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#reverb delay chorus echo
pedaloftheday · 1 year
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NEW MERCH!! We have a couple new designs in our store, along with your favorite classic tees, sweatshirts, coffee mugs and more! Plus, from now through the end of Jan. 1st, take 15% off your entire order when you use code POTD15OFF at checkout - thanks for your support, and Happy Holidays!! https://pedal-of-the-day-shop.myshopify.com/ (link in bio) #pedaloftheday #supportsmallbusiness #happyholidays #fuzz #preamp #overdrive #distortion #echo #delay #reverb #looper #chorus #phaser #flanger #tremolo https://www.instagram.com/p/CmemWBjgFHJ/?igshid=NGJjMDIxMWI=
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guitarbomb · 5 months
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Unleash Classic Echoes with the NA 501 Chorus Echo Plugin by Nembrini Audio
Welcome to the world of impeccable sound where the past and present collide beautifully. Introducing the NA 501 Chorus Echo, a state-of-the-art plugin by Nembrini Audio, engineered to resurrect the legendary Roland RE-501 Chorus Echo’s hallmark sound. This modern digital marvel offers a seamless blend of nostalgic analog warmth and contemporary functionality, catering to today’s diverse music…
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hypnoneghoul · 4 months
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drag talk gear!!!
got sent those pics and couldn't help myself eheheh
matty
DigiTech Whammy 5
Boss TU-3 Chromatic Tuner
Keeley Compressor Plus
Deep Space Devices Dust
JPTR FX Warlow
Catalinbread FX40 Soft Focus Shoegaze
Death by Audio Echo Dream 2
EarthQuaker Devices Sea Machine Super Chorus
neil
Ernie Ball EB6201 Volume Tuner
EarthQuaker Devices Park Fuzz Sound
Catalinbread FX40 Soft Focus Shoegaze
Boss Delay DM-2w
Boss Chorus Compressor CE-2w
EarthQuaker Devices Transmisser Reverb
Mr. Black Boost Drive One-Hundred (rare thing)
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jbirdbirdbird · 3 months
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i could talk about these for HOURS, they're all my effects pedals!! i haven't fully tapped into all of them but i've been doing a lot of recording lately so i'll probably make some pretty noises with all of them some day in the near future :>
the first picture's order is all wonky because that's the order i have the pedals in the chain
1. EHX' Mel-9 (Mellotron emulator)
2. Alexander Pedals' Defender (OD/DST/FZ)
3. TC Electronic's Grand Magus (RAT similar)
4. Behringer's Noise Reducer (i use mostly as a mute when tuning)
5. TC Electronic's Afterglow (chorus)
6. Donner's Mod Square II (16 modulation in a mini casing)
7. TC Electronic's Hall of Fame 2 (digital reverb)
8. EHX' Oceans 12 (dual digital reverb/delay)
9. homemade JHS Little Black Box copy (1 setting buffer)
---not on the board---
10. TC Electronic's Sub'n'Up (octave)
11. Proco's RAT (distortion/fuzzish?) this one gets put back on the board every now and the
12. Dunlop's Crybaby (wah-wah)
13. Danelectro's Dan-Echo (echo/delay)
14. Joyo's Wow-Wah (auto-wah)
15. Donner's Echo Square
16. BOSS' ODB-3 (bass overdrive) i use this a lot when i play bass :)
17. BOSS' LMB-3 (bass limiter/enhancer)
18. BOSS' RBF-10 (rack mount flanger)
19. Danelectro's EStudio Honeytone E-15 (my dad's headphone amp from the mid-late '90s, not really a pedal but it can sorta be)
secret 20. 1-Spot Pro (power supply under the board, also not really a pedal but it's essential for the rig)
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the shoegazer tap dancing on all those thangs
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technician-the · 7 months
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Production tip!
Valhalla, leading maker of paid reverb plugins, has several free plugins as well, and they are really good!
the plugins are, the Freq Echo, pitch shifting delay, Supermassive, delay/reverb, and Space Modulator, flanger/chorus
I have a freq echo and supermassive preloaded whenever I open my daw, and they get used on almost every project.
