#poyi

[psychologeek]

This is Shani Louk, as her family asked people to remember her. Her family asked NOT to spread That Photo. Her family asked people to remember her for the way she lived.

So here's a photo of Shani Louk:

The man who took the picture of her dead body being kidnapped by terrorists just won a prize for that.

The man who came with those terrorists. Who knew the attack is going to happen. Who took photos and show himself holding weapons.

The man who worked with the people who aimed and killed and raped

That man

Won a photography prize

For taking the photo of

A young murdered woman.

For doing nothing but

Stand aside

And encourage.

Her family didn't even get her Body back.

Shani isn't buried.

I am disgusted. There are no words I can use.

ReneDescartwheel on Reddit wrote:

The content of the photo is a young Israeli woman lying dead and half naked in the back of a pickup truck, bleeding profusely from a hole in her skull, with her murderers using her as a foot rest, en route to be paraded like a hunting trophy in front of cheering mobs of Gazan civilians. And yet, the caption of the award couldn’t have been more dismissive of the October 7th atrocities if Hamas had written it themselves. It paints a picture of a well planned and successful military operation, without a single detail of the brutality of the massacre that is necessary to give context to this photo. The language used is deliberately minimizing. For instance, instead of saying that Hamas took hundreds of hostages, including women and children, they said “…taking dozens of captives”. That’s it. Could be 24, could be 253. Whatever. Somehow, despite the content of the photo, most of the description was dedicated to conveying the details of Israel’s retaliation.

MadUmbrella added:

TIL that initially on 10/7 the image sold by Ali Mahmud to AP of the abduction of Shani Louk’s body was identified by AP as “the body of an Israeli soldier”, so AP took the words of Ali Mahmud, a palestinian terrorist, and called Shani Louk “an Israeli soldier” while she was a civilian tortured and killed at Nova music festival. AP shared the photo on their newsfeed on 10/7 at 7:41 am, just a few minutes after the photo was taken and added the caption provided by Ali Mahmud who knew that his friends were kidnapping, torturing and murdering civilians at the Nova festival. This is complicity in the crimes committed by the palestinians on 10/7. AP’s journalistic ethics are completely gone, that’s why they’re paying palestinian terrorists for the images of their crimes. AP corrected their initial story only on November 2.

#shani louk #terror attack #poyi #poyi81 #Pictures of the Year International competition #disgusting #jumblr #israel #art #photography

[sanriosratz]

Bigender and Questioning (she labels herself as Queer)! She/her pronouns!

She has a tooth gap (the option with the tooth gap looked funky) that she loves squirting water/liquids through!

her dress sense is “creepy-cute”, it’s a lot like how Jazmin Bean dresses, she also takes a lot of inspiration from Jazmin for her makeup! she decided to split dye her hair because of her love for Melanie Martinez (she loves their music!)

she has gay mums! she had a great childhood with very supportive mums! :D

she has tons of tattoos, her arms are completely sleeved with her legs being patchwork with, mostly, her own artwork (again, the creepy-cute style!) she has quite a few piercings, too!

she has ADHD and has chronic pain (from what? dunno yet)

#creepypasta #pigment of your imagination #eun-ji #eun-ji moon #poyi picrew #picrew #picrews #kuraitsume’s tattoo & piercing parlour

[aristotels]

gonna start ending all my replies w poyy or bvb

[vedajananixx]

i just told my mom hera pheri 3 is going to be made. she said "athu onnum poyi kannale. malayala-thhinne ingane apamanikkaruthu" aka "don't go and watch all that. don't insult malayalam like this" and so i'm going off to watch ramji rao speaking which i haven't already watched for unknown reasons to find out how much i've insulted malayalam by kinda liking hera pheri

#gaytree rants #hera pheri #ramji rao speaking #malayalam

[alishasnoidea]

ENTE DAIVAME

ayo innu swantham basha samsarikkenda divasamanennu njan marannu poyi 🤦‍♂️

njan vicharichu ellavarum chumma avaravarude basha samsarikuvayirunnu ennu

ah pinne enniku malayalam keyboard illa-

#nalla resamayirikku #tldr i forgot it was speak your lang day lol-

[navaratna]

bird flu in kozhikode because its KOZHI-kode- ok yes im aware this is lame but i had to

