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appleb18 · 4 years

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I Wanted Believe in Steven (A Critical Steven Universe Post)

Steven Universe, a popular show that has won the hearts of so many people. It had good songs, talks about mental health and relationships, a lovable cast of characters and it’s revolutionary for representing LGBT. As the show finally wraps up with Steven Universe: Future being the series finale, I want to say this… I used to believe in Steven Universe. I truly got into it when it first came out and then I started to appreciate it more as the show progressed even with the flaws. However, as time moved on, the show’s flaws have outweighed the strengths, making my enjoyment decline and become critical and nitpicky towards it. So I believe it’s time to point out the many problems with the show.

The Glory Days of Steven Universe

Before I begin ranting about the show, I want to talk about when I actually liked Steven Universe back in seasons 1-3. It was when everyone actually enjoyed the show before it went downhill.

- So before Steven became really annoying, I actually liked him when he was developing in season 1. He was very immature at first but he gradually grew. He became a member of the Crystal Gems and finally summoned his shield.

- Peridot’s redemption was handled very well and I enjoyed her character throughout the whole show.

- The show once balanced filler and plot.

- I enjoyed the Crystal Gems chemistry back in seasons 1 - 3. They acted like a family with Garnet being the wise guardian, Pearl being overprotective, Amethyst laidback and Steven maturing.

- The songs are great.

- The messages are relatable such as “Love Letter.” Garnet tells Jamie that love-at-first-sight doesn’t work. It takes time and a lot of work. You must know the person first before you begin to love someone.

Those are the reasons why I enjoyed the show back in the day. Now it’s time to talk about how the Crewniverse messed up everything.

Inconsistencies. Are. Everywhere

Steven Universe is well known for having no consistency and that’s one of the major problems with the show. While I can forgive season 1 animation because let’s face it, not every show has good animation like Phineas and Ferb. Though having characters go off-model consistently gets really irritating to watch. It’s irritating because most of them are professional storyboard artists and yet they’re doing a very sloppy job.

The reason behind unprofessional animation is Rebecca Sugar wanted her crew to have artistic freedom and have their own stylistic choice. They can draw whatever they want as long as the viewers can recognize the characters. There are many problems with this.

While it’s nice to see the artist's own style it doesn’t work with a cartoon that’s story-driven. You’ll probably argue that some shows like Adventure Time and American Dragon go off-model. However, it’s just redesigned and they stick with it till the very end of their respective series.

Also, shows like Ren and Stimpy and Flapjack go off-model because for comedic effect.

So stylistic choice doesn’t mean artists can draw whatever they want. It means that a character has their own style.

Terrance and Philip from South Park

Elmore characters from The Amazing World of Gumball

Each of them has a unique character design. It’s not the Korean animator's fault for it, they’re given what the Crewniverse drew, trace it and just animate it and they can’t fix their errors. What makes it upsetting is that animation pilots and shorts made by a single person or independent team with very little funding have more consistent and appealing animation than Steven Universe.

I ain’t an animator, but I know when animation goes off-model. Sadly, it’s not just inconsistent art that the show suffers from, but inconsistent writing and discontinuity as well.

Such as in “Are You My Dad?” Aquamarine and Topaz knocked out Steven and then she abandoned him while they took Lars, Sadie, Onion, Jamie, and Connie. Then in “I Am My Mom” they lure him and The Crystal Gems out for information to find Greg. So if you wanted to get information to find him, why didn’t they just grab him when he was knocked out?

Also, why did Aquamarine agree to Steven’s terms? Her wand is the most broken weapon in the show. She could’ve grabbed everyone including The Crystal Gems.

Garnet couldn’t tell Steven about her future vision because it wanted him to go more? If she just told him about Greg's capture, he would have understood. Also, she gave him future visions in “Jailbreak,” “Snow day” and “Future Boy Zoltron.” Why didn’t she do that for that kind of situation?

The Crystal Gems, who have special abilities, summon weapons and powers that fought Gems and Corrupted Gems and yet they were beaten by a freaking Steven Catus, Really?

We saw Lapis control the freaking ocean in “Mirror Gem”, “Ocean Gem” and “Why So Blue”, so why didn’t she use that to remove the injector?

After 6,000 years of waiting for Pink Diamond, Spinel got news about her Diamond and that she gave up her physical form to give birth to Steven. It changed her appearance from happy go lucky to edgy. Now she wants vengeance. So I’m wondering how was she able to get an injector and a scythe, then go to Earth in under a few hours?

In “Giant Woman,” Pearl explains that two gems have to decide to fuse together and they have to sync with each other to do it. In “Change Your Mind,” Steven fuses with the Crystal Gems midair while they are in their gem state.

How the hell did Connie get affected by Blue Diamond’s pathokinesis when Lapis Lazuli arrived in “Reunited”?

She was fine when BD did it the first time.

Mean Lapis and Bluebird are still on the loose. I know most shows leave things unanswered but you can’t leave two villains out there. They can still do harm to others

I really wish the Crewniverse showed more professionalism because there are so many errors in the show and some of them are so simple to fix, yet they don’t and that’s what I call lazy.

The Cast of Characters Don’t Do Much

I used to like the cast of characters, even the humans I enjoyed watching. When season 4 - Future came in, they got ruined. Most of them don’t do much in the show. I feel like they got sidelined because the Crewniverse had no idea what to do with them.

Let’s first talk about The citizens of Beach City and how they are the most boring characters in the show. At first, they weren’t so bad because they did have a role to play in the story like when The Cool Kids talked to Steven about his mother when he found out that she was a war criminal and he blamed himself for his mother not being around anymore. They also helped him not get scolded by The Crystal Gems when they found Peridot’s escape pod.

