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#saving francesca
friendshipbot · 1 year
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francesca spinelli & thomas mackee
✍️: melina marchetta
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difficulties of loving people
saving francesca - melina marchetta // looking for alibrandi - melina marchetta // saving francesca - melina marchetta // bridesmaids - kristen wiig and annie mumolo // paper towns - john green
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roobylavender · 2 years
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What are your favourite marchetta quotes, also thank you for introducing me to her, those books are so close to my heart now!
oh gosh i have a lot i highlight so much in her books lmao! i'll try to select my absolute favorites from each:
the lumatere chronicles
[froi] just watched the way finnikin's hands rested on evanjalin's neck and he rubbed his thumb along her jaw and the way his tongue seemed to disappear inside her mouth as if he needed a part of her to breathe himself. and froi wondered what evanjalin was saying against finnikin's lips when they stopped because whatever the words were it made them start all over again and this time their hunger for each other was so frightening to watch that it made froi look away.
the gods whispered to you once, finnikin. and you listened. but they are proud and refuse to speak to those who do not believe that there is something out there mightier than the minds and intellect of mortals.
and there it was, he thought, as he looked at the women in beatriss's kitchen. the memory of a look that spoke to him of power. his. a look that made him want to kneel at the feet of his queen and worship her. because it made him feel like a king.
i fear that i will do something to bring harm to those i love, so i follow their rules to ensure that i won't. but what if you bring harm or fail to protect those you don't know? or don't love? will you care as much? probably not. then choose another bond. one written by yourself. because it is what you do for strangers that counts in the end.
if your people mean no offense, they should not speak their thoughts out loud in front of their children, tesadora. because it will be their children who come to slaughter us one day, all because of the careless words passed down by their elders who meant no harm.
you'll have to forgive my people. they are still grieving their leader. their leader is living. he's standing in front of me, and the only person on this mountain who is not acknowledging him these days is the leader himself. i'll never be as good as him. they know that. we all know that. speak the truth, lucian. what truth? you don't want him here because of the mistakes you think you're making. you want him here because you loved him and he's gone and you can't say those words out loud.
because you may not have seen it, my darling boy, but i hated with a fierceness i can't describe. and do you want to hear something that was breaking my heart, day after day? i forgot the faces of my granddaughters in all that hatred. hatred smothers all beauty.
are you a slave? in serker, only slaves are etched. with the names of the men that own them. i'm a serker, lirah. my body is etched with the names of the three women who own me. my queen. my mother. my woman.
froi saw the foolishness of dreamers, and he decided he'd like to die so foolish. with a dream in his heart about the possibilities, rather than a chain of hopelessness. finnikin had once said it was the only way to live. that he wanted to drown in hope rather than wallow in despair.
saving francesca
take away your job and take away your kids and who are you, robert? your husband. then take away me and who are you? take away you, the kids, and my job? is this a trick question? i'm dead, right?
sometimes when i get home, i convince myself that i'm just romanticizing anyone who's actually spoken to me, but then i see him the next day and my heart starts beating fast and i can't really kid myself. it's not as if he's good-looking, because he's not. sometimes he's so plain that he looks bland. but it's his voice and his mannerisms that fill him with some kind of color. i listen to his voice and its resonance hooks me in. the worry lines on his forehead, his expression when he twists his face into a smile, and the way his whole face lights up when he laughs those short bursts of laughter.
when i was seventeen, i just stopped speaking to my father for two years. i thought he was a peasant, some kind of idiot. i was embarrassed by how simple he was. i was such a bitch. but all i can remember now is his face - his beautiful patient face, waiting for his daughter to start speaking to him again. he never questioned what was going on and he never pushed, and i saw that as a weakness. but he was just waiting.
me's easy. me got on a train and ended up in woy woy. you's difficult. you're planning on puking your way through europe at a time that i thought you were... kind of interested in me. kind of interested in you. i'm kind of interested in calculus and ancient roman warfare. you don't use words like kind of interested to describe how i feel about you.
