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#museo ng kalinangang pilipino
ccp-visualarts · 4 years
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The CCP collections, now on your screens!
The two other significant collections which the VAMD manages are the Museo ng Kalinangang Pilipino Collection and the Collection of Asian Traditional Musical Instruments which are both housed at the permanent exhibit space in the 4th floor of the CCP Main Theater Building.
In case you missed the announcement from CCP Website or CCP Facebook Page, this same area will be the location of the inaugural exhibit of 21AM, which is a new museum that the CCP is working towards. Be sure to watch out for it!
The Museo ng Kalinangang Pilipino Collection showcases significant Filipino artistic traditions and explores the development of Philippine art and aesthetics in the socio-cultural context. The Collection of Asian Traditional Musical Instruments, on the other hand, includes various traditional musical instruments that were acquired from 1969 to 1986 through donations to the CCP by the countries represented: Indonesia, Japan, China, and Korea. The Philippine musical instruments were donated by National Artist for Music Dr. Lucrecia R. Kasilag (1918-2008), a former president of the CCP.
What’s your favorite experience inside the Museo ng Kalinanang Pilipino? Share them in the comments section below! We’d love to hear from you!
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solsticeipis · 7 years
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[Notice] Museo ng Kalinangang Pilipino Redevelopment
[Notice] Museo ng Kalinangang Pilipino Redevelopment
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solapeach · 7 years
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[Notice] Museo ng Kalinangang Pilipino Redevelopment
[Notice] Museo ng Kalinangang Pilipino Redevelopment
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ccp-visualarts · 5 years
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The road to 21AM: CCP announces the de-installation of the pinaing and sunduk exhibitions
A new museum initiated by the Cultural Center of the Philippines (CCP) will be developed and built over a period of a few years. It marks CCP’s 50th anniversary this year, which will have a year-long celebration from September 2019 to September 2020.
The new museum is named 21AM, a 21st century art museum.
21AM was greenlighted as a contemporary art museum that, among other important tasks, addresses the relationship of 21st century artistic idioms and traditional Philippine art. Both physical and intellectual infrastructures for such a museum concept will be built.
It will first reside on the CCP 4th floor space, which housed CCP’s Museo ng Kalinangang Pilipino (MKP) since the latter was established in 1987.
Scheduled for inauguration in May 2020, the concept and initial exhibitions of 21AM will replace the MKP.
Two of exhibits of the MKP are set to be dismantled this month: the exhibit of guardian rocks or pinaing of the Tingguian people in Peñarrubia town, Abra province and the exhibit of grave-markers or sunduk of the Sama Dilaut people in Santa Cruz Island, off of Zamboanga City.
The demounting and storage of the cultural materials will take place after two traditional rites have been performed by leaders from the respective indigenous groups: the pinaing exhibit on October 2; the sunduk exhibit on October 11.
For the pinaing, the son of the ritualist who prayed over the transfer of the materials in 1987, was the central participant. He was joined by family members of the original Tingguian group.
For the sunduk, a Sama ritualist, who is also an imam or a Muslim leader, will conduct the rite of transfer to storage. Among the participants from the Sama area are descendants of at least one individual buried on Santa Cruz Island. Most of the markers have been separated from these graves by a voracious antiquities trade.
While only semi-public, these rituals are held as an official part of the museological procedures covering the managed transition from MKP to 21AM as two different institutions.
The MKP was installed in 1987 with the assistance and collaboration of a number of traditional societies. It is in this connection that the rituals are being held.
The MKP had a section on Tingguian/Itneg dance/ritual. This section consisted of a ritual lay-out composed of ceramic jars, parts of important plants, coconut bowls, an old knife, and the deeply meaningful juxtaposition of textile-and-spear. The pinaing was also incorporated in this section.
The pinaing consisted the entirety of these important cultural markers for the Tingguian of Peñarrubia. They were brought to the MKP, instead of sale to international antique dealers. They became part of the then newly formed CCP collection of materials related to traditional performance. A group of Tingguian arranged these cultural materials in the space allocated by the 1987 curatorial plan. A Tingguian ritualist conducted rites to allow for a good transition from Abra to the MKP.
In contrast, the sunduk exhibited at the MKP were originally extracted by antique dealers from Santa Cruz Island in the 1980s. These are the boat-shaped forms marking the graves of the Sama people. They were trafficked into the Manila antiquities market from where they were acquired by the CCP. At the MKP, they were exhibited atop the pink sand of crushed coral that was transported by the CCP from Santa Cruz Island as well.
These small, quiet events take place as an exercise in ethical museology and curatorship. It represents the intent of 21AM to recognize the need to formulate an ethics of collecting and display based on deep relationships with the involved communities. To become a truly advanced contemporary art museum with a particular mission to involve traditional art and artists in expressions of contemporariness, 21AM commences its institutional life with these ritual events as part of collections management.
21AM is being conceptualized and developed by Marian Pastor Roces, the independent curator who also established the MKP. The museum-development corporation which she heads, TAOINC, has been commissioned by the CCP to implement the plans, starting with the dismantling of the MKP exhibition; the bringing together of both ethnographic and art collections in a unified inventory, and in the future, the storage; and implementing the plans for the preliminary, inaugural exhibition in 2020.
