a judgement of letting astarion getting away with ( in most cases, literally ) murder is preceded by a loud groan or sigh. it’s not that idrylla wants to dull astarion’s sparkle, but more of a general worry. the more idrylla learns of him, the more & more they just feel bad( astarion: i rather be spared of pity, thanks / idryl: it’s not pity. i don’t pity you its just. well hearing that shit that happened to you ? makes me sick, man. horrible things to go through. makes me want to hit something. ). but the primary worry is what will happened to their newfound friend once the parasite is extracted, will astarion burn up in the sun ? prevented from hanging out with them at bars ? will they not be able to find something for him to eat on the journey they set on ? idrylla has no real way to comfort astarion in the face of his past & it makes them uncomfortable. all that can be offered is a arm about his shoulder & a ear to listen. beyond all this, however, the two get along disturbingly well. idrylla’s current fuzzy moral standing & general pull to do really stupid things setting a stage for the two of them to act in their own chaotic fashion. the two make comments with each other that would make people wonder if they share a braincell. idrylla often pulls lae’zel into their shenanigans much to her dismay. the fact that astarion is a vampire spawn has absolutely zero negative effect or reaction from idrylla. **astarion has been romanced

GALE: i hate these two. considering gale being a wizard busybody i have to do the most divergent shit with this mf. love this catdad, anyways here go. gale & idrylla absolutely know of each other prior to the events of the game & have a loving rivalry friendship thing going on. they have met a few times due to the wizarding guild( take in mind, this wizard guild is something im developing for idrylla & is not canonical to the game ) of which gale would visit, but is not apart of, due to his associations. the two never had a proper moment of conversation prior but are as i said, very aware of each other at least in terms of their talents in magic. so whilst there is a pre-established link between them they are without a doubt strangers. their rivalry comes out at any time magic is spoken about or knowledge thereof. a interesting change in demeanor for idrylla who, for all intents & purposes before & during the events, tended to not have a proper ambitious or know-it-all bone in their body. the two will often agree about magic or purposely disagree. they speak of other wizards & generally are capable of working together to figure out spells or something magical in puzzles. when gale says that idrylla knows nothing about the weave, it took everything in idrylla to not set him on fire. when faced with the truth about gale’s utterly stupid need to consume magic & the reason behind it, idrylla simply just starts smacking him on the arm & calling him an idiot( considering idrylla’s recent expulsion from the wizarding guild spurred on by peers that are power hungry & would do whatever they could to get ahead, the ordeal of gale sits very heavy on idrylla. while they does apologize later & explains the why. ). over time the two have gotten less antagonistic to each other & more or less bicker for the fun of it, showing that the two have found themselves more or less comfortable with each other & in their aventures found respect in each other’s talents. so far anyway. idrylla has threatened to steal gale’s cat( in jest to make gale wig out. )

#( meta / lore. )#( we do not reblog my bullshit. )#IT IS HERE I HAVE DONE THE THING

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unproduciblesmackdown · 4 years

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um hello excuse me i just listened to that teenage dirtbag video and now i have no choice other than to ask you... what is up. that voice was lovely, the range the performer had when switching to the girl's role i?? hello??? so is this the uh... god um. dear evan hansen or the uhhhh oh my god sorry im typing as im thinking this is hell. the other one. be more chill? i have some friends into these things but never paid much attention but after that vid my inch rest is how do you say, Peaked.

it just hit me that the right word was actually 'piqued' rip me

hahahaha yeah i can tell you All About It.....see my origin story is that uh. fuckin uh right so i vaguely knew deh existed back when it was broadway-debuting at the end of 2016 and probably many of us were vaguely aware it existed, but then in the next summer (2017) i heard a cover of one of its songs and i was like “i can tell this is one of those songs that would be given way more context if i knew the plot” and by that point the wikipedia entry had a plot summary available and i got that context and even though he was fairly briefly mentioned, one of the side characters Piqued My Interest b/c i just knew like. aha that already feels like a character type i would rly latch on to. and this was in the back of my mind for a while and for like the next year i would intermittently check out another song or two or get a little bit more lore, but it wasn’t until like, fall 2018 i finally went “you know what, i am gonna dive in for Maximum Lore actually” and my motivation for doing this was cuz i wanted to find out all the info about The One Side Character lmfao, like, the “main plot” and “entire actual show” to me is just the Lore for him basically b/c that was truly my angle hahaha and my interest was further piqued b/c like i quickly went “oh so he’s secretly in love with the protagonist right, got it,” which like. was a latent vibe i got from that very first wikipedia plot summary readthrough tbh lmfao. and is True.