because breaking up with her was so easy and breaking up with you would be like, i don't even want to think about it. we haven't even started going out together and you're thinking of breaking up. but that's it. when i think of you, i think of future stuff. i think of this is it and i'm not supposed to think this is it at my age. i don't look at you and think nice. i look at you and think, oh my god, i want to hold her and never let her go. i think, sex— right here, right now—
the piper's son
because i miss it like you'd never believe, and then i go away from this place and i miss here too. i'm scared that i'm going to spend the rest of my life in a state of yearning, regardless of where i am.
you looked so serious and grown-up, so meticulous with your drawing and the way you'd explain the process and i'd look at your hands and think, shit, they can do anything. like frankie's will. don't you love the fact that he builds bridges? i mean, who can say that, really?
am i hard work? yes. you could have hesitated in answering that. why? i've never lied to you before. you do that all the time, you know. you ask me questions when you know the answer will piss you off. ask me a question where the answer could be yes? ask me if you're worth the hard work? ask me if in the last seven years of my life i've woken up in a cold swear knowing i lost the most important person in my life apart from this kid i'm holding? ask me if getting you pregnant has felt like the best thing that's happened to me since my son was born? [...] see this. it's all there, georgie. everything i want in the world is all there. am i worth the hard w—? yes. yes.
and i remember thinking that exact moment, i want to change the world with her. and i remember feeling that again in georgie's attic. that's a pretty powerful gift you have there, ms. finke. to make the laziest guy around want to change the world with you.
don't let anyone take care of you. can you maybe leave that for me to do? i mean, take care of you? feel free to take care of me in return... because i think i'll need you to do that.
the place on dalhousie
he clings to her and being this needed feels better than sex. it's when rosie knows she has to leave this place. because she could easily love this guy. it's what rosie does best. she loves broken people who damage her in return.
and she found herself watching it over and over again, just to get to the part where carrie bradshaw compares the loss of the unreliable big, who stands her up at the altar, with the death of a loved one. not even close, carrie. because men who stand you up at the altar get to walk back into your life holding a pair of manolo blahnik shoes. dead ones stay dead.
because rosie is powerless. every day. all day. no money. no job. no means of identifying herself. no way of climbing out of a rut. all she has is the house her father built, and now martha's got real estate agents walking in and out, telling them lies. and it always ends with that unfathomable despair that has chased rosie for years. that she will never see her mother and father again. toto's birth was a godsend and a curse. it brought back the memory of everything she lost.
we don't even have a photo of us dating to show toto one day. everyone else does. just a little glimpse of us together so we can say, "this is who we were before you came along." is that important? my favorite photos of my mum and dad are those from before i was born. because they were so into each other and i can see this love in her eyes that says, i trust this guy to fucking bits.
can you tell whoever you're sleeping with that it's over? why? you're sort of like an id thing. twenty points for usefulness, twenty points for being good in bed, twenty points for being decent, and you get triple bonus points because toto's your top-one-hundred priority. can you shave off points from usefulness and decency and give me extra for being good in bed? it would have to come out of your toto triple-bonus points. thanks, but no thanks. i think i'll hang on to those bonus points.
where did you meet? in a flood. you? here. we played each other's team on the first game of the season and during a toss up, our eyes sort of met. that's pretty romantic. yeah, so's meeting the mother of your child during a catastrophic event.
jellicoe road
my father took one hundred and thirty-two minutes to die. i counted. it happened on the jellicoe road. the prettiest road i’d ever seen, where trees made breezy canopies like a tunnel to shangri-la. we were going to the ocean, hundreds of miles away, because i wanted to see the ocean and my father said that it was about time the four of us made that journey. i remember asking, “what’s the difference between a trip and a journey?” and my father said, “narnie, my love, when we get there, you’ll understand,” and that was the last thing he ever said. 
i look around at everyone and i can’t help thinking how normal we look and i don’t think i’ve ever felt normal. i watch raffy as she removes the pickles from her hamburger and hands them over to santangelo without them exchanging a word and i realize again there is more to that relationship than spelling bees and being enemies. these people have history and i crave history. i crave someone knowing me so well that they can tell what i’m thinking. 
i remember love. it’s what i have to keep on reminding myself. it’s funny how you can forget everything except people loving you. maybe that’s why humans find it so hard getting over love affairs. it’s not the pain they’re getting over, it’s the love. 