links to each plugins page are below;
https://href.li/?https://valhalladsp.com/shop/delay/valhalla-freq-echo/
https://href.li/?https://valhalladsp.com/shop/reverb/valhalla-supermassive/
https://href.li/?https://valhalladsp.com/shop/modulation/valhalla-space-modulator/
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tayloryorkie · 2 years
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Taylor’s Equipment
Guitars
Bilt Corvaire
BilT Relevator LS
BilT Volare
BilT Zaftig
Danelectro 59 DC Electric Guitar
Eko 500 V2
Epiphone Casino
'89 Epiphone Sheraton (with Arcane Ultratron pickups)
Fender '75 Starcaster
Fender Blacktop Jaguar HH Electric Guitar
Fender Jazzmasters
Custom Fender Jazzmasters with humbuckers
Fender Classic Series '72 Telecaster Thinline
Fender Telecaster
Fender Coronado II Wildwood III
Gibson 20th Anniversary 1957 Les Paul Custom Black Beauty
Gibson ES-390
Gibson Les Paul Goldtop Electric Guitar
Gibson Les Paul Junior Double Cut VOS
Gibson Les Paul Junior Special Exclusive
Gibson Midtown Custom (with Bareknuckle Mississippi Queen P90 pickups)
Gibson SG '61 Reissue
Gibson Songwriter Deluxe Studio EC Acoustic Guitar
Godin 5th Avenue Kingpin
Gretsch G6119-1962HT Tennessee Rose HT
Hagström Impala
1966 Hagström Viking Electric Guitar
Kay Apollo II/Titan 1960's
Les Paul Special
'58 Les Paul Jr
Martin 000-18 Golden Era
Martin Steel-String Backpacker Acoustic Guitar
Neptune Singlecut Baritone
Rickenbacker 360
Supro Coronado II
Taylor 414ce
Other Guitars
Jerry Jones Baby Sitar
Kala Archtop KA-JTE Tenor Ukulele
Bass
Fender Jaguar Baritone Custom
Squier Jaguar Bass
Squier Jaguar Vintage Modified Short Scale Bass
Fender Precision Bass
Amps
1960 Watkins Dominator
65 Amps Tupelo
Divided By 13 RSA 23
Marshall JCM 2000 DSL 100 Dual Super Lead 2-Channel 100-Watt Guitar Amp Head
Roland JC 120
Silverface Fender Deluxe Reverb
Supro Statesman 50W Head
Supro 1695T Black Magick
Traynor YBA-1A MKII
Vox AC30
Pedals
Alexander SpaceXpander
Boss CE-1 Chorus Ensemble
Boss CE-2W Chorus
Boss DC-2 Dimension C
Boss DD-20 Giga Delay Digital Delay Pedal
Boss RV-3 Digital Reverb/Delay
DigiTech Whammy (4th Gen)
DigiTech X-Series DigiVerb
EarthQuaker Devices Dirt Transmitter Fuzz Pedal
EarthQuaker Devices Ghost Echo Reverb
EarthQuaker Devices Grand Orbiter V2
EarthQuaker Devices Hoof
EarthQuaker Devices Rainbow Machine Polyphonic Pitch Mesmerizer
EarthQuaker Devices Pitch Bay
EarthQuaker Devices Terminal Fuzz
EarthQuaker Devices Tone Job EQ
EarthQuaker Devices Transmisser
Electro-Harmonix POG2 Polyphonic Octave Generator Guitar Effects Pedal
Empress Echosystem
Empress Effects Multidrive Overdrive Guitar Effects Pedal
Empress Effects Reverb
Eventide H9 Max Harmonizer Multi-Effects Pedal
Heavy Electronics Radio Havana
JHS Pedals Mini Foot Fuzz Silicon Fuzz Pedal
Mantic Effects Proverb Reverb
Maxon AD-999 Pro Analog Delay
Mr.Black Supermoon
MXR M101 Phase 90
Old Blood Noise Endeavors Procession
Old Blood Noise Endeavors Reflector Chorus
Pearl CE22 Chorus Ensemble
Pigtronix Mothership Analog Synthesizer
Rawkworks Light Overdrive
Red Panda Context
Strymon blueSky Reverberator Pedal
Strymon Ola dBucket Chorus & Vibrato
Strymon TimeLine Delay Pedal
TC Electronic Ditto Looper Guitar Effects Pedal
TC Electronic Polytune 2 Pedal Tuner
Visual Sound Garagetone Chainsaw Distortion
Z.Vex Vexter Series Fuzz Factory
ZVex Vexter Series VSD Super Duper 2-in-1 Boost Pedal
Power Supplies 
CIOKS DC10 Power Supply
Picks
Clayton Custom Orange Delrin 0.60mm
Straps
Ernie Ball Polypro Guitar Strap
LETGOdwork Anchor Guitar Strap
LETGOdwork X-Bird Guitar Strap
Percussion/Drum Sets
Truth Custom Turquoise Glass Vintage Drum Kit
Roland SPD-SX Sampling Pad
Yamaha 2.5 Octave Concert Band Bells
Drumsticks
Vic Firth X55A Drumsticks
Vic Firth X5A Drumsticks
Vic Firth 3A Drumsticks
MIDI Controllers
RJM Mastermind GT/22 MIDI Foot Controller
In-Ear Monitors
Ultimate Ears Ue 7 Pro In-Ear Monitors
Phew okay this took a while! to be continued:)
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effectsdatabase · 1 year
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Weekly overview (2023, week 07): 16 new brands and 34 new pedals