and then even after deciding to dig into the lore and confirming that Yes i love this character as i thought i would it took like another week or two before i ever like, Watched dear evan hansen lmfaooo and i’ve never stopped complaining about the show since ljdfs but not Not b/c the character isn’t as good as i thought (or b/c Nothing Else is good either, but. you know how it is. #canon 9_9 ) and then in the course of looking for More Content i was you know, looking at a variety of posts On Here and looking at some behind-the-scenes / bonus content type stuff on youtube and went “oh well hey the actor that plays that character i love is also a nice funny guy according to testimony and also that i like his vibe in these vids” and, fun fact as is the nature of live theatre (and it being like, oct / nov 2018 by then) he was not still the Current actor for said character but had, in fact, moved on to be more chill and Already Completed a late summer off-broadway run as the lead (and a bway run had been announced already, though im not Certain i remember the point / how i became aware of this lol).....which again, i too had Heard Of (and had once ages prior coincidentally leafed thru the book once and read a few excerpts but knew nothing abt anything beyond that).....but hilariously while i Knew he was in bmc thru some 101 research, i was like “okay i’ll move on to that in a sec” while focusing on deh for a while still b/c it was not until i happened to casually look up “okay so what does his character do in this show i’m completely unfamiliar with” that i went “oh fuck he’s the LEAD????!!!” lmaooo like i did Not realize this and that upped my urgency abt it

a very very broad description of bmc is that it’s a Fun Show coz it’s this teen scifi Magical Realism plotline classic musical comedy type of thing, a genre we all already know and love lol /j, and importantly, the music is fuckinggg Bops. very common “gateway drug” is This song. there’s an Original Broadway Cast Album all on youtube (and, somewhat confusingly im sure, an Original Cast Album, but that was an off-off-bway run, and i’m interested squarely in the off-bway and bway versions lmfao, so, and that is what one will get recommended from me (more updated versions of all the songs anyways)) and also, this is basically a tangential thought i had but circling back around to deh, My Guy (will roland as jared kleinman) does not actually get all that much singing material in the show (v different situation from be more chill) even in the song that features his character most heavily, but that song also happens to be the most fun song in deh and also a bop, and here’s an especially fun live performance to check out if u wanna, the other two dudes are not official cast members lmfao but still

and like, when all this deh-ing and enthusiastic bmc-ing (which i got into Just In Time to be following along with its broadway run, which was very fun to do) affirmed like boy i love this Actor’s Material for sure, i did a little digging into his nicher Credits, including, one fateful day in march, his tv credits, which meant i like stumbled across the fact he has this recurring role in Billions(tm) and that stumbling = immediately falling flat on my face b/c i Loved the content and we coincidentally got really into it Just In Time before the next season’s stuff started airing with him in it, and that was truly an Experience we’ve been having ever since. that’s it’s own insane tangent b/c this show is fucking Something Else but, jsyk, since i am talking about “billions” left and right and stuff, that’s the vague context for that. latched onto a character -> the actor -> the actor’s other stuff, and that [other stuff] is getting brought up around here a lot, especially billions.....we’re having fun and following our hearts with it lmao

i’m Not Great at finding a balance between “doing an elaborate lore dump when someone asks me ‘what’s X about?’ and i spend the next several hours just play by play walking them through the whole thing” and “trying to avoid doing that where i get Too In Depth and instead end up just overly glossing over it all and they’re like ‘that doesn’t give me any info :/’” but i Can and Will talk more in depth about any of this stuff b/c yeah........but between deh and bmc, i definitely like bmc more Overall and....in the specifics of it too.....and like the obcr way better......and uh Everything about it better lmfaooo but i also love the particular characters Jared and Alana, side character teens in deh, so im always about That as well..........but if u were like “hm which might i look into a little first,” i gotta say like, i like bmc better both as a matter of My Personal Taste and from a more critical standpoint of “what is the show meant to be / does it accomplish what it wants to” type stuff. even though deh is the critical darling lmfao go figure! *i* decide what’s good, actually, and as we all know, i’m correct and a genius. which, haha im joking, but i Am right and i Am not Not smart in ways lol

aaaaaaand yeah additionally like. can and will answer Any more particular questions about any of this shit b/c, it’s my shit, and you know how i roll

and p.s. glad you liked the Teenage Dirtbag it is such a good performance lol. naturally getting real into this one actor / singer’s shit means that there’s also stuff Outside [performing a particular role] which is still some sweet sweet content, such as other solo performances during a concert / cabaret stuff.....the lore is Very Rich and is V Good so it’s fun

#also glossed over which character type that i love that jared struck me as and it was just like #oh from these brief mentions of content alone i get the idea he doesn't have the most personable attitude and is trying to assert that he #doesn't care but gets super hurt when his friend ditches him and yeah i was exactly correct And More! beautiful. chefs kiss #We Are All [titular teenage dirtbag guy of the song going :o :o :o at will roland serenading us w the Girl In The Song's part]

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themanicnami · 6 years

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Stuck in the City: Forest Witch Edition

It can be difficult to do witchcraft and connect to nature when stuck in a supremely urban area such as a downtown of a major city where even parks are hard to come by and collecting items there could be considered vandalism. This masterpost is to help all of you stuck witches who wish to be Forest Witches, connect with the forest or use forest related magic despite your urban setting.

**(If you like what I do and enjoy my posts feel free to support me or tip me at my Ko-Fi page or IM me for direct paypal information. Every dollar is helpful!~)**

Making Your Own Sanctuary

Let’s start with the simple beginnings of turning your home a bit more foresty so you can have your own sanctuary of nature in your home. Whether this be an altar, a corner of a room or even a full room is up to you and the amount of space you have to work with. In my post here I will be referring to setting up a space that would be considered big enough to sit in for meditation and spells and altar space, if you have more room than that feel free to definitely expand it!

