#speech aside hes just generally very dramatic and i enjoy it quite a bit. its silly and also what my inner monologue feels like. so y | Explore Tumblr Posts and Blogs

lizzybeth1986 · 5 years

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Quick Thoughts on TRH Book 1, Chapter 3

• I'm hoping that if I have this chapter out early enough (doubtful, because compiling and organizing my screenshots takes time, and my drafts often don't save which means there are times I will have to replicate whole paragraphs from scratch. But fingers crossed!), I might try and do revisits of the first book. I did four of those chapters last year, and I think now - when we're looking at some of the stories told to us in Book 1 from a new lens - is a good time to explore that first book again.

• I hope the read more issue is resolved by now. It made posting quite hard the last time. In the meantime these are the tags you can block: #long post, #trh quick thoughts, #trh qts, #trh qt reblogs.

• Thanks a lot to @pixieferry for her Hana playthrough, @thefirstcourtesan for her Drake playthrough screenshots and the Abhirio YouTube channel for the Maxwell playthrough screenshots. Not much of those are up, because of lack of space to put up the pictures and the fact that this particular chapter wasn't specifically LI centric.

• Title: Your Kingdom Awaits.

Alternative Title: Tell Me What's Gestating in My Womb Today, Cordonia! A Cordonian Ruby? An Autumn Glory? A Granny Smith?

• Three chapters in and I'm getting more and more baffled by this story by the day. There's stuff I like. Some of the characters I still love. I have fun looking at the little hints, the bits of symbolism, the callbacks. I love theorizing what we'll be doing next! But all of this needs to be glued together by a coherent storyline and this just isn't it.

• Even if we push aside the gross inequalities in balance (re: character development), there's still so much that just doesn't make sense. Why is there so much rush. Why is everyone in this country (and outside) so invasive and entitled over this one noble's child? Why are we doing such insane scales of prep over a process that is in itself is so unpredictable? Why am I learning about Cordonia's allies/potential enemies in such a vague and shoddy fashion? And most of all what kind of bullshit Royal Council is this???

• But I'll elaborate on all those questions later. For now let's move on to the chapter!

• If you didn't buy the corgi in Book 2, they ask you if you'd like to buy it now at the beginning of the chapter. Possibly that may affect the entry of the second corgi in some way? Idk.

• Esther, the Queen of Cordonia is also still the queen of winging it. You'd think they'd have planned a look for her (esp given the amount of time they could spend on the train) and gotten her ready by the time they reached there, not scrambled around for an outfit the minute they reached Valtoria.

• The LI tells the MC that they're fixed an appointment with the best obstetrician they could find, and we will be going there to ask our preliminary questions plus get a check up. I was wondering if in Hana's case they would be going to a fertility specialist instead.

• In any case, Bertrand volunteers to help us with an outfit for the last time in a short while, because he's traveling to Texas to prepare for their wedding. (we're going there too, but later. I'm not looking forward to another round of Savannah-worship - possibly with an added side of Bianca-worship - no thank you).

• Bianca's ranch is called the Walker Ranch, after Jackson's last name. Why Jackson's?

• Our OOTD!

Electric blue with a gold belt and a black and white border on the neckline, accessorized with a necklace (I think it's pearls set in gold?) and a brooch pin in the shape of a crown.

I kinda like this one and knowing the way this team operates when it comes to outfits most of the time, I'm pretty sure the colour scheme was chosen on purpose. With this outfit, the MC is presenting herself in the national colours, with a tiny signifier of what her future role might be. Either as Queen or as mother of the future heir to the Crown. This is an outfit that would send a message during Liam's announcement, whether she is (symbolically) wearing that crown or not.

• I'm obviously not very comfortable with the implications that would go with that outfit (esp if she is not the Queen), but I can't deny it does its job.

• The MC can opt to go for either being poised, acting like a diva or being very casual in her approach. Whatever she does the crowd pretty much worships her.

•

So everyone except Liam has someone (media, a fan, common people) approaching them as a way of showing how famous and revered the entire group has become in Cordonia. Liam doesn't need one coz he's anyway getting his moment with his big speech in front of the Valtoria manor.

Drake - Donnie Brine from the CBC speaks to Drake, positioning him as a man of the masses, the person that the Cordonian people see as their representative. Drake is woefully unprepared and freezes, blurting out that "things are great" which probably might end up becoming a meme on Cordonian internet later. Random Cordonian Woman from Applewood saves him by confirming this statement even though her trees have yet to grow and the tax problems are pretty much making her life "not great".

Maxwell - Where are Jiro and Camellia from Applewood? I like little Marco and Valerie but I hope they're not the only kids PB is going to be showing every time they need to show children. Marco approaches Maxwell and the MC both to sign his copy of Maxwell's book, and Maxwell takes care to do a dramatic signature that will not "obscure the picture of his face". I'm giggling at that image.

Hana - Valerie approaches Hana with a handmade flower necklace, presumably with a pattern made from "the Lee family crest". Now either Lorelai's family in Cordonia have the same surname as Xinghai, or Xinghai got himself a house crest for some reason. Either way, to toss out a detail like that so casually (a family crest is something that passes down through generations, esp in noble families) without even thinking of the logistics of it...(when an entire book of yours has been dedicated to sigils and crests) is pretty lazy.

BUT. In good news this means that my longtime speculation that Hana's mother's house had flowers as part of their court of arms is correct! (I was also right about a couple other things, like Maxwell's ancestors and Liam's mother being alive when Olivia was brought to the palace. YAY! 😁)

• We now move on to Liam's public announcement. Which sounds kinda weird whichever way you look at it. A married Liam announces that he and his wife are on a mission to enjoy babymaking and a single Liam announces this:

(Screenshots from a Hana playthrough by @pixieferry)

I will translate what both Liams are saying into Cordonian:

Married Liam: We don't have an apple cinnamon bun in the oven yet, but we're definitely having fun kneading that dough nudge nudge wink wink.

Single Liam: I'm neither making apple buns nor kneading dough. I'll leave that to my friends the bun-making experts here. I'm just gonna park my butt outside the oven door along with the rest of Cordonia.

Sounds weird? You're welcome. It was meant to sound weird.

• Esther finally reunites with her corgi Joy! I wonder if at some point she'll meet up with her horse Celestia and red pandas Hansel and Gretel too xD

• Mara tells me safety checks have been done, but...it's Mara saying that, so I'm not sure I'm quite convinced. The alternative is Bastien, so...we're kinda screwed I guess.

• The group then discusses the future foetus, and Liam takes this opportunity to hint at their childhood history. You know what that means? DIAMOND SCENE!!

•

(Screenshots for Asian Liam from my playthrough, Black Liam from @pixieferry and White Liam from @thefirstcourtesan)

LOOK AT THE WEE LITTLE KIDDIES AND LIAM'S MOM OMG AAAAAA.

As far as I can tell, among the kids the sprites for all three Liams and Drake are very much new, and the rest come from variations and changes to different faces. Maxwell's face is a copy of Simon from THoBM (only the mouth is slightly different), Hana's has a lot of similarities to young Kenna in TCaTF, but with pigtails instead of tiny buns. Olivia's is a little harder to place but I think there are plenty similarities between hers and RoE Camellia's face. For Queen Eleanor they used Young Mary's (MC's mother) sprite from D&D in accordance to whichever Liam you chose. Perhaps the only Mary sprite not used here would be the brown/Indian one, because Liam's ethnicities mainly feature White, Black and Asian. She even wears Mary's opera outfit (that incidentally Mary also ended up wearing to her wedding lol).