(this pun would have been much better if it was pakshikode smh)

in all seriousness, next time anyone complains abt me always wearing my mask I'm just gonna flip them off 👍

That was a good one ngl- but athu Kozhi ayi poyi ennu matram. Btw not at me attracting other mallus-

#asks #wishingicouldcontroltime

[444namesplus]

Abocojos Aboquonos Abotodes Acel Acher Achogol Acol Adececon Adecel Adepos Adequir Aderojom Ades Adol Agashikom Agetisal Ajojom Akefajem Akekopam Akhovasor Alixacos Aloricham Alotethol Amaquiyen Anathon Anis Anoxon Apatagen Aper Arer Ashethoton Ashohopen Ashokham Ashon Atas Athen Atosol Avequoson Avol Axem Axoshijam Axoshilan Ayashom Ayovodim Babiyetol Bakar Bekos Bezonan Biquajashan Biyocekim Bocesom Bocil Bojem Bokhil Bovimom Cazachem Cekos Cethor Cevores Chasan Chebozetel Cherasir Chevovorem Chokhol Chomasor Chorol Choshegopim Chosisheban Cicenebin Cishotokal Cohes Comom Copon Coshashonil Dasomil Decejothal Dejil Denomos Dethehequal Dijelebos Dikhes Ditoshimol Dojikos Dokobar Donokhir Dorechir Ebem Echom Ecodar Edehem Edol Edos Efechol Efen Egom Ehen Ehin Ehojijim Ehol Ejakhor Ejar Ekaromem Ekonir Elil Elol Elotel Emil Emiquokhos Emonor Enijir Enin Enogizas Enor Enos Epafedir Epafeshin Epas Epashos Epequan Epol Equal Equathor Equekheshim Esam Eses Eshedis Esin Esom Etal Etem Ethil Ethom Etim Etir Evol Evothol Exer Eyor Ezaquos Ezes Ezoquolos Ezos Fasos Fathimem Favel Fekhedapan Feshihin Fexer Ficiyal Fobagafil Foyayiquas Foyosor Ganas Gayor Giyopon Gogojor Goyon Hanolil Hedaror Hekhor Henathezol Heras Hicis Higehar Hipaker Hoges Hosen Hothokanon Ichamapel Icohesir Icol Icon Icoshefam Idamen Idikol Idil Idin Idon Ifapos Ifon Igin Ihothanan Ikabar Ikequiten Ikhan Ikhel Ikhifirom Ikhizar Ikor Ilayeges Ilofanil Ilos Imom Ipol Iquehonom Iril Iseyom Ishodim Isodal Isol Ithor Itol Ivevin Ixas Ixoneger Iyar Izekir Izopal Jajogim Jamoshoyam Jebam Jezar Jifir Jilin Jipos Jivin Jiyekom Jonovom Jopem Joquen Kabonol Kapokhopil Kejiyas Kepam Kharopiquor Khechopor Khenol Kheyezes Khicel Khoshos Khothos Khoxathil Kigajoyom Kigim Kocar Kocheshol Kocol Kodelor Kolan Kopilafir Lafokhoses Lakhichel Latin Lavol Leciton Lesor Lexal Lihifen Lisobashal Lithim Lochis Lodon Magor Makom Masas Mezoshol Mibil Mishas Mojecas Momen Momotal Nagan Nibar Niquor Nisir Nobil Nofos Nohecakim Nojan Nokhon Obal Obashoxon Obetan Obocol Ocabachar Ocakhor Ocequekhon Ochal Ochayos Oches Ochos Odem Odochas Odokhenir Odoviyel Ofaquothar Ofis Ogar Ogivithis Ogom Ohal Oham Oher Ojicham Ojil Okan Okel Okhezexom Okifoshos Okimos Okokhor Okos Omiroven Omoham Omotor Onen Onin Onorem Onothom Opas Opel Opor Oposhober Oquas Oquom Oquos Oradir Orokhenim Osem Oser Oshegofin Oshem Oshin Oshos Osoneches Otam Othasachor Othecagom Othen Othequen Othochar Otin Otochabos Otoxim Ovapon Ovel Ovin Ovis Oxobikor Oyazabol Oyodos Ozimoyel Ozis Ozobol Ozocojam Ozokhogor Ozom Pacozom Pashom Pegor Pehogos Pelekal Pequashom Pichihibel Pidol Pochisam Pofar Poliyatir Povejin Poyis Quakhos Quaquocipol Quebom Quefol Quenibel Quepar Quinal Quiyesan Quomen Quoquofon Quosipil Rojin Romevem Ropin Sajor Sashem Sedasom Segel Shafas Sharahen Shather Sheshonoyem Shikes Shivohan Shokos Sholer Shososhoran Sikekhos Sivegar Sodam Sogiquafom Sokodocor Sorejahom Soshar Soyexes Tehen Tehom Tejothes Thacitam Thacovil Thatoshil Thazigol Thebal Thecokoxim Thihajom Thikol Thitham Thocan Ticar Tihohoquen Tinem Tobojel Togejon Vacir Vebin Velofagim Vetachol Vevezin Vicikhir Visekigir Vishacher Vofen Vokhim Xachen Xelichen Xelishacher Xethashifer Xetim Xicizer Xipal Xizin Xodos Xolon Xotocos Yanor Yebithon Yinaxim Yobol Yofaroquin Yohis Yoqual Zedolor Zelapas Zerin Zeximal Zikoxas Zonachin Zovayasem

