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#mind you these fillers are like after alabasta
sancastarcs · 4 months
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take everything back from what I said for one piece fillers nami is SO out of character in these little stupid stories?? a kid was threatened to die and she literally said she doesn't care bc she is not a good enough of a person? And said that Luffy is dead so it's better for them to leave??? what the hell?
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ponreviews · 2 years
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One Piece: Post Alabasta - Pure Shenanigans
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Category: Shounen, Adventure
Overall Rating: 7/10
Synopsis:
After parting with Vivi in Alabasta, the crew take off to traverse more of the vast Grand Line!! They stop over at a few different islands and this filler arc follows each of the Straw Hats as they go on little mini adventures before their next big stop.
[SPOILERS AHEAD THRU EP. 135]
Review:
This arc is a nice little break after defeating Crocodile in Alabasta. They got a little stowaway/new member Nico Robin. Of course, not everyone is fond of the idea of having Crocodile's right-hand woman on board the Going Merry, let alone be part of the crew. Chopper was especially hesitant since Crocodile's control over Alabasta had some similarity to Wapol's reign over Drum Kingdom.
The first episode follows Chopper since he stayed behind to watch the Going Merry while the rest of the crew look for some food. Little did he know that Robin also stayed behind to read a book. This allowed the two characters some alone time and Chopper to start opening up to her about Kureha. It's a nice bit since after this episode, you see that Robin and Chopper become really close.
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The following episode has a particular focus on Nami. A suspicious salesman shows up on the Going Merry after Luffy fishes him from the sea with wares he tries to sell to the Straw Hats. None of them seemed to be interested in what he wants to sell, but Nami notices something in his pile of junk, quality paper. The Straw Hats are confused as to why she was so keen on the paper. She wouldn't say what she was working on and still kept her boundaries up with the crew. When Luffy ruins her map, she explodes and threatens to fine anyone who tries to disturb her as she remakes the map. This threat pretty much scares the crew so much that they don't try getting her until a waterspout heading their way gets really close. This part of the story may not have a huge impact considering its a filler but it does give us a little more insight on what goes on in Nami's mind. This may have been the true start of her knocking down the walls she built up. Of course, that actually started in Arlong Park, but it just goes to show that it takes a while for her to open up.
Then, we got Sanji. The Straw Hats get surrounded by the Marines in some fog, where they run into trainee Marine chef, Tajio. We get to see Sanji in a teacher role in this episode. Tajio struggles to remember how to make curry like the Chef wanted. Sanji decided to help him with the recipe all while being chased by Marine soldiers. It's not much, but we do see a bit of Zeff's influence on Sanji here. The style of teaching is similar when it comes to cooking. They both want their student to get it on their own, so they let their pupil take the reigns and only give the subtlest of hints. Considering it's filler (and this applies to all the Straw Hats as well), it's a nice way to show his interests and quirks.
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After that, we get more insight on Usopp. The Straw Hats dock on an island right on time for a local fireworks festival. Usopp is fascinated by the fireworks made by one family that the townspeople were talking about. He meets Kodama who is a young fireworks maker on the island. She's determined to create an improved version of a massive fireworks display her parents made. Unfortunately, the original display went awry and resulted in the pair's death. I thought it was a nice way to show Usopp as someone who wants to improve his craft much like Kodama wants to improve hers.
From there we get a little more background on Zoro. We go back into his bounty hunting days and how he met Johnny and Yosaku. Even back then his dream is to beat Mihawk and become the greatest swordsman in the world. For the most part, this episode just provides more context in Zoro's relationship with Johnny and Yosaku. Besides that, we pretty much know everything there is to know about Zoro so far. I love Zoro, but out of the episodes in this arc, I think I was falling asleep the most here. "But Pon! Chopper's episode was him just him talking about Kureha with Robin! At least Zoro had a battle here!" Yeah, well, I am biased towards Chopper. Chopper's filler episode arguably had the most relevance to the plot because of his developing friendship with Robin. This episode with Zoro is just yes we know you want to be the best swordsman because of your dead friend. Call me insensitive, but every bit of information about Zoro was already established in the East Blue Saga. As a result, his episode was not as insightful or entertaining as the others. Additionally, it's a flashback rather than present day. We get flashbacks within flashbacks.
