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filipinfodump · 2 months
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Kabesang Tales - Isang Rap en Rol Musical
A Filipino Musical that hasn't left my mind since the mid 2010s
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Poster for Kabesang Tales posted by Palakat Batangas City via Facebook
Although the Philippines is known for its many talented singers which include many that had crossed over to Broadway such as Lea Salonga, and Rachelle Ann Go, alongside many other Filipino-American talents like Conrad Ricamora, Arielle Jacobs, George Salazar, and Darren Criss just to name a few, the musical scene in the Philippines itself isn't as popular nor as successful in the country as it really should be.
Even with Filipino-majority musicals in states like the controversial Broadway musical "Here Lies Love" which narrates the life story of Imelda Marcos, one of the most controversial figures in Filipino politics and history today, and with Filipino stars often taking in lead or secondary roles in major productions, the musical boom of the 2010s did not come with a boom for the musical industry in the local level compared to the sudden popularity of American musicals like Hamilton, Heathers, Dear Evan Hansen, or Be More Chill to name a few.
The very few musicals that did garner the spotlight did not receive the same notoriety of these foreign productions save for one of the few musical movies to have gotten major media acclaim Loy Arcena's Ang Larawan (2017) (en. The Portrait) based on the 1997 play of the same name by National Artist Nick Joaquin which became a media frenzy as being maybe one of the few if not the only original movie not based on major series or created by a large production company to be released that year for the Metro Manila Film Festival. One of the things that had skyrocketed it to media attention was the fact that most theaters did not screen it and it was only shown in very few cinemas, but that's a story for another time.
Despite the time and devotion Filipino musical fans may have for theatre, rarely do Filipino made and produced musicals ever enter the pop culture zeitgeist due to many factors like the lack of advertising, accessibility issues, and honestly the lack of cast recordings. Out of the many throughout the 2010s, one of the few I was able to watch that I still think about at times is Ricky Lee's very own rap and rock musical Kabesang Tales.
Background
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Photo of Ricky Lee, the writer of Kabesang Tales the Musical via Inquirer
Kabesang Tales - Isang Rap en Rol Musical) (en. Captain Tales - A Rap n' Roll Musical) is a rap and rock musical first performed in the year 2015 and was written by renowned Filipino writer and National Artist Ricky Lee. The musical was directed by Alejandro "Bong" Ramos, with music by Jeffrey Hernandez and Alfredo Ongleo, and produced by Red Lantern Production (Inquirer, 2015).
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Photo of John Arcilla, the lead actor for Kabesang Tales the Musical via Inquirer
The musical stars John Arcilla as the titular character Telesforo Juan "Kabesang Tales" De Dios, famously known for his breakout role as Hen. Anotnio Luna in the historical film Heneral Luna released the same year as the musical, alongside other talents such as Dio Marco as Karyo, Kevin Posadas as Tano de Dios, Alecx Lorica as Juli De Dios among many other talented actors (Inquirer, 2015).
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A cover of one of the book's translations posted by twitter user El Filibusterismo (@/joseriz15155899) via X/Twitter
The play is based on Jose Rizal's El Filibusterismo (en. The Filibuster) and more specifically, the character of Kabesang Tales, the head of his barangay (a sort of Filipino village) and father of Basilio's main love interest Juli, who had turned into a guerilla bandit after his family and life were ruined by the Spanish friars. He becomes the feared Matanglawin (en. Hawkeye) who terrorizes the countryside. He plays a minor but important role in the books, being the father of one of the main secondary characters as well as being one of the main allies of the primary characters as they tried to start a revolution in the country.
The play primarily focuses on his perspective throughout the whole book with some scenes focusing more on the main protagonists Simoun and Basilio as well as his daughter Juli.
Performances and Releases
The musical had limited performances throughout some parts of the CALABARZON Region or Region IV-A, with some select performances in Metro Manila as well as some other provinces like in Mindoro, sometime during the years 2015-2017 with some being done in local cultural centers and schools throughout the region with very limited promotion outside of news stories.