[abwwia]

An Eritrean woman waits for food at a distribution by the World Food Program in Hykota, Eritrea. Photo by Evelyn Hockstein

Art by Women - Women in Arts @abwwia

Evelyn Hockstein is a senior staff photographer at Reuters based Washington, DC and President of the Women Photojournalists of Washington. Evelyn has worked in more than 70 countries for news outlets including The Washington Post, The New York Times, Time, The Guardian, and Newsweek. Recently profiled by PhotoShelter, Evelyn won first prize in World Press Photo and Pictures of the Year International in 2020 and was nominated for the World Press Photo of the Year. She has previously won awards from POYi, NPPA Best of Photojournalism, the Days Japan International Photojournalism award for her coverage of women in Darfur, and has been nominated for two Pulitzer Prizes. Her work has been exhibited in the US, UK, France, South Africa, Japan, and Kenya, and her recent adventures have included documenting climate change north of the Bering Strait, climbing in Pakistan for a story about the only female mountain rescue team, and scaling rigs in North Dakota for a project on the oil rich Bakken. Click to see more in Evelyn's archive. Read her recent op-ed published in The Guardian.

See more from this Photographer: www.evelynhockstein.com

#EvelynHockstein #Eritrean #Eritreanwoman #Hykota #Eritrea #folkmania #PalianShow @folkfashion @folkmania

#Evelyn Hockstein #art by women #photography

[thestoryofkings]

Intro

Voice over: Aadiyill daivam aakashavum bhoomiyum srushtichu ennu parayunna pole aanu kerala rashtriyathil Esthappan Kerala Karshaka Party srushtichathu. Esthappan marichu poyenkilum adhehathinte makan Theppachan aanu innu Partyude anishedhya nethavu. Theppachante makan Esthappanum partyill undu.. yuvajana nethavu aayittu. Pakshe randu perum randu dhruvathill aanennu maathram.

Samayam ekadesham ardharathri aakarayi. Theppachante veetil chooderiya vagvadam nadakkunnu.

Theppachanum makan Esthappanum thammil aanu tharkkam.

"Appa.. appan vicharikkunna pole alla.. naale aalu irangum Karshaka Yuva Federation pravarthakar nannayi pravarthichittundu.. onnumillenkilum njaan anuvadham chodichittu alle ee sammelanam vilichu koottunnathu.. pinne entha appan inganne oru varthamaanam parayunnathu.." Esthappan choodilaanu.

"Esthappaney nee vicharikkunna pole alla rashtreeyam. njaanokke varshangal adhvanichu ketti padutha party aanithu. naale nee vicharikkunna pole aalukal irangilla ennanu enikku kittiya vivaram..."