There’s even some slice-of-life episodes that I did enjoy watching such as

“Sadie’s Song”

And “Historical Fiction”

But now they don’t react to any Gem situation anymore. They just stand around and serve no purpose to the plot. Look at “Future”, throughout the whole epilogue mini-series, the humans didn’t do a dang thing in the series. For example, The Cool Kids, Lars, Sadie, and Shep don’t talk to Steven about his mental health when he was about to crush them with his force field. It just makes it feel that they don’t care about him or oblivious about that experience

Then they didn’t do squat when Steven became a monster and I know they're just humans but their friends and the show focus on them a lot, so they have to use them. It made me wonder why they even focus on them in season 4 and season 5 if they're not going to serve their purpose in the story.

Now let's talk about the more interesting characters and how the Crewniverse wasted them. Many Gems and few human characters (Lars, Greg, Connie) get them characters to grow, face struggles and have moments that can make a character likable. After all that, the Crewniverse had no idea what to do so they just left them.

Peridot’s redemption was well written. from season 1 - season 3. From a villain that has unknown technology and feels more alien than the Crystal Gems to a member of the Crystal Gem. As much as I love her development and she’s my favorite, however, she doesn’t do much in the show. Most shows that give a lot of development to a character are part of the main cast but in Steven Universe's case, she gets put in the barn with Lapis Lazuli and does nothing. She’s never involved in major story arcs such as she didn’t come along to help Steven to get his dad back in Zoo Arc and didn’t help with beach city citizens getting kidnapped in Wanted Arc.

Even in the Pink Diamond Arc, she has no part to play. All she was in that arc was a punchline and a hyperactive character with no defining moments. While it’s nice she has a new outfit, it doesn’t change anything.

Peridot had the potential to be a really great character but she got wasted because they had no idea what to do with her.

Pearl and Garnet never got their own character arc. When they fused with Steven to become Rainbow Quartz 2.0 and Sunstone it was rushed. I know they didn’t have time to do their arcs but if they cut townie episodes and focused on their bond it would’ve felt more impactful for him to fuse with them. Season 4 could’ve been Garnet and Season 5 could’ve been Pearl. Just look at Amethyst where she finds mutual respect and love for Steven and that’s really great to see. With them, we don’t have a moment like that.

A good example of using characters is Regular Show. They used their characters pretty well, giving each of them a good amount of screen time.

Benson’s drum solo

Getting to know more about Skips history

Muscle Man setting his ashes free at Great Trucker Graveyard

High Five Ghost reunited with his love interest

Pop’s proving that he’s part of the guys for Guys Night

Rigby graduates high school

Mordecai painting for Benson

And what I like the most about is they all have a moment together as best friends. Such as in “Parkie Rewards,” although Benson doesn’t win an award, the gang made their very own award and paper trophy. Benson made a speech about how he appreciated his staff workers.

I really wish Steven Universe had something like that and I really wanted to see more of Lapis, Garnet, Amethyst, and Bismuth but sadly the writers aren’t giving them much to do anymore.

A Shift of Pacing

Steven Universe really wants to tell a story like most cartoon shows are doing such as Over the Garden Wall, Adventure Time, Owl House and many more. They keep adding episodic episodes in the middle of unresolved conflict and have the concluding rushed. An example of this is the Cluster arc.

Peridot tells The Crystal Gems that the Cluster will emerge at any time… AT ANY TIME! So the gang planned to create a gem drill to destroy it to save the Earth. So instead of working on the drill, they kept delaying it like

Garnet told her story to Steven of how Ruby and Sapphire met

Celebrating Steven’s birthday

Peridot processing on becoming a “Crystal Gem”

I know Peridot was working on the drill and I like Peridot’s redemption but it’s a life or death situation. You can’t do other things when the Cluster can emerge at any time. The way they resolved the arc was really rushed. The Crystal Gems finally locate the whereabouts of Malachite and so Garnet, Amethyst and Pearl go to Watermelon Island and fuse to Alexandrite to defeat her. Then the Cluster emerges and it’s up to Steven and Peridot to deal with it. Instead of destroying the Cluster, he talks to it and it stops itself from emerging by bubbling itself. The way the writers conclude the arc was so anticlimactic and rushed. It ended two major plots, Malachite and Cluster in two episodes and Steven just talking to it was ridiculous. The Cluster arc should’ve at least had two episodes and Malachite should’ve come after the event because she was briefly mentioned in three episodes.

Adventure Time has a mini-series that primarily focuses on plots. It resolves conflicts and it doesn’t waste any time such as Islands, Stakes, and Elements.

People tend to blame the network for the inconsistent schedule and hiatus. While it may be true, however, it’s not really a big issue with the show. Gravity Falls isn’t consistent with its schedule but it has better pacing than Steven Universe. From Nov. 26, 2014 - Feb 16, 2015, the ep “Northwest Mansion Noir” was released, another month of waiting for “Not What He Seems.” Then we have to wait for four months, July 13th, 2015, for “The Tale of Two Stans.” Then there’s Steven Universe where we have to wait for six months for the next episode and it is just Towney episodes and it doesn’t even matter to the plot. So I pretty much don’t understand why people are complaining about the Steven Universe hiatus when Gravity Falls, a well-written show, has a hiatus as well.

They could’ve had a well-written story if only they weren't so focused on the human side of Steven and cut most of the filler out.

Action Doesn’t Have Consequences

In most shows, movies, and video games, characters will make rash decisions that have other characters disagree and even have a bit of a falling out.

Look at Gravity Falls “Land Before Swine.” Stanley doesn’t like Mabel’s pet pig, Waddles, and he left him outside when there was a Pterodactyl in town. Stan left Waddles unattended and caused him to get captured.

Soos messed up a lot in the episode. Without thinking, he barged in as Dipper developed the film which ruined a good picture of the dinosaur.

