fanfic writer challenge!
instructions:
list & explain the three lines/moments from canon that are most fundamental to how you write your fave character
challenge 3 more fic writers to do the same!
ok i did this for carry on but im doing a separate one for aftg <3 because its fun
it is surprising to no one, but my fave character to write is andrew :) and i gotta put this puppy under a read more because i wrote way too much. i have [clenches fist] SO MANY THOUGHTS ABOUT ANDREW MINYARD !!!
but first, ill tag: @sillyunicorn @starwarned @takitalks @rainbow-0bsidian @pipedream-darling @otherworldsivelivedin @mrskrementz @fortheloveofexy @seasy33 @jostenminyard
(doing more than three to get the ball rolling lol)
Andrew's smile vanished when the elevator started its slow crawl down. Neil returned his stare, every muscle tensed for a fight. At the fifth floor, Andrew pushed away from the back railing and started for Neil. He reached for Neil's keys, but Neil moved the ring out of reach. Andrew tried again, and Neil had to step back to dodge his grab. He backed right into the metal doors and realized a moment too late Andrew didn't care about his keys at all. He buried the ring in his pocket, feeling pinned in. How stupid, that someone so short could have such a presence. -- (The Foxhole Court, Chapter 2)
ok, a long one to start, but important ! one of the reasons i love writing andrew is because of the way hes fucking nuts. and as someone who is also nuts, this is pleasing to me. and let me make this point without using silly euphemisms: mania is a state in which a person is heightened, but they are still fundamentally themselves. their thoughts are not limited by silly things like filters or predicting consequences. it is impulse and pleasure-chasing. so! when i look at andrew, who is supposedly on some whacked out fake drug that induces mania, i think about how his actions that could be brushed off as "he's just high" actually reflect an andrew without inhibitions. this is especially helpful when looking at andrew in TKM, when he becomes incredibly difficult to read.
this scene is the reverse, though, and that's why it's important to me. andrew is not on his medicine here, but he's not Mr. Repressed either. this is an in-between, where he's choosing to let some of himself shine through (mostly with the intention of freaking out neil, lol). and it's great, because andrew shows us a few big things:
he reads & understands people SO well, even if he rarely caters to their needs. the fact that he goes for neil's keys on day 1 to draw a reaction is like... yep. you got him lol.
he is willing to take drastic measures in the name of.... well, at this point in the story we're not sure, but soon we'll see that its to protect his people
he's crazy???? lol. i just think andrew's dialogue in tfc/trk in his brief unmedicated moments (and even his manic ones!) are so indicative of how andrew thinks. he's so fucking weird. in this scene, he follows his cornering act with "How nice to meet you, Neil," Andrew drawled. that's so weird!! he's weird. his brain is silly and clever and quick. This bit and others like it are the foundation on which ive built my version of his POV.
now, speaking of andrew's brain --
Andrew stared stone-faced back at him. Neil would have assumed it a silent rejection of Neil's veiled accusations if Andrew's hand hadn't frozen midair between them. -- (The King's Men, Chapter 11)
let's set the scene. immediately before this, neil has suggested they go on spring break, implied that there was a this, then hit andrew with his "And I am nothing" / "And as you've always said, you want nothing."
so like. andrew just got punched in the gut approximately six times in under a minute. poor guy. when neil prompts him back into action, he first threatens to kill neil, and then kisses the shit out of him. squeeee, ROMANCE!!!
when i look at this scene, i think of that first quote i pulled. i think of andrews silly and clever and quick brain, and about how much work he does to keep his mask on. there are plenty of times his mask cracks, but this one is the most fun because he is so clearly being overwhelmed by FEELINGS. he is confused by neil, irritated with him for bringing up all these things that andrew long ago decided didn't matter, and furious with himself for wanting it all too. he has to freeze so that none of that slips out of his mouth or onto his face. when he recovers, he deflects thru being mean (which is useless against neil, but still a satisfying way to blow off some steam) and then kissing him :) because really, that's what it all boils down to: andrew wants neil so bad it makes him want to murder him.
and look at this, a nice transition to the final scene!
"Rumor has it I'm pretty interesting."
"Don't believe everything you hear."
