HUGE shout out to purple for being the only color that has like no losers. Deep purple royal purple bluish purple redish purple pastel purple dusty purple lavender periwinkle violet like. Banger after banger after banger!!
148K notes
·
View notes
Okay so this idea has been rocking around my empty skull for some time now just we know that Eddie can be a pretty mean DM and a shithead and I've been thinking abt romances in D&D and how it would work in Hellfire
And I had this thought that Eddie would like be "no romances!!" to the Corroded Coffin group (before the kids joined) and they're like why? and Eddie just to tease them says that he doesn't want to pretend to fall for their smelly ugly faces
Which just motivates them to try and seduce like every character that Eddie introduces for a fucking month and it leads to the creation of the rule: Every romance/seduction directed roll must be rolled above 15 to succeed AND if Eddie decides that the attempt is particularly bad the roll is with disadvantage
The Corroed Coffin boys are obviously teasingly like ohhh so we get an advantage if it's good?
"Doubt that would happen boys, but sure, if you make me, Eddie fucking Munson, to blush like a fair maiden then you'll get the advantage on the roll"
They try, they really do, but all the CC boys succeed in doing is killing off all of their party in three sessions and Gareth who is a little shit is actually rolling his third character (because the consequences of a failure are fucking brutal) by the time Jeff and [unnamed freak] give up
After that they know better (except Gareth who still sometimes does that just to annoy Eddie and be a little shit) to try and then the kids join Hellfire and Eddie has even less of an desire to flirt with fucking Wheeler, Henderson and Sinclair (they're baby children!!)
But the kids are a little shits too and they see Gareth being a little shit so they copy
It ends badly for them, they gripe about Eddie being unfair because like "all three of us have girlfriends Eddie and you don't so we clearly know more about romance then you do" Dustin not only gets a flick on the head for that but his character might have ended up being put into situations™ throughout the session that are "totally unfair!"
But fair to say all of Hellfire knows the rules and all of hellfire knows that no matter how well they try and how smooth they are (they really aren't ever smooth) Eddie will not blush or even consider they attempts as "good", the best they got was "tolerable" (Lucas got it and he's still very proud of it, as he deserves okay?), Eddie is impossible to fluster and so it's just is this fun thing they sometimes do when they feel particularly like little shits
And that's it about it
Until Vecna and all the upside down shit and the surprising friendship of Eddie and Steve happens
And suddenly Steve Harrington is not only sitting but playing D&D
Everything is going actually pretty good and Dustin practically vibrates out of his chair at how proud he is of Steve for how well he is doing so far and then
And then Steve tries to flirt with a pretty bard
Dustin deflates, he is ready for the absolute disaster that is going to fall upon Steve, he makes eye contact with Lucas - both of them ready with "it was actually a pretty good line tho!" at the tip of their tongues to defend Steve's decisions, he doesn't know Eddie's special rules after all and it would be funny to see Steve fail, sure, but it's Steve's first game and the kids wanted it to be good for Steve so convincing him to play again would be easier
But now Eddie is going to absolutely rip into him and Steve will never want to play again and-
"Roll with advantage" Dustin gasps, audibly, loudly, the room is silent, except for Steve who's very unaware of the chaos he just created and just rolls the dices, his usual confidence in place
And if someone looked closely - and all of the hellfire is fucking looking - Eddie Munson has indeed a light blush on his face
6K notes
·
View notes
Certain sections of F1 media literally can’t breathe without denigrating Susie Wolff. When she got appointed managing director of F1A - it’s because of Toto. When F1A has success - it’s because she’s married to Toto and he’s influenced the other teams. When Toto is accused of something unethical - “did you know his wife works with the FIA?” [even though she’s not involved in this at all and is not accused of having leaked information]
Susie Wolff is a racing driver in her own right. She’s been a successful Team Principal in Formula E, and CEO of a racing team (one that was in direct competition with Mercedes might I add). She was a Formula 1 development driver and the first woman to drive in a Grand Prix weekend for more than 20 years.
She has a career that she’s earned on her own, completely separate from who she chose to marry, and the reduction of her to just “Toto’s wife” - including by other F1 Team Principals - is such blatant, ugly sexism.
“Imagine if Geri Horner was working in F2?” If Geri Horner had Susie’s resume I would love for her to be working in motorsports because we need more women in motorsports at all levels, including at the top?
927 notes
·
View notes
My favorite part of My Stand-In so far with only one episode is the way the show obscures Joe's face and focuses on Ming's.
The makeup artist states that Joe's body looks exactly likes Tong's, but Joe's face is what makes him not-Tong, so we don't see Joe's face. He is also a body-double so his entire job is about his body, not his face.
We get to see Ming's face because Joe is so focused on Ming's beauty even though we know Ming can and will be ugly, and as a model, Ming's job is his face. "Does that face ring a bell?"
But we rarely see Joe's face, even when Ming is looking at Joe.
Ming is a face. Joe is a body.
Because it's Joe's body that matters, not his face.
So it's interesting that Ming saw Tong's back as he walked away from Ming at dinner
And immediately thought of Joe.
Because it already shows a slight shift that it's not so much Joe that reminds Ming of Tong (like it was originally), but that Tong reminded Ming of Joe.
Once Ming envisioned Joe's face, he shook the thought from his head as if he was bothered by the image, but it wasn't because Joe wasn't Tong, but, once again, that he even thought of Joe, which is why the conversation where Joe stated that he thought Ming didn't remember him was ironic since Ming is slightly annoyed that he remembers Joe's face.
Because it could have been Joe at the dinner with Ming the entire time the way the dinner scene was filmed.
Or it could have been Tong who Ming was kissing based on how it was filmed.
But the shot made sure we were aware that Ming knew it was Joe even if he had been drinking.
When Joe was asked about his preferences, the shot immediately cut to Ming's face.
But when Ming called Joe, we saw Joe's face as he emerged from a room first
Then, the focus was on his back.
So when Ming walked into that elevator and not only looked directly at new Jo
But also stood next to new Jo, nothing registered to him.
Ming didn't react until he saw new Jo's back.
Which should show how the vicious cycle continues: Joe's body was a replacement for Tong, and new Jo's body will be a replacement for old Joe. BUT we didn't see Ming's face when he was waiting for the elevator.
New Jo knew he was coming up, and so did we, so there was no need to block out Ming's face, especially when the story keeps telling us Ming is his face.
But the story is already telling us that Joe wasn't just a body to Ming.
And Ming wasn't just a face to Joe.
They actually saw the entire person, and Ming was the first to see Joe as Joe even if he wanted Tong.
Which is why the poster is even more pleasing now since we see Joe's full face not his back while we see Ming's full back, but only half of his face.
Ming is more than his face. Joe is more than his body.
At least for each other.
338 notes
·
View notes