Simply clear out some space, make some room so you can comfortably practice without risk of knocking anything over or causing safety issues for yourself (such as when candles are burning). Now in this space it’s time to decorate it and set it up to feel like a nice little cut of forest placed in the comfort of your home.

Things to consider adding to your space: branches and leaves, acorns, pinecones, walnuts (in the shell), tablecloths/altar cloths with forest, leaf or tree prints on them, photos and art of the forest, antlers, deer/elk skulls/teeth, fur (legally obtained), feathers (legally obtained), and the colors brown, green and brown. Potted plants and moss are other wonderful ideas to keep in this space especially plants native to your state, if you are unable to keep large plants try some local herbs or moss.

If plants are still not an option for you to grow due to either just not having the skill for it or the time or just not being a good location for them for lack of sunlight or tight space, crystals and stones are always options as well. Any crystals or stones associated with earth are wonderful to use as well or ones that are either green or brown or a combination of the two. Some suggestions of crystals to keep in mind would be: Moss Agate, Green Calcite, Tiger’s Eye, Citrine, Emerald, Jet, Jasper, Peridot, Quartz, Petrified Wood, Botswana Agate, Dendritic Agate and Malachite are all wonderful stones to keep on an altar dedicated to nature and the earth.

Modernize your space a bit too if you wish, get some nice sounds of birds playing over some speakers or from your phone, set up some posters and images of nature and wildlife and add anything else that makes you think of the trees you love. It doesn’t matter what it is, all that matters is that it’s something that you find connects with your craft.

Grounding and Meditation

It is difficult to ground yourself with the forest when you are miles away from one, but it can be done inside your little forest corner/space. Cleanse yourself and your space as you see fit, light any candles or incense if you desire (make sure its not close to any cloth, paper or plants) and make it comfortable for you. Sit or lay down depending on what is best for you and your health needs, in a position that you prefer, remember this is no wrong way to set up for meditation. If you have a device near you play some sounds of wind, birds and ruffling of leaves to help you feel like you are in the forest. In each hand hold either some crystals associated to the forest or earth, some wood/sticks, a wand, rocks gathered from a forest or park or anything else that will help you feel connected to nature. Close your eyes and begin focusing the energy of your chest and stomach to spread through your body and connect yourself to the ground like roots. Imagine these roots being like that of a tree connecting you to it in the heart of a vast forest. Don’t forget to take deep breaths through your nose and release them out your mouth. Meditate as long as needed until you feel a deep connection and ready to do your craft.

Portable Forest Altars

For when you are on the go or traveling but need a bit of the forest in your pocket or bag, you can make yourself a portable forest altar. Portable altars are used by many witches who are on the go or just keep their craft secret. They are very easy to make and can be very convenient for when you need to cast a spell away from home.

First you will need a small container to carry your supplies in. Some witches prefer pocket sized things like small boxes that jewelry may come in, altoid tins or other small containers, other witches prefer journal sized ones inside boxes, plastic containers or tins. It really depends on what you will need and what you will personally be carrying it in. Whatever you choose to carry it in make sure its durable enough not to be crushed inside a purse or bag so that whatever is inside of it does not get damaged or ruined. Preferably make sure there is a way to close the container or tin you are using tightly, if needed tie it shut using ribbon or yarn to help prevent it from popping open inside your bags.

Now it’s time for the fun part of making your travel altar, selecting the items to go into it! Now depending on the size of your altar it will change what can fit into it, so feel free to play tetris a bit with what you are fitting into it. You want things to be a bit snug to prevent them bumping around and breaking but you don’t want it so tight that you can’t get anything out.

Some common things and suggestions to put into your travel altar: birthday candles, tealight(s), travel matches or lighter, crystal shards or small crystals, beads, packets of salt, packets of black pepper, dried herbs in small containers/bags, dried flowers, pine cones, acorns, leaves, branches/sticks, bark chips, tea, small sachets for on the go spells, images of animals or plants, feathers, small stones/rocks, runes and sigils written onto bark or paper, seeds and small figurines of animals or creatures.

For larger travel altars also consider adding: scissors, plastic or cloth baggies, small travel books on herbs, plants and/or trees, pocket notebook/sketchbook, pencils and pens, crystals and a portable wand.

Forest Witch Crafts, Spells and More

For this section I’m going to talk about a few at home crafts and spells that you can make and cast while in an urban setting once you have set up your space and gotten down your grounding. These crafts are all beginner friendly and can be done by entry level witches once they have gotten down grounding and centering their energy.

