#prebilled

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[idahobob]

Kathmandu - Summer Never Sleeps from Daniel Warwick on Vimeo.

Music / 'Jimmy, Renda-Se‘ by Tom Zé Director / Daniel Warwick DoP / Jan David Günther

Production Company / Scoundrel Exec Producer / Adrian Shapiro Producer / Morgan Benson Taylor

Editor / Adam Wills

Client / Kathmandu Client CCO / Eva Barrett Client Head of Global Brand Comms / Michaela Clark Client Global Head of Social Media / Shailyn Shah Creative Agency / Special Group New Zealand Chief Creative Officer / Tony Bradbourne Executive Producer / Sally Lankshear Senior Producer / Casey King Executive Creative Director / Lisa Fedyszyn & Jonathan McMahon Creative Director / David Shirley Associate Creative Director / Julia Ferrier

Storyboards / Otto Wiezorek

Cast Duc Jeremy Vu Oscar Kapoya Bobbie Twaddle Julia Aguilar Tjaša Žibert (The fantastic Mrs Fox) Abiola Efunshile Egshing Varga Eva Mauricio Kani Obelga Matej Pusnik (Mr Merman)

1st AD / Nikolaus Sauer 2nd AD / Nataša Uzunović Choreographer / Erik Bukovnik

Service Production / Bas Productions Service Exec Producer / Andrej Caruso Line Producer / Luka Jauh Production Manager / Patrik Šimenc Production Coordinator / Martina Crnkovic Unit/Set PA / Sebastjan Logar Unit/Set PA / Blaž Pogačar TC/Prod. Driver #1 / Andrej Repovž

Location Manager SLO / Blaž Bačar Location Manager IT / Miha Repič

Production Designer / Miha Knific & Lara Štefančič Art Director / Lara Štefančič Prop on Set / Žan Kalan

Stylist / Tina Tanko Stylist Assistant / Suzana Bićanić

Make Up Artist / Nastja Pestivšek Make Up Artist Assistant / Kristina Mandić Hair Stylist / Borut Novak

1st AC / Pavel Kurak Loader / Jan Skriecka 2nd AC / Luka Podobnikar Video Assist / Noel Šimenc Video Assist / Jernej Valenčič

Gaffer / Jernej Prebil Best Boy / Marko Perne Electrician / Jani Podmilšak Electrician / Marjan Vidmar Electrician / Dušan Praznik Electrician / Jurij Wolgemut Electrician / Jernej Korenčan Electrician / Jon Prebil Electrician / Urh Cerovnik Light Operator / David Crane Operator / Luka Zdešar

Key Grip / Rok Grdin Grip / Ivan Radeljak Grip / Aljaž Založnik

SFX Master / Aleš Šmuc SFX / Jan Januš

Animal Wrangler / Jože Ilc

SOME / Anže Lovšin

Sound Master / Martin Jelovšek

Catering Coordinator / Jernej Konda Craft / Rok Vengust Craft / Sara Ogrizek Chef / Jaka Hergeršič Chef Assistant / Petra Skopec Driver / Franc Vidmar

Post Production / Bepic Berlin Creative VFX Supervisor & Partner / Basti Konradt Post & VFX Producer / Lion Graf VFX Artists: Motion Graphics / Tulio Inoue Flame Artist / Chris Weingart Cartoon Animation / Laurie Herman Endshot Painting / Paula Blesa Colourist / Sarah Salzmann

Post Production:

Mario Borgmeier Milan Braune

Soundmix / Stefan Kraatz Sound Producer / Maurice Krämer

Special Thanks to Andrea Roman & Zauberberg Dirk Kübler Filmversicherung Berlin Jakob Rühle

[irvinenewshq]

Slovenias ex-top diplomat Anze Logar scores practically 34% of votes in first spherical of polls

Slovenia’s former Overseas Minister Anze Logar of the Slovenian Democratic Occasion has scored practically 34% of votes within the first spherical of presidential elections, the State Election Fee mentioned on Sunday after counting 97.84% of ballots, Pattern experiences citing TASS. In keeping with the fee, Logar received 33.9% of the vote. He’s adopted by lawyer Natasa Pirc Musar, an at giant candidate, who is scoring 26.89% of votes. Subsequent are Milan Brglez, a European Parliament member and a Social Democrats and Freedom motion candidate, with 15.46% of votes and Vladimir Prebilic, Mayor of Kocevje (10.65%). Polling stations had been open on Sunday from 07:00 am native time (08:00 am Moscow time) to 19:00 native time (20:00 Moscow time). The State Election Fee mentioned on October 21 that greater than 68,000 Slovenians took half in early voting. Originally published at Irvine News HQ

#Irvine News HQ

[artwalktv]

Music / 'Jimmy, Renda-Se‘ by Tom Zé Director / Daniel Warwick DoP / Jan David Günther Production Company / Scoundrel Exec Producer / Adrian Shapiro Producer / Morgan Benson Taylor Editor / Adam Wills Client / Kathmandu Client CCO / Eva Barrett Client Head of Global Brand Comms / Michaela Clark Client Global Head of Social Media / Shailyn Shah Creative Agency / Special Group New Zealand Chief Creative Officer / Tony Bradbourne Executive Producer / Sally Lankshear Senior Producer / Casey King Executive Creative Director / Lisa Fedyszyn & Jonathan McMahon Creative Director / David Shirley Associate Creative Director / Julia Ferrier Storyboards / Otto Wiezorek Cast Duc Jeremy Vu Oscar Kapoya Bobbie Twaddle Julia Aguilar Tjaša Žibert (The fantastic Mrs Fox) Abiola Efunshile Egshing Varga Eva Mauricio Kani Obelga Matej Pusnik (Mr Merman) 1st AD / Nikolaus Sauer 2nd AD / Nataša Uzunović Choreographer / Erik Bukovnik Service Production / Bas Productions Service Exec Producer / Andrej Caruso Line Producer / Luka Jauh Production Manager / Patrik Šimenc Production Coordinator / Martina Crnkovic Unit/Set PA / Sebastjan Logar Unit/Set PA / Blaž Pogačar TC/Prod. Driver #1 / Andrej Repovž Location Manager SLO / Blaž Bačar Location Manager IT / Miha Repič Production Designer / Miha Knific & Lara Štefančič Art Director / Lara Štefančič Prop on Set / Žan Kalan Stylist / Tina Tanko Stylist Assistant / Suzana Bićanić Make Up Artist / Nastja Pestivšek Make Up Artist Assistant / Kristina Mandić Hair Stylist / Borut Novak 1st AC / Pavel Kurak Loader / Jan Skriecka 2nd AC / Luka Podobnikar Video Assist / Noel Šimenc Video Assist / Jernej Valenčič Gaffer / Jernej Prebil Best Boy / Marko Perne Electrician / Jani Podmilšak Electrician / Marjan Vidmar Electrician / Dušan Praznik Electrician / Jurij Wolgemut Electrician / Jernej Korenčan Electrician / Jon Prebil Electrician / Urh Cerovnik Light Operator / David Crane Operator / Luka Zdešar Key Grip / Rok Grdin Grip / Ivan Radeljak Grip / Aljaž Založnik SFX Master / Aleš Šmuc SFX / Jan Januš Animal Wrangler / Jože Ilc SOME / Anže Lovšin Sound Master / Martin Jelovšek Catering Coordinator / Jernej Konda Craft / Rok Vengust Craft / Sara Ogrizek Chef / Jaka Hergeršič Chef Assistant / Petra Skopec Driver / Franc Vidmar Post Production / Bepic Berlin Creative VFX Supervisor & Partner / Basti Konradt Post & VFX Producer / Lion Graf VFX Artists: Motion Graphics / Tulio Inoue Flame Artist / Chris Weingart Cartoon Animation / Laurie Herman Endshot Painting / Paula Blesa Colourist / Sarah Salzmann Post Production: Mario Borgmeier Milan Braune Soundmix / Stefan Kraatz Sound Producer / Maurice Krämer Special Thanks to Andrea Roman & Zauberberg Dirk Kübler Filmversicherung Berlin Jakob Rühle