The only promotional material I could really find are some posts on Facebook and a trailer in the Red Lantern Production's YouTube channel which could be seen here:
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Trailer uploaded by Red Lantern Production via YouTube
There are no original cast recordings that I could find of any of the songs and the only material that I could find besides this are uploads on YouTube of scattered scenes from different parts of the play:
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Full Playlist uploaded by YouTube channel pheejaypi here
I was also able to find a collection of clips of Karyo, a character possibly named after Karyo from Mga Ibong Madaragit which is a continuation novel of the El Filibusterismo written by Amado Hernandez, played by Terrence Guillermo.
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Video uploaded by YouTube channel pinoy music maestro here
I remember some time in the 2010s seeing uploads of members of the cast singing in interviews I believe but I could no longer find any of these videos.
As of now, it is unknown if the production will ever come back with the last post on the Facebook page having been in 2021 with a post prior to posted on July 2019 calling for auditions in August 2019, possibly hinting that there was a planned 2020 tour for the musical before the pandemic hit.
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Photo of the audition announcement posted on Facebook
The Plot (mostly from memory)
As there's barely any material of the live musical, I'll do my best to recollect what I could remember with the aide of the actual books to guide me. Of course, spoilers for Rizal's books Noli Me Tangere and El Filibusterismo if you haven't read them.
The plot follows the events of El Filibusterismo but mainly from the perspective of the titular character Kabesang Tales. It begins with an extremely happy and optimistic scene with him, his family, and barangay as well as the visit of Basilio, Tales's daughter's lover to their house. I remember that there was an extremely cheesy song here between the two that a lot of people squealed over.
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Photo of the mentioned musical number between Basilio and Juli posted by Jayson Pascua
The perspective switches over to Basilio and his visit to his mother's grave where he is shocked to see a man there who is revealed to be the thought to be dead fugitive Crisostomo Ibarra who now goes by Simoun, a jewelry merchant from the United States. The two have a bit of an argument where Simoun tries to convince Basilio to join him and his rebellion and I don't recall exactly if there was a song, but it seems likely.
Perspective switches back to Tales as tragedy strikes as his entire family gets struck with malaria resulting in the death of his wife. I don't remember all the details here or if there was a song, but I remember a sort of depressing atmosphere for the rest of this part.
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Photo showing all of the actors playing the De Dios Family posted by Jayson Pascua
The family struggles with money and friars come over to cause even more problems for them. There's a rap battle here between Tales and a friar. Here starts his downward spiral as he struggles to make ends meet as well as handle the friars that had been trying to gain his land. I don't recall if it's shown that he has to pay for a lot of lawyers, but he starts paying more and more for legal fees because of the legal drama with the friars and the government.
My sister tells me that there's a song about how good the friars are before they get properly introduced and I have a hazy memory of three friars wearing varied outfits typically associated with friars posing for the stage as people sing songs of praise and goodwill. My sister tells me that Basilio was in the ensemble here.
His son, Tano, gets drafted to the Guardia Civil (en. Civil Guard) and sent to the Caroline Islands because Tales could not pay money to prevent his draft due to their financial struggles. This is shown as a heart wrenching scene in the play where the rest of the family is left distraught.
He starts guarding his property in fear of bandits possibly taking his fields and taking whatever he has left.
Tales then gets taken by these bandits who demand ransom money for his return. There he meets Karyo, one of its leaders who tells him about the struggles of the working class and why he and the others had resorted to being bandits in the first place (?). I don't actually remember if this is the first they meet or what since I do remember that the two have a philosophical discussion about violence later and that Karyo is definitely a member of the bandits but there are scenes where he acts as the emcee during Tales's rap battle with the friar.
The bandits later lets him go back to his family where he finds that he has no one left.
Juli, in order to help with her family's financial struggles as well as pay for her father's ransom, leaves home and asks for loans and find work.
If I'm not mistaken, his father Tandang Selo goes mute with the grief of the continuous tragedies that had struck the family as well. It's hard for me to remember if this was shown in the musical.
When Tales returns, he finds himself at a loss for what has happened to his family. He is left with his daughter forced to work and his father mute. He is then met with Simoun, who comes to him as a jeweler. Simoun tempts him with some ideas of radicalization against the friars and he refuses at first before spiraling further and joining Karyo and his bandits, becoming the feared Matanglawin.
I genuinely don't remember if his meeting with Simoun was also in the musical or not but it's important context for the story.