For more information, contact the Visual Arts and Museum Division, Production and Exhibition Department at (632)832-1125 loc. 1504/1505 and (632)832-3702, mobile (0917)6033809, email [email protected] or visit www.culturalcenter.gov.ph.
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ccp-visualarts · 7 years
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CCP Museo ng Kalinangang Pilipino Closed for Re-development
The Museo ng Kalinangang Pilipino will be closed from 1 February 2017 onwards to make room for its re-development and re-launch in 2019.
Visitors are invited to view the CCP's other museum spaces with changing exhibitions throughout the year. Admission is free and viewing hours are from Tuesday to Sunday, 10am to 6pm (8pm on nights with shows in the CCP Main Theater). For updated information on current exhibitions, visit     www.culturalcenter.gov.ph.    
For more information, contact the Visual Arts and Museum Division at (632)832-1125 loc 1504/1505 and (632)832-3702, mobile (0917)6033809, email [email protected].
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ccp-visualarts · 5 years
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Call for Proposals for 2020 Exhibition Venue Grants
The Cultural Center of the Philippines (CCP) has maintained its thrust of promoting contemporary visual expressions and has earned a reputation for accommodating non-commercial, innovative, and even controversial projects and exhibits. 
The VAMD offers exhibition venues where current visual art expressions may be mounted, featured, studied and analyzed. In support of this, the VAMD offers grants in the form of free use of exhibit space and curatorial assistance to encourage, initiate, support and sustain creativity and artistic excellence in the visual arts. It also organizes artist talks, workshops, and other public programs in conjunction with current exhibitions.
THE VAMD VENUE GRANT PROGRAM
The VAMD is accepting proposals for the 2020 Venue Grant Program. Since the Center’s inauguration in 1969, the CCP has been known as venue for contemporary, experimental, and multidisciplinary works. It has also served as a launching pad for artists to enter the local and international art community. The CCP also serves as an implementing agency for cultural programs and agreements between the Philippines and other countries. Artists, curators, art organizations, and institutions are welcome to submit proposals for the following venues at the CCP Main Theater Building:
Pasilyo Carlos V. Francisco (Little Theater Lobby) Wall space measures 3.77 x 19.58 meters. Located at the outer wall of the Little Theater, ground floor.
Pasilyo Vicente Manansala (2F Hallway Gallery) and Pasilyo Guillermo Tolentino (3F Hallway Gallery) Slightly convex wall space that measures 2.59 x 25.3 meters each. Located at the second and third floors.
Bulwagang Fernando Amorsolo (CCP Small Gallery) Rectangular space measuring 78 m². Located at the fourth floor.
Pasilyo Victorio Edades (4F Floor Hallway Gallery) Bracket-shaped wall space; longest wall measures 2.41 x 18.64 meters. Located at the fourth floor.
Outdoor Mural Wall Rectangular wall measuring 3.85m x 20 meters. Located at the CCP South Parking area along Vicente Sotto Street. Minimum of 1 year duration.
Floor plans of exhibit areas are available upon request via [email protected] but proponents are highly encouraged to view the exhibit spaces before creating proposals. Interested parties may also propose site-specific installations and exhibitions in outdoor sites and alternative spaces within the CCP complex. All proposals are subject to approval.
Earth Day Outdoor Installation Grant Artists are encouraged to submit a proposal for the Earth Day Outdoor Installation Grant highlighting relevant environmental issues through public art. Held annually at the CCP Front Lawn from April to May, the Earth Day Outdoor Installation Grant covers the cost for professional fees, materials, preparation and fabrication of modular elements, its transport to and from the CCP, and mounting of the art installation at the above mentioned site.
CCP Collections Exhibition Program Curators are encouraged to engage with selected artworks and artifacts from the CCP Visual Arts Collection, the Museo ng Kalinangang Pilipino Collection, and the CCP Collection of Asian Traditional Musical Instruments. Further information about these collections are available upon request.
Application Requirements
Exhibit concept
Preliminary studies/works-in-progress/past works similar to those to be included in proposed exhibition
Physical and logistical requirements of presentation of exhibit (exhibit layout, carpentry needed,  technical equipment to be used, etc.)
Contact details of artist/curator/artist group (email, mobile number, landline, website, social media, etc.)
Background information about artist/curator/artist group (artist bio, curriculum vitae, artist statement, bibliography, etc.)
Documentation of past works and exhibitions of artist/curator/artist group
Other pertinent information related to the proposed exhibit  (possible public program/talks/workshop and other activities, dialogue with the CCP Collections, interaction with other CCP offices/divisions/programs, etc.)
All hard copies sent should include a USB/CD containing the digital format of the application materials. Incomplete proposals will not be evaluated. Should the VAMD find it necessary, proponents may be requested to submit or supply further information or additional materials in connection with their proposals, or the CCP may also collaborate with the artist/s towards the development of a project.