16 new brands
Ando Effects
AP Boutique
Audio Surplus Effects
Boulevard Effects
Daniel Pedals
Don-Kraft Effectors
Electric Eye Audio
Fowl Sounds
Giudis Pedals
Great Eastern FX
KarDiaN
Kinotone Audio
Rare Buzz Effects
Rhodium Electronics
SoundSlice FX
Wolf Devices
34 new effects
Boomer WF-24 8-Tr Fuzz Wah
Chorus TS-3 Tube Screamer
Colorsound Micro Mix
Copilot FX Arrow Airwaves Supreme
Cranetortoise SEL-1 A/B Box with Tuner Out
David Ross Musical Instruments Winter Storm
Davoli TSR/3 Tremolo / Sustain / Reverb
Dazatronyx THD Metal Distortion & Hybrid Germanium Fuzz
Dazatronyx TSX Overdrive
Death By Audio + EarthQuaker Devices Time Shadows
Deep Space Devices Boomburst
Devi Ever : CYMRU Godzilla
Donner Beltway Looper
Donner Path Seeker - ABY Switcher
Donner Triple Looper
Dr. Scientist Dusk - Analog Filter
DSM Noisemaker Sub Atomic - X-Over CMOS Bass Drive
Durham Electronics Quatro Plex
Ear Fuzz Effects Ear Bender MkI
EarthQuaker Devices Sunn O))) Life Pedal - Octave Distortion + Booster
Electro-Harmonix 5mm Power Amp
Electro-Harmonix EHX-2020 Mini Tuner Pedal
Electro-Harmonix Mini Slap-Back Echo - Analog Delay Reissue Pedal
Electro-Harmonix MOP-D10 Isolated Power Supply
Electro-Harmonix Nano Deluxe Memory Man
Electro-Harmonix Nano Eddy - Analog Vibrato/Chorus
Electro-Harmonix Nano Intelligent Harmony Machine - Harmonizer/Pitch Shifter
Electro-Harmonix Nano J Mascis Ram's Head Big Muff PI
Electro-Harmonix Nano Mainframe Bit Crusher
Electro-Harmonix Nano Operation Overlord - Nano Overdrive
Electro-Harmonix Triple Foot Controller
Fuzzrocious + Electro-Faustus EF110G Maggotor Gated Fuzz
Hall and Collins Signature Echo
nuX (Reissue series) Analog Chorus
1 new article
Last week's top 20 videos (2023, week 06)
Overviews of the previous weeks: https://www.effectsdatabase.com/updates/weekly
from Effects Database https://bit.ly/3lPsyjq
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bestpianoreview · 3 months
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Unveiling the Yamaha MG12XU Mixer: A Comprehensive Exploration of Pro-Level Audio Mixing Mastery
In the vast universe of audio mixing, the Yamaha MG12XU mixer stands as a towering colossus, revered for its unwavering reliability, unmatched versatility, and uncompromising sonic fidelity. With its sleek design, formidable feature set, and pristine sound performance, the MG12XU has earned its place as an indispensable tool in the arsenals of audio engineers, producers, and musicians alike. This in-depth guide embarks on an illuminating journey through the inner workings of the Yamaha MG12XU mixer, shedding light on its myriad features, capabilities, and real-world applications in the realm of professional audio production.
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Unraveling the Yamaha MG12XU Mixer:
At the heart of the Yamaha MG12XU mixer lies a sophisticated blend of innovation and craftsmanship, meticulously engineered to meet the demands of modern audio professionals. Boasting 12 channels—comprising four mono microphone/line inputs and four stereo line inputs—the MG12XU offers a wealth of connectivity options to accommodate a diverse range of audio sources. With Yamaha's renowned D-PRE mic preamps at its core, the mixer delivers pristine sound quality with unparalleled clarity, ensuring that every nuance of your audio signal is faithfully reproduced with the utmost precision and fidelity.
Delving into Key Features and Functions:
One of the standout features of the Yamaha MG12XU mixer is its integrated digital effects processor, which provides a comprehensive array of studio-quality effects to elevate your audio productions to new heights. From lush reverbs and dynamic delays to shimmering choruses and ethereal flangers, the mixer offers a diverse palette of effects to infuse your mixes with depth, dimension, and character. Additionally, the MG12XU boasts onboard compression on select channels, allowing you to sculpt and shape the dynamics of individual signals with surgical precision, ensuring optimal balance and clarity in your mixes.
