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#prestige horror
bbyteach · 4 months
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Hate ppl being like well at least there’s *edgy show with queer characters* *show with super conventionally attractive, young leads* or *show with both* like… not the fucking point?
I don’t need all art I connect with to be cutting-edge or ‘cool.’ I’m an artist that does a lot of horror/‘edgy’ work outside of this fandom space. This shows earnestness and whimsy and how little it cared about being ‘cool’ has been a breath of fresh air for me. In the sea of media that is banking on existing IP or bleak social commentary and true crime… this truly was original and interesting. Like. True height of queer media golden age. A warm light that doesn’t need to peak through a million layers of irony. Sigh
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tarabyte3 · 8 months
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I made some Andy Serkis blorbo themed autumn/horror moodboards for spooky season. 🎃🍁🔪🩸🧡 Enjoy!
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Kino Loy, Andor (2022)
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David Robey, Luther: The Fallen Sun (2023)
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Alfred Pennyworth, The Batman (2022)
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Liam Black, The Accused (2010)
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Capricorn, Inkheart (2008)
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Mr. Alley, The Prestige (2006)
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Dr. Adrian King, Death of a Superhero (2011)
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George Clements, SAS: Red Notice (2021)
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David, The Cottage (2008)
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Colleoni, Brighton Rock (2010)
PART 2
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naamahdarling · 9 months
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Oh shit I completely forgot about Lost Johns cave fuck that shit is horrifying
I think only 2 serial fiction podcasts have ever actually made me breathe a little too fast. The other was Limetown which...the Napoleon episode fucked me up (only episode I ever had to pause for a few seconds), as well as just the concept in general. But Magnus Archives in addition to being overall the best complete podcast I have listened to had a couple of real getters individually. MAG-15 Lost Johns Cave is one.
"It meant me harm."
And then when they played the recording back and I realized what she was saying my entire body just got cold.
Like, the reason I consume horror content isn't actually because it frightens me. It almost never does. So when it does more than unnerve and thrill me, it's doing a very good job. Congrats Jonny Sims for doing it a good two or three times in Magnus Archives.
By the way, the cave is real.
Here's how you go in.
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Goodnight!
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bluebirdcurse · 1 year
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Jeff and Shauna would be so much happier if they just switched jobs. Jeff would be a great stay at home dad and Shauna would run that furniture store with an iron fist.
Shauna would never get in with the mob to save the business. She'd do it to feel alive.
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louisdelac · 6 months
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the thing about mp100 is that it's a very cute show, but it is also 100% targeting 13 year olds. like don't get me wrong. it rules. but like the creator's sole intention was to grab all the little boys who read shounen by the hand and teach them that growing up is really scary, but he believes in their power to love openly and be a good person. which is just not comparable to jjk, whose creator's sole intention was to go "shadow the hedgehog is the coolest sonic character. what if i put 50 of them in a manga and made them fight" you all have to stop trying to put ebony dark'ness dementia raven way into blue's clues. it's not gonna work.
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aidenwaites · 4 months
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Once again if hbo wants to give me the ofmd money to make a little show called Prey Animal,
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rotzaprachim · 1 year
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one thing that’s kind of poking at me a lil bit ficwise is kind of. unpicking the threads of Galen and Lyra and Jyn. I think there’s a fandom and to an extent a canon tendency to make her early childhood in Lahmu into Those Good Years, and to an extent that’s part of the structure of a film with a running time- the opening, before everything Goes Wrong. but I can’t stop thinking about how, if not fearful, then deeply paranoia-laced and isolated Jyn’s early childhood must have been. your father is on the run, your father took you and your mother with you in the night, you know literally no one else but your mother and your scientist father who has made himself a god? there’s such a kind of, cold, isolationist biblical patriarch narrative edge to the opening shots of lahmu and the Erso family as purposefully isolated and separated from everything. I’m not sure it’s quite a horror story- thought it sure has potential to be- but I do think there’s room to deeply unearth and nuance the situation there a bit. after all, by the time rogue one starts Galen and Lyra are terrified, and the story begins in many ways with their fear. what is it to be a child of that? 
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marklikely · 1 year
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you guys know that phenomenon where dudes will be like "women aren't funny" but its just bc when a woman makes a joke they don't get it and take her seriously and just think she's like an idiot? like a woman will say smth silly as a joke and they'll just be like "smh you can't be serious you're so stupid" bc theyd rather think a woman is stupid than think that she's just saying it to be funny.
i feel like thats what happens in the reviews every time a woman tries to direct a campy b movie right now.
