#revols demos

[mitzisblues]

A reworking of Franz Liszt's "Liebestraum", the first song Richard learned to play on piano.

#📻 #the revols #50s #1957 #liebestraum #revols demos #instrumental

[jesuisgourde]

also the demo of Revol that includes JDB reciting the paragraph from The Torture Garden by Octave Mirbeau at absolute lightning speed during the middle 8 should have been the final version because it’s fucking amazing

[tremolorecords]

Manic Street Preachers - The Holy Bible (20th Anniversary Edition)

Disc 1

01. Yes 02. If White America Told The Truth For One Day It's World Would Fall Apart 03. Of Walking Abortion 04. She Is Suffering 05. Archives Of Pain 06. Revol 07. 4st 7lb 08. Mausoleum 09. Faster 10. This Is Yesterday 11. Die In The Summertime 12. The Intense Humming Of Evil 13. P.C.P.

Disc 2

01. Yes [US Mix] 02. If White America Told The Truth For One Day It's World Would Fall Apart [US Mix] 03. Of Walking Abortion [US Mix] 04. She Is Suffering [US Mix] 05. Archives Of Pain [US Mix] 06. Revol [US Mix] 07. 4st 7lb [US Mix] 08. Mausoleum [US Mix] 09. Faster [US Mix] 10. This Is Yesterday [US Mix] 11. Die In The Summertime [US Mix] 12. The Intense Humming Of Evil [US Mix] 13. P.C.P. [US Mix]

Disc 3

01. Sculpture Of Man 02. New Art Riot (In E Minor) [Live At Clapham Grand] [a] 03. Too Cold Here 04. You Love Us [Heavenly Version] 05. Love's Sweet Exile [Live At MBK Hall] [b] 06. Drug Drug Druggy [Live At Glastonbury Festival] [c] 07. Roses In The Hospital [Live At Glastonbury Festival] [c] 08. You Love Us [Live At Glastonbury Festival] [c] 09. Love Torn Us Under 10. The Drowners [Live At Clapham Grand] [a] [1] [2] 11. Stay With Me [Live At Clapham Grand] [a] [3] [2] 12. La Tristesse Durera (Scream To A Sigh) [The Dust Brothers Vocal Mix] 13. La Tristesse Durera (Scream To A Sigh) [The Dust Brothers Dub Mix] 14. Faster [The Dust Brothers Dub Mix] 15. Faster [The Chemical Brothers Vocal Mix] 16. Revol [Spoken Middle 8 Mix]

Disc 4

01. P.C.P. [Live At The London Astoria] [d] 02. From Despair To Where [Live At The London Astoria] [d] 03. Yes [Live At The London Astoria] [d] 04. Faster [Live At The London Astoria] [d] 05. She Is Suffering [Live At The London Astoria] [d] 06. La Tristesse Durera (Scream To A Sigh) [Live At The London Astoria] [d] 07. Slash 'N' Burn [Live At The London Astoria] [d] 08. Motorcycle Emptiness [Live At The London Astoria] [d] 09. New Art Riot [Live At The London Astoria] [d] 10. Life Becoming A Landslide [Live At The London Astoria] [d] 11. Revol [Live At The London Astoria] [d] 12. 4st 7lb [Live At The London Astoria] [d] 13. This Is Yesterday [Live At The London Astoria] [d] 14. 4st 7lb (Excerpt) [BBC Radio 4 Mastertapes Session] [e] 15. Faster [BBC Radio 4 Mastertapes Session] [e] 16. P.C.P. [BBC Radio 4 Mastertapes Session] [e] 17. This Is Yesterday [BBC Radio 4 Mastertapes Session] [e]

Disc 5

01. The Intense Humming Of Evil [Live At Portsmouth Guildhall] [f] 02. 4st 7lb [Live At Portsmouth Guildhall] [f] 03. Yes [Live At Portsmouth Guildhall] [f] 04. Of Walking Abortion [Live At Portsmouth Guildhall] [f] 05. Die in the Summertime [Demo Version] 06. Mausoleum [Demo Version] 07. Of Walking Abortion [BBC Radio 1 Evening Session] [g] 08. She Is Suffering [BBC Radio 1 Evening Session] [g] 09. Yes [BBC Radio 1 Evening Session] [g]

