Why S2 of Tale of the Nine Tailed is better than S1 [Review]
This review is NOT spoiler-free.
If you’re watching Season 2, you’re watching it for the brothers.
Between sometimes shabby action sequences (see: multiple dangerous characters ganging up on the heroes while their burdens stand slightly towards the side, watching in horror, very much still within reach of danger, neither helping themselves nor helping the hero... What is this, an excuse for plot to happen?) and occasionally dropping the ball on characterisations (see: the strongest mountain god, well-lived and well-experienced, cunning and resourceful, shrieking helplessly for minutes of airtime in confused desperation as her lackey dances with death... What is this, filler content?) — the reason why you’re tuning into the show episode after episode is for the brothers, and how Lee Yeon’s second chance with Lee Rang explores surprising and touching sides of their persons and relationships. Is Lee Yeon anymore than a Lover/Loser Boy who’s stronger than any other creature on the planet? Yes, he is. Has Lee Rang always loved his brother through everything? Yes, he has. Their actors play off their genuine connection with one another and give this fantasy show powerful doses of real emotion when you least expect it. The show did itself a massive favor by removing their reliance on a-dime-a-dozen romance stereotypes and letting the sibling’s bond to take center-stage. Definitely an unexpected and surprising shift from Season 1′s priorities.
Other kinds of love than romance
Romance is this writing team’s weak spot. Lee Rang’s mermaid love interest Yeo-hee had an interesting characterisation going for her — she acts soft-spoken and demure in order to be attractive, but has a much rougher and pettier actual personality that is genuinely appealing to Lee Rang — but then they fumble the bag in the final episodes and reduced her to a run of the mill damsel-in-distress (literally silenced, she shows up, gets hurt, and is saved). It was an unfortunate viewing experience to see the depth of the character flattened in this manner, though to be fair, this seems to be a fatal flaw that the writing team has also afflicted onto several other characters.
It’s also strange in a meta sense, because where they miss the mark on romance the same team is somehow able to depict familial love, found family, loyalty, platonic love, unrequited love, love from a distance, ungrateful and painful love with nuances, all of which were further buoyed by the capabilities of the acting cast. Are there different writers for different characters, or...?
They fleshed out a world of living gods and myths
Without the anchor of a romantic love interest, mystery and intrigue is what drives season 2′s story. More airtime has been allocated to the lore of these god and their powers, as well as to the diverse lesser beings from the vast canon of Korea’s traditional myths. Instead of Lee Yeon winning every single fight because of his Main Character Armor, we now understand what being a mountain god entails, and how different styles of rule and abilities result in different advantages for the various top gods. Instead of, again, being the most powerful character Just Because he’s the protagonist, we also got to see him at his self-induced rock bottom. Lee Yeon gets humanized by his peers and flaws, and proves beyond a doubt that he’s what makes the show — and not his fatalistic pining for his one true love.
Planting lots of seeds for season 3
Many, many seeds were planted (runaway OG god, blinded Grandma, too much of the past with Lee Rang being changed for the future to remain the same?, heavily under-used Joseon-era genre/wardrobe/theme) for a potential third season, so to say the production team is hopeful for a new show is an understatement. The success of that definitely depends on whether the writers can remember to define their story to their strengths.
14 notes
·
View notes