Theppachan makane paranju manassilakkan paadu pettu, "Enthayalum party nethakkanmaar naale kaanilla..."

"Venda.. njangal KYF nethakkanmaar maathram mathi.." Esthappanum vidaan bhavam illa...

"Enkill anginne thanne aayikottey.. koodi vannaal 250 peru varum ninte rallykku.. neyennatha rasthriyam padichekkunnathu.. naale kaanam." Theppachan velluvilichu akathekku poyi.

Esthappan arishathode oru pathram eduthu athu pole deshyathil table'lekku ittittu ammayodu chodichu.. "Ithente appan thanne aano.."

Makante vishamam kanda Amma akathekku poyi Theppachante adukkal paranju.. "enthaayalum avan aadhyam ayi nadathunna rally alle.. ningalu naale koode onnu chellu.. allenkill avanu thanne aanu dosham.."

Theppachan onnu mooli.

Pitte divasam Theppachante veetill aake thirakkanu.. Yuvajana rallyude divasam. Party nethakkanmaar ellaam ethiyittundu. Yuvajana nethakkanmaarum.

Ellavarudeyum mukhathu oru aashanka undu. Esthappan KYF ettedutha shesham nadathunna aadhya paripaadi aanu. athum Kottayam thirunnakkara maithanathu. maithanam niranju kavinjillenkill naanakkedanu partykku. athaanu ellavarudeyum aashanka. Ennall avide thanne nadathanam ennu aayirunnu Esthappante pidivaashi.

Theppachan veedinu veliyilekku irangi vannu. Party nethakkanmaar ellam aduthu koodi. Theppachan paranju, "nammal avidem vare pokum.. janam illenkill nammal thirike porum.. yuvajana nethakkal mathi pinnedu rallyku."

"Nee kayarunnille.." Theppachan Esthapanodu chodichu.. Esthappan ippozhum arishathil aanu.. Esthappan paranju, "Njaan vere vandiyill aanu. ningall koodiyaalum illenkilum njaan rally nadathum.. janavum irangum.."

"Kaanam..." Theppachan paranju..

"Kaanam.." Esthappanum marupadi koduthu.

Esthappan ellam planning cheythanu cheythathu.. Kottayam Nagampadamthinu aduthu bus'kal park cheythu janam avide ninnum Shashtri road vazhi KK road'll kayari Thirunakkara maidanathu ethukku. avide vechu sammelanam nadathuka ennathu aayirunnu plan.

Esthappan ithinu munpu KYF cader'maare Keralathinte pala pradeshangalilum ayachu cheru meeting'kal sanghadipichu janangale ilakki irunnu. athu kondu janam varum ennu Esthappanu oru bodhyam undayirunnu. Ennall Esthapan valararuthu ennulla chilarum undayirunnu. avaraanu Theppachante adukkal aalukal varilla athu kondu party nethakkal pankedukkaruthu ennu vishwasippichathu.

Esthappan Nagampadathu chennu nokkiyappol swantham kannukale vishwasikkan kazhinjilla.. pratheekshichathilum kooduthal aalukal.. pathinayirathinum mukalill aalukal kanum.

Pettennu Esthappante phone'll call vannu.. appan vilikkunnathu aanu.. ayaal phone eduthu.. "Entha Appa..."

"ngha.. aalundu.. njaan pratheekshichathilum aalukal undu.. njangal party nethakkanmaar meeting'nu undu.. njangal rally thirunnakkarayil ethumpol avide ethikollam.."

"Oh sheri.. " Esthappan onnu chirichu kondu phone vechu. Janam ilaki.. janathe ilakki. Ini Esthappante kaalam aanu.. Esthappan kanakku kootti.

Esthappan adutha neekkam cheythu.. KYF samsthana nethakkanmaare vilichu paranju.. ningal rallyude munnill ninnu kolluka.. njan purakil kaanum.. Avar onnum manassilakathe ninnu. Esthappan aanallo rally nadathendathu.. pinne ippoll inganne.

Esthappan athu manassilaaki paranju.. njaan purakil vannu kollam.. ente koode pilleru kaanum security'kku.. ningal munnill rally nayichu kolluka..