[a] Recorded live at Clapham Grand Theatre, London, 02.03.1994 [b] Recorded live at MBK Hall, Bangkok, 23.04.1994 [c] Recorded live at Glastonbury Festival, 24.06.1994 [1] Suede Cover [2] Featuring Bernard Butler [3] Faces Cover [d] Recorded live at the Astoria, London, 20.12.1994 [e] Recorded live at the BBC Radio 4's Mastertapes Session, 19.09.2014 [f] Recorded live at Porstmouth Guildhall, 12.10.1994 [g] Recorded live at the BBC Radio 1's Evening Session, 31.08.1994

#Manic Street Preachers

[1962dude420-blog]

Today we remember the passing of Richard Manuel who Died: March 4, 1986, Winter Park, Florida

Richard George Manuel (April 3, 1943 – March 4, 1986) was a Canadian composer, singer, and multi-instrumentalist, best known as a pianist and lead singer of The Band. The five members existed from December 1961 as The Hawks, becoming The Band in 1967, effectively breaking up in 1976, then re-formed in 1983. Manuel was with them until his 1986 suicide, a few hours after The Band performed a show.

Manuel's singing alternated between a soul-influenced baritone that drew frequent comparisons to Ray Charles and a delicate falsetto. Though The Band had three vocalists sharing lead and harmony parts, Manuel was often seen as the group's primary vocalist

Manuel was born in Stratford, Ontario, Canada. His father, Ed, was a mechanic employed at a Chrysler dealership, and his mother was a schoolteacher. He was raised with his three brothers, and the four sang in the church choir. Manuel took piano lessons beginning when he was nine, and enjoyed playing piano and rehearsing with friends at home. Some of his childhood influences were Ray Charles, Bobby Bland, Jimmy Reed and Otis Rush.

In early 1959, when he was fifteen, Manuel joined The Rebels, a local Stratford band featuring guitarist John Till (later of the Full Tilt Boogie Band). With Manuel on piano and vocals and his friend Jimmy Winkler on drums, the band was rounded out by bass player Ken Kalmusky (later a founding member of Great Speckled Bird). In short order, the group changed to its name to the Revols, in deference to Duane Eddy and the Rebels. Although Richard was the primary vocalist, the line up expanded to include original singer Doug 'Bo' Rhodes. Guitarist Till would later be replaced by Garth Pictot.

Manuel first became acquainted with Ronnie Hawkins and the Hawks in the summer of 1960 when the Revols opened for them at Pop Ivy's in Port Dover, Ontario. According to Levon Helm, Hawkins remarked to him about Manuel: "See that kid playing piano? He's got more talent than Van Cliburn."  The following spring, Hawkins found himself opening for The Revols at Stratford Coliseum. After the show, he offered to manage the band, and sent them to play at one of his clubs, The Rockwood, in Fayetteville. In mid-September of 1961, after the Revols returned from their southern journey, Hawkins recruited Manuel to his backing band The Hawks, replacing piano player Stan Szelest.

In 1967, while Dylan recovered from a motorcycle accident in Woodstock, New York, the group moved there also, renting a house clad in asbestos siding painted pink, which became known as "Big Pink", located on 100 acres (0.40 km2) at 2188 Stoll Road (later 56 Parnassus Lane) in nearby West Saugerties, New York. Supported by a retainer from Dylan, they were able to experiment with a new sound garnered from the country, soul, rhythm and blues, gospel and rockabilly music that they loved. As Helm (who was disheartened by the reaction to Dylan's new sound) had been temporarily absent from the group since late 1965, Manuel taught himself to play drums during the hiatus. In the Band era he would occasionally assume the drummer's stool when Helm played mandolin or guitar. His drum style is notably different from Helm's, as exemplified by his performances on "Rag Mama Rag" and "Evangeline".

The early months in Woodstock also allowed Manuel and Robertson to develop as songwriters. After recording numerous demos and signing with Albert Grossman, they secured a 10-album contract with Capitol Records in early 1968. They originally signed as "The Crackers" (although "The Honkies" had also been considered). Helm rejoined the fold as sessions got under way for the recording of their debut album, Music from Big Pink. The group proceeded to take what they had learned with Dylan and used one of his songs in the process. They combined it with their idea of the perfect album, switching solos, and singing harmonies modeled after the gospel sound of their musical heroes The Staple Singers.