#Videos & Films

[jobkash]

Prebill Denials Nurse PRN, Virtual

Prebill Denials Nurse PRN, Virtual

…revenue cycle services. We partner with over 650 hospitals and 2,400 physician practices nation-wide. Our parent company, HCA Healthcare has been consistently named

View On WordPress

[n3kuv]

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[filtrmag]

Snowboard vrhunci X Games 2021 v Aspnu

V zadnjih treh januarskih dneh smo bili priča 20. izvedbi X Games v Aspnu, kjer se se za prestižna odličja in slavo borili najboljši freestyle snowboarerji in snowboarderke ter smučarji in smučarke. Buttermilk Mountain je tokrat dogodek gosti, kot smo v tem času že vajeni - brez gledalcev, kljub vsemu pa si je bilo nekatere finalne boje moč ogledati preko spleta in v TV prenosih izbranih televizij. V snowboard kategorijah so bila odličja podeljena v treh kategorijah (slopestyle, superpipe in big air) dodatno zlato medaljo pa so podelili v zabavnem tekmovanju Snowboard Knuckle Huck, ki je letos dočakal sploh prvo žensko udeleženko v zgodovini.

Slopestyle

Sončno nebo in "hiter sneg" v parku sta bila zagotovili za odlične nastope deklet v slopestylu. Freestyle kraljica in edina olimpijska zmagovalka te discipline, Američanka Jamie Anderson je takoj na začetku pokazala, da je prišla po zmago, ki je ni več izpustila iz rok. Njena najbolje ocenjena vožnja je vključevala trike backside lipslide na "down-flat-down-u", Cab double cork 900 Weddle in visok backside rodeo stalefish - najboljši trik tekmovanja izveden na zadnjem skoku. Andersonova si je tako okoli vratu že prvi dan obesila svojo 18. X Games medaljo, pred njo pa sta bili še tekmovanji v dveh disciplinah.

Na drugo mesto se je uvrstila predstavnica Nove Zelandije Zoi Sadowski-Synnott, ki je z odlično in tehnično zahtevno predstavo na railih na tretje mesto potisnila Kanadčanko Laurie Blouin.

Tudi moške odločilne vožnje v parku je namesto gledalcev pospremilo sonce. Do zlatega odličja je prišel komaj 17 letni Američan Dusty Henrickson, ki je v drugem nastopu postregel s tehničnimi triki na rail sekciji ter stilsko dovršenimi triki Cab hardway 270 bringback, backside 1440 Weddle grab in double crippler double grab melon to stalefish na skokih. 

Na drugo mesto se je uvrstil Finec Rene Rinnekangas, tretji pa je bil Norvežan Mons Røisland, ki je navdušil s trikom switch backside double cork 1620 tailgrab, prvič izvedenem na tekmovanju X Games.

Big Air

Če je Jamie Anderson nesporna kraljica slopestyla, bi siv big airu podobno skoraj upali trditi za Avstrijko Anno Gasser. A ne tokrat. Andersonova je bila v teh dneh odlično razpoložena kot po maslu ji je šlo tudi v kategoriji, kjer še nikoli ni stopila na najvišjo stopničko X Games tekmovanj. S trikoma frontside double cork 1080 Weddle grab in cab double cork 1080 Weddle grab je zbrala 89 točk, ki jih ni uspela preseči nobena izmed preostalih finalistk. Okoli vratu si je tako obesila že 8. zlato X Games odličje, sicer pa skupno že 19 medaljo iz X Games tekmovanj. Le še eno jo loči do izenačenja z najuspešnejšim športnikom zimskih X Games - Kanadčanom Markom McMorrisom, ki pa je tokratno izvedbo X Games izpustil zaradi pozitivnega testa na Covid-19.

Na drugo mesto se je uvrstila Japonka Miyabi Onitsuka, ki je izvedla najbolje ocenjen trik tekmovanja - na tekmovanju še nikoli izveden cab double cork 1260 Weddle grab, s katerim je prejela 47 od 50 možnih točk. Na tretje mesto se je uvrstila Novozelandska predstavnica Zoi Sadowski-Synnott, ki je srebru iz slopestyla oddala še eno odličje.

V zadnjem poskusu so bile vse oči uprte v Avstrijko Anno Gasser, saj od nje na vsakem tekmovanju po tiho pričakujemo triple cork, ki ga je sicer že izvedla, a še nikoli na tekmovanjih. Tokrat se ga je morda lotila nekoliko prepozno, saj je bila prva in edina izvedba v zadnjem poskusu suverena, žal pa se ji pristanek ni posrečil. Verjetno bi potrebovala le še en poskus, da bi se zapisala v zgodovino, ob tem razpletu pa je tekmovanje končala izven najboljše trojke.

Tudi v moškem big air finalu je bilo zelo vroče, saj so ocene kar petih od osmih finalistov presegale 90 točk. Zmago je domov odnesel Marcus Kleveland, ki je izvedel sploh prvi backside quad cork 1800 Indy grab in zanj prejel oceno 48 točk. Za drugi trik cab 1800 switch Weddle grab je prejel enako oceno in tako prehitel drugo uvrščenega Svena Thorgrena, ki je postregel z dvema različnima obratoma za 1800 stopinj. Tretje mesto je osvojil Norvežan Mons Røisland in bronu iz slopestyla dodal še eno odličje, do katerega se je prebil s trikom frontside 1800 melon grab.

Superpipe

Po skoraj triletnem premoru se je tekmovalnemu snowboardingu zopet posvetila Ameriška halfpipe zvezdnica in aktualna olimpijska prvakinja Chloe Kim, ki je zadnjič tekmovala prav na X Games v Aspnu 2019 in zmagala. Pred kratkim je prvo zmago po vrnitvi nazaj v profesionalni šport, od katerega se si je premor vzela zaradi študija, osvojila na edini letošnji halfpipe tekmi za svetovni pokal v švicarskem Laaxu in logično, je bil v Aspnu njen cilj enak - osvojiti zlato. 

Najboljša predstava ženskega tekmovanja ji je uspela že v drugem poskusu, ko je s triki 4 meterov visoki method, frontside 1080 tailgrab, Cab 720 Weddle, frontside 900 tailgrab in McTwist Indy navdušila sodnike in pri komaj 20 letih osvojila že svoje šesto X Games zlato in skupno osmo X Games odličje.

Na drugo mesto se je uvrstila še ena Američanka Maddie Mastro, ki je v predtekmovanju uspela izvesti trik double crippler, ki pa se ji v finalu ni posrečil, zato se ni uspela vmešati v boj za zmago. Tretje mesto je pripadlo japonski tekmovalki Haruni Matsumoto.

