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#she doesn't even consider that he might be dead. or just unable/unwilling to fight after being horrifically wounded
gay-jesus-probably · 11 months
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Seeing as the Gerudo turned on Ganon, he might not have been that much better of a ruler.
First of all, we literally have no idea, because the only ancient Gerudo that we actually get to interact with is Ganondorf himself, and he has nothing to say about his own people. The ancient Gerudo sage doesn't count btw, she doesn't have a name, we never even see her face, and she has literally nothing to say except repeating the exact same dialogue as the sages for the other races. The narrative does not treat the ancient sages as people; they are four completely interchangable weapons that are owned by the royal family.
And secondly, I don't care how Ganon ruled them; the Gerudo only get one man every century, if their king sucks, they've obviously got their own system of government to fall back on. I have no idea what kind of authority the sages had among their own people, but honestly I'd say if the four of them were in charge of their respective people, then they were just puppet rulers appointed by Rauru, given that all four of them happily agreed that to sell their entire race into servitude the second Zelda asked them. Say what you will about Ganondorf, but I fucking know that if he was told the Gerudo people existed for the sole purpose of serving the glory of Hyrule, he'd drop kick Zelda into the fucking sun.
And don't get me started on the implications of the cultural differences we see between the independent Gerudo and the annexed Gerudo. The background Gerudo characters all have their own models, and we can clearly see that the ones siding with Ganon have their own unique looks - for example, the amazing lady with the mohawk that summons the molduga swarm in that one flashback. And men are never mentioned in these flashbacks at all, which implies that the Gerudo genuinely didn't care about settling down. Ganon even speaks derisively about marriage, implying that it's very rare for Gerudo women to make serious romantic commitments with men. It implies that their culture is more along the same line as their portrayal in OOT - they are a closed culture. Men trying to force their way into their areas are arrested, and mocked for being entitled dumbasses. Outsiders are only welcome if they can prove that they respect the Gerudo as people, and aren't just there to try and pick up chicks. It's never outright said, but OOT also makes it pretty clear that the Gerudo women just aren't interested in marrying outsiders - close relationships occur with other Gerudo, Hylian men are only considered useful for making babies.
Meanwhile the Gerudo we see serving Hyrule are all trying to measure up to Hylian beauty standards, and appeal to their men. Their one goal in life is to meet a man and get married. Men are welcome in their lands, and only kept out of the town itself... and even then, there's a small army of guys trying to force their way into the town anyways, which is brushed off as just haha, boys will be boys. No men allowed isn't even about independence, it's just a silly romantic tradition.
Of course this is just a fictional culture in a game world, but it's still really fucking uncomfortable that the 'evil' Gerudo are the ones that have independence, both politically and socially, and display a unique culture that refuses to tolerate disrespect from outsiders. Meanwhile the 'good' Gerudo are the ones that canonically exist to serve a kingdom where 95% of the population is light skinned (even setting aside the unfortunate implications, just saying one race exists to serve a different one is super fucked up), they have classes on how to be more appealing to Hylian's, and their entire social structure is built around finding a Hylian man to marry, making them all inherently dependent on the goodwill of outsiders. Even their biggest value of 'women only' is treated as a joke; men trying to trespass in BOTW are just shoved back out the door, letting them keep trying all day if they want. The crowds of men plotting to force their way in are laughed off as a joke. Nobody cares that there's a guy running laps around their city walls and trying to trick women into being alone with him. I mean for fucks sake, in TOTK we find that the creepy guy trying to lure women away has taken advantage of a massive disaster to get into the town, and he's still there once things return to normal. You can't kick him out, or alert anyone to his presence. And the Gerudo just tolerate Hylians blatantly ignoring their boundaries. For fucks sake, TOTK even reveals that the seven legendary heroines they've been revering the whole time were actually completely useless and unable to achieve anything... because they needed the eighth hero, a Hylian man to teach them basic tactics and do all the heavy lifting.