He tries to be optimistic when Mabel finds out Stanley left him out however it ineffective when he ravels the yarn back up and thus cut the clear path and accidentally break the lamb

To prove their worth is by Stanley fights the pterodactyl to save Waddles

And Soos and Dipper make up when he apologizes and he admits he made mistakes. Dipper and Mabel then took Soos advice to follow his lead and walk in a straight line as for dinosaurs' eyes are so far apart and that it can’t see in front of itself and the plan went well.

So with Steven Universe, most characters in the show have done pretty terrible things and the show never atoned for their actions.

In “Island Adventure”, Sadie trapped Lars and Steven on an island by hid the Gem portal with leaves so she can hit on him. Although she saved his life by poofing the gem monster with a pointy stick, it doesn’t help the fact that she trapped them for a month! It is also idiotic that the show treats Lars as he’s the bad guy where in reality, Sadie is!

Amethyst, although I do like her character development in the show, however, she did pretty a messed up thing and they never resolved it. In “Maximum Capacity”, Greg finds out that he’s missing the fireworks and Amethyst shapeshifts from Steven to Greg to cheer him up. She changes back and gets mad at him for not spending time with her. So she shapeshifts to Rose Quartz/Pink Diamond which causes Greg to look away and it’s the second time she has done it, and then Steven comes in to stop and question both of them. Amethyst feels guilty and left. So in order to make things up, she came up with an idea to clean that the Crystal Gems can clean out Greg storage. So this is really messed up. She shapeshifted as his wife and not only it scarred Greg but Steven as well and yet the writers never decided on how they can properly make it up. That’s so horrible.

Lapis Lazuli took the Earth's water, almost killed Connie, broke Peridot's tape recorder and called it garbage, and she took the barn. When she finally comes back to help the Crystal Gems to fight against the Diamonds. Her response to everyone was “hey”. She never apologized for anything she has done. I know she has PTSD but it doesn’t excuse her actions.

The only character that actually feels guilty and has to make amends of her wrongdoing is Pearl. She deceived Garnet by keeping rebuilding Gem communicator so she can fuse with her to form Sardonyx to make herself feel better. Steven and Amethyst find out and spill the beans which gets Garnet mad and Pearl feels guilty. In the last episode of the Sardonyx arc, they get trapped by Peridot. When they were about to get crushed, they two finally talk and Pearl apologizes to her and calls herself “just a pearl” and Garnet tells her you are your own gem and that makes her feel better and fused to Sardonyx once again.

Now it’s time to talk about the second major gripe with the show that everyone has and it’s the Diamonds being redeemed. The Diamonds are tyrannical fascist dictators that caused genocide many species, colonized many worlds, corrupt gems, shatter gems that don’t obey, have an army, gems that are off-color are put to the underground, and force fused shattered gems into a Cluster. After what they have done, you think they need to pay, right? Unfortunately, since Rebecca Sugar said ``there are no villains' ' and the show is about empathy, the Diamonds, especially White Diamond, get a clean slate. So it’s fine to have a villain be sympathetic and have a sad backstory, it makes them more human but having them redeemed is something you should never ever do, especially what they’ve done. They have very little screen time to show their development and have doubts about their empire.

Then they made them worse when in Steven Universe: “The Movie” and “Future”

In Steven Universe: “The Movie”, The Diamonds become clingy aunties to Steven and tell them don’t do evil things anymore like calling other species “equal lifeforms”, disband their arms and not shatter gems.

In Steven Universe: “Future”, The Diamonds abilities have a completely opposite effect towards Gems such as

Yellow Diamond’s ability to change from poofing gems to fixing

Blue Diamond’s ability to change from sad blue orbs to happy blue clouds

White Diamond's ability changed from manipulation to control her for a brief moment.

Having them become good and having emotions won’t cut it. They can’t atone for what they’ve done for the past millions of being fascist dictators and just saying “I’m a good Diamond now” can’t wipe away their past actions. It doesn’t work like that!

My Little Pony Friendship is Magic, A SHOW FOR LITTLE GIRLS, have a better-written villain redemption than Steven Universe and I ain’t kidding. Discord was the main antagonist for “Return of Harmony”. All he wanted to do is cause chaos. He was defeated by the mane six at the end of the second part of the episode.

In season 3, “Keep Calm and Flutter On”, Discord was reformed by Fluttershy because Princess Celestia believes he can be a good ally and knows that she can do it.

Throughout season 4, everyone still doesn’t trust him even though he’s friends with Fluttershy.

In the season 4 finale, he sided with Tirek and he betrayed them because he thought he’ll be rewarded for it.

Then he was betrayed by him. After Tirek and Twilight fought, she gave up her magic to save her friends, including Discord. It made him realize that friendship is more precious than anything of what he’ll give him and that’s when he’s been fully accepted as a friend to the mane six.

I also want to talk about Rose Quartz/Pink Diamond. While many fans in the community and the Crewniverse always point that she’s terrible and I agree she is. Such as leaving Spinel for 3,000 years, cracked her first Pink Pearl, abandoned her Diamond duties to be free, started a Gem war that cost many Gems to shatter to pursue her own goal, bubbled Bismuth, gems got corrupted, and left Steven with the burden. It is indeed bad but when compared to the Diamonds, she’s more of a saint than them. At least she does develop, doesn’t shatter gems and save the Earth from the Diamonds.

With story pacing being all over, villains and even characters aren’t paying for their actions and a cast of characters aren’t doing much, what’s the most problematic of the show? Well, it’s a combination of all my problems into one and that is…

Steven “Center Of” Universe

The major problem with the show, the one that brings down the show a lot and it’s Steven Omnipresence. First off, I don’t mind when a show has a protagonist point-of-view like Ben 10, Phineas and Ferb, Over the Garden Wall, etc. As long as it's written well and keeps the story moving, it’s fine but with Steven Universe, it has tons of problems. Steven's point-of-view is the cause of all its flaws and I can’t stress it enough about it.

