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jade-wyton · 3 months
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I really like this piece :)
Stars, fulfilling her duties as a deity of hope and freedom. Unlike most of the other gods, she has a very hands-on approach and doesn't do metaphors or theatrics. She will just sit with those in need and talk to them.
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skarsjoy · 2 months
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Taken 10 years ago on this day: Alexander Skarsgård as Eric Northman in season 7 of True Blood.
The date on the photo says March 25, 2014 and the caption reads, “Alexander Skarsgård painted veins with Brian Penikas” and was found on make-up artist Rocky Faulkner's website versionsofu.com
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docrotten · 1 year
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A NIGHTMARE ON ELM STREET 3: DREAM WARRIORS (1987) – Episode 224 – Decades Of Horror 1980s
“Welcome to prime time, bitch!” Not words I’d use in front of my mother, but they are iconic just the same. Join your faithful Grue-Crew – Chad Hunt, Bill Mulligan, Crystal Cleveland, and Jeff Mohr, along with guest host Ralph Miller  – as they enter another Wes Craven nightmare, A Nightmare on Elm Street 3: Dream Warriors (1987). Expect a lot of FX talk with Ralph in the house!
Decades of Horror 1980s Episode 224 – A Nightmare on Elm Street 3: Dream Warriors (1987)
Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine
A psychiatrist familiar with knife-wielding dream demon Freddy Krueger helps teens at a mental hospital battle the killer who is invading their dreams.
  [NOTE: Effects crew credits are listed as they appear in the film credits.]
Director: Chuck Russell
Writers: Wes Craven (story) (screenplay) (characters); Bruce Wagner (story) (screenplay); Frank Darabont (screenplay); Chuck Russell (screenplay)
Music: Angelo Badalamenti
Storyboard Artist / Visual Consultant: Peter von Sholly
Stop-Motion Skeleton and Marionette Effects: Doug Beswick Productions, Inc.
Stop-Motion Animation: Doug Beswick
Effects Photography Supervisor: Jim Aupperle
Stop-Motion Puppet Construction: Yancy Calzada
Marionette Construction: Mark Bryan Wilson (as Mark Wilson)
Miniatures: James Belohovek
Illustrator: Larry Nikolai
Makeup effects Sequences: Greg Cannom
Assistants to Greg Cannom: Larry Odien, Earl Ellis, John Vulich, Keith Edmier, Brent Baker
Krueger Makeup effects: Kevin Yagher
Assistants to Kevin Yagher: Jim Kagel, Mitch DeVane, Gino Crognale, Brian Penikas, David Kindlon, Steve James, Everett Burrell
Makeup Effects Sequences: Mark Shostrom
Assistants to Mr. Shostrum: Robert Kurtzman, Bryant Tausek, John Blake Dutro, James McLoughlin (as Jim McLoughlin), Cathy Carpenter
Additional Makeup Effects: Matthew W. Mungle (as Mathew Mungel)
Assistant to Mathew Mungel: Russell Seifert
Mechanical Effects: Image Engineering
Special Effects Coordinator: Peter Chesney
Lead Technician: Lenny Dalrymple
Mechanical Designers: Bruce D. Hayes (as Bruce Hayes), Joe Starr, Anton Tremblay (as Tony Tremblay)
Effects Technicians: Bernardo F. Munoz (as Bernard Munoz), Rod Schumacher, Bob Ahmanson
Effects Crew: Scott Nesselrode, Tom Chesney, Kelly Mann, Phillip Hartmann (as Phillip Hartman), Ralph Miller III (as Ralph Miller), Joel Fletcher, Brian Mcfadden, Sandra Stewart (as Sandy Stewart), Terry Mack (as Troy Mack), Blaine Converse, Ron MacInnes, Brendan C. Quigley
Selected Cast:
Heather Langenkamp as Nancy Thompson
Craig Wasson as Dr. Neil Gordon
Patricia Arquette as Kristen Parker
Ken Sagoes as Roland Kincaid
Ira Heiden as Will Stanton
Rodney Eastman as Joey Crusel
Jennifer Rubin as Taryn White
Penelope Sudrow as Jennifer Caulfield
Bradley Gregg as Phillip Anderson
Laurence Fishburne as Max Daniels (credited as Larry Fishburne)
John Saxon as Donald Thompson
Priscilla Pointer as Dr. Elizabeth Simms
Clayton Landey as Lorenzo
Brooke Bundy as Elaine Parker
Nan Martin as Sister Mary Helena
Stacey Alden as Nurse Marcie
Dick Cavett as Himself
Zsa Zsa Gabor as Herself
Paul Kent as Dr. Carver
Guest host Ralph Miller III, who worked behind the scenes on Dream Warriors provides insights and many effects development photos that are shown in the YouTube version of the podcast. Post-recording, the crew wants to clarify that Kevin Yagher was responsible for the Freddy Snake, and Mark Shostrom was in charge of the Penelope Sudrow dummy that smashes into the Freddyvision TV.
