#paul wetz

[hurenkrieg]

Unsre Welt dreht durch Denn sie wissen nicht, was sie tun Wohin soll'n wir geh'n Wenn die Welt weint? Ich frage mich, wohin Und wie lang hab'n wir Zeit?

#paulwetz #paul wetz #wenn die welt weint #own #lyrics #liebe #leben #fav #welt #wohin #zeit #gesellschaft

[jojos-bizarre-gender-crisis]

six people i'd like to get to know better tag game.

thanks @goldenliartrash i am, in fact, back

last song: Ode an der Bass by Paul Wetz (im trying to listen to more german music as if im not failing my B2 exam anyway)

favorite color: red

currently watching: nothing has filled the void paquita salas left im sorry (yes i watched ps in 2023 fashionably late as always)

spicy/savory/sweet: sweet i have too moods unhealthly high blood sugar levels or depressed)

relationship status: yesterday i texted my ex

current obsession: two weeks ago i'd say extremoduro now im just sad

sorry if you were already tagged: @no-passaran @queixumes @airedelalmena @rosalia-de-castro @narratorstragedy @dxffxdxl

[pattokarts]

Mars Process ❤✨

[music: Hypnotize Me by Paul Wetz]

#watercolor #painting #illustration #mars #planet #space #outer space #galaxy #nasa #solar system #space exploration #watercolor art #artist #art on tumblr #traditional painting #universe #painting process #painting video

[aboutmusiic]

Happiness Festival 2023

Vom 13. bis zum 15. Juli 2023 findet in Straubenhardt bei Pforzheim das inzwischen 29. Happiness Festival statt. Das Happiness Festival hat sich in den letzten Jahren zu einem unserer Lieblingsfestivals gemausert. Dies liegt nicht nur an der romantischen Lage im idyllischen Nordschwarzwald sondern auch an der Happiness Crew. Jedes Jahr formt das Happiness Team das Festival mit sehr viel Liebe und Detailverliebtheit. Ein großer Einsatz um den Besuchern - Happianer den Aufenthalt so schön und angenehm wie nur möglich zu gestalten. Aus Holz werden viele Sitzgelegenheiten, Schaukeln, Schilder und kleine oder auch große Überraschungen auf dem Gelände angebracht. Es gibt ein großes Angebot an Leckereien wie beispielsweise Handbrot, Döner, Burger, Spätzle, Pelmeni, Asia, Crepes, Bowls bis hin zu Maultaschen und mehr. Getränketechnisch könnt ihr als Anlaufstelle den Happianer Brunnen nutzen mit Wasser - wichtig vor allem bei warmen Temperaturen. Aber natürlich bekommt ihr auch andere Getränke. So kann man sich beispielsweise an der Bar einen Cocktail holen und sich anschließend in der Chill Out Area niederlassen. Neben dem Bühnenprogramm gibt es zahlreiche weitere Stände von Partnern des Happiness Festival. Wer besonders kreativ drauf ist, kann sich beispielsweise an der Graffiti-Wall austoben. Wer einen Bad Hair Day hat der geht zum Bus von Langhaarmädchen, die machen euch eine wunderschöne Festival Frisur. Und schaut doch auch mal am Merchandise Stand vorbei, dort bietet das Happiness Festival auch eigenen Merch an. Natürlich gibt sich die Happiness Crew auch jedes Jahr große Mühe mit dem Line Up. Und konnte in diesem Jahr wieder einige hochkarätige und exklusive Acts zusammenstellen. Los geht es für die Camper Happianer bereits am Donnerstag ab 16 Uhr. Das Programm startet dann am Freitag um 13:55 Uhr auf der Main Stage mit Paul Wetz, gefolgt von Ok.Danke.Tschüss. Dann empfehlen wir euch die Arty Stage mit Blumengarten zu besuchen. Die weiteren Highlights am Freitag sind unter anderem Dilla, Ennio, Nina Chuba, BHZ, Cro und zum Schluss werden SDP für einen fulminanten Abschluss auf der Main Stage sorgen.

Happiness Festival © https://www.instagram.com/happinessfestival/ Nach der Party in der Nacht von Freitag auf Samstag mit DJ Ketch und Siyah geht es am Samstag Mittag auf der Main Stage weiter mit Jules - ganz gechillt versteht sich. Weil danach betritt Disarstar die Bühne und dies bedeutet in der Regel -  Abriss. Um 17:20 geht es zu Van Holzen auf der Arty Stage und danach schnell zu Majan zur Main Stage. Wo es dann weitergeht mit Badmómzjay, Provinz und zum großen Ende Kraftklub.