So let’s first talk about the obvious one and how it’s only Steven's perspective. The problem with this is we only see things if Steven is there to witness it. The show introduces a fascinating world of Gems and yet the show doesn’t dive into that because Steven doesn’t care about and all he does is hang around Beach City. Steven will never explore unless he chooses to and some major plot points are offscreen which you should never do, especially it’s a story-driven show. An example of this is “Wanted Arc’” and yes I’m using it the third time as my example because it really is a terrible arc. When Steven comes back home, he had some information about Homeworld, discovered that there’s a mystery about Pink Diamond shattering, Off Colours, Steven can bring back people from the dead and Lars in space. With all that, what does Steven do? Nothing. Throughout his adventure in space, he never mentions it to the Crystal Gems and instead of that being the main focus, it’s townies and Connie. While Steven is doing Beach City fluff, Lars is actually progressing the plot by him developing and escaping Homeworld with the Off Colours. I truly wonder why the Crewniverse believes that Beach City is more important than Gems?

They got interesting lore and I truly want them to explore it more but they had to waste all that and have the most major plot points be offscreen for Steven's perspective.

The second problem with Steven p.o.v is his contestant presence. The show will always be about him, no other characters get the spotlight or do anything unless he’s there. There’s rarely a scene that doesn’t have Steven and it’s frustrating when there’s a well-rounded cast of characters that I want to see more than him. We’ll never see them interact with other characters nor explore different parts of the world. Other shows have done it such as

Amazing World of Gumball - “The World”

Adventure Time - “Varmints”

Avatar: The Last Airbender - “Zuko Alone”

Rick and Morty - “Tales From the Citadel”

Imagine how great it will be if explore more of the cast like

Uncorrupt Gem characters and Curley Lapis going by their day in Little Homeschool.

Lars becoming a space pirate

Lapis and Peridot becoming friends

Pearl meeting up with Mystery Girl

Volleyball recovering from her trauma

Ruby and Sapphire being their own individuals

They got a lovable cast of characters that I want the show to further explore and yet the Crewniverse don’t do anything with them and that’s such a missed opportunity.

Then the third most egregious problem with Steven p.o.v is he’s the communicator. The show tries to message that talking things will work but no one really talks to each other unless it’s Steven. Characters barely make their opinion or a chance to speak for themselves while Steven's opinion will and shall always be in the right and we barely see characters talking to one another. Examples of these are…

When Steven bubbles Bismuth, Pearl and Garnet don't say a thing and just let him. They don't question why he did or lash him out for it. They just went along with it. Steven decided to unbubble her in “Made of Honor “ for a wedding without talking to anyone else about it and again, they still haven’t asked questions and they just went along with it.

In “Reunited”, instead of Crystal Gems look at each other to find their strength like Garnet telling Pearl she’s her own Pearl, Pearl telling Amethyst she’s isn’t an accident, and they tell Garnet that she’s a great leader, Steven has to remind them what they are supposed to be.

Blue and Yellow had issues with the Gem Empire but too afraid to say to White Diamond. Until Steven arrived and that’s when they tried talking to her.

The Diamonds become good because Steven tells them being a fascist dictator is bad and they agree. They disbanded the Gem Empire and changed their abilities to help Gems under two years.

Steven made Pearl talk to Amethyst.

The message the show tries to tell that people should communicate is completely flawed because rather than have other characters improve their lives by talking to one another, they made Steven the messiah that every character looks up to. Steven will change your mind and you have no choice in the matter.

Conclusion

With the end of Steven Universe, I want to say that this show could’ve been better. Steven Universe was created by Rebecca Sugar, a former storyboard artist for Adventure Time and the one who mainly writes episodes about Marceline and wrote songs for the show. When she announced that she's left AT to make her show, I was excited and had such high hopes for it. I really want this show to succeed and it could’ve been the next Adventure Time, My Little Pony Friendship is Magic or Gravity Falls but sadly it failed to do so. The show flaws outshined it the strength by it was handled unprofessionally, wasted their characters, the pacing is all over the place, no character pay for their past actions and Steven’s point-of-view. I don’t think it’s the worst show I’ve ever watched nor a masterpiece, it's just a disappointingly average show in my personal opinion. I hope Rebecca Sugar and her crew not just see this as their progressive show by representing LGBT and messaging but also see what they would have approved of on the show and how they could’ve made it better. I had a lot of good memories when I first watched the show. It had the potential to be better but it never filled the promises they made.

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bizarre-dollhouse · 6 years

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Animation Direction and Aesthetic Appeal: Why I Didn’t Like Book of the Atlantic

For the record, if you really loved Book of the Atlantic and thought it looked great and/or are sick of people bitching about it, you probably won’t want to read this post.

If you didn’t like the movie, thought the movie looked terrible, are curious about how and why people don’t like it, or, most importantly, want to read about aesthetic techniques and how they relate to anime in general, please continue.

I want to really talk about animation, visual direction, and adaption techniques, and I want to use Kuroshitsuji: Book of the Atlantic as a negative example, because I soooo wanted to love this movie and ended up really disliking it.

For the most part, this post is just me getting something off of my chest, because I feel like there’s this grand misunderstanding held by people who didn’t like the movie about why the movie looked bad.

I just disagree with the consensus so strongly that I...I have to make a post about it. Because every review I’ve seen of this movie mentions how just the cgi is bad, or it just looks like they didn’t have enough money amiright?

I just think it is so much more interesting complicated than that.

Lots of text under the cut.

I’ll just get the basics out of the way: the cgi does not look well integrated and some of the background faces are derpy.

Moving on.

Part 1: Something to keep in mind:

Anime movies tend to look better than weekly anime tv shows because they are given both more time and a higher budget. This is why so many people thought it was unfair that A Silent Voice was up for Best Animation in the Crunchy Roll awards.

