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dcxdpdabbles · 2 months

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DPxDC fanfic idea: The Back Roads

Bruce was driving around as his civilian self one late afternoon. The sun was barely setting, though one wouldn't be able to tell with all the smot.

He was planning on surprising his children with a spontaneous pizza party and some good family-friendly competition. He was excited.

Maybe it was because he was checking on the pile of pizza in the back, or maybe he was more tired than usual from his long nights as Batman, but whatever the case was he did not see the boy until he hit him.

Bruce swears the boy appears out of nowhere like a ghost. One moment, there was a long road with nothing but trees and his softy playing radio.

Bruce has always loved the long secluded roads that lead to his Manor. It always gave him peace of mind to enjoy a drive without anything or anyone around. Rarely did he ever encounter another driver out here - not since the Drakes moved out.

That's why someone standing in the middle of the road had come so unexpectedly. Bruce hadn't even noticed him until his headlights saw a brief flash of blue eyes just as it was too late.

The boy slammed against his hood, flying into the windshield and sliding off to the side. There was a terrible gagging sound, likely the boy checking on his blood as slid away to the ground.

Bruce slammed his brakes, sitting frozen behind the steering wheel. For a moment, all he could do was sit there in horror, wondering if it was true. Then reality crashes in, and he pushes the car door open, falling out in hysteria.

There on the ground is a boy that could be fourteen crumbled. A boy with dark black hair and - if the wide eye stare before the hit was any indication - blue eyes. He looks a lot like his sons.

Bruce feels sick.

Desperately, he rings up an ambulance, chocking on tears as he tells the dispatcher what happened. Bruce, meanwhile, does his best to check the boy over with his training.

He slowly turns him over, pressing his fingers on the neck as gentle as possible. There is a cold moment before he feels a aodt flutter against hia finger tips.

A heart beat but one that was slowing by the second.

Bruce tells the dispatcher this, who in turns tells him as soothing as possible that help is on the way, but Bruce knows the boy doesn't have enough time.

With shaking fingers, he presses the Bat Distress signal. His children are only ten minutes away in vehicles that can get to the hospital in thirty minutes. The ambulance will arrive in that same amount of time.

"It's going to be okay" He tells the still boy. "You're going to be okay. Please. Please. Be okay"

Nightwing pulls up then in the Batmobile with Robin in the passage seat. Red Robin, Spoiler and Red Hood are not far behind on thier bikes.

They all stop for a few seconds, unsure what to do, before Nightwing shakes himself out of it. "Mr. Wayne we got it from here"

Bruce is only half aware of Damian taking his hand and moving him away as Tim and Dick get the boy into the Batmobile. They speed away to the hospital.

What a terrible night for Alfred to be out.

Later, the cops speak to Bruce and use the dash cam to confirm that the boy really did appear out of nowhere. He's a meta, they say. Likely one that just got his powers.

Teleportation. Or Invisibility.

They weren't sure, but they would figure it out. They told Bruce he was free to go, and there was no need for Bruce Wayne to know further of the case.

Batman, however, was back there that night. He was outraged to find out the boy had been flagged for his meta genes, and some nurse low on cash knew there was a market for meta children.

She was attempting to move the unconscious youth through false discharge papers when Bruce landed on the hood of the car of her associates. They were quickly dealt with, turned over to the police-the good ones- and Batman had made arrangements for the boy to be taken in by Bruce Wayne himself until he awoke.

While that was happening, the attempts to locate the youth's family yielded results. He wasn't in the system himself, but he did match to a brother that was.

A week later, Danny Fenton opens his eyes from the best nap he's had in years, only to find out he was run over while in a ghost version of hibernation and in a different world.

Oh, and apparently, he is being confused as a twin brother of some guy named Tim Drake.

#dcxdpdabbles #dc x dp crossover #Danny dimension jumped while sleep walking #He is fine #confused by the twin and new rich himbo dad #Bruce is not having a good day

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cuddlytogas · 1 month

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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

#everyone say 'thank you togas' for not including a long tangent about evil rimmer in red dwarf 5x05 #Our Flag Means Death #Togas does meta #and yes these principles DO fall apart slightly in s2 and i DON'T like those costumes as much #don't get me wrong they're fun and gorgeous - but generally a bit less deep and more inaccurate. so. :(#I'm not sure this really says anything new about Our Flag but I just needed to get my thoughts out #i hate hate hate Gritty Period Drama costumes they're so boring and so ugly and so wrong #god bless OFMD for using more than 3 muted colours and actually putting men in heels (and not as a shorthand for rich/foppish villainy) <3 #looking at that Tudors still is insane like they really will go to any lengths to not make men feel like they've got bare legs XD #image descriptions in alt text #and yes i DID just sink about two hours into those so you'd better appreciate them

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