what are you thinking? that you deserve romance. let me see. a guy tells me that he would have thrown himself in front of a train if it wasn’t for me and then drives seven hours straight, without whingeing once, on a wild-goose chase in search of my mother with absolutely no clue where to start. he is, in all probability, going to get court-martialled because of me, has put up with my moodiness all day long, and knows exactly what to order me for breakfast. it doesn’t get any more romantic than that, jonah. 
what do you want me to say? that if he asked me to marry him, i’d say yes? okay. yes. but grief makes a monster out of us sometimes, taylor, and sometimes you say and do things to the people you love that you can’t forgive yourself for. i’d forgive myself. to be with jonah i’d do anything. 
looking for alibrandi
sometimes i’m with my friends and i feel as if i don’t fit in because of you. because you opened me up to this whole new world out there. i don’t want to become a mechanic and work all day long and then at night go to the pub and marry someone just like me and have two children and whine about housing payments and gas prices and the economy. i wanted that last year. no, that’s not true. i thought that’s what life was all about last year. but this year i realized, because of you, that there’s more to life. i still want to be a mechanic, but i want to step outside my circle and look at the other options. i don’t want to do what other people think i’ll end up doing. i don’t want to be stereotyped because of the school i attend or the district i live in. i want all the things in life that john barton gave up because he was scared to step out of his circle. but i have to do that on my own. 
you’re going to go on living. because living is the challenge, josie. not dying. dying is so easy. sometimes it only takes ten seconds to die. but living? that can take you eighty years and you do something in that time, whether it’s giving birth to a baby or being a housewife or a barrister or a soldier. you’ve accomplished something. to throw that away at such a young age, to have no hope, is the biggest tragedy. 
why don’t people do things they want to do? i’d never let anyone or anything stop me. how the hell do you know that, josie? you haven’t begun to live life. come back to me when you’re forty and tell me that you’ve done everything you’ve wanted to do. when i was seventeen i wanted to be a pilot, but we moved to adelaide and the move depressed me and i forgot everything i had wanted in my life. people change. circumstances change them. 
tell the truth shame the devil
i get all the criticism about religion, you know, mr. ortley. but the thing is, you can’t take it away from people and not leave something else of substance. that’s what your generation will remembered for. taking so much away and replacing it with so little of worth. 
he hid me between the fissures big enough to fit me. it was to protect me. not leave me behind. my dad wouldn’t have left me behind. it’s what i write in my letters every time i remember something. but the police here never believe me. and bish thought it strange that seventeen-year-old girls who had sex with idiot boys could still cry like babies for their fathers. 
all those years ago, a man had tried to protect his child on this rock. etienne lebrac hadn’t come here to die; he’d come to be reminded of beauty in an ugly year. if bish was still a religious man, he would have sworn that the dead were with them in this ancient place. the beautiful dead. and he felt that the three in his arms sensed it too. 
and there it was. that slight lisp. that awful accent. that funny face that made him ache. charlie wasn’t just a cheat. he was a liar as well. because violette zidane wasn’t just the girl he was shagging, like he told the cop. she sort of owned his heart a little. kind of a lot. 
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muchadorks · 6 months
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theroseadage · 1 year
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a literary wrap-up for '22 🫶🏼
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sweetcoffeefeelings · 11 months
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oakenting · 2 months
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I've just finished my re-read of Melina Marchetta's Saving Francesca.
I first read it at 11 years old. Francesca, the protagonist of the story is 16 at the beginning of the book, so quite a difference there but still I related very much with her life and how she felt.
This book was the first I read that.described feelings I had but could not place.
It's a book about depression, but also very much about the joy of living, the people who give you purpose and the ones who are just around but still frame your life (in good and in annoying ways).
There are two types of depression shown: the acute depression of Francesca's mother Mia who suddenly is stuck mostly in bed and not her active self anymore. The second type is never explicitly named but only shown in the way Francesca goes through her daily life. It's the low-key version where you are mostly just surviving and seldom living.
That was what I related to most I think because that was what I was doing.
I've re-read this book every so often over the years but probably not in the last 7 or 8 years. And I was surprised that the story still evoked so much in me. I expected mostly nostalgia but I found things that are still relevant for me today.
I realised that I was jealous of Francesca in several ways. One was that she seemed to have grown up in a most stable environment with strong and secure connections to her parents.