Another hallmark feature of the Yamaha MG12XU mixer is its built-in USB audio interface, which facilitates seamless integration with digital audio workstations (DAWs) and enables hassle-free multi-track recording and playback. With support for high-resolution audio up to 24-bit/192kHz, the USB interface ensures pristine sound capture and reproduction, making it an ideal solution for studio recording, podcasting, and live streaming applications. Furthermore, the mixer's "SPX" digital processing technology offers a diverse range of studio-quality effects, including reverb, echo, chorus, and more, allowing you to add professional polish and sheen to your mixes with ease.
Real-World Applications and Practical Uses:
The Yamaha MG12XU mixer finds itself perfectly at home in a myriad of audio production environments, from recording studios and live sound setups to podcasting studios and broadcast facilities. In a recording studio setting, the mixer serves as the nerve center for capturing and sculpting audio signals from microphones, instruments, and other sources, providing the tools and flexibility needed to achieve professional-grade recordings with ease and efficiency.
For live sound reinforcement applications, the Yamaha MG12XU mixer shines with its robust performance and intuitive operation, making it an indispensable tool for sound engineers and performers alike. Whether in a small club, concert venue, or house of worship, the mixer delivers pristine sound quality and reliable performance, ensuring crystal-clear audio reproduction and seamless operation in any live sound scenario.
In addition to its primary roles in music production and live sound reinforcement, the Yamaha MG12XU mixer also excels in podcasting, broadcasting, and multimedia production applications. Its compact form factor, intuitive controls, and versatile feature set make it an ideal choice for content creators seeking a reliable and user-friendly mixing solution for their audio projects, whether recording interviews, hosting live streams, or producing radio shows and podcasts.
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Conclusion:
In conclusion, the Yamaha MG12XU mixer stands as a shining beacon of excellence in the realm of professional audio mixing, embodying Yamaha's unwavering commitment to innovation, quality, and reliability. With its intuitive design, robust features, and pristine sound performance, the MG12XU offers a versatile and dependable solution for a wide range of audio mixing tasks. Whether in the studio, on the stage, or in the broadcast booth, the Yamaha MG12XU mixer empowers audio professionals to unleash their creativity and achieve sonic perfection with confidence and precision.
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lightsounds · 5 months
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JBL PRX ONE All-In-One Powered Column PA W/ 7-Ch Mixer, DSP & Onboard FX
Product Information:-
The JBL PRX ONE all-in-one powered PA features an acoustically optimised column array featuring a 7-channel digital mixer, a full suite of professional DSP, class-leading audio connectivity, Bluetooth functionality and JBL Pro Connect universal app control.
Enjoy unmatched power and performance in a sleek, compact package: PRX ONE delivers a stunning 130 dB of wide, full-bandwidth coverage with consistent front-to-back throw, thanks to its custom-engineered 12-tweeter column array featuring JBL AIM acoustic technology, 12-inch bass-reflex woofer and built-in 2,000-watt (peak) amplifier.
Dial in great sound fast, with fewer pieces of gear, using PRX ONE’s full suite of professional Lexicon and dbx effects including reverb, delay, compression and dbx DriveRack Inside featuring AFS Pro Automatic Feedback Suppression. Connect microphones, instruments, mobile devices and wireless rigs using PRX ONE’s versatile I/Os (featuring dedicated phantom power and Hi-Z inputs and pro-grade Neutrik connectors) and sophisticated Bluetooth 5.0 features. Work faster and easier with an intuitive Soundcraft-designed dual-mode digital mixer that can be set to general mix functions or channel-strip control, all controllable via app or a built-in colour LCD.
PRX ONE is ideal for DJs, musicians, entertainment venues, corporate presenters, rental companies and houses of worship. It’s the perfect solution for anyone who demands best-in-class power, acoustic performance, creative control and connectivity in a stylish, full-featured column PA that’s ideal for both installed and portable applications.
Firmware Update: JBL Pro Connect V1.8 is now available as a free update on Android and ISO. The latest firmware update improved metering (LEDs indicating limit too early), pass-through LPF/HPF (added LPF/HPF to the pass-through DSP), presets following the logic of EON ONE MK2 (system presets will now mirror EON ONE MK2), Gain Staging improvement on line level (line level showing clip too early), match EON ONE MK2 Effects (EON ONE Compact will now mirror EON ONE MK2 effects), improved connectivity, sleep enable/disable (Long pressing the channel button will disable sleep mode), BT Tone disabled (BT Connection tone will no longer be present), plus more!