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Of course, we wouldn't need to focus on Luffy or Robin in this arc. Luffy's story has to be explored in canon. Robin, on the otherhand, is too new to have any kind of background other than being Crocodile's right hand woman and now the Straw Hats' stowaway. At this point, only Luffy trusts Robin. Sanji is an exception because he's a simp. Everyone else is wary of her presence, and understandably so.
While we don't get much from this filler arc, we at least get some focus on the Straw Hats individually. And although we don't get focus on Robin, we see a more gradual acceptance of her being in the crew. On its own, this filler arc is just a bunch of one-shots following Luffy's pirate crew. It's not a bad way to describe the stories here. It's not the most exciting, but that's kind of the point. It's a cool down period after defeating a WARLORD in Alabasta. At least here, unlike Boruto's odd timeline, there's a clean transition between canon and filler. I'm still not expecting much when it comes to these fillers, but this one at least gives me hope for cohesiveness.
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recentanimenews · 5 years
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Ranking All 49 One Piece Anime Arcs (Yes, Even The Filler)
  On July 7th, the long-awaited Wano arc of One Piece begins, and because we're about to jump into an arc that's been building up for eleven years, I think it's as good a time as any to rank all 49 of the arcs that we have already. And I'm going to include the filler arcs, too, because even though many of them can't really hold a candle to the main narrative, I think a few of them are quite underrated. 
  49. Buggy's Crew Adventures
    This isn't really an arc so much as a sigh of relief after the runaway train of emotion of the last few episodes of Arlong Park. You can laugh at Buggy for a bit after watching Nami's soul get ripped apart (and then put back together again).
48. Post Alabasta
    You know video game sidequests that are basically around to level up your specific partner characters so that they don't get immediately wiped out in boss fights? This is the anime filler arc version of that. It's fun, though.
47. Foxy's Return
    I loooooove Foxy and I looooove the Davy Back Fight arc. But Foxy's Return doesn't quite hit home. It might be because we last saw Foxy six episodes ago, but it truly speaks to Foxy's character that he'd try to make a grand, dramatic return after he got the crap kicked out of him so recently.  
46. Spa Island
    Foxy returns again in Spa Island, though this filler arc is mostly notable for the fact that Luffy uses Gear Third to split an artificial island in half. That alone wins this arc points.
45. Warship Island
    Warship Island isn't a bad filler arc, just a victim of poor placement. It comes right after Loguetown and right after the Straw Hats have each declared their dreams. So it becomes a pit stop arc, like the Straw Hat crew getting gas and snacks before they head out on the Grand Line.
44. Little East Blue
    I like to think of Little East Blue as a celebration of pre time skip One Piece, where the Straw Hats get (deservedly) celebrated for a bit. It's cute and it's a nice prologue to the Strong World movie. 
43. Z's Ambition
    The filler arcs that precede the movies are an odd bunch, as they tend to end with the main villain of the movie showing up in the last five minutes and declaring their plans. So it's hard to enjoy them on their own. That said, Z's Ambition has enough action that even if you don't watch Film Z (but you should, as it's great), you won't really mind the cliffhanger finale.
42. Straw Hat Separation
    After Kuma wiped out the crew, this batch of episodes shows where they all ended up. And it's mainly a montage of Straw Hats being confused. And don't get me wrong—the Straw Hats do confusion like nobody's business. But you get more out of their separation in the Post War arc when they finally get around to business. 
41. Diary of Koby-Meppo
    Koby is a character that has always deserved more time, so getting a few episodes devoted to him and Helmeppo training to be Marines is welcome. Also, my dude Garp shows up for the first time, which means that I've rewatched these two episodes FAR more than I should. 
40. Goat Island
    Goat Island doesn't feel as "classic" as G-8, nor is it as entertaining as Ocean's Dream. In fact, it's about as fluffy as the goats that appear in it. But a three episode arc where Chopper talks to goats and Luffy doesn't beat up a villain but rather causes him to get shipwrecked? I'm FOR it. 
  39. Chopper Man Special
    Chopper Man has Chopper in a cape. It's worth it for that. Please @ me. Chopper Man, you're my hero, and I hope you one day get a Chopper Man & Sogeking Save The Grand Line special.