Neil ignored that dismissal because Andrew was already pulling him down again. They kissed until Neil felt dizzy, until he wasn't sure he could hold himself up anymore, and then Andrew pulled Neil's hand off the beanbag chair. He held it up and away from them for an eternity, then slowly pressed it flat against his chest and let go. Andrew tensed up under Neil's hand but relaxed before Neil could pull away. --(The Kings Men, Chapter 15) (The second Chapter 15) (Because thats something we have to clarify in these dumbass books)
oh my GOD. has a scene ever scened like this scene scened. has a touch ever meant so much. has a character ever tried this hard. ok, once we've all finished banging our heads against the wall and screaming, let's review:
andrew wants neil so bad it makes him want to murder him. but andrew also wants neil so bad that it makes him want to TRY. im actually going to take this apart bit by bit because if for some reason you're still reading this madness, i think you'll appreciate the detail LOL.
ok, first: before this paragraph, neil confronts andrew again with the gravity of their relationship, and andrew plays his usual game of deflecting and bullying. that doesnt work (andrew, has that EVER worked???***) so of course the next action is kissing.
and kissing and kissing and kissing.
and somewhere in all this kissing that is so good that neil is dizzy, something in andrew says: i want more. he takes neil's hand, maybe on impulse, and has to stop to think about what he's going to do. and then he tries to give: he places neil's hand on his chest, LETS GO, and then relaxes under his touch.
its hard to tell how much of this was impulse and how much was thought through. im willing to bet it was mostly impulse, especially because andrew doesnt hit neil with a "i never do anything i dont want to do" when neil acknowledges that this is probably something theyre not ready for. (instead, andrew reacts by deflecting/bullying -- "One hundred and one" -- and then more kissing. so predictable!).
but still! it says so much. it says that he wants and wants and wants, he dreams about things he thinks he'll never have. and neil keeps trying to prove him wrong, and andrew wants to believe him so badly, wants to SHOW neil that he's starting to believe him. scream!!! andrew invented romance. he put neils hand on his chest and LET GO. he said: "look. im trying. i want this too, even if i cant even think the words." he said: "i want to figure out how to trust you."
because underneath it all, i believe andrew is a deeply hopeful creature, and that is the thing he hates most about himself. he wants a home, he wants a family, he wants to belong -- and it makes him feel so fucking foolish. its easier to wrap these wants up in duties and protections, concrete and emotionless things. but neil never actually wanted andrew's protection, yet he still wants andrew more than anyone ever has before. thats fuckin earth-shattering. theres only so much deflecting and bullying and kissing you can do before some of that deeply buried hope claws its way out.
SO YEAH i really didnt need to do all that but i did. if youre still reading then like LOL youre a trooper hope u enjoyed the 2AM Nerd Rory show. but i think about andrew a lot (obviously) and hes such a difficult character to write, so returning to scenes like these three really help ground me in the version of him that lives in my head. so that i can put him in situations :)
***actually wait i just remembered one time where the bullying/deflecting worked, so here's a bonus. in ch 10, the make it to finals and have a party at abbys. andrew and neil are outside, and neil is frustrated with andrews apathy -- "Would it kill you to let something in?" / "It almost did last time." -- and then also starts talking oh so earnestly about how andrew could be court if he'd just TRY. andrew, obviously, gets mad and asks Neil if hes capable of talking about anything other than Exy. which actually hurts neil's feelings, because neil just really likes talking to andrew about exy (the thing hes most passionate about) & deeply values his opinions, and hes upset by the implication that they dont actually have this in common.
and like, you could read this as andrew just being sick of talking about exy lol. but i see it as part of the pattern. andrew is triggered, first of all. and then neil is being a little too earnest about the future and andrew, talk to me. and andrew's fucking overwhelmed !!! he does not know what to do with this! so: lash out. hit neil where it hurts. deflect and bully.
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Day 7 - Do you have any all-time favorite scenes? You can bring up multiple - an objectively good scene, a silly scene that makes you smile, a sad scene that makes you cry, maybe a scene that just sort of stuck with you… your choice!
i have a bunch ok i tried to put em in categories. under the cut bc i think torchwood's entered spin territory by now and i still cant seem to shut up about it. pls help
scenes that rot my brain
when they mutiny against jack in the s1 finale. that whole bit, from gwen with rhys’ body in the autopsy bay to owen shooting jack to when they trigger the emergency protocol and open the rift. ill never get over how it first felt to watch that whole scene for the first time, it drove me insane. it still drives me insane. ive watched it 300 times it's sooo 😩 MY scene. g-d.