Anginne nagambadathu ninnum rally thudangi. kuranjathu 4 manikkur eduthu rally poornnamaayi thirunnakarayill ethuvaan. athrayum janangal aanu Esthappante rallykku vannathu.

Esthappan kanakku koottiya pole, rallyude purakil Esthappan vannathu kondu janangalude shraddha rallyude purakil aayi. Esthappan ethathe meetingum thudangaan saadhyam alla. Party nethakanmaarum yuvajana nethakkanmaarum janangalum Esthappan Thirunakkarayill ethaan wait cheythu.. avasaanam Esthappane kandappoll Thirunnakkarayill thadichu koodiya janam ilaki.

Janam aaravangalodu koodiyum mudravaakyam vilichum Esthappane stage'lekku aanayichu. Ennaal stagell undayirunna ellavarum santhoshavanmaar aayirunnilla. Palarum parajayam sammathicha oru mukhabhavathodey Esthappane sweekarichu.

Esthappan enna yuvanethavinte thudakkam aayirunnu avide.

[lamilanomagazine]

Ecco i vincitori del Festival della Fotografia Etica di Lodi 2023

Ecco i vincitori del Festival della Fotografia Etica di Lodi 2023. Tra gli 833 fotografi da 40 paesi diversi e 5 continenti, 7 sono i fotografi che si sono aggiudicati la vittoria, o la menzione speciale, nelle 5 categorie che costituiscono il Premio e che saranno esposti nel corso della prossima edizione del Festival della Fotografia Etica di Lodi, dal 30 settembre al 29 ottobre. I vincitori sono stati selezionati dalla giuria internazionale composta da Amanda Voisard, photo editor per The Washington Post, Dominique Hildebrand, photo editor per National Geographic, Lynden Steele, direttore di fotogiornalismo alla Missouri School of Journalism’s Reynolds Journalism Institute e Direttore del POYi, Alberto Prina e Aldo Mendichi, coordinatori del Festival. Ecco i premiati e le menzioni speciali: Evgeniy Maloletka per il reportage L'assedio di Mariupol, 1° classificato nella sezione Master Award. Il premio sarà di 7.000 euro. Quando le forze russe hanno invaso l’Ucraina il 24 febbraio 2022, hanno immediatamente preso di mira il porto di Mariupol, sul Mar d’Azov, importante da un punto di vista strategico. Il 20 maggio, la Russia ha acquisito pieno controllo della città, precedentemente devastata dai bombardamenti; decine di migliaia di civili sono fuggiti o hanno perso la vita. Bob Miller per il reportage The Last Generation: Zoey's Dream, 1° classificato nella sezione Spotlight Award. Il premio sarà di 3.000 euro. Mentre le medie aziende agricole americane sono vicine alla chiusura, i figli degli agricoltori si trovano a reinventare la loro relazione con la campagna e il loro futuro. Per Zoey Allen, campionessa di barrel racing, tutto ciò significa sfruttare il suo “dono naturale” e aiutare suo nonno ad allenare i cavalli per conto di altre persone, al fine di compensare il calo delle entrate derivanti dalle attività agricole. Sarah Pabst per il reportage Everyone in Me is a Bird, menzione speciale nella sezione Spotlight Award. 6 anni fa, la fotografa ha perso suo fratello in seguito ad un improvviso attacco cardiaco. Da quel giorno in poi, il dolore l’ha sempre accompagnata. D’altra parte però, la scomparsa del fratello le ha dato il dono di percepire la vita in modo diverso. Un mese dopo la sua morte ha scoperto di essere incinta. Dividendosi tra la sua patria scelta, l’Argentina, e quella nativa, la Germania, questo lavoro annulla le distanze, muovendosi tra tempo, stagioni, paesi e spazio. Alessandro Cinque per il reportage Alpaqueros, 1° classificato nella sezione Short Story Award. Il premio sarà una fotocamera mirrorless FUJIFILM X-H2 con obiettivo XF16-80mm. Questo progetto racconta della situazione che stanno vivendo gli allevatori di alpaca in Perù. Con l’obiettivo giornalistico non solo di denunciare, ma anche di proporre nuove soluzioni, questo lavoro presenta la questione della crisi climatica sotto un nuovo punto di vista. La storia è divisa in due capitoli: ciò che è andato perduto e gli sforzi per la conservazione. Luisa Lauxen Dörr per il reportage Imilla, menzione speciale nella sezione Short Story Award. “Imilla”, il nome di questo collettivo di skaters, nella lingua degli Ayamará e dei Quechua significa “ragazza”. Queste