Review Criteria
Proposals are evaluated based on the following criteria:
1. Quality and maturity of artistic skills 2. Innovativeness and contemporaneity of proposed exhibit 3. Sensitive awareness of the artist’s responsibility to the Philippine art society 4. Consistency with the CCP’s goals, scope and general program for the year, including:          a. Exhibitions that present activities related to CCP festivals and national and international celebrations          b. Exhibitions that encourage collaboration with government and non-government institutions involved in education 5. Appropriateness, feasibility and adaptability to the specified venue
Proposals may be disqualified based on the following reasons:
Fund raising activities, product launches and advertising campaigns which would be more suitably held in other venues, including exhibitions by commercial art galleries/entities
Exhibitions that are prejudicial to the rights and welfare of other people
The CCP VAMD may accept the following proposals on exceptionally meritorious grounds:
Exhibitions which have been previously presented in other venues
Solo exhibitions by artists who have not had any solo exhibits in the CCP within the last two years
Submission of  Proposals
Proposals for exhibitions for the succeeding year shall be submitted to the Visual Arts and Museum Division from January to September 30 of the current year. All proposals submitted shall be reviewed by the VAMD and presented to the CCP Artistic Programming Committee for final approval.
Proponents of approved proposals for exhibitions shall be notified via email and invited for a production meeting three months prior to their scheduled exhibit.
An Exhibition Agreement shall be prepared stipulating the terms and conditions agreed during the production meeting.
Components of  the Grant
Grantees are given the following support:
Free use of venue with basic lighting (spotlight: 10/20watts)
Subsidy for printing of exhibition collaterals such as invitations, outdoor marquee, brochure, and wall text
Curatorial support
Publicity in mainstream media and online platforms
Exhibit photo and video documentation
Deadline for 2020 exhibitions: 30 SEPTEMBER 2019
Proposals may be sent via email to [email protected] or delivered to: Visual Arts and Museum Division, Production and Exhibition Department 4F CCP Main Theater Building, Cultural Center of  the Philippines Roxas Boulevard, Pasay City from Tuesday to Friday, 9am to 6pm.
For more information, please contact (632)832-1125 loc. 1504/1505 and (632)832-3702, mobile (0917)6033809
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ccp-visualarts · 4 years
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Season's Greetings from the CCP Visual Arts and Museum Division!
As 2019 comes to a close, the CCP Visual Arts and Museum Division looks back on the year that was. 
The VAMD presented thirty exhibitions in total this year. Of those, thirteen were solo exhibits and seventeen were group shows. Fifteen exhibits were those presented with partner artist groups and cultural organizations, ten were venue grants, and five were CCP produced exhibitions. Ten of the shows included artists based outside Metro Manila, and four had international artists. Seven were exhibitions by women artists or were women-centered, while nine were exhibitions by male artists only. Twenty of the total number of exhibits for the year included works by women artists. Many forms of art were presented in our exhibitions this year, including design, literature, printmaking, puppetry, comics, etc., but the most represented this year were installation (in nine exhibitions), new media/video (in seven exhibitions), and photography (in four exhibitions). 
The VAMD had twenty-three public programs this year, and all were free of charge. Four were Arts Online activities in partnership with the CCP Arts Education Department. Eight were artist talks/panel discussions/lectures, seven were workshop/demos, three were exhibit walk-throughs, and two were performances. Seven were tailored for a specific audience, namely 6-15 year old’s, senior high school students, art educators, and museum workers, while the other programs were open to all. Of the twenty, fifteen included not just male resource persons. Only two included artists from outside Metro Manila, and five of the activities included artists from abroad.
We will continue to monitor these statistics and invite the artistic community to help us better them in the coming years.
The VAMD presented a number of other activities as well, including the highly successful Museum Mile Tour during the CCP’s Pasinaya Festival, and the Earth Day Outdoor installation featuring The Cry of the Dead Whale. We lent artworks from the CCP Visual Arts Collection to five exhibitions in museums in Manila and Singapore. We published four new publications this year - Cultural Cache: Selected Works from the Visual Arts Collection of the CCP, and catalogs from our exhibitions Last Full Show, Saturday Group Gold, and Poster/ity. The VAMD also facilitated two de-installation rituals in line with the re-development of the Museo ng Kalinangang Pilipino, which was formally announced this year as transitioning into the contemporary art museum 21AM. 2019 also marked the start of our new program, the QRated CCP D-I-Y Tour.
These are just a few of the more visible endeavors of the VAMD, all of which would not be possible without the exceptional help of the artists, curators, educators, cultural workers, and institutional partners that we worked with this year. We are wholeheartedly grateful for your continued support and we commend the good work that you do in the service of Philippine art and culture.
Maligayang pasko at manigong bagong taon!
In keeping with the spirit of Filipino Christian tradition, the CCP will hold anew the Simbang Gabi (Dawn Mass) at the CCP Main Building Ramp at 5am from 16 to 24 December 2019 and the Christmas Eve mass at 8pm, Tanghalang Nicanor Abelardo (CCP Main Theater). For more information, please call the CCP Venue Operations Division at (632)8832-1125 loc. 1412/1413.
HOLIDAY SCHEDULE
The CCP galleries will be closed from 25 December 2019 until 1 January 2020. For information about our current exhibitions, visit www.culturalcenter.gov.ph
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