• Somehow they forgot that Maxwell was supposed to be a cute chubby little hippo who was loved by his mother.

• I'd like for Black Liam to grow more hair on his head because the curls on his younger self are lovely 😍

• Since most of the childhood tales revolve around the experience of growing up in the palace, this build up to the diamond scene begins with the MC asking questions about each of the boys (Liam, Drake, Maxwell).

- Little Liam and His Crown: Liam claims he only wore those during state occasions, but Maxwell (who admittedly didn't see Liam as much as Drake did but saw him often nonetheless) saw him practically sleep in the thing, and Drake has pictures to prove it lol.

- Grumpy Drake: Maxwell and Liam agree on Drake becoming grumpier as he grew older, but disagree on what metaphors to use to describe it. Maxwell favours "scratchy bark on a secretly loveable tree", and Liam claims he is "whiskey maturing in its barrell". ("oh", I want to ask Drake, "so that's what they call 'old grain mash' these days?" 🤣 This is my revenge for him referring to wine as old grape juice back in Book 2). No prizes for guessing which metaphor Drake liked better.

- Banning Maxwell from Palace Rooms: Maxwell's lucky he has a king for a friend because apparently before Liam jokingly and unwisely decided to give the man a royal pardon Maxwell was banned from all the good rooms 😅

• Hana clearly hasn't lost her touch when it comes to epic savagery. "I imagined you guys like the Three Musketeers, only...less French". 😅😅

• This diamond scene is split into three parts. You have the fun 'adventures' of the little boys (and later Olivia) at the palace, split in between by a slightly more sombre tale of little Hana's loneliness. The narrative voice in all three is very much that of a child, and focuses on Liam's and Hana's imaginations, so as to make their childhood stories more real to us while still providing us background information about the country's recent history (the "recent history" bit doesn't apply to Hana, though, since she is in China at the time).

- Pirate Adventures at The Palace Courtyard: Liam, Drake and Maxwell pretend to be pirate kings, battling rivals on the palace courtyard. After rescuing Maxwell from being stuck on the branches of a tree, the trio decide to continue their adventures on the gardens that are his mother's brainchild, but are stopped by a palace guard. Liam is briefly saddened by this, but is comforted by Drake and Maxwell. The boys then decide to continue playing in the palace kitchens. This scene begins by focusing on the antics of the little ones, but is really about the changed atmosphere in the palace that the boys themselves were too young to notice at the time.

(We also find out which place in TCaTF the Beaumonts originated from, since young Maxwell refers to himself as a pirate from Panrion in both scenes that he is in *cue Lizzy looking very very smug because I've been saying the Beaumonts were from Panrion/someplace in Ebrimel since way back in Book 2*)

The MC has options to respond to this tale (either about whether they were always this naughty, or about the increased security in the palace). In response to her question about the three of them, the boys tell us that Liam was known for being a free spirit and would skip many diplomacy meetings before he even met the other two (again, Constantine, Liam was A CHILD). If you ask the question they want you to be asking, however, about the increased security in the palace, Drake and Maxwell will tell you the security wasn't as strict earlier, and Liam will explain that the royal family had recently received threats at the time, and his parents were a lot more tense and on-edge than usual. Either way, you either get to know a bit about the political atmosphere at the time, or realize that little Liam wasn't the heavily burdened one we met on that first night in New York.

- Pretend-Teatime with a Young Hana: Hana continues on this thread of conversation by focusing on the bond between the boys, commenting on how she never grew up with that kind of experience. To which Drake and Maxwell have these reactions:

@Drake, pls fall on a cactus.

@Maxwell. Honey. She said this to you yesterday. She's probably said this more than once. You've seen her parents!! Wtf kind of friend are you if you can't even take what she said seriously the first time?

@Hana pls get yourself better friends 😭

Like @callmetippytumbles said in her response to this scene, I have no patience for this kind of selective stupidity.

So Hana's scene is technically a call-back to something she once told the MC back in Book 1 Chapter 6, when they were on their way to the post-Derby tea party with Queen Regina. At the time, Hana spoke of her parents not allowing her toys because they thought them frivolous, and how she had to make do with whatever was lying around instead. We actually see this happen in reality here. We see her PoV of what her inanimate objects do, we see her practicing court etiquette on these objects with her tea set, and we see her leave space for her asshole mother even though Lorelai doesn't deserve that much respect or consideration. There is a lot to unpack in this scene and I want to do that in my General Thoughts section later on...but for now I'll just say that it broke my heart, and not just in an "oh poor Hana" way.

- The Attack from Lythikos: I love this sequence too, not only because it shows us Olivia, a younger Constantine and Liam's mother Eleanor, but because the narrative framing in itself alludes to what happened between Lythikos and the Capitol earlier through the pirate story. Liam and Olivia still speak in the language of their story, but the sequence actually plays out what happens in their real lives. Olivia attacks the pirates, but is left desolate, sword broken, at the end of it (just like her parents tried to, and died in the process - leaving an innocent Olivia alone without support). Liam offers her terms that would give her safety and protection, and in return, she asks to be Pirate Queen and for Drake's sword - which he reluctantly gives.

Constantine mistrusts Olivia and attempts to limit her natural abilities and instincts, but it is Liam's empathy, support and validation of her pain, that eventually makes her the steadfast ally that she becomes as an adult - not Constantine's paranoia. Had Liam followed Constantine's lead, the chances of Olivia falling into the trap of subscribing to her aunt's beliefs would have been much much higher, and Constantine would have found himself at the receiving end of a self-fulfilling prophecy. The narrative may also be implying how deep Eleanor's own impact on her son must be, long after her death, since the narrative frames him as adopting her way of dealing with situations often.

In any case the narrative allows us to see the children as they were before their individual tragedies changed them (except in Olivia's and Hana's cases - where they were still struggling to survive the situations they were in), and allows us to see what shaped them into the adults they are today.

The MC then gets to ask one of two questions: either why Constantine treated Olivia so badly, or about the arguments his parents were having. We learn from these that this incident was shortly after Liam became friends with her and his parents brought her to the palace (this references both Liam's conversation about Olivia to the MC in Book 1 Chapter 7, and Lucretia's complaints about Constantine "keeping Olivia hostage" in her diamond scene in Book 3).

• Possibly this may not be the only scene of its kind we will see. Possibly the next few may be Drake-centric, since we may actually meet Bianca in a few chapters. But these scenes may definitely have an impact on dialogue later, just like how learning of the assassination attempt in Drake's Italian Restaurant Scene and Eleanor's death in Liam's Fydelia Balcony Scene in Book 2 are referred to later (if bought) in the hospital scene with Constantine.

• In any case, we leave the past in the past (for now), and move towards Valtoria's throne room. Where we meet Penelope, just back from her first canine fashion show, Kiara who tells us she has everything kept under control (you always do boo 😍) and Madeleine who is all up our uterus.