well, that’s my scene, and so are all the owen & ianto scenes in s1ep12. those two make me feral. ive gushed about theose scenes before, so ill spare u this time. my otp 4eva. and also owen having a villainous breakdown wahahaha. my fucked up little guy of all time
the scene where owen’s patching gwen up in countrycide drives me nuts. it’s such a clever seduction scene + it’s so intimate. i love it. (i also enjoy the two separate scenes where she chokes him fdhskjfdsf. countrycide tree scene makes me BLUSH and nothing makes me blush fsdkjfdshfkjdshfjkd. i am very very bi <3)
owen begging diane to stay in out of time... don’t touch me. every time i think of that whole scene i wanna cry. i have never seen such sad eyes in my life. (see my tags here for more of my thoughts on this topic fkjsdfhs.) burn pay my fucking hospital bills
that moment between jack and owen at the end of combat... “for a few seconds i felt totally at peace... and then you blunder in. do you always know best, jack? is that what you believe?” “i want you back at work tomorrow.” that scene has always driven me crazy. there’s a few scenes in the show where jack’s monstrous and the others yell at him over it, but that one hits the hardest. owen just seems to actually cut through him in that moment, and it kills me.
the scene at the conference table in s2ep5. i’m not the biggest fan of that ep, i talked abt it more the other day, but that scene drives me bonkers, for a number of reasons… the insight into the characters (owens mommy issues!!! tosh n ianto’s need for purpose!!! gwen loves rhys AND jack!!!), for sure, but especially the way jack’s relationship with all of them is presented. ill talk about it a lot more when i discuss his character, but jack… reminds me of a cult leader, in a lot of ways, and it’s most prominent in that scene especially. the show doesn’t realize it’s framing him like that, and the fandom doesn’t seem to pick up on it either. but i do, and i think it’s fascinating.
gwen drugging rhys in combat. it just kind of blew my mind when i first saw it - there's a moment with every character where i went “oh wtf theyre fucked up. ok im obsessed now” (owen's was ghost machine, ianto's was actually ‘pray they survive’ in meat, jack & tosh never had one for me which is probs why they dont rot my brain quite as much fhdskjf) - that was gwen's. also important to note burn gorman agrees w me bc on the commentary of this ep during this scene he was clapping n laughing n probably kickin his feet HFDKSJFHDSJKFDSK he gets me
all of fragments tbh esp owens portion but specifically ianto crying when he walks away from jack at the end of his segment, and owen crying when he's talking to the doctor + him n jack walking thru the cemetery. aaaa.
(yes those were almost all owen scenes. im the deranged owen guy rmr.)
scenes that make me smile
the very first scene in the hub in the pilot :) it just feels a little bit magical in an industrial, bleak, kitchen-sink sort of way, which is what i love sm abt tw, the way it occasionally strikes that balance. the way stepping into a big base in a sewer manages to still feel magical… that’s special.
in episode 2 when theyre having lunch + in episode 4 when theyre at the bar, when they’re all gathered around and laughing. ohh i wish we got more of that
every time gwen n owen are dumbass giggling besties, or teasing each other… twice in s2ep10, and in ep 7, and then when theyre fooling around at the beginning of s2ep2. i love themmmm those two are my idiots they make me smile
jack & john’s fight in kkbb heheh
owen n martha gorillaz scene in reset. wahoo! shicka shicka shicka shicka feel good
bernies apt in ghost machine ep :) i just like the way they go through his shit, steal a bunch of it, n then leave, it always makes me giggle. “so call the cops” JACK.
scenes that stuck with me / made an impact
john and his son in out of time. that was rlly rlly emotional.
also jack helping him off himself. g-d that episode was heart wrenching.
“captain my captain” in tkks, suzie on the ground covered in blood… things i think about. “it’s all your fault, jack." ahhhh
in ghost machine, when gwen holds the device and sees herself crying and covered in blood, and afterwards she’s all dazed and she looks at owen and he stares back and he looks dangerous. i loveee that scene. will never get over s1 owen. he’s a ticking time bomb and when he explodes he nearly destroys the world. character of all time to me. i love that he redeems himself in the end but ohhhhh sometimes i think of a world where he becomes a proper antagonist. he rlly walks the precipice
g-d and the scene where he had the knife held to ed morgan, when i first watched it i didn’t know what he was gonna do and it was so tense.
when lisa was first revealed in cyberwoman and mogwai played…. transcendent. the outfit was silly right off the bat but the vibe + reveal was cool enough i was rlly excited. i love the concepts in that episode i wish they took it more seriously. no metal bikini + no pteradacyl fight and we could’ve had it all. but also. would it be torchwood without metal bikini + pteradacyl fight.