The musical then switches perspective to Basilio, who gets implicated with a conspiracy against the government and gets arrested. A heartbroken Juli goes to Padre Camorra, a creepy priest that's been trying to corner her, to beg for his help since she saw no one else that could help her. This leads into a rather intense scene acted in shadows and lights where it is heavily implied that Juli gets assaulted.
After this, Juli sings a song about her assault where she contemplates getting revenge or retaliating but instead chooses to jump off to end her life.
The scene switches back to Tales who, unlike in the books, meet with his son again who has returned to the Philippines. This one, I know had a song in it since I remembered the extreme daddy issues punk rock vibes the scene gave off. He sang about how he no longer respected his father and that it's too late to repair things if I recall as he's now a bandit and he's a member of the Guardia Civil.
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Photo of the confrontation between Tales and Tano where Tano sings about his frustration with his father posted by Jayson Pascua
Desolate and distraught at the loss of his family, Tales gets visited by a diwata (a forest spirit/fairy) and this part was extremely out of left field and absolutely not in the books.
Here, the diwata shows Tales visions of the future (???) and directly tells him, without any sort of subtlety, that the working class, and especially farmers like him, will continue to struggle in his country in the future. He is then shown a scene of farmers in a protest who were then taken down by police in what I remember as riot gear. He contemplates the future and is further given resolve to continue his rebellion.
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Photo of the mentioned scene where Tales first meets a diwata who will later send him to the future posted by Jayson Pascua
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Photo of the mentioned scene where Tales is sent to the future by a diwata to witness farmers being taken down by cops in riot gear posted by Jayson Pascua
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Another photo of the mentioned scene where Tales is sent to the future by a diwata to witness farmers being taken down by cops in riot gear posted by Jayson Pascua
I need to cut in and say that this was so on the nose and is by far the weirdest and personally maybe the worst part of the show. I'm not even against the message, it just ruined my immersion and just left a weird taste in my mouth. I think the play was doing a plenty good job driving that point across already without the time travel diwata scene but maybe that's just me.
The scene cuts back to the climax of the story where Basilio, distraught over then death of Juli, finally joins Ibarra as they plant a bomb in a wedding reception that the Governor-General of the Philippines was attending. The scene plays out like it was in the books where the lamp gets tossed out by Isagani and the revolution doesn't start.
It goes back to a scene of Tales and his men trying to fight the Guardia Civil where he is shot and killed in action, by the gun of his own son. Tano realizes what he has done and is horrified. This leads to a song which later leads to a finale that sings about Tales as the cast come together for the curtains to close.
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Photo of the mentioned scene where Tales is shot and killed by his son Tano posted by Jayson Pascua
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Another photo of the mentioned scene where Tales is shot and killed by his son Tano posted by Jayson Pascua
The musical ends and the cast is called on to the stage one by one, with the loudest applause going to Basilio who a lot of the girls found hot, and of course, the man himself, Kabesang Tales.
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Photo of the closing song with Tales being shown front and center posted by Jayson Pascua
After the play and final thoughts
Ricky Lee actually attended the performance I watched and I remember so many people crowding around the actors to get their autographs. My sister bought one of Ricky Lee's book, his script writing guide "Trip to Quiapo" and had it signed but she genuinely can't find it anymore sadly. My sister also got the autograph of some of the actors and the director on that same book so I'm a little miffed that we can't find it.
I would discuss more things and even show off my old ticket but I'm pretty sure that I would end up doxxing myself if I speak any more details.
That's all I remember from it and I would love to say more or even discuss the songs but as you can see, I could barely remember them, with only maybe a solid grasp in about maybe four songs.
It's a shame that it doesn't have as much of an established release and media presence because despite that one glaring issue I had with the weird diwata scene, I quite enjoyed the musical and it remains one of the few that I actually got to experience live.
It isn't Les Miserables or Hamilton, but it's still a musical I'll probably fondly remember especially since El Filibusterismo is one of my favorite books of all time with the character of Kabesang Tales being one of the most interesting — a man of honor and virtue who slowly descends into extremist violence because society had failed him. It's sad to see this musical barely recognized and very little talked about today and I do hope that it will one day return to the stage.