• She mentions King Bradshaw from Auvernal and his "impossible to control" wife, then mentions a Queen Amalas immediately after without bothering to tell us where this person is from. WTF? At least tell me the name of her goddamn country if she's another person!! You'd just have to say Queen Amalas of ChickenFeetonia and I would understand.

• ...you're telling me the Queen of this country (in my playthrough) has barely looked at a map of the place she's ruling or checked out who rules what?? You're telling me that the Royal Communications Director is STILL going to give her a gazillion flash cards to read something that she could sum up in five minutes, at the very last minute? Bitch what have you been doing this entire time? Touching up your manicure??

•

@Penelope: No you're not.

@Kiara: STOP ENABLING HER, KIKI, AND GET YOURSELF BETTER FRIENDS.

@Madeleine: Pls fall on a cactus.

• Madeleine hasn't been here for even five minutes and already I've had enough of her entitled ass. "Little apple gestating in your womb"...just...I can't. Ugh. Get your nosy nose out of my oven!!

• Remember how I told you guys about how apple analogies may be used to denote fertility? (mostly because RoE spoke of this apple cutting ceremony and it was a very obvious indicator towards apple metaphors being used to describe pregnancy and childbirth).

• I facepalmed when Kiara agreed with her but she's also probably thinking "well see this is why they call me the smart courtier. I don't have to deal with this shit anymore and now you do" (she isn't wrong).

• WELL HELLO OLIVIA.

• She informs us that we're expected at the solarium. I have a solarium?

• Apparently it was Mara's honeymoon gift to us. More like her "sorry Bastien and I screwed up last book" gift, I'd say.

• So wait where was this roster Liam was speaking about in the last book's epilogue? I see one Cordonian noble and one Englishman who until my wedding wanted to have nothing to do with Cordonia, and who's now bleating "our country, our kingdom, we're under attack" like a panicking patriotic nanny goat.

• Why can I not see Emmeline here, who is clearly the expert on her duchy? (I mean like. Landon is nice, but I'd really like to see more women in this Council too). Also does Kiara's inclusion into the Council cancel out the presence of her father Hakim, who is a seasoned diplomat and might possibly have some really good suggestions for dealing with these foreign powers (and seriously he'd be a better option than Godfrey anyway).

• Now Esther has a suggestion! Let's see what it is...

• A royal ball, apparently. Which...given the company, I'm sure it probably would be appropriate but I'm pretty sure we'll need to have more than that in place. I'm pretty sure the people in this council should either be finding out whether the person making these suggestions knows anything about these issues or whether she is simply talking out of her ass. This was a problem last book as well. The MC rarely feels the need on her own to explore these situations more, is okay with just learning things last minute and rolling with it and has the same solution to everything. It's either tours or balls but very little actual exploration of the situation. (I mean there is even a point where she barely shows any empathy at Portavira - even though they're still reeling from a bunch of natural calamities - and thinks it's appropriate to tell them to come for her wedding anyway. No wonder Liam panicked and started giving her diplomacy lessons, stat!) I'd actually take the MC seriously if she were doing her research and her suggestions weren't so shallow and one-note.

• Hana is grinning and giving justifications like this suggestion makes sense. STOP. ENABLING. HER. HANA.

• I especially want to know what Liam's experiences with these dignitaries have been. Both last chapter and this one, I'm seeing him in a position where he is defiant and digging his heels into whatever ideas he is having, but I don't know the context yet and would like to make sense of that. From whatever I've read so far...Liam took the year following Leo's abdication to familiarize himself with taking the front seat in negotiations, and probably may have been familiar with this kind of situation and the kind of people involved even before he became Crown Prince. It makes me wonder how difficult negotiating with them has been, and I want to see why Liam is so done with these people, so fed up. We're missing some context here and I think learning at least a little more than these scraps would have been better for everyone.

• I like that they remember Kiara as the only one outside of the charmed six to get a seat in this council (Kiki deserves the best). I also liked how succintly she summed up Drake and Hana's points about what the heightened taxes are doing to the people as "a reminder that we're not just here for ourselves".

• I find the entire idea of Drake Walker being the sole commoner representative in the Council laughable, especially in a narrative where every other commoner barely has a face, hardly has a name, and almost never has a voice. A man who has spent a huge chunk of his life in a palace, and who I've hardly seen even interacting with a commoner in the story...I'm expected to believe he will have great insights on commoner issues?? Even in this meeting, it's Hana who does a better job explaining this situation (she's the one highlighting the tax issues) than he does. Then again this Council also somehow gave a seat to Duke Karlington - a man who literally never had Cordonia's best interests in mind last book, and who only ended up attending our wedding because we had to be brought in as family counselors to settle HIS family disputes (I mean lol Godfrey how can you call this wedding a disaster when it caused you to magically become so "patriotic"!)

For God's sake, I want to see other commoners on this council. I want people who are actually living these experiences highlighting their issues. This is an issue I have with the MC too. She started out a commoner herself a waitress who wouldn't even flinch at the sight of rats in a dumpster. For someone of that background and who has possibly lived under the worse circumstances than some Cordinians themselves, you'd think that she'd have questions and show interest in how the people who aren't owning lands and are regular individuals on the street live their lives, and whether things are okay for them. But she's so immersed in the world of nobility that she rarely ever even tries to come out.

• Before Liam takes into account everyone's points and comes to a conclusion, the MC has the opportunity to give them her opinion. She can either say that we can't trust anyone, which Godfrey agrees with, or that an alliance would be good for Cordonia, which Godfrey views as naive, OR (and I didn't expect to like this response but I actually do) that she's a waitress from the States, and wouldn't know all that much about this situation. To which there isn't much of a reaction as such, but that's kind of what seems different about this book compared to the others.

• Once the meeting is wrapped up, our LI and Maxwell/Hana whisper in a corner about a surprise they have in store, and take us upstairs to show us what it is. If you're marrying any of the other three, Maxwell is the one who has arranged and picked out themes and colour schemes for the nursery. If you're married to Maxwell, Hana takes over this role.

• Ooooh. New (I think!) baby music! Nice. Very lullaby-like.

• Every design has these basic components:

a crib with a pillow (which I think will be updated later)

a couch nearby, likely for comfort when the mother wants to breastfeed (the updated versions seem to have a footrest)

a table with a lamp

three empty frames (also to be updated. I'm guessing for one of those "my first hand/foot impression" kind of thing and maybe even photoshoots etc)

a ceiling lamp/chandelier

a hook, also on the ceiling.

The two updated versions have footrests, updated lamps and ceiling decorations, additional carpet and customized designs (except for the crib and the pictures and the hook, which I think will be updated later). The Royal Glam theme is all reds and golds, very luxurious and very Valtoria. The Fairytale Forest theme has more whimsy, with bears, foxes, leaves, flowers and apples on the wallpaper, wood paneling, a beautiful golden lamp. Very pretty. Both seem to reference the MC's journey in TRR: her being either a Royal and the closest thing to one, and her journey being very fairytale-like (remember, the same logic was used for Hana's "something blue" gift for the MC's - where she views her as Cinderella).

• Only problem is...who exactly buys a nursery before they have a baby! Especially considering how unpredictable pregnancy and childbirth can be.

• We now meet Dr Ramirez for an appointment. I'm not sure about her suggestion that prenatal vitamins etc they will deal with after she has conceived. I know a number of people who did pre-pregnancy appointments and vitamins and folic acid were on the top of the list of things they'd start a routine with.