“it made me happy” scene in countrycide. a lot of people seem to find that ep upsetting, i wasn’t really affected by the subject matter, but That got me. chilling. you go into torchwood expecting evil aliens, so the episodes about evil humans really hit.
the resurrection scene in s2ep7. i’m getting tired so im not gonna babble as much but agh. i wanna eventually do an analysis on owen & jack’s dynamic - i’ll talk about it there.
also, it’s a little moment but in the same episode, when gwen calls rhys crying… it reminds me of that bit in succession, during connor’s wedding, when tom calls greg, which is one of my favorite moments in that episode too. taking the time in the middle of a tragedy to step aside and privately call a loved one for support, bc u need a minute to break down when uve been doing ur best to stay strong. i think torchwood is bad at handling grief and letting their characters experience it, so it’s a nice little moment that actually lets her grieve. that, and the glove clearly triggers her, so she got double whammied with the death of a friend + the reminder of the time she nearly died. again, in a show that doesn’t typically frame moments of weakness and pain very sympathetically, it’s refreshing.
idk why, but in ep7, when it goes back and forth between owen figuring out the murders + tosh crying to mary while she looks unsympathetically down at her… it’s just a well-filmed, cool scene, and i enjoy it. thrills me, heh. also owen adhd icon
aditd... maggie’s wedding… we’d been married less than an hour. scenes that got me. i think of maggie a lot. i think of that scene a lot. i think ‘the woman on the roof’ is my most listened to torchwood ost track, fff. it’s very special to me. that song reminds me of a thomas newman score.
tosh n owen’s deaths. of course. both of owens deaths actually, the second one is more impactful but the way nobody held him when he first died bc they were all in shock haunts me ;-;
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can’t breathe when you touch my sleeve - chapter 10
pairing: dan howell/phil lester
rating: e
warnings: none
tags: alternate universe, slow burn, fluff & humour, tiny bit of inner turmoil wrt sexuality but trust me it’s not that deep, deeper than anticipated but still not that deep y'all this is primarily silly, eventual smut, idiots in love
word count: 4,286 for this chapter (45,795 total)
summary: Dan keeps making a fool of himself in interviews, to the point where it’s basically a meme. Now he’s got to sit down for the better part of an hour and sell his show to the YouTuber he’d had a massive crush on when he was a teenager.
read from the beginning on ao3 or on tumblr!
read this chapter on ao3 or here!
"Daniel?"
Dan blinks. He blinks again, zoning back into the conversation he's supposed to be a part of.
"Er," he says, sheepish. "What was the question?"
"Are you sure you're feeling okay, Daniel?" the woman asks - the interviewer asks, fuck, this is like the sixth time he's asked her to repeat herself. "I heard you were ill yesterday, weren't you?"
He wasn't. But that is what Jaime and Patrick had sworn up and down to anyone who asked, because they're good partners in crime like that. They look like they regret it now.
"Yeah, Daniel," Jaime says, stressing his name in a way that makes Dan think she's one more fuckup from smacking him in the back of the head. He'd probably deserve it, at this point. He can't remember being this scatterbrained in his whole life, and that's saying something. "You sure you're okay being out of bed?"
The word 'bed' gets stressed too, just a bit, and Dan feels a flush creeping up his neck.
It's honestly unreasonable how he can't seem to focus on the task at hand, which is answering softball questions about the show he's worked on for three years, because his mind keeps drifting back to Phil.
Phil, who he'd left in bed with Thor, all sleepy noises and grumpiness at Dan needing to leave. Phil, who has the day off and might still be mostly naked and lazy while he waits for Dan to come back. Phil, who he only has three days left with.
Three more days in London. Two sleeps. And Dan has shit to do every single goddamn day of it.
This is a work trip, technically. They've got a handful of interviews the next two days that couldn't be scheduled for their first London stretch, and then they're going to France. That's exciting, it is, a mark of success that Dan never expected for himself, but right now he's frustrated by anything that cuts into the time he could be using to kiss Phil.
Dan is so busy remembering how Phil's mouth had felt against his that he forgets to answer the question. He can practically feel his eyes glaze over.
"Daniel," Patrick says, audibly exasperated.
It takes a lot to get Patrick to that point, so Dan ducks his head and mumbles another apology.
"He's fine," Jaime tells the very nice and concerned interviewer whose name Dan has long forgotten. "He's just got a lot on his mind right now and he's really shit at multitasking."
"Hey," says Dan. It's a weak protest.
The interviewer is a tall woman with kind eyes that crinkle into laughter lines when she smiles at him. She's dressed casually, has a denim jacket with patches and pins all over it, and Dan feels his eyes linger at the rainbow on her pocket.
What is that like? To be so certain and so confident that you can wear it on your sleeve even in a professional environment? Dan doesn't know that he'll be able to get there.