References
Introduction
Palakat Batangas City. (2015, May 29). "The Batangas City Government and Red Lantern Production present Ricky Lee’s KABESANG TALES - Isang Rap en Rol Musical." [image]. Retrieved on 17 February 2024, from https://web.facebook.com/palakat.batangascity/photos/a.1543377512565520/1636600273243243/?type=3&_rdc=1&_rdr
Background
El Filibusterismo (@joseriz15155899). (2019, November 13). "#TheFilibuster Ventura's salvificact made Rizal gave his original manuscript of El Filibusterismo, a pen and an autograph printed copy." [image]. Retrieved on 17 February 2024, from https://twitter.com/joseriz15155899/status/1194459895657041920
Inquirer. (2015, December 12). John Arcilla stars in Ricky Lee ‘rap en rol’ musical ‘Kabesang Tales’. LIFESTYLE.INQ. Retrieved on 17 February 2024, from https://lifestyle.inquirer.net/215824/john-arcilla-stars-in-ricky-lee-rap-en-rol-musical-kabesang-tales/
Inquirer. (2015, August 29). Ricky Lee writes rap, hip-hop libretto for new musical ‘Kabesang Tales’. LIFESTYLE.INQ. Retrieved on 17 February 2024, from https://lifestyle.inquirer.net/204943/ricky-lee-writes-rap-hip-hop-libretto-for-new-musical-kabesang-tales/
Lee, R. (2015, August 29). Ricky Lee: “I have been longing to do a musical, music being a driving passion in my life.” PHOTO FROM RICKY LEE [image]. LIFESTYLE.INQ. Retrieved on 17 February https://lifestyle.inquirer.net/204943/ricky-lee-writes-rap-hip-hop-libretto-for-new-musical-kabesang-tale
Red Lantern Productions. (2015, December 2012). John Arcilla. PHOTO FROM RED LANTERN PRODUCTIONS [image]. LIFESTYLE.INQ. Retrieved on 17 February 2024, from https://lifestyle.inquirer.net/215824/john-arcilla-stars-in-ricky-lee-rap-en-rol-musical-kabesang-tale
Performances and Releases
Kabesang Tales - Isang Rap en Rol Musical. (2019, July 27). Picture of the audition announcement posted on Facebook [image]. Retrieved on 17 February 2024, from https://web.facebook.com/kabesangtalestherockmusicale/photos/a.459803204196123/1309076952602073/
pheejaypi. (2016, October 3). Kabesang Tales: Isang Rap en Rol Musical clip 1 [video]. Retrieved on 17 February 2024, from https://www.youtube.com/watch?v=jftRyZOpxAA&list=PL1Yv-w-s-ETvRYsDWtaMPw2q0QO0q8Nfc
pinoy music maestro. (2021, January 1). Kabesang Tales excerpts feat. John Arcilla and Terence Guillermo [video]. Retrieved on 17 February 2024, from https://www.youtube.com/watch?v=QlOkDi8_D_A
Red Lantern Production. (2015, August 15). Kabesang Tales Trailer [video]. Retrieved on 17 February 2024, from https://www.youtube.com/watch?v=6CKKJsuBiuc
Plot
Pascua, J. (2015, October 11). Various photos [images]. Retrieved on 17 February 2024, from https://estranghero.weebly.com/photo-blog/john-arcilla-on-ricky-lees-kabesang-tales-isang-rap-en-roll-musical
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roughridingrednecks · 7 months
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Ricky Lee
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misxchaiona · 1 year
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Bujoy watching Ned talk about his plans for his band
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Labs Kita... Okey Ka Lang? (1998)
dir. Jerry Lopez Sineneng
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thebaronmunchausen · 1 year
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kalakian · 1 year
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Ipapalabas na sa Amazon Prime Videos sa ika-18 ng Mayo ngayong taon ang pelikulang hango sa libro ni Ricky Lee, “Ang Mga Kaibigan ni Mama Susan.”
