So the commissioner told me that they found me by searching "Animorphs Commission" and if that ain't the best thing, I don't know what is. :D
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I just saw someone complain that the morphing sequence in the 2017 movie wasn’t complex enough…compared to them shouting and getting their suit green screened over them?
How the morphing sequence for the 2017 rangers would look after their dramatic first morph is another unfortunate casualty of losing the film franchise
But I think people are forgetting that yeah, a morphing sequence does not need to involve a million flips and gestures for it to look cool kdjkfjd MMPR's certainly didn't for it to become iconic
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The new security
Page 05
Comic from last year.
When you get the job you always wanted - what do you get in return?
See the full comic and much more on
patreon.com/growthcorp2020
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The Fallout TV show is incredibly unfaithful to the games. It should have started with a 20 minute sequence where Lucy's facial features morph and her hairstyle changes, followed by a tutorial section where she learns how to crouch.
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Here's the new single from my album Javelin. Video animated by Stephen Halker. “Will Anybody Ever Love Me?” More info here.
THANK YOU.
Quick background about the video: my friend Stephen Halker took elements from the album art that I made (collage, paper arts, paintings etc.) and incorporated them into these really wild CGI fantasy landscapes that he created. He sent me some notes about his process and approach that I thought were really cool, if you're interested.
From Stephen:
"This is what I was really thinking about when i made this video:
It's like walking into someone's soul. First they put up these facades that look normal, but then you find out how messy they are.
I wanted it to start out super normal and cultivated. a landscape made flat by the machinations of an agrarian society.
Then a nice walk through a forest. nothing special. but more wild
Then the expanse of a grand canyon.... but you go, "hey what's that thing on the ground? Is that supposed to be there?
The grasslands are when you start to see curated memories. clean circles of thoughts. Everything is still manageable, manicured, controlled. but what's that on the horizon. looks like there's some bigger thoughts buried in those grassy north dakotan buttes.
Then comes the chorus. You gotta mix it up for the chorus. This scene is called darklands in my computer. I made the hexagons to reference Carrie and Lowell. i thought of this structure as if it was the longings of the heart. this sort of plinth of idols. Starting with the starlet from the "Will anybody ever love me" page of the booklet. Then transferring that longing to archetype.... then parents, family, friends, the love of the masses...
Once you know this much about someone, the rest of it is just is just a continuation of craziness. I wanted to morph from contained circles toward individual cut out shapes.
moving through different corridors and memories.
Obsessing over one memory.
Building towers of meaning, trying to make sense of moments events through repetition and fortification.
Second chorus was supposed to recall some of the previous scenes. the wheat, the Planet, travelling through the same hexagons, but this time they aren't filled with icons. just patterns.
you travel through the puffy paint wormhole into a less tethered version of the self.
No more landscape. just a repetition of memories. The world has fallen away.
I've always loved phyllotaxis and golden sections. they feel very.... "this goes on forever"-y.
The image of your face split in half, thrown into this fibonacci sequence reminded me of your "perpetual self" song from avalanche (which has always stuck with me)
There's a floor again. but now it's just the triangle and tape patterns. illuminated.
Flip to the image of Katrina under the owl was giving off a strong "athena" vibe. Goddess of wisdom, craft, warfare. She could make sense of my warring emotions.
End scene."
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The fat Simba strut! Just imagine, when he turns into an adult during the Hakuna Matata, he turns into this blob of a king Thanks to @EnglishOtter for the commission! Always great to fatten up this charming king
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