Forest Witch’s Ladder for Protection

You will need:

Twine

Scissors

7 Oak Branches/Sticks

2 Pine Sticks

Pine Cone

White Ribbon

Something to hang it from such as a repurposed clothing hanger or hook

Cut your twine to the lengths you desire it, though making sure all three are the same lengths. At the top tight a tight knot of your choosing, I usually use a simple square knot. Leave enough extra on one side of the knot to tie it to your hanger or hook. The rest of the twine should be long enough to allow you to work. Braid it in a simple 3 way braid before tying a tight knot, placing an oak branch below the knot (the pine are for the end) and snuggly securing it with the twine wrapping it in whatever way you feel fit. Secure it again with a knot pressed tightly below the branch and continue the braid. You may space out the branches however you like, whether they are close together or far apart. While braiding and securing branches, focus on the energy that is given off by the oak branches. Once you have secured all of the oak branches you add the pine branches until all branches have been secured into the braid. Use the bottom of your twine to begin securing the pine cone in whatever process you prefer, I am simple when it comes to my witch’s ladders so I often prefer to find a good section near the top of the pine cone and wrap my twine around it and secure it with a series of simple knots. Take your white ribbon and to close and finish your spell, tie a bow around the bottom part of the braid just above your pine cone.

Find a secure place in your bedroom or in any main room you spend most of your time in and hang it either upon the wall or on a door for protection. Every full moon it is recommended to cleanse and charge your Witch’s Ladder in the full moon’s light then rehang it in its place come morning.

Forest Poppets

These little poppets are easy to make using only a few items. Using an acorn or a pinecone for the head and if desired drawing a face to it and tying it either to some cloth, paper or sticks you can create a simple little doll for magickal workings.

Use these poppets to bring positive effects into your life. Create your doll and on some part of it write your name, initials or use a taglock such as a bit of hair tied to it. Different wood types will attract different things into your life. A few examples would be:

Apple: blessing, protection, love, inspiration

Ash: creativity, inspiration, healing, moving towards a goal

Cedar: cleansing, removing negativity, emotional healing

Cherry: attraction, sexual energies, romance, daring, courage, voice

Elder: healing, protection

Oak: leadership, strength, wisdom, abundance, fertility

Walnut: expansion, travel, knowledge, wisdom

Willow: divination, psychic awareness, secrecy, concealment, glamour, fertility, healing, empathy

Cursing using these poppets can be quite easy too. Simply select a wood type with correspondences to the opposite of what you want for that person. Such as using cherry wood to remove romance from their life instead of bringing it in. To reverse after you have made the poppet and added the persons taglock, take black thread and bind them up tightly or use tape. Then seal the poppet into a jar and fill it with nasty things like muddy water, puddle water, black pepper, rotting vegetables/plants, dirt, etc and seal it tightly. Bury it in a dark place or keep it hidden away where it is is dark such as under sinks or in closets that are rarely used. To break the curse, open the jar, remove the poppet, cut the tape/thread and then dispose of the poppet properly.

Forest Witch Bath (from my bath post)

Supplies:

Pine Needles

Pinecones

Pine essential oil (2 drops)

3 bags of green or black tea

Green sachet

Mint

Cedar Chips

Green Candles (optional- tree or plant scented ones)

Steps: Light your candles and begin filling your tub. In you sachet add 1 part cedar chips and 1 part mint. Tie it shut and add to your bath as it fills. You may then add the pine needles to float freely or you may add them in a sachet as well. Add your two drops of pine oil once the tub is half filled to ensure it is well diluted in the bath. Add your tea bags into the water, line your tub with the pinecones and get in.

Note: essential oils can be harsh on certain skins, dilute the oil with a carrier oil and test on your skin to see if it affects you. If your skin is too sensitive for pine oil omit it from the spell.

Forest Witch Teas

There are several teas made from different trees that have several health benefits and magickal properties that are wonderful for spellcasting and overall forest witchery. A few helpful examples of these teas that are easy to purchase and find are listed below.

Pine Tea

Health: Health wise, properly gathered or purchased tea of this type is extremely good for you seeing as it is a ton of vitamin C. It is commonly used a vitamin C replacement for some individuals. It also has large amounts of vitamin A (though this one should be taken smaller amounts).

Correspondences: Pine corresponds mostly with endurance, strength, rebirth, celebration, and health

Willow Bark Tea

Health: Often referred to as “nature’s aspirin” or “the natural aspirin” willow bark tea is often used as a pain reliever for people and historically has been used for centuries. It is also often used for anti-inflammatory purposes. Though it can upset sensitive stomachs.

Correspondences: Willow trees often correspond with femininity, glamours, secrecy, invisibility, healing, sleep, fertility and emotional ties

Spruce Tea

Health: Spruce trees are very high in vitamin C making them great for immune systems and often used for vitamin supplements. Spruce needles are often used to soothe sore throats and coughs when made into a tea. It is also a great source of potassium.

Correspondences: astral travel, cleansing, purification, flight, creation, transformation, shapeshifting and ancient wisdom.

Deities of the Forest

This is a huge list of deities from different religions and mythology from around the world, none of which to my knowledge are closed religions. I did not list closed religion deities due to them being closed religions or religions such as Hinduism that requires someone to be initiated into it. (If I did accidentally list any closed religions please do let me know).

