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#rgu saionji
marcocalvi · 10 months
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"LA FILLETTE RÉVOLUTIONNAIRE"
🌹Seconda Illustrazione del Capitolo I ("La Sposa della Rosa")
"Una lite tra innamorati?"
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🌹Second illustration of Chapter 1 ("The Rose Bride")
"Is it a lovers' quarrel?"
My version of an illustrated novel about Utena's story by Chicho Saitō and Be-papas
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catorikishin · 1 year
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Some Utena doodles
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chaos-of-the-abyss · 24 days
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thinking about rgu's assertion that it's a complete misunderstanding to think that touga doesn't care about nanami and saionji. he does care about them. he cares about them so much that he, someone who does not believe in sincerity or trust, is willing to emotionally beat down, manipulate, and abuse them to keep them close to him, to keep them on a short leash and that leash in his hand. because he absolutely cannot bear the thought that they can live without him.
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Edited the colors a bit from last post
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yugiohprince · 8 months
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saionji chuu chuu 🫶🫶🫶
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mercepsycho · 6 months
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Best Revolutionary Girl Utena Character
- Botting and telling your followers who to vote for is allowed -
- Poll will be closed on Sat 11, and the results should be released the next day -
- Remember to have fun! -
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diegos-loose-teeth · 7 months
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It’s based on that one frame of Saionji from RGU ✨
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clowningoose · 1 year
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During Saionjis and Tougas sparring matches Saionji always has his hair up in a ponytail which I imagine is proper for the sport while Touga has his tied up in a way that probably doesn't come to be incredibly effective
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This could possibly be explained by Saionji trying in a way to appeal to Touga
At the end of the day, his desire to beat Touga comes from no other than his desire for him to be acknowledged by him, his self worth is tied to him in such a way that longing to measure up and longing for Tougas companionship become one and the same, he at that puts in an effort to do so properly
During their match in Episode 9, he yells, he emotes quite vividly, putting in something along the lines of passion into the act of competing with Touga
Touga in turn remains stone faced and quiet
In Episode 35 it is again Saionji driving the conversation, talking the most out of the two
Touga doesn't put in quite as much effort as Saionji does, we rarely see him practice and him having a match with Saionji garnering as much attention as it did the first time around, at least implies that if it is not the case that he doesn't engage regularly in the sport it is at least the case that he doesn't do so with Saionji
Him sparring with Saionji is an interest that they bonded over in childhood years is something seemingly monumental
It doesn't matter that how ineffectively his hair is tied up, the entire thing is bound together with a neat little bow like a present
This does also remind me of the fact that Saionji as a child used to wear his hair tied in much the same way as Tougas is now while Touga has not changed much about the way he ties his, also putting into mind that he does not view Saionji as being something he has to put an effort into more so than he did back then
Saionji dialed up the force he puts into competing, Touga has not
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Here I see perhaps a reflection of Saionjis feeling that he and Touga are unequal not being truly present yet, they approach the match with the same amount of effort
However I find it notable that Saionji in comparison to Touga does not untie his hair afterwards
Potentially implying that he not only focuses on Touga as competitor, but also on Touga in terms of their relationship
Should we see the tied hair and the little bow as a projection of the past on the part of Saionji, another possible interpretation, it could also be notable that the lack of change in hairstyle correlates with his attachment to Touga on the basis of his memory of him, no matter how much he has changed time binds them together considering the experiences made with him are still very much linked to Touga as he is now since he remains the same person as they were made with back then wether he has changed or not
To add to this the bow to me also resembles the cloth Touga bandaged Saionjis hand in
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thegooblet · 4 months
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i wanted to make a saionji being dramatic in the musicals comp but it would just be every time hes on screen 💔
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Here some sad Saionji fanart for the day
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grendelsmilf · 4 months
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various utena doodles
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multiocular-mushroom · 9 months
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safe and soundless
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gemishrooms · 2 months
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who will get the last piece
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Something something… them shearing a backstory is very important to me personally… something something
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I have feelings about the fact that Utena doesn’t remember it, but this moment had such an effect on Toga and especially Saionji. It’s the way Toga idolizes Akio for “being the one to save Utena from her coffin”, and Saionji has become obsessed with finding something eternal, because as he says in one of the last episodes “we are all trapped in our coffins” I think that meeting Utena opened his eyes to his own coffin and this is why he is searching for something eternal, because he saw that Utena had somehow found it and he envies of her for being freed her from her coffin. Also the way they only have this backstory in the anime series ,the first time loop and not in the other three, Toga and Utena still share their backstory in the two last time loops. Saionji and Toga are hardly even friends in the other loops, I think this is because Toga is gradually healing from his toxic masculinity and both him and Utena are coming to terms with him being dead, but since Saionji never finds anything eternal (because it doesn’t exist and the thing that saved Utena wasn’t something eternal but her motivation to save Anthy/creat a world without oppression) he stays an asshole until the final loop (the movie)
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yume-holic · 3 months
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this made me laugh. He would fucking hate this
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kristybluebird · 24 days
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All things will fade, maybe it's better off that way; I wish you'd stay with me.
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