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duranduratulsa · 21 days
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Pic of the day! #oklahoma #arcadia #arcadiaoklahoma #route66 #okcounty66 #johnsplace #route66museum #roadtrip
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automotiveamerican · 2 years
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Leopold Garcia's near-mythical El Chicito and City Car to appear at new Route 66 museum - Daniel Strohl @Hemmings
Leopold Garcia’s near-mythical El Chicito and City Car to appear at new Route 66 museum – Daniel Strohl @Hemmings
Only a handful of photographs depicting Leopold Garcia’s El Chicito are known to exist. Even fewer of his other car, known only as the City Car. Garcia himself remains something of an enigma to automotive historians, and the whereabouts of his vehicles were kept so secret that some supposed the cars no longer existed. Yet all of that stands to change later this year when a Route 66 Visitors…
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fidjiefidjie · 5 months
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Bonjour ☕️ 🥐 🍊 Bon Week-end à tous
Route 66 ,"Ed Ruscha, Dixie, Lupton" Arizona 🇺🇸 USA 1962
Photo Autry Museum
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rabbitcruiser · 18 days
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McDonald’s Day 
McDonald’s Day falls on April 15, the anniversary day of when Ray Kroc opened his first McDonald’s restaurant in Des Plaines, Illinois, in 1955. Most, if not all, people around the world know this name, we believe. It’s one of the world’s largest fast-food restaurant chains. Did you know that Ray Kroc was not the founder of McDonald’s? The founders were the McDonald brothers. The current corporation credits its founding to Ray Kroc. So, let’s celebrate this McDonald’s Day in honor of Kroc as well as the restaurant founders, the McDonald brothers.
HISTORY OF MCDONALD'S DAY
The very first McDonald’s restaurant was opened by New Hampshire brothers Richard and Maurice McDonald on May 15, 1940, in San Bernardino, California. The McDonald brothers started by serving slow-cooked barbecue, and the business took off quickly. They later found out that 80% of their sales were from hamburgers, so they closed it for three months. They then remodeled it as a self-service restaurant, where customers placed their orders at the windows. It is said that they simplified their menu to just nine: hamburgers, cheeseburgers, three flavors of soft drink, milk, coffee, potato chips, and pie.
The McDonald’s brothers developed the “Speedee Service System,” allowing them to prepare the food quickly. All their hamburgers contained ketchup, mustard, onions, and two pickles. Although this newly remodeled McDonald’s struggled at first, once the brothers replaced potato chips with french fries and introduced triple thick milkshakes, the business started to grow again. In the early 1950s, they saw their profits double. They then established several franchises in California and Arizona. Ray Kroc, a milkshake mixer salesman, visited them in 1954, wondering why McDonald’s would order eight of his multimixers.
Once Kroc knew about McDonald’s restaurant operation, he saw potential in it. He then bought the rights to franchise the brothers’ restaurant across the country. He opened his first McDonald’s franchised restaurant in Des Plaines, Illinois, in 1955. But, their relationship was contentious due to philosophies that differ on how to run the business. Kroc later purchased the company from the McDonald brothers in 1961. The brothers who lent their name to the business and were pioneers of the business concept gradually faded to the background. They kept their original San Bernardino restaurant until they were out of business eventually.
MCDONALD'S DAY TIMELINE
1940
The First McDonald’s
The first McDonald’s restaurant is opened by Richard and Maurice McDonald in San Bernardino, California.
Early 1950s
Doubled Business Profits
McDonald’s profits double, and the brothers establish several franchises.
1955
The First Ray Kroc’s McDonald’s
Kroc opens his first McDonald’s franchised restaurant in Des Plaines, Illinois.
1961
The Business is Sold
Kroc purchases the McDonald’s company.
MCDONALD'S DAY FAQS
How much is McDonald's worth in 2021?
Reportedly, McDonald’s has a net worth of 36.53 billion U.S.D.
What nationality is McDonald?
It’s Scottish, and McDonald is probably the most famous Scottish clan surname.
How rich is the owner of McDonald's?
Chris Kempczinski is reportedly paid 5.22 million U.S.D. annually as the C.E.O. of McDonald’s, with a net worth of 17.9 million U.S.D.
MCDONALD'S DAY ACTIVITIES
Go to McDonald’s: There’s nothing better than going to its restaurant on its day. Order some Chicken McNuggets for a starter. Then continue with the well-known Big Mac along with the World Famous Fries. To finish up, get Coca-Cola and a Vanilla Cone, or McFlurry, or Hot Fudge Sundae.
Spread the word: Tell your family and friends about this fun day in case you want some company. You can order through McDelivery and enjoy the food and drinks together at home. Or, you may want to bring them to McDonald’s and dine in.
Watch “The Founder”: If you’re home alone, you may want to watch the movie “The Founder.” Watch the story about the famous McDonald’s while you’re munching your Double Cheeseburger and McChicken along with the World Famous Fries.
5 FACTS ABOUT MCDONALD’S HAMBURGERS YOU NEED TO KNOW
The burger cost only 15 cents: In the beginning, a McDonald’s burger cost only 15 cents.
Billions of burgers have been sold: It is estimated that billions and billions of McDonald’s burgers have been sold.
A Big Mac was once 45 cents: The first Big Mac was created in 1967 and cost only 45 cents.
It can be a source of protein: It is said that a McDonald’s hamburger contains 25% of your daily value of protein.
Happy Meals were first introduced in 1979: McDonald’s launched its first Happy Meal worldwide in 1979, and in 2021, McDonald’s announced that Happy Meal’s plastic toys would be phased out.
WHY WE LOVE MCDONALD'S DAY
It’s convenient: McDonald’s can always be an option when you don’t have any idea where to go to eat. They’re everywhere, you know.
It’s affordable: McDonald’s food and drinks are affordable. Not only that, but they are also delicious. They’re worth buying.
It can be a nice place to hang out: If you’re going to hang out with your friends for hours, McDonald’s has got you covered. Sure, they have many selections of food and drinks. Besides that, most of them have spacious dining-in.
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avalondesigns · 1 year
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Peanut’s roadside ufo museum (and gas station) 🐿🛸
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rhysfunk · 10 months
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Limitations
A trip west on Oklahoma Route 66 turns into a weekend of reflection and appreciation.
Route 66 has completely overtaken my life. That’s not a complaint; it’s just a fact. Ever since the Executive Director of the Oklahoma Route 66 Association stepped down last fall I’ve been pulling double-duty. Most of the time it’s fine; sometimes it’s overwhelming. But it’s all getting done and things are continuing to move forward. This past weekend, we had our quarterly meeting in Canute, a…
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thorsenmark · 3 months
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Finding Spike in Needles
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Finding Spike in Needles by Mark Stevens Via Flickr: While standing outside the Needles Regional Museum with a view looking to the southeast. My thought on composing this image was to pull back on the focal length and include more of the setting near this mural wall. My thinking was that I wanted to use the Perspective tool in DxO PhotoLab 6 and make it more leveled-on, rather than angled as the camera would capture it with different angles and such. The idea for this image came from the syndicated Peanuts comics that were running at the time and happened to have Spike coming to visit Snoopy. As I planned for a trip to Joshua Tree National Park, I decided to make a stop here after flying into Las Vegas. Definitely worth the stop on that day’s drive.
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undr · 4 months
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Top 10 2023. 2/2
1 - Edouard Boubat. Cats on a roof in Paris. 1947. 2 - Bill Varie/Los Angeles Times. Route 66. June 28, 1977. 3 - Arthur Pollock. A helicopter delivered a model dinosaur to the city’s Museum of Science (Boston). 1984. 4 - Berenice Abbott. The Flatiron Building, New York City, 1938. 5 - Unknown Photographer. Arc de Triomphe, Paris, 1935
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ltwilliammowett · 12 days
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The wreck of the Josephine Willis
The Josephine Willis, a packet ship launched in 1854, undertook a voyage to New Zealand under the command of Captain Edward Canney. During the voyage, there was an attempted mutiny by the crew. Twelve crew members deserted in Auckland, while others were dismissed in Calcutta on the return voyage. However, the second voyage, which started on 1 February 1856, was interesting. With a crew of 44 and 66 passengers, the ship again travelled to New Zealand. The ship had various general cargoes on board, including a large quantity of utility ceramics destined for the emigrant market in New Zealand.
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The sinking of the Josephine Willis (x)
The ship was first towed to Margate Sands by a steam tug before sailing on to the Downs. After reaching South Foreland, the Josephine Willis travelled down the English Channel and at 20:10 a light was sighted. It was believed to be the Dungeness lighthouse and the helm was put to starboard. However, the light belonged to an approaching steamer, the SS Mangerton, an iron-hulled screw steamer en route from Limerick to London. The Mangerton struck the Josephine Willis just forward of the main mast on the starboard side and is said to have cut the ship in half. Some of the crew and passengers were able to climb aboard the Mangerton, while others escaped in the ship's boats. However, it happened that the two ships involved did nothing to rescue the other passengers, which is why the captains responsible were later held responsible and sentenced for reckless behaviour. During the incident, however, the Josephine Willis later capsised and sank. Between 69 and 70 people lost their lives in the accident, including Captain Canney.
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3D image of the 'Josephine Willis' wreck (x)
Dives were quickly undertaken to salvage the passengers' cargo and luggage. Amongst other things, a mahogany chest containing the ship's board and Captain Canney's personal belongings were recovered and handed over to his widow. Salvage work on the wreck continued until 1861.
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Ceramics in situ (x)
The wreck was rediscovered by divers in approximately 2018. Diving investigation revealed that a large quantity of the ceramic cargo was still in situ. The ceramic assemblage is principally comprised of wares from three Staffordshire based potteries - Mexborough, Charles Meigh, and Davenport. Several of the ceramic types discovered are unknown in current museum collections, or have previously only been seen in the form of wasters.
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Recovered ceramics (x)
Interpretation of geophysical data indicates that the full length of the vessel survives in situ, with a maximum length of 46m, and a maximum width of 10-11m, which is consistent with the known dimensions of the vessel. A potential vertical break in the hull is located approximately halfway along the wreck mound. This corresponds with the position which the Mangerton was reported to have collided with the Josephine Willis. It would appear that the wreck has broken it's back and the remaining structure lies in two halves.
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Recovered toys and caramics (x)
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vintagelasvegas · 5 months
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McCarran Field on opening day, December 19, 1948, with an air show of military aircraft. Photo by Las Vegas News Bureau.
Timeline of Las Vegas Airports
• ‘20: First flight. Randall Henderson piloted a Curtiss “Jenny” to Las Vegas, landing south of Las Vegas, 5/7/20.
ANDERSON FIELD-ROCKWELL FIELD ('20-'29)
• '20: Anderson Field. Las Vegas’ first airport, designed by Robert Hausler and named after the property owner, opened 11/25/20. Location: southeast of present Sahara Ave & Paradise Rd. • '25: Leon & Earl Rockwell purchase Anderson Field from Hausler; renamed Rockwell Field. • '26: Western Air Express launches airmail route utilizing Rockwell Field. The air strip is closed in '29 after purchase by Leigh Hunt.
LAS VEGAS AIRPORT-NELLIS AFB ('29-present)
• '29: Las Vegas Airport built by “Pop” Simon, present location of Nellis AFB. • '33: Simon sells Las Vegas Airport to WAE; renamed Western Air Express Field. • '41: City of Las Vegas buys WAE Field Jan. '41; dual use facility becomes McCarran Field, and Las Vegas Army Air Field. • '48: McCarran Field relocates to Alamo Field. • '49: Las Vegas AFB reopened Jan. '49 at the former McCarran Field/Las Vegas Army Air Field site. Renamed Nellis AFB in '50.
BOULDER CITY AIRPORT ('33-'88)
• '33: Boulder City Airport, dedicated 12/10/33. Later replaced by nearby Boulder City Municipal Airport ('90).
SKY HAVEN-NLV AIRPORT ('41-present)
• '41: Sky Haven Airport. From '59-65 known as Thunderbird Field. Since '66, North Las Vegas Airport.
ALAMO FIELD-LAS AIRPORT ('42-present)
• '42: Alamo Field est. by George Crockett south of Las Vegas, present site of Harry Reid International (LAS Airport). • '48: The new McCarran Field. Clark County purchases Alamo Field, opening new airport 12/19/48. Alamo Field and Alamo Airways continue operation at McCarran Field. • '63: Field terminal (T1) opens at McCarran, 3/15/63. Airport gateway relocated to Paradise Rd. Alamo Airways continues operating at the original Las Vegas Blvd location. • '67: Hughes Terminal at McCarran. Howard Hughes buys Alamo (airport and airline) in '67, and Air West in '70. • '68: McCarran renamed McCarran International Airport (LAS). Renamed Harry Ried International Airport in 2021.
SKY CORRAL AIRPORT ('46-'49)
• '46: Sky Corral Airport. Located west of Last Frontier Hotel; air strip approximately the path of present Interstate 15 at Desert Inn Rd. Closed by '49. • Note: Another airstrip at D-4-C ranch southwest of Sky Corral, circa '46-49.
SKY HARBOR-HENDERSON EXECUTIVE AIRPORT ('70-present)
• '70: Sky Harbor Airport. Founded by Arby Alper. Present site of Henderson Executive Airport.
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Sources: D. Lamb. “North Vegas Seeks Thunderbird Field.” Review-Journal, 8/25/65; “Southern Nevada Enjoys Long Aviation History.” Review-Journal, 6/11/98; J. Przybys. “Airport Museum.” Review-Journal, 10/1/2000; “History of Nellis and Creech.” Aerotech News, 12/21/2018.
Below: Senator Pat McCarran at the gateway of the original McCarran field in North Las Vegas, dedicated 3/15/41. The 25-ton pillars were moved to the new McCarran field in 1948. (Nellis Air Force Base Photograph Collection, PH-00028, UNLV Special Collections.
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duranduratulsa · 12 days
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Pic of the day! #oklahoma #arcadia #arcadiaoklahoma #route66 #okcounty66 #johnsplace #route66museum #roadtrip
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oddlittlestories · 7 months
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The House MD characters need more Life-changing Field Trips. I tried to do a poll but
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Kutner & Thirteen. Comicon like @greghatecrimes headcanon. Ooh or a road trip down to Roswell.
Chase & ??? after his major injury & dealing with depression and healing. Extended road trip. (Kutner would’ve been the obvious choice but). I think it should be family vibes so Thirteen I guess.
Chase & Thirteen. European backpacking maybe? They keep going in cathedrals even though they should really stop doing that.
The whole team ends up at a Renaissance Fair. But I’m not sure who the non-nerd is (there’s only one and it isn’t Taub). Maybe Wilson? I think Park would be embarrassed but love it anyways.
Kutner & Taub go to a cheesy pop-up carnival as per my headcanon.
Thirteen, Kutner, and Taub go to a special haunted house down the coast. House and Wilson show up to scare the crap out of them at the end. Foreman, Cameron and Chase get lost on the way and end up at a roadside cafe instead.
Thirteen & Cameron. Rocky cliff beach trip? Six flags trip? Wine tasting tour? Whale watching? Something scenic somehow I think. Which ofc devolves into something way more wild
Kutner & Cuddy & Rachel. Some sufficiently child-oriented trip.
Wilson, House and Alvie? Some contestant based show that House and Alvie trick Wilson into?? Best of Route 66? There is no way this doesn’t end the same way as the bachelor party.
Wilson and the OG trio. To a conference together but their return flights get canceled.
Wilson & Cuddy. NYC to see Broadway shows and art. End up at the Lower East Side Tenement Museum.