skaters boliviane indossano abiti tradizionali per combattere contro la discriminazione. Il loro obiettivo, oltre a far conoscere lo sport nel loro paese, è quello di valorizzare il ruolo delle donne, richiamando al contempo l’attenzione della società per poter riconciliare le differenze culturali e gli stereotipi secolari verso le donne. Gerd Waliszewski con Between the Sirens, 1° classificato nella sezione Student Award. Il premio sarà una fotocamera mirrorless FUJIFILM X-T5 con obiettivo XF18-55mm. Nella dura realtà dell’Ucraina invasa dalla guerra, i giovani cercano di vivere la loro vita quotidiana, che viene regolarmente interrotta dalle sirene d’allarme e dai missili in arrivo. “Between the Sirens” racconta l’attitudine verso la vita dei giovani ucraini. Il lavoro offre uno sguardo sulla realtà attuale di una generazione che si scontra quotidianamente con la fragilità delle loro vite e della loro nazione. Mohammad Rakibul Hasan con l'immagine The Blue Fig, 1° classificato nella sezione Single Shot Award. Il riscaldamento globale sembra avere un impatto sproporzionato su alcuni Paesi piuttosto che altri. L’immediata conseguenza è che il numero degli incidenti causati dai disastri naturali come le mareggiate e le inondazioni è aumentato. Il Bangladesh, il delta più grande del mondo, è uno dei Paesi a subire le conseguenze del riscaldamento globale. L’aumento dei disastri naturali come cicloni e ondate di marea oceaniche, colpisce la fascia costiera del Bangladesh, dove milioni di persone e che per ironia della sorte, dal mare dipendono per la loro sopravvivenza. A partire dal prossimo 30 settembre oltre 20 mostre da visitare in un mese speciale dedicato alla fotografia, tra cui quella del World Press Photo, unica tappa lombarda della mostra internazionale itinerante. Il grande concorso internazionale di fotogiornalismo e fotografia documentaria più famoso al mondo che si svolge da oltre 50 anni e indetto dalla World Press Photo Foundation di Amsterdam, torna a Lodi per il secondo anno. Quasi 150 immagini che arrivano dai 5 continenti per raccontare storie incredibili. Si tratta di lavori firmati per le maggiori testate internazionali, come National Geographic, BBC, CNN, Times, Le Monde, El Pais Per la prima volta sarà possibile visionare nella loro interezza due dei reportage da cui sono estratte le immagini premiate al World Press Photo. Maloletka e Cinque vincono infatti anche due categorie del World Report Award. Anche in questa edizione FUJIFILM Italia è Award Sponsor del concorso con l’intento di sostenere il diffondersi della cultura dell’immagine. FUJIFILM Italia è da sempre in prima linea per rimarcare il valore della fotografia, per la sua capacità di raccontare la collettività e la realtà che ci circonda. Con il suo supporto, avvalora e incoraggia il grande impegno che il Festival mette ogni anno in campo per celebrare la fotografia, necessaria espressione umana.... #notizie #news #breakingnews #cronaca #politica #eventi #sport #moda Read the full article

[sanriosratz]

i havent got premium for Carrd QwQ

ive used up all three sites, too. so i gotta find one to delete

#its either mine #or my gfs #i dont mind parting with mine #i can just remake it on a separate email lmfao #i dont wann have to rapidly switch between accs for poyi tho #too much hassle lmfao #sanriosratz whines

[salihsastuff]

I'm SALIH from India and make friends too it's useful to meet you too much elephant though I don't know how to meet you too much you doing here in the Paradise Biryani recipe in Hindi okke ipoo patte marann poyy you doing here is the important thing is that the day of the day of the day and time there will give cashback you doing here is the important thing is that the day of the day of the channel to improve your Google account tudagan are the best are the conditions for friends will not 🚭🚭🚭🚭🚭 you doing here is the important thing is that the day of the day

[run-awayy]

poiyengu poyi, poyielengu poyilya. endha le🤦‍♀️🤷‍♀️

[geholla-blog]

MAKING BLACK AMERICA: THROUGH THE GRAPEVINE from My Celebrity Life by GeHolla on Vimeo.