  38. Romance Dawn
    Romance Dawn establishes a lot of things that will become classic tropes in One Piece: Going to a new island, meeting new crew members, helping out little kids, taking out a power hungry warlord, etc. It's a blueprint arc, and it works well as that. Sadly, the anime would not continue the "introduce a Straw Hat character with rad guitar" idea like they do with Zoro here. 
37. Orange Town
    The East Blue saga only gets better as it goes along, and Orange Town provides a nice counter to Romance Dawn. For example, if Axe-Hand Morgan represented the seriousness of the Marine threat in the last arc, then Buggy represents the other side of the villains that the Straw Hat Crew will encounter: cartoonish, loud, and beaten in a really fun way. 
36. Ruluka Island
    Ruluka Island feels like condensed One Piece, like you'd just add some water to turn this four episode arc into a twenty episode one. It's a nice arc to stretch your legs in before you go to the big themes of Jaya.
35. Ice Hunter
    Ice Hunter is neat because it gives every member of the Straw Hat crew a little time to shine in a story that is action-packed and intriguing. If you miss pre timeskip One Piece and haven't watched the Ice Hunter arc, give it a shot.
34. Marine Rookie
    I know that we're all eager to see the Straw Hats reunite in Wano, but if you want to see more of Whole Cake's Sanji Retrieval Team, the Marine Rookie arc makes for a solid bonus round. Also, the only reason it starts is because Luffy eats all of the Straw Hats' supplies, which, logically, should be the beginning of waaaaay more One Piece arcs.
33. Silver Mine
    If you didn't get enough Bartolomeo in Dressrosa, then surprise! They made a filler arc just for you. 
  32. Boss Luffy Specials
    You know when you fall asleep watching a show, and then you wake back up and, in your grogginess, suddenly whatever is on TV looks insane? That's what happened to me with Boss Luffy. I had just finished watching Ace's fight with Blackbeard and then, boom. I was out. Then I wake up and see the Straw Hats in 19th century Japan. The Boss Luffy stuff is fun, but I think it's best viewed when you're in a delirious half sleep. That's just my personal preference, though.
31. Caesar Retrieval
    Caesar made for a fine antagonist on Punk Hazard, but he's even better as shreiking deadweight that the Straw Hat Crew and Company have to keep alive. 
30. Little Garden
    Little Garden isn't as cool as Whisky Peak, nor does it provide the emotional gut punch of Drum Island. Instead, it's mainly here to further the theme of what it means to be a true warrior and introduce giants (and dinosaurs!) in the One Piece universe. It gives Usopp some of the character development that he needs and Zoro almost cuts off his own feet in an effort to keep fighting. Any arc that illustrates how hard Zoro goes gets at least one thumb up from me.
29. Loguetown
      Loguetown is a fun arc when you consider just how much it expands the scope of the world. Smoker and Tashigi truly begin the Navy's quest to stop the Straw Hats, Dragon gets introduced in a big, mysterious way, and Luffy takes a massive step in establishing himself in the realm of pirating. However, the Straw Hat side stories in the middle (aside from Zoro's awesome bit in the sword shop) slow it down a little. 
28. Zou
    Zou might be one of the most visually rich arcs in the series. From the massive elephant to the Mink tribe to the terror of Jack to more lessons about the poneglyphs, there's a lot shoved into this short span. And between the intense epics of Dressrosa and Whole Cake Island, it's fits nicely as 10 cc's of wonder and fantasy injected into the New World.  
27. Fishman Island
    Fishman Island occupies a weird spot. It's thematically heavy, but also serves as the action-packed Straw Hat Crew comeback tour. It needs to stand on its own, but it also caps off with a declaration of war against Big Mom, a villain that won't be encountered for years. In all, I feel that the importance of the Fishman Island arc is yet to be truly realized. 
26. Ocean's Dream
    One of the final two filler arcs on this list, Ocean's Dream seems like One Piece fan fiction in the best way. If you were dissatisfied with Luffy's fight with Zoro on Whisky Peak, you get another round of it here while Zoro is being mind controlled. 
25. Syrup Village
    If Romance Dawn and Orange Town were warm up laps, Syrup Village is when One Piece begins to break out in a sprint. The introduction of Usopp and the Going Merry make for some great moments and it's this arc that got me hooked on One Piece when I first started watching it. 