He wants to compliment her on it. It's the same urge he had in the restaurant with Phil's family, vocalizing that he wishes he could wear more nail polish. The same swirling anxiety of being judged for it follows quickly, but this time it's amplified by the recording device in the interviewer's hand, the knowledge that anything he says right now will be analyzed to death later.
Dan wants to live authentically, and he wants to get to a place where he doesn't need to hide, but he's frustrated by the reality of how much progress that's going to take. It's not going to be easy, it already hasn't been, and it's never going to stop.
Even with making a name for himself and having an audience, Dan knows that coming out publicly still won't stop strangers from making assumptions about him or demanding an explanation for the women he's been seen with. He'll have to come out over and over and - it's scary. It's really scary.
The compliment catches in his throat. He can't say it to someone recording him, no matter how kind her eyes are. He hasn't even told his grandma yet.
"I like your jacket," he says instead. He feels like a coward for it.
"Thanks," the woman says brightly, looking down at herself and tapping one of her bigger patches. "Customized it myself, obviously. It's a wee bit more colourful than you like to be seen in, right?"
The casual chirping helps Dan relax, reminds him that this is a laid-back interview with easy questions. Nobody is shining a heat lamp on him and asking for an expose on how he spent part of last night inside of another man.
He grins and shrugs. "Yeah, alright, I wear a lot of black. Sue me. I can still think colours look nice on some people."
Great. Now he's thinking about Phil again.
"Like Jaime," Patrick offers, tugging at one of Jaime's bubblegum braids. Dan still can't tell if it's a wig or not, but she smacks Patrick's hand away like it's her own hair.
"That's true," says Dan. "Jaime wears as much black as I do, though, I dunno that she's the best example."
Patrick nods, solemn. "At least her hair is interesting."
"Oi, fuck you. Sorry," Dan adds sheepishly. Even though this is an online print interview, he still feels a little bit of shame whenever he slips up and curses during an interview.
The woman - Cara? Catherine? Camilla? Ca-something? - just laughs and waves his apology off.
With an ease that Dan can't help but notice isn't quite as practised as Phil's, the interviewer moves on to questions about their other cast members. While they don't have any trouble making fun of each other, it's even more fun to exaggerate stories of people who aren't here to defend themselves.
Dan tries so hard to participate. He does. He laughs in all the right places and gives Jaime grief for not remembering something right, because he's given this poor interviewer nothing of substance. The thing is that Jaime is better at telling stories and Patrick is so dry and stoic with interrupting jokes that Dan knows he isn't needed for this. He lets them bicker over a story detail that he's long forgotten and feels himself start to zone back out.
He listens to Patrick's slow timbre, Jaime's trill of a laugh, and lets his mind drift back to where it wants to be.
--
Even though it's tempting, Dan isn't stupid enough to text Phil in the middle of doing his fucking job. He has to resort to checking his phone between interviews and pictures, getting more and more pouty about the lack of response to the things he's sending throughout the morning. Phil must be having a lie-in, because it takes him a couple of hours to even see Dan's texts.
ugh i should have just stayed in bed
pls send thor pics
and you pics but like give me a heads up if your dick is out im at work
i dropped my coffee on jaimes lap fml shes gonna kill me
im just so distracted lmaooo
canft believe youre just asleep thats so rude
Oh nooooooo. I always cry over spilt coffee :( you want me to bring you one? I can come hang out for lunch!
The sweet text is accompanied by a photo of Thor asleep on the sofa, his little head pillowed on Phil's knee. Phil is wearing Dan's pyjama pants and - it's hard to tell for sure, with the way the photo is angled, but Dan thinks he's got the Friends shirt on. Frankly, that should be gross. Dan wore that shirt for way too long for it not to smell like, well, his sweat, and that is objectively not sexy.
Dan feels gooey warmth spread from his stomach outwards, anyway. Maybe it is gross, but it makes him happy to think about Phil's shirt smelling like him the way that his own Yeezy shirt still faintly smells like Phil. He covers his mouth with a hand so nobody milling around will see him grinning like an idiot.
thats ok, Dan texts back one-handed. yall look comfy you should stay. i'll b back for dinner and snuggles ok?
Ok! ^_^
God, but Dan wants to be there now. He wants to be the one cuddled up with his head in Phil's lap. He recognises that it's very stupid to be jealous of a dog, but he isn't going to let that stop him.
"Hey, Howell." Patrick's voice interrupts the daydream of slender fingers carding through Dan's hair.
Dan blinks. He blinks again, looks up.