Features:- - Vertical array of 12 2.5-inch drivers delivers consistent, even HF response from the front of the room to the back - Custom-designed high-frequency drivers feature copper-capped pole pieces to minimise distortion and smooth, natural high-frequency response - JBL A.I.M. (Array Inumbration Mechanics) geometrically optimised array-shading technology ensures consistent front-to-back coverage - Wide, 130° (H) x 30° (V) dispersion pattern delivers consistent coverage across the audience area - Sophisticated crossover management and HF/LF coupling allow for more natural low-end response and smooth, uniform response across the entire frequency range - 12-inch bass-reflex woofer extends low-end response to 35 Hz - 2,000-watt (peak), fully bridged Class D amplifier with power factor correction and high-linearity inductors provides clean, efficient system power, superior headroom, low THD and protection from voltage spikes - Four high-efficiency, low-noise microphone preamps maintain constant bandwidth at any gain level - 130 dB max SPL - Integrated 7-channel digital mixer with dual-operating mode gives users full control of their input faders or individual channel controls like bass, mid, treble and effects sends - Powerful Lexicon effects engine with delay, reverb chorus, echo and sub synth, with presets for easy setup - Triple Tier DSP control offers multi-level user experiences based on knowledge level - dbx DriveRack Inside technology features AFS (AutomaFc Feedback Suppression), 8-band master EQ, system limiter, plus gates and compressors on each channel for unrivalled dynamic control - One-touch ducking by Soundcraft ensures speech is always heard - Simple, intuitive full-colour LCD screen provides easy access to all PRX ONE functions - 8 user presets instantly optimise system sound - Robust audio connectivity: I/Os include 4 XLR Combo, 2 Hi-Z, 1 1/8-inch/BT audio and 1 XLR Pass Thru - 2 USB 2.0 ports charge devices and power AKG wireless systems (with optional JBL adapter cable) - Two channels of true +48V phantom power expand microphone support - Bluetooth 5.0 connectivity allows remote system control of up to 10 units using the JBL Pro Connect app - Full app control using JBL Pro Connect - Rugged enclosures withstand the rigours of the road - subwoofer for permanent installations - Included nylon carrying bag for array - Weight: 55.65 lbs (25.7 kg)
Buy Now : https://lightsounds.com.au/shop/index.php?route=product/product&product_id=3244&search=JBL+PRX+ONE+All-In-One
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beatnickdee · 7 months
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instagram
My new sample pack Prisma vol. 11 is out now! ~Link in bio~
The latest volume is inspired by moody 70's Library records, early 80's Synth-Prog, Cinematic Soul, Psych-Rock and sinister Horror OST's.
Bass on slides 3 and 8 by @logravity Guitar on slide 4 by @smuggledaudio_music_library Art by @portal_ism
Gear Used: Farfisa Compact Combo Organ, Sequential Prophet 6, Crumar Roadrunner 2, Behringer Poly D, Fender Strat, 5 string Warwick Streamer, Roland Re-201 Space Echo, Roland DC-50 Chorus, Sansui RA-500 Spring Reverb and various live percussion instruments including Flexatone and Cabasa.
Pedals: 70's Small Stone Phaser, 70's Morely Wah-Wah Fuzz, UA Dream 65 amp, Keeley Neutrino, Electro-Harmonix Pog, Obscura Altered Delay.
Each sample is labeled with BPM and Key. Master clearance guaranteed. Full license available to read on the site.
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lulumusicwaterbear · 1 year
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Term 1 21/11-25/11/22
Summative Assignment:
This week I recorded all of my vocals for production and started mixing. I didn't find the recording of the vocals themselves hard but I was frustrated I couldn't get the sound quality I wanted as my mic at home isn't a great quality. I tried to fix this by adding a compressor to get rid of any background noise which helped a small amount but you could still here a slight static when I wasn't singing so I tried to change the attack times. This made it worse as it made the vocals really jumpy and inconsistent. To make the static less obvious I added a dense room reverb and the ensemble plug in. In my opinion this helped a lot as any parts there were silence was now covered with my vocals and blended more with the track. In the original track there's a delay on the vocals in the pre chorus so I decided to experiment with this using the echo plug in. I changed the timing to every quarter beat so it still stayed in time with music and didn't sound out of place as well as balancing the dry and wet vocals similar to the main vocal line to make it more consistent. I added a slight distortion to the outdo as well to give it a sense of desperation similar to the live performance and added a dissonant three part harmony to push this effect. Whilst recording the vocals I decided to make them more soft and falsetto / mixed voice rather than belting to make the difference in style more obvious and make it feel more like a depression / overwhelming sensation than rage in the overall track. I decided to write out all the information I knew about the song to see how true I'd stayed to the original track and found a lot of it was still similar. We also had the chance to practice in the venue and get feedback. At first I was really worried because it took 15 minutes to set up the keyboard and if that happens on the recording day we'll have barely time for one take so we're going to ask if the keyboard can be set up in advance as it's more to do with the sound desk. We experimented with blank staring during the quiet sections but I'm going to cut it because it creates static noise for the bass when it's not touched and it can throw the timing off as we're not looking at each other. I got really good feedback from Candi and Mark and decided to add a scream to make the outdo sound more antagonising and add to the fear of the unknown in the lyrics.