Baltic

Medeina: Goddess of forests, trees and animals

Celtic

Abnoba: Goddess of forests and rivers

Artio: Bear Goddess of the wilderness

Druantia: Goddess of Trees

Sucellus: God of agriculture, forests and alcohol

Vridios: God of vegetation, rebirth and agriculture

Egyptian

Ash: God of oasis and vineyards

English

Apple Tree Man: Spirit of the oldest apple trees

Chunnmilk Penny: Guardian spirit of unripe nut thickets

Finnish

Lempo: God of wilderness and archery

Tapio: God and Ruler of forests

Mielikki: Goddess of the forest and the hunt

Germanic

Ostara: Goddess of spring

Herne the Hunter: God of forests and wild animals

Greek:

Actaeon: God of wilderness, male and wild animals and the hunt

Artemis: Goddess of the hunt, wild animals, nature, wilderness, childbirth, virginity, fertility and health

Chloris: Goddess of flowers

Hegemone: Goddess of plants

Oxylus: God of forests and moutnains

Persephone: Goddess of spring and its growth

Physis: Primeval Goddess of nature

Mesopotamian

Abu: Mino plant God

Damu: God of vegetation and rebirth

Emesh: God of vegetation

Ningikugai: Goddess of reeds and marshes

Ninsar: Goddess of plants

Ua-Ildak: Goddess of pastures and poplar trees

Norse

Joro: Goddess and personification of Earth

Fjorgyn: Goddess and personification of Earth

Skadi: Goddess of mountains, skiing, winter, archery and hunting

Vidar: god of the forest, meditation, silence and wilderness

Roman

Ceres: Goddess of plant growth

Diana: Goddess of hunt, wild animals, wilderness and the moon

Faunus: Horned god of the forest, plains and fields

Feronia: Goddess of wildlife, fertility, health and abundance

Flora: Goddess of flowers and spring bloom

Fufluns: God of plant life, happiness, health and growth

Nemestrinus: God of the forests and woods

Pilumnus: God of nature and child growth

Pomona: Goddess of fruit trees, gardens and orchards

Silvanus: Spirit and Deity of woods and fields, protector of the forests

Slavic

Berstuk: Evil God of the forest

Jarilo: God of vegetation, fertility, spring, war and harvest

Porewit: God of woods, Protector of lost adventurers and voyagers, Punisher to those who mistreat the forest and nature

Porvata: God of the woods

Siliniez: God of the woods and sacred moss

Mokosh: Goddess of nature

Other

Mother Nature

The Planet Earth

Specific Tree Spirits

Nature Itself

The Seasons

Trees, Plants and Animals

Spirits and Entities Related to the Forest:

Ajatar

Bigfoot

Dryads (of all kinds)

Elves

Leshy

Green Man

Owlman

Unicorns

Satyrs

Fauns

Ahool

Curupira

Dingonek

Mapinguari

Man-eating Trees

Manticore

Saci

Mandrake

Umdhlebi

Waldgest

Goatman

Centaur

Trolls

Imps

Fae of all sorts

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lichsent · 5 years

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CHARACTER STATISTICS

TAGGED BY : @breselin im a few days late but shhh-- TAGGING : 🤔

—— PHYSICAL STATS;

RUNNING SPEED — 6 / 10

RUNNING ENDURANCE — 7 / 10

LIFTING STRENGTH — 8 / 10

CARRYING ENDURANCE — 6 / 10

JUMPING ABILITY — 10 / 10

THROWING STRENGTH — 6 / 10

STEALTH ABILITY — 10 / 10

PAIN TOLERANCE — 10 / 10

SWIMMING SPEED — 6 / 10

SWIMMING ENDURANCE — 6 / 10

STRETCHING ABILITY — 8 / 10

DANCING ABILITY — 3 / 10

CLIMBING ABILITY — 6 / 10

TOUCH SENSITIVITY ( PLATONIC ) — 1 / 10

TOUCH SENSITIVITY ( INTIMATE ) — 4 / 10

GENERAL REFLEXES — 10 / 10

OVERALL PHYSICAL CONDITION — 7 / 10

TRIVIA — as an altmer, mannimarco’s body is considerably in a “better” condition than a man’s inherently. however, he never did bother with physically training himself more than what was necessary because, as he came from a traditional altmer family, it was not viewed as important. moreover, mannimarco was pushed to pursue the magical arts more than anything else. as such, he is not as strong as one would be if they chose to walk down the path of a warrior. altmer are naturally endowed with above average abilities, including that of strength (they are said to make fine warriors, actually.), so mannimarco is, indeed, lucky with his current stats. his status as a lich actually complicates this, mainly because his body deteriorates at a completely different level than a mortal’s would. as such, his tolerance to pain is at an all-time high, and his sensitivity to touch is considerably pitiful in comparison. the primary reason his body “recognizes” touch from an intimate standpoint is, rather, because his mind understands it to be such. as such, he has properly hardwired himself to acknowledge it as such and “taught” his body to regard it with a more... reactionary approach. basically, any of his physical skills that are above average? it’s because of his magical abilities enhancing him and/or doing most, if not all, of the work for him.