"I didn't even see you sit down," Dan tells him, bemused. They're sharing a bench in the building's lobby, not wanting to go too far in case they need to go back upstairs for more photos during the short break in their day.
"Yeah, you're on another planet," says Patrick. Dan wishes he could argue that fact. "Things went well with your whole Love Actually emergency, then?"
The reference pulls Dan up short. He feels his brow furrow as he walks through the entire film in his head. "What are you talking about? None of this happened in Love Actually."
"It's British, isn't it," Patrick says nonsensically.
"I don't," Dan starts, but then he gives up. He and Patrick are close as coworkers - friends, even - but Dan never quite understands the links that Patrick's brain makes. "It went well. It went really well. I don't know if Jaime told you everything I texted her, but I like... fully ended up meeting the family."
Patrick's eyebrows raise slightly. That's quite a reaction, from him. "You met the parents? Bro. You just started dating."
They're not in an overly crowded area, but people keep waking by them on their way in or out of the building, so Dan is pleasantly surprised to discover that Patrick can play the pronoun game, too.
"Yeah," says Dan. He doesn't want to get into the mix-up right now. He's sure that Patrick will have another incomprehensible reference when he hears about it. "But it just feels... I dunno. Right? In a way other people haven't? Maybe that's obvious."
"It's not obvious," says Patrick. He's snapping a hair elastic around his wrist idly, the gesture something Dan had thought was an expression of annoyance or frustration when they first met. Dan knows now that it means Patrick is tired, that he wants to shove his hair off his shoulders and stop it from tickling his neck. They're only halfway through their day, though, still a couple of photoshoots to get through, so he can't put his hair up just yet.
Dan knows so much about these people. He's learned it all from such close proximity for the past three years, but he also genuinely likes spending time with them. He feels, suddenly, very guilty for wishing cancellation on this thing they've all worked so hard for.
"Sorry," Dan says.
"For what?"
He doesn't really know how to voice it. He shrugs. "For being a shit coworker right now."
Patrick gives him an indecipherable look and shakes his head. "Daniel," he says, "you're not being a shit coworker."
"I kind of am, though," says Dan. "Like I can't focus at all, I'm missing interviews, and I... I don't know how much I want to go back to Atlanta. Is that bad?"
"Why would that be bad?" Patrick hums. "This is your home."
Home isn't an easy concept for Dan to wrap his head around. He hadn't had a happy one for most of his life, hadn't been able to find somewhere that felt quite right ever since he escaped that. So it's a little disconcerting when Patrick's words settle into his chest and feel like indisputable truth.
"London is home," Dan echoes, wondering it it feels just as right coming out of his own mouth. It does. His head is spinning, a bit.
"Yeah," Patrick says, like it's that easy.
Dan gives himself a little shake back into the present. He smiles, wry. "Still, I probably shouldn't be crossing my fingers under tables for the producers to shut us down."
For a moment, Patrick looks confused. Dan is all ready to apologise again, shove those feelings down, but Patrick just says, "So negotiate your contract. You know that you aren't required by law to see the show through to the end, right? You can just not come back for season four, or only come back for a couple episodes instead of a full season."
They're sat in a fairly public area, with other people walking about, but Dan could hear a pin drop in the shattering silence that rings in his ears at Patrick's use of logic.
"I," says Dan, "did not think of that."
Patrick nods. "You kind of tunnel-vision sometimes, has anyone ever told you that?"
--
By the time Dan returns to Phil's building, he's talked himself into and back out of quitting his job a dozen times. It's a dumb decision, but not much dumber than simply waiting for someone else to make the decision for him.
He decides to call Amy when he's in France and talk the options through with her. She's already looking for potential gigs in the UK for him, so hopefully the conversation isn't going to come as much of a surprise to her. The last thing he needs is for his agent to get upset with him over making changes in his life.
Dan's head is buzzing with it, loud enough to give him a headache. He texts Phil that he's outside and waits to be let in. He gets an intrusive domestic fantasy of letting himself in with his own key, and reminds himself to rein in this U-Haul bullshit.
"Hey!" Phil beams as he opens the door and steps back for Dan to come in. Other people live on the other floors, but Phil still leans in for a long kiss the moment the door closes behind Dan.
It sends sparks up Dan's spine and quiets some of the unending noise in his head. He sighs, leans into the kiss, wraps his arms around Phil's waist to pull him even closer.
He's cognizant of where they are, though, so he pulls back to rest their foreheads together after a moment. "Hey yourself."
"Did you have a good day?" Phil asks, his tri-coloured eyes bright and unguarded.