This is kind of unimportant but I would like you to keep it in mind while reading the rest of this post.

Part 2: What does good animation even mean?

I’ve heard a defence for the movie’s lacklustre animation is that it looks like all of the money went towards the fight scenes, or that the fight scenes make up for everything.

I’ve seen the fight scene between Sebastian, the reapers, and Undertaker a few times and I’ll admit, there are a few nice cuts early on with some very dynamic dodges and attacks, but after that it’s a lot of easier techniques, like held poses, slow motion falls, cut aways, frame movement, etc. The fight scene as a whole I would (personally) consider to be pretty “meh.”

This might sound kind of harsh, but even if you totally disagree with me and think the fight scene looked great, that just means it looks nice.

That fight scene is not especially well animated.

What takes up the most time and money in animation is the amount and detail of movement (key animation). Look at any important fight scene from FMAB, or BNHA, or the early episodes of Kabaneri of the Iron Fortress. Those big fight scenes have a lot of key frames and details, and they all have wwwaaaay more key animation than the big fight in BotA despite being weekly tv shows.

One Punch Man is a great example because the animation in that show is fucking stellar and the director straight up said that the budget for One Punch Man is not much higher than a typical tv anime budget. Time and skill are the more important factors.

So, not speaking from the perspective of visual appeal, but from the perspective of animation quality, the big reaper fight scene in BotA isn’t that good.

Even the scene everyone raves about, where Lizzy fight all of the zombies: there’s a nice cut of her steps and a cool shot where she stabs one of the zombies in the head from above, but her sword then turns into a flash and we don’t see many details involving aim or choreography. Her stabbing them through the hallway also doesn’t have any real choreography other than her running and spinning once. After she stops to talk to Ciel, the scene gets a little more dynamic with more complicated moves, but it’s shot from far away and still has few key frames. I’ll admit I think it still looks kind of cool and maybe better than how it looked in the manga, but I don’t even think it’s close to the level of quality that’s in a lot of Bones shows.

Anyways, even if you’re in the majority camp and think these scenes look good, compare them to any of the shows mentioned above and you’ll see that even if they look good, they wouldn’t be especially difficult or expensive to animate, and aren’t impressive from a technical standpoint.

Part 3: Make a collage with those cut corners

Shifting focus a little bit, let’s talk about Higurashi.

Higurashi is one of my top 10 favourite shows (I highly recommend it if you’re not too squeamish). This show also looks awful. Like, really awful. There’s barely any movement, the characters are off model almost 100% of the time, and it has a very simplistic art style.

Despite being outright ugly, Higurashi still visually impresses me more than BotA because of one very simple, yet very very important fact:

The director and animators are trying their best.

Check out the scene in this gif set (gore warning). There’s a shadow silhouette, repetitive movement, and not much detail in the eyes, so it’s not technically impressive in terms of animation, but the way that the screen shakes when the bat lands, the lower angle used to put Keiichi in a dominating position of the frame, and the colour blur expressing the fact that this is both very emotionally intense and set at a different time make my brain say “ah yes, thought was put into making this scene look good with limited resources.”

Simpler yet is this scene, where it’s just two characters standing and talking while being atrociously off model. But the way they’re placed on the screen (ie parallel but opposing) is both cool visually and thematically relevant. It’s got a nice colour pallet, too.

Higurashi likes to play around with visual perspectives. This scene (violence warning) has no animation in the first gif and repetitive, fast movements in the second, but it takes the perspective of a man about to be beat to death with a baseball bat, which still makes it feel tense.

There’s another top fucking notch scene where someone is digging their own throat out with their finger nails, and instead of showing what would be a difficult scene to animate, they have a zoom in on the character’s back from the perspective of an impending threat that may or may not exist closing in on him and it’s terrifying despite the fact that nothing is animated.

Directing choices like these are extremely common in Higurashi.

Another slightly less obvious example would be Princess Tutu (which is one of my top 5 favourite shows that I recommend to everyone). Princess Tutu has very very few moments of sakuga and lots of repeated animation and kind of inconsistent movement in some scenes.

It looks cheaply made and is not well animated, but literally no one gives a fuck because that show has beautiful character designs, beautiful colour design, and interesting/creative set pieces.

The point is it’s 100% possible to make a cheap as fuck, poorly animated show and not have it look terrible.

I guess this is just my opinion, but when I compare the visual direction in Higurashi and the art of Princess Tutu to the flat, poorly blocked, and underwhelming visuals that make up a lot of BotA, I grow significantly less impressed with it.

The production team stuck pretty damn close to the manga, but the manga looks good because the panels are highly detailed illustrations that are specifically designed to look good when they are standing still and in black and white. They are also placed on a page which controls the visual pacing and lets you fill in movement with your imagination.

Translating this directly into animation but taking out the detail and shading in the illustrations and having the movements look worse than they did in my imagination does...not...look as good.

Part 4: Adapt

Let’s say, hypothetically, that BotA had fewer resources than most anime movies for some reason (money, time, staff, etc.). Sure, I don’t know the behind the scenes details. I doubt this was the case, but it very well might be.

.......Then why did they adapt the source material the way they did?

The manga for Kuroshitusji is fucking gorgeous and has some really iconic panels. For example, check out this post comparing a beautiful panel with the same scene from BotA.

...Why? Why would you make it that way?

Is it because you think it’ll please the fans to keep it the same? Because you wanted to cut a corner and use the manga as a storyboard?

Because it sure as fuck wasn’t because it would look good in the anime adaptation.

If the director and/or animators wanted to do the same scene but with limited resources, they could have maybe cropped it so it focused just on the undertaker’s face and the girl’s face, and then focus on making that look pretty and/or detailed. They wouldn’t have to put extra time and effort into drawing a nice full body shot, but they could still have it look good.