Making Black America: Through the Grapevine is a four-part series from executive producer, host and writer Professor Henry Louis Gates, Jr., which will premieres Fall 2022 on PBS stations nationwide. Professor Gates, with directors Stacey L. Holman and Shayla Harris, chronicle the vast social networks and organizations created by and for Black people beyond the reach of the “White gaze.” The series recounts the establishment of the Prince Hall Masons in 1775 through the formation of all-Black towns and business districts, Historically Black Colleges and Universities, destinations for leisure and the social media phenomenon of Black Twitter. Gates sits with noted scholars, politicians, cultural leaders and old friends to discuss this world behind the color line and what it looks like today. MAKING BLACK AMERICA takes viewers into an extraordinary world that showcased Black people’s ability to collectively prosper, defy white supremacy and define Blackness in ways that transformed America itself.

Stacey L. Holman’s work expands across two continents. From the United States to South Africa, this Harlem-based filmmaker has directed/produced award-winning shorts (Mirar Mirror, Girl Talk), content for cable TV (Red Heeled) and critically acclaimed documentaries (Mary Lou Williams: The Lady Who Swings the Band, Freedom Riders, Jesse Owens). Her most recent work as producer, Tell Them We Are Rising the Story of Black Colleges and Universities, aired on PBS’ Independent Lens in February 2018. Stacey recently finished the short-documentary Dressed Like Kings, which she produced and directed. Currently, she’s teaching a new generation of storytellers at City College of New York.

Shayla Harris is an award-winning independent director and producer based in New York. She recently produced and directed 2 episodes of 4-part series on the history of the black church with Dr. Henry Louis Gates Jr. that will air on PBS in February 2021. She was also a producer on “Who Killed Malcolm X?,” a 6-part documentary series for Fusion/Netflix that was nominated for an Emmy. Previously, she was a senior producer for digital video at Frontline PBS. Before joining Frontline, she managed the production of enterprise videos and web series at The New York Times and won numerous awards, including an Emmy for “Life, Interrupted,” a documentary series about a young woman with cancer that she shot, edited and produced. In nearly a decade with the Times, she earned a National Magazine Award, a George Foster Peabody, an Overseas Press Club Award and several Emmy nominations for her work. Before that, she worked on award-winning documentaries for Dateline NBC, including as the producer of “The Education of Ms. Groves," which won both an Alfred I. duPont-Columbia University Award and a Peabody. She was also an associate producer on “Pattern of Suspicion,” a duPont-Columbia, Silver Baton investigation of racial profiling in Cincinnati and “Children of War,” an Emmy winning story on Ugandan child soldiers.

Harris has been honored as an IDA Enterprise Documentary Fund Grantee, an IWMF African Great Lakes Reporting Fellow, a Next Generation Leadership Fellow, French-American Foundation Young Leaders Fellow and a Pew International Journalism Fellow. She has served on the Board of Screeners for the Alfred I. duPont-Columbia University Awards and the Filmmaker Advisory Committee for the IDA’s Enterprise Documentary Fund and has judged multimedia and short documentaries for contests and film festivals like POYi, POY LatAm, World Press Photo and DocNYC. In addition, Harris has taught graduate journalism classes and lectured at conferences at NYU, CUNY, Columbia University, Missouri School of Journalism and many others. She is a graduate of Williams College and Columbia University’s Graduate School of Journalism.

Making Black America: Through The Grapevine is a production of McGee Media, Inkwell Media and WETA Washington, D.C. Henry Louis Gates, Jr. is the writer, host, and executive producer. Dyllan McGee is executive producer. John F. Wilson is executive producer in charge for WETA. Bill Gardner is the executive in charge for PBS. Stacey L. Holman is series producer and director. Shayla Harris is producer/director. Deborah C. Porfido is supervising producer. Robert L. Yacyshyn is line producer. Kevin Burke is producer. Mattie Akers is archival producer.