Moški superpipe finale je bil verjetno najbolj pričakovano snowboard tekmovanje tokratnih X Games, saj se je v pipe po treh letih odsotnosti s tekmovanj - zadnjič je nastopil na olimpijskih igrah v PyeongChangu in zmagal, vrnil legendarni Shaun White. Kljub velikim pričakovanjem pa je 34-letnik svoj nastop pred finalom odpovedal, saj si je na treningu lažje poškodoval koleno.  

Superpipe zmago je po dveh srebrnih odličjih leta 2019 in 2020 prvič osvojil 19-letni Japonec Yuto Totsuka. V minuli sezoni skoraj vedno drugi v bojih z Avstralcem Scottyjem Jamesom, je v letošnji sezoni doživel preporod in po zmagi na tekmi za svetovni pokal v Laaxu pred dobrim tednom dni, osvojil še svoje prvo zlato X Games odličje. Vožnja s triki frontside double cork 1440 frontside grab, cab double cork 1260 Indy, switch backside 1080 Indy, backside double cork 1260 Weddle grab in frontside double cork 1260 frontside grab je bila pretrd oreh za branilca dveh zlatih odličji Scottyja Jamesa. Na tretje mesto se je uvrstil še en Japonec Ruka Hirano, torej ponovitev zmagovalnega odra iz edinega halfpipe tekmovanja za svetovni pokal te sezone, ki je pred kratkim potekal v švicarskem Laaxu.

Knuckle Huck

Najbolj zabavno tekmovanje Knuckle Huck, kjer se snowboarderji merijo v izvedbi trika, ki ga izvedejo brez skakalnice, le preko prelomnice smučišča, je bilo letos zgodovinsko. Že od nekdaj velja, da bolj odštekan in nor je trik, več točk tekmovalci prejmejo zanj, a tokrat se je med njimi znašla tudi tekmovalka. Kdo drug kot Jamie Anderson, ki se je s sotekmovalci enakovredno merila vse do konca in poskušala organizatorjem približati idejo, da bi se drugo leto tekmovanje izvedlo tudi samostojno v ženski konkurenci.

Kakorkoli, v tej kategoriji šteje le zmaga in edino odličje, ki ga podeljujejo je osvojil novinec in najmlajši tekmovalec na letošnjih X Games, Dusty Henricksen. Mladenič, ki si je za najljubši trik Knuckle Huck tekmovanja izbral cab 180 tail press front flip out, navdušil pa tudi z fakie nose-press nollie Cab 540 underflip, se lahko na svojih prvih X Games pohvali kar z dvema zlatima odličjema - v slopestyle in knuckle huck kategoriji.

Snowboard vrhunce X Games v Aspnu si oglejte še v videu:

#extrem #extrem sport #sport #sports #extreme sports #xgames #aspen 2021 #awesome #freestyle #tricks #big air #slopestyle #superpipe #halfpipe #knucklehuck #cool #competition #winners #amazing #snowboarding #snowboarders

[kennethmjoyner]

At TECHSHOW, Orion Is Releasing Major Enhancements To Its Financial and Practice Management Software

At ABA TECHSHOW in Chicago this week, Orion Law Management Systems is officially launching the latest version of its Orion financial and practice management software, a ground-up rebuild that retains much of the product’s look and feel but that introduces hundreds of new features and improvements to both the Orion desktop and iOrion mobile platforms.

The Atlanta, Ga., company says its Orion 5 is a significant leap forward for its technology, including major enhancements for prebilling, conflict avoidance, and tracking and reporting, as well as iOrion integrations with major map and rideshare applications. The updates are free to all Orion maintenance customers, who will be able to request the upgrade starting March 4.

In business since 1985, Orion is a full-featured financial management, firm management and practice management system designed for mid-sized law firms. Whereas many practice management systems for smaller firms operate via the cloud, Orion is a locally installed system that is able to integrate with a firm’s back-office infrastructure and front-office tools. Its last major revision, version 4, was released in 2005, although it has been continuously updated over the years.

The company’s iOrion product, introduced in 2013, is a mobile application for iOS and Android devices that provides on-the-go integration with Orion’s desktop application and access to many of Orion’s features, including timekeeping, expense tracking, contacts, matters, appointments, tasks and more. (See my previous posts about iOrion here and here.)

ePreBill Manager on the desktop, showing the summary tab view.

A major feature of Orion 5 is the new Orion ePrebill Manager, which was officially launched at Legaltech New York a month ago. ePrebill Manager provides a complete electronic workflow system for managing the prebilling process. The purpose is to allow firms to eliminate paper from their prebill process by providing tools to digitally route, review, edit, markup, accept and finalize invoices, as well as to track write-downs and realization figures. The system provides a full audit trail showing who made what changes, when and why.

The system shows edits from all participants. Attorneys can view annotations by individual, then filter what is displayed to only include prebills that were edited. Because all edits are tracked as annotations, the original information is maintained so any change can be rolled-back or applied by the billing administrator with a single click.

A list of unreviewed bills in iOrion on an iPad.

ePrebill Manager is also available in iOrion 5, so attorneys can review prebills while away from their desks.

Other major features and enhancements in Orion 5 include:

Conflicts search results in a matter intake.

Conflict avoidance and client/matter intake enhancements. Because conflicts checking can be a tedious and high-risk process, Orion has added new functionality to its intake and conflict avoidance system to make the process more efficient. Users can now easily copy and paste names, aliases and relationships directly into the matter intake form or import them from an external text file.

Orion’s conflicts search scope has been expanded to include prospective clients and related parties. Once the names have been added, a conflicts search can be conducted directly from within the matter intake window. Formal searches conducted during a lateral hire are also incorporated.

Setting up attorney assignments for a matter.

Attorney assignment history tracking and reporting. In order to give law firms greater specifics in revenue-related record-keeping for attorney assignments. Orion 5 now lets users assign an effective date for the persons on a matter designated as originating attorney, managing attorney, project manager and responsible attorney.

Originating and project manager field assignments can be split and their evolving roles can be tracked over time. Revenue-related reports now allow you to view the histories of assignments and effective dates for greater transparency and more accurate chronologies of events.

Setting up reserved words.

Reserved word enforcement for e-billing. Orion integrates with many e-billing tools and has now made these integrations stronger by expanding its billing guidelines management with Reserved Words Enforcement. Users assign a reserved word set to a particular matter and, as a fee description is entered, the entry is scanned for words, phrases and punctuation that have been red-flagged by the e-billing software. Disallowed language can then be automatically replaced or manually corrected.

Users can create a single set of reserved words or different sets for different clients. This tool can also be used in the Prebill Manager to review all prebills or in the Bill Preparation stage, and can be applied globally or only against a specific client.

Adding work location to a fee entry.

Work location tracking and reporting. Orion 5 allows users with multiple offices and work locations to track the location in which a service was rendered as part of each fee or time entry. This can be useful for firms that need to withhold income tax for employees that work for periods of time in a state other than where they reside.

iOrion now allows users to request rideshares and get map directions.

iOrion 5 integration with maps and rideshare apps. iOrion is a complete financial management mobile app allowing legal professionals to access data from Orion using any recent-model Apple iOS or Google Android device. iOrion 5 adds the ability for users to request a rideshare using Uber or Lyft as well as get directions using Apple Maps, Google Maps and Waze.

  from Law and Politics https://www.lawsitesblog.com/2019/02/at-techshow-orion-is-releasing-major-enhancements-to-its-financial-and-practice-management-software.html via http://www.rssmix.com/

#law #legal

[krystalstuff]

Porsche | Cayenne (Director's Cut) from Rob Chiu on Vimeo.

