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#spacemoth
a-norm-a-day · 2 days
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Norm dreaming of his husband
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Day 3 of drawing Norm for fun ^_^ I know it says dreaming, but i could not get this out of my mind
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melissa-titanium · 5 months
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u should draw spacemoth walking in the park and or draw sunflower horse (karen x lola from dialtown) outside admiring a horsey :33
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BEEN WAITIN AGES TO DO THIS. HI CASPER! everyone say happy birthday NOW ‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️‼️
(also im sorry this is super old i hope the bacjground isnt too terrible ADSJDAKF </3
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so nice you see them twice @fishy-sandwich
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k1ng-r0wan · 1 month
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Spacemoth dancing :)
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Part of an art trade with @fishy-sandwich
I love drawing gay people 🥰
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conundrum-cat · 4 months
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SPACEMOTH SOLOS UR OTP
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@fishy-sandwich
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fernrye · 1 month
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spacemoh @caspermothwalker
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killer-lemon · 1 month
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Everyone shut up its. Space the moth
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Casper by @fishy-sandwich
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sneablebeable · 2 months
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Thang 4 my bud
@fishy-sandwich
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mayrine · 14 days
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SPACEMOTH PT4
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Little doodle I did in class of these two guys
Go check out @fishy-sandwich if you want to see more of this gay moth
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melissa-titanium · 4 months
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mellyiconsnboards · 11 months
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I HAVE NO IDEA HOW THIS WORKS BUT ERMMM .... u know who i will ask so yea
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Can a Mo t h And a C ow b o y Real l y fall in love... .?
(YES. YES THEY CAN.)
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k1ng-r0wan · 8 months
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So I did a thing.
Spacemoth fanart, yippie!!
Also to practice drawings moth characters so I can draw my own moth ocs better.
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@fishy-sandwich go kiss that cowboy silly!!
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nicealbumcovers · 2 years
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No Past No Future by Spacemoth
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fernrye · 7 months
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spacemoth moment
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thingie i did for an ART TRADE with casper :33
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luuurien · 2 years
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Spacemoth - No Past No Future
(Glitch Pop, Psychedelic Pop, Dream Pop)
Maryam Qudus' debut as Spacemoth marries fuzzy, retro pop à la Stereolab and Broadcast with the warmth and expressiveness of modern psychedelia and post-punk. No Past No Future's focus on strong grooves, cosmic songwriting, and reserved vocal performances make for one engrossing, magical listen.
☆☆☆☆
Ever since she was young, Maryam Qudus has been drawing out her own path in the world. Being a first-generation child of working class, Afghan immigrant parents, the California singer/songwriter and producer has been seeking her own adventure for as long as she can remember. As a kid, she took guitar lessons; a high school job allowed her to pay for vocal lessons - even learning to drive so she could take herself to them - Qudus' resolve to create unbreakable. From there, her work as Doe Eye and collaborations with artists like Sad13, Toro y Moi, and Tune-Yards inspired her to continue making her own music, experimenting with electronic ambience, tape manipulation, and noisy retro synths that slowly developed into her debut album as Spacemoth, No Past No Future. Indebted to the retro pop of Broadcast and Stereolab as well as the warmth and expressiveness of modern psychedelia and post-punk, No Past No Future is a retrofuturist odyssey whose offbeat songs make for one of the most unique and memorable listens this year. Qudus' music favors sounds nostalgia and summery haze, the long list of synths she used on the album's Bandcamp page proof of how much effort and forethought goes into making these songs sound so eternal and timeless. Still, there's a radiance to it all that comes through the sharp analog keyboard leads on lead single Pipe and Pistol, so scratchy and melancholy you could sneak it onto a Broadcast compilation without it sticking out even a bit, or the driving post-punk drumming from Jason Slota on Asking for You acting as the centrifuge that Qudus' relaxed vocals and swooning layers of synth and guitar orbit around, a constant sense of movement within No Past No Future's songs even as they strive for a spacey, occasionally sci-fi feel through the instrumentation and Qudus' intimate songwriting. Other times, what makes No Past No Future so compelling is witnessing how Qudus struggles to reckon with time, the struggles to hang onto a single moment without thinking about how it'll soon disappear on the crunchy, dark Round in Loops or struggling to comprehend and accept mortality among the distortion and noise of Waves Come Crashing, the album's nostalgic sound in part a way for her music to sit in an ephemeral place where she can comfortably confront these feelings in a comforting, limitless environment. No Past No Future exists both in that past and that future, and it's a sound like nothing else this year. Qudus also paces it all incredibly well and keeps No Past No Future moving at an efficient, but immersive pace. The album's dreamy, space-age sound makes it easy to fall into Qudus' world, but she keeps you invested in it through how each song connects to the ones it's situated between. Opener This Shit kicks things off with a midtempo drum loop and fizzing keyboards, subtly moving into the bustle of Pipe and Pistol and UFObird's downtempo serenity, a perfect three-track run to introduce No Past No Future to you. When things start to get more moody and ornate on the album's second half, there's a preciousness to how If I Close My Eyes and Pretend's pitch-black escapism leads into the buoyant, four-on-the-floor dance pop of Noise of Everyday Life - though the song doesn't fit quite comfortably with the rest of the album and Qudus' lo-fi production doesn't provide enough bite to the low-end for the song to hit right - and then jumping into one of the scuzziest and sentimental tracks with Berries and Watch You Cry right after, No Past No Future's emotional journey carved by Qudus' drifting emotions and slow-motion storytelling that manages to be both arresting and subdued at one, her music a roaming constellation you can follow across the skyline for hours on end. Qudus' retro-pop sound anchors it in an environment with a general structure but endless possibilities, hissing tape noise and pulsing analog synths all she needs to take No Past No Future anywhere she wants it to, well-worn and homegrown sound that can bring the most cosmic, supernatural songs to life with their infinite possibilities. She's said before that “women are often discouraged from pursuing music in the Afghan & Muslim community, and those who follow that path receive a lot of heat," and it's clear from how much passion and heart going into No Past No Future that she refuses to let those stigmas and fear worm their way into her music for a second. Her songs are playful, confident, and surreal, stunning in their depth and gleaming with their muscular instrumentation, built strong and sturdy for the celestial adventure Qudus takes them on, No Past No Future a consistently moving listen that lets the saturated synths soak into your pores and the punchy drum loops - whether played by a person or a machine - act as the fuel for her ship. Through her galactic musical explorations, the most impactful conclusion Qudus reaches is to be blessed and astonished with what our time on earth brings us, No Past No Future a reminder of how astonishing all the experiences we get to share together truly are.
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sneablebeable · 1 month
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Take 2
Go follow @fishy-sandwich
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