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#stumbled across this wholly by accident while looking for articles about Merlin and Morgan
rushingheadlong · 2 months
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A (possibly) previously-unseen article about 1984
At least it's new to me :) Very interesting to see the band described as a "psychedelic" group, and there's some nice bits here from Brian and Tim too!
Originally printed in the 17 February 1967 issue of the Middlesex Chronicle. (Open in a new tab for better quality)
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Pop Notes by Ray Hammond
(Image caption - The 1984 pop group, left to right: Tim Staffell, Dave Dilloway, Richard Thompson, John Garnham, and Brian May.)
Futuristic group
What will pop music be like in 1984? One group who thinks it has the answer to this question is based in Twickenham and called, of course, "1984".
The group comprises vocalist Tim Staffell, who lives in Teddington, bass man Dave Dilloway, from Whitton, lead guitar Brian (Brimi) May, from Feltham, rhythmist John Garnham, from Teddington, and drummer Richard Thompson, from Hounslow. They are all 19 years old except John, who is 20.
I talked the other evening to the boys about their group, their ideas and their plans for the future. "The psychedelic music is certainly here to stay," said Tim. "It makes more of music than mere sound, it makes it a whole and complete art form."
On stage
The boys told me about their stage performances. Dave said: "We use everything in our act, including things like shaving foam, and plastic bricks that we throw around." Dave, as well as playing bass, also rigs lighting to the group's requirements to provide the "psychedelic experiences".
Although the group have been playing for over a year - is [sic] was founded first at Hampton Grammar School - the boys have only recently had enough experience and equipment to become serious semi-professionals.
Last month the group won an area semi-final at Croydon in a national talent search, and it is now awaiting news of the national winners, who will have the chance of a test recording for a major record company.
There are problems that stand in the way of success though. Four of the group are students and in consequence they have not got unlimited time and money to give to group work. Brian stated his personal ambition as being "able to play well enough to respect ourselves," and while this sentiment is echoed by the rest of the group, it was obvious that big success is the wish of most members.
The boys show their many talents on stage. Brian made his own guitar (the product is amazing. It is in many ways superior to the mass-produced instruments, and has a wiring system that Brian has built and designed). All stage electronics are handled by Dave.
New ideas are always formulating in Tim's mind, although he is keeping quiet about some which he calls "the most revolutionary."
After we had finished chatting, the boys went back to their instruments and gave vent to several numbers.
Treatments
Standards like "Heatwave," receive a very original treatment, mostly due to the sounds that Brian coaxes out of his guitar. Jazz chords and electronic sounds add feeling and nuance to numbers that are often churned out wholesale.
Using two bass drums for a fuller sound, Richard's drumming, combined with the full bass riffs and the steady work of John, provides a firm basis for experiments in sound - an opportunity which is not wasted.
Whatever does happen to pop music in 1984, I hope that the teenagers then will have the chance to hear excitement of the type that is generated by "1984", one of the most forward looking groups today.
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