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Ang larawan ay kuha mula sa ABS-CBN
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unhauntng · 4 months
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the first iteration of the dream team is so funny.
imagine youre a regular new yorker and you’re being attacked by santas or bugs or devils at an art show and things are weird but you also can’t quite tell what’s actually happening (got to love umbral arcana) ? but you’re scared out of your mind until a drunk lady punches the scary monster in the face and the guy who’s clearly a drug dealer starts blasting fire out of his hands?? maybe he’s got a lighter and some hairspray, though he’s also holding a gun? and then a very nice and serious older guy is keeping everything calm and encouraging his friends and you think everything is going to be okay, especially because this nice sweet firefighter is making sure everyone’s safe. and you think he looks like mr march from the calendar!
then a massive rat man summons some crocodiles or a pack of rats or a cockroach that is unusually juicy and then broadway legend misty moore literally insults a monster to death whilst indiscriminately flirting with her friends.
and when it’s all over they’re acting like this is business as usual. and maybe you’re confused for like three minutes until you remember this is new york — who else would save you but a broadway star, a rat, a firefighter, a drug dealer, an alcoholic and kingston brown from uptown who helped you jumpstart your car three months ago
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My unsleeping city illustrations! Available early on my Patreon!
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joriben · 2 years
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Sidetrip: After the grueling experience in MIBF2022. I visited Cultural Center of the Philippines' official gift/souvenir shop by ARCHIVO 1984 to pick up a book I ordered. I can't believe I never took the chance to at least check this place out when I'm here watching a show. It is film and theater enthusiast's wonderland.
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filipinfodump · 2 months
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Might write about a Filipino musical I saw when I was a teenager that's kinda lost media now maybe this weekend or next week maybe?
It was a musical based on El Filibusterismo by Jose Rizal penned by famed writer Ricky Lee calles "Kabesang Tales" and was only performed in select places around Region IV and I think sometimes in Manila for a very limited time. I was lucky to have had seen it since I didn't know that it had had such limited performances.
I am sad that the surviving content about this is shaky cam recordings and amateur trailers though without an official cast recording of the songs but it's been on my mind since I've been rereading Noli Me Tangere, Rizal's first book.
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roughridingrednecks · 2 months
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Ricky Lee
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vyutg · 3 months
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there is an intense rivalry between you, always trying to outdo each other in various areas of your lives. but this time, your competition takes an intimate turn. the tension between you is tense as you face each other, eyes locked with an unspoken conflict.
“first one to moan must do the other one a favor,” he proudly proposes.
“you’re gonna regret that.”
“we’ll see about that,” he retorts, eyes glinting with determination.
you start with a gentle touch, tracing your fingers along his jawline. you lean in, lips hovering over his. but before you can make a move, he turns your head
“not so fast,” he whispers, a sly smile on his face.
he runs his hands through your hair, pulling you closer to him. his touches become more aggressive as he explores every inch of your body.
determined to win, you push him onto the bed and waste no time to straddle him, hands roaming over his body. you trail kisses down his neck, making him let out a low groan. a sense of power washes over you as you feel him getting harder beneath you. you know you’re in control now, you know you’re close to victory.
but he’s not gonna let you win, especially without a fight. “is that all you’ve got?” he flips you over, his lips finding yours in a deep passionate kiss. his hands travel your body once again, trying to find the right spot to make you moan.
suddenly, his hands slip between your legs and find your clit. you can’t hold back anymore, a loud moan escaped your lips.
“fuck, we haven’t even started yet.” his eyes gleam with mischief. “looks like you owe me a favor, huh?”
“fuck you.” you glare at him, knowing that you have no choice.
a mischievous smile spreads across his face as an idea pops into his head. “actually, i don’t want to end this just yet. shall we continue without the favor? i wanna see how long i can make you moan.”
jiwoong, hanbin, ricky, jay, sunghoon, sunwoo, juyeon, seunghan, eunseok, lee know, bang chan, san, mingi
© vyutg, 2024.
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aurora-nebbins · 1 year
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the gang’s all here!!
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terastalungrad · 30 days
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Sometimes, you’re a comedian with a touring show to promote, so you do an interview with a regional newspaper.
I think that’d be the funniest possible time to reveal a big scoop, wouldn’t it?
Stewart Lee is currently touring, and to promote his Yeovil performance, gave an interview to Blackmore Vale Magazine.  According to Wikipedia, the Blackmore Vale is an area of north Dorset, south Somerset and southwest Wiltshire.  According to the comedian Jake Baker, the magazine would cover his school sports day as he grew up in Dorset.  That’s the level of news you’d expect.