Wilson & Thirteen. Supposedly to do something fancy but actually to do something fun and ridiculous but without House lol
And finally J Whitner and House should go on an Accessibility Tour where they see if businesses that claim to be accessible really are. And no one can tell if they’re in cahoots or if they’re feuding (both ofc)
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j2spntranscripts · 28 days
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☆ 2006 Paley Television Fest
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Official name: 23rd William S. Paley Television Festival Location: The Museum of Television & Radio (The Paley Media Center), John H. Mitchell Theatre, Los Angeles, California Time: Saturday, March 4, 2006, 7:00pm (GMT-7) Panelists: David Bushman, Peter Johnson, Kim Manners, John Shiban, Jensen Ackles, Jared Padalecki, Robert Singer, Eric Kripke Last episode: 1x16 “Shadow”- 2/28/2006 Next episode: 1x17 “Hell House”- 3/30/2006
Question Index: 1- (10:30) SPN Origins (Kripke) 2- (12:20) Sam and Dean Motivation (Kripke) 3- (14:10) Firsts Impressions "J2," Auditioning Sam and Dean (Kripke) 4A- (16:03) Auditioning for Sam and Dean (Jared) 4Aa- (16:53) SPN Appeal (Jared) 4B- (19:22) Auditioning for Sam and Dean (Jensen) 5A- (22:09) SPN Start (Manners) 5B- (26:04) SPN Start (Shiban) 5C- (27:34) SPN Start (Singer) 6- (31:04) SPN Mythology/Formula (Shiban, Kripke) 7- (34:18) Pre-Finale Thoughts (Kripke) 8A- (35:38) Location Significance- John in Sacramento (Shiban) 8B- (36:12) Location Significance- Lawrence Kansas (Kripke) 9- (36:58) Fear "Paranormal"- (Manners, Shiban, J2, Kripke) 10- (38:54) Continuity Mistake "4 years vs 2 years at Standford" (Kripke) 11- (40:39) Network Censorship "Gore"- (J2, Kripke, Singer) 12- (43:56) Paranormal on Set (J2) 13- (46:09) Network Censorship “Sex” (Kripke) 14- (47:19) Pre-series Sam and Dean (Kripke) 15- (49:06) Samulet (Jensen, Kripke) 16- (49:54) Special effects, Gag Reels (Jensen, Jared, Manners) 17- (53:15) Religion “Jensen,” Dean Winchester cellphone # (Jared, Jensen) 18- (55:39) Impala 67 (Jensen, Manners) 19- (56:15) SPN Music (Kripke, Singer) 20A- (58:41) Acting Advice “Start” (Jared) 20B- (1:00:08) Acting Advice “Start” (Jensen) 21- (1:01:02) Props "Alcohol" (Jared, Jensen) 22A- (1:02:14) Favorite Scene (Manners) 22Aa- (1:04:12) Acting Challenges “Shadow” (Jensen) 22B- (1:05:00) Favorite Scene (Shiban) 22C- (1:06:14) Favorite Scene (Jensen) 22D- (1:07:34) Favorite Scene (Jared) 22E- (1:09:18) Favorite Scene (Singer) 22F- (1:10:18) Favorite Scene (Kripke)
(transcript below the cut)
(*if you notice any mistakes in the video transcripts please point them out thanks*👍)
(0:00)
David Bushman is standing alone on stage in front of a mic reading off a script.
Bushman: Um, hi, everyone. My name is David Bushman. I'm television curator at the Museum of Television and Radio. And I want to welcome all of you to the museum's 23rd am-annual William Paley television festival. (thumbs to his right)
That clip that you just saw is from “Route 66,” which is one of the shows that, um, the creator Eric Kripke of, um, of “Supernatural,” um, often cites is one of his influences and that explains why we picked it. (thumbs to his right) That's part of our collection. We have 120,000 television and radio, uh, programs in our collection. And I would encourage all of you to visit the Museum in Beverly Hills, and in New York w-when you're there.
Um, tonight we're really excited to be honoring “Supernatural” which was named one of the top five new series of 2005 by Entertainment Weekly. “Supernatural” is aaa- a vibrant fresh exciting show that combines all sorts of genre elements: family drama, comedy, suspense, and on top of that it just scares the hell out of you. (audience laughs) I really want to thank Warner Brothers for all they did in helping make this night happen, particularly the PR department Holly Ollis and Winson Seto. Thank- thank you very much.
Um, what we're gonna do tonight is we're gonna, um, introduce right up front the cast and the creative team, our panels for the evening. Introduce them very briefly. Um, Eric is going to say a few words about what you're going to see. Then we're gonna.. watch an episode of the program, which Eric will talk about. Then we'll bring the panelists back up. I'll ask some questions and then you guys are on. So, start thinking of questions now. Okay?
(1:35)- first introductions
Bushman: Um, so, let me start with the panelists’ intros. First, uh, one of the producers of “Supernatural,” please welcome Peter Johnson.
Audience claps and cheers. Bushman looks to his left. Johnson walks on to the stage. Bushman meets him and shakes his hand. Johnson waves then goes down the stages stairs to sit in the front row. Bushman returns to the mic.
Bushman: Uh, next we have co-executive producer and director Kim Manners.
Audience claps and cheers. Bushman walks away from the mic. Manners enters on stage with his hands fiddling with his pants’ pockets and walks off the stages stairs to sit in the front row.
Bushman: Next we have co-executive producer and writer John Shiban.
Audience claps. Shiban walks out on stage waves to the audience and goes down the stairs to sit on the front row.
Bushman: Next, he plays Dean Winchester. Please welcome Jensen Ackles.
Audience screams and claps. Jensen walks out on stage and waves. He then jogs down the stage stairs to sit in the front row.
Bushman: Next, Sam Winchester. Please welcome Jared Padalecki.
Audience screams and claps. Jared speed walks out on stage, but walks passed the stairs a bit. He grimaces then bends down to look for the stairs while laughing a little, and then jogs down the stairs to sit in the front row.
Bushman: Next, the executive producer and director, Robert Singer.
Audience claps. Singer comes out on stage and waves to Bushman. Then he walks down the stairs to sit in the front row.
Bushman: Finally, the man whose vision, uh, created “Supernatural,” is the creator, executive producer, and writer. Please welcome Eric Kripke.
Audience cheers and claps. Kripke walks out on stage. He waves to the audience then walks to Bushman and shakes his hand. Bushman walks off stage and Kripke takes over the mic.
Kripke: Hey everybody. (audience responds back) Thank you so much, uh, for coming. Uhhh, it's a little, uh, overwhelming and- and amazing, uh, quite frankly.
This is to my knowledge, I mean, the first gathering of any “Supernatural” fans anywhere. So, thank you to you and give yourself (audience cheers and claps) a round of applause.
Uhm, just quick story from the set of “Supernatural” ‘cause it just happened last night. Uh, which is they were, uh, they shoot up in Vancouver. And, uh, they were shooting up at Stanley Park or about to begin production which is a-a public park up in Vancouver. Um, and, uh- uh, we're about to start filming when they got a call that, uh, there was a man about 100-200 yards from the film company, uh, with a handgun and, uh, they called, you know, Jared and Jensen. Said, you know, “Don't come to set. There's a man with a handgun.” And- and they shut down the whole production for two hours. They called in the police. They called in the SWAT team. Uh, they stormed-
This is all true. (laughs) (audience laughs) Very true. This all just happened last night. Uh, they all stormed Stanley- you know, SWAT teams storm Stanley Park, uh, looking for this man with a gun. Uh, and it turned out to be a, uh, member of our special-effects crew. (audience laughs) (laughs) So, good times from the set of “Supernatural.”
Ehahm, anyway. So, uh, I'm supposed to introduce the episode. So, let me- let me do that. Uh, the episode we're showing tonight is, uh, “Scarecrow.” Uum. (audience claps) (nods) All right, “Scarecrow” fans in the house. Uh, “Scarecrow,” uh, was written by the, uh, very brilliant, uh, John Shiban. Uh, (audience claps) so, round of applause for John. And it was directed by the very brilliant Kim Manners. (audience claps) (clears throat) Um, and so the reason, uh, we chose “Scarecrow” is we sort of felt it was, uh, just a good mix of sort of everything that the show is about.
Um, you know we think there's really some good drama between the brothers. We think there's some good comedy. Uh, we think there's, you know, good mythology about Dad and this is the char- is the episode that introduces Meg which people online had problems with (audience laughs) I seem to remember.
Um.. and, uh- And it's, you know, just, we think a-a scary, uh, damn good episode and- and- and based on a-a good series of, uh, you know, very fun urban legends about scarecrows. And so, I'll stop rattling on. Enjoy “Scarecrow.” We'll talk after. Thank you (audience claps)
Kripke goes off stage. Video fads to black.
(5:57)- second introductions
Visual comes back. Audience is clapping while Bushman walks on a lit stage with seven empty chairs and three round coffee tables each with bottle waters on top.
Bushman: Um, are there any “X-File”fans out there in the audience right now? (audience cheers and claps) It’s, uh- Every time I see this episode I feel like shaking Dean and saying, “What are you doing trusting the cigarette-smoking manager.” (audience laughs) (looks down to read his script)
Um, I'm going to bring our panelists back up on stage. Um, our first panelist is co-executive producer and director on “Supernatural.” He's directed nearly 300 hours of television, including 53 episodes of the “X-Files” which he also produced. Please welcome Kim Manners. (audience claps and cheers)
Manners walks on stage from the front row. Bushman shakes his hand and directs him to “move all the way down, please.” Manners follows the direction and sits on the farthest chair from the stairs.
Bushman: Our next panelist is a co-executive producer and writer on “Supernatural.” He began his career as a staff writer on the “X-files,” writing or co-writing over 20 episodes, and eventually serving as executive producer. He was also co-creator and executive producer of the “Lone Gunman” and supervising producer of “Harsh Realm” and is written for and produced “Star Trek Enterprise,” “Threat Matrix,” and “USA Network's Frankenstein.” Please welcome John Shiban. (audience claps)
Shiban walks on stage from the front row. He nods at Bushman and briefly holds a hand out to the audience and then walks to sit beside Manners. A stage assistant stands behind his chair to help Shiban with his clip-on mic. The footage then switches goes back to Bushman reading his script.
Bushman: Our next panelist portrays Dean, (audience squeals and claps) (laughs) wisecracking older Winchester brother. Before “Supernatural” (laughs at audience still chuckling) (one audience member briefly screams) Before- (laughs) Before “Supernatural” he was familiar to WB viewers is Jason Teague on “Smallville.” (audience squeals and claps) I don't know if I'm going to get through these intros. (audience laughs) He had a recurring role on “Dawson's Creek” and was a regular on “Dark Angel.” He- (audience claps and cheers) (smiles and laughs) He received three Daytime Emmy nominations for his role on Days- (audience cheer) (briefly laughs, lowers his script and then looks audience) Pl-please welcome Jensen Ackles. (Audience screams, cheers, and claps.)
Jensen waves at the audience as he walks on stage. He shakes Bushman’s hand and then goes to sit beside Shiban. He shrugs at Shiban and Manners. Before he sits down he takes off his leather jacket and says, “For you Jared.” The audience laughs. Bushman laughs and then looks back down at his script.
Bushman: Um, our next panelist portrays Sam, the rebellious- (audience screams) (Bushman and the audience laugh) rebellious younger Winchester brother. Before “Supernatural” he was best known as Rory's boyfriend Dean on Gilmore Girls. (audience screams) His- (laughs) His- (laughs) (audience laughs) His film credits include-
Audience member: I love you! (audience laughs and Bushman smiles)
Jared: (from his seat) I love you!
Bushman: (increases dialogue speed) His film credits include: “House of Wax,” “Cheaper by the Dozen,” “Flight of the Phoenix.” Please welcome Jared Padalecki.
Jared walks on stage and shakes Bushman’s hand. And goes to sit beside Jensen. Jensen holds out his hand to Jared, which claps it before he sits down. The audience laughs. Jensen shakes his head and then thumbs at Jared, who’s scratching his head. The camera goes back to Bushman.
Bushman: Our next panelist executive produces “Supernatural” and directs episodes of this series. Formerly- (audience laughs) (glances at the panelists) Uh, formerly vice president of NBC drama development. He later teamed with Daniel Blatt to produce films and TV series including “V the final battle” (audience woo’s) and Stephen King's “Cujo”. On his own, he has executive produced “Midnight Caller,” Lois Clark- “Lois & Clark the new Adventures of Superman” (audience claps and cheers) and “Reasonable Doubts” which he also created. Please welcome Robert Singer.
Audience (or possibly J2 screaming) screams, claps, and cheers. Singer walks up the stairs and shakes Bushman’s hand while walking to his seat beside Jared. Singer mimics a repetitive smacking motion with both hands towards Jared and Jensen. The audience laughs. Singer and Jared shakes hands before he sits down. The stage assistant gets Singer’s attention. J2 are smirking. The camera goes back to Bushman.
Bushman: Um, our final panelist today is the creator of “Supernatural,” in addition to executive producing and writing for the series. His previous TV credits include the WB series “Tarzan.” He also wrote and co- (Jared? woo’s) -produced (audience and Bushman laugh. The audience claps and cheers.) He also wrote and co-produced the feature film “Boogeyman.” (audience starts cheering) Please welcome Eric Kripke.
Kripke walks up stage and shakes Bushman’s hand. Then he walks to his seat beside Singer. Bushman then goes to the last seat at the end and waits for Kripke’s mic to be clipped on his jacket by the stage assistant.
Bushman: Okay. I'll start with a few questions before (gestures at audience) we open it to you guys. Eric the first one would be for you.
•(10:30)- PaleyFest06;Q1 – SPN Origins (Kripke)
Bushman: I'm just kind of curious how- how this the idea for this series, um, the genesis of it. And-and how it evolved from concept to, uh, what we see on the screen.
Kripke: Um, I, eh- For a really long time I wanted to do a show about, uh, American folklore and urban legends. (Bushman nods) Sort of (gestures) kind of a subject that, you know, even back to elementary school I've been, you know, kind of obsessed with.
As a matter of fact the very (bounces his pointer finger out) my very, very first TV pitch when I first started in town when I was 23- (shrugs) 24 was a-a-a (gestures) urban legend show and I kept (gestures) trying different versions of it and kept getting Smackdown. (audience giggles and Jared smiles) Um, I tried to do it as an anthology (taps his pointer) and then I had this idea of like a (gestures) bunch of reporters in a van, like “Scooby Doo” style. (audience laughs) A-all these sort of terrible ideas.
And then, uh- And then I was, you know, working with Warner Brothers and- and- and just come off of, uh- uh, (fake coughs) ”Tarzan.” And- (audience laughs. Jared laughs.) (Kripke laughs) And, uh- and they said, you know, “What do you- What- What show would you want to do?” And I said (gestures), “Well, an urban legend show.” And they said, “Well, what- what's the concept?”
And I had this (gestures) really long elaborate storyline that I'd spent weeks and weeks on, uh, on about (gestures) a reporter. Um, and it was almost exactly (laughs and gestures) “Night Stalker.” (audience laughs) which was hilarious. Um, and, uh- and, uh, they- they (tilts his head) kind of looked at me and they were like, (shrugs) “Nah.” (audience giggles) There’re like, you know, (shrugs) “Any other, you know?” (shrugs) “What else?” and I said, “Well” (mimics writing) Because I-I'd literally scribbled it my notebook the day before, which was- I said, “Well, you know, it could be like Route 66. Like two guys on a road trip.” And they're like, (stop gesture) “We love that do that.” (Jared and audience laugh) And I-I- So, just kind of came out of nowhere, and just sort of, uh, developed from there.