TOTK does not respect the Gerudo people in the slightest. It doesn't respect anyone who isn't Hylian or Zonai.
...This got a little off track, but the point I'm trying to make is, no, I don't consider the Gerudo turning on Ganon to mean anything. The entire game does not feel like the real story of what happened, it feels like the propaganda version of history meant to make Hyrule look as good as possible. I genuinely cannot believe that we're being told the real story about the Imprisoning War, because none of it feels real, and we don't get to know any details that might have made Hyrule look even slightly imperfect. We're told that Ganondorf is evil because he hates Hyrule, and he hates Hyrule because he's evil. The Gerudo people followed Ganondorf and saw him as a hero of their people, then suddenly he was their worst enemy. Hyrule is a perfect kingdom that has strong, equal alliances with the other races, but also all of the non-Hylian races exist for the sole purpose of serving Hyrule, and their leaders are expected to swear eternal loyalty and submission to the Hylian royal family. King Rauru and Queen Sonia united all of the races in peace and equality, which is why they're sitting on the world's supply of magical nuclear missiles, and every member of the Hylian royal family is allowed to walk around wearing them as cute accessories, but everyone else only gets them at the last second, and they all need to outright swear to only use that power to benefit Rauru and his descendants.
There's just so many fucked up contradictions, and so many hints of something more nuanced going on... but the story refuses to acknowledge any of it, and just keeps aggressively pushing the narrative that Hyrule is the ultimate good and couldn't possibly do anything wrong. I don't even believe that Ganon was a bad king honestly; we never hear why his people stopped following him. We also never even see if the Gerudo people turned on him at all; all we know is the ancient Gerudo sage wanted him dead, and given that she also happily sold her people into slavery, she's not exactly the most trustworthy source of information. All we know is that Ganondorf was a hero to his people, only one of his citizens is ever shown having an issue with him (and her motives are never explained), and then he lost the war and was sealed away, leaving his people open to be conquered by Zelda and annexed into Hyrule. By the time we see any Gerudo actually opposing Ganon (apart from the ancient sage), it's been ten thousand years since the war, and all anyone knows is the Hylian version of the story.
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sockatine · 5 years
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The Scent of Lavender
((My first self insert fanfic to be posted here! I'll be using the name Califia "Cali" Morales for myself. Paired up with Daryl Dixon from The Walking Dead. Takes place in season 2.))
Light. Sunlight? Yes, that's sunlight. The room is white. Why is it white?
Voices are talking to her. Who are these voices? Obviously they must be her family; mom and dad, to be precise. Sitting up and rubbing her eyes, yawning and stretching, still not completely awake or aware. Even as her eyes fully opened, she had to rub them again. These people's voices still washing over her like white noise, or nighttime ambiance.
Nothing was registering quite yet, until an old man sat at her bedside and asked, in a comforting and gentle tone. "Can you tell us your name?"
That's when it all hit her. With watering eyes, she asked: "Where am I?"
...
When they found this girl passed out in the woods, it was nothing short of strange. She'd fallen out of a tree at Rick's feet, startling him. He checked her pulse, shook her in attempt to wake her up, but nothing. She was still perfectly alive, minus perhaps starving and bruised. And he carried her back to the RV, deciding it was the right thing to do. After all, Rick himself had been in a coma and woken up to an apocalypse. This was a personal sense of sympathy in him.
Needless to say, after much argument, she was allowed to stay. They put her in the bed of the RV and hoped that at some point, she'd come to. Enter their arrival at Hershel's, having one kid shot and the other still missing, along with the mysterious coma-girl. This was enough to get Hershel to allow them all to stay until everything with the group was a-okay.
Now, that she had finally woken up, she'd have to be comforted a bit before getting any answers. It's not like anyone would take it very well when they find they've been in a coma in a tree for god knows how long. "I'm gonna ask you again, and I want you to take a deep breath or two before you answer; What is your name?"