In 1970, Manuel acted in the Warner Bros. film Eliza's Horoscope, an independently distributed Canadian drama written and directed by Gordon Sheppard. He portrayed "the bearded composer," performing alongside Tommy Lee Jones, former Playboy Bunny Elizabeth Moorman, and Lila Kedrova; Robertson appeared as an extra. Taking four years to complete, it was not released until 1975.

Throughout 1972, Manuel's alcoholism was one of a variety of factors (including Robertson's own writer's block) that began to impede The Band's recording and performance schedule. In 1973, the group once again followed the lead of Dylan by relocating to Malibu, California. Before leaving the Hudson Valley, they convened at Bearsville Studios to record an album of vintage rock and roll cover songs entitled Moondog Matinee, in homage to Alan Freed's radio show. Although Manuel was initially reluctant to perform, the album elicited some of his finest vocal performances, including renditions of the Bobby "Blue" Bland R&B standard "Share Your Love with Me," The Platters's "The Great Pretender," and a tongue-in-cheek version of Jerry Leiber and Mike Stoller's obscure "Saved".

The Band continued performing throughout 1974, supporting Crosby, Stills, Nash and Young alongside Joni Mitchell, Jesse Colin Young and The Beach Boys on select dates of a summer stadium tour. But with the long-germinating, Robertson-penned follow-up to Cahoots (Northern Lights – Southern Cross) still more than a year from release, the group struggled to attract audiences in certain markets, as evinced by a proposed August 1974 headlining performance at Boston Garden that was ultimately cancelled due to poor ticket sales. By 1975, Robertson had expressed his dissatisfaction with touring and was acting in an increasingly parental capacity, since the move to Malibu and his refusal to allow the group to join Bearsville Records had seen him take the managerial reins on a de facto basis from an increasingly diffident Grossman. According to Helm, Manuel (who lived in a variety of rented houses throughout the period, including properties owned by Goldie Hawn and Keith Moon) was now consuming eight bottles of Grand Marnier every day on top of a prodigious cocaine addiction, factors that ultimately precipitated his divorce from Jane Manuel in 1976. While living in the Hawn house, Manuel attempted to commit suicide on at least two occasions.

During this period, he developed a kinship with the similarly despondent Eric Clapton and emerged as a driving force behind the sessions that make up the guitarist's No Reason to Cry (1976). The album was recorded at The Band's new Shangri-La Studios, where Manuel lived for about a year in a bungalow that had once served as the stable for Bamboo Harvester, the horse that portrayed the titular character on the 1960s sitcom Mister Ed. Manuel gave Clapton the song "Beautiful Thing" (a 1967 Band demo that Danko helped him finish) and provided vocals for "Last Night."

On the group's final full-fledged tour in the summer of 1976, Manuel was still recovering from a car accident earlier in the year; several tour dates were subsequently canceled after a power-boating accident near Austin, Texas that necessitated the hiring of Tibetan healers in a scenario reminiscent of Robertson's pre-show hypnosis before their first concert as The Band at San Francisco's Winterland Ballroom in April 1969. As Northern Lights – Southern Cross had stalled at No. 26 in the autumn of 1975, many of the performances were confined to theaters and smaller arenas, culminating in an opening slot for the ascendant Z.Z. Top at the Nashville Fairgrounds in September. The quality of the shows was frequently contingent upon Manuel's relative sobriety. Throughout the tour, he struggled with the high vocal registers of "Tears of Rage," "In a Station" and "I Shall Be Released" but offered impassioned, raging versions of the prophetic "The Shape I'm In" and "King Harvest (Has Surely Come)."

The Band played its final show as its original configuration at Winterland on Thanksgiving Day of 1976. The concert was filmed in 35 mm by Robertson confidant and longtime Band fan Martin Scorsese for the documentary The Last Waltz. Manuel sings "The Shape I'm In" as well as contributing piano and backing vocals. Initially the group intended to end only live performances as The Band, and each member was initially kept on a retainer of $2,500 per week under a new contract with Warner Brothers. However, by 1978, the group had drifted apart.

The Band reformed in 1983 without Robertson, who permanently stopped touring after The Last Waltz. Instead, guitarist and Helm protege Jim Weider augmented the returning four members along with a variety of irregular additional musicians, including the Cate Brothers. Having reclaimed some of his vocal range lost in the years of drug abuse, Manuel performed old hits such as "The Shape I'm In", "Chest Fever" and "I Shall Be Released" with new conviction alongside personal favorites such as Cindy Walker and Eddy Arnold's "You Don't Know Me" and James Griffin and Robb Royer's "She Knows."