And- and it turned out to be just the- the right, uhh- You know, the right way into this show. Because they can just drive it- You know, the boys can just drive in and out of a different horror movie every week, so. (audience chuckles)
•(12:20)- PaleyFest06;Q2- Sam and Dean family motivation (Kripke)
Bushman: Did you- Did you, um, at that point know w-in terms of characters who those two guys were? I mean, how did the whole this whole family element, which is so important to the show. I mean even, you know, um, you know, Jared says to-to the girl in this episode, uh, “I've got to go back because it's my family.” How did that whole family aspect-
Kripke: Um, just you know you- you write what you know. And- and I'm from a very, uh, close-knit, (Bushman clears his throat) uh, family and I have a (gestures) big brother. Um, and, uh you know, and I have, you know, a lot of, you know, really great friends and s- and just you know sort (gestures) of the way guys talk and the way they communicate without (gestures) ever really communicating anything. And.. (audience laughs) (smiles)
Um, and, uh- So, (gestures) it just kind of- It- it kind of grew- grew out of that. And, uh, so I knew I wanted to do, you know, uh- You know, in terms of characters, I knew I wanted you know the- the little brother to, you know, (gestures) be conflicted and have a lot of, you know, a lot of the angst and problems which I (gestured to Jared) threw right to Jared. (audience laughs) (J2 smile. Jared nods and clears his throat)
Um, and I wanted a- and-and- I wanted a big brother just be a total smartass. (audience laughs) I mean, that's how I started you know? (Jensen smiles, chuckles and turns to his right. Jared nods and then claps Jensen’s knees. The audience laughs.) Um, and— (Bushman: mm) and so you know and-and-and- it's- and it's, you know, w-w-with a show like this it’s, you know, the, eh, with the genre and it's sort of out there it's-it's- it really needs like a grounding influence. And so, to ground the show into family and elements of family. Um, and that (gestures), you know, that care that these brothers have for each other, uh,  (Jared offers to pour Jensen water in his glass. Jensen gives him a go ahead gesture.) really helps us because these two guys. (audience giggles) (Kripke stops and looks at J2 and J2 are biting their lips)
Shiban: They hug. They hug.
Singer and Kripke look at Jared. Jared smiling makes to put the water bottle behind his chair, but then sets it on the table. The audience keeps giggling. Kripke: Oh. Bushman: He’s pouring him a glass of water. (Kripke looks at Bushman) (mimics pouring water) He’s pouring him a glass of water.
Kripke: Yeah. (gestures) Because these two guys, I mean, the- (J2 are silently laughing) the relationship they have. I mean sometimes we have, you know, (Jensen scratches behind his ear. Jared is biting his finger and silently laughing and then Jared slaps Singer’s thigh) good subject matter and sometimes, you know, we don't. Um, (laughs) (audience, J2, and Singer laugh) but the- but the- the relationship with the brothers- these two actors always sees us through, so.
•(14:10)- PaleyFest06;Q3 - first impressions “J2”, auditioning for Sam and Dean (Kripke)
Bushman: Did- Um, were you familiar with their work? Um, or did you just bring in a ton of actors to audition for the roles?
Kripke: Uh, we, uh, auditioned everybody in town. Um, as you always do kind of on these pilots. (Bushman: uh-huh) Um, my, uh, my wife was quite the “Gilmore Girls” fan. So, (audience laughs) (Kripke looks at Jared) I, uh, I knew, uh-
Jared looking around at the audience. Audience laughs and claps. Jared points around the audience. Then smiles and laughs.
Kripke: (laughs) So, uh, I knew, uh, I-I knew Jared's work. And Jensen, uh, our director David Nutter, (Bushman: uh-huh) who directed the pilot, um, knew Jensen from, uh, (looks over at Jensen) either- Was it “Dark Angel?” From.. (Jensen: mhm, yeah) And he knew him from “Dark Angel” and so, uh- (gestures to the audience) “Dark Angel!” (gestures to Jensen) Jensen in Dark Angel!  
The audience claps and cheers. Jared woo’s and claps. Jensen gives the audience two thumbs up. Jared then goes to drink his water. Jensen looks down chuckling.
Kripke: And, uh- So, when we were, you know. (Jensen scratches his forehead. Audience member laughs.) When we were casting the characters it was- it was David Nutter who said, you know, “We have to- we have to fly down Jensen.” Who was up shooting “Smallville” at the time. So, he wasn't really in the- in the- in the pilot pool. And, you know, (shakes head) thank God we did. Because he walked- eh-uh (holds up his hands) Actually the story, which was funny, is Jensen walked in the room and-and met with us and-and-and David and Peter Johnson and I. And-and we talked to him and talked to him and we walked out the door and we looked at each other we were so exciting we're like we found and we found Sam.
Audience ohs and laughs. Jensen raises his eyebrows and nods. Kripke looks over at the boys.
Jared: I didn't get flown down. I had to ride myself (Kripke laughs: Yeah. Yeah.) Soo. (Kripke: And, uh-) I just wanted that to be known. (laughs) (Jensen is looking down smirking)
Kripke:  And it- and it was- and so, you know, these things just kind of form as-as puzzle pieces come together. And it wasn't until we met Jared that we're like, “Well that's Sam!” And we're like, (Jared chuckles) “And then, you know, Jensen could be Dean!” And then, it all just kind of, you know, it all kind of came together from there.
Bushman: That’s real interesting. Well, how about you guys, Jared and Jensen? Can you tell the story of-  
Jared: (thumbs to Jensen) I’ll let Jensen take that one.
Bushman: from your, um-
Jensen: Uh (points to Jared) you go ahead. (scratches the bridge of his nose)
Jared: (swipes hand in the air) Oh, Jensen (laughs) (Jensen: Oh no) that’s- that’s totally you. (pets his pants leg) What was the- (Jensen: honestly.) (looks at Bushman) What’s the- What’s the exact question?
Bushman: the question is-
The audience laughs. Jared rolls his tongue laughing and then turns his head down to scratch his hair. Jensen is smiling.
Jared: W (laughs to Jensen) I can-
Jensen: (to Jared) Is it a (briefly throws his hand up) spelling Bee? (Jared laughs and looks back at Bushman)
Bushman: Can you, uh, Can-
Jared: Can you use the word in a sentence?
Kripke: Spell. Spell leopard.
Jensen: Yeah, can you use that in a sentence? (straightens his shirt)
Jared: Leper?
Kripke: Leopard.
Jared: Leopard.
•(16:03)- PaleyFest06;Q4A- Auditioning for Sam and Dean (Jared)
Bushman: No, no, no. The question was, uh, Can you talk about the audition process from y-your perspective.
Jared: Well, it’s interesting, actually for me, hearing it from Eric's perspective. Um. I, uh, I’ve obviously been working with Warner Brothers for “Gilmore Girls.” And, um, the five years prior to doing the show I worked on Gilmore Girls to sort of developed a relationship with, um, some of the people at the Warner Brothers offices.
And I had kind of heard about a few of the pilots coming out. And I read this one in particular and I really enjoy the- the characters. And it really struck me as something that- I remembered hearin’ sort of (gestures) once in its breakdown of like it's (gestures) kind of a supernatural. It’s called “Supernatural” (Kripke laughs). And I was thinking like great (briefly throws up hand) “Charmed” or “Buffy,” (audience laughs) which are all great shows, but not the show I wanted to be a part of, you know? I didn't want to do “Roswell” or “Charmed” or “Buffy.” And then, when I read it I was like wow this is- this is very interesting and- and so much more than just like, “Ooo, scary show.” So-
•(16:53)- PaleyFest06;Q4Aa- SPN Appeal (Jared)
Bushman: what- what, uh, appealed to you about it?
Jared: Well, I sort of, uh, I grew up son of an English teacher. So, she was always big- and she would actually taught heroes myths and legends. So, I was familiar with mythology and sort of, uh, the Joseph Campbell taught, teachings. (turns to audience) The taught-teachings of Joseph Campbell. (audience laughs) And, uh, (Kripke chuckles) (scratches head)
Singer: Didn’t- didn't rub off that she was an English teacher. (Jensen mimics closing a film clapperboard)
Jared: It didn’t rub off. (looks down smiling and claps) (Kripke laughs)
Shiban: Yes. (Singer clears throat)
Jared: Uh, yeah. It didn't. It didn’t. I just work till 4:30 this morning in Vancouver. So, I’m a little worse for ware.
Bushman: It’s kind of interesting that you mentioned Joseph Campbell, cuz there's a little bit of “The Reluctant Hero” in your character.
Jared: Very much. I mean there's more than- there's so much more than just the Reluctant Hero. I mean, when you get into the archetypes they're sort of- each script is just bursting at the seams with archetypes and (briefly throws his hand up), you know, last thing I think these people want to hear is me going to a (Bushman chuckles) explanation of- (Audience laughs. Jensen fakes snoring) (briefly throws his hand up) I love the script. (turns to Jensen) I love the character. (shakes Jensen’s leg)
Bushman: Did, uh, so- (Jensen mimics waking up with a shout)
Jared: (leans towards Jensen rotating his pointer finger in the air) We're doing a- we're doing, um, a answer-
Jensen: (shrugs and frowns) I’m awake (reaches for the water)(audience laughs)
Jared: Okay. (turns back to Bushman, smiling and scratching his head)
Bushman: So, uh- Well, so your agent sent you script and you were- you were auditioning for Sam all along?
Jared: Uhh, right. (hits his knee) Right. I guess- I guess w-where the- where the process.. or how the process- where it was when it reached me was: read the script, see if you like the character, see if you like the script. (gestures) It was sort of like do you, you know, do you mesh with this- (gestures) Do you feel you could mesh with this script. And I felt I could and so I went in (thumbs towards Kripke) and I- and I met some of the guys, and I re-met Nutter and.. you know, sat in an office with- Who was it Kripke? (Jared leans forward than back to see Kirpke)
Kripke: (leans forward than back, in response Jared starts rapidly leaning back and forth) It was, uh, Me, Nutter, Peter Johnson we were at the-
The audience laughs. Kripke then notices the movement and starts mimicking Jared. Singer hunches down. Jensen starts laughing to himself while looking away.
Kripke: Wonderland. Offices. (Jared and Kripke stop. Audience laughs) And, uh.. Uh, yeah. And he- he came in and he had at such energy and- and just so, uh, (gestures) lived the character. (gestures) Just so was the guy. You know, it's a (gestures) cliche to say that but he really was. So, it was- it was an easy choice.
Bushman: (to Jared) And did you feel real good about it coming out?
Jared: Uvh, well (push his hair behind his ear) yeah. I-I-it was- it was b-by no means that short process, you know? I mean, that was sort of the beginning of a week or two week long (gestures) finding of scripts and characters. And I think the scripts are still being rewritten. I remember I'd seen a script and they’re like, (gestures) “This is changing. You know. Read the script, but (gestures) that's nothing to do with this.”
Kripke: (laughs) Right. Yeah. (audience laughs)
Jared: “It’s gonna change so much.” (gestures towards Jensen)
Kripke: (nods) This is true.
Jared: Which is much like it- it is nowadays. You know, (Kripke: Yeah) we get a script and they're like, “Okay, we're shooting this in a week, but it'll be a completely-“ You know? (audience giggles) (gestures) It’s just like- it-it can always can get better. And- and everybody's always working hard (flings his hand) up to the very last second, you know? Till they call action. (points up) People are working here. People are working in Canada. Just, you know, sprinting.
•(19:22)- PaleyFest06;Q4B- Auditioning for Sam and Dean (Jensen)
Bushman: Okay. (Jared nods) Jensen, what was your experience?
Jensen: (resting his head on his fist, briefly points to Jared) Pretty much the same.
Jared immediately fake sleep-snores and leans his head on Jensen’s shoulder. Kripke and the audience laugh. Jensen smirks. Jared sits up, laughing, and reaches for his water.
Jensen: Uhhh
Jared: Well said Jensen.
Jensen: (rubs his chin, laughs, sits up) Yeah. (rubs his hands) Uh, w-well, (thumbs to Kripke) like-like Eric said, they- they had originally brought me in for, uh, for the role of Sam. And, uhm, I- I knew David Nutter very well. Uh, I-I worked on, uh, testing for some- a number of pilots, um, before that. So, I-I felt very comfortable with him and with his recommendation to me coming in. And he feel good about it. (gestures) And I had a conversation with him on the phone before I come- before I came in and just he kind of gave me a spiel about Sam and, uh, (rubs his mouth) and what he thought. And- and then I read the script. And-and I was just like, “W-what about Dean?” (audience laughs.) “I liked Dean.” (audience laughs) “He's funny.” (audience laughs)
And-and, uh, it's- but (gestures) I, you know, I study for Sam. And-and I went in there and I actually kind of studied for (rubs his tear duct) Dean a little bit too just in case. And, um, I went in there and I read for Sam. And-and, uh, like Eric said. And they were like, you know. They were pleased with it. And then.. went home that evening and got a phone call and he said, “Well, uh- uh, there's this guy, Jared, uh, Pada- Pada- something-” (audience laughs)
Jared: I said Pada-something.
Jensen: (nods) Pada-something. (Smiles)
Jared: Pada-something
Jensen: and uh (grins)
Jared: Pada-some- (laughs)
Jensen: “And-and-and they really ar-are liking him” (gestures) “for-for one of the brothers.” And I'm like, “Okay.” So, of course I look him up online (audience laughs) and I'm like (throws up his hand) “He’s- he’s-“
Jared: (to the audience) He thought I was hot. (audience laughs and claps)
Jensen: He’s- (Jared laughs and scratches his head) “This guy's smoking hot.” (Jared leans back and laughs clapping his hands) “I can't play his brother and-“ Uuum, no. And-and-and- and then they said- (Jared facepalms) they'd said, “But would they like to bring you back in for Dean.” And, I of course was.. very excited about it and I came back in. (Jared clears his throat) And-and I was thrilled. So, uh, (gestures) that's kind of how it all. (gestures)
Bushman: Sut- So by the time you guys actually performed together you had already had the parts. They weren't auditioning-
Jensen: Well, no. We hadn't- we didn't have it- we didn't have it (gestures), uhh, officially.
Jared: (leans forward, to Kripke) Did we? (Jensen leans forward)
Kripke: No. We had-
Jensen: We had to do the-
Kripke: We were the on- (nods his head towards J2) they were the only actors we brought in to network. Because we- (gestures) You have to have a network audition.
Jensen: Formality of the network.
Jared: It’s usually a really terrifying process of (Jensen: Yea.) sort of (Jensen: Yeah.) these guys and gals at you audition with all year long. And it's five people that you're very, very afraid of, sitting in the room with you going for the same part. (Looks at Jensen) And when we got there it was like, “Hey.” “Hey.” “Where's everybody?” “Uh, there is nobody.”
Jensen: “Just you and me pal.” (audience laughs)
Kripke: Right. (briefly turns to Bushman) Yeah.
Jensen: And, uh-
Jared: We started (mimics writing) typing numbers down on a page- (shakes his head) I’m just kidding.
Jensen: Yeah, well (gestures) we went in and-and-and (scratches tear duct) that was yeah that was the first time we actually met. (gestures) And then we (gestures) (Jared: mhm) did a scene together, uh, for a- a-a roomful of executives and, uh, that was that.
Bushman: Okay.
Jensen: (points at Jared) and we’ve hated each other ever since. (reaches for his water) (audience laughs)
Jared: (nods) Yeah. (turns to Jensen) I poisoned your water, so.