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navree · 2 years
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cannot believe we’re getting shit like the barbie movie and the dark barney because hollywood has decided it’s out of ideas as if there aren’t sooooooooooooooooo many historical dramas of people and events whose stories haven’t been told
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heartshapedtrap · 10 months
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hiiii y’all i saw Barbie w friends and it was sooo much fun!!!! we sat and talked at theater like an hour and half before because we couldn’t sit together during the time we planned to watch it so we waited and we told silly stories and things about our interests (me convincing them to watch succession bc trust me and them talking about video games which i love hearing about because they’re so passionate about it and look so happy to tell me about favs ) and chatted and ya know shared lore about our lives which idk even know how to describe the joy I felt because I’ve been working on being more vulnerable w friends so I don’t trap myself in a false intimacy in relationships and stuff and it was such a good time felt like I opened up more about my personal experiences and then it got even better when we watched the movie :)))
also we went to 5 below right after and I made a new friend in her twenties exchanged contacts and stuff all because we were wearing the same shirt and happened to be in the same aisle bc I was looking for the blind jjk mini figures (I got geto and nobara btw <333) then we walked around target lol
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nancywheeeler · 1 year
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“The Boogeyman is based on a short story by Stephen King, originally published way back in 1973, with the film concerning a terrifying supernatural entity that preys on families and feeds on the suffering of its victims. The movie's human characters include high school student Sadie Harper and her younger sister, Sawyer who are both reeling from the recent death of their mother and aren't getting much support from their father, Will, a therapist dealing with his own pain. “
lol so Stephen King adaptions are just original scripts with his name slapped on them now. okay.
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sol-flo · 1 year
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do NOT let anyone fool you: there's no biomechanical horror in titane. i repeat. the movie where the woman fucks the car has no biomechanical horror in it. there is no biomechanical immaculate conception as horror.
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prestiged-prince · 1 year
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sex? in my horror movie? it’s more likely than you think.
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drchucktingle · 1 year
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hey chuckie, how do you get published and also over the fear of nobody liking your work.
my initial way was to trot a SELF PUBLISHED trot, which is pretty dang exciting because anyone can do it. after writing about four hundred books WORLDS GREATEST AUTHOR CHUCK sent a message to a big time publisher name of nightfire and said 'will you publish my horror novel in all stores?' and they said 'yes bud'
so basically to answer first question of 'how do you get published?' it is both simple and difficult. SIMPLE in that i just started self publishing which anyone can do but DIFFICULT in that i did it for a long time and wrote till my dang eyes fell out.
but honestly i do not think this is the real question.
i think what is really being asked is: how can i climb over the greatest hurdle of all, the voice telling me that i am no good?
the way is to understand that YOU ARE GOOD AT BEING YOU. in fact YOU ARE PERFECT AT BEING YOU. there is LITERALLY NOBODY BETTER, not now, not in the past, not in the future. you are a brilliant eruption of rarity in the middle of endless time stretching forever in either direction.
when i say 'i am the worlds greatest author' i HECKIN MEAN IT, but this does not mean that i am better than you. the podium i stand on is not just for one buckaroo, it is for ALL BUCKAROOS. there is plenty of room at the top because YOU CAN BE THE WORLDS GREATEST AUTHOR TOO. IN FACT, YOU ALREADY ARE.
now that you realize you hold this power and prestige, what are you gonna do with it? that is up to you bud. id say you should go out and publish your dang incredible book
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lafiametta · 1 month
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As much as I'd like Shōgun to return to the dynamic pacing that characterized the first part of the show (have we really spent the last four episodes in Ajiro?), slowing the action down has allowed for some fascinating explorations of character and theme.
One that featured heavily in this week's episode (as well as in the previous one) is the idea of myth-making and story.
Toranaga, of course, is the center of one such myth. The “boy warlord,” he won his first battle at age twelve and then served as second to his defeated enemy, taking off his head with one blow. This is the story that Saeki Nobutatsu tells at dinner, a tale that delights his young, impressionable nephew. Nagakato, who wants to prove himself to his father, takes such story as truth and wants to emulate him by riding off to battle, where he will likely be killed, but as a glorious end that will be told and retold. (“Will we die with blood on our swords?” he asks, which is the only honorable way to die.)
Lady Ochiba is surrounded by her own legends. Whereas Toranaga's exploits are the stuff of dinner party entertainment, she literally watches her own life be made into drama. The play performed at the Noh theater depicts her courtship by the Taikō, a courteous affair where her character does not speak, an frozen mask covering any expression she might make. (“Dear Lady Ochiba,” the fictionalized Taikō tells her, “if we have a son, prestige will spread in every direction...”)
(Mariko is also haunted by a story, that of her father's actions against Kuroda. But unlike Toranaga and Ochiba, she has no desire to disillusion herself. In her mind, her father died a hero, the man he killed a tyrant, and for fourteen years she has suffered by not being able to fulfill her duty to him by joining him in death.)
But what Shōgun is also trying to tell us is that life is nothing like the myth. A glorious death, the honor of one's family, the prestige of bearing the Taikō's only son, these require far more of us that we can ever imagine, pain and horror laced through every act.
The true story is one we never want to tell. It is being drugged and assaulted on a nightly basis by your consort and his wife, all in the hopes that you will give them a child. It is hacking at the bloody neck of your defeated enemy, until the ninth blow finally severs his head. It is attempting to kill your uncle in the darkened garden of a tea house, only to slip on a wet stone and dash your brains against the rocks, not a single drop of blood on your sword.
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