With the success of A Nightmare on  Elm Street 3: Dream Warriors (1987), following the critical failure of A Nightmare on Elm Street 2: Freddy’s Revenge (1985), New line Cinema firmly cemented Freddy Krueger and A Nightmare on Elm Street as one of the most iconic horror franchises of its time. Not only does Dream Warriors feature Robert Englund continuing to breathe both humor and fear into Freddy Krueger but also the return of both Heather Langenkamp and John Saxon from the original. The film also features Craig Wasson (Ghost Story) as the male lead and early film roles for Patricia Arquette and Larry Fishburne. Frank Darabont (The Mist) and Bruce Wagner join Wes Craven on scripting chores and Chuck Russell (The Blob, The Mask) directs while Angelo Badalamenti (Twin Peaks, Blue Velvet) provides the score – a winning combination of talent. Surely a Grue-Crew highly recommended selection with special effects by Greg Cannom, Doug Beswick, Mark Shostrom, Kevin Yagher, and more!
Be sure to check out the first time the 80s Grue-Crew took a dive into this film in February 2017, featuring Doc Rotten, Christopher G. Moore, and Thomas Mariani as the Grue-Crew. You can find it here: A NIGHTMARE ON ELMS STREET 3: DREAM WARRIORS (1987) — Episode 102
Every two weeks, Gruesome Magazine’s Decades of Horror 1980s podcast will cover another horror film from the 1980s. The next episode’s film, chosen by Jeff, will be The Changeling (1980), starring George C. Scott, Trish Van Devere, Melvyn Douglas, . . . and a bouncing, red, rubber ball.
Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans – so leave them a message or comment on the gruesome Magazine Youtube channel, on the website, or email the Decades of Horror 1980s podcast hosts at [email protected].
Check out this episode!
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ohgeephoto · 9 months
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Benjamin Earl Turner "HEADSPACE/BENT" from Abteen Bagheri on Vimeo.