The audience laughs. Jensen pauses and stares at his cup. Audience laughs. Jensen inspects his cup by slightly tilting it. He shrugs, takes a drink, and then sets his cup back down on the table.
Kripke: It’s a little unnerving. (Jared laughs)
•(22:09)- PaleyFest06;Q5A- SPN Start (Kim Manners)
Bushman: How about everyone on the panel? Kim, we could start with you and Ben. Talk about how you became involved with, uh, Supernatural.
Manners: I read for Sam. (most of the panelist and the audience laugh)
Jared: (throws his hands up) did everybody read for Sam or?
Manners: Well, David Nutter, who directed the pilot, is a good friend. He did season 1 of “X-files” And, uh, he called and asked if I would do a favor and, uh, come in and do one episode. Because I was kind of semi-retired after X Files. Uh, (nodding) very semi-retired. (audience laughs) And I, uh, came in did a show, uh, called “Dead in the Water,” uuh, enjoyed myself fell in love with, uh, (points to J2) Jan and Dean or is it Sam and Dean? (Jared and audience laugh. Singer pours himself some water.) Uhm, and I was driving home to my home in Missouri and they called me and said, uh, “We want you to come on as a part of the team.” And I turned around and here I am. So.
Jensen: Thank God.
Manners: And I’m having a good time.
Jared: (nods) Yeah. Thank God.
Manners: Yeah.
Kripke: Yeah, I don't know what we’d do without Kim up there. He's unbelievable.
Shiban: (nods) Yeah.
Bushman: Kim, uh, John.
Manners: I know whatchu do, you get another guy. (most of the panelist and the audience laugh)
Shiban: No, there is no other guy.
Jensen: No.
Kripke: Not true. No other guy.
Jared: There's no other guy.. named Kim.
Manners: (nods) Yep. (audience laughs) (points towards Jared and then clears throat) You know if this whole thing fails you guys can go right into stand-up. (audience laughs)
Jensen: Yea. (nods) (Jared claps his hands laughing) (points at Jared) I don't want to stand up to him another time. (audience laughs) I got to stand up on apple boxes all the time. (audience laughs)
Jared: (scratches ear) I'm pretty lazy. I’d rather sit. (Manners and audience laugh)
Bushman: John how did you-
Jared: (points to Jensen) Meanwhile! What-what (Shiban: Meanwhile?) what he- want he- what he doesn't know- what he didn't know about this whole process is that after we had him direct, uh, the- I guess it was our fourth episode we had: (counts his fingers) “the Pilot” (Jensen: yep.) with David Nutter, “Wendigo” with David Nutter, “Hookman” with David Jackson, (Manners: and then) and then (points at Manners) Kim came in.
And immediately I think from day one we were on the phone with everybody. (Manners takes a drink) (gestures) We were on the phone with (thumbs to his left) Peter and (points to Eric) with Erik and saying, “This guy is incredible.” (gestures) “Sw-Who is this guy?” (Manners sets his glass back down) And David Nutter had sort of given him this very.. sort of mysterious.. “You'll love Kim,” kind of sentence (audience giggles) at the very beginning.
Because we were going over this list of seven dir-
Jensen: Yes, the Jedi (waves his hand)
Jared: Very Jedi. (audience laughs) Yeah it was like-
Jensen: You’ll love him.
Jared: (mimics reading a script) “Who is Kim- Who is this guy?” “Oh, (waves hand) I knew him from this.” (mimics reading a script) “Who is Kim Manners?” (nods and waves hand) “You'll love Kim Manners.” (audience laughs) And sure enough, we were like, (double takes) “What?” And, um and he- and he- (his mic clip falls off) came on. And he was just incredible. (picks up mic by hand and talks directly into it.) And he was just incredible. (Jensen takes off his mic and hands it to Jared) And um, (nods to Singer) Can I- (reaches for Singer’s mic) Can I borrow? (audience laughs)
Singer: Sure. Yeah (But Jared doesn't take it and takes back his hand)
Shiban: Wow.
Jared: And, uh, (hands Jensen back his mic) And so we- w-we, uh, we basically begged and pleaded (J2 attach their mics back on to their shirts) to get him, um-
Manners: (fake mourning voice) A job! (throws his hands up) (Shiban pats his back) Just a job. (Jared: A job.) It’s all I wanted. (audience laughs)
Jared: He was hungry. (Manners laughs while rubbing his brow) He was, you know. He kept trying to bite my arm. (audience laughs) I was really worried about him (laughs).
Bushman: Yeah, I don't want to embarrass Kim, but what was so incredible about him?
Manners: about- (Bushman: about-) Who?
Jensen: Well, I-I think that- I think that, uh-uh, Jared and I just- w-we just responded well to him. I mean, he-he directed in a fashion that-that, uh, we really liked. And, uhm.. You know, it was kind of a set where guys could be guys. (thumbs at Manners) And he wasn't someone who-who directed, you know, behind a (throws hands up) screen with a (makes a phone hand gesture) telephone somewhere in LA, and was like, you know, (gestures and mimics a LA director) “Do it over and over. And then a closed up and a close up and let's get out of here and move on in the next set.” He was- (Singer reaches for his water) he was in there.
And-and you know a-a story about another, uh, episode that he directed, “Bugs,” uh, (Manners shakes his head) this was a-a scene where we had to get in (Manners mimics putting a gun in his mouth. the audience laughs) to a room with-
Manners: (turns to Jensen and waves) s-sorry.
Jensen: Yeah, no that’s-
Jared: It’s alright.
Jensen: I mean, ah, you know we get in this-this tiny little room with 65,000 bees and, uh, (Jared: ?Billions?) (gestures) the whole camera crew and (gestures) the sound crew (Manners laughs. Shiban smiles) and (gestures) then everybody's got (gestures) full bee outfits on. (audience chuckles) Then they're like, “Alright, Jared, Jensen, hop on in.” (audience laughs) And, uh-
Jared: And don't swat them, ‘cuz it makes them angry.
Jensen: And, Yeah. And I'll-and I’ll give it to Kim. He said, “You know what? If-if you guys don't have bee suits on. I'm not either.” And he went in there with, uh, (Jared: Right.) shorts and a t-shirt and a monitor.
Kripke?: Wow.
Jensen: And sat down on a box and directed us from inside the room (Manners silently laughs) with bees crawling all over our faces. (Manners and Shiban nod)
Kripke: Woah.
Jensen: It's just- it's-it that- it's that kind of relationship with Kim.
Bushman: Okay.
The audience cheers and then claps. Shiban and Jared clap. Manners briefly salutes two fingers to the audience.
•(26:04)-PaleyFest06;Q5B- SPN Start (John Shiban)
Bushman: John, how'd you get involved?
Shiban: Uh, I was going through the, uh, annual ritual of staffing season. Uh, I had a-a pilot that didn't go. So, I was available and reading all the pilots and taking meetings. And.. and read the script. Aaand loved it. Uh, and met Eric and loved him.
Kripke: Awww. (audience aw’s)
Shiban: Annnd- (smiles) I know. Aaand-
Kripke: John’s my guy. (audience laughs, Shiban, Jared and Manners smile)
Shiban: Yeah, it’s that. It’s true. Um, and, uh-uh, eh- there are a lot of- Uh, you know, I spent a long time on the “X-Files” and, uh, (gestures) I’m-I'm offered a lot of.. (gestures) scary television shows every year. It's like, (gestures) “Will you do this. Will you-“(Bushman: Yeah) And this one just struck me right away. Ehh, especially (gestures) when I finally saw the- the-the cut of the pilot.
Because it had those two things that I think (briefly pets his beard) you need to have a successful show like this. One is a great franchise, (gestures) which is the engine that runs the show. The idea that the two brothers on the road trip with a very personal agenda, eh-uh, is just great. And you can imagine- I can see instantly five years of suffering for these guys-
Jared nods. The audience chuckles. Jensen dramatically throws his head back. Jared smirks and nods. Kripke?, and audience laugh.
Shiban: And, uhhh, episode after episode. Uhh, and the second thing honestly is- is, uhh, is casting.. and chemistry. And chemistry is something you can't (rubs his hand) manufacture. And these guys have it. And they're so great to write for and they're so fun to write for.
Jensen slowly looks at Jared. Jared with a pressed smile, looks back. Audience woo’s and laughs. Shiban shrugs. Jared moves his face closer and puckers his lips. Audience laughs. Jensen shakes his head no and points to the audience. Jared stops halfway and looks down laughing to himself, and then looks up scratching his nose with a big smile. The audience laugh and clap. Shiban and Manners are smiling.
Jared: Worth a try. Worth a try.
Shiban: Yeah. (Jared chuckles) So, I said, “Yeah. I'm coming up.”
•(27:34)- PaleyFest06;Q5C- SPN Start (Bob Singer)
Bushman: Okay. Bob, how about you?
Singer: (Jared laughs) (gestures to J2) I-Can I just watch them, I don’t. (J2, Manners, and Audience laugh) Uubm, t-they had actually made this pilot. And, uh, I saw the pilot and, uh, really liked it a lot. And I think, uh, what the studio wanted was, um- (gestures) After they saw it and I got picked up, and the studio one point probably said to themselves-
Singer holds up his hands but then stops when audience starts laughing, raising an eyebrow.
Jared: (laughs) Just keep it (unintelligible)
Kripke: (opens his hands) You can't get anything done.
Jared: I can’t- (sets down his glass and then repositions himself)
Singer: (gestures to J2) This is what it's like to direct them too. (audience and Kripke laugh) Uhh- uh, the studio said, “Well, we-we-we can't give ff-40-plus million dollars to Eric Kripke.” And-(shrugs)
Kripke: (laughs) Yeah. (Jared laughs and claps his hands) Very true. (laughs)
Singer: And let him run wild. So, they said, “What we need i-is” (shrugs) “You know, some-”
Audience laughs. Singer stops and briefly looks to his right and up. Audience laughs. Singer rubs his chin and closes his eye laughing to himself. Kripke scratches his lip, looks at Singer, and laughs.
Singer: (shakes his head and then looks up at Kripke) This is so hard. (rubs his brow) (Kripke, audience, and Jared laugh)
Singer leans and reaches over and briefly covers Jared’s face, then returns to his original position. Jared laughs. Jensen is holding a glass of water and reaching for another.
Shiban: These people are very tired.
Jared: Yeah. (laughs)
Singer: Um. So, they thought they needed some, uh, you know, uh, a-a-an experienced hand to guide the young man through these rocky waters. (Jared laughs) The young- the young man of course felt what do I need this old fart for. (Jared and audience laughs)
Kripke: No way. (Singer laughs) He-
Singer: Um, anyway (gestures) we met and we met a number of times. And, um, finally our-got comfortable enough with me for, uh, for us to join up and, uh-uh, partner on this thing. And, um, (shrugs) it-it's interesting because I mean we are sort of from different generations. (gestures) And we approach, uhm, (gestures back and forth) drama in kind of a different way.
Um, but (gestures) as we sort of work together we found (gestures) that we always we really arrived (Kripke nods) at the same place even though kind of the methods (gestures) are a little different of how we get there. And it's a-
Bushman: Can you explain what you mean when you say that (Singer sits up) coming from different generations you approach drama in different ways?
Singer: Well, I don't know if that's a generational thing but I'm very, eh..
Kripke: Sober. (audience and Singer laugh) (Shiban?: And uh) compared to the drunk.
Singer: (nods) There's that, yeah.
Shiban?: (?low court?)
Singer: Um…eh- t-t-this is so boring, but, um, (audience giggles) for, um- I-I-I kind of come in (waves his hand) everything from a character standpoint of view. It’s-it's all about character to me. And I'll kind of (gestures) let the plot work itself out  given (Kripke nods) what the characters are-are gonna do.
And what I'm interested in the scenes is how.. that, you know, it drives the plot. But I'm most interested in how the characters react to it. Umm (scratches brow) and-and-and so the (laughs) stories I do (wiggles his hands up in the air) to tend to get a little like-like this but (shrugs) the character stuff is probably interesting.
Eric really works very, very hard on the stories, um, and gets the plot down. And knows that once his plot is good the-the character stuff will come naturally to that. (Kripke nods) So, we sort of go-go like this (Kripke nods) when we're in the room together. And we’ll arrive at that place which both things are serviced. And-and-and I think you- we’re really sort of one voice now (Eric nodding: mhm) that we-we rarely disagree on stuff. And it's a- (shrugs) You know, I've worked alone for a long time, so it's kind of really cool to have a partner. (shrugs)
Eric: (looks at Bushman and nods) Yeah. And (points to Singer) tah-tah blow smoke up his ass for a minute. (audience laughs) He brings a depth, uh, and-and maturity of care- of character of just depth to the drama that I could not do, you know? It-Me on me alone like is “Boogieman.” (Bushman and audience laughs) And.. and.. and like all of a sudden with him like, you know, we have a-a show where you have these characters that are psychologically rich and true and-and-and- and Bob is-is behind huge amounts of that. So, uh, we- (shakes his head) this show would not succeed, uh, at all without him. So.
Singer: Aw.
Kripke: Aw.
Audience aw’s. Singer leans over and rests his head on Kripke’s chest. Kripke holds him for a sec.
Jared: Aw. (Audience claps)
Shiban: Come on give him a kiss, would yah?
Singer: (turns towards J2) You guys can do it. We can do it.
Jared: No, it’s alright like that.
Jensen: Hey. Hey.
Manners: You guys wanna mow the lawn?
Jensen: Yeah. Around the curtains?
•(31:04)- PaleyFest06;Q6- SPN Mythology + Formula (Shiban, Kirpke)
Bushman: Let me ask one more question before I- before I open this up. But this is for the writers mostly. Um, which I guess is Eric and John. But, um- you know, Eric, you've been quoted, um, as saying that, uh, you know this show differs from a lot of the other, uh, suspense or supernatural shows that you (Kripke nods) say there, because you don't want to get involved so much in those long drawn-out stories or-or the mythology so much as you just- I don't know whether these are accurate quotes but you want to, um, just focus on scaring people and on the- on the urban, uh, folklore and-and so on and just scaring people.
But, um, I think I-I- speaking for myself, and-and maybe some people out here too, I find the mythology, uh, with the-the kids with their mom.. (Kripke: mhm.) and their dad, and, uh- um, you know, one of the really compelling parts of this story. So, um, I'm wondering how you just- an-an-and, you know, you start to see even with the last episode that-that (Kripke nods) aired last Tuesday. You're starting to see you guys are coming back to that. (Kripke nods: mhm)
Um, and I'm wondering how do you decide when it's time to sort of veer away from what “X-Files” used to call the “monster of the week” story and come back to the.. mythology of the show. So it's really for John and Eric. How do you decide when it's time to do that or-
Kripke: John?
Shiban: Uh, two things I made a lot of painful, uh, hair-pulling discussions and arguments and when should we when shouldn't we. But part of it is driven to, by just the nature of television you want to save some of your big.. moments for sweeps. And so you kind of.. work the season around that. Works a actually a very nice five or six episodes that are.. (finger quotes) “non-mythology” and then you can- you can pull the Mythology back. And, uh, and, uhh, again do the nature television. You want to end the season with some- something astounding.
And, uh, (gestures to Singer) also going to back to what Bob was saying, eehh, the mythology is all about character. It's all about.. what the boys are going through and family. (shrugs) And, so that's where we are going to head when we want to do something spectacular. So. (Singer drinks his water)
Kripke: Yeah. we- we had a- we have. And surprisingly have stuck to it. We have a, uh, a-a m-mythology plan for season one. We also have, y-you know God willing a pickup, we have mythology plans for season two and season three. But.. we have this plan of where the story goes in-in- (audience starts cheering) Yeah!