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Delay effect
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Delay is a sound effect that consists of playing multiple copies of an incoming signal at different but uniform delays to simulate the sound of an echo. In a natural environment, the echo effect occurs when the surface from which the sound is reflected is at a great distance from its source. If the surface from which the sound is reflected is at such a close distance from the listener that the reflection interval is from 1 ms to 50 ms, then the sound will sound together and the echo effect will not work. Other effects, such as reverb and chorus, are also based on delay in its various modifications. Simply varying the effect settings and modulation of the incoming signal are used to produce the desired sound.
What is the delay used for?
The delay effect is very popular among musicians who perform live and apply it to their instruments. Sound engineers actively use delay to add liveliness and space to the mix. It is one of the most commonly used effects, as it has one of the most beautiful sounds.
How the delay works?
The delay effect is based on recording and buffering multiple copies of an audio signal and then playing them back at different times in a certain sequence. Different types of effects differ in the way they modulate the delayed signal.
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Existing delay types
1. VST and built-in plugins There are a huge number of plug-ins from different developers, both built into existing sequencers and editors, and standalone in the form of VST effects, which can be connected to these sequencers as additional software extensions. According to the principle of operation, software delays are divided into those that emulate the sound of old hardware devices, and those that work exclusively on digital algorithms. 2. Film and analog delay Sound engineers started getting delay effects with tape as early as the mid-1950s. Subsequently, echo emulation in this way was transferred to special hardware devices (echo machines and analog delay generation devices). Some devices of this type used solid-state elements instead of film to produce echo. 3. Digital delay In the late 70s, devices began to appear that allowed generating digital delay, which became a continuation of their analog predecessors. This type of electronics is still used in modern studios for sound processing.
Where to insert a delay in a mix?
There are no restrictions on inserting a delay effect into a mix. Everyone does it at their own discretion. At the same time, there are a number of recommendations, the observance of which is considered a kind of moviton. For example, delays are almost never applied to kicks and sub-basses, as these parts of the mix lose their power and are saturated with a lot of sonic garbage. Most often, the delay is applied not to the output, but to the input signal. For example, you put a reverb on a synthesizer. If you add an exit delay, the reverb will also be processed, resulting in a lot of dirt in the sound. If you add it to the input, then the input signal with the delay effect will go to reverb processing, which will give the sound liveliness. The compressor can be added at will, depending on which signal you want to level in volume.
Delay options
BPM Setting the pace of the plugin. Most often it is synchronized proportionally to the BPM of the project (the number of kicks per minute), but this is not a strict rule. Dry/Wet The volume ratio of the raw and processed signal (input and output). 100% dry means only the input signal will be heard, 100% wet means only the output signal. Delay time The principle of action is similar to BMP. Allows you to set the repeat interval between repeated copies of the sound. Feedback Sets the number of repetitions of the input signal or the length of the delay tail. A value of 100% means that the repeat will be the same volume as the input signal and will continue to sound until the setting is lowered. 50% means that each subsequent repetition will be half as quiet as the previous one until it stops sounding altogether.
Delay in Amped Studio
Amped Studio has its own built-in delay effect. To use it, you need to perform the following procedure: 1. Add track:
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2. On the track, register a melody in MIDI or add an audio file:
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3. Hang the instrument on the track:
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4. And add the effect in the same way:
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Conclusion
Today, almost one track cannot do without a delay, especially in electronic and pop music. It makes the sound more lively and spacious, which makes the mix sound more natural. There are a huge number of plug-ins from different manufacturers and in this regard, each producer can choose for himself what is right for him. Read the full article
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hpwint · 2 years
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Blackhole reverb
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#BLACKHOLE REVERB SOFTWARE#
#BLACKHOLE REVERB PC#
With selectable instrument/line-level input and stereo outputs, the Eventide Blackhole pedal is ready for any audio signal you want to throw at it. Map an expression pedal (sold separately) to the tone controls to add subtle movement to the reverb, manipulate the Feedback control to enter psychedelic territory, or make your dry signal dissolve into the reverb tail. A dedicated Freeze footswitch allows you to suspend the reverb tail indefinitely as you layer new sounds on top. The Eventide Blackhole pedal - based on their acclaimed Blackhole reverb plug-in - goes far beyond traditional reverb effects.