I came up with that time and money saving idea in less than 10 seconds and I’m not even a god damned animation director.

This goes back to my previous point, where it can be possible to make a passible looking show with limited resources, but this movie opted for sticking to the source material even though they really couldn’t do it justice.

Which is fine!!!! Embrace stylism!!! Kill la Kill has some goofy looking fight scenes with cut outs and cheeky techniques, but it does it in a way that builds the environment of the show and works within that universe because it’s clearly a part of the style.

Heck, studio Shaft practically gets away with murder by embracing weird styles with some of their older, cheaper shows.

Those particular styles almost definitely wouldn’t work with BotA, but find your own! Adapting the source material means exactly that: adapt it. Change it in a way that makes it just as good, if not better, than the original product in this new format.

In fact, I remember 2 scenes I thought looked pretty cool in this movie: one where it’s showing how the bizarre dolls work and the animation goes all Madoka Magica, and one where it shows this shadowy version of Sebastian before he makes his contract.

Both of those scenes have a style that is unique to animation and were not in the original manga.

I mean I guess it’s somewhat admirable that they were trying to stick to the source material, but they just...didn’t do it well.

Part 5: Does anyone here know CPR?! Because we need to breathe some life into this movie!

LITERALLY ALL OF MY PROBLEMS WITH BOOK OF THE ATLANTIC CAN BE EXPLAINED IN ONE SCENE.

IT’S KIND OF INCREDIBLE HOW MUCH THIS SUMS IT UP.

So there’s this scene in the manga where Ciel thinks he’s about to watch Lizzy get eaten by zombies and is, understandably, pretty torn up about it, as seen here:

This is a really great panel: Ciel’s face is expressive, the sea water makes it ambiguous whether or not he’s crying or sweating, and it’s from a unique angle that ensures his face and desperately reaching arm are both in the foreground.

Here’s the same scene in the movie:

Ciel’s face is less expressive, the angle is a lot simpler, and minute visual details are straight up omitted.

It’s like “yeah, we’re practically using the manga as storyboards*”

*unless the panel is like, hard to draw or expressive to the point where it might look off model.

I feel like the studio was deeply afraid of using animation that was too off model for reasons I don’t understand. Maybe it’s because they were afraid that the characters would look too unattractive but like...

it’s okay to have a character look a little fucked up if they feel a little fucked up.

Returning to Higurashi: that horror series has become famous for its highly emotive facial expressions.

Check out Rena’s furious face in the fourth gif of this set.

Or Rika’s super fucked up expression when suffering intense harm.

Or the sheer intense terror in Keiichi’s eyes in this gif and this gif set.

Like sure, the show looks like garbage and has lots of other derpy, off model faces, but they clearly had an idea of what they were going for and how to use animation as acting.

I feel that maaaybe the production team for BotA confused looking ugly (having faces distorted by emotion) for looking bad, but that’s 100% speculation.

Part of my reasoning for that speculation is in the following scene:

So, in the manga/BotA, Sebastian and Ciel run into Druitt, and the scene plays out like a well timed joke when Druitt asks them how they know him and they go like this

and it’s funny.

The exact same punchline is in the movie but it looks like this

like, the idea of the joke still comes across, but the expressions aren’t as humorously exaggerated and the joke isn’t as funny as a result.

This is also a scene where I don’t want to hear any “this scene looks bad because of money” arguments because drawing the simplistic expression from the manga would have been easier and less time consuming.

Again, let’s look at the comedic scenes from Higurashi:

This particular style probably wouldn’t look good in a Kuro adaption but the idea is that you can deform facial expressions for the sake of joke and sometimes it will make the joke funnier.

The point is also that Higurashi is a really well directed show despite being poorly animated. Can you tell I’m pushing Higurashi?

Please do not misunderstand this point: BotA for the most part has fine facial expressions that communicate the desired emotion. It’s fine. My point is that they probably should have been more daring with their creative choices to make certain scenes more emotionally/comedically effective.

In fact, part of the appeal of animation as a medium is the ability to play with reality through drawings.

Or just, you know, just draw a kid looking sad from a nice angle.

Conclusions:

Kuroshitsuji: Book of the Atlantic is obviously not the worst movie ever. In fact, there are quite a few scenes with good animation, good framing and competent direction.

(Ooh, I should have mentioned this earlier, but there is a legitimately good cut where Sebastian and Ciel are reaching for each other and it shows blood appearing before you see Seb get stabbed. This was a good choice and I don’t think it’s a coincidence that it was not in the manga.)

I can totally see someone saying this movie looks good, and that’s a perfectly justified opinion, I just strongly disagree when looking at the overall product and how it compares to the manga and pretty much every other decently made show/movie.

I’m just upset because this arc in the manga is amazing and the most cinematic, and it clearly was not adapted to its full potential. And now it probably never will be.

Please let the impossible happen and let Bones or Madhouse get the rights for the Green Witch arc and make an amazing adaption. Pleeeaaaassseee.

When I die I want A-1 Pictures to lower me into my grave so they can let me down one last time.

That being said, if you have not seen this movie and (for whatever reason) are dead set against ever reading the manga; give this movie a watch. The story’s utterly fantastic and it’s a...watchable...movie.

But here’s the moral of this whole post:

Book of the Atlantic does not look bad just because it looks cheap. .

Book of the Atlantic looks bad because it looks bad.

Thanks for coming to my Ted Tal-- *passes out*

#kuroshitsuji #black butler #book of the atlantic #higurashi no naku koro ni #text

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nordicsymphony · 7 years

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Extol the virtues of Yuri!!! on Ice.

Honey, you’re going to be in for a long ride…

Also there be spoilers, but I’ll try my best.