Happiness Festival © https://www.instagram.com/happinessfestival/ Bevor das Happiness Festival startet, lest euch unbedingt auf der Homepage des Festivals alle wichtigen Informationen durch. Informiert euch unbedingt darüber wo es Wasser und Getränke gibt und was im Falle eines Unwetters zu beachten ist. Behaltet am Besten die Social Media Kanäle des Festivals im Überblick. Auch wir versuchen aktuelle News über unsere Kanäle zu teilen. Die Happiness Festival Öffnungszeiten: FESTIVAL GELÄNDE Freitag 14.07.2023: Festivalgelände: 12:30 Uhr bis 02:00 Uhr Samstag 15.07.2023: Festivalgelände: 12:30 Uhr bis 02:00 Uhr   CAMPING GELÄNDE Donnerstag: Ab 16:00 Uhr. Freitags öffnet der Campingenlass um 7:00 Uhr bis Sonntag 10 Uhr Ticket für das Happiness Festival 2023 bekommt ihr hier Noch viele weitere Informationen findet ihr auf der Homepage des Festivals: www.happiness-festival.de Alle Infos unter www.happiness-festival.de

© Happiness Festival Mehr zum Happiness Festival Read the full article

#100KiloHerz #BADMÓMZJAY #BHZ #Blumengarten #Cro #dieHuggeeSwingBand #Dilla #Disarstar #DJKetch&DJWildcut #Ennio #Focus #HappinesFestival #Kraftklub #LostboiLino #Majan #NinaChuba #ok.danke.tschüss #PA69 #PaulWetz #Provinz #SDP #Siyah #TomHengst #VanHolzen #Verifiziert

[yeniyeniseyler]

Sena Şener - Teni Tenime (Video Klip)

Sena Şener – Teni Tenime (Video Klip)

Sena Şener‘in Pasaj Müzik etiketiyle çıkan yeni single çalışması “Teni Tenime”nin video klibi yayınlandı. Söz ve müziği Sena Şener’e, düzenlemesi Paul Wetz’e ait olan şarkının video klibini Tayfun Çetinkaya yönetti.

Sena Şener – Teni Tenime – Şarkı Sözleri

“Elleri gider ellerime hep, Canımı yakar beni severek, Öyle bir bakar gözlerime, Aklımı yıkan hislerime.

Sen korkma benden sadece, Dinle derdimi…

View On WordPress

#Aklımı yıkan hislerime #Aklımı yıkıp dans ederek #Ama bu sefer #Belimi sarar hissederek #Ben hep yalnızdım #Ben karanlıktayım #Ben korkmam senden sadece #Beni bir öper hissederek #Canımı yakar beni severek #Dinle derdimi anla #Elleri gider ellerime hep #Elleri uzar düşlerime dek #Her şey çok uzak gelir #İçime siner koku giderek #Klip #Öyle bir bakar gözlerime #Pasaj Müzik #Paul Wetz #Pop #Pop Müzik #Ruhunu açar sözlerime #Şarkı Sözleri #Sen korkma benden sadece #Sena Şener #Sözler #Tayfun Çetinkaya #Ten dokunur ruh denene #Teni Tenime #Teni tenime teni tenime ah #Video

[iffltd]

R O G U E   O N E    a Star Wars story    (2016; dir. Gareth Edwards)

starring    Felicity  Jones   Diego  Luna   Donnie  Yen   Ben  Mendelsohn   Alan Tudyk   Wen Jang    Forest Whitaker   Riz Ahmed   Mads Mikelssen   Guy Henry   Jimmy Smits   Genevieve O’Reilly   Ingrid Delia   Paul Kinsey  Anthony Daniels 

cinematography  Greg Fraser   music  Michael Giacchino   editors  John Gilroy  Colin Goude   Jabez Olssen   casting  Jina Jay   production designers  Doug Chiang  Neil Lamont   creature effects tech.  Sally Alcott  ILM visual effects supervisor  John Knoll   producers  Kathleen Kennedy  Alison Schmear  Finn Johansson  screenplay  Chris Wetz  Tony Gilroy  story by  John Knoll   Gary Whitta   based on a galaxy created by George Lucas   director  Gareth Edwards       