By the time of the reunion, Danko, Helm and their families had moved back to the Woodstock area from Malibu. Manuel returned with his wife in the spring of 1984. In poor health and fearing that he had contracted AIDS from decades of promiscuity and drug abuse, he contemplated making a Robertson-produced solo album and resumed using cocaine, heroin and alcohol. On one occasion, Manuel absconded with journalist and old friend Al Aronowitz's record collection in a midnight burglary to fund his addictions. Following a detox stint at the behest of Albert Grossman, Manuel enjoyed several months of sobriety. He undertook a successful solo residency (centered around "his favorite Ray Charles songs" and "Tin Pan Alley classics") at The Getaway, a club midway between Woodstock and nearby Saugerties, New York. Guests such as Danko and Weider frequently sat in. During this period, Manuel also co-wrote a new song, "Breaking New Ground," with Gerry Goffin and Carole King. However, he ultimately "fell off the wagon with a thud" in the spring of 1985.

On March 4, 1986, after a gig by The Band at the Cheek to Cheek Lounge in Winter Park, Florida (a suburb of Orlando, Florida), Manuel died by suicide. He had appeared to be in relatively good spirits at the concert but ominously "thanked [Hudson] profusely for twenty-five years of good music and appreciation" as the latter musician packed his keyboards and synthesizers to be shipped to the next venue after the show. Danko, who also struggled with substance abuse, confronted Manuel about his alcohol use after the show. The Band eventually returned to the Langford Hotel, down the block from the Cheek to Cheek Lounge, and Manuel talked with Helm about music, people, and film in Helm's room. According to Helm, at around 2:30 in the morning, Manuel said he needed to get something from his room. Upon returning to his room, he woke his wife, Arlie, who observed that Manuel "was all pissed off about something"; Manuel claimed that his frustration stemmed from the quality of the piano at the venue. When Arlie enjoined him to come to bed, he lay down with his clothes on. After she resumed sleeping, it is believed that he finished one last bottle of Grand Marnier before hanging himself in the bathroom sometime before 3:30. She discovered her husband's body along with the depleted bottle of liqueur and a small amount of cocaine the following morning. He was buried a week later at the Avondale Cemetery in his hometown of Stratford, Ontario.

#march 4 #1986 #r.i.p. #richard manuel #The Band

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Adelia-Corporate Business Theme

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Adelia-Corporate Business Theme

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#WordPress Themes

[st3althse7en]

Sony Additions Metal Gear Solid (GH) (ps1) Tomb Raider The Last Revolation(Platinum)(PAL)(PS1) Air Ranger Rescue Helicopter (PAL) (PS2) MS Saga (Ps2) Resident Evil Outbreak Public Beta vol 1.0 (Ps2) Choro Q (Trade Demo)(ps2) Colosseum Road to Freedom (Ps2)

— Iamerror_website (@Videogameerrors) August 23, 2018

ST3ALTHSE7EN

#IFTTT #Twitter #bungie #destiny #gamers #gaming #mlg #video games #pro #mlg pro #youtube

[mitzisblues]

A demo recording of "Promise Yourself", one of Richard's earliest compositions.

#📻 #the revols #50s #1957 #promise yourself #revols demos

[mitzisblues]

A demo recording of "My Eternal Love", co-written by John Till and Richard.

#📻 #the revols #50s #1957 #my eternal love #revols demos

[jesuisgourde]

I just realized that I definitely have the same RE/Search Publications copy of The Torture Garden that Richey had because the RE/Search version is credited specifically in the THB20 booklet and there’s a scan of the Revol demo monologue boxed in by Richey’s pen.

#squash rambles

[jesuisgourde]

Forever thankful for your WT write-up! BTW, will you share your thoughts on THB20 box set? I wanna buy it but I'm kind of afraid i will regret it... Idk. The photobook and the documentary/live performance are the main draw to me, though the demos (?) also are interesting.

For sure! I'm also most interested in the documentary and photobook. I've heard the demo to Revol, and in fact I prefer it because the middle 8 has JDB reciting a paragraph from The Torture Garden by Octave Mirbeau over the solo, which I think is really cool. And I've heard the demo to Mausoleum which is almost exactly the same except the syllabic syncopation for the chorus is different I think. But I don't think I've heard any of the other demos from THB. I'll definitely post my thoughts/reaction when it comes in.