She did take a few deep breaths, as needed. "Califia..."
"Califia?"
"Yes... Califia Morales."
"Alright, Miss. Now, I'm gonna call in the people that found you, so you can give them the answers they want. Is that okay with you?"
"... yes."
Really, it wasn't. None of this was okay, but she knew she needed to give answers to the people who potentially saved her life. The memories were flooding back to her once Hershel called in Rick and some others to meet her. Rick was of course, the one to ask questions and recieve answers.
"Do you remember what happened before you got yourself up in that tree?"
"... There was a crash. A bus crash. A-and I... I don't remember what happened after. I-I know my family wasn't with me, they... don't live in Georgia..."
"Alright. What else do you remember?"
"I... was by myself. Out by myself... dead people were walking a-and hunting me..."
"Uh-huh..."
"I killed some. I tried calling my parents a-and... and-and-"
A deep inhale, and a pause.
"... I kept walking. I lived off what was in my bag, and gathering wild plants. More dead people came and, I went up the tree... but I don't know why I was asleep... I don't..."
"Hey, hey. Don't worry about that. We'll... we'll get you settled. Once we leave, you'll be coming with us."
"I... thanks. Can I go outside now?"
"Yeah, yeah sure."
...
She was sitting by herself, gathering some lavender after a nice, long cry. It was a lot to take in, really. That she had no idea how her family in California was doing. And it would be easier for her to cope with having been all alone, than to realize she'd been completely useless to a group of people who were kind enough to save her. How long had she been dead weight? Was it ungrateful to believe she should've died.
"What's that 'cha got?"
She almost flinched, turning to see some guy looming over her. Must've been one of the group. "... Lavender."
"You always go 'round pickin flowers?"
"It's for tea... I'm sorry, have we met, or...?"
"I'm Daryl."
"Califia. But call me Cali. It's, uh... nice to meet you."
She stood up, holding her hand out for a handshake. Better than just awkwardly talking, crouching over a bush. Daryl shook it, to at least adding something to keep the conversation from getting too awkward. "So, we found you in a tree..."
"Uh, yeah. I... eheh. I guess I figured it was a good way to avoid walkers. They can't seem to climb for shit, really. So, uhm... is there l-like a job or something I should be getting to, or-"
"Hell if I know."
"O-oh. Well, if you need anything... like, anything at all, I'm right here..."
"Right..."
Daryl left ger to her business.
"Oh, uh... it was nice meeting you!" She added. He didn't respond.
Daryl hadn't much of an opinion on her. She seemed nice enough, but frankly he hadn't any idea how good or bad of an addition she'd be. And frankly, nothing she did or said was anything remarkable, noteworthy, or eyecatching. Cali, as she insisted on being called, was short, pudgy, baby faced, and from every other angle Daryl could see, she looked like walker bait. At least she was smart enough to get in a tall place to avoid them, but perhaps she might not be much for fighting back or wilderness survival.
Nonetheless, he'd be willing to see if she could prove herself. It's not like she's useless.
A few days went by, and Daryl noticed a pattern. When given chores by the other members of the group, Cali would attend to them quietly without ever wanting help. Her voice was always soft and meek when she asked for anything, which was rare in itself. Without fail, around dusk, Cali was always sitting at the lavender bush. Either to pick more, or to sit with a notebook. A diary? And she was drinking that tea she said the lavender was for at night, but also in certain times in the afternoon.
Lavender tea was for sleep, and calming nerves. Daryl knew this because of his mom's old remedies she'd use, when he was just a kid.
So far, he'd deducted that Cali was dead meat if she were to go out on her own. She could make it for a certain amount of time, but her nerves would get the best of her and make her clumsy. Ergo, she's walker bait.
...
It was getting lonely, for Cali. She fancied being alone, but not being lonely. But she was tragically insecure; unwilling to talk about her interests with the other ladies, unable to even approach any of the men. The closest she could get was watching Carl when Lori wasn't, and neither one of them actually talked much to her. So logically, Cali wanted some validation out of being useful.