—— MENTAL STATS;

ADVANCED MATHEMATICS — 9 / 10

SIMPLE MATHEMATICS — 10 / 10

SPATIAL AWARENESS — 10 / 10

CHEMISTRY UNDERSTANDING — 10 / 10

BIOLOGICAL UNDERSTANDING — 10 / 10

NATURE SCIENCES UNDERSTANDING — 10 / 10

CREATIVE INTELLIGENCE — 7 / 10

ARTISTIC ABILITY — 5 / 10

MUSICAL PROWESS — 3 / 10

MIMICKING ABILITY ( AUDITORY ) — 10 / 10

ODD PROBLEM-SOLVING — 9 / 10

COMPREHENSION ( SPOKEN WORD ) — 10 / 10

COMPREHENSION ( WRITTEN WORD ) — 10 / 10

COMEDIC ABILITY — 3 / 10

COMEDIC TIMING — 5 / 10

OVERALL MENTAL PROWESS — 10 / 10

TRIVIA — now, here’s where mannimarco truly shines. mannimarco, under the eyes of his parents, studied practically all day and all night. he rarely retained a healthy sleep schedule, partially because of his parents’ insistence regarding his studies and partially, also, because of his own stubbornness towards taking breaks. he has always been opposed to resting, primarily due to his parents and their assertiveness regarding it being seen as “lazy”. as such, mannimarco is a natural workaholic with heavy perfectionist tendencies. this aids him very heftily in his intelligence, as he is a very fast learner and absorbs information impressively easily-- to a, perhaps, frightening point where he would only need to look at a thing once (twice if he wanted to be certain.) and recall a majority of its information/statistics/data with a confident finesse. conversely, mannimarco does somewhat poorly when it regards the arts. this is mainly due to his parents and their strict methods, but also because mannimarco never felt much interest towards it anyway. his idea of “fun” and “hobbies” differs greatly from what a “normal” person would think of it. additionally, he hardly has much time to dedicate towards such trivial matters (in his words.), because he could always be using that time to learning, observing, and anything else that would give him even the smallest advantage over the majority. what little activities mannimarco does participate could be seen as “boring” in comparison; he strongly prefers to read in his free time or, if he cannot do that, engages in discussion with those he deems as worthy-- sephiroth ( @breselin ) is almost always his first choice regarding this. mannimarco is considerably down to earth, however, and he is capable of recognizing very early on when he is being tricked. he merely goes along with this “game” because he knows he’ll survive it. essentially, he sees everyone and everything before him like they were pieces on a chessboard. where’s mannimarco in all of this? well, he’d like to consider himself as the player-- the one that controls what goes where and what conquers what.

—— EMOTIONAL STATS;

INTERPERSONAL INSTINCT — 5 / 10

INTRAPERSONAL INSTINCT — 9 / 10

EXTROVERSION — 2 / 10

MORAL COMPASS — 3 / 10

EMPATHY — 2 / 10

EXTRASENSORY ABILITY ( PSYCHIC ) — 4 / 10

EMOTIONAL ENDURANCE — 10 / 10

COPING ABILITY — 5 / 10

TENDENCY TOWARDS ABUSIVE BEHAVIOUR — 3 / 10

TENDENCY TOWARDS VICTIM BEHAVIOUR — 0 / 10

LEVEL OF DENIAL — 1 / 10

PROTECTOR COMPLEX — 7 / 10

DAMSEL COMPLEX — 0 / 10

EMOTIONAL INTIMACY ( WITH PARTNER ) — 10 / 10

EMOTIONAL INTIMACY ( WITH FRIENDS ) — 2 / 10

EMOTIONAL COMPREHENSION — 9 / 10

TENDENCY TOWARDS PANIC — 1 / 10

GENERAL EMOTIONAL STABILITY — 9 / 10

TRIVIA — mentally speaking, mannimarco is surprisingly well-adjusted considering his low empathy. he views things on a scale of grey, preferring to no longer see things as on extreme or the other. this thought process greatly annoys him, as he views it as hindering to a person’s growth. as such, he projects this idea onto himself and will not tolerate it from any angle-- including from himself, even if it were to be done subconsciously. the main “problem child”, as mannimarco would refer to it as, is his empathy. he, under most circumstances, does not bother to relate to people and views the feelings of others as unnecessary. he is very much a stereotypical “intellectual”, disregarding the emotional reactions and going with what he views as most pragmatic or, perhaps, most beneficial. this isn’t to say that he isn’t capable of empathy, though. he exhibits it more often towards sephiroth, because he is... in a way, very curious regarding him. as such, this leads to mannimarco shamelessly prodding against him but only in a way that both would deem tolerable. i wouldn’t say mannimarco is touch starved but, comparatively, does desire intimacy from sephiroth when the two of them can allow for it. due to this, mannimarco has and sees no issue in expressing himself in “softer” and “gentler” tones with sephiroth, as their relationship develops further and further. mannimarco is the type of person that has a very deep and thorough understanding about himself but hasn’t bothered to do the same with others. sephiroth is, perhaps, one of the few people he’s deemed worth the effort for. as such, mannimarco retains a somewhat obsessive perspective about it which leads back to his down to earth nature that was mentioned earlier. he’s a lot more calmer and observant, leaning more to the shadows and is very much a “people watcher” than he is an “entertainer”. when mannimarco is interested in someone, he wishes to know everything there is about them. in a way, he does find this to be a privilege-- one that, if given to him, he’d be a fool to give up. because of his disconnect from civilization and humanity as a majority, mannimarco does not bother with basic niceties within conversation. he does not see the purpose in holding his tongue or masking his opinions under countless piles of “white lies”. he strongly prefers blunt honesty so, because of this preference, his ability regarding socialization and the like falters. it definitely falls behind what would even be considered as normal for a typical altmer, meaning that mannimarco himself is a bit “abnormal” for his own race of mer. this does not affect him, however. he recognizes the common cues within conversations and will most certainly keep his mouth shut if it benefits him more than it would to argue. however, mannimarco sees honesty as a strong characteristic. this is why he only surrounds himself with a select few, yielding towards them his thoughts, his ideals, and his opinions while fully expecting a genuine yet truthful answer. he cannot and will not stand for otherwise.