Another was the tapestry of people she had around her. From her extended family to neighbours to mates and teachers at school. Many cared and it's made obvious that there are different avenues of support if she seeks and/or accepts it. Person by person she lets them into her life and it enriches her.
I think especially when I was younger I very much hoped to one day have so many interesting people in my life. And even now where I'm actively working on it I sometimes feel like there is space for more people and more perspectives. At 11 I was quite isolated by living in the countryside and not having any hobbies which involved a group. I wished for more but did not have a clue how to get it.
I'm happy I re-read the book. It's so close to my heart. And it probably always will be.
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lost-sheep · 10 months
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Though I know my heart would break, I'd tell them put me back in it Darling, I would do it again If I could hold you for a minute, Darling, I'd go through it again
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gatogotica · 9 days
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The way this whole time I’m out here assuming Herbert West is a detached emotionless asshole just based on random stuff I’ve seen then I finally get around to watching these damn movies and in the second one they have this dude as the most pathetic gay man I’ve ever seen doing the absolute most to make his man happy and that? gagged me
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bloghrexach · 2 days
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🤔 … Francesca Albanaese has conducted a study: ‘Anatomy of a Genocide’, very telling. Here are some facts. — and still the world leaders/powers look on. Not the ‘younger generations’ though!!!
By: LaillaB, founder of ‘Reclaim the Narrative’, from LinkedIn …
“Israel has destroyed Gaza’
By analysing the patterns of violence and Israel’s policies in its onslaught on Gaza, the “Anatomy of a Genocide” report concludes reasonable grounds to believe that the threshold indicating Israel’s commission of genocide is met.
One of the key findings is that Israel's executive and military leadership and soldiers have intentionally distorted ‘jus in bello’ principles, subverting their protective functions, in an attempt to legitimise genocidal violence against Palestinians.
In this report, Francesca Albanese, the Special Rapporteur on the situation of human rights in the Palestinian territory occupied since 1967 (“oPt”), addresses the crime of genocide as perpetrated by the State of Israel (“Israel”) in the oPt, specifically in the Gaza Strip, since 7 October 2023.
As Israel prohibits her visits, this report is based on data and analyses from organisations on the ground, international jurisprudence, investigative reports and consultations with affected individuals, authorities, civil society and experts.
Since it imposed the siege on Gaza in 2007, which tightened the closure imposed since 1993, Israel, the occupying power, has carried out five major assaults before the present one.
By Day 9, this assault had already caused more deaths (2,670) than Israel’s previous deadliest war against Gaza, in 2014 (2,251) . Only a fraction of the mass killing, severe harm and ruthless, life-threatening conditions inflicted on Palestinians over the following months of assault can be captured in this report.
UN experts, 5 scholars, 6 and states, 7 including South Africa before the International Court of Justice (“ICJ”), 8 have warned that acts committed in this latest onslaught may amount to genocide.
The ICJ found a plausible risk of “irreparable prejudice” to the rights of Palestinians in Gaza, a protected group under the Genocide Convention, 9 and ordered Israel, inter alia, to “take all measures within its power” to prevent genocidal acts, prevent and punish incitement to genocide, and ensure urgent humanitarian aid.
In its defense, Israel has argued that its conduct complies with international humanitarian law (“IHL”).
A key finding of this report is that Israel has strategically invoked the IHL framework as “humanitarian camouflage” to legitimise its genocidal violence in Gaza.
The context, facts and analysis presented in this report lead to the conclusion that there are reasonable grounds to believe that the threshold indicating Israel’s commission of genocide is met.
More broadly, they also indicate that Israel’s actions have been driven by a genocidal logic integral to its SETTLER-COLONIAL project in PALESTINE, signalling a tragedy foretold.
“It’s my solemn duty to report” -
GENOCIDE: ISRAEL: COLONISATION!!