• As expected, all the appointments go roughly the same, with the usual answers to the usual questions (one about sushi, another about morning sickness and a last one about potential complications). The MC and LI are in the clear, and can start preparing - but apparently shouldn't stress. LMAO. Thank you doctor, I'm sure that will be easy to do in this country 😂

• Hana's goes differently, and it's clear this doctor's visit was primarily written to address her situation with the MC. The tests go differently, the suggestions given to them are different, the questions the MC asks (one about choosing donors, when they should start, and who should carry the child). The bombshell that immediately follows this is:

Wow. Seriously. Wow. You couldn't find a more temporary reason for why the MC has to be the one conceiving? It has to be something that would make her overall ability to conceive almost impossible?? (and this we find after one test? No follow ups?) I recall someone putting up/reblogging these screenshots with a caption about how the narrative pretty much took Hana's entire ability to conceive from her, and it's so true - and so disturbing when you place it in the context of how they've dealt with her issues so far (more on this later).

• In Hana's playthrough, she struggles with implications of this news, but constantly tries to veer the focus back to "well at least one of us can is able to have this baby". Twice, she is shown moving away from her pain to ask about the other possibilities for the MC.

• Anyway...we now move to the next morning, when the couple wake up to bad news - and it's concerning the pictures taken during their honeymoon. Given that Maxwell/Hana is holding a magazine when they tell the MC they found out who was responsible...I wonder if it's one of our news outlets. Or whether it's a foreign media rep.

• So I guess this complicates things at our Ball, since we're already on thin ice and this news would have spread to those other dignitaries as well. So we're going to have to deal with whatever implications come with those pictures (perhaps a spin on the royal gang having fun while Cordonia is in a national crisis? Who knows. It would be hypocritical of Cordonians and people from other neighbouring countries to judge the couple over the babymaking that they themselves were enforcing on these two!)

• In any case...royal ball this week. And in the universe of PB's stories that usually means some shit will go down.

General Thoughts and Observations:

• The funny thing about the MC's responses now is that her heightened position now seems to allow her to get away with a lot more than she used to. Now if she gives a joke response, the media and people laugh with her rather than at her. If she is a diva, the crowd will lap it up. I'm guessing what the book is trying to imply is that these are the people she has won over and doesn't exactly need to worry about, and now the ones she will have to convince are from other, more powerful countries - ready to back Cordonia into a corner anytime.

• As you can tell by now, I absolutely loved the childhood sequences. They sounded like children, most of the narrative lines up with what was already said in the previous series, and there were some interesting narrative devices used here.

• I think the third sequence especially drives home the point about what Liam did right, even as a young boy, and what Constantine refusing to look past Olivia's lineage to see her as an individual could have cost him. Constantine's ruthlessness and lack of genuine care for his bonds/friendships (eg. Hakim) had him in a position where he was unable to relate to anyone beyond his own tiny bubble (even his own wife Regina was taking countermeasures to make the best of his horrid plan), and had him make decisions that did more harm than good. For instance, take what he did to the MC, for no fault of her own other than that he didn't think she'd be a good Queen. Not only was what he did utterly disgusting, but it also would have made his own family a subject of shame in the country (which is why Constantine practically begs her never to expose him, because then Liam would be paying the price). Imagine what would have happened if Constantine didn't agree with Liam and perhaps Eleanor, never brought Olivia to the palace, and Liam had never shown her his constant support. Liam's genuine empathy in this case pretty much ensured the safety of his own line.

• I also love the implications of that sequence. Constantine is so wrapped up in his fear that he tries to break what Olivia considers most precious (Zenobia the sword in this case, but this could allude to her parents' deaths and later, her possible marriage to Liam at his Coronation). Liam attempts to fill that gap by taking her in, caring for her, and giving her the tools to continue being the Lythikos fighter she has always been.

• There are a few TCaTF references in the palace scenes: Maxwell mentions Panrion twice, and Olivia calls her sword "Zenobia" in honour of her historical hero (she still speaks of Zenobia with something akin to worship during the Winter Festival in Lythikos).

• Olivia's dress is also modelled on Zenobia's, with the same colour and bodice embroidery. In fact most of the clothes are very similar to their adult garments: Drake still wears denim, Maxwell favours dark colours (still should have been chubby though), Liam's clothes are similar to his casual wear minus the ascot, and Hana wears pink, with flower designs on the skirt.

• What I like most are the narrative voices for both Liam and Hana, who are the ones narrating these stories, and how rooted in their imaginations the scenes themselves sound. But there are significant, heartbreaking differences in how we see their imaginations play out:

Here are a few samples of narration I've managed to save from Liam's PoV. Notice how Liam and his friends are so into their little game that they find adventure in everything? Notice the language they use to describe themselves and what they are doing? Once-defiant topiaries shaking in fear at their antics. "Liberating" chocolate tarts. "Conquering" the upper floors. These boys are playing out their dreams and showing us the kind of men they would want to be. The heroes. The victors. The ones everyone looks at with awe and reverence.

This is also not a story Liam is creating alone. Drake and Maxwell happily join in, sink into their characters and display their heroics alongside him. Olivia also joins in and holds her own, and when Liam's father tries to break her spirit, Olivia shows Liam her trust and faith in him by using the language of the game.

On the other hand, here is what the narration technique in Hana's tea scene looks like:

There is a lot to unpack here. A lot. There is perhaps more in this one scene of Hana's than there is in all of Book 3, where she was pretty much pushed to the sidelines.

We were told in Book 1 that Hana had to get creative because she wasn't allowed toys. This was told to us in a rather matter-of-fact way, by a person who was normalized in this way of life and who hadn't yet realized just wrong her upbringing was or how damaged her self of self was. It's perhaps easy to forget this bit of dialogue if you were reading it for the first time because at the end of the day it's spoken of without much gravity.

It's when you see it play out in front of you, in little Hana's voice, from an adult Hana who will now view this entire sequence very, very differently, that the tragedy of it all really hits you. At such a young age she is forced to make do with the little she has: the little she has in terms of things to play with, the little she has in terms of relationships. What the MC says after that sequence is half-right, it's sweet how Hana used her imagination in spite of her parents' rules and strict lifestyle. But what that misses is the burden experiences like that would place on a child in her earliest, more formative years. What stand out to me the most in this sequence are these:

- The most obvious: the use of a 'tea party' to teach herself etiquette and diplomacy. In the present, Hana tells the group that "a lot of what I learned about courtly negotiations, I learned from the tea table". This is the level Hana chooses to focus on after telling her tale, to soften the blow of the story itself.

- The fact that despite her mother's treatment of her, Hana still leaves space for Lorelai. Still wants to believe the best of her, still wants her involved in her life. Lorelai denies her her support and comfort, which is the initial layer to her injustices against Hana. In a lot of ways, even now - Hana is still leaving space for Lorelai, giving her chances to improve, trying to educate her on respecting her boundaries better. It's a long, exhausting process, and Lorelai doesn't deserve the many chances Hana keeps giving her, but Hana is also a person who struggles to completely cut off from the people in her life, controlling and emotionally abusive though they may be.