#headcanons。 i did not give you permission to eavesdrop.#hi.

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isaacathom · 7 years

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So, when the dragons first reappeared, they did so in a big show of force - attacking the Sevarian Castle, home to the royal family

the royal family was very public, as is common. the king and his queen were well loved and admired, as was their eldest child, the princess Mathilda. her many younger siblings, while too young to make real character impacts, were adorable and loved. but there was a sibling of hers who seemingly avoided the public at all times. the second oldest child, the princess Sofia.

noone was sure exactly what her issue was with the public, but Sofia never left the castle. Many Sevarians didnt even know she existed, unless they thought hard about exactly how many children the king and queen had. She was quite and contemplative, and simply faded from the background. Mathilda, on the other hand, was very boisterous and confident, a hogger of attention and a genuine sweetheart.

all these children are at home in the castle, playing with each other in one of the big rooms while their mother watches over them and chats to some officials. Princess Mathilda is taken away to talk to her father, and in the course of their discussion wind up on the parapets between two of the towers, chatting in the sun. The clouds above moved fast, quite fast. When Mathilda noticed the glowing eyes and glittering fangs, it was far too late.

The dragons, arriving from the sky in groups, tore down the centre of the castle, splitting Mathilda from her father. His last clear sight of her was her screaming, the flapping of faded blue wings, and an empty, crumbling parapet.

Within the castle, little Sofia feels the rumbles and hears the screams. Interpreting it as an earthquake, and being old enough to have learnt about them, she quietly picks up her youngest brother and walks crawls under the table where her mother is sitting with the officials. as the rumbling gets worse, the Queen stands up and calls to her children, and holding their hands firmly where shes able, escorts them quickly to the safest room in the castle. and there they wait for news.

it comes slowly, at first. the Queen is denied exit to the safe room on the basis that the King cannot be found, and that in his absence her safety is paramount. News comes from chamber maids coloured white as snow, whispering gently to the Queen as she pats the heads of her children and coos gently. Sofia stands quietly at her side, looking intently at each bearer of news, barely hearing but completely understanding all the words that pass their lips. to the third maid, she asks a simple question - where was Mathilda? there was only silence and the shake of a head, but it said enough for Sofia to understand what that meant. for even as young as 8, Sofia knew her place. she was the second oldest of the royal children, and in the absence of the true heir, she was the heir.

The rumbling would eventually stop, and with in the news erupted. The queens exit from the safe room was met with screams for aid, for anything. The kids were instructed to remain in the room with a maid, but as she devoted her attention to soothing and feeding the crying toddlers, Sofia quietly slipped out into the wreckage of her home.

im losing steam and thats good fun, but the idea from here is that Sofia sneaks into the kitchen - which was ok in the attacks - and steals a bunch of sweets. and the cooks, who are busy making like, soup and shit for the people who were injured as well as like, really rudimentary potions (because you could hundred percent make potions here) either didnt notice her entry and exit or thought nothing of it given her hitherto complete obedience. actually, she probably offered to deliver some of the soup, like carry one of the trays, and the cook instead gives her a loaf of bread to carry (to accompany the soup, yknow) and directs her to where everyones kept. (like the main hall or smth)

and what Sofia does is she gives people a slice of bread and a lil lolly. she finds a couple of her cousins, whod been visiting, and she gives them extras and draws smiley faces on their band aids with a texta. in the chaos, shes noticed and told off, but never told to leave, and she continues quielty coming and going to deliver sweets and quiet smiles.

it takes far longer for concrete news about Mathilda to arise. the King is finally found, dazed and exhausted at the base of a collapsed tower, having had it collapse around him as he tried to descend, and only protecting himself from the falling debris with the magic inherent to his bloodline. hes incoherent and babbling, and quickly hidden from the sight of his emotional children and taken to the nearest hospital.

on the next day, as the media floods with the news of the dragon attack and subsequent major structural damage to Severia Castle, the King comes to and reveals Mathilda’s fate - kidnap by one of the dragons. through coordination with the castle knights, whod fired en masse at the dragons, they work out where it SHOULD be and begin to set up a troop to track it down. but until they know for certain, the kids aren’t told what they expect happened, simply that Mathilda is missing. but little quiet Sofia, with wide eyes and hushed lips, knows. she knows. and she steps up promptly.