Shiban: On the CW. (Jensen is holding out a hand)
Kripke: On the CW!
Jensen: (to Shiban) When do we get to see this? (Shiban whispers to Jensen)
Kripke: Um, and-and so, you know, it was sort of the plan, which is the first.. (Jensen elbows Shiban while laughing, then Shiban keeps whispering to Jensen) seven ur- sev- about, really, the first seven (Jensen throws his head back and softly laughs) episodes you wanted to be the self-enclosed stories so you could kind of pick up new viewers. And then you start threading in a little bit more mythology.
But I think it's a balance. Because, I mean, it's my own just, you know, kind of personal taste, which is- I mean, I like a- you know, I want a satisfying story every week too. And-and um, you know, I mean “Lost” is (waves hand) an untouchable show. I mean, it's an- it’s-it's a (waves hand) brilliant and unbelievable show, but I-I- I find the endless mystery, my own, taste frustrating.
Bushman: mhm
Kripke: And- and if you're going to give ongoing mystery- (audience claps) Alright, people who believe. And, if you're going to give ongoing mystery, at least give, like, a rollicking badass story… apart from it that can have a beginning middle and end. And you can be satisfied. And the good guys can win. And you and you can have the experience being told a story. (waves hand) And then, you know, thread in the ongoing mystery.
 So, I think it's-it's-it's keeping a lot of different plates spinning. And it's not- it shouldn't be any one thing er-or another.
•(34:18)- PaleyFest06;Q7- SPN Ending, Pre-finale thoughts (Kripke)
Bushman: Do you know where the story ends?
Kripke: Um, I do actually. Yeeeah.
Bushman: Does anyone else on this panel know where the story ends?
Singer: Yeah, but we tell you, we have to kill you.
Kripke: Yeahh. Yeah. (Audience and Bushman laugh. Jared smiles) I mean, it's hard it- because you never know when you're gonna get cancelled or if you're gonna go, you know, 37 years like “Gun Smokers” (audience laughs) Or something. (Jensen chuckles)
Shiban: Oh, god. Please.
Kripke: But, uh.. Yeah.
Jared: Oh no.
Manners: The boys are in walkers. (mimics walking in a walker)
Jensen: (gruff voice) Sam! (audience laughs)
Kripke: Yeah. (nods) Right. (Kim laughs) (laughs) They’ll finish up the season and then they'll slowly die.
Jensen: Yeah. (laughs)
Audience laughs. Jensen is scratching his forehead smiling. Jared is drinking his water.
Kripke: And, uh.. So but-but yes we have, you know, really a-a-a fi- if-if I could somehow find out what the last season was going to be, or-or a five, six year plan, I mean, I sort of know that, you know, the-the final, you know, battle as it were t-that all shapes up. And, uh- But yeah, you know, it’s sort of-
Bushman: We’re gonna have to wait.
Kripke: Yeah.
Bushman: Okay. Let's take some questions from the audience. (holds hand over eyes and looks at the audience) Um, I'm gonna.. to call on two people, um, first question, a second question. Please wait for the mic, because this event is being taped, so we need to be able to hear you.
Uh, (points to the back of the audience) okay there's one all the way in the back over there, and (points his other hand towards the left of the audience) then there's one in a green shirt right down here.
(points to the green shirt again) We can start down here with the green shirt and then go to the back question.
•(35:38)- PaleyFest06;Q8A- Location Significance: John Winchester in Sacramento (Shiban)
Fan: Sorry, I had to take out my gum. Hi, um, I'm- Let me just say, I'm originally from Sacramento so I w-I wanted to know if there's any significance with their dad, John, being in Sacramento twice or just random or.. spoilery or.. Shh
Manners?: Joohn.
Kripke: You wrote it, John. Why did you use Sacramento? (audience laughs)
Fan: It’s-
Shiban: I don't want to give it away, yet. (Kripke? laughs)
Jensen: So, yes there is.
Kripke: No there’s-
Shiban: (points at Jensen) I'm gonna tell you either. (Jensen throws his hands up)
Jensen: I want to know.
Kripke: Yeah. Why?
Shiban: After. After.
Jensen: Ah, thanks a lot.
Singer: Tickets for a Sacramento Kings (Jensen: Yes.) game. Eh. (shrugs) (J2 laugh)
Bushman: So, their-their- the answer is that there is, but you're not gonna say what it is.
Shiban: Exactly.
•(36:12)- PaleyFest06;Q8B- Location Significance: Lawrence Kansas (Kripke)
Bushman: Okay. And speaking of location is there any significance to Lawrence Kansas? That it started in Lawrence Kansas?
Kripke: Um-
Shiban: (points to Kripke).. I’d have to give that to him.
Kripke: Uh, I would say, well, uh-uh i-if anyone does a, uh-uh, w-
Jared: In other words, yes.
Kripke: Yes. (audience laughs. Jared and Manners laugh.) There-there is and-and the-and the one thing I'd say is, because we tend to be really research oriented in our show (Bushman: uh-huh) and about American urban legends and there's a- there's a very famous, uh, urban legend, uh, near Lawrence Kansas. Um, that, uh-
Bushman: That somehow factors?
Kripke: Yeah. (to the audience) You know, if you guys go home and do Google searches on Lawrence (Bushman: Right) Kansas and stuff will come up. (nods)
Bushman: Okay. (points to J2) Do you guys know what it is.. Jared and Jensen?
Kripke: I don't think I've ever told you.
Jared: (looks at Jensen) Y-yeah.
Jensen: Uh, yeah.
Jared: Good gosh. (blows)
Jensen: Yeah. Yeah. Of course. (nods and leans back to rub his chin) (Bushman, Kripke, and audience laugh)
Jared: I haven’t decided when I'm gonna tell Kripke what it is.
Jensen: Yeah. (audience and Kripke laugh)
Jared: I’m mean, honestly. Tell him, “Hey, uh-
Bushman: (laughs) Okay. In the back all the way.
•(36:58)- PaleyFest06;Q9- Fear “Paranormal” (Manners, Shiban, Jensen, Jared, Kripke)
Fan: Hi. Uh, I just want to say I'm from Texas too. So.
Kripke: Wooo!
Jensen?: (J2 raise their hands) woo! (audience laughs)
Fan: Anyway I had a question, um, for everybody. What urban legend or folklore really does scare you guys?
Kripke: (points to Manners) (Manners shrugs) Kim?
Manners: Um, mm- nothing scares me. (audience and Shiban laughs)
Jared: That's true.
Manners:  I direct television.
Jensen: Yeah, I believe it.
Manners: And I- so (shrugs) (audience laughs) You know, if-if you- if you can live through that nothing scares yah. (shrugs) Really.
Shiban: Good answer.
Manners: Yeah. Well, it’s true. (Shiban laughs) What scares you John? ..Late scripts? (laughs)
Shiban: You do- Yeah. (audience laughs) Yeah. You do. Yeah. When you call me and say, “Where's the damn script?” (audience chuckles) That's frightening. (audience chuckles. Shiban and Manners take a drink)
Bushman: Any-any urban-
Shiban: (bumps Jensen’s arm) What about you guys?
Jensen: (shrugs) I-d-I'm dealing with him all season man. (Kripke and audience laugh) I’m scared of them all. (Kripke: All of em.)
Shiban: What about those bees?
Jensen: Yeah, bees that’s what I’m s-
Jared: You know I have a c- I'll- I’ll say something. I- uh, my daddy used to make me watch a show called, “Shadow Man,” or something, when I was growing up. And it was about a shadow that lived under this kid's bed. And, uh, he was sort of- (audience giggles) What's that? (audience giggles) (Jared smiles) And anyways and, uh, (audience laughs) it was his buddy.
Shiban: And he’s here tonight.
Jared: he wasn’t very popular in school. And so the shadow man started kind of getting all the bullies for him. And then one day came another.. kid’s shadow man got- (sniffs) Yeah it’s probably not as scary as it seems. (laughs, ducks and scratches his head) (most of the panelist and the audience laugh) (hides face behind his jacket)
Kripke: (thumbs to Singer) You wanna? You?
Singer: (laughs) Go ahead. (audience aw’s)
Kripke: (gestures to the audience) Someone has to give her a straight answer. (Jared: Y-yeah.) Hook-Hookman freaked me out when I was a kid. The killer with the hook. All the different stories of the killer with the hook of, uh, you know, the-t-the “Aren't you glad-” “Aren't you glad you didn't turn on the light?” I thought was really cool. And there's, uh, (gestures) the licked hands. If you ever heard the licked hand, which is a really cool one. (briefly looks down) And um, so (gestures) like that- that was always, you know, really sort of- sort of freaky for me.
Bushman: Okay, let's take two more questions. (points to the audience) Um, we'll get this one down here and there's one all the way in the back. Right- right next to you. Right… (points) Go ahead.
•(38:54)- PaleyFest06;Q10- Continuity Mistake “4 years vs 2 years at Stanford”
Fan: Um, in the pilot we know that, uh, when Sam wanted to go to college John told him to get lost. And he's in as presumably his fourth year because he's interviewing for Law School. Um, but d-he says that he hasn't talked to Dean in two years. Is there an answer to what happened two years ago? (Kripke is smiling and looking down at the other panelists)
Jared: Uhhh, y-you mean does that-
Kripke: I-I actually-
Shiban: Eric.
Kripke: (looking down at his lap) I have an answer to that. (nods) (audience laughs)
Fan: Do we get to know?
Kripke: Well, I know you're supposed to.. You know, (gestures to Shiban) do what Shiban does (Shiban nods) which is kind of go, “you'll find out.” (audience laughs. Shiban smiles and nods) But, uh, fact of the matter was is, uh, it-ii- (gestures) you know, these things happen so fast and furious. (mimics writing) And you’re- and- and that it was actually a mistake. (audience giggles)
Shiban: Oh no. (Shiban whispers to Jensen and then Manners)
Kripke: We-we wanted it-d.. Jared is or Sam's character supposed to be a junior in college and starting the interviewing process for, uh, the interviewing process for law school. (Jensen whispers to Shiban) And, uh, so hasn't seen him since he left- So he spent his freshman year and his sophomore year away from Dean and hasn't seen Dean. Then this is beginning of junior year. (briefly looks at the panelists)  This is.. fall of junior year.
So, it's been technically two years as he's beginning (gestures) th-the process. But, because, I think.. Because what happens, eh.. You know, you guys, you know, the-the you know- (gestures) I’m-I'm-I’m lying, (audience chuckles) like, sort of putting it all- Eh, because what happened 22 years ago he-he was slightly older than a junior should be. So, no one sort of bought that he was a junior and, uh, (Jared smiles. Audience giggles) so there's a (gestures) lot of discussion of these two “lost years.” And you’re just- and I just like, (hunches down covering his mouth) “he he.” (shrugs) “Like, just a mistake.” (panelists and audience laughs)  
Jensen: (?Hey, uh, I really wanna back this.?)
Shiban: That’s right (unintelligible) (Jensen laughs)
Kripke: But hold on let me give the real answer. “You'll find ouut.” (Jared and audience laugh)
Shiban: (gives him a thumbs up) Now you're talking.
Bushman: Okay. In the back.
•(40:39)- PaleyFest06;Q11- Network Censorship “Gore” (J2, Kripke, Singer)
Fan: Are there any stories about, uh, t-the show being too scary. Like, do you do trade-offs with the network? Like, they say, “Well, you can have two seconds of this, you know, bloody face, if you do this or that.” (?:mhm)
Jared: Yeah.
Jensen: Yeah, we’ve run into a few-few times that season- this season. (looks at Kripke) Haven’t we?
Kripke: You talking about Night- The Night- the.. On Nightmare was the first time.
Singer: (looks at Kripke) Oh right. Yeah. Yeah, you get into strange dis-discussions of, um, “Can we not see the decapitated- decapitated head (rolling gesture) roll?” (audience and Kripke laugh) And then you start arguing about, “Well.. can it do a half a turn?” (audience and Kripke laugh) Then say, “Okay. You can do a half a turn but the blood gush can't be for two seconds. It has to be for once sec-” Uh- um, so those are ongoing discussions, but a-a-actually the network's been great. We really push the envelope (Kripke: Yeah) in-in every sense. And, uh, they let us get away with more than I thought they would.
Jensen: There was also the, uh, when-
Jared: The gun rig.
Jensen: Yeah, the gun rig with me when I- uh, when Dean was shot in the head.
Kripke: Yeah. The- Night-Nightmare- The episode “Nightmare” was the first and only time that we’ve ever had issues with standards and practices. And so, everything else they just were like, “Give us more.” And we- again we were shocked by that. But there-the-the- there's a scene where, it's a- it's a vision it doesn't really happen, but where Dean gets his brains blown out (gestures brain splat) (audience giggles) in “Nightmare” (audience laughs) and-and… (Kripke briefly looks to his left) And we actually rigged it. And we thought, like, you know- We rigged it so-
Jensen: Yeah, the rig was awesome.
Kripke: Yeah. You-you rigged it so (mimics the shot going through his forehead) the shot actually goes into his forehead and-and the blood explodes out the back (laughs) (audience laughs) on to the wall. And we're like, (makes an excited gesture) “Haha, this is our lead and we're just, you know.”  But and-and-and- and network was like, “No way.”
Jensen: Yeah, this giant- this giant backpack filled with, like, grapes and-and corn syrup (audience ughs) and, uh, and- and it was this tube (partial turns and gestures at the curve of the back of his head) just kind of coming right- right out of the back and, uh, from the head on. And I had a little button in my hand. And they just yelled action. (mimics the scene) And, we timed it with a gunshot, and I hit the button, and gave reaction, and the whole wall went splatium.
Shiban: Yeah.
Kripke: Heheh
Singer: By the way-
Jensen: It was an awesome rig, but then they ended up having to cut to (box gesture) just the splat (Kripke nods) and then back to me with the hole in the head.
Singer: (point to his center forehead) Back to him with a hole. (Jensen: Yeah) But, the, uh, the director of that episode is here tonight, (pointing at the left side of the audience) sitting next to my wife as it is.
Jared: Where is he?
Kripke: Phil Sgriccia.
Singer: And- Phil Sgriccia.
Jared: Phil! (claps)
Kripke: Really good job. (audience claps)
Jared: Wooo!
Kripke: Stand up!
Singer: And, uh, when I looked at those dailies, uh, and I called Phil and I said- he said, “How are they? How are they? Is-” You know, because (swipes at Manners) Kim can tell you all us directors are.. so self-confident (Manners laughs) that we don't need constant approval or anything. (audience chuckles) Um- uh, he said- I said, “They're great, Phil. But what the hell are you doing?” (audience chuckles) And he said, “Well, you know, they look at that and they'll give me all the rest of the stuff.” So (gestures) (J2 and audience laugh)
Manners: We actually play a game with BSP broad-broadcast standards and practice where we cut the show and we cut it way too violent. (Kripke chuckles) So then they come in they go, “Well, you have to take out four frames of that shot.” And you go, “Oh god, not four frames.” “Yes, four frames.” So you take it out, but you always knew that you didn't need those four frames. (laughs) (audience laughs) So, we kind of stack the deck. (audience chuckles)
Bushman: (points) Okay, there's a question over there in the corner. (points) And there's one back there. Over there too.
•(43:56)- PaleyFest06;Q12- Paranormal on Set (J2)
Fan: Oh, okay. Um, well, we've had the question about what urban myths scare you. But for those of you who are actually on set regularly, has there ever been… you know, a blood splatter or that freaky scarecrow or anything that just really creeped you out just to be around on set even though you knew it was plastic or, you know, karo syrup or something?