"Yeah, but it's better now," says Dan. He's parroting what Phil said to him yesterday, and he can tell that Phil recognises it from the little smile on his face. "You look nice. You showered just for me?"
Phil laughs and tugs at Dan's wrist, pulling him down the stairs. They've got four left feet between them, honestly, so it's a miracle nobody takes a nosedive.
"Yeah," he says as they narrowly avoid any number of broken bones. He presses Dan against the wall next to his front door and grins at him. "But it was also for the judgey moms at the dog park. You look nicer, you didn't take the makeup off?"
To be honest, Dan had forgotten it was even on his face. He settles his hands on Phil's hips and smiles. "They made me look like the best version of me, why would I erase all their hard work?"
"Mm, you do look pretty," Phil says, and Dan is lucky to have his back against a wall. His knees might have actually buckled at the praise if he was unsupported.
"Pretty, huh?" Dan asks. He tries to keep his tone dry, like it's a big joke, but Phil's big eyes just see too much.
"Very pretty," says Phil. Dan doesn't know how to handle being complimented by Phil's deep, sincere voice, but he isn't given much of a chance to react before Phil is speaking again. "But I don't know that I'd call this the best version of you. You looked really nice when you came, y'know."
"Fuck, Phil," Dan laughs, a little breathless. "I was literally gone for ten hours."
"Ten hours too many," Phil grumbles.
Dan laughs again, but he has to admit that Phil has a point. The day had absolutely dragged on with the knowledge that his probably-boyfriend was waiting for him.
"You wanna go inside, then?" Dan suggests, running his thumbs just under the hem of Phil's clean shirt. "I'll do a lot of things, but this floor is cement, mate. I'm not blowing you out here."
The giggle that's surprised out of Phil makes Dan smile so wide it hurts his cheeks. He smacks the center of Dan's chest lightly and steps back to let them both into his flat. "I was thinking we could, like, order dinner first or whatever, but I'm not going to complain if you want to switch up the itinerary."
"The itinerary," Dan mocks, looking around for a ball of fluff running directly at them as he struggles with his shoes. "Uh, where's Thor?"
"Uh," says Phil. There's colour high in his cheeks that he tries to hide by flopping onto the sofa. The sweats he stole off of Dan don't really leave much to the imagination at all, not when he's sitting like that, and Dan almost loses his balance when he stands up straight. The pink doesn't leave Phil's face, but a knowing smirk joins it. "He's in the bathroom."
Dan's heart skips like an old CD player and he laughs to mask just how fond he is. "Uh huh, and here you are acting like you were really ordering food first."
"Well," Phil says, his smirk growing, "we could still order first, it'd be at least twenty."
"Sounds like a challenge," Dan hums, coming around the sofa to sit on the other end and lean forward, kissing the sliver of skin where Phil's shirt is riding up. "Why don't you do that, and I'll go get a bloody condom."
Phil blushes, proper blushes, and pulls a packet out of his pocket. "Ta-da," he jokes, weakly. "For my next trick -"
"If you say you're going to make your penis disappear," Dan says, flat, "then I'm walking out."
They just look at each other for a long moment, like a staring contest neither of them initiated, and then Phil snorts. That sets them both off and soon enough they're laughing, Dan's nose tucked against Phil's hipbone and Phil's hand over his mouth.
"I wasn't going to say that," Phil insists, still giggling. "I wasn't."
"Sure you weren't." Dan grins up at him and slides up his body, a little less graceful than he'd imagined it in his head. He presses their smiles together and licks into Phil's mouth. A little noise passes between them when Phil's hands find their way into Dan's hair, but Dan isn't sure which of them it comes from.
The giddy feeling of laughter doesn't leave Dan's chest. He lets it make a home there as he trails kisses all over Phil's long, pale neck. He doesn't need to guess when Phil likes something - he squirms and makes these little huffs of noises, grip on Dan's curls tightening just a bit before it loosens again. It feels impossibly powerful to learn how to take Phil apart like this, like they're teenagers snogging on the sofa in their first relationship.
It's strange that this does feel like a first relationship for Dan, in a lot of ways. He loved his first girlfriend and cared about other women he's dated, but it's not the same at all.
Finally, Dan is allowed to feel all the things he's supposed to have felt when he was younger. He's allowed to let budding affection and lust and friendship all wrap up in one person.
"So, the piercings," Dan murmurs, letting his hand slide up Phil's shirt to toy with one of them.
"What about them?" Phil asks. He already sounds impatient and needy, like he had last night, and the sound of it goes straight to Dan's dick.