- At the end of the day, the objects she is giving a life and a personality to, are inanimate objects used for other purposes. Not toys, not real friends. Every last one of them. Miss Doily is kind and caring, Princess Sinckerdoodle is jealous and gives a damn about etiquette (I like how you can see allusions there to Olivia and the MC in the Bakery Ball dialogue!). But they're essentially all objects that cannot move the way her narration describes them as moving. Even dolls and toys, inanimate though they are, are made for the express purpose of allowing a child to participate in pretend play. They can be given a voice, their limbs can be moved, the child can easily turn such a space into an active space with the use of her toys. The doily, the napkin, the sock...these are things Hana will have very little actual control over. They will not be able to move the way she wants them to, do the things she wants them to. Everything has to be happening in her head and there is very little outlet for her other than the few things she has at hand (a similar example of of Hana using scraps we will also find in Book 2, where she draws whiskers on a rock to replicate a toy mouse).

Look again, at the differences in the way Liam narrates his tale and how Hana narrates hers. Liam's is also a fantasy, also uses inanimate objects. But supporting him in building this imaginary universe are his friends, and the parents who both don't stop him from immersing himself in this imaginary world, and have a safe normal (for now) life to return to when those "adventures" are over. On the other hand, Hana has to do the heavy work...in every way. She has to imagine not only the background of what is happening, but also what the objects in front of her are like, what they will do, how they will interact with her, how they will interact with each other.

If I had to replicate such a scene into film, the loneliness of this sequence would perhaps hit harder. A large, empty room. A tiny girl. A tea set and several strange items - and none of them actually move. She is sitting alone, in the dim light, in the silence, talking to these objects that will never respond so she pretends they do, just to chase away that yawning, aching feeling of not having a single friend. All she gets in return is silence. All she finds in front of her is space, and more space. The kind of space that could swallow a child in its emptiness.

And in the center, is a seat left empty. For a mother who doesn't believe her daughter is worth the time.

I think there will be very few who will appreciate the strength it takes to survive a lifetime of that, and that's sad.

• The little Hana sequence reminds me of the animated film Cinderella, particularly in how the main character uses dreams and imagination as an escape from her life of drudgery and the abuse she faces daily. Particularly the song "Sing Sweet Nightingale", where Cinderella's dull world bursts into vivid colour through the soap bubbles that emerge from the washing bucket.

It's a beautiful, soft, almost surreal little sequence...but when you strip it all down to its basics, what you're essentially seeing is a woman so abused by her family and so trapped in this life she does not deserve, that she has to grasp at straws to find joy. Or in this case, soap bubbles.

What Hana faces in her home is perhaps a little more similar to Rapunzel's situation in Tangled than Cinderella's, but there are definite similarities in the way both characters use their imaginations to soothe and comfort themselves. She is forced into a situation where her imagination - and these things that can't respond to her - are all she has, and the only ways she can keep herself safe and happy. That's way too big a burden for a child so young to bear.

• I wonder if there will be more than the memories. Perhaps documents, news clippings, research material that the MC can use to dig further into what's going on in this country. It's possible, but it's also possible that memories will entirely be how we unravel this mess. I was speaking to @thefirstcourtesan the other day and she mentioned that Bianca and Bastien would both be pretty good sources for finding out more - Bastien, after all, had a lot of respect for the second queen and was close to Jackson, and Bianca would have heard certain things from her husband or witnessed something at the very least (and if they were friends, that angle too). I probably would add Lucretia and maybe Anton (if we see them and if they cooperate), Bertrand or someone new who knew Bartamely (if we can find out more about the Beaumont house that would be lovely!), the Lees, and...Francesco? (I still haven't forgotten that Bertrand mentioned him as being a friend of Liam's mother). I also want to see what new information Olivia got from the last time she did her research on any hidden deals or laws that could endanger the kingdom. There are quite a few possibilities in terms of what we could find and how it can be presented, so I'm looking forward to that. This scene was a good start.

• Having said that, this was something they should have been addressing the previous book. If they hadn't spent so much of their focus on all the wrong things, we wouldn't have as much ground to cover as we do now. And I'm not sure they've learned their lesson enough that we will not see the same mistakes repeated this time.

• Why is the system in place to inform and update the MC on what's happening so poor this time. At least earlier, we'd have a fairly good idea of what would be happening next, even if some important stuff was done last minute. Now the explanations themselves are poorly formed and done without proper thought on whether the MC/readers might understand what's going on or not. It doesn't look good on the story, nor does it look good on those characters esp the MC. This is stuff she could have maybe gotten away with as a suitor. But now she is Duchess/Queen, and an influential figure. What looked good in her days as a suitor won't look so good on her now.

• The Royal Council could be a way forward - for the nobility and royalty-heavy narrative to something that shows us more perspectives from the people who really form the backbone of this country - the commoners who actually populate Cordonia's lands and duchies, whose hard work likely keeps the economy running. Just one Drake isn't adequate for that kind of representation - not when he very rarely addresses their issues in the first place. Please tell me there will be more in that Council because the Council as it stands is in no way an improvement on the status quo.

• I've said more than enough about how bizarre and downright OOC Liam sounds, but I do think we should not ignore the context - the fact that every single individual involved is making these demands of the MC and expecting her to save their country through her child without really checking if she has basic knowledge or other resources in place (such as information about the rulers she is meeting). That includes the LIs. It's very easy to make just a character or two a convenient scapegoat, but let's not forget that there isn't a single person in this entire narrative that is bothering to examine the implications. Not a single.

• What really got me angry...was the Hana doctor sequence. Maybe two books ago it would have just hurt - but more on the level of "it hurts to see Hana like this but I have hope for her". Hope that she would have the space to grieve something she had lost before she could ever even have it, hope that the narrative would validate her pain and encourage her healing. But I can't even hope for that anymore.

This is a very very painful, complicated situation to put a person in. And yes, sometimes those are things you want to talk about and finding out you can't have children when you've always wanted to have them is a very real, very difficult situation - and there is a lot you can explore in terms of how a person with these conditions would feel. But the thing is...Hana has already been on the receiving end of multiple tragic storylines. I have already seen enough and more of her in pain. What I'm not seeing is a good - or even adequate - payoff that validates her painful journey and allows for a release of those emotions. I'm constantly seeing more tragedy, less triumph. I'm not seeing enough satisfactory resolution to those many many issues, and I've spent three books just watching her hurt be brushed aside both by the people who bully her AND the people who are supposed to be her friends (let's be real, they're doing it even now). And now is supposed to be a good time to pile up another difficult situation on her???

• Whenever Hana has been forced into situations that hurt her, her emotions and thoughts have always been pushed to the sidelines - unless and until it was to elevate the MC to a pedestal in Hana's eyes. Hana has rarely - if ever - been given the space to speak out against injustices done to her, has rarely been allowed to have an opinion on people who have harmed her.

When the narrative should have been validating what Madeleine put Hana through, they opted to create sympathy for Madeleine instead...and had her completely minimize what she did to Hana ("I'm sure Hana will be willing to let bygones be bygones").

When the narrative should have been allowing her to discover what her sexuality was, they opted not to talk about it at all. They opted to make her MC-sexual instead. Even with the "alternative LI" they planned for her (*pukes*), they focused more on Madeleine's feelings than Hana's.