When the Queen appears before the media to issue a statement re: the dragons sudden reappearance and attack, Sofia stands proudly at her side, her first major public appearance since she was a very small child. When the Queen finishes talking officially, the journalists press the two of them for more information on what they experience, and Sofia tells them about how she stole sweets for the injured and gives a massive grin as her mother looks on in horror and the crowd laughs. the queen laughs too, in the end, and gives Sofia a massive hug.

individual scenes dont really go much further than this, but the idea is that, with Mathilda’s death at the hands of the dragons (which is confirmed when her body is eventually recovered from the dragons lair), Sofia basically Becomes Mathilda. she emulates her deceased sister in a lot of ways in regards to her personality.

and what was fun about this, beyond general melodrama which i love, is what this means for Cecilia. see, Cecilia is the daughter of a Duchess, and has visited the castle a few times. but primarily, the royals would come to her estate for celebrations, and as such, Cecilia rarely if ever saw little quiet Sofia. its unlikely she never did, but with age, she believes that must be a younger sibling of Sofia (as Sofia does have a younger sister). and due to a delay on meetings between the royal family and Cecilia specifically due to the disaster, Cecilia doesnt see the royal children for like, 2 years. and when she meets Sofia then, shes a different person. and what Cecilia has done, with her naivety, is replaced Mathilda with Sofia in her mind, despite the fact that all of her memories of a pre 11 year old Sofia are actually Mathilda. the reason this works is not just general physical similarities, like hair and eye colours, but the fact that Mathilda hadnt hit puberty when Cecilia last saw her (she was like, 10?) and when Cecilia met Sofia proper, Sofia had, and basically looked to match. in Cecilia’s head, all that happened in that gap in time was that Sofia hit puberty. she didnt realise the age inconsistency because she didnt realise Mathilda was actually older than her, or even that Sofia was 4 years her junior. she simply had no reason to think

what it boils down to is this - Cecilia doesnt know that Mathilda and Sofia are different people. she never referred to Mathilda by name, only as ‘her highness’ or ‘her majesty’, and simply never realised the mistake she made. up until someone - probably Arianna, because Sofia doesnt know either - tells her the truth about it. in a conversation along the lines of ‘do you know all of sofia’s siblings’ ‘yea. younger bro and sis... ooh, another younger bro!’ ‘youre missing one’ ‘what’ ‘she had an older sister’ ‘WHAT’ and its kinda wild.

my idea for that is that Arianna, being as she is the daughter of a Marquis, has herself visited the castle and met the royal siblings. likely at an event relation to her families history as powerful warriors. something about veterans. whatever it was, Arianna personally met both Mathilda and Sofia, remembers them clearly as distinct entities, and clearly remembers hearing about Mathilda’s death. especially since its part of Arianna’s whole cowardice complex (smth like that). since the de la Fayes promptly fled the city following the dragon attack instead of helping people recover, blackening their once respected name. and like, the family does feel guilty about it, which is Why Arianna’s cowardice is her whole thing for her book specifically. but the point is that she knows Mathilda died because she feels like her family is responsible, even though realistically their aid would have done little except recover her body sooner.

the irony there is that Arianna is the same age if not slightly younger than Sofia, who was 8, while Cecilia was 12, and yet Cecilia had no idea about Mathilda’s death specifically. the whole naivety and coddling thing.

while all this is happening Leila was probably aware of the whole thing (being shes in the middle of Sofia and Cecilia age wise, i think, or older than Cecilia) but isnt aware that there was every any confusion. she never saw any reason to bring up Mathilda based on the simple fact that to do so would be a faux pas real bad. so Leila’s very much out of the conversation here. like, itd make sense for her to tell Cecilia about it since she and Cici are friends, but shes also not aware its a problem specifically. shes knows there is an issue with Cici’s perception of Sofia and who Sofia actually is, but she doesn’t know the source and doesn’t have the first idea of how she’d work it out, so she sticks to just cutting Cici off when she starts getting weird about it. hence it falls to Arianna to fix it, especially since shes met Sofia and Mathilda (while its not impossible for Leila to have met Mathilda or Sofia prior to Dragon Attack, its unlikely and wouldnt make a huge change) and since shes antagonistic towards Cici. like, Aria is a lot more critical of Cici’s actions, and is therefore more likely to notice whats causing it and address it, ESPECIALLY since Aria considers Sofia a good friend and she wants to help her. plus Aria adores getting an upper hand on Cici, fuels her ego real good. Sofia would never confront Cecilia about it, not just because of her general nature, but also because thats a really sensitive topic for her and has a lot to do with her personality as a whole, so bringing that up is.... yknow.... faux pas, again. hence Aria doing this 1v1 with Cici instead of bringing it up in a bigger conversation.

tl;dr Mathilda was real cool and then got totally fucked up by a dragon, and a quiet and shy Sofia promptly filled Mathilda’s role as heiress by basically emulating her sister and her mother in equal measure and just. bam. there she is! and Cecilia, for a long time, has no idea that Mathilda and Sofia are separate people, or even that Mathilda ever existed.

#story blogging #i hope this posts instead of being a dick because like this started like 2 hours ago or smth #oh 3 hours actually. ofc i aint writing non stop but like ive been chipping at it and theres a lotta shit here #notably that im just gonna shorten Cecilia to Cici and Arianna to Aria. for ease. though i think i prefer Aria as a name........ hmmmmmmmmmm #Cici defo isnt her name though. its hundo Cecilia. tho i bet Aria would call her Cici to fuck with her lmao

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