1. The plot of this sports anime isn’t like any other out there. Most sports anime always have ‘kid in his 1st year of Japanese High School discovers a sport and aims to be the very best’. Not this one. Instead we get ‘professional athlete who has had his time is considering retirement after a string of failures’. This show is basically showing us a sport from another side. And you’d think that Yuri Plisetsky, who has the personality of a typical sports anime protagonist would be one or else the main rival - nope, it’s Yuri Katsuki, whose personality would fit in another genre altogether and has anxiety, making him stand out from the other sports anime protagonists. And the show’s focus is not on the rivalry between the 2 Yuris (it’s something else, but I’ll get to it later), and they do not always face off against each other - their 1st Grand Prix Final qualifying competitions are held in different countries, while they share their 2nd, and on Plisetsky’s home turf no less. Sayo Yamamoto, who is the director for the show, had to fight her way in production to ensure that Yuri Katsuki became the protagonist she envisioned him to be. Also, the show is 100% Despair-and-Suffering-free, but bring tissues just in case.

2. Instead of an all-Japanese cast like most sports anime, we get an international cast with diverse backgrounds, and some do not even fit their national stereotypes. We have a tanned brother-sister duo from Italy taking part in separate divisions (and the brother has sister-complex), a narcissistic Canadian, an American who is half-Mexican as opposed to how they’re normally portrayed in anime, a South Korean who we hardly see smiling, etc… Some minor countries also get representation - there’s a Czech skater who’s happy-go-lucky and looks like PewDiePie, a Thai ball of sunshine who is a social-media addict, A badass manly Kazakh… While we do have anime with a diverse cast, it’s not something you see in the sports genre. Also, some of them might be inspired by real-life figure skaters - Yuri Katsuki is a mish-mash of Tatsuki Machida’s career, Daisuke Takahashi’s skating style and Yuzuru Hanyu’s appearance, Viktor Nikiforov is Evgeni Plushenko with John Cameron Mitchell’s appearance (and to an extent Stephane Lambiel’s level of extra), Yuri Plisetsky is Yulia Litpinskaya genderflipped, Leo de la Iglesia is a dead-ringer for Jason Brown, Phichit Chulanont is a Thai Michael Christian Martinez, Otabek Altin is basically Denis Ten as an anime character. And some of them have noticed.

3. The sport itself. So far I have heard of only 3 series aside from YOI that focus on figure skating. And it’s hardly touched upon in mainstream media - we only pay attention to it once every 4 years during the Olympics. And by golly did the crew do their research. Every single routine is choreographed by former ice dancer Kenji Miyamoto, who also choreographed for Evgeni Plushenko and Yuzuru Hanyu among others. The show also collaborated with Chacott (Japanese company that does makeup and costumes for dancers) to produce the costumes shown in the anime. Some of the chibi segments also teach us stuff like how a normal figure skating competition season is like, how the Grand Prix final works, how are the scores for the competing skaters calculated, etc… It helps that Sayo Yamamoto and Mitsurou Kubo (character designer) are both figure skating fans, and they’ve also managed to get everyone involved in production and the fandom interested in the actual sport, bless them.

4. The music. This show is tied with Puella Magi Madoka Magica as the best OST in anime if I’m to be believed. So far there’s 1 for the songs used by the skaters in the show and another for the BGM (if there’s a download link for the BGM soundtrack, pls link me). While both are pleasant to listen to, the Skate Song soundtrack is the one that stands out the most. Each song captures the emotions and thoughts of the skaters dancing to the piece, and some are strong enough to make you have feels (no joke - Yuri K’s free skate and exhibition piece are the worst offenders). And they’re both easily accessible too - you can find them on iTunes and Spotify, something I haven’t seen with other shows’ OSTs (at least you can find the Steven Universe OST on Soundcloud via their composers). You cannot make me choose only 1 favourite track, but I’ve listened to In Regards to Love - Eros the most. As for the OP and ED, once you start listening to them, good luck getting them out of your head. History Maker is completely in English (a rarity) and has motivational lyrics. The ED is literally called YOLO (You Only Live Once) and is about living in the moment, because time is shot, ya know?

5. The animation. Lest some people come after me because of an incident with Crunchyroll that I’m not going into full detail about, the animation is really good. Not one of the best, but stands out all the same. They have 5 more key animators than Flip Flappers, which is well known for having a similar animation style as a Studio Trigger production for a good reason. It is very difficult to animate a figure skater. It takes so many frames to animate something like a Triple Axel. Even though the broadcast version is sometimes inconsistent, the animation during Viktor’s ‘Stammi Vicino, non te ne Andare’ is damn beautiful. THIS is what drew people to the show in the first place. The art is beautiful. The characters are drawn realistically. Basically, a work of art from start to end.

6. Excellent Character Development. A good show can have a good plot but if the characters are not developed well then the show is overall average or mediocre. This show can take a previously unlikable character and somehow make people like them to the point where they’re someone’s favourite. Don’t like Jean-Jacques Leroy (JJ) in the Rostelecom Cup for his narcissism? Episode 11 has him undergo an anxiety attack and shows that even kings can fall. Never had a good impression on Michele Crispino because the only thing on his mind aside from skating is his sister? Episode 9 shows that he can do just as well, if not better without her (though the later episodes still has him being overprotective of her, though played down). You think JJ’s girlfriend Isabella Yang doesn’t deserve to be there? In the same episode as JJ’s anxiety attack, she redeems herself by leading the audience in cheering for him even though his emotions are at his lowest, showing us that she loves him no matter what. Christophe Giacometti’s too sexual for you? Episode 10 reveals that there’s a damn good reason why he greeted Yuri like that in Episode 6. And then there’s the biggest one - We all know that Yurio’s sometimes an ass to Yuri (and to a lesser extent, Viktor) and isn’t that much of a nice guy. Well, slightly towards the end of Episode 9, Yurio is shown being actually nice to Yuri, Episode 10 has him earning his 1st and best friend in Otabek, and Episode 12 reveals that all along he idolises Yuri, and wants to compete against him when both are at their best. And then, we have Yuri who goes from his lowest point to the badass Japan’s Ace skater he actually is and Viktor who we think is playing with him but is actually lovesick for him the whole damn time. They will do anything to make you love everyone at the end. Their personalities aren’t over the top either - there will be someone who will make you think you’re looking at yourself in the mirror, ranging from Yuri’s anxiety and constant downplaying of himself, Viktor’s tendency to fill his life with only one thing and nothing else, Phichit’s need to fill his Instagram account… there’s someone for everyone. And they do not slouch on the minor characters either. You WILL find fics focusing on Yuri’s family, Yurio’s grandpa, Yakov and Lilia, Celestino (Yuri and JJ’s old coach and Phichit’s current coach), the Nishigori Family (Yuko and Takeshi are Yuri’s childhood friends and if it weren’t for their mischievous triplets, majority of the show wouldn’t have happened), Yuri’s old ballet teacher Minako… almost everyone will make sure they stick forever.