When the narrative should have allowed her the space to explore what her parents did wrong and arm her against their faulty arguments about her being the "delicate flower" who cannot survive without them, the writers opted to push her into a 'solution' that was still centered around her usefulness, not her emotional state. Her 'happy ending' with her parents involves constantly educating them on how to treat her with respect, a suffocating, draining process for a child with her background.

When the narrative should have - at least - given her a good wedding, after showing us what dreams she had for it, a wedding where she was treated like a bride, not a bridesmaid, her writers did exactly the opposite. She is more skilled than the MC yet it is the MC that gets the duchy. She is the creative one who comes up with the polo moves yet it is the MC that gets the credit. She is the one that didn't have a chance to fully plan her own wedding the way she wanted earlier, yet the same MC still treats her like her wedding planner rather than a bride. In not one of these situations is she ever allowed to vent about or even speak of what this is doing to her.

Maybe they will give her a chance to explore this difficult journey, maybe they won't. But how dare they push another tragic, difficult (to her) truth such as this, when they have barely allowed her to voice discontent or pain on a host of other issues!

Piling more pain on top of the pain a character already has, isn't going to make your character better developed. Allowing them the space to feel and show those feelings to others will. Thinking of worthy resolutions to those issues, will. If you want to be fair to Hana, center her in her story. Expand on her origins. Focus on story not skills. And validate her pain goddammit!!

• Sigh. Until next time, folks.

#long post #the royal heir #trh quick thoughts #trh qts #king liam #hana lee #maxwell beaumont #drake walker #olivia nevrakis #trr kiara #trr penelope #trr madeleine #bertrand beaumont

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gaygwenpool · 5 years

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*slams fists on table* MYSTELEON

I knew you wouldnt disappoint! :D tho you already know most of these lmaoo lotsa credit to @herbofoo anyway, i dont remember which of these you came up with but Patchwork wouldnt be the same without your Good Good Content! (And of course thanks for all your patience as i cry about comics lmao)

I’ve lost all shame long since ive started shipping them so brace yourself for the self-indulgent cheese that is Chameleon/Mysterio in my Patchwork verse. (its reallly. really Melodramatic. i gave up all pretense.. also under the cut cuz its long..)

ask meme

Who cooks:

Mysterio! Although Chameleon is objectively The Superior Cook thanks to the long years of being a servant to picky russian nobility BUT exactly because of that, he really doesnt enjoy it, even less when cooking for others and not just himself. So it is usually Beck who prepares meals (that are not bad either, they are just simpler) but as often as they can, they eat out. That said, Cham is very well aware Quentin loves his cooking so sometimes, he makes them something. (Being sick isnt so bad when it means Chammy bringin you a big bowl of hot borscht :)

On the other hand, Cham has quite a sweet tooth which Q notices Fast and decides to learn how to bake. It took more effort and failed tries than it could have, mostly because he got cocky, how hard could this be and just. kept forgetting he put stuff in the oven.. But now he makes quite delicious cookies n cakes which make Dmitri almost tear up because tasty + Quentin baked something Specifically for him??

Who does the laundry and other chores:

Mysterio’s laundry is usually booby trapped so he has to clean it himself and he doesnt even let Cham near it. And he keeps forgetting gadgets in his civvies. Not to mention that again, for the same servant reason, Cham really doesnt enjoy house chores in general, so he usually just gets his own clothes cleaned somewhere else (especially since his fancy suits and even fancier gowns are the highest quality and delicate materials, he doesnt even Know how to clean them..)

As for the rest of the chores, its pretty balanced, although Cham has more of an eye for things that needs to be cleaned up (and Beck already has cooking duties) so he does a tad more.

How many children do they have + Any pets:

In my Patchwork universe there’s a whole Thing about Leon, the Chameleon of the Ultimate universe but I’ve tried to type up a short summary and failed, it’s a long story lmao ^^;; and anyway he isnt exactly their kid, he is just much younger than them and they ended up sorta mentoring him.

However, they have Celavi, the escaped ex-spy beluga.(Yes, it started as a joke based on this post that accidentally grew more and more serious until @herbofoo and me were too attached to let it go) She counts pretty much as their adopted daughter that they both spoil to hell and back, I mean no surprise, she saved Cham’s life once and sometimes, she helps out with heists. (Mostly for the show, you should have SEEN the look on Spider’s face when a beluga splashed him. He is used to humanoid sharks, to Hydroman.. not like. real life beluga that LAUGHS at him) Beck’s voice: “Dont you dare to insult her, SHE IS PERFECT AND FLAWLESS and A GOODNESS INCARNATE!! -she is literally a deserted russian spy that was trained to gather everything that could be used to harm USA-yea, i have a soft spot for those ;)“

She was always surprisingly clever so she never really counted as a “pet” and at one point, she even bonds with a symbiote (together they are Vague, again long story ah ha). They dont talk but have quite some range of vocalisations so communication isnt a problem.

Who’s more dominant:

They both have pretty dominant strong personalities (ok chameleon’s a bit more complicated with that but like.) with big egos who dont like others questioning their superiority. (Of course not at the level of like Doc Ock etc, they are surprisingly flexible and good team players that can be willing to let someone else take the spotlight if they are Nice) But the whole point of their relationship is that neither of them is dominant over the other, they get enough of that literally everywhere else. It’s very reassuring to be so sure that they are on equal footing, cooperating, no hidden nooses around their neck. Especially in their line of work of course!

(Also, for the other interpretation of this question: anythin remotely sexual happens Pretty Late in the story and both of them are somewhere on the ace spectrum so it doesnt happen that often but they are both verses tho Beck bottoms more)

Favorite nonsexual activity:

MOVIES!! Sprawled on the giant comfy couch, closer than technically needed, cuddling and watching old movies with great special effects and/or great actors! Listening to Beck excitedly rant through the most dramatic speech of the story as he explains how the next cliffhanger is done with hydraulics! Focusing so hard on the stars in his eyes and his excited tone and gestures and just the tone of his voice you forgot to listen to the words themselves! Watching Cham’s face flawlessly mimic the faces on the screen in a blink of an eye and secretly guessing which one will he pick next. Feeling his head slowly fall on your shoulder, eyes closed, his mask smooth but not tense, instead just.. peaceful. Slight ping of annoyance, after all, this is A Classic movie dammit, but it’s gone in a second because Mitya hasnt slept since thursday and you are just relieved he is finally getting his rest. Feeling his warmth under your hand on his shoulders and suddenly never ever wanting to get up again.. EHM. anyway

PLANING HEISTS TOGETHER!! and more or less successfully executing them but planning is actually even more fun aside from the Big Reveals and Entrances which are actually harder to coordinate than one would think!

Lots of shobiz/job talk actually, they really enjoy what they do! Lots of people already mentioned that in their hc compilations but i agree, they love goin to see all kinds of movies and plays and performances as well as acting various scenes with one another!

Their favorite place to be together:

NEW YORK CITY BABEYY. Sure they love to travel and see other countries (and cause mayhem there) but.. they love their mess of a city, it’s never the same without the webhead around as well as the bazillion of other heroes n villains bashin each other’s heads.

Any traditions:

Oh so many pop culture references and inside jokes, oh my god. One time, they spent the entire heist (and its planning period) speaking strictly in famous movie lines and titles, Max and other sixers tried to join but didnt last too long :’D

Beck also has a habit of taking pictures of people with Interesting faces or styles he sees and sends them to Cham. Also another fanon classic: together they have a running game, disguising themselves as moderately famous people and the other guessing who..