#BLACKHOLE REVERB SOFTWARE#
Complete with a software manager that makes it easy to create and save custom patches, a lifetime of sonic exploration awaits in the Eventide Blackhole reverb pedal. And while the Blackhole's pedal format makes it perfect for adventurous guitarists, its switchable instrument/line-level operation is ready for your keyboards, synthesizers, drum machines, or even your DAW. Hi and Lo tone controls make it easy to fine-tune the reverb effect for any sound source. Dial in modulation for multi-voice, chorus-like animation. Create massive drones with two different types of infinite reverb, allowing you to layer sounds over a suspended reverb tail. Create interesting swells or suck the dry signal back into the reverb tail.Transcend typical reverb sounds and explore unique soundscapes with the Eventide Blackhole reverb pedal.
Unique Gravity control to custom-tailor the reverb tail in two realms - normal or inverse decay.
Map the EQ controls to an expression pedal to add movement to the reverb tail Use the tone controls to add airiness or clear up the low-end.
Fine-tune your tone with Lo, Hi and Q (resonance) controls.
#BLACKHOLE REVERB PC#
Eventide Device Manager PC or Mac application for software updates, system settings and creating/saving presets.Catch-up mode helps dial in your sound when toggling between presets/parameters.Multiple Bypass options: Buffered, Relay, DSP+FX or Kill dry.MIDI capability over TRS (use with a MIDI to TRS cable or converter box) or USB.Use a single Aux switch to Tap Tempo or a triple Aux switch for easy preset changing (up/down/load).Map any combination of parameters to an Expression Pedal.Rear panel Guitar/Line Level switch for selecting use with guitar, synths, FX loop or DAW interface.Dual action Active Footswitch is latching or momentary.Tap the Freeze Footswitch to instantly ‘freeze’ your sound.Turn up Feedback to go beyond the event horizon.Use PreDelay to offset the onset of the reverb.Control the Size of your space from a cartoonishly small room to a limitless universe.Five presets loaded at your feet with dozens more available with Eventide Device Manager (EDM) software.Unlock a universe of sound-sculpting capability! With this magnitude of flexibility, Blackhole will take you on a journey from cathedral-esque spaces to a new frontier of aural experimentation. Blackhole can load as many as 127 presets via MIDI and they are also accessible in the preset list on the Eventide Device Manager (EDM). Pick and choose from five otherworldly presets – create supermassive atmospheres with the ethereal reverb of Blackhole, soar through nimbus clouds with the airy delay of Dark Matter, achieve sonic supernovas with the resounding swirl of Nebula, experience an uncharted galaxy of sound with the warmth of Singularity, and achieve a stellar rotation of sonority with Pulsar – or get creative and create presets of your own. …To a Place Unknownĭiscover what lies beyond mere halls, rooms, plates and springs let Blackhole transport you to an alternate dimension of ambience. Escape Earth and create haunting echoes, ethereal landscapes and otherworldly ambiences with Blackhole – a reverb pedal as big and mysterious as the cosmos. What lies beyond a Blackhole’s Event Horizon? Is it a place where time itself freezes or where gravity folds in upon itself? Is it a portal to another dimension? There’s only one way to find out.
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balancetrust · 2 years
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Sony audio master suite crack
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entmmorg · 2 years
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Cant access sylenth fl
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After years in the game, this dual-layered two-by-two-oscillator plugin has left a catalogue of hits and crowds of adoring fans in its wake.
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This enables you to create pure quality sound using only minimal system resources.If there's one software synthesizer that's got the most enduring reputation, it's probably LennarDigital's superb Sylenth1. It will also automatically turn off any parts that are not used, to save extra CPU time.
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It uses highly optimized code and SSE instructions in order to reduce the CPU usage to a minimum. Well, one of the many benefits of this synth is that it doesn't. With all the functionality and processing horsepower mentioned above, you might expect that this synth would max out even the fastest CPU in no-time, especially considering the high sound quality of each single voice and effect. Reverb - Smooth reverb with adjustable pre-delay, damp, size and stereo width.Ĭompressor - Stereo compressor with attack, release, threshold and ratio settings, which can be used to increase punch, drive, warmth and analog feel of your sounds. Phaser - 6-Stage stereo phaser, with 2x oversampling, an embedded LFO, feedback and frequency spread adjustment.Ĭhorus/Flanger – 4-Stage stereo chorus, with 2x oversampling, adjustable delay time, depth, rate and feedback for flanging effects.Įqualizer - Bass and treble adjustment by frequency and amplification.ĭelay - Delay module with low and high pass filters, unique echo smearing function, pingpong mode with stereo spreading, independent left and right delay time and adjustable stereo width.