#Rogue One #Rogue One a star wars studio in screen caps

[aneddoticamagazinestuff]

COME I BAMBINI IMPARANO UNA LINGUA

New Post has been published on https://www.aneddoticamagazine.com/it/come-bambini-imparano-una-lingua/

COME I BAMBINI IMPARANO UNA LINGUA

Considerazioni

Cari lettori,

alcuni di voi sanno che in GNOSYS stiamo provando a costruire un linguaggio universale, basato su regole di coerenza logica formale, pertanto diverso da un qualsisi linguaggio naturale che viene considerato informale, perche’ basato sul suo sviluppo diacronico e sincronico che in molti casi ha poco a che vedere con la logica formale.

Noam Chomsky ha giganteggiato per decenni nel campo della linguistica, grazie soprattutto alla sua teoria della grammatica universale.

Come affermano Michael Tomasello e Paul Ibbotson, Le Scienze 2017, pagg. 61 1 segg., la prima versione della teoria di Chomsky, avanzata a meta’ del XX secolo, si inscriveva in due grandi tendenze emergenti della vita intellettuale del’,occidente. Egli postulava che la lingua della vita quotidiana si comportasse come i linguaggi a base matematica delle discipline informatiche allora emergenti. Il suo lavoro cercava la struttura computazionale sottostante al linguaggio e proponeva un insieme di procedure che potessero creare frasi ben formate. L’idea rivoluzionaria era che un programma simile a quelli dei computer potesse produrre frasi che “veri” esseri umani potessero ritenere corrette. Il programma avrebbe anche spiegato il modo in cui la gente genera le frasi che dice.

Mentre sviluppava le sue teorie computazionali, egli affermava contemporaneamente che erano radicate nella biologia umana. Nella seconda meta’ del XX secolo stava diventando sempre piu’ chiaro che la nostra particolare storia evolutiva e’ responsabile di molti aspetti della nostra psicologia, dunque la teoria era in sintonia con I tempi anche in questo. La sua grammatica universale era proposta come una componente innata della mente umana e prometteva di rivelare le basi biologiche delle oltre 6000 lingue dell’umanita’.

Le teorie piu’ belle e piu’ potenti della scienza sono quelle che mostrano l’unita’ profonda nascosta sotto le differenze superficiali, per cui la sua ebbe subito successo.

I dati hanno reso superata la teoria di Chomsky, avviata ormai da anni a morte lenta. Davvero lenta perche’, come ebbe ad affermare il fisico Max Plank, i vecchi studiosi tendono a restare aggrappati alle vecchie abitudini: “La scienza avanza un funerale alla volta”.

L’idea di Chomsky che lo stampo mentale della grammatica sia intrinseco alla struttura del cervello e’ stata messa in discussione perche’ non sostenuta dagli studi sul campo delle varie lingue. La teoria ha conosciuto diverse versioni successive per rendere conto di eccezioni che ne contraddicono postulati originari ed ha rinunciato a molte sue ambizioni iniziali.

Le alternative all’idea della grammatica universale postulano che l’apprendimento infantile delle lingue si valga delle facolta’ cognitive generali e della capacita’ di leggere le intenzioni altrui.

Il nostro lavoro con ULSTAC (Universal Language of Simbols and Terms Aided by Computer) si propone di costruire un linguaggio il piu’ semplice possibile, senza eccezioni, in cui il discorso sia basato su modalita’ di tempo, luogo, azione, possesso, interrogazione etc., e di lemmi.

Noi riteniamo che il bambino impari il suo linguaggio nativo dapprima a memoria, (apprendimento dei suoni, apprendimento della semantica dei termini, etc.) e poi impari a costruire inferenze (ragionamento) con i termini appresi. Su come un essere umano impari a ragionare stiamo lavorando con una ricerca sull’intelligenza, che presenteremo appena possibile.

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[radyobalfm]

Sena Şener: ‘İnsanların sorunu hayal kuramamak’

Sena Şener: ‘İnsanların sorunu hayal kuramamak’

Son müziğinin da tıpkı gayri müzikleri üzere kelamı, müziği Sena Şener’e ilişkin. Müziğin düzenlemesini ise arkadaşı Paul Wetz ile bir arada yapan genç müzikçi, karanlığı yeni sözleri ve melodileri ile anlatıyor.