Their “song”:

‘This is me’ from the Greatest Showman, i just live for the two of them singin it in Cham’s car,off key but fully immersed and living it.

What they do for each other on holidays:

Neither of them are religious but that doesnt stop Beck from going ALL OUT at any opportunity, Sin Six doesn’t do any heists around holidays because you Know he’d make them dress for the occasion or worse, write them themed lines… They still meet for Christmas and Hanukkah and sometimes other holidays too because this is my AU and you can pry festivities-related shenanigans from my cold, cold hands. It’s always at Beck’s place tho because he can turn his hideout into the tackiest holiday-themed showcase but he aint roping them into it.

On the other hand, Cham despises American commercialized holidays in general and Christmas time especially, since it’s not a big thing in Russia and also once again, he has family issues for days. (Although relatively speaking, he is pretty over these, he is not gonna like mope around or anything)

Anyway, what they do for each other is that they try to compromise, Dmitri doesnt sneer at stupid kitsch decorations every 5 minutes and Quentin ..chills a little. :’D To be fair, Beck makes everything fun and having Cham there makes Beck appreciate the details more instead of just goin into BETTER!BIGGER! frenzy.

Where did they go for their honeymoon:

After the fuckin Ages of pinning, when they finally end up together for realsies, they wanted somethin Big and Flashy! (Well Beck wanted and Cham kinda too but also with the option to merge with the crowd unnoticed and take some chill time) Anyway they went on a whole world wide tour! Starting with a luxury cruise, they took their time, lots of crime sprees to plan and execute, lots of local shows to see, lots of dumb heroes to fool, they’re gonna have it all!

Where did they first meet:

Around the time when Cham and Hammerhead had their criminal empire running Fisk to the ground, Otto decided the Sin Six should team up with them for their ressources needed on one heist or something. They agreed but Cham insisted on actually going in the field, it’s been a while since he really stretched his face legs like this and the mafia life was starting to bore him. Doc made him team up with Mysterio much to the fishbowl’s dismay because why do they need another disguise artist?? He is the Master Of Illusions dammit, he can run circles around this guy, what the fuck Otto?? So at the start, he pouts and fumes under his helmet and in general he is his v unpleasant self but… He can’t help but notice that the new guy is a real professional, he even uses Traditional masks, he likes the same movies… And most importantly, he is actually interested in Mysti’s craft, asking questions and even LISTENING to his long winded answers… At one point he even wondered if that X thing was meant as a HOMMAGE to the Y movie, the Six never did that!! (Usually the rest of the sixers dont know the reference, heathens, and when they do, they mock him for it, that he’s copying ideas and mixin them ridiculously. BUT THIS GUY GETS IT!!) So it doesn’t take long for them to hit it off, of course at this point without any real Trust behind it but it’s a start.

(Though Beck does pay a visit to Otto like, buddy pal i know you’ve been planning on manipulating these crimelords to your end somehow and honestly, any other day i’d be down, i actually had a robot prepared for my own backstab but i was thinking they werent that bad and maybe we Could hold our end of the bargain this time and just. leave each other on good terms? Mabye? Obviously it’s purely out of respect for our teammate Kraven since him and Chameleon seem to have some history, nothing more, definitely nothing to do with how bright Cham’s eyes were when i was showing him the back of my stage… )

What do they fight over:

this whole post has been a mountain of cheese but im bringing more! Honestly, goin through my notes on Patchwork, their biggest arguments have always been about.. the other one not taking proper care of himself :’D Or them lashing out because they were scared and worried about the other and they cant stand being so vulnerable while the other pretends it’s not a big deal because they dont know how to handle genuine concern directed at them.

Do they go on vacations, if so where:

GIVE!!! BECK!!!! HIS!!!! ISLAND!!!!!!They actually do have one, it’s where Celavi spends most of the time and they visit her often. But never for too long, neither of them can actually spend too long doing nothing..

#dmitri smerdyakov #mysterio #quentin beck #chameleon #sinister six #marvel #spidey #spider man #hey i got 30 followers here nice! so have some long boring rambles! :D #31 actually wow nice nice !!#patchwork #kao posts

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theherothechampiontheinquisitor · 7 years

Text

You’ve Got Mail - Chapter 1

Summary:: Belle French and Callan Gold meet in an AOL chatroom in the late 90′s and quickly bonded over email. Little do they know that in real life they are business rivals that completely hate each other.

Originally published under melissabosquez, September 2014. Cover by Midstorm

Belle French held her breath and watched slyly from the curtain of her bedroom window for her long term live in boyfriend, Geoffrey, to exit the building on his way to work. The mornings were the favorite part of her day, especially when her boyfriend was gone so that she could indulge herself in one of her guilty pleasures; the internet. Geoffrey was a bit of a technophobe that was convinced that modern advancements were going to be the downfall of all mankind, beginning with the internet. Whenever he caught Belle online he would begin harping his conspiracy theories and it was easier for her just to wait until he was gone. He didn’t like what he couldn’t seem to understand, whereas Belle appreciated it for the marvel it was.

They had been in a relationship together for nearly five years now and it had become a thing of habit more than any kind of love or connection. She didn’t doubt that Geoffrey was any more interested in her than she was in him. He was convenient though. Comfortable.

She waited for a few more moments and finally he appeared out the front door of their apartment complex and was on his way down the street. With a squeal Belle dropped the curtain and ran the short distance from the window to her desk and opened up her portable computer with a grin. With a grin and the crack of her knuckles she double clicked the AOL icon and waited to be connected to the internet.

If Belle was perfectly honest with herself, it wasn’t exactly the wondrous depths of knowledge or endless possibilities that the internet entailed that excited her. Those were all good things and she loved to see how things progressed further but all she really was looking forward to was three little words. You’ve. Got. Mail. She smiled and spoke the words out loud in time with the computer voice, quickly clicking on the icon of a letter waiting in a mailbox. The page loaded and she felt her stomach tighten in anticipation as she was rewarded with an email from her favorite person, thespinner61.

Belle had met thespinner61 in an AOL chat room several months ago by accident. It was supposed to be a chat room to talk about common interests in books but turned out to be nothing but crude jokes and desperate attempts at cybersex. Belle had almost logged off after several sexist comments were directed towards her for not instantly responding to queries of her a/s/l. To be honest she had no idea what that even meant. Before she could respond thespinner61 came to her rescue and responded, “Go shake your ears.” Belle had laughed, catching the literary reference to Twelfth Night by William Shakespeare. It had very obviously flown over the head of her aggressor to which thespinner61 replied again, “The simplicity of your character makes you exquisitely incomprehensible to me,” and “If I were as ignorant as you Ben Rogers I wouldn’t let on.” Each quote taken from The Importance of Being Earnest and The Adventures of Huckleberry Finn respectively. He had won her over instantly.

After that incident they had started sending each other emails back and forth for literal hours on end. They talked about all kinds of things. Literature, politics, art, film. Sometimes they even talked about things as simple as the weather and it never felt awkward or forced. The one thing they agreed to not speak of were things that were too personal. Names, ages, addresses and the like were never brought up. The only thing Belle knew was that he too lived in New York City and he had a long term girlfriend of his own.