24. Dressrosa
    Dressrosa, for better (and sometimes for worse) is massive. Doflamingo is a threat that had been popping up since the Jaya arc, but because of Dressrosa's scope, his defeat can feel a little lackluster, especially when you consider that he's a pitstop on the road to Kaido. But Dressrosa introduces the endlessly cool Fujitora and the Straw Hats' big pirate alliance, and also gives us the dual backstories to Law and Doflamingo, neither of which disappoint. Also, Doflamingo's abilities lead to some of the coolest action scenes in the series. 
23. Return to Sabaody
    The post-timeskip starts with a bang, as the Return to Sabaody arc is both hilarious and thrilling. The Straw Hats get to show off their newfound strength as they do what they definitely couldn't do in the first Sabaody arc (easily knock out a Pacifista). And we also get to meet the Fake Straw Hat crew, which does a nice job of illuminating just how much the legend of the Straw Hats has grown since they were last together. 
22. Reverse Mountain
    One of the major strengths of One Piece is that it can accomplish three kinds of storytelling at once—giving us a narrative that is immediately satisying, giving us a narrative that will be satisfying in the near future, and giving us a narrative that will be satisfying in the long term. In the Reverse Mountain arc, we not only get a nice story about Laboon, but we also get introduced to Baroque Works (who will be the main antagonists of the saga), and also, we get hints that will only pay off when Brook is introduced years later. Reverse Mountain is short, but it also displays Eiichiro Oda's wonderful talent as a writer. 
21. Long Ring Long Land
    I've seen people on the internet say stuff like "WHEN I REACHED THE DAVY BACK FIGHT ARC, I NEARLY STOPPED READING!" and man, why? Quitting a series that you love because it slightly diverts from the hero fighting god-like enemies in order to participate in some fun games? Everyone has their own opinions, but your opinion of what fiction should be is wrong. That said, this arc is hilarious and great. 
20. Whisky Peak
    Whisky Peak is so cool. It's an anime arc with swagger, the kind that steps into a bar and buys everyone a round. I want to be friends with Whisky Peak but I know, deep down, that Whisky Peak is far too rad to be friends with me.
  19. Reverie
    The best thing about the Reverie arc is that it makes the world of One Piece a little more conveniently manageable (Oh neat. All of the major side characters get to hang out for a while), while also opening a can of worms (What's with the giant straw hat? WHAT'S WITH THE GIANT STRAW HAT?). Because this is the most recent arc, I don't know if we've seen the ripples that it will create across the One Piece world, but I sure am excited to.
  18. Post Enies Lobby
    This isn't the first time the Straw Hats have been forced to flee a place. However, this is the first time that it's felt like they'd be wiped out if they didn't. The return of Garp (and the spectre of the Yonko) throw the Straw Hats into all new territory, one where maybe being the plucky underdog team isn't enough to save them from the threats that come. Also, goofy Franky joins the team, which provides a nice counter-balance to the hints of oblivion. 
17. Punk Hazard
    Punk Hazard is home to one of my top 10 One Piece fights (Vergo vs Law & Smoker), features one of my favorite locations (an island that is half fire/magma and half ice/snow and home to an evil science base), and introduces a character that has only grown on me with time (Here's a hint on who he is: He laughs like "SHERURURURURURU SHERURURURURURU). It's kind of a prequel to Dressrosa, but in that spot, does a great job at furthering the menace of Doflamingo. 
16. Post War
      The introduction of Sabo aka Steampunk Ace aka I'm Just Kidding Sabo Is Kinda Cool and Luffy realizing that he has his crew to keep him going make the Post-War arc into a short but powerful cap to the pre-timeskip era. 
15. Amazon Lily
    Boa Hancock is a supremely underrated One Piece character, with a terribly sad backstory, amazing powers, and a hilarious crush on Luffy. And Amazon Lily helps further the major trend that will reach fever pitch in Dressrosa of Luffy amassing supporters because he's just such a dang ol' nice guy. Hopefully Hancock will one day meet Bartolomeo and together they will start a Luffy fan club and then argue over who gets to be President. 
