Listed as the final track on sOna’s second studio album, Binary Star, voices — along with its variant in the single voices; singularity — has come to be universally regarded as one of the singer’s most beloved songs and a signature of her career. The track’s use of complicated harmonies, environment sampling, and a lack of comprehensible lyrics for much of its duration have lead to frequent attempts by music enthusiasts to analyze its message, though the singer has stated in the past that it is about what it is to live; to be human. Typically performed live as last in the set, the climax of voices; singularity is known for heavy reliance on audience participation for its final, emotional chorus.
genuinely why are musical theatre fans the most annoying people on earth, like I've never seen any sort of fandom/group of largely overlapping fandoms more committed to making the media they like seem shallow and uninteresting
has anyone written music about what love is like when you have bpd? how you grow up without a steady supply of it, learning to draw it out yourself from a source that never had anything in it to begin with. how as you age, you continue finding love in everything, making something beautiful out of nothing. but that beauty is never tangible and you’re left tending to heartbreaks that are yours alone. you are left yearning for a reality where the love you feel everywhere is finally real.