They had been sending each other emails back and forth for five months now and the thrill of “you’ve got mail” had yet to wane.

To: bookworm1984

Subject: RE: RE: RE: RE: books you must read spinner!

My dearest bookworm. I write to you from the middle of Atlanta as all hell is breaking loose as General Sherman and his Army invade. Our lovely protagonists have just braved all peril to escape and now have shared a very personal smooch before Rhett has decided (rather foolishly and quite dramatically) to go back and join the war efforts, leaving our strong, but distressed damsel to her own devices as she plots to make it to Tara.

If you haven’t noticed, at your quite incessant behest, I am hundreds of pages into your favorite literary endeavour, Gone With The Wind. Not exactly my cup of tea so far but I cannot say I am entirely dissatisfied with the quality of writing. Margaret Mitchell has a very distinct style and I must say that I quite enjoy when she becomes caught up in her descriptions, especially of the surroundings. It’s enchanting in its own way. I will continue the ill-fated adventures of Scarlett O’Hara and Rhett Butler when I return home this evening.

Tell me, now that I have started your novel, will you finally stop your hemming and hawing and pick up the Hunter S. Thompson novel we were discussing? I promise, his political commentary is often surprising, always amusing and generally spot on in ways you would never imagine. I recommend Fear and Loathing On the Campaign Trail ‘72. Great introduction to his Gonzo journalism. I raise a glass of Wild Turkey to him for that one.

From the thumping noises coming from above, it would seem that the dragon has finally stirred. Best I get the coffee pot brewing before she scourges me with her hellfire.

One last note in regards to your work related problem. Tell the guy threatening your business to fuck off. Stand up for yourself. Do the brave thing and bravery shall follow my dear.

----Spinner

You’ve got mail!

Callan Gold turned back to look at his open laptop on the table. Bookworm was a fast writer this morning he thought with a smile. Normally she took longer to respond, indicating that she was pensive and probably didn’t agree with something that he had said, usually something over literature. The faster she responded, the better mood that she was in, the more excited she was to discuss things.

Turning back to the coffee mug he was fixing, he added three packets of sugar and some hazelnut creamer, stirring and finishing just in time to hand it off to it’s recipient, Mal, as she stumbled blindly through the swinging kitchen door. Mornings were not Mal’s high points of the day, whereas Callan had always been a bit of an early riser.

Mal graciously accepted the steaming cup and slinked into one of the chairs at the small breakfast table. She shoved Callan’s laptop back over to his side of the table as he rejoined her. He raised an eyebrow to her as she slurped the coffee down, not seeming to care how hot it was.

“I’m starting to believe you are really a dragon with your high tolerance to scorching coffee,” he smirked and resumed reading his newspaper as Mal made an incomprehensible grunt, finishing her first cup of coffee of the day and standing to fix another.

He and Mallory had been going through this same routine for decades. First as friends and then as more, though he would hesitate to call her his girlfriend. Their relationship wasn’t like that. They were more roommates. With benefits. They lived together, worked together, slept together but there was no real romantic love between them. They had been friends longer than Callan could even remember. One day not too long after his wife had left him and took their now estranged son with her, Mallory had shown up at his door and never left.

It was an arrangement that they both were happy with. Neither of them had to be alone anymore.

Mal took a drink out of her second cup of coffee and feeling decidedly more human, leaned back against the counter and eyed Callan though his face was obscured by the paper.

“So, do we have any small business owners lives to ruin today?” she asked, her voice still a bit raspy with sleep, a hand combing through her messy blonde hair.

“Only one today I’m afraid. That same damn little bookshop around the corner from where we are building. The owner is stubborn as a mule, refuses to sell. I sent her one last offer that I think may entice her. If not well, don’t say that we didn’t try to help her come six months down the road when her little shop is in the hole,” he answered back, folding the paper up in front of him.

Mal gave him a crooked smile. “There’s a reason that you are known more for your cruel business tactics than your shite coffee.”

“I’m a tea man, Mal. You’ve known this for 20 years. Perhaps if you could wake up at a normal time you could make your own coffee instead of being forced to have your first five cups of the day be my ‘shite’ brew.”

Mal laughed in response. That was something that would definitely never be happening. “Well, I’m off to shower, Cal, I’ll be ready to go quicker than you can say Maleficent!” she winked in regards to the nickname he had given her when he didn’t think she was listening.

Callan waited until he heard the tell tale screech of the shower faucet coming to life before he pulled his laptop in front of him and grinned at the unread message from bookworm1984.

To: thespinner61

Subject: RE: RE: RE: RE: RE: books you must read spinner!

The Hunter S. Thompson speech again? After seeing that Johnny Depp film based off of his book last year I must admit that I am still a bit sceptical to read any of his works. Though the film did have a few redeeming qualities, particularly the wave speech at the end as he discusses the death of the American dream. I will trust you on this just as you have trusted me on Margaret Mitchell.

Speaking of, I promise that you will quite enjoy Gone With the Wind if you will quit being so cynical. You are right though, MM’s imagery is one of my favorite things of the book. Aside from the strong female characters and the delightfully scandalous Captain Butler.

Perhaps I shall take a page from Scarlett O’ Hara’s book and stop being worried all of the time. I’ll think of my problems tomorrow and accomplish what I need to today. I suppose I should keep this passage in mind...

“A startling thought this, that a woman could handle business matters as well as or better than a man, a revolutionary thought to Scarlett who had been reared in the tradition that men were omniscient and women none too bright.”

I will take your advice to heart my friend. Do the brave thing and bravery will follow, right? Let you know how it turns out tonight.

Hope you have a great day. Beware the fire breathing dragon.

----bookworm

Callan closed his laptop instead of choosing to respond. He didn’t always consider himself a very sound advice giver but when bookworm1984 had told him she was having trouble with a pushy man trying to hurt her business (which she refused to reveal to him, as per their anonymous disclosure), he knew that she just needed a little bit of a push to stand up for herself. If there was one thing that he knew, it was business. He was glad he could at least inspire marginal confidence and hoped that it would all work out for her in the end.

As the CEO of a successful, multi-billion dollar chain of bookstores, Golden Books, he would like to think that he knew a few things about chasing away a competitor. After today, if the owner of Fairytale Corner accepted his buy out offer, his new store would be the only bookstore around for miles.

Packing up his things he moved towards the staircase as he heard Mal beginning to make her way down. It always amazed him how quickly she could go from the monster that morning to the beautiful, intimidating business woman she now presented herself as.

“Intimidating as always, my dear,” he joked, taking her hand in his and kissing it.

“Why, Cal, you aren’t turning romantic on me now are you?” she raised a brow.

“Of course not, we have business to tend to. If Fairytale Corner decides not to sell then we will just have to put them out of business the old fashioned way,” he grinned, already calculating plans in his mind.

“What’s the owner’s name again? I will give them a call before lunch, see if I can push this little deal along any quicker.”

“I think it’s something french sounding,” he said as he pulled a few papers out of his briefcase. “Ah, yes. Ms. Belle French, owner since her mother passed away five years ago.”

Mal accepted the papers from Callan and gave him a quick kiss on the cheek. “Well, lets go kick this little girl out of the neighborhood then.”

Callan offered her a smile and then his arm as they made their way out the door.

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