14. Jaya
    If you were in the dark as to what the themes of One Piece are, here comes Jaya with a flashlight. This is basically a montage of the things that are important to the Straw Hat crew, and it introduces Blackbeard, a guy that will go from "Oh he seems interesting" to "OH I HATE HIM" over the next few hundred chapters. Luffy saying "Do I know how to throw a punch, you ask?" before absolutely walloping Bellamy still gives me goose bumps.
13. Thriller Bark
      There's so much good to Thriller Bark—the spooky atmosphere, the introduction of Brook, the underrated Gekko Moriah, the Binks' Sake song, the Straw Hats teaming up to face a giant zombie, etc. And just when you think it can't get any better, Kuma shows up and rocks the One Piece world. 
12. Impel Down
    Hey! It's Buggy! And Mr. 3! And Mr. 2! And Crocodile! And our new best boy Jinbe! And Ivankov! As both a launching point for new protagonists and a comeback for old foes (along with introducing Magellan, one of the best villains in the series, and Shiryu, one of the scariest villains in the series), Impel Down succeeds. I love it more and more with time.
11. Drum Island
    I've written an entire article about why the arc where we first meet Tony Tony Chopper makes me weep, so I'll try to be brief here. Drum Island is beautiful. It's the story of a little deer guy that couldn't find a place in the world and the loud rubber bro that gave him one. It's an arc about the price of dreams and the power of having someone stand up for you when you need it most. It's about love and respect and kindess. And now I'm about to cry again. THANKS A LOT, ONE PIECE.
10. Baratie
    The Baratie arc is the first hint that we'll get about how hectic the One Piece world is. We meet Sanji, we meet Don Krieg, and we meet Mihawk (and is stronger than the whole cast of the show combined at this point). Syrup Village is about leaving your comfort zones and Baratie is about finding a home in the chaos that follows. 
9. G-8
    The best One Piece filler arc and the One Piece arc that I most revisit (it's only 11 episodes, can you blame me?), G-8 is a One Piece Greatest Hits collection and possibly the first thing you should show someone if they want to get into One Piece but don't have long to do so. 
8. Alabasta
    Are the Straw Hats ready for the Grand Line? Are they ready to topple evil villains and protect those that need help? That's what Alabasta asks and the answer is "Oh yeah." Luffy punching Crocodile up through the center of the city is an iconic moment, showing us that the Straw Hats, whether they mean to be or not, are forces of good in the world. 
7. Marineford
    Marineford is loud and chaotic and powerful, forcing Luffy into a situation where he is simply an especially energetic pawn on the chessboard of battle. It's just as much of a rescue mission as it is a quest for survival for him, but in the midst of Whitebeard and the three admirals and the Shichibukai, Luffy makes his mark. However, he doesn't do it through displays of awe-inspiring force, but through his willpower. Aokiji is right when he says that Luffy isn't "ready for this stage yet," but the thing that scares the Navy most is that one day, he will be. 
6. Sabaody Archipelago
    This is not a happy arc. It's a satisfying one (Luffy punching the Celestial Dragon will never get old), and it's an illuminating one (Silver Rayleigh, y'all!), but it's not one that will end with cheering. Kizaru shows up to put an entire generation of pirates in their place and Kuma wipes out the Straw Hats. That said, even if it concludes with the most uncertain moment in the series, it's still a fun ride. 
5. Arlong Park
      Nami is the soul of the Straw Hat Crew, and learning what she's been through at the hands of the despicable Arlong is heart-breaking. But Luffy doesn't need to know every detail to know that he needs to help and the Straw Hats walking to Arlong Park is another one of those "One Piece is literally the best thing ever" moments. And by the end, every Straw Hat bro gets a victory, Luffy gets a bounty, and Nami gets her freedom. And what does she do with this freedom? She joins a ship full of dummies as their navigator. And I'm so happy about that. 
4. Enies Lobby
    For many, Enies Lobby is THE arc and I'm not disagreeing with them. It's such a display of raw emotion and exciting battles, a nonstop rollercoaster of everything that makes One Piece great. And it ends with a Viking funeral for the Going Merry, a scene that reveals Oda's true power as a writer: He makes you sob about a ship. 