7. For an anime focusing on sports, social media plays an equally important role in the development of the show. Part of the ED sequence is someone’s Instagram feed, Episode 10 looks into the photo album of 3 of the character’s phones, Viktor wouldn’t have packed his bags and left for Hasetsu if the Nishigori triplets didn’t upload that viral video of Yuri skating his award-winning Free Skate on Youtube… Aside from Instagram (thanks to people like Phichit) we also get to see someone’s Twitter homepage in Episode 10 filled with news of Otabek rescuing Yurio from rabid fangirls and Leo has something like LINE on his phone. Alcohol also plays a part in the show’s story but that’s something else altogether. There is a reason why there are that many social media fics for the YOI fandom.

8. The. Freaking. Romance. In. This. Show. For YEARS the LGBTQAAP+ anime community have waited for someone to portray them as happy and loving instead of angst and death in mainstream media. Some shows do have loving LGBT couples but they aren’t that much known (should I start watching No. 6?). And the sports genre is infamous for queerbaiting, meaning that we get 2 guys/2 girls doing suggestive actions, but they’re only just friends in the end. Enter Viktor Nikiforov and Yuri Katsuki. We get some MAJOR Ship Tease in the first few episodes, starting with how Yuri came to idolise Viktor and then using his short program to seduce him (Episode 6 SP, enough said.) to Viktor himself being a tad too close for Yuri’s comfort (stroking his arm, hugging him from behind, putting his finger at Yuri’s lips…). And then Episode 7 made them the Canon Official Couple via Big Damn Kiss. On the lips. You should have seen the Internet when it first aired, it was GLORIOUS. And then there’s Episode 10 which was even more shook than Episode 7, and now you know why Episode 12 caused the Internet to crash. It’s not everyday we get a couple in anime who are sweet, consensual, happy and head over heels in love with each other to the point of #RelationshipGoals without typical BL cliches and tropes. And to boot, both of them are from countries who in real life are not known for being LGBTQAAP+ friendly. And instead of the typical dream relationship, their love is portrayed in a realistic way. They argue, fight, be absolutely sappy, but overall they love each other oh so very much and A number of people who weren’t interested in the first place jumped on board the bandwagon because of the realistically portrayed relationship between the two. All that’s left for them to become the ultimate OTP is for their wedding to happen.

9. In Asia, mental illnesses and disorders are something that isn’t mentioned so publicly, much less portrayed realistically. Here, we have Yuri Katsuki, who has anxiety. He shows traits of people suffering from anxiety in a way that isn’t mockery. JJ also has symptoms of anxiety as seen in episode 11 (unrealistic portrayals of other people for one), and Viktor might have depression from before the show’s start - he mentions in Episode 10 that he’s been neglecting in life and love for about 20 years in order to focus on his career. Mental issues are no laughing matter, and it shows here.

10. (I’ll make this my final point or this will get too long) The effin’ impact this show has in real life. When this show says that they were born to make history, you better believe it. Their motto is to ‘Go Big and Wild or Go Home’. It’s not like you know any other anime that trends every damn week on Tumblr on the days that the show airs and whenever they make a major announcement. Most are even lucky to trend once in their airtime. And then there’s the Episode 12 crash - they crashed Tumblr, Crunchyroll and various anime streaming websites the day it aired before settling in as the no. 1 trending topic. No other anime has done the same thing. And how many sports anime can count athletes from their sport being fans of the show? Yes, professional figure skaters love Yuri!!! on Ice. To the point where Evgenia Medvedeva got art made for her, Nobunari Oda and Stephane Lambiel (this guy also has a YOI phone case) made cameos in the last 2 episodes, etc. When Johnny Weir told the internet that he’s watching the show, Kubo and Yamamoto were ecstatic. Weir even did routines to Agape and Eros, and has some YOI merch. And this year a Japanese pair skate duo have chosen Yuri’s free skate song (Yuri on ICE) as their short program for this year’s season. No really. The show also has won many awards, and in various polls have left all the other 2016 anime in the dust. The show is also the 4th best selling anime this millennium (5th all time once you bring in the older ones), and it hasn’t been a year since the anime first aired! Besides that, it’s also the 2nd best-selling franchise of the first half of this year. (right behind One Piece, and they did this with OSTs and Blu-Ray/DVDs alone).

Overall, unique storytelling, lovable and relatable characters, perfect romance, amazing art (and also decently controlled fanservice) and has made one of the largest impact in real life. 10/10 will recommend.

#Nanami Says #Yuri!!! on Ice #Ask Nanami #romanoffblitzer #I apologize if this is too long to read #but this show literally lit up my life and stood out from all the others #1st time a show beat the Suffering Trifecta in my Favourite Anime List #but you may not be able to watch another sports or romance anime ever again...#but please watch this show for all its goodness and purity #feel free to add more

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