Şener, günlük hayatında umumiyetle sevdiği beşerlerle dalga geçmeyi seven, saçma sapan şeylere gülüp eğlenebilen biri olduğunu söylüyor ve ekliyor, ‘Ama tek başıma odamda müzik yaparken…

View On WordPress

[melodramatic--blog]

GOD’S KINGDOM | FILM

**Dim the lights, click fullscreen and pop on a pair of good headphones for the full theatrical experience.

GOD’S KINGDOM | Short Film

Jack and Ella travel alone, taking the path less trodden. Dishevelled and dirty they keep away from people, towns and cities, off the grid. They are hiding and on the run, but from what and why?

QUOTES

Ian Durkin – Vimeo Staff Pick Curator – “Gripping short. Great production.”

Rob Munday – Directors Notes / Short of the Week – “Your work never fails to impress.”

Luke Rodriguez – Modern Horrors – “We all know that genre producers love turning these things into features, and God’s Kingdom is practically begging for it.”

MGDSQUAN – Horror Society – “Hollywood will come banging on his door one day, I guarantee you”

Jay Creepy – Severed Cinema – “His eye for pacing and detail grows along the way to be nothing short of awesome.”

Jack Bottomley – UK Film Review – “Soulsby has delivered a most interesting film and I can only pray we shall see more good things on the horizon.”

FILM FESTIVALS

Imagine Film Festival, Amsterdam

BIFFF – Brussels International Fantastic Film Festival

Grimmfest, Manchester

CPIFF – Crystal Palace International Film Festival

Shorts on Tap, London

The Royal Television Society Awards, West of England – Winner Best Composer and Best Sound

CAST

Alistair Petrie – (Rogue One: A Star Wars Story, Rush, The Night Manager) Anthony Flanagan – (The Terror, Versailles, Red Riding: The Year of our Lord 1974) Mark Wingett – (Quadrophenia, Snow White and the Huntsman, The Bill) Paul Hurstfield – (Dead Man’s Shoes) Jack Johns – (Call the Midwife, Maigret Sets a Trap) Robert Goodman – (Gangs of New York, Joan of Arc) Rod Glenn – (Ripper Street, American Assassin, The Hippopotamus) Amanda Foster – (Die Another Day, Harry Brown, World War Z) Introducing Leah Rhodes

CREDITS

Writer / Producer / Director – GUY SOULSBY Producer – JOE BINKS Director of Photography – NICHOLAS BENNETT 1st AD – TRISTAN HEFELE 1st AD – DAN GIBLING 1st AD – ANDREW POTTER Production Manager – FELIX JUDE WEST Camera Assistant – TOBY ROTHWELL Camera Trainee – JOE SALKEY Art Director – NOAM PIPER Production Sound – RUSSELL EDWARDS Production Sound – STEVIE HAYWOOD Boom Op – THOMAS MARKWICK Wardrobe – SAMMY CORNEILLE SFX Make Up – ROBBIE DRAKE Make Up – JO TURNER Make Up – PAULA J MAXWELL Casting – ANDREW MANN @ FRUITCAKE Casting – MATT ZINA @ THE YORKSHIRE SCHOOL OF ACTING Chaperone – KADY RHODES Armourer – NEIL MOUNTAIN SFX – ROWLEY SFX Runner – MICAH HARBON Runner – JAMES MAZUR Storyboards – JAMES HUSBANDS Catering – MICHAEL KERNALL CATERING Accommodation – BAROLIN FARM GUEST HOUSE Northumbria Cars – PHIL TERNENT Camera Equipment – FOCUS 24 Playback – TAKE TWO FILMS Film Poster – TOM MAC

THE NATIONAL TRUST

Head of Filming and Locations – HARVEY EDGINGTON Visitor Experience & Marketing Manager – ALEXA MORTON Marketing Officer – AIMEE RAWSON

BRADFORD COUNCIL / LEA

Children’s Services – TARA WATSON Children’s Services – TRACEY JEFFREY Children’s Services – NEIL HELLEWELL

IMMANUEL COLLEGE

Head Teacher – MRS TILLER Head Teachers PA – MRS GRAY Pastoral Support Assistant (Attendance) – JUDIE HEANEY