3. Whole Cake Island
    If Enies Lobby is about being a hero, then Whole Cake Island is about letting that idea go. The Straw Hats can't beat Big Mom or her crew and will have to settle with getting Sanji and getting out. And Katakuri, the protective brother of the Charlotte family, learns that he doesn't have to be perfect all the time. It's a beautiful arc that shows that Oda is willing to play around with some of the pre-established ideas of One Piece.
2. Water 7
    Robin leaves. Usopp defects, Luffy is forced to do things that no captain wants to, and a villainous team shows up that seems unstoppable. Water 7 may be the first half of a story that continues with Enies Lobby, but I find it to be the better one (though not by much). It's an arc that constantly leaves you saying "Well, what else could go wrong?" and then something else does. And it's just so good.
1. Skypiea
    This is it. Everything good about One Piece, from the powerful villain (with a great weakness), to the touching themes, to enchanting locations, to the gripping adventures, is wrapped up in Skypiea. And while I have no problems with arcs being connected, there's just something about the standalone nature of Skypiea that leads me to regularly revisit it. It's an arc that makes me glad that I started this nearly 900 episode adventure in the first place. And that's the highest compliment that I can give.
  Want to make your own ranking? Then watch One Piece on Crunchyroll! It's literally the only way.
  What is your favorite One Piece arc? How do you feel about this ranking? Let us know in the comments!
    ------------------------
  Daniel Dockery is a writer and editor for Crunchyroll. He has a Twitter, where you can disagree with him. 
Do you love writing? Do you love anime? If you have an idea for a features story, pitch it to Crunchyroll Features!
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asexualzoro · 6 years
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list of reasons I find zoro ridiculous
after my similarly titled mihawk post took off I decided to make a zoro post, since he’s my second favorite character and also arguably the most ridiculous character in all of One Piece. here we go
- I know what you’re all thinking. i’m gonna open this list with how he wields three swords, right? no. no, Zoro has done so much ridiculous bullshit, this doesn’t even seem weird anymore. i don’t even bat my eye at this. this is nothing. now that i’ve got that out of the way, let’s begin
- this dude has like, an obsession with cutting off his own limbs? and MAYBE i can understand trying to cut his feet off when they were stuck in wax—you’re trying to save your friends, i get it—but what about when he was sword shopping in loguetown? who’s first response when buying a cursed sword and testing if it’s really cursed is “i’ll toss it in the air n see if I get amputated lol.” plus there’s that old filler where luffy gets his finger stuck in a bottle and, when he asks zoro for help getting it out, zoro tries to CUT IT OFF. im convinced he lost that left eye of his bc he got dust or something in it and then tried to stab it out
- there’s like, several occasions where Zoro has been directed to head up a staircase and gone some other direction. it happened in enies lobby and in dressrosa? like, what’s the dude got against stai—... oh, wait
- his reintroduction post timeskip. get on the wrong boat? just cut it in half! who even cares! how’d you even end up on the wrong boat? you had to walk towards that boat, which means looking at the boat. that boat looked nothing like the sunny, wouldn’t zoro have noticed that? he also has to make an effort to climb on, which means, you guessed it, looking at the boat! he probably sees the crew members, maybe even gets helped up by one or a few. how did he not at any point in time notice that wasn’t his boat?
- also when they landed on sabaody the first time and zoro was like “i’m gonna go take a walk!” and both Sanji and Usopp tried to stop him, talking to him like concerned parents of a troublemaking toddler, like “Zoro you can’t go out there you’ll get lost!” to which Zoro replies “yeah but the grottos are numbered, I can find my way back if I just remember the number!” and Sanji and Usopp are like “okay, solid logic, even YOURE not dumb enough to mess that up” and what does Zoro do? what does he fucking do?