Jared: I know one- and just one time randomly we're, uh, we're filming “Skin” the episode where (points at Jensen) he's a shapeshifter. (audience giggles) And we're inside this house- this brilliant house. (audience claps) Yeah. (Jared looks at Jensen and claps) It was a great episode. And, um, we were inside this house. And just this clock on the wall just up and leaned over and fell off. Just this round clock no one was near it. No one was (mimics hammer) hammering on the wall outside. It just kind of fell off and everybody sort of looked around. But instead of kind of going, “Who did that?” we're all just were like, (mimics scene) “Ignore it and go back doing business.” (audience laughs) Just tried- decided to not look into it any further. (audience chuckles) The way real brave people do it (audience laughs) this round.
Jensen: So, the, um, the show “Asylum,” uh, was.. (Jared: Oh, yeah.) Um. (Audience claps) (nods) Yeah. (claps) that was- that was shot in an actual abandoned, uh, mental institute and so.. Uh, the-the halls and the rooms and-and we're all very used at one point. (audience giggles) And-and, uh, you know, it said that-that-that- (gestures) the crew says not to go up to the fourth floor (?entrance?). (audience giggles) And, you know, don't-
And-and I remember we broke for lunch. And, uh, I thought I'd be (gestures), you know, clever and take a shortcut (nods then shakes his head) (audience laughs) I’d-I came down a stairwell and went into one door and it was just a (gestures) long dark hallway, because the-there's (Jared chuckles) no lights on. The only lights on it are what the-the film crew puts out. And, uh, that- I was like, (mimics looking back and forth in the hallway) “Well, it's not that long.” (audience laughs) “I can make it.” (audience laughs)
That freaked me out. (nods) (audience laughs)  
Bushman: Okay.
Manners: (points at Jensen) Dean W-Winchester, ladies and gentleman.
Jensen: Yeah. Thank you. (Jared and Shiban clap. Audience claps and cheers)
Kripke: Goodnight. (Jensen bows) Afraid of nothing. (Shiban takes a drink. Jensen laughs)
Bushman: In the back over there. Yeah.
•(46:09)- PaleyFest06;Q13- Network Censorship “Sex” (Kripke)
Fan: Now that there's a new network that you're probably going to be moving to, the CW, are they gonna and loosen up and give us a little more NC-17 like we got the Jensen storyline the other week. (audience giggles and some woo)
Shiban: Bob? (Jared chuckles)
Jensen: I'm confused. (audience laughs)
Audience member: Next episode!
Fan: Sex.
Audience member: Sex.
Jensen: What?
Fan: Sex.
Audience member: The sex.
Jared: Oh right.
Jensen: Aaahh. (audience laughs) (adjusts his position, shrugs) How can I forget. (audience laughs) (leans forward to look at Kripke) Thank you for that, man. (audience laughs) (Jensen shakes his head, leans back and hides a laugh behind his hand)
Kripke: (briefly holds his hands up) Sure… Happy birthday Jensen.
Jensen: Yes. (nods)
Jared: (laughs) Happy birth-
Kripke: Um, yyou know, I mean, CW is huge on full frontal male nudity. (Jensen is looking down hiding his mouth behind his fist. Jared chuckles into a laugh and then claps and goes to take another drink. The audience screams and cheers.) Well, uh, I think there's a lot in store. (gestures) Stay tuned! (Jared laughs while drinking his water. Jensen laughs) (shrugs) You know, I mean, we'll give ‘em- you know, we'll give ‘em love interests and (Jared coughs) love stories as it's appropriate.
Jared curls up and coughs behind his arm. Jensen reaches over and pats Jared’s back. Audience laughs. Jared folds over and continues coughing. Jensen with his arm on Jared’s back, makes a “come here” motion towards the audience.  
Jensen: We're gonna need it. (Kripke laughs)
Jensen continues to pat Jared’s back. Jared sits up, looks around and coughs one last time behind his fist.
Bushman: Um, okay. Uh, we’ll (points) take one there and one in the middle.
Jared: (wipes his eye and then his forehead) Oh jeez.
Bushman: (points) One down here and one in the middle. (nods) Yeah. Yeah. You just-
•(47:19)- PaleyFest06;Q14- Sam and Dean pre-series (Kripke)
Fan: Hi. Um, first of all thanks so much for being here. Um, if you guys are always like this, can I come work on your set? (laughs) (Manners laughs. Audience chuckles)
Jared: (throws his hands up) Yeah.
Fan: uh-
Jared: Thank y'all guys for being here. This is-
Jensen: Yeah. Thank you. (claps)
Jared: Yeah.
Manners: Thank you! (panelists clap)
Fan: No bother.
Jared: Honestly.
Fan: Um, so we came into this story, uh, when the boys are already adults. And I know there's a lot to explore in the future, but I was wondering about the past. Um, because I know that.. there's a lot of speculation about what their childhood (Jensen nods) was like growing up, (Jared nods) moving around. How much Miller time dad was doing. (Jensen nods: mhm) (Jared smiles. and audience chuckles) And how Sam and Jess met. Stuff like that. So, I was just wondering, um, if you were gonna explore that aspect of their lives?
Kripke: We just- Uh, it's funny you say that. We just yesterday, uhh.. Actually (points to the front row) I think, uh, I'm talking to Brad, who's at the network. I think you're getting a cut on Monday. (audience giggles) Um, of-of an episode that, uh, not only do the boys in-in present day, you know, deal with a creature, but, uh, (gestures) it's a creature they dealt with in the past. (gestures) And there's extensive flashbacks to, uh-uh, Sam and Dean. And John is there, you know, as the boys (•video skips•) children and dad and you get to see a, uh, an element of-of what their past was like or what their childhood was like. (Jensen nods)
Um, and it was- I really happy with how it turned out. And it- You know we won’t- We wanted to try it once. And I think it'll be happening a lot more. (gestures) Because there's this great (Manners and Jensen are leaning forward, looking at Kripke) 22 year window of-of what happened. And-and-and that's- there's a lot of story there that you can- you can flesh out. (nods then shakes his head) So, I think we're definitely to go there.
(nods and gestures) Because it's coming up in, uh, (briefly looks up) I think, uh, April, that episode. And it- I was really pleased with how it turned out. So, yeah. We’re really doing it-
Jared: Another positive is that if little Sam and little Dean filming, big Sam and big Dean are sleeping
Kripke: (laughs) Yeah. Right. (Jensen smirks. Audience laughs. Jensen holds up two thumbs.)  (Jared: Soo-) So, there's that.
Jensen: This is good. This is good.
Jared: So, keep pushing yeah (rocks fist)
Jensen: Yeah, keep pushing.
Jared: Keep pushing.
Kripke: Yeah.
Jensen: (nods and raises eyebrows) Flashbacks.
Jared: Very important. (laughs and scratches back of his head) (audience chuckles)
Bushman: Okay. (points) There was a question there in the middle.
Fan: (off mic) Um, Dean always wears this like- (audience giggles) 
Kripke: Aw.
Audience member: What?
•(49:06)- PaleyFest06;Q15- Samulet (Jensen, Kripke)
Fan: Oh, okay. (voice cracked giggle) (Manners laughs. Kripke smiles) Dean always (laughs)- Dean always wears a certain necklace does it mean anything?
Kripke looks down at Jensen. Jensen is leaning on his knees looking back.
Jensen: (to Kripke) You gonna hang me out to dry on this?
Singer: Oh yeah. (Jensen looks down. Jared laughs. Audience laughs.)
Kripke: I mean we can’t s- I mean it does but we can't…say.
Jensen: (looks at fan) Yeah. It-it-it does have significance and it- it’ll..(rubs his brow) it- but it we can't talk about it.
Kripke: Yeah. (laughs) (audience laughs) (Jensen rests his head on his hand)
Shiban: It's from Sacramento.
Jensen, Kripke, and the audience laugh. Jensen pats Shiban’s shoulder.
Bushman: That's a great question, though, that you picked up on that necklace. So. (Kripke: Yeah.) (Jensen nods. A few of the audience give woo’s.) Um-
Fan: (off mic) I always notice weird stuff. (audience giggles)
Bushman: Okay. I'm trying to spread ‘em out. Uhh. (points) You got somebody back there? Okay. (Points) And then this woman down here in the red shirt… (points) But go ahead in the back first.
•(49:54)- PaleyFest06;Q16- Special effects, Gag Reels (Jensen, Jared, Manners)
Fan: Um, I thought I heard you guys m-mention on a show one time you guys do green screen, blue screen, that kind of thing for special effects. Is that gotten a lot easier for you to do and kind of.. You know… fake it? (laughs) (audience laughs)
Jared: Yeah.
Fan: And, um, and the second part to the question was, uh, when the DVD set comes out are you guys gonna have a lot of.. behind the scenes jokes, cuz yeah this is funny. (audience laughs)
Jensen: We, uh, we-we actually just had a film crew on set with us, uh, this past week doing behind the scenes stuff for the DVD. (nods) So. (audience cheers and claps)
Um. (gestures) Going back to your first question the green screen and, uh, and stuff, we.. we do, do a lot of-
Jared: You-
Jensen: (leans back and looks at Jared) I said doo-doo. (Jared presses his lips. Audience laughs.)
Manners: He said doo-doo. (Jared smiles and shrugs)
Jared: He said doo-doo. (shrugs) (Jensen looks at the audience and briefly raises his eyebrows) (chuckles)
Jensen: (licks his lips and leans forward on his knees) Uumm.
Jared laughs. Manners laughs. Jared then throws his head back, laughing, and claps. Jensen closes his eyes and bits his lips. The audience laughs.
Jensen: We do (gestures) work a lot with- (Jared snorts)
Manners: Doo-doo. (Jensen looks over) (shrugs) (J2 laugh)
Jensen: (quickly sits back and points at Jared) Jared you can take this one. (Jensen stares at Jared with a smirk)
Jared: (laughing) Yeah. (sits up with his feet on the table) Uumm.. (claps his knee) as Kim and Jensen were saying, we doo-doo. (audience laughs) And, uh- No. We do- it was- it was- (puts his feet back on the floor) I guess it was a big learning process for everybody. Just- You know, it's-it’s a very interesting.. sort of task to be given to- Especially these kind of crazy either emotional sequences or these crazy physical sequences when they're like, “Alright. Now, um, you're in the woods.”(Jensen nods) “And, uh, you know, it's dark, and it's scary, and you're hearing things.”And then you look behind you and there's just this (gestures) big blue wall with (gestures) tape (audience chuckles) And, you know, a couple crew guys standing back there smoking cigarettes. (audience laughs) You know, cursing and.. showing off tattoos (audience giggles) And so it's-it's- it's, uh, I think I've- (briefly looks to his right, then gestures to the audience) speaking for myself, I-I hope I've gotten more of a hang of it.
Jensen: Aside from just the actual green-screen of it that w-we can just be in a normal set and-and they're going to, um- visual effects will-will then put in something (Jared: Right.) like, uh, “Phantom Traveler” with the, uh, (gestures) the smoke that would come out of the vents (Jared: Right.) and-and stuff like that. That's not something that we obviously see. Um.. so we have to pretend that it's there. And that there's no real green screen work going on there.
But, uh, there's also an episode coming up (thumbs to Manners) that Kim directed called, uh, “Shadows.” And we deal with, uh- (audience starts murmuring)
Kripke: Yeah, it just aired.
Shiban: It aired (?)
Manners: (to the audience) Well, what happened in “Shadow-” Did you see-
Jensen: (adjusts his seating position) I haven’t seen it. (audience and Kripke laughs)
Manners: (points to Jensen) He loves my work.
Jensen: Yeah. That’s right. And we hadn’t- (nods)
Manners: Uhh, If you remember the shot wheree Meg did the high fall (gestures)… (audience’s says yes) (shakes his head) they hung her six feet off the ground. And she was.. (gestures to his belt. Clip on mic falls in his lap) picked-  Wah- we call it picked, with two wires on her hips. And she was looking up at the cabin or doing this (looks up and clawing at the sky).  (looks down and pats for his mic.) Hello. (audience chuckles) (picks up mic from his lap) She was looking up at the camera doing this. (claws at the air with one hand) (audience laughs) And she just laid back and (leans back) she just laid out and flattened out. And they dropped her visually w-, uh, with the computer seven stories. She never went anywhere. That was all just.. in one place, I guess. True story. (clips mic to his jacket)
Jensen: And then when we ran up to the window.. she wasn't even there and we were actually staring at a.. a big.. red X.
Manners: yeah. (audience laughs)
Kripke: So, Jensen, does that mean that you guys actually have to act? (audience gives mixed reaction)
Jared: No, no, no. I'm actually not here right now.
Kripke: (chuckles and then to the audience) Oh, I’m kidding.
Jared: We're actually in Canada. (gestures) This is- this is-
Jensen: These are our body doubles (Jared and Singer chuckle)
Kripke?: yeah. (Jensen nods)
Bushman: Yeah, over here.
•(53:15)- PaleyFest06;Q17- Religion “Jensen,” Dean Winchester cellphone # (Jared, Jensen)
Fan: Um, actually I have two questions. The first one is, Jensen in a past interview he said you were a Christian. I was wondering is it hard to do this kind of show like.. having that background?
And the other question is in an episode, I don't remember which one it was, you gave the phone number what you're trying to reach your dad you're like, “Give me a call this is my number.” But whenever you call you can- you- y- it says, “This is Dean Winchester.” And it says, “Leave your coordinates.” Did you ever hear- like, you- Can you actually voice ‘em on there? Did you hear like- Did you have a lot of fans leaving messages at that number? (Jensen points to Kripke) Because it wasn't a five, five, five number.
It was very small to pick up on, because my sister and I we watch it- She watches it her place. I watch it at mine. (audience giggles. J2 smile.) And I was like “Did you see the number?” She's like, “Was it a real number?” And so anyway that was my question. (Jensen gives a one-handed shrug and then looks at Kripke. audience laughs)
Jared: If you want to actually call him it's 800-Wet-Legs. (Kripke laughs and audience laughs) So, that’s- this is- (Jensen leans over to talk in Jared’s ear)
Kripke: Don’t- don’t give out his number. (Manners laughs)
Jared: Oh, he changed- Oh, you changed it. (audience chuckles) Oh, scratch that. Scratch that. (scratches his head)
Jensen: Um, (readjusts his position) I’m lost.
Shiban: What was the question?
Jensen: What was the- what was the question? (picks up mic from lap) Wha?
Jared: Something about-
Manners: (leans over) You're a Christian!
Jared: (?subliminal worshiping?)
Jensen: (clips his mic back on his shirt) Uh, Yes. Okay. Uhhh, (gestures) Your first question. Uh, y-yes I-I was raised, uh-um, with a very religious family. (gesture) And-and in that, uh-um.. I mean, (open hands) what I do this is, you know.. W-we.. This is acting. (gestures) We're telling stories. I’m-I'm- I portray a character. Um, you know, does my grandmother cringe sometimes? (nods) Yeah. (smiles) (audience giggles) Um, but at the end of the day I'm-I'm, you know, it's- it's something that I'm cool with.
Uhh and, uh- and then as far as the- the-the phone numbers (gestures and looks at Kripke) and I think there’s even websites- there's a-a-
Kripke: Yeah. Yeah. When they called-
Jensen: (looks at fan) Email.
Kripke: Yeah, every so often.
Jensen: There’s actually been a (looks at Kripke) huge response to it.. from what I know.