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Outputs Step Velocity as a modulation source.ĭistortion - Five different types of distortion (overdrive, foldback, clip, decimator and bitcrusher) in full stereo, uses 4x oversampling to minimize aliasing artifacts.
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A set of 7 professional quality sound effects and an arpeggiator, conveniently grouped into an LCD panel structure.Īrpeggiator – 10 different melodic modes, built-in step sequencer with adjustable pitch, velocity and hold settings. The final part of this synth is the master effects section. Next to that, it is possible to use the extra 2 amplitude envelopes, velocity, keyboard track or modulation wheel as a source for modulation. There are 2 ADSR envelopes and 2 LFO's which can be used to modulate a whole set of different parameters. Sylenth offers many modulation options to sculpture the sound any way you like. The resonance control can be turned up to a level way beyond self-oscillation and combined with the drive control this makes it possible to let the filters SCREAM! Where a lot of digital filters sound like they're made out of cheap plastic, these filters sound rock-solid, warm and raw. Each of these consists of 4 filter stages with nonlinear saturation incorporated, in order to emulate the warmth and drive of a real analog filter. On top of that there are 2 state of the art, pure analog sounding filter sections. This makes them well suited for all kinds of sounds, from the deepest basses imaginable to the highest crystal clear bells. With its 16 notes of polyphony this means you can play up to 512 voices simultaneously! The oscillators perform extremely well in both the very low (down to 0.01Hz and below!) and very high (all the way up to half the samplerate) frequency regions without losing their sharpness, liveliness or character. Each oscillator is capable of producing 8 unison voices in full stereo, adding up to a total of 32 voices per note. The graphical interface ensures the highest level of usability so you can fully unleash your creativity.Īt its core Sylenth1 houses 4 alias-free unison oscillators, which generate analog shaped waveforms. A lot of research has been invested in order to achieve unheard warmth and clarity. It was built to produce superior quality sound and music. It was built from a producer's point of view. Until now only very few software synthesizers have been able to stand up to the sound quality standards of hardware synths. Sylenth1 is a virtual analog VSTi synthesizer that takes the definitions of quality and performance to a higher level.
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effectsdatabase · 2 years
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Last week's top 20 videos (2022, week 41)
Top 20 videos last week (October 9-15)
Best Advanced Delay Pedals: What They Can Do (by Delicious Audio)
Cookin up some Harmonic Trems and Octave Reverbs ? #jhspedals #guitarpedals (by JHS Pedals)
ROLAND GK3B midi pickup into a Roland GR20 synth (by Lefa Pedals)
This is a KEEPER. The Electronic Audio Experiments Longsword! (by Sasha Ivantic)
ZOIA Bootcamp #1 - Tremolo (by Empress Effects)
Super Gnarly & THICK Octave Fuzz! - SolidGoldFX 76 MKII [Demo] (by Patrick Hunter)
Tensor | Live Reverse & Rewind (by Red Panda)
MIDI Controller for Generation Loss MKII (by Chase Bliss Audio)
Distortion MetalGenetic special edition (by SviSound)
Univox EC-80 Preamp Drive Humbuckers (by PeterKaltsas)
SHOOTOUT: Every BOSS Chorus Pedal Ever Made!! [Mono AND Stereo] (by blizzardofed)
NEW & IMPROVED - 76 MKII (by Solid Gold Sound Labs)
THIS AWESOME FUZZ JUST GOT EVEN BETTER !! (by BassTheWorld)
MODERN FUZZ, VINTAGE VIBE - SolidGoldFX 76 MK II OCTAVE UP FUZZ (by Pete Thorn)
Electronic Audio Experiments model feT | Sunn Model T in a Box (by Metalhead Productions)
Gravity Bomb V2 Clean Boost & Mids Enhancer | CopperSound Pedals (by Coppersound Pedals)
Lets Build a Fuzz Pt1 (by Matthews Effects)
Vintage Rat tones under $50? Mosky Black Rat Vs TC Electronic Dark Matter (by Budget Pedal Chap)
aguilar TONE HAMMER × Crews JB-Modern & Crews NPB?JB????/PB???? ???????? (by Guitar Shop Hoochies)
Pedal Builder REACTS! | Inside an Atomic Echo Clone (Way Huge Aqua Puss Delay AP-2) MN3005 Tone Demo (by The Tone Geek)
Overviews of the previous weeks: https://www.effectsdatabase.com/video/weekly
from Effects Database https://bit.ly/3MIZ5AT
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