Directed by Abteen Bagheri Produced by Joon Projects In Partnership with Love Song, Merchant, Anorak, The Lift
Executive Producers: Elise Tyler, Daniel Wolfe Director of Photography: Katelin Arizmendi Editor: Fouad Gaber Producers Paige Kauffman, Ryan Schemmel
Starring: Benjamin Earl Turner, Dane DiLiegro
Animatronics by Studio Gillis: Alec Gillis, Jon Miller, Zachery Teller, Keaton Blue, Consuelo Duran, Michael Heintzelman, Luna R Imagawa, Tim Leach, Peter Murphy, Dave Penikas, Andrew Penikas, Nick Reisinger, Alice Rijn, Sara Villareal, Garth Winkless
1st ADs: Guy Forgaard, Henry Minzes 2nd AD: Christopher Silver Production Designer: Andrew Clark Art Director: Chris Steidel Prop Master: Brendan Sharkey Armorers: Clay Van Sickle, Mike Tristano Costume Designer: Astrid Gallegos Costumers: Mariam Pirouz, Nicole Aprea, Alexis Aquino Seamstress: Keeva Halferty Hair and Make-up: Alyssa Holbrook 1st AC: Riley Keeton 2nd ACs: Michael Enos, Kyle Petijean Loaders: Chris Morgan, Brittany Meadows Additional Camera: Melisse Rahi, Michael Ragen 1st ACs B-Cam: Guido Raimondo, Mindy Kelly 2nd AC B-cam: Marco Brochie Camera PA: Matt Adler Set Photographer: Kalynn Youngblood Gaffer: Jake Lyon BBE: Anderson Ko Electricians: Brandon Alperin, Mark Belcher, Chelsea Pettit, Aaron Mercado, Justin Usami Hyphenate: Darrel D’itri Key Grip: Steve Forbes BBG: Adrian Estrella Grips: Kyle Sorvig, Matt Cole, Gaither Narron, Cody Ingham, Daniel Kusenada Sound Recordist: Hanna Collins Location Manager: Nicholas Reinoso Medic: Joey De la Rose PAs: Nadeem Haddad, Claire Schaefer, Allen Baldwin, Jordan Epperson Driver: Jimmy Valdez
Heshers: Andrew Miller, Ryan Rasberry, Liborio Moreno, Larry Andrews, Stephen Blakeslee, Akkaraj Ak Restaurant Owner: Jennifer Server: Joanna Yeh
Editorial Facilities: Trim Post VFX: Dan Williams VFX Facilities: The Mill London Colorist: Jason Wallis Color Facilities: Electric Theatre Company Sound Design: Gus Koven Sound Facilities: Barking Owl Titles: Sam Smith Storyboard Artist: Jian Giannini Casting: Nimzo Casting
Hesher Theme Song: Korvapuusti
Camera: Panavision Film Processing: Fotokem Filmstock: Motion Picture Film Stock
For Christopher Black
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remixinc · 9 months
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vimeo
Benjamin Earl Turner "HEADSPACE/BENT" from Abteen Bagheri on Vimeo.
Directed by Abteen Bagheri Produced by Joon Projects In Partnership with Love Song, Merchant, Anorak, The Lift
Executive Producers: Elise Tyler, Daniel Wolfe Director of Photography: Katelin Arizmendi Editor: Fouad Gaber Producers Paige Kauffman, Ryan Schemmel
Starring: Benjamin Earl Turner, Dane DiLiegro
Animatronics by Studio Gillis: Alec Gillis, Jon Miller, Zachery Teller, Keaton Blue, Consuelo Duran, Michael Heintzelman, Luna R Imagawa, Tim Leach, Peter Murphy, Dave Penikas, Andrew Penikas, Nick Reisinger, Alice Rijn, Sara Villareal, Garth Winkless
1st ADs: Guy Forgaard, Henry Minzes 2nd AD: Christopher Silver Production Designer: Andrew Clark Art Director: Chris Steidel Prop Master: Brendan Sharkey Armorers: Clay Van Sickle, Mike Tristano Costume Designer: Astrid Gallegos Costumers: Mariam Pirouz, Nicole Aprea, Alexis Aquino Seamstress: Keeva Halferty Hair and Make-up: Alyssa Holbrook 1st AC: Riley Keeton 2nd ACs: Michael Enos, Kyle Petijean Loaders: Chris Morgan, Brittany Meadows Additional Camera: Melisse Rahi, Michael Ragen 1st ACs B-Cam: Guido Raimondo, Mindy Kelly 2nd AC B-cam: Marco Brochie Camera PA: Matt Adler Set Photographer: Kalynn Youngblood Gaffer: Jake Lyon BBE: Anderson Ko Electricians: Brandon Alperin, Mark Belcher, Chelsea Pettit, Aaron Mercado, Justin Usami Hyphenate: Darrel D’itri Key Grip: Steve Forbes BBG: Adrian Estrella Grips: Kyle Sorvig, Matt Cole, Gaither Narron, Cody Ingham, Daniel Kusenada Sound Recordist: Hanna Collins Location Manager: Nicholas Reinoso Medic: Joey De la Rose PAs: Nadeem Haddad, Claire Schaefer, Allen Baldwin, Jordan Epperson Driver: Jimmy Valdez
Heshers: Andrew Miller, Ryan Rasberry, Liborio Moreno, Larry Andrews, Stephen Blakeslee, Akkaraj Ak Restaurant Owner: Jennifer Server: Joanna Yeh