“I say to all those leaders, do not look the other way. Do not hesitate … It is within your power to avoid a genocide of humanity.” — Mandela! … 🤔
A tragedy foretold —.🕊
#reclaimthenarrative — 🍉 — 🍉 #FreePalestine … @hrexach …
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wellgoslowly · 9 months
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*shoves all other edit ideas to the side* locklyle edit to francesca by hozier
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evakant · 1 year
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honestly, THE best disco elysium moment is when kim says 'milkers' and yes you do get a screenshot of it so you don't have to go look for it, i'm nice like that:
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“you used to be my best friend”
“I don’t know who I was”
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oceanspray5 · 7 months
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Perfectly Incandescently Happy - Chapter 13: After: How To Marry A Viscount
Dearest Gentlereader,
The subject that has set the ton abuzz and everyone bereft of answers may soon be coming to its conclusion yet. Naturally, I would hate to have to print any retraction however, it seems this writer, too, may have to reconsider concerning one of the more astonishing matches this season: the one between Viscount Anthony Lockwood and Ms Lucy Carlyle.
But did our handsome Lord Lockwood finally open his eyes to exactly all he had to lose at the Finchley Ball? Certainly, there can be no other reason for his interference with one of Ms Francesca Bridgerton's potential suitors. Paired with his early calling at Viscount Bridgerton's house two days after and ecstatic exit, perhaps wedding bells may be in Lord Lockwood's future after all... just not with the surely broken-hearted Ms Carlyle.
After the death of her best friend, Ms Lucy Carlyle is given the opportunity to be sponsored for the 1815 London season by Norrie's aunt. Instantly compared to the Diamond due to their astonishingly similar looks, she befriends Lord Lockwood quite unexpectedly yet is left wondering if she was a fool for believing he'd look twice at a mere country girl.
The aftermath of the Bridgerton Ball and an exclusive edition of Lady Whistledown's Society Pages
Ao3
Thank you so much for everyone who has been reading alongside this story from day one, those of you who joined later on and those of you who will read it through in the future. I am SO grateful and cannot put into words how honored I am by the love you have shown this fic. There is an Epilogue yet, and then a Bonus Story which I will be posting as part of this series (not as a chapter in this fic) so please stay tuned. If this story made you feel any sort of way please do leave a comment to let me know.
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carebooks · 10 months
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ideas for the Lockwood & Co. crossover with Bridgerton
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beware, this gets pretty dark for the Bridgertons
Lockwood and Co. are investigating an old mansion in Mayfair, ever since they’re recent adventures surrounding the bone glass they’ve been moving up in the world a bit. And now it was time to locate and contain a Type 2.
When they arrived, they were faced with a much worse terrifying feeling of dread than from their previous cases. Yet, it was also twisted and different, not quite the same as they usually expect. It took a while to find any ghost at all, let alone a Type 2, and most of what Lucy could hear were happy memories from the house of different people, a family most likely.
Finally, she started hearing a low buzzing, and so did the boys too eventually. They made their way to the mansion’s cellar and that’s where they discovered:
“Please tell me that is not what I think it is,” spoke Lucy since no one else would. The boys remained in uncomfortable silence for a minute or two.
“That looks like…” Lockwood trailed off.
“The bone glass.” George finished for him.
A warped copy of the bone glass they had dealt not six months ago sitting in the middle of the floor.
They froze finding that thing, but the strangest bit about it was despite looking like the bone glass, it was missing the most crucial part of the relic: its center.
The rest of it resembled the first one they encountered, only slightly bigger, almost the size of a Viking shield. But the center was missing, it was just gone, an empty circle where they could see the cement floor beneath it.
When Bickerstaff first made his infamous bone glass, not many knew that it was not the first attempt. Nearly fifty years before when he was a young man he made his first attempt.
His first try was on a rich family of the ton. In his older age he would come to regret going after such a well-known family, but they were accesible to him and the perfect number he needed. The mother had eight children, they were all more than enough for his glorious venture.
That night, the Bridgerton family were all together, they were celebrating Hyacinth’s twelfth birthday, it was the whole family minus their spouses. Daphne came with her son as Simon and her were going through a small tiff at the moment. And Anthony’s wife, Kate, was visiting her sister out of town. It was supposed to be a lovely affair, filled with laughter and dancing. And birthday hats, of course.
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Unfortunately, that night came a man. He was a Lord, from what Violet could remember. A Lord that lived a bit far off from their city and was always invited to the ton’s balls, especially during the matchmaking seasons. He had danced shortly with both her oldest daughters if she remembered correctly.