Director: Rob Chiu Cinematographer: Paul Meyers Editor: Matt Osborne Music + Sound Design: Ben Lukas Boysen Production Company: Iconoclast Berlin Executive Producer: Nils Schwemer Producer: Tim Augustin Production Coordinator: Karin Rudokas Production Assistant : Leyli Khatebzadeh Service Production: BAS PRODUCTIONS Executive Producer Slovenia: Rok Ban Producer Slovenia: Andrej Caruso
 Line Producer Slovenia: Manca Gale Production Manager: Jaka Pokorn Production Assistant: Janja Štefanič Production Trainee: Eva Kuhar Location Manager SIovenia: Boštjan Gabrič Location Manager Assistant: Andraž Košir Location Manager Croatia: Žarko Ivković Location Manager Assistant: Barbara Ivković 1st AD: Danijel Križanović 2nd AD: Jelena Udiljak Art Director: Miha Knific Props on set: Nejc Heberle Assistant Art: Matic Jelčič Kurner Scenic painter: Boban Petoševski Props buyer: Niko Račel Art trainee: Nik Jevšnik Dresser: Gašper Medved Construction Manager: Aleš Bracovič Construction crew / Franc Turk Construction crew / Matic Železnikar Construction crew / Miha Marčič SFX Master: Jože Zalar
 SFX Crew: Klemen Hren
 SFX Crew: Aleš Šmuc
 SFX Crew: Nejc Zupančič Drone Operator: Dejan Mugoša @ Kopterworx Drone Operator: Matjaž Kranjčevič @ Kopterworx Helicopter Pilot: Gabriel Kostner Helicopter Co-pilot: Emanuel Kostner Aerial Camera Operator: Irmin Kerck Arm Operator: Clayton Spencer @ Filmotechnic Precision Driver: Eik Norwin Richter @ Filmotechnic Flighthead Technician: Jasper Willem Leeman @ Filmotechnic Focus Puller: Nika Drakulič
 2nd Camera Assistant: Miha Avguštin 2nd Camera Assistant: Ondřej Kačer Video Assistant: Jernej Valenčič DIT: Jaka Kovačič 
Movi Technician: Dejan Mugoša Nautical Cam: Janez Brezigar Best Boy: Dobrica Uglešić Gaffer: Jernej Prebil Best Boy: Igor Mlakar Electrician: Uroš Muc Electrician: Jernej Korenčan Electrician: Luka Priveršek Electrician: Sergej Udovč Electrician: Marjan Nikolovski Electrician: Anže Korenčič Car Coordinator: Aljaž Založnik Car Care: Aljoša Kanazir Car Care: Jan Dijak Precision Driver: Evangelos Grecos Technician: Sven Großmann Make-Up Artist: Marjeta Boštnar Hair & Make Up Assistant: Tomaž Turk
 Stylist: Monika Lorber
 Stylist Assistant: Katarina Ferič Stylist Assistant: Klavdija Ravbar Casting Director: Vanja Šepec Cast Coordinator: Aleša Kovač Animal Handler: Bareš Ota Animal Handler: Kana Jaroslav Animal Handler: Šarkanyova Radka Animal Handler: Kurka Libor Transportation TC: Luka Tepeš MuP: Matic Golob Wardrobe Transport: Miha Žnider Trailer Driver 1: Žan Ban Trailer Driver 2: Ivo Medvešek Truck Driver 1: Silvio Lenk Truck Driver 2: Alexander Putsche Catering Chef: Žiga Merhar Catering Coordinator: Jan Možina Catering Craft: Petra Metelko Catering Craft: Urška Nemec Catering Craft: Alberta Peranić Catering Craft: Anže Rejec Client: Dr. Ing.h.c. F. Porsche AG Agency: Grabarz & Partner Werbeagentur GmbH Creative Director: Ralf Nolting Creative Producer: Florian Pack Casting Sweden: Lina Friberg c/o Jones Casting Casting Barcelona: LANE CASTING Actor Agency Sweden: STOCKHOLMS GRUPPEN MODELS Actor Agency Barcelona: ETHNIC MODELS Unicasting Slovenia: Vanja Šepec Contactcasting Hungary: Gergö Nagy Post Production: Slaughterhouse Hamburg Producer: Philipp Breidthardt Grading: Benedikt Hugendubel Online / Compositing: Verena Huber Online / Compositing: Josch Kretzschmar Sound studio: Hesse Studios - Lukas Walter

[lesterplatt]

Porsche | Cayenne (Director's Cut) from Rob Chiu on Vimeo.

Director: Rob Chiu Cinematographer: Paul Meyers Editor: Matt Osborne Music + Sound Design: Ben Lukas Boysen Production Company: Iconoclast Berlin Executive Producer: Nils Schwemer Producer: Tim Augustin Production Coordinator: Karin Rudokas Production Assistant : Leyli Khatebzadeh Service Production: BAS PRODUCTIONS Executive Producer Slovenia: Rok Ban Producer Slovenia: Andrej Caruso
 Line Producer Slovenia: Manca Gale Production Manager: Jaka Pokorn Production Assistant: Janja Štefanič Production Trainee: Eva Kuhar Location Manager SIovenia: Boštjan Gabrič Location Manager Assistant: Andraž Košir Location Manager Croatia: Žarko Ivković Location Manager Assistant: Barbara Ivković 1st AD: Danijel Križanović 2nd AD: Jelena Udiljak Art Director: Miha Knific Props on set: Nejc Heberle Assistant Art: Matic Jelčič Kurner Scenic painter: Boban Petoševski Props buyer: Niko Račel Art trainee: Nik Jevšnik Dresser: Gašper Medved Construction Manager: Aleš Bracovič Construction crew / Franc Turk Construction crew / Matic Železnikar Construction crew / Miha Marčič SFX Master: Jože Zalar
 SFX Crew: Klemen Hren
 SFX Crew: Aleš Šmuc
 SFX Crew: Nejc Zupančič Drone Operator: Dejan Mugoša @ Kopterworx Drone Operator: Matjaž Kranjčevič @ Kopterworx Helicopter Pilot: Gabriel Kostner Helicopter Co-pilot: Emanuel Kostner Aerial Camera Operator: Irmin Kerck Arm Operator: Clayton Spencer @ Filmotechnic Precision Driver: Eik Norwin Richter @ Filmotechnic Flighthead Technician: Jasper Willem Leeman @ Filmotechnic Focus Puller: Nika Drakulič
 2nd Camera Assistant: Miha Avguštin 2nd Camera Assistant: Ondřej Kačer Video Assistant: Jernej Valenčič DIT: Jaka Kovačič 
Movi Technician: Dejan Mugoša Nautical Cam: Janez Brezigar Best Boy: Dobrica Uglešić Gaffer: Jernej Prebil Best Boy: Igor Mlakar Electrician: Uroš Muc Electrician: Jernej Korenčan Electrician: Luka Priveršek Electrician: Sergej Udovč Electrician: Marjan Nikolovski Electrician: Anže Korenčič Car Coordinator: Aljaž Založnik Car Care: Aljoša Kanazir Car Care: Jan Dijak Precision Driver: Evangelos Grecos Technician: Sven Großmann Make-Up Artist: Marjeta Boštnar Hair & Make Up Assistant: Tomaž Turk
 Stylist: Monika Lorber
 Stylist Assistant: Katarina Ferič Stylist Assistant: Klavdija Ravbar Casting Director: Vanja Šepec Cast Coordinator: Aleša Kovač Animal Handler: Bareš Ota Animal Handler: Kana Jaroslav Animal Handler: Šarkanyova Radka Animal Handler: Kurka Libor Transportation TC: Luka Tepeš MuP: Matic Golob Wardrobe Transport: Miha Žnider Trailer Driver 1: Žan Ban Trailer Driver 2: Ivo Medvešek Truck Driver 1: Silvio Lenk Truck Driver 2: Alexander Putsche Catering Chef: Žiga Merhar Catering Coordinator: Jan Možina Catering Craft: Petra Metelko Catering Craft: Urška Nemec Catering Craft: Alberta Peranić Catering Craft: Anže Rejec Client: Dr. Ing.h.c. F. Porsche AG Agency: Grabarz & Partner Werbeagentur GmbH Creative Director: Ralf Nolting Creative Producer: Florian Pack Casting Sweden: Lina Friberg c/o Jones Casting Casting Barcelona: LANE CASTING Actor Agency Sweden: STOCKHOLMS GRUPPEN MODELS Actor Agency Barcelona: ETHNIC MODELS Unicasting Slovenia: Vanja Šepec Contactcasting Hungary: Gergö Nagy Post Production: Slaughterhouse Hamburg Producer: Philipp Breidthardt Grading: Benedikt Hugendubel Online / Compositing: Verena Huber Online / Compositing: Josch Kretzschmar Sound studio: Hesse Studios - Lukas Walter