Editorial Facilities: Trim Post VFX: Dan Williams VFX Facilities: The Mill London Colorist: Jason Wallis Color Facilities: Electric Theatre Company Sound Design: Gus Koven Sound Facilities: Barking Owl Titles: Sam Smith Storyboard Artist: Jian Giannini Casting: Nimzo Casting
Hesher Theme Song: Korvapuusti
Camera: Panavision Film Processing: Fotokem Filmstock: Motion Picture Film Stock
For Christopher Black
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stanwinstonschool · 5 years
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Happy ALIEN DAY! All Hail the Queen! . In developing the ALIENS screenplay, @jamescameronofficial recognized that the story would lack punch if it featured only those alien organisms introduced in the first film. He needed a trump card, an element of surprise in his movie’s third act. That surprise took the form of a giant alien queen, an ‘über-alien’ that, in addition to serving as the ultimate adversary, completed the alien reproduction cycle, never fully explained in ALIEN. . Jim Cameron had rendered a drawing of the queen and had also conceived a radical approach to puppeteering her, which would involve hanging the creature from an overhead crane and stationing two stuntmen inside the mid-section to operate the puppet’s four arms. Other key functions would be controlled through external rods, wires, and hydraulics. “When Jim first came to me with this idea of putting two guys inside a giant alien queen suit,” Winston admitted, “I thought, ‘This man is out of his mind.’ Nothing like that had been done before. But in the next moment, I realized that if he had imagined it, we could probably do it.” James Cameron drew a final alien queen, which he and Winston then scaled up in profile and front views to determine measurements that would accommodate two full-grown men. On paper, the idea seemed sound. To test the concept in three dimensions and in full size, Stan Winston and his crew built what they called the ‘garbage bag queen’, which was literally a foam-core mockup, ‘skinned’ in trash bags and suspended from a crane in the studio parking lot. . The next step was to sculpt a quarter-scale queen maquette as a means of finessing the design prior to building it in full scale. Winston divided the sculpting chores among his core crewmembers: John Rosengrant on the body, @alec_gillis, and Willie Whitten on the legs, Greg Figiel on the arms, Brian Penikas and Shawn McEnroe on the tail, and Shane Mahan on the head. . @alienanthology #alienday #LV426 #426 #stanwinston #stanwinstonschool #swsca #jimcameron #jamescameron #behindthescenes #alien #xenomorph #aliens #behindthescenes http://bit.ly/2Puov7T
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wpdariacutnes · 2 years
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🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓
Sushitale as ink on TV (dys a ink!nely is Wall full)
So years going on is 20 note dys so yes 20 years ahead and so ink! sans zy error! sans you just live lightly in your rooms, then I will say it as simple and what would be if they were small like powers, if ink, then the carcass loses right and left a error it makes holes noto so mini bossik will be because the boss is so big
Someone: yes yes here game in
well, this young one, what I once called "myrrh" after all a) mugł comes without a clue mirra And this is what the TV corory of the screen does, such a glich does and penika to you terizory but it comes out as if it were a high-quality box
Someone: creppy one dys boss
Snely: emmm can help you
Mirror: *looking her in sade tv* not relly but thx so fredly piking
Snely: emm * woking more* EMM!?
Mirror:🎶
Cross!sans: *frowing a nife on tv* get dys little shit
Snely: *dodge on the ground *
Mirror: !? * disapire and live wer demich cant in more *
Cross!sans: * grap snely*
Snely: wer me go? *ask cross!sans*
Cross!sans: *not expleing wer going*
🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓
Offical epic note: 04.12.2021.r
🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓
Snely: you going kill me or sowing *little same bit*
Cross!sans: o_o a corse not kill you woman why finking
Snely: well im fi--
Cross!sans: STOP SAY ON ME
Snely: ... 💦
Cross!sans: good boy *take on nife a cors doing dys a hem world*
Snely: * to lite but smile on hem* ...