Dan laughs and sits up, helping Phil get his shirt off over his head. "I mean, do they do things for you? Do they feel good when I touch them? How do you want me to touch them to make them feel good?"
"Do you always ask this many questions during sex?" Phil asks, dry.
There's no point in lying. "Yeah, I tend to babble." Dan gives him a winning smile and taps at Phil's hips, a silent request for him to lift up. Phil does happily, arching up for Dan and letting his stolen sweats get tugged off. "Guess you'll have to shut me up somehow."
Phil laughs, muffling the sound of it with his palm, and shakes his head. He looks so fucking gorgeous like this, giggly and naked and starting to get hard against his thigh. Dan has no idea how he got this lucky.
"That's such a terrible line," Phil informs him, grinning wide. He doesn't seem bothered by Dan being dressed when he isn't. He just settles back against the cushions and wiggles a bit, either trying to get comfortable or just teasing Dan. Either is possible at this point.
"It's not a line," Dan protests, shrugging his jacket off and settling back between Phil's legs. He presses his mouth to Phil's soft tummy and, unable to help himself, blows a raspberry.
Phil kicks out at him, instinctive, and his tongue is trapped between his teeth as he tries to hold back giggles.
"My nipples aren't sensitive," Phil tells him, voice wavering with some combination of amusement and arousal. He drops a hand to wrap around his own cock, thumbing at the metal on the tip of it. "This is. It, like, tugs. It's nice."
Biting back a groan at the sight, Dan digs around for the condom. He impatiently knocks Phil's hand out of the way to get him hard enough that he can roll it on. The piercing just above his balls settles nicely at the bottom of the latex, almost like it's holding it in place. Dan rolls it between his fingers, watches Phil's eyes flutter closed. "And this one?"
"Not as much. Still good, though." Phil's tongue darts out to lick his lips, and Dan grins at the unconscious reminder of what he's meant to be doing.
It's not the most comfortable for them to be laid out on the sofa like this, lanky as they are, but Dan isn't nineteen anymore. His knees do not hold up the way they used to. He wraps his hand around the base of Phil's cock and lets the tips of his fingers idly play with the metal bar as he finally gets his mouth on Phil.
Dan isn't used to the taste of latex accompanying a blowjob, but it isn't unpleasant. He gives Phil a couple of long licks and then sucks lightly at the head, not sure how much pressure Phil likes yet.
That's something he thinks he'd love to learn. He wants to know everything about Phil's body, wants to make him tremble with it.
Dan is extremely offended when he glances up and sees that Phil is tapping something on his phone, but the offense settles when Phil huffs a laugh and says, "Put in for takeaway. All yours, now."
The phone gets put down and Dan tongues at the bump of Phil's Prince Albert ring through the condom. That makes Phil's breath hitch, his hips jerk just a bit.
It's been years since Dan has had a cock in his mouth, but he likes to think it's like riding a bike. He takes Phil deep, hollows out his cheeks, repeats any motion that makes Phil let out soft groans. He forgot how much he likes this, fuck.
Much like everything else, it's somehow impossibly better with Phil.
Phil keeps a hand in Dan's hair and braces the other on the back of the sofa, breathing hard, and Dan doesn't want to close his eyes and miss a fucking moment of this.
"Fuck," Phil breathes, and Dan responds with an answering moan around his dick. "Yeah, alright, that's - fuck, Dan, you feel so good, look so pretty like that."
The praise still makes Dan shudder. He sucks Phil harder, feeling the weight of Phil's cock on his tongue as he speeds up his movements.
Dan remembers blowjobs to be pretty fast. He also never gave one to a man older than twenty, though, and his jaw starts to ache once he realises that Phil isn't going to be pushed over the edge as quickly as he's used to.
He pulls off to give his jaw a break, stroking Phil and pressing his open mouth along the side of him.
"You think I feel nice?" Dan laughs, pleased by the way the gust of air makes Phil's cock twitch. "Fucking, forgot how good this feels."
"Yeah?" Phil prompts, his voice deep and breathy and so, so nice to listen to. No wonder he's so successful on the radio. "You like sucking cock?"
Dan shivers. "Yeah," he says. He's unashamed, because he feels safe here with Phil. He can admit to liking a cock in his mouth, a hand in his hair, being called pretty. "Yours specifically, though."
Phil laughs. "That's good. I like specifically your cock, too." He looks over at his kitchen for a moment and raises his eyebrows. "I'll get dressed and answer the door when the pizza gets here if you can make me come in the next five minutes."
Well. Never let it be said that Dan Howell backs down from a challenge.
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