[filtrmag]

Zoi Synnott Sadowski in Marcus Kleveland sta svetovna prvaka v slopestylu, Mekinc šestnajsti

Na svetovnem prvenstvu v freestyle snowboardingu, ki je potekal v ameriškem Aspnu, je bil v petek na sporedu finale najbolj množične snowboard discipline – slopestyla. V ženski konkurenci je naslov svetovne prvakinje iz Park Cityja 2019 ubranila Zoi Synnott Sadowski iz Nove Zelandije, v moški pa je zlato »snežinko« prvič osvojil Norvežan Marcus Kleveland. Edini slovenski predstavnik Naj Mekinc se je prvič v karieri prebil v finale tekme najvišjega ranga. Osvojil je šestnajsto mesto, kar je druga najboljša slovenska uvrstitev na letošnjih svetovnih prvenstvih v snowboardingu.

V ženski konkurenci so Američani na domačem terenu ostali brez načrtovanega zlata, saj se je Novozelandka Zoi Synnott Sadowski z odlično tretjo vožnjo (dekleta so v finalu nastopila trikrat, fantje dvakrat) zavihtela na vrh in tako ubranila naslov svetovne prvakinje. 

Zmagovalno vožnjo, s katero je na drugo mesto izrinila do takrat vodečo Jamie Andersen, so sestavljali triki switch boardslide to regular, bluntslide 270 out ter popoln front boardslide 450 out na “canon railu”. Na skokih je izvedla switch backside 900 weddle grab, frontside 720 melon ter 1080 weddle grab, za kar je prejela oceno 85,95 točk in postala prva snowboarderka v zgodovini, ki je ubranila naslov svetovne prvakinje v slopestylu.

"Tako v prvi kot v drugi vožnji sem padla", je po zmagi povedala presrečna Sadowski-Synnottova. "Toda vedela sem, da imam lepe možnosti za zmago, če mi v zadnjem poizkusu uspe pristati zadane trike. Neverjetno se je bilo zadnja spustiti po progi in vedeti, da se z dobro vožnjo vse lahko spremeni in da sem zmožna obraniti naslov. Presrečna sem".

S srebrom se je po precej grdem padcu morala zadovoljiti domača zvezdnica Jamie Anderson, ki je za trike backlip, boardslide 270, blunt 270, backside Rodeo 540 Melon, cab double 900 mute ter frontside 720 mute v svojem prvem nastopu prejela oceno 81.10 točk. 

"Čeprav mi ni uspel moj zadani 1080, sem iskreno vesela za Zoi." je po tekmovanju dejala nekoliko potolčena svetovna podprvakinja Andersonova. "Celo leto se že bojujeva in zadnja vožnja, ki ji jo je uspelo sestaviti je bila brezhibna. Prihodnost ženskega snowboardinga je v dobrih rokah. Ponosna sem nanjo in na vsa ostala dekleta."

Bron pa je osvojila Avstralka Tess Coady, ki je navdušila s triki switch boardslide, boardslide, frontside 180/switch backside 360, switch backside 900 stalefish, backside 720 mute, frontside 720 melon to tail ter za svoj drugi nastop prejela oceno 78.13 točk. S tem je bila prva trojica v finalu razporejeno enako, kot v kvalifikacijah.

Ostale finalistke so se od četrtega do osmega mesta razporedile v zelo tesnem zaporedju: Enni Rukajarvi (Finska) - 77.90 točk, Kokomo Murase (Japonska) - 77.08 točk, Anna Gasser (Avstrija) - 76.96 točk, Annika Morgan (Nemčija) - 70.16 točk ter Cool Wakushima (Nova Zelandija) - 67.81 točk.

Naslov svetovnega prvaka je osvojil Norvežan Marcus Kleveland, ki je bronu iz Sierra Nevade (2017) tako dodal še zlato. Drama pa se je že začela pred finalom, ko je 21-letni Marcus Kleveland grdo padel na treningu in do pričetka tekmovanja ni bilo jasno, če se bo sploh pojavil na štartu.

Kljub vsem se je suvereno lotil finala in dal vedeti, da padec na treningu ni pustil nobenih posledic. Že v prvem od obeh poskusih (šestnajst finalistov se je namreč za razliko od osmih deklet, ki so nastopile trikrat, merilo le v dveh serijah) je bil najboljši od vseh finalistov, v drugi pa je svoj rezultat le še izboljšal, čeprav je bilo po padcu najboljšega v kvalifikacijah - Nemca Leona Vockensburgerja jasno, da je zlato prinašal že prvi rezultat.

Svoj drugi nastop, za katerega je prejel 90.66 točk, je novi svetovni prvak začel s triki cab hardware 270 on to 270 off, boardslide to 270 off na bojektu "tall flat bar", frontside bluntslide 450 off na "canon railu" ter nadaljeval na skokih, kjer je izvedel trike switch backside 1260 melon, backside 1620 melon ter cab 1620 frontside grab.

"Na treningu sem nerodno obremenil nogo in nisem se počutil prav dobro." Je po zmagi povedal Kleveland. "Razmišljal sem, da bi odšel na rentgensko slikanje, a zares sem si želel poizkusiti tekmovati, zato sem se vrnil in se podal na progo. Res sem vesel zaradi tega! Noro je biti svetovni prvak. In tudi to, da sem spet v Aspnu, na enem mojih najljubših prizorišč, je nekaj posebnega. Všeč mi je tukaj in tudi proga je bila danes neverjetna. Sama dobra energija."