CUT & RUN

Executive Producer – KAYT HALL Producer – MAGGIE McDERMOTT Editor – NICK ARMSTRONG Edit Assistant – MEREL SCHUURMAN

JOGGER STUDIOS

Film Colourist – YOOMIN LEE Digital Compositor – RICHARD HARRIS Digital Compositor – PAVEL IVANOV Digital Compositor – ANDY BROWN Digital Compositor – DAVIDE PASCOLO

UNIT

Executive Producer – KEVIN DOCHERTY Trailer Colourist – SCOTT HARRIS Flame Op – ANDREW CURTIS MCR – ADRIAN THOMAS

AUTOMATIK

Digital Compositor – VIKRAM CHADHA VFX Supervisor – SEBASTIAN BARKER Producer – JENNIFER THOMPSON

STORMBORN STUDIOS

FX TD – GORAN PAVLES

VISUAL EFFECTS

FX Artist – MARTIN MIROLA FX Artist – JOEL LELIEVRE 3D / Digital Compositor – JIMMY LOTARE Digital Compositor – NICHOLAS HURST Digital Compositor – OLIVER NEWBOULD Digital Compositor – ALAN PRADO

ECHOIC AUDIO

Composer – SAM FOSTER Composer – DAVID JOHNSTON Sound Designer – OWEN HEMMING-BROWN

SLATE & ASH

Musical Sound Design – SIMON ASHDOWN Musical Sound Design – WILL SLATER

EVOLUTIONS

Producer – GABRIEL WETZ Rerecording Mixer (Final Mix) – WILL NORIE

FOUND

Executive Producer – MIKE SHARPE

STUDIO OUTPUT

Executive Producer – IAN HAMBLETON

CREDIT SEQUENCE

PUSH VFX

VFX Supervisor, Lighting, Shading & Compositing – PEDRO MOTTA Houdini TD, Additional Lighting and Shading – JOAO AGOSTINHO 3D Modelling – JOAO JACINTO Compositing – DUARTE GANDUM Concept & Pre-vis Development – RICHARD HALLSWORTH

CREDIT MUSIC

Music and lyrics by Michael Malarkey Performed by Michael Malarkey, Kent Aberle, Brandon Bush, Jenn Cornell, Benji Shanks, Kevin Spenser Produced by Michael Malarkey, Brendon Bush and Tom Tapley Recorded and Mixed by Tom Tapley Recorded at The Projector Room, Decatur, GA Mastered by Billy Joe Bowers Courtesy of Cap On Cat Records

Managed by Danny Keir at Sound Diplomacy Likes: 90 Viewed:

The post GOD’S KINGDOM | FILM appeared first on Good Info.

[justanotherindie]

GoodLuck – Find Me In The Forest (Paul Wetz Remix) [Deep house] Молодой немецкий музыкант Paul Wetz с 8 лет обучается игре на гитаре, а в 9 лет уже вовсю играл в собственной рок-группе, но со временем переключился на электронную музыку и сейчас, к услугам этого двадцатилетнего продюсера многие проявляют нешуточный интерес, а одним из доказательств его таланта может служить недавно опубликованный ремикс для Южно-Африканского дуэта GoodLuck, прописанного на известном лейбле Armada Deep. Накрутив как следует басы и добавив традиционной африканской перкуссии Пол сделал их трек "Find Me In The Forest" еще подвижнее и мне приятно включать его на своих вечеринках, разбавляя deep house нотками экзотики. Отличная вещь, для любителей легких танцев.

#deep house

[indiediscotheque]

BOOTY BOUNCIN by Paul Wetz

#Paul Wetz #YM #GirlKris #2222902934

[thesoundfp-blog]

◊ SITE http://thesound.fr/ ◊ FACEBOOK https://www.facebook.com/thesoundfp?f... ◊ TUMBLR http://thesoundfp.tumblr.com/ ◊ YOUTUBE https://www.youtube.com/channel/UCBMH... Follow Paul Wetz : https://soundcloud.com/paulwetz PHOTO CREDIT : Maximilien Goupil de Bouillé We have no rights on this song, if a producer or label has an issue with any of the uploads, please get in contact and we will take the appropriate measures. CONTACT : [email protected]

#deep house #paul wetz #bware of the girls #the sound #electro #feat #sena sener #mika #leicht