Kripke: Yeah. Yeah. We got a couple. Wuh-uh- I listened- I mean we couldn't listen all of them, but there’s was a couple thousand voicemail messages. (audience chuckles) (Jensen: Yeah.) of people who called. And-and, uh, I mean I listen to you know maybe, you know, thirt- twenty or thirty of them.
Jared: (to Jensen) Two thousand (Jensen smiles)
Kripke: But some of our hilari- They're like, you know, (dramatic voice) “Sam and Dean! There- there's a ghost in my attic!” (audience and Jared laugh) “You have to come quick!” (Shiban coughs) Those are- those are my favorites.
Jared: (laughs) That’s funny.
Jensen: (scratches head) That's awesome. (audience giggles. Jared laughs)
Bushman: Alright, uh- (more hands in the audience are raised)
Jared: Woah.
Jensen: Woah.
Jared: Wow. (audience chuckles)
Jensen: Yes.
Jared: Can you do that again? (Jensen and audience laugh)
Bushman: Um, take one all the way in the back up there. And one right here in the front.
•(55:39)- PaleyFest06;Q18- Impala 67 (Jensen, Manners)
Fan: Hi. (Bushman: ?second?) My son and I are really big fans. And you guys are great. And I want to know what kind of car it is you drive. It's- it's great.
Jensen: It's a, uh, 67 (Jared?: Impala) Chevy Impala. (J2 nod. Audience cheers and claps)
The audience starts yelling out, “Metallicar!” Jensen smiles. Kripke laughs. Jensen laughs. A few more Meallicar response are said.
Jensen: The Metallicar.
Manners: They’re gonna sell well.
Jensen: Yeah. (shrugs) There it is. And we've got about- (looks around)
Manners: We've just bought our fifth one.
Jensen: (nods) Fifth one. We got about five of them. Yeah.
Jared: that's why you can't find him on eBay. Cuz we’ve been buying- (audience laughs) (Jared takes a drink)
Jensen: Yeah. We have them all. (nods)
Jared: (while drinking) mhm (sets down glass)
Bushman: Right there.
•(56:15)- PaleyFest06;Q19- SPN Music (Kripke, Singer)
Fan: Okay so let's talk about the music.
Jensen: Yeeesss. (audience and Jared clap)
Fan: Yes. Yes. Alright, I grew up in the 70s. I grew up on the mullet rocks. So, yeah. Let's talk about where the inspiration.. came from with that.
Kripke: That.. That was something that was r-really important to me, uh, coming into the show, coming into the pilot. Um, you know, I'm from a small town in Ohio and (gestures) this is the music I listen to. And I was a huge, huge Zeppelin fan. And.. and-and so, ehhh- You know, and so, uh, (gestures) when it came time to write the pilot I-I- and-and produced it, it was- it was so important to me that it had that music. And- and not have, you know, (gestures) all-all due respect to my beloved Network, not half the music that's usually on that network. (audience chuckles)
Um, and-and it was so important to me. (gestures) I was so like rabid about it that in the original draft of the pilot I even wrote in the- in the script. (mimics writing) I wrote, “Cue music. And you can take your anemic alternative pop and shove it up your ass.” (audience laughs, claps and cheers. Manners and Shiban laugh)
And, uh.. and the r- and the reason I wrote the scene when they're in the-in the pilot
Jensen: (? It’s how I knew??) (Jared nods and laughs) (briefly raises his eyebrows)
Kripke: they have the scene where they're talking about tapes and he's like, you know; ac/dc, you know, uh, Motorhead, Metallica. And the reason I wrote that in is I said, “Well, if we shoot that and it gets from the pilot then we have to use my music.” (audience laughs) (frantically gestures) “Because it's already in the- it's already in the sh- it’s in the show and they can't, you know. They can't put in some, you know, Sarah McLaughlin in the- in the- in post.” (Manners laughs)
So, uh- So I- You know, this is- y-you know- (turns to Singer) And we’ve-we've had a great time I mean in-in- with, you know, Phil also in post-production and with Bob (gestures) of figuring out these songs. And coming in one morning and being like, “Oh! Billy Squier! What about Billy Squier?” (Singer chuckles. The audience laughs.)
And, uh- and I think it's like a real signature to the show. And-and is-is the real- (gestures) plus it's Midwestern. You know, it's like two guys in- (thumbs to J2) from Kansas in a muscle car. (shrugs) And this is the music they listen to. So, um, but it's- I- I mean I- I love it. There-there was- The other night was Joe Walsh “Rocky Mountain Way” (Jensen nods) and I'm just laughing my ass off. (audience laughs) “Yeah! I Rocky Mountain Way on The WB! It’s-“ (Jensen and audience laugh)
Singer: It also, uh- It also spreads. Because one of the editors, uh, said to me- And he's a very hip guy and really good musically. (laughs) He- I walk into his room. We were going through songs. I said, “Well, do this song. Do this song.” (unintelligible) Two days there I walk in, he goes, “Do you know Bad Company's really good.”
The audience cheers and claps. Kripke laughs. Jensen nods and smirks.
Bushman: Okay. Let's take two questions from the middle. One- (points) One over there and (points) one on the other side. (points) O-on this side and then (laughs) one on that side.
•(58:41)- PaleyFest06;Q20A- Acting Advice “Start” (Jared)
Fan: Hi, I'm an inspiring actor. And (giggles) I wanted to know-
Singer: We’re sorry. (The audience laughs. Kripke laughs then aw’s)
Fan: I wanted to know, um, how hard was it for you two to get started acting? (Jared looks at Jensen)
Jensen: (gestures to Jared) Go ahead. (audience giggles)
Jared: Uuh. Alright, I'll feel this. I-It’s a it's not the first time I've actually heard that question and I'm- I'm so at a loss for what to tell you. (scratches knee) I have a very interesting story. When I was in high school I won a contest to being on the Teen Choice Awards. (some of the audience laughs) And hold trophies and give them to Freddie Prinze Jr. when he got (audience laughs) “Best Hottie of.. the World”
Jensen: Pretty much went downhill since then. (audience laughs)
Jared: It’s basically gone down, yeah. (Kripke laughs) Yeah, and I just- (laughs) I rode on Freddie Prinze's coattails. (audience giggles. Jensen smirks) No. Um, and I- and I met an agent at the, uh, at the show. I met a manager actually. And-and, Dan Spilo, I'm still with to this day, sitting with my girl Sandy over there. Um, he- we- (gestures) We started kind of talking over the phone with sides. And he had faith in me and I was going back to high school. And I've mommy that's a teacher and a daddy that was an accountant. (audience giggles) And they were like, “He's finishing high school. He's finishing high school.” And I was like, “Why can’t I go act? Why can’t I go act?”
And anyways, I flew out for about a week during pilot season. And I booked a pilot and then I used that money to go out during the summer. So, I had a really kind of crazy interesting story, but I have a lot of buddies who are, you know, much more talented and-and more committed than I am that are still struggling to make it. So, uh- It's a- It's a.. tough, tough industry but just, you know, keep working hard and keep making yourself better. (nods)
•(1:00:08)- PaleyFest06;Q20B- Acting Advice “Start” (Jensen)
Bushman: Jensen how did you get started?
Jensen: Um. Well, I mean like Jared said there's- there's really no set formula, uh, for- for.. how we, you know, we've gotten to where we've got. Um, mine was kind of a (throws up hand and shakes his head), um, sheer luck thing as-as well.
I was, uh, doing theater in Dallas and I happen to have a-a (throws up hand) talent agent from- from LA sitting in and came up to me afterwards and gave me his-his.. (throws up hand) pitch and I said, “Nah, you're full crap.” (Bushman and audience laugh. Jared smiles.) I told him to bugger off. (audience chuckles) And, uh, h- And then he went up to my-my folks and kind of gave him their pitch as well. And I guess they seemed a little bit more interested in a-
And so a few years later after his, um, persistence I-I finally said, “Ah, maybe I'll go out there for a couple of months and check it out. See if he's, uh- See if he'll talk the talk.” And, uh, I came out. And-and started working right away and that was about eight or nine years ago.
Bushman: Mm. Okay. So, question on that side.
•(1:01:02)- PaleyFest06;Q21- Props “Alcohol” (Jared, Jensen)
Fan: First of all, um, “Shadow” was a kick-ass episode. (audience claps followed by J2 and Shiban clapping) And I want to thank you all for that one, cuz it's awesome.
But let's get down to, like, what really matters. What alcohol do you guys like to drink? (audience laughs. Kripke and Singer look at J2.)
Jared: What alcohol do you got? (Kripke shakes his head with opens his hands at the audience, and then laughs with the audience)
Fan: Because I see a lot of beers and stuff in the episode. And it's always my thing to place what y'all are drinking. So, I was just wonderin,’ you hard guys? You light guys?
Jared: (laughs and then claps. Jensen smiles at Jared) Uh, my mom would kill me. (audience laughs) Umm-
Jensen: Yeah, can we cut the tape like right now? (audience laughs)
Jared: Yeah, could we? We were rolling. Check. Check. Actually (Jensen adjusts his position) one of the funny things about the, uh, about the beers is our-our prop master, Chris Cooper, um, he's.. some of the (gestures) (a clicking noise is made) beer labels they're always fake labels. (audience laughs) (Jared looks up) God?
Jensen: (?somebody get?) a staple gun. (audience laughs)
Shiban: (?Give me a minute.?)
Jared: And, uh, (chuckles) They're always fake labels and it usually have some do with the city that we're filming that episode in. You know like if we’re in Texas it'll be like, “Lone Star Logger,” or if we’re in.. (one person laughs) Minnesota it'll be like, “Timber Wolf Ale” or something (audience chuckles) like that.
But, you know, (looks at Jensen) we’re Texas boys. I- I think-
Jensen: Yeah, we, you know, would probably drink what you imagine a couple Texas boys drink. (J2 smirk. Audience giggles)
Jared: Put in a cup. (audience laughs. Jensen nods)
Jensen: That’s right. (Jared rubs his hand over his face and laughs. The Audience laughs)
•(1:02:14)- PaleyFest06;Q22A- Favorite SPN Scene (Manners)
Bushman: I have a question for you guys. (audience laughs. Jared nods while pressing his lips together. Jensen scratches his ear) Um, I'm curious if, ueh, this is possible to answer this question, if you could pick a scene that you either wrote or acted in or directed that's probably like your favorite scene that you've worked on since this show started and if you tell me why. Um, (Jared?: mm) anybody want to.. take. (Manners gestures at Bushman) Kim go ahead.
Manners: I'll take that, um. (rubs his tear duct) “Shadow,” where the boys finally f- saw their father. Uhh d- (audience claps and cheers) (shakes his head and clears throat) “Shadow” was- u-uh, I'm incredibly proud of because there were four great scenes. The scene where the boys were arming up and, uh, Dean blows at Sam and says, “Why do you think I-I got you out of Stanford in the first place?” “Why do you think I came to get you? Because I want us to be family again.”
And, uh, (Jensen dramatically wipes his eyes with the back of his hand. Audience laughs) I'll tell you Jensen had a tough time with that and we kind of arm wrestled over it. And he- and, uh- (Jensen nods) tooo get him there and, you know, because- because Dean is, uhh, you know, he's got his walls up. And-and to break down that wall for (gestures) just a minute to look in the Dean’s heart was- was magical for me.
And then when they met dad in the apartment, uh, and in the alley it was just- (nods) We worked very hard. (Jensen nods: mhm) (Jared nods) The boys- they- their game of tennis improves 2000% when they work with Jeffrey Dean or somebody like Niki.. (audience woo’s and claps. Jared claps) Aycox. (shakes head and then scratches nose)
You know, we find the nuances and, uh, it-it- in acting i-it becomes the crap that it is and it becomes real (Jensen nods), uh, life. And the words become (points at J2) their own and the emotions become their own and that's special, for me. (Jensen nods then looks at Manners. Manners looks back)
Jared: And not just to say this, but having a great director to.. tell you exactly what to do doesn't.. make it hard. (briefly looks at Manners) So you know (Manners: Thank you.) I think (tilts his head at Jensen) Jensen and I would tell you.. a thousand times every day like.. you know.. “Kim got it out in that episode.”
Jensen: (scratches head) (unintelligible) Yeah. (?That happened?)
•(1:04:12)- PaleyFest06;Q22Aa- Acting Challenges “Shadow” (Jensen)
Bushman: Hey, Jensen. Did you not want to do that scene because you thought that Dean wouldn't.. say that?
Jensen: Umm, yeah. Sometimes I-I- I guess I can be a little protective of just of-of Dean and-and him (open hands) showing emotions. And I, you know, I always, um… A-and as an actor as you grow with a character on the series you- you really- you really kind of become close to it. (gestures) And You- you protect it. (Bushman: mhm) Em, you protect that character.
And, um, I guess that, that was probably what-what- what that was. And, uh, I just didn't- I wasn't (gestures) real sure how.. uh, how much of the layers, uh, to peel away (gestures) in that scene. And I guess in that confusion I just- I-I kind of put up my own barrier. (Thumbs to Manners) But, uh, if there was anybody to get me through it, it was Kim. So, I'm glad he was there.
Bushman: Great.
Jensen: Yeah.
•(1:05:00)- PaleyFest06;Q22B- Favorite SPN Scene (Shiban)
Bushman: John you have a favorite scene?
Shiban: Uuuh, there was a moment in “Skin” that-that I'm.. proud of. And actually it- in the- it sort of says something about how we (sniffs) tell our stories because we're always saying, “Okay, we want to do this type of episode. We want to do this monster. But how would Supernatural do it? How is it special for our show?” And I rremember being in- in Kripke’s palatial office of Warner Bros. (audience and Manners? chuckle)
Kripke: Not so fam- fountains and- (Jared smiles)
Shiban: Yeah. And uh- uh- (The audience, Jensen, and Manners chuckle.) We're (gestures) talking through the story of “Skin,” and the shapeshifter and obviously, you know, there's all kinds of (gestures) shape-shifting that's been done on television and movies etc. And he said, “We got to find our own.” And, uh, we kicked it around and came up with that scene, uuh, where Shapeshifter Dean goes down in the sewer.
 And.. and I remember reading a, um- uhh, some online posts some friends send me that someone else (mimics writing) -a fan was watching the show and giving her impressions as she watched it, (mimics typing) “Oh my god! Dean's taking his shirt off!” (audience laughs. Kripke smirks) and then followed immediately- followed immediately by, “Oh my god! He's taking his skin off.” (Jensen and the audience laugh) I knew then that we, you know, we had it. (Jensen takes a drink) And I was very-  I was very pleased with that.
Jensen: (places his glass down on the table) Oh, the things we do.
•(1:06:14)- PaleyFest06;Q22C- Favorite SPN Scene (Jensen)
Bushman: Jensen, you have a scene?
Jensen: Uuum.. (smacks lips) Yeah. I-I- one of my favorite, uh- um, it's not really a-a- a full scene but it's-it’s more of a shot. Um, and it was in, uh, it was in “Dead in the Water” (scratches arm) with, um- (points at Manners) Kim directed. Um, where I-I saved the little boy out of the lake. (nods) Uuh (some of the audience aw’s and then giggling) and coming- coming up out of the water. Uhm, and that was- It was just- It was, you know, slow-motion shot. It was very emotional, coming out with water and it was- That was really neat, um, but the build-up to that shooting it was, uh, (Manners chuckles) was really- (chuckles) (audience chuckles)
Uhhh, I had this 10 year-old boy in my hand and I'm keeping both of us (mimics holding the boy while swimming with one arm) afloat with one- one arm, uum, (rubs his chin) because I came with my feet (mimics holding a foot) because I got two divers holding my feet below me who were about to pull me under. And-d (one hand shrug) , you know, I-I'm fine. I grew up swimming in lakes and j- and all my life. But tah.. to have that sensation of somebody pulling you under water, um, especially when you've got the life of a-a 10 year old, you know, little actor in your hand and-and you're trying to keep him afloat. And he's got to play dead it was just- (shakes his head and rubs forehead) (audience murmurs) It was, uh- (looks up at Bushman) it was a little overwhelming.  And.. and it was definitely unforgettable.