Na drugo mesto se je uvrstil aktualni olimpijski prvak v big airu Kanadčan Sebastien Toutant, ki si je oceno 82.53 točk zagotovil že v prvem nastopu, ko je navdušil s tiki switch hardway 270, cab 180/backside 360, blunt 450, cab 1260 tail, frontside double 1080 mute ter backside triple 1440 indy.

Na tretje mesto pa se je v drugem nastopu uspelo prebiti finskemu tekmovalcu Reneju Rinnekangasu, ki z nastopom vrednim 82.51 točk - le 0.02 točki za srebrom, ki je vseboval trike melon transfer, lipslide 270, frontside 270, blunt 450, switch double backside rodeo nose, backside 1620 melon ter cab 1440 nose, iz zmagovalnega odra za 0.23 točke izrinil Američana Redmonda Gerarda.

Od petega do šestnajstega mesta so se uvrstili Kaito Hamada (Japonska) - 80.23 točk, Max Parrot (Kanada) - 78.60 točk, Dusty Henricksen (ZDA) - 77.90 točk, Hiroaki Kunitake (Japonska) - 77.67 točk,  Ruki Tobita (Japonska) - 74.85 točk, Leon Veckensperger (Nemčija) - 74.21 točk, Chris Corning (ZDA) - 72.41 točk, Lyon Farrell (ZDA) - 70.63 točk, Sebbe de Bruck (Belgija) - 63.33, Casper Wolf (Nizozemska) - 61.43 točk, Torgeir Bergrem (Norveška) - 43.93 točk ter Naj Mekinc (Slovenija) - 31.46 točk.

Edini slovenski predstavnik, 19-letni Ljubljančan Naj Mekinc, se je v svojem drugem nastopu na članskih svetovnih prvenstvih (debitiral je leta 2019 v Park Cityju) prvič uvrstil v finale. V sončnem vremenu in brezvetrju se je v odlično pripravljen park, katerega »avtor« je ekipa Buttermilk Park Crew iz Aspna, podal kot tretji po vrsti. Po suverenem začetku na rail objektih je pri izvajanju skoka, ki mu na treningih ne povzroča težav, naredil napako, ki ga je stala boljše ocene. Tudi v drugem poizkusu se mu na prvem skoku ni izšlo po načrtih. Tekmo je, kot eden izmed šestih evropskih finalistov, končal na šestnajstem mestu.

»Uvrstitev v finale v tako močni in izostreni konkurenci je vsekakor lep uspeh in dobra popotnica za nadaljevanje kariere. Naj je predvsem z nastopom v kvalifikacijah dokazal, da nanj še kako resno lahko računamo v prihodnjih sezonah. Če bo tako nadaljeval, se bo vsekakor kmalu lahko enakovredno kosal z najboljšimi snowboarderji v parku,« je po tekmi Mekinca pohvalil pomočnik glavnega slovenskega trenerja Domen Bizjak. Finale je spremljal iz Slovenije, saj v ponedeljek z Najevimi nasledniki odpotuje na mladinsko svetovno prvenstvo v Rusijo.

Z Bizjakom se strinja tudi glavni trener slovenske reprezentance Matevž Pristavec. »Z uvrstitvijo v finale je bil naš cilj dosežen. Lepa in še kako dragocena izkušnja za Naja in celotno ekipo. Naložba za prihodnost. Jutri nas čaka počitek, v nedeljo pa so že na sporedu kvalifikacije v big airu, kjer bo Naj znova »napadel«. Ostajam optimist!« je bil po slovenskem uspehu v ZDA zadovoljen in odločen Pristavec.

»Lepo vreme in super pogoji v parku! V načrtu sem imel izvedbo zelo zahtevne vožnje, toda na skokih se mi tokrat žal ni izšlo. Z uvrstitvijo v finale sem zelo zadovoljen in z optimizmom pričakujem novi preizkušnji v Aspnu ter zaključek sezone v Švici« pa je po prvem finalu na veliki tekmi povedal Naj Mekinc.

#world championship #extrem #sport #sports #extreme sports #extreme #extreme sport #snowboarding #snowboard #snb #freestyle #slopestyle #tricks #riders #amazing #cool #aspen #world champions

[maxksx]

Evforija in nameščanje ideologije

Prehod od tehnik preprečevanja k tehnikam zapeljevanja v oglaševanju premakne tudi težišče z diskurzivnega na vizualno (in zvočno) oziroma od lingvistično-racionalnega dekodiranja k čutno-afektivnemu doživljanju – ideologija danes ni več sporočilo, temveč občutek. To povzroča določene probleme tradicionalni, na diskurz in diskurzivno analizo fiksirani teoriji ideologije, ne pa tudi sodobnim filmom in nadaljevankam, ki zlahka sprejmejo in se hibridizirajo z estetiko oglasov in videospotov in kjer avantgardne tehnike montaže in fotografije, ki so bile sprva prisotne le v špicah, začenjajo določati vizualno podobo nadaljevank v celoti. Nadaljevanke, ki so se na začetku novega tisočletja iz televizijske nizke kot serijski mini filmi prebile na področje filmske visoke kulture, se tako, ne da bi kaj izgubile glede kakovosti in/ali privlačnosti, znova hibridizirajo z nizkimi kulturnimi oblikami (oglasi, videospoti) – in ker so te oblike vedno bolj razvite in sofisticirane, v današnjih nadaljevankah težko naletimo na nerodni in neposredni product placement, prej na visoko estetizirano nameščanje izkušenj, v katerih se kultni kosi oblačil, obutve ali elektronskih naprav prepletajo s kulturnimi gestami in govornimi obrazci, umeščenimi v hiperestetizirano scenografijo.

Too Old to Die Young je nekako bolj »desničarska« – ne toliko po sporočilu ali idejah kot po atmosferi hladnosti, krutosti in nesmiselnega nasilja, kozmične indiferentnosti do življenja, ki je po PKD-ju osnovna značilnost nacizma, po nekakšnem temnem budizmu popolne nenavezanosti na karkoli (za razliko od levice, ki ima težave biti kulturno kul zaradi lingering humanizma). Evforija je, po drugi strani, bolj »levičarska«, a spet ne zato, ker bi vsiljevala določeno (diskurzivno formulirano) levičarsko ideologijo, temveč, podobno, po atmosferi, ki jo producira, in občutkih, ki jih vzbuja s svojo specifično estetiko. Tisto, kar je bil nekdaj ideology placement (po analogiji s product placement) v filmih ali nadaljevankah, je danes »nameščanje (celostne vizualno producirane afektivne) izkušnje«, in izjemnost Evforije je, da po dolgem obdobju serijskega pušenja levice v popkulturnih vojnah makes leftism great again. Evforija je izjemen primer nadaljevanke kot nadaljevanja oziroma nadaljnjega razvoja najbolj sofisticiranega sodobnega oglaševanja, ko filmske tehnike, osvobojene prisile zgodbe in tradicije teatra in literature (ki še vedno kakor mora tišči na možgane filma), ki se razvijajo na robnih, terorju zgodbe nedostopnih področjih (reklame, spoti), začnejo z reverse engineering filmske kulture same. Invazija filmske estetike in tehnike, ki nista več vezani na zgodbo in ki preko vstopne točke, ki jo odprejo najavne špice, preplavita celotno nadaljevanko.