To be frank, the only person Cali really considered approaching and making friends with was Daryl. He also seemed to be partial to being alone, after all. But it's not like he would ever want to activately be friends with her anyway, right? Cali wrote and drew, she was into books and fantasy and mythology. She was a nerd. A total geek. And what was Daryl? Manly as hell, outdoorsy, and a goddamn hunter.
That didn't change the fact though, that when Daryl finally came back with Sophia's doll, Cali was most certainly concerned. She could see him from her lavender bush, he looked absolutely terrible. And it didn't help that Andrea shot him, to which Cali promptly responded with a "What the fuck!?" of disbelief.
As everyone rushed over to help, Cali wasn't really needed. She asked, but Rick told her that all too familiar phrase: "We got this, thanks." But no, she didn't want to be excluded. She wanted to at least do something. To overtly express that she wanted to help and be part of the group; but so far it had all gone from her being too afraid to talk to anyone, to everyone excluding her by assuming she didn't care for anyone.
So Cali decided to do something about it. At least one thing. One nice thing for someone.
So she visited Daryl, inside Hershel's house. With a small gift. Some lavender, with a paper wrapped around it. While he was asleep, she slipped it onto the nightstand.
...
"Hey, Cali!"
She was at the lavender bush again, with her notebook, whipping around to see Daryl holding her gift. "Y-yeah?"
"... you wrote this? Daryl unfolded the paper. It was a poem:
You carry us far Through all your scars Of old and new, Through sun and stars
Take your rest Feel happiness For it's worthwhile to us all
"... Is it bad?"
Daryl sighed in disbelief, taking a seat next to her. "Nah, that ain't it..."
"I didn't mean to bother you, I just wanted to get you a get well-"
"Why though?" "Huh?"
"You're always sitting out here. You got you're notebook, your head in the clouds. Ya don't talk to nobody-"
"I'm sorry."
"-and you apologize for it. What the hell do you do out here?"
She paused, stuck between just dying on the spot or coughing up the notebook. "I... draw. And I write." She handed the notebook to him, so he could go through it himself.
In it were various practice sketches, poems, characters, and unfinished stories. It was a chaotic mess of creation, full of concepts and ideas that may never be fully fleshed out. "It's just weird nerdy stuff... I-I really like mythology, and uh... comics..."
"... This is what you were hiding all this time?" "Yeah..."
Daryl closed the notebook, handing it back to Cali.
"... What use you think any of that has, anyway?"
"I... wait, what do you mean?"
"I mean now that dead people are walking around eating people. How's any of that gonna help?"
Cali paused, thinking for a moment. Not necessarily on what to answer, but rather how to word the answer out. Such a question wasn't one that confused her very much.
"... Well, we got survival down. If we're hungry, we can pick plants and kill animals. If we're tired, we can make a shelter that's safe. But... what's the point of it all?"
"... That doesn't answer my question."
She gave him a look. For once, it was a more assertive look; like what she was about to say was something painfully obvious. Like he should have known, by now. "Animals survive. Humans live. And what's the point of surviving if you can't live?" She tapped her notebook. "This here is... how I live."
Cali opened up the notebook, flipping to a page in which she was drawing a kraken. "So that's why I'm always here with my notebook. It's quiet so I can focus, and it smells nice with the lavender here. So there."
The conversation ended there, and she expected Daryl to once again take his leave. But, he didn't. He was still sitting there, watching her doodle away. Her drawing wasn't particularly amazing, but... it was okay. He could tell she wasn't actually paying him much mind. Just, focused on her work. But Cali knew he was there, watching. She just had yet to realize she was fine with it.
And they just kind of stayed like that for a while. Sitting in silence at the lavender bush.
((Special thanks to @kiksselfships for encouraging me most to embrace my self insertion, and @skollwriting for giving me the match up that inspired this new ship))
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