The questions are friendly and easy, from a journalist clearly familiar with Lee’s work and history.
The first question is about the show’s angle.  Lee describes the nature of the show, and here’s an excerpt:
So it looks like stand-up, and sounds like stand-up, but it’s actually a kind of character piece about a desperate person who’s frightened and trying to organise the world in a way that puts them in control. And I guess you could argue that’s what a lot of stand-ups are doing anyway. Ricky Gervais to me looks like a very frightened man. He’s frightened of transgender people coming after him, the act is a defensive wall.
Fun!  This is a Ricky Gervais hate blog, so it’s nice to see a sudden, unexpected attack in an unrelated promotional interview.
Lee mentions Gervais again in response to question four.
Sometimes I become bitter and think ‘I get all this good press, why can’t I get 10 million quid for a TV special like Ricky Gervais?’ But on the other hand, I wouldn’t want that audience, it wouldn’t allow me to be better.
And then again to question eight, where Lee explains why he spends six months running new shows in the relatively small Leicester Square Theatre (as opposed to arena comics who might do 10 warmup shows followed by 60 tour dates).
You can still run it like a club gig, you can interact with people in real time. Also, you wouldn’t get better at the show because you wouldn’t have done it as many times. You can see this with an act like Gervais. Those shows have not been run in, they’re not fluid, they’re a succession of inflexible statements that would snap like twigs if the pressure of an unforeseen event was applied to them.
The journalist finally addresses this head on.  It really is worth reading the entire article - there’s a lot more than I’m quoting, including an interesting story about Sean Lock:
But here are my favourite bits:
[Gervais] still kind of copies me though, which is the weird thing. There’s still a lot of cadences of what I do but they’re used in the service of evil. In Star Wars, he’s Darth Vader and he’s taken the force, which is me, and used it for evil purposes. He was a fanboy, he was actually the booker at University of London and used to book me and Sean Lock all the time. And when he became famous for the Office, he wrote an hour-long act that was so indebted to us it was awkward. [...] If he’d come up through the circuit that would have been rubbed off him because you find your own voice doing club gigs. It took me two years of gigging five nights a week to come through the mesh of things I liked. But he didn’t have that experience in the same way. [...] Funnily enough, in his first show there were bits I’d never recorded that he’d do almost verbatim. He’d clearly remembered them. I went to see him at the Bloomsbury – on his invitation actually – with my then girlfriend and she was very concerned for me. I’d given up at that point due to lack of interest, and she was concerned for what it felt like to see my act being done to hundreds of people, it was quite weird. On the other hand, that sort of did make me think I don’t want it to be consumed into someone else’s vocabulary. And also, I think because he had a residual sense of guilt, he would always credit me in interviews as being an influence – that helped me in 2004 to get the audience back.
This is, to my knowledge, the first time Lee’s ever claimed that Gervais stole his material.  He’s certainly talked about Gervais clearly taking influence from him (though in the past, he downplayed this compared to the account given in this interview).
It’s a pretty big thing to accuse a comic of stealing material.  That’s a big taboo.  I reckon this is partly because Lee wants to discourage fans of Gervais from coming to the show.
Anyway, let’s finish by quoting the end of the interview:
It must be strange to have that level of financial remuneration and those audience figures but not really a single good review. And I expect what that does for you is create a cognitive dissonance where you have to manufacture a worldview by which the whole world is wrong and you’re right. Which can’t necessarily be very good for your mental health, although I expect the money’s nice.
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kalakian · 11 months
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Nag-subscribe talaga ako sa Amazon Prime para lang mapanuod to.
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idwsonicnews · 8 months
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Sonic the Hedgehog: Amy's 30th Anniversary Special Preview Pages
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Writer: Ian Flynn Pencils: Aaron Hammerstrom Inks: Matt Froese Colors: Reggie Graham Letters: Shawn Lee
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emiko-matsui · 9 months
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the two ends of the dm spectrum are brian murph murphy (emily jokes that pawpaw takes the dagger for gemma and he stands up and shouts EMILY AXFORD HOW DARE YOU) and brennan lee mulligan (zac pets ox on the middle of the fight and brennan stands up, makes eye contact with the camera and goes I'm gonna kill that dog)
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