Evforija je, nasprotno, smooth in brezšivno, nevsiljivo nameščanje-ideologije-kot-izkušnje, v katerem vizualna sofisticiranost ni v funkciji ideološkega sporočila, temveč je to sporočilo samo. Kot nekakšen Beverly Hills, 90210 (1990–2000) za 2010-a, kjer tokrat moderni in hip mladi odrasli, ki igrajo gimnazijce, namesto ameriške konservativščine govorijo postmoderni leftspeak oziroma liberalno kolidžščino in preigravajo ključne teme in motive leve fronte v kulturni vojni: posmehljive reference na incele, interrasna seksualna razmerja, droge in mentalno zdravje, body positivity, slut positivity, depresivna hedonija, toksična moškost … Teme generičnega semestra predavanj na generični filozofski fakulteti ali generičnih levičarskih festivalov/delavnic, le da brez generičnih levičarskih pomanjkljivosti (moralizem, pravičništvo, dolgočasnost, vsiljivost, guilt triping, kulturna oviranost, leninistični recidivi, dediščina razsvetljenstva …). Moja prva reakcija na Evforijo je bila podobna kot reakcija problematičnih geto učencev na didaktično inovacijo Mr. Preza v četrti sezoni Skrivne naveze (The Wire, 2002–2008), kjer ta ditcha kurikulum in otroke pri pouku matematike uči teorijo verjetnosti na primeru kockanja: nikoli si ne bi mislil, da so generične levičarske teme lahko tako kul.

Evforija ditcha levičarsko moraliziranje in raziskuje mood in atmosfero postmoralnega levičarstva: droge in partiji niso zlo, ki razkraja naše skupnosti in nas odvrača od razrednega boja, temveč so zabavne in hkrati nevarne (tveganje predoziranja, zapleti s policijo in preprodajalskimi tolpami); tudi desničarji niso zli, temveč drugače afektivno ustrojeni (obsesivnost in potlačena homoseksualnost); queering ni politični program, temveč svobodno eksperimentiranje z nepredvidljivimi izidi; služenje denarja, pornografija, prostitucija itn. niso sramota, temveč le gejmi med mnogimi drugimi gejmi … V postmoralni situaciji in ko državna politika in medijska propaganda postajata vse bolj irelevantni, ni več dobrega in zlega, pravilnih in napačnih idej, prave strani zgodovine ipd. Današnja kulturna krajina je prizorišče vojne mikroatmosfer, katerih valuta je privlačnost – namesto tradicionalnih ideologij in političnih programov konkurenčno tekmovanje med množico asemblažev barv, animacij, gest, mimike, govornih obrazcev, soundtrackov brez transcendentalnih meril presojanja in utemeljevanja. Ne glede na svareče-doneče intonacije očakov humanistike je kulturna vojna stvar čustev, trendov, potrošniškega obnašanja in okusa.

Atmosfera (post)desne strani v kulturni vojni je hladna, obsesivna, avtistična, nenavezana, (samo)uničevalna in nihilistična. Atmosfera (post)leve strani je depresivno hedonistična, burnoutana, anksiozna, hiperaktivna / ADHD. Državno-propagandna industrija lahko postpolitične afektivne mikroatmosfere kulturne vojne razume in predela le kot duševne motnje (s čimer le razkazuje lastni oviranost in dotrajanost kot vrlini), medtem ko Evforija (in na drugi strani Too Old to Die Young) demonstrirata produktivnost teh »motenj« – te niso (več) manko glede na (državno) določeno normo, temveč učinek procesa, v katerem država (in njeni ideološki aparati) izgubljajo kontrolo. Stalitev politike v kulturi, ki so jo objokovali staro-novomarksisti, kot je Jameson, dejansko izgleda kul.

#primož krašovec #evforija in nameščanje ideologije

[lesterplatt]

Garmin - Anthem from Jeremy Snell on Vimeo.

Director: Kacper Larski Producer: Jeff Pangman Client: Garmin International VP Global Creative: Brian Brooker Lead Art Director: Tom Jenkins Lead Copywriter: Rebecca Somers Executive Producer: Maggie Wasserman Production Company: Only Child Inc Executive Producer: Charleen Manca Service Production Company: Division Line Producer: Alenka Protić Production Manager: Vlaho Krile Key Grip: Damjan Stravs Gaffer: Jernej Prebil 1st AC: Sabina Smodej 1st AD: Tina Fratnik Art Director: Sven Stralleger SFX: Klemen Hren Location Manager (CRO): Zarko Ivkovic Location Manager (SLO): Dragan Mladenovic Editorial: Outsider Editorial Editor: Michael Barker Color: Joseph Bicknell (Company 3) Sky Replace: Conor Fisher Audio: Sndwrx - Didier Tovel

[taleshalance4]

Orion Law Management Launches Orion 5 at ABA TECHSHOW in Chicago

Orion Law Management Launches Orion 5 at ABA TECHSHOW in Chicago

New Technology Includes Major Enhancements for Prebilling, Conflict Avoidance, Tracking and Reporting, and iOrion Integrations with Major Map and Rideshare Apps

ATLANTA, GA, February 27, 2019– Orion Law Management Systems, Inc. (“Orion”)(www.orionlaw.com), a leading provider of Financial and Practice Management software for law firms, officially launches Orion 5 at the ABA TECHSHOW in Chicago (booth#731).  Orion 5 marks a significant leap forward for Orion’s technology, including hundreds of new features and improvements to both Orion desktop and iOrion® mobile platforms. Orion 5 updates are available free of charge to all Orion maintenance customers.

Highlights of Orion 5 include:

ePrebill Manager.  Officially launched at Legaltech New York one month ago, Orion’s ePrebill Manager provides a complete electronic workflow system for managing the prebilling process. Customers using either Orion Desktop and iOrion mobile app via tablet can eliminate paper from their prebill process with ePrebill Manager’s digital tools to route, annotate and finalize invoices as well as track write-downs and realization figures.

Conflict Avoidance and Client/Matter Intake Enhancements. Realizing that conflicts of interest can be a tedious and high-risk process, Orion adds significant functionality to its intake and conflict avoidance system. Users can now easily copy and paste names directly into the Matter intake form or import them from a text file. Orion’s Conflicts search scope has been expanded to include prospective clients and involved parties.  Formal searches conducted during a lateral hire are also incorporated.

Attorney Assignment History Tracking & Reporting. Orion recognized that its law firm customers needed greater specifics in record-keeping for attorney assignments. Orion 5 now assigns an Effective Date for the Originating, Managing, Project Manager and Responsible Attorney designations. Originating and Project Manager field assignments can be split and their evolving roles can be tracked over time. Revenue-related reports now offer Assignment History and Effective Dates for greater transparency and more accurate chronology of events.

Reserved Word Enforcement for e-Billing. Orion integrates with many e-billing tools and has now made these integrations stronger by expanding its billing guidelines management with Reserved Words Enforcement. Users assign a reserved word set to a particular matter and, as a fee description is entered, the entry is scanned for words, phrases and punctuation that have been red-flagged by the e-billing software. Disallowed language can then be automatically replaced or manually corrected.

iOrion 5 Integration with Maps and Rideshare Apps.  iOrion is a complete financial management mobile app allowing legal professionals to access data from Orion using any recent-model Apple iOS® or Google Android® device. Users with iOrion 5 can now request a rideshare using Uber or Lyft as well as get directions using Apple® Maps, Google Maps

and Waze

.

For a complete list of Orion 5’s new features, improvements and enhancements, download the brochure here. For more information or to schedule a demo, email [email protected].