No one knew what Bickerstaff was doing there. No one expected him to commit such heinous, morbid, inhumane crimes. He went after the servants first, killed them and made sure the home was isolated. Then he went after the men, easier to subdue the women with them out of the way, it may have involved threatening their mother. Then after that it seemed easy to just go oldest to youngest. They screamed and they cried and he didn’t care. But as he went through them all he noticed something by the time that all that was left was the mother. He had taken his seven souls, seven Sources, but she had eight children. Who was missing?
He tried forcing her to tell him, threatening to kill her if she didn’t speak the truth. But what good was that when she was already dead by the time he cut into her firstborn? She would never tell him where her last living child was, she’d rather join the ones that were taken from her. And just as he was going to torture it out of her, she got the upper-hand, he was too distracted, she was gaining some adrenaline. And so she took the knife he had been wielding and drove into his torso, leaving him on the floor and taking the macabre object he made with her children’s remains. She refused to leave what was left of them with their killer.
And so he chased after her until he caught her near the up the stairs. It didn’t take long for a fight to ensue and she realized what she would do. She didn’t know what this strange relic was or why he had to destroy her family to make it, but she didn’t care. She lost what was most precious to her and now so would he. She made a determined step to the balcony overlooking the foyer, it had been bent and open during the earlier fights with her boys fighting the intruder. Still gripping the bone glass, she stepped off the ledge and made sure to aim it at the ground. She died on impact as the glass shattered around her. Her revenge complete and his crimes wasted.
He tried repairing what was left back in the cellar, but to no avail. It was damaged beyond repair. He left it there and didn’t look back.
Hours later, the third daughter and sixth child had arrived. Francesca Bridgerton had arrived late, coming all the way from her private studies in London. With gift in hand for her little sister, she didn’t know she would arrive to her home only to find her mother and siblings all horribly murdered. Her screams were heard throughout the neighborhood, alerting all of the ton practically.
The papers called it the Butchered Bridgertons.
Simon drank and barely left his manor when news of his wife’s and son’s murders made their way to him.
Kate, now a grieving widow but with no son to inherit the Viscount title, started living with her step-mother again. She goes back to India a few years later.
Penelope lost her best friend and her long time crush in one swoop, she stopped writing as Lady Whistledown for a year.
Lady Danbury visits Simon often, at this point just trying to make sure he doesn’t drink himself to death, and when she passes in her sleep six years later, he does.
The Queen had ordered her men to find the criminals responsible for her own subjects being murdered in their home. Mainly because the ton started talking of how the King and Queen cannot protect their own people. Everyone has become even more distrusting ever since.
Francesca Bridgerton is the last remaining Bridgerton left alive.
She cannot inherit her brother’s title and it’s passed on to a distant male cousin she barely knew. She cannot stay in Mayfair any longer. Rather than become some stranger’s ward and be forced to live in the place where so much death happened, she took what money she could find, her mother and sister’s jewels, and her brother’s hunting knife. She headed North, as far as she could get from the ton and from that house.
She eventually settles in a small town, finding work as a serving girl, and a few years down the line she marries a kind man and they have four children, two boys, two girls. She names them after her siblings and her mother.
When Violet Bridgerton jumped off that ledge and smashed the bone glass, something happened. One might never know what caused it: her self sacrifice, the love and grief of her children, or perhaps just blunt force to the relic— but something she did changed the bone glass. It no longer had those tormented souls, its Sources were in pieces and they suffered less. But it was still powerful. With her death, her ghost created its Source: the bone glass. And all her ghost ever wanted was to go back to a time when her children were happy and alive.
And then it did.
For decades, Violet’s ghost just kept going through the bone portal. Watching her children laugh, cry, and fall in love. But it never lasted, it always ended the same way. She still kept going back to it. She carried it on like a loop. Because that’s what it was.
Two centuries later and Francesca’s descendant would be finding her way to the Bridgerton manor. Finding the remains of the family and discovering what kind of ghost still haunts the area, eventually leading to the activation of the bone portal.
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Her source was uncovered and the pretty girl fell first. The boys cried out for her, the taller one diving trying to catch her before it was too late. But as his hand barely grasped hers, he was being pulled down too, and then the third one did his best grabbing the boy’s ankles, to no avail. Soon, all three went falling through the bone window.
When they woke up, to their surprise, they were still alive.
They just weren’t in the right time.
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