- I want to emphasize he messes it up because a bubble covers the 4 in “Grotto 41” so he thinks it’s grotto 1. BUBBLES. ARE. TRANSPARENT
- “sorry, I don’t pray to god” fuckin edgelord
- Zoro’s epithet is “Pirate Hunter” and it’s super lame. he could’ve been “Demon of the East Blue” but they went with pirate hunter, even though he became a pirate. even Chopper’s is better than his lbr
- THERES A SCENE WHERE SANJI THREATENS TO PUT RAZOR BLADES IN ZOROS FOOD N ZOROS LIKE “do it u won’t” SO SANJI DOES AND ZORO JUST EATS THEM? ODA EVEN GOT ASKED ABOUT IT IN AN SBS AND CONFIRMED YES, ZORO DID IN FACT EAT RAZOR BLADES. THIS 2EDGY4U BITCH JUST. STRAIGHT UP. ATE RAZOR BLADES
- in film gold he wears that black jacket under the white one. mind you he had no way of knowing he would be trapped in gold by tesoro or that they’d all have a dramatic coordinated outfit change once he was free so what the fuck was he doing? why did he wear that? who wears two jackets for no reason?
- “if i’m gonna be a statue I want it to be in this pose” “i’m glad I struck a pose”
- remember when zoro fought mr. 1 in alabasta and mr. 1 dropped a stone building on him and he was just like “this is a rocky day” or smth equally awful? i hate him
- the tarzan yell in skypiea
- actually, the goggles too.
- didn’t he try to convince someone he was fighting they were sunglasses bc they had some blinding light-based attack? I feel like he did but I don’t remember skypiea well enough to be sure
- Zoro vs the bird in skypiea. spent a fair amount of the damn arc running around skypiea getting messed w by a bird (which, according to Luffy, was more evolved than Zoro bc it had developed a sense of direction. burned by ur own captain)
- when asked why Zoro was able to speak with a sword in his mouth, oda said “IT’S HIS HEART SPEAKING”
- that colorspread Zoro where he reads a book about weightlifting while balancing a weight on top
- when Zoro fights that masochist guy in film gold (I think his name was dice?) and said some cocky ass one liner after the guy fell unconscious that went something like “What's wrong? Didn't it feel good? Aren't you gonna scream in pleasure?" awful
- Zoro almost gets murdered by Mihawk and then, later that day, tries to take on fishmen underwater. others r like “you cannot handle this, you will literally die” and Zoro doesn’t even care bc Luffy is in trouble
- he was sailing bc he left home to find mihawk and then couldn’t figure out how to get back
- remember that filler where Zoro taught Luffy how to skate but then forgot to teach him how to turn. I love both that this happened and the implication that Zoro is a person who knows how to roller skate and therefore has spent time roller skating. Zoro roller skating backstory when?
- when Zoro was fighting oz, a 500 year old corpse, he licked his sword. now, on top of licking his sword being ridiculous as hell because, listen, there’s NOTHING cool about licking your sword. you just look like a loser. but a sword that just came out of a 500 year old corpse? really? i know it was preserved by the cold and all but there’s no way it didn’t rot at all. that’s a rotted, frozen corpse. Zoro what in the HELL were you thinking. I hope you get sick
- i’m sure it probably wasn’t even the first time he licked his sword in a fight but I will say with absolute confidence he looked like a loser every single time
- I feel like he licked his sword while facing mr 1 but I can’t remember. if he did, that’s honestly iconic. stare down a dude that’s made of swords while licking yours? power move. only decent time to kick your sword
- Zoro, joining Luffy: “if you stand in the way of my dream i’ll kill you!” Zoro, a day later: “of course i’ll carry my captain in this heavy cage on my back to safety. oh this gaping wound in my side? nothing. who cares about bleeding to death, my captain needs me!”
- all those big weights he’s got. all of them.
- especially that time he was lifting weights post thriller bark after barely surviving kuma, still heavily injuries, complaining about how weak he is. buddy...
- that time in drum island where he decided to train by going swimming in the freezing ice-country water, then when he got out he got lost in the snowy mountains until he wandered into a random battle and took out some guy just to steal his coat
- this isn’t the only time he steals some random dude’s coat
- the chimney.
- that filler in smiles lobby where he gets, like, abducted by a bunch of children for a day and integrated into their family?
- Roronoa Zoro went fursuiting in dressrosa and that’s a canon fact you all must acknowledge
- speaking of being a furry anyone remember mugiwara theater?