About Orion Law Management Systems, Inc.

Founded in 1985, Orion Law Management Systems, Inc. is dedicated to providing law firms with proven law practice management software. Utilizing a complete practice management approach, Orion is a fully integrated law management system employing the very latest in reliable technology. Orion centralizes your Financial Management, Firm Management and Practice Management delivering the competitive advantage that law firms need to succeed. Orion Law Management Systems, Inc. is headquartered in Atlanta.  For information visit www.orionlaw.com, call 1.800.305.5867, email [email protected] or follow us on Twitter @Orion_Law.

Contact: Christy Burke Burke & Company [phone] [email protected]

# # #

ABA TECHSHOW is an annual legal technology Conference and EXPO designed to bring lawyers and technology together for three days of CLE and networking. Presented by the ABA Law Practice Division, ABA TECHSHOW helps lawyers practice efficiently through the use of technology.

The post Orion Law Management Launches Orion 5 at ABA TECHSHOW in Chicago appeared first on Law Technology Today.

from https://ift.tt/2Sveoj2 from https://eliaandponto1.tumblr.com/post/183130650247

[juudgeblog]

10 Tips, Tricks, and the Juris Virtual Conference

LexisNexis® Juris® is a customizable tool that’s helping firms to simplify the way that they manage their finances. We want all Juris users to understand what their software solution can do, so their firms can take full advantage of all the advanced features Juris has. Here are some tips to help you use your Juris software to its fullest potential.

Getting the Most from Your Reports

Reporting is a crucial component of managing a thriving law firm. Efficient reports will tell you what you need to know to make split-second decisions, without the need to wade through a sea of unnecessary data. Juris provides built-in reporting features that provide the types of data that are valuable to busy firms. Here are some useful tips for getting the most from your Juris/Juris Suite reports:

Tip 1: What do you do when the Hours Worked value in the Timekeeper Diary doesn’t match the hours worked in the Timekeeper Analysis report? Keep the dissatisfied timekeeper from glaring over your shoulder by downloading the Juris Suite “WT0011 – Time Adjustments by Working Timekeeper” report from the Juris Support Center.

The date range parameters in this report allow the user to enter the From and To date range, to determine when possible time entry adjustments were made to the “As Worked” values of the time entries and the option of “Today’s Date” vs. “Original Date.”  This report, along with 50 other useful reports, are available in the downloadable file “Juris_Suite_Supplemental_Reports.zip.”

Tip 2: Did you know that you can change the Account Number in your Chart of Accounts? Simply type over the existing Account Number to make the change. All existing transactions will move with the change. Even your Financial Statements Layouts in Juris and your Account mappings in Juris Suite Reporting will automatically update. *NOTE: You cannot change the Account Type!

The Importance of Visibility

Your firm performance relies on the information that your practice management software provides. This means that you need a complete picture of the overall standing of the business at all times. Juris places the right data at your fingertips, so you can give clients and administrators the answers they need, when they need them. Here’s a tip that will help you to improve data compliance with your Juris/Juris Suite software:

Tip 3: Use the Quick Navigation Button  to quickly locate Clients, Matters, Time and/or Expense Entry batches that contain a specific client or matter, Vendors, Cash Receipts for specific clients, or text populated in journal entry references.

*BONUS TIP: In Juris version 2.8.2, new functions have been added to the Quick Navigation feature that allow users to quickly view, print, or email a client’s bill archive without browsing to Client/Matter Inquiry, look up an A/P or Trust check and view the check details (including the GL Distribution and Client/Matter Expense Distribution) and find a specific A/P Voucher.

An Easier User Experience

It’s more likely that your software will be utilized to its fullest potential if it’s easy to use and provides information that makes sense for your firm. With better organization and streamlined workflows, you can improve overall operational efficiencies. Here are some Juris/Juris Suite tips that will help you have an easier and more powerful user experience:

Tip 4:  When the Firm Name or Office Address changes – Do you find yourself updating multiple Bill Designs to incorporate the change? Instead of using the Label field for the firm name and/or address, use the Firm Name field and the Client Office Address/Matter Office Address fields. Once the address is changed on the Office record, the Bill Designs will reflect the correct information.

Tip 5:  Tired of wasting paper with unwanted prebills for Matters defined with a Contingency Billing Agreement? Set the Fee/Expense Billing Frequency to “R – On Request.”

Tip 6: Save time in Cash Receipts – If you know your Bill Number, you can skip the client matter code field and just input the bill number, then hit the enter key. The client matter number will populate for you.

Tip 7: Any field that populates from a drop-down box allows the use of the down arrow to scroll through the drop-down items for selection. Typing the first letter of the code will also skip to items that begin with that letter.

Tip 8: Need to cut checks to a specific group of vendors? Assign a Payment Group on the Vendor to select only those vouchers associated with the Vendors in the group when printing checks.

Tip 9: When you log in to Juris Suite, are you in the Snap-In you use most? Modify the order of the Snaps by going to the Juris Button < Snap-In Manager and move the Snap-In you use most to the top of the list!

Tip 10: Want quick access to your favorite filters without having to use the ribbon bar options? Mark the filter as a favorite in Edit Filters; now it can be easily accessed by right-clicking on MyFilters.

Ready to Learn More?

With the right tools and knowledge, you can use Juris to its fullest potential. One way to keep on top of all the great resources that Juris has to offer is by attending the upcoming Juris Virtual Conference. This unique event can be attended from whatever location works best for you. You’ll learn even more tips, like how to find your Ribbon Bar when it’s missing and how to prevent wasted time making changes to files exported from Juris BX.

You’ll also learn how to quickly find out “Who Done It.” If you’ve ever struggled to figure out who created a specific Juris transaction, changed a vendor address, changed a matter billing address, or unposted a bill, this is a topic that will speak to you. Juris is packed with features that can streamline the way that your firm manages its finances and make business operations more efficient.

This one-of-a-kind event is your chance to get to know Juris users and experts from across the country. This interactive experience takes place on September 20th from 11:30 am – 4:30 pm ET. The best part? You can attend right from the comfort of your office! Participate in different chat rooms, watch Juris Professionals give presentations on Juris/Juris Suite software, collaborate with your Juris peers, and get answers to your questions during our Juris Professional Consultants roundtable discussion.

Isn’t it time you start getting the most from your practice management software solution?

Learn more about the Juris Virtual Conference and register today!

Stan Graham is a CPA in the state of Ohio with specialized knowledge and expertise in the areas of Accounting, Taxation, Business of Law, Business Consulting and Juris Software. He has been with LexisNexis for 19 years and has 10 years of in-depth experience working with Juris software and law firm consulting.

  Kimberly Britain is currently in her 18th year proudly serving the Juris Client Base and has had multiple roles within the organization over the years. From a Customer Support Representative assisting in Technical and Usability issues, she has transitioned to the Professional Services Team to lead the Juris Tiered Service Program since 2012. Kimberly works along-side several other team members to provide our Tiered Service Clients with white glove treatment.

  Kathy Baker-Elder is currently in her 19th year as a LexisNexis/Juris employee, working with Juris and Juris Suite software. She delivers onsite and remote consulting services to new and existing Juris clients. Since the Fall of 2010 Kathy has delivered consulting services to over 100 new and existing Juris clients. She has a passion for Juris, she is dedicated, she always strives for customer satisfaction, and with her the customer comes first.

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