Cross!sans: dream das take me self wirt Dreams a dys what heppynt
🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓🍓
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thecraggus · 4 years
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Galaxy Quest (2000) boldly goes where no recent Star Trek movie has managed to. 20th Anniversary Review
Galaxy Quest (2000) boldly goes where no recent #StarTrek movie has managed to. 20th Anniversary #Review
Celebrating 20 years since it beamed into UK cinemas, “Galaxy Quest” remains the finest “Star Trek” movie made since 1991 and probably has almost as good a claim to siring “The Orville” as “Star Trek: The Next Generation”.
Eighteen years after its abrupt cancellation, the cast of the cult TV series “Galaxy Quest” are glumly schlepping from convention to store opening to convention, strip-mining…
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merisaseana-blog · 7 years
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Ditemukan KTP di Sekitar Lokasi, Polisi Masih Lakukan Proses Identifikasi Pelaku Penikaman
Merisa Seana Ditemukan KTP di Sekitar Lokasi, Polisi Masih Lakukan Proses Identifikasi Pelaku Penikaman Artikel Baru Nih Artikel Tentang Ditemukan KTP di Sekitar Lokasi, Polisi Masih Lakukan Proses Identifikasi Pelaku Penikaman Pencarian Artikel Tentang Berita Ditemukan KTP di Sekitar Lokasi, Polisi Masih Lakukan Proses Identifikasi Pelaku Penikaman Silahkan Cari Dalam Database Kami, Pada Kolom Pencarian Tersedia. Jika Tidak Menemukan Apa Yang Anda Cari, Kemungkinan Artikel Sudah Tidak Dalam Database Kami. Judul Informasi Artikel : Ditemukan KTP di Sekitar Lokasi, Polisi Masih Lakukan Proses Identifikasi Pelaku Penikaman Menurut Setyo, polisi perlu melakukan beberapa pembanding untuk memastikannya. http://www.unikbaca.com
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meanyoungkim · 6 years
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Make-Up & Monsters from Alan Natale on Vimeo.
Fun interview with Make-Up & Monsters Studio Brian Penikas.
I make short HD video segments exploring anything sci-fi, tech, games, comedy with sci-fi flavor, and comics. I had a golden opportunity to interview the artist Brian Penikas who created the Creeper for Jeepers Creepers. It was a blast getting to play in their studio and they were generous enough to make ME up as a monster. I had a lot of fun producing and hosting but moreso meeting Brian Penikas and Sonny (the Artists) and hanging out in their Special Effects world for a day.
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stanwinstonschool · 5 years
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From concept to creation, the stunning Judge makeup on actor John Astin in Peter Jackson's 1996 film The Frighteners, designed and produced by Rick Baker's Cinovation Studio and applied on set by Brian Penikas. @therickbaker #frighteners #rickbaker #johnastin #brianpenikas #makeupartist #prosthetics #makeupeffects #makeupfx #spfx #spfxmakeup #specialeffectsmakeup #cinovationstudios #behindthescenes #horror #horrorfilm http://bit.ly/2ZffJyo
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stanwinstonschool · 6 years
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To make a #monster. Brian Penikas adds final paint details to the #gargoyle, portrayed by Michael Reid MacKay in Cast a Deadly Spell (1991) and created by Tony Gardner's workshop Alterian. @apemania_2018 @tonygardner @alterianinc #castadeadlyspell #brianpenikas #tonygardner #alterianinc #alterianstudios #monstermaking #monstermovie #creatureeffects #creaturecreation #practicaleffects #specialeffects #hollywood #moviemagic #makeupeffects #behindthescenes #bts https://ift.tt/2HpvLB3
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stanwinstonschool · 7 years
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Just another great day in making fantastic monsters.
In this behind the scenes photo, FX artist Brian Penikas at work on the gargoyle suit for TV film CAST A DEADLY SPELL from 1991 at Tony Gardner's special makeup and creature effects studio, Alterian.
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