[navaratna]

Ayiramayiram andukalku shesham, oru kinavennepole apprethikshithamayi aval vannu.

Areyum kanethe pokanum enne manasode, aval veedinte pinvathilkoode kayari, etho poyi maranja kalitheke kaleduthuvechathupole oru thonil avalil onarnnu, avulade muriyude vathil patheyi thorannu. Pottipolinnja machum, thurrannukadukunna janal palikal kandittu avalude ullam vingi, kannu niranju.

Karinjajanmathinte papamakam, allikathya pranayathinte shapamakam, avalude avasana shvasam vare aa muri avale oru maranamurzhi enna pole pinthodarnnu.

ആയിരമായിരം ആണ്ടുകൾക് ശേഷം ഒരു കിനാവിനെപ്പോലെ അപ്പ്രതീക്ഷിതമായി അവൾ വന്നു.

അവളുടെ വാക്കുകൾ എന്റെ മനസ്സിൽ ഇടം തേടി.

ആ വാക്കുകൾ തിരമാലകൾപോലെ എന്നെ സാന്ത്വനിപ്പിച്ചു,

എന്നെ എന്റെ മായാലോകത്തേക്ക് കൂട്ടിക്കൊണ്ടുപോയി.

#my first malayalam poetry!! #how's it chechi?? #i tried #asks #emi chechi #poetry #ratna writes

[tonipires]

#Repost @festivalfotobsb with @use.repost ・・・ Mediado por Toni Pires, o segundo encontro do dia 11/09 estreia às 19h30 no canal Festival Foto BSB. ‘’No verbo do instante: O olhar único de cada fotógrafo.’’ com Jonne Roriz e Joedson Alves, uma conversa sobre a particularidade dos seus trabalhos e a história de duas das fotos mais conhecidas dos fotógrafos. Não deixe de acompanhar! Link de acesso na bio. 📹 - Toni Pires (São Paulo), fotógrafo independente, graduado em Economia e Jornalismo (Unesp), Mestre em Poéticas Visuais (Usp), Pós graduado em fotografia (SENAC) e História da Arte (Fundação Cásper Líbero). Desde 2007 é membro do conselho consultivo da Universidade Anhembi Morumbi no curso de Fotografia. Durante quinze anos trabalhou no jornal Folha de S.Paulo (Brasil), como fotojornalista, coordenador de matérias e editor especial. Atualmente está desenvolvendo documentação fotográfica na China e no Brasil. Jonne Roriz, fotógrafo profissional há mais de 18 anos especializado em esportes, produções subaquáticas, retratos, reportagem, viagem, fotografia corporativa e industrial. Tem participação em mais de 30 prêmios nacionais e internacionais ( POYi - Picture of the Year International, Multiple Award Winner of Prix de La Photographie Paris, O Estado de S.Paulo Journalism Award, Sports Shooter) além de publicações em grandes organizações de notícias, indústria corporativa e de publicidade. Realizou cobertura de alguns dos principais eventos esportivos do mundo: Jogos Olímpicos, Copa do Mundo, Jogos Pan-Americanos, entre outros. Joedson Alves é formado em fotografia e navega pela produção de conteúdo multimídia. Na experiência jornalística conta com a passagem pela agência Deutsche Presse/dpa, O Estado de São Paulo (sub-editor) e Veja Brasília (chefe de fotografia). Atua como documentarista desenvolvendo produções sobre o fotojornalismo brasileiro, dentre elas o projeto @ultimacortina, disponível no youtube, que possui um formato de entrevistas e mini documentários sobre o mundo da imagem. Este projeto é realizado com recursos do Fundo de Cultura do Distrito Federal. #festivalfotobsb #festivalfotobsb2022 #fotobsb2022 #fotojornalismo #fotografiadocumental #fotoresistencia #secedf https://www.instagram.com/p/CiTKbhxp-p6/?igshid=NGJjMDIxMWI=

#repost #festivalfotobsb #festivalfotobsb2022 #fotobsb2022 #fotojornalismo #fotografiadocumental #fotoresistencia #secedf