But, uh, we got through it. (throws up hand) We get- and it turned out to be an awesome shot. (thumbs at Manners)
Bushman: That's a great story.
Jensen: Yeah.
•(1:07:34)- PaleyFest06;Q22D- Favorite SPN Scene (Jared)
Bushman: Jared?
Jared: uhh, you know what? I've had some time to think while.. (Kripke chuckles) (scratches head) (audience chuckles) they've answered their questions. And I'm gonna go back to, uh, a scene in “Wendigo” that we did at the very, you know, (throws hand up) second episode of the year and I member there was just such (gestures) a long period of time between the “Pilot” and “Wendigo.” It was.. What? From m-March-April till July. (Kripke: mhm)
And, uh, there were so many (gestures) questions in my head when I found that we were getting picked up. Like, what's gonna happen? Where are we gonna start? Like, how do we.. start? How do we finish? How do we continue this story that we started a pilot with so many things going down? How do we.. keep the momentum going?
And there was this one particular scene that, uh, (points at Jensen) Jensen and I did on stage where he's got (gestures) dad's journal he's saying this is what it's about (Kripke nods) and Sam is saying, “I got to find Dad.” And I remember we, uh- We had a huge day that day. We had like eight or nine (turns his head towards Jensen) pages of dialogue. (Jensen nods) And, uh, Jensen and I realized we had to do the scene. We're like, “Oh, crap.” (J2 turn towards each other) Like, (laughs) “W-what? Let’s go memorize this in my trailer.” (gestures) We sat down in my trailer. And there was an acting coach that I-I work with whenever I can, named Karen Thorpe, up there with us. (Kripke nods)
And, uh, you know he kind of pushed and prodded me a little bit. (throws up hand) And I don't know what he did to Jensen. (audience laughs) But, uh..
Jensen shakes his head. Jared makes a grimace. Kripke? Giggles. The audience laughs. Jensen smiles into his hands. Jared smiles and scratches his head.
Jensen: I don’t want to talk about it.
Jared: It was noisy.
Jared and the audience laugh. Kripke laughs. Jared claps and then looks down, hiding his face behind his arm and scratches and combs his hair.
Jensen: Never again.
Jared: That’s between y’all and the wall. (audience laugher and ughs?) But, anyways we ended up- we ended up kind of getting the scene and-and putting something there. (scratches leg) And I think, um, it was one of the first times I ever felt like (throws up hand)… um, I was- I was hopefully doing what Kripke wanted, you know? Like, I think, like, I felt like, “You know, I think this is what Eric was envisioning.” Like, I really felt, for some reason, there's one of those times when you finish a scene and you're like, “Wow. I don't know where that came from but.” (shrugs) “I don't know.” (Kripke nods) “Whatever.”
Kripke: I remember seeing the dailies on that too. Uh, we were just through the roof. It was incredible. (Jared pats his knees with his fingers)
•(1:09:18)- PaleyFest06;Q22E- Favorite SPN Scene (Singer)
Bushman: Bob?
Singer: Um, I think, um, my favorite scene is a really quiet scene. And It's at, um, is at the end of the “Faith” episode. And-and (gestures) that whole episode was really about (Kripke nods) (gestures) I think, very… topical for today about what's.. what's real faith. And, uh, Julie Benz comes in has a, uh, scene with Jensen. And, uh, Jensen says to her, um, “I-I'm not much for praying, but I-I'll pray for you.” (Jensen nodding: mhm) And (gestures) she said, “Well, that's a miracle right there.”
And, uh, (gestures) I-I thought that, that kind of- I-I thought that was really sweet. I thought it was incredibly well acted, um, with both Julie and Jensen. And-and I thought that, um, I probably.. If people were listening, I think that probably was our.. You know, our finest moment to, uh, say something semi political and-and be, um, on the right side of that. (shrugs) I just hope it affected people the way it affected me. (audience claps. J2 and Shiban clap.)
•(1:10:18)- PaleyFest06;Q22F- Favorite SPN Scene (Kripke)
Kripke: Um, I-I (slice gestures) agree with.. all of those. All those are incredible scenes I would also add, uh, the scene when, uh-uh, Dean first calls his father in “Home” and tells him that “Come to Lawrence” and just the way that Jensen was able to try (gestures) to put up those walls, but the walls kept breaking down and that was amazing. (gestures)
But all those amazing scenes aside, (gestures) everyone's given such classy answers. (audience giggles) I have to say that when the when the dude stuck his hand the disposal in-in “Home”. (j2 and audience laugh. Jensen claps) And-and then the monkey starts clapping and- and (mimics camera) we had that shot beneath the sink and you could actually see all the goo come out. (audience ew’s) And I said I- and we shot it in dailies. I said, “They'll never let us use that.” And we used it. And, uh, it's- it's more probably- than any other scare sequence in the show. (Manners laughs) It's the one that people watch (Jensen: Yeah) (mimics viewers cringing and blocking the scene from their eyes) And they just- they can't even, you know, keep their eyes on the screen. (gestures to himself) And, you know, to me that's sort of the fun at getting the effect out of the audience. (to Bushman) So, I'm going to say the (gestures) garbage disposal scene in the “Home.” (audience laughs and claps)
Bushman: It's great because that explains what Bob was talking about before with the two different approaches to dra-
Kripke: See. (gestures) There you go.
(1:11:24)- closing
Bushman: Alright. (to audience) Okay, I want to thank you guys. You guys have been a great audience. (audience, Manners, Singer, and J2 clap)
Kripke: Can I say-
Bushman: Uh, also, uh, Before you go! Before you go! Don't go yet. I also (two security personnel walk on stage) want to thank Er- First of all Erik's got something to say.
Kripke: (holds up hand) Well, I just wanted to say, uh, we have a lot of, uh, the people who work in- on “Supernatural” in the audience. And I want a round of applause for them for this unbelievable season. (audience and panelists cheer and clap) All of them have done such a- They’ve all.. (gestures) They’ve all murder themselves to-to (gestures) bring you this show. And-and we couldn't do it without any of them. So- so, thank you to them. We-(gestures) it's-
Audience member: Are we getting (?pics off?)
Bushman: I- I also want to thank (gestures to panelists)-
Kripke: Hope so.
Bushman: I want to thank you guys, all of you, for.. not just being here tonight, but also for the great work that you're doing.
Jensen: (bows head) Thank you. (audience claps and cheers)
Bushman: And you’re obviously touching our cords. Thank you very much.
Singer: (nods) Thank you.
Kripke: Thank you. (audio cuts)
Jared’s clapping. Jensen is taking off his mic. Shiban is clapping. Manners is sitting up. Four security personnel walk and stand in front of the panelists, along with a woman and two stage assistants. The panelists all take off their mics and stand and mingle with the people on stage. The audience is also standing and exiting. Video fades to black.
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rabbitcruiser · 1 year
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McDonald’s Day 
McDonald’s Day takes place on the anniversary of the day in 1955 when Ray Kroc opened a McDonald’s in Des Plaines, Illinois. This was the first restaurant of his franchise, but the ninth McDonald’s restaurant overall. Kroc helped make McDonald’s the most known fast food restaurant in the world, but the story doesn’t start with him.
Brothers Richard and Maurice McDonald opened a barbeque restaurant in 1940 in San Bernardino, California. In 1948, they changed up their restaurant and introduced the “Speedee Service System.” Instead of having waiters bring food to tables, their restaurant had self-service counters. They used an assembly line format in the kitchen. Prepared food was wrapped and placed under heat lamps. They also simplified their menu to include only hamburgers, cheeseburgers, french fries, potato chips, sodas, milkshakes, and apple pies. All of these changes helped make food preparation and service quick and efficient, and kept their prices lower than competing diners. They sold their hamburgers for just 15 cents apiece.
Ray Kroc was a salesman who had sold malt and shake mixers to the McDonald brothers. He stopped at one of their locations in 1954 and convinced them to let him open a franchise for them, which he did on today’s date in 1955. At that time, Richard and Maurice McDonald claimed they had already served 15 million hamburgers over the previous seven years. In 1961, Kroc bought out of the McDonald brothers for 2.7 million dollars. By 1970 there were 1,000 McDonald’s restaurants, and by 1988 there were 10,000. By 2017 there were more than 37,000.
Over the years, McDonald’s has expanded to other countries, while also expanding their menu. They set up shop in Canada in 1967, and are now in over 120 countries. Their menu is often reflective of local tastes. For example, poutine is on the menu in Canada, and the McLobster sandwich is sometimes available in the New England area. Hamburgers and fries have remained a staple at McDonald’s, but there are many other foods that can be found at most McDonald’s as well. The Filet-O-Fish was created by a Cincinnati franchise owner in 1962 so that Catholic customers had something to eat during Lent. The Big Mac was created by a Pittsburgh franchise owner who wanted a sandwich geared for adults. He used ingredients that were already available at the restaurant. It debuted nationwide in 1968. The Egg McMuffin debuted in 1973, and Chicken McNuggets came out across the country in 1983.
Ronald McDonald has been the face of the restaurant since 1963, and for a time other characters of McDonaldland, such as Grimace and the Hamburglar, were part of the company’s marketing strategy as well. Happy Meals were introduced in 1979, in which a toy is included with a child’s meal. Yellow arches adorned the rooftops of early locations, but “M’s” started appearing outside of the restaurant in 1962, and have since been its most popular symbol.
McDonald’s has been criticized for its role in spreading obesity, although in recent years it began adding healthy items and getting rid of trans fats. It also discontinued its “supersized” portions offering. The company has also been criticized for paying its workers low wages. On the other hand, the company has been praised for its charitable work. The Ronald McDonald House was founded in 1974. It gives families of children in hospitals a place to stay. Today there are more than 360 Ronald McDonald Houses. The Ronald McDonald House Charities was founded in 1987 and has been involved in various charitable efforts that are focused on children.
How to Observe
Celebrate the day by eating at a McDonald’s! You could visit the spot where Ray Kroc opened his first McDonald’s in 1955. The restaurant was demolished in the 1980s and rebuilt as a museum. Sadly, the museum has since been demolished as well. There is a McDonald’s across the street you could eat at though! The first restaurant the McDonald’s brothers had, located in San Bernardino, has long since been closed. You could still visit the location, though, as there is a museum there, and part of the original McDonald’s sign remains. The oldest McDonald’s still in operation has been serving burgers since 1953 and can be visited in Downey, California. You could also watch Super Size Me, or The Founder, a biopic about Ray Kroc.
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old-powwow-days · 3 days
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Thunderbird Necklace
"For hundreds of years craftspeople at Santo Domingo Pueblo (now known by its traditional name, Kewa) were known for exquisite shell, turquoise, and jet jewelry that they made and traded throughout the Southwest. But by the 1920s these traditional materials were scarce. Motivated by circumstance, jewelers at Santo Domingo discovered an exciting new medium: abandoned automobile battery casings.
Manufactured from hard rubber, discarded car batteries made an admirable substitute for traditional jet, and with Route 66 bringing throngs of motorists into the West, they were abundant. Batteries were soon augmented with broken phonograph records and bright colored celluloid from combs and other household goods. By the 1930s Santo Domingo had developed a unique style of folk-art jewelry, made entirely of repurposed and found materials: sun-bleached animal bone, local gypsum, tiny chips of turquoise, and modern plastics.
Gathered in rangelands, trash dumps, salvage yards, and dime stores, these unlikely items formed the basis of a new economic enterprise for the pueblo. Whole families took part in the manufacture of whimsical, colorful necklaces whose signature motif was a Thunderbird with outstretched wings. Santa Fe’s art community dismissed these creations as “tourist junk,” but tourists couldn’t get enough. At roadside stands, on railroad platforms, and in curio shops, Thunderbird necklaces sold by the thousands.
-Wheelwright Museum
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cars-and-planes-dork · 5 months
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So I randomly felt like quickly sharing my thoughts on all three Cars movies and both Planes movies. Quick disclaimer, no matter how I feel about certain things it's totally cool if you feel different and I respect that.
Cars:
I love Cars. This was my childhood movie that I watched over and over and over again since I was a young child. I love the characters, the plot, and I think the animation holds up really well. I also am glad to see it with adult eyes cause there's a lot of nuance and stuff that I of course didn't get as a child. Recently on a whim I needed to unwind from stress and I put on Cars (just like my parents used to do for me as a kid, lol), and it genuinely did make me feel better and woke up a part of me that had laid dormant for years. Cars is a film that almost makes me wanna take a long drive on Route 66...until I remember I'm not any good at road tripping, lol.
Cars 2:
I have a distinct memory in my mind of being a child in the theater watching Cars 2, turning to my dad and saying 'can we go now?'. I didn't watch it all the way through until recently and I can thoroughly say that I don't despise it, but I'm also not its biggest fan. It's actually something of a guilty pleasure for me now. Sometimes I'll just put it on in the background while I do things. It also makes me contemplate the inner workings of this world more than the writers themselves probably thought about, like how the heck do different makes and models come about, what is the impact of climate change on a world of vehicles, but that's probably its own post. But yeah, I accept it for what it is and even enjoy some parts of it.
Cars 3:
So confession, it took me over 6 years to work up the courage to watch this one. I don't know why I was so worried, but I finally did it. And I loved it. I really think they ended on a good note. I'll admit the first part was probably the weakest in my eyes, but I really enjoyed the tribute to Doc Hudson and I actually teared up and I was happy to learn more about his past. I liked the torch passing narrative as well. I think my biggest complaint is that I wish we could've seen more of Lightning and his friends. (I may be biased because somehow Cal Weathers worked his way into my heart).
Planes:
Planes took longer to stick in my brain than Cars did. I remember going to see it actually, the local air and space museum did a showing of it and I went to watch it with my family. My parents didn't like it much but I remember being happy with it. Upon rewatching, there's things I like, but there's a part of me wishing it was something more. I can't fully explain it. Also I find Dusty's attitude off-putting to me personally (particularly his feeling of being entitled to being trained by Skipper and essentially demanding that Skipper tell him about his clearly traumatic past strikes me as kinda callous). But I still enjoy putting it on in the background and enjoy thinking about the world itself, much like Cars 2. Also fun fact, Skipper is one of my favorite kinds of planes.
Planes Fire & Rescue:
I'm sorry but I have much less patience for this film, but like I said above, I respect those who do. I will say, I appreciate them highlighting some of the realities of firefighting (like how the general public doesn't hear about a lot of fires that are dealt with). But other than that, I don't have much positive to say about it. The characters for the most part feel underdeveloped and I can't say I'm particularly endeared to a majority of them (Blade is the exception for me, tbh). And Dipper in particular needs to chill the hell out, her behavior is pretty inappropriate and creepy while being played off as jokes. Beyond that, my aforementioned issues with Dusty remain in this movie. Honestly, he doesn't strike me as capable of doing this job and he actively creates a situation that nearly gets Blade killed. I could spend awhile talking about it, but I'd honestly rather not. To end on a positive note, I think the married RV couple are adorable and I like them.
So that's all my thoughts. I enjoy both franchises and tend to overthink the hell out of them (if I overthink something it's usually cause I enjoy it). Hopefully I didn't piss too many people in the fandom off, lol.
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