- THE FUCKING MUGIWARA THEATER NAMES. mugiwara theater is a gift, alright? here’s some: nakamura hanzorou. zobear. ZOROMILK
- I FORGOT TO MENTION. THAT TIME ZORO N USOPP WERE HANDCUFFED TOGETHER AND ZORO TRIED TO CONVINCE USOPP TO PLAY ROCK PAPER SCISSORS WITH HIM TO SEE WHICH ONE OF THEM WOULD HAVE TO CUT THEIR HAND OFF
- also the fact that his logic was “it’ll be fine cuz chopper can just sew it back on”
- can we also talk abt how later that fight he uses Usopp as a sword because holy shit Zoro
- this isn’t technically zoro’s fault but the guy who sold him his sword to him in loguetown has a giant version of bounty image up above his bath, which........
- barto asked for zoro’s autograph and Zoro just wrote “sword”
- the grave of the rumbar pirates was finished right around when Zoro woke up from his coma post thriller bark and Zoro decided to walk over while Brook is sitting there mourning almost everyone he ever loved and just. plops his sword—an inanimate object—in the dirt by the grave of BROOKS ENTIRE CREW like “hey i’m gonna bury this here u don’t mind tho right? cool”
- he’s lucky Brook is such a cool dude cuz if I was mourning the death of MY crew and some fuck decided to plant a rusty sword there i’d just fuckin kill em
- in Zou they were talking abt whatever and Luffy mentioned how Sanji was as strong as one thousand men and Zoro, clearly jealous that Sanji got praised by Luffy, butt in with a stuttery objection on how HE was stronger than Sanji and worth TWO THOUSAND men, which luffy ignored, and Nami had to reassure him that yes, Zoro, we know you’re strong. toddler
- this is also not technically zoro’s fault but one time someone asked oda in an sbs which strawhats would eat ice in their drink and oda answered who would n wouldn’t (Luffy, Chopper, Brook, Usopp, and Robin would, if ur wondering). Zoro was on the wouldn’t list, and some fan sent oda a letter informing him of a panel where Zoro was shown eating ice to disprove this. someone pulled zoro ice eating receipts on oda and that’s a fact we all have to live with
- the first time Zoro meets mihawk—the strongest man in the world, the man he wants to defeat someday, and incredibly powerful and impressive dude—he cries like a baby
- zoro’s been crucified like 4 times now. once in his introduction than in three movies (6, gold, nebulandia). idk why this keeps happening but honestly? keep it up
- when Brook joined the crew, Zoro said he was sorry for Brooks bad luck as if one of the first things Brook ever saw Zoro do wasn’t to try and die for the crew via Giant Paw Ball of Pain
- speaking of, i’m pretty sure half the reason zoro DIDNT die in thriller bark is because if he died via smth as silly as a giant paw ball his injured pride would kill him again
- I was going to make fun of Zoro for wearing only a suit and a fake mustache in dressrosa as a disguise but then I realized, like, given how absolutely shredded Zoro was in Punk Hazard and how that suit somehow managed to squish it all down without zoro ripping the sleeves off? solid disguise
- when merry was burning and everyone’s bawling and remembering great memories on the ship and Zoro was standing there, 100% stoic, remembering a nap
- Zoro saw marines (Garp) coming to Water 7 while Luffy was still unconscious and ran off to warn the others but couldn’t find his way back to the hotel
- that G8 filler where he falls off a cliff in pursuit of his swords
- speaking of fillers, remember that amnesia one? (ha). highlights include Zoro trying to physically fight a small sea horse (plus Usopp doing a bad lip-syncing) and Zoro swimming through the Grand Line with his swords tied to his head by his bandana
- meets a dragon, eats the dragon
- it got mentioned once that Sanji and Nami canonly help Zoro and the other guys get dressed. so every time Zoro wears something absolutely ridiculous (which is often), it’s probably Sanjis doing
- “I can’t believe I cut a freaking booger!!”
- speaking of, remember that time Luffy flicked a booger into Zoro’s drink at the Baratie and Zoro tried to force him to drink it?? remember that?? I hate them both
- that time Zoro was trying to find the Right Eye in Skypiea, said that (though the path to get there was STRAIGHT AHEAD) all he had to do to find the right eye was just keep going right (even though that would just lead him in circles!). and then after that do you know what direction he went?? do you know?? he fucking went left
- the time Zoro got lost walking on a straight path in a filler.
- Zoro lost to a guy in a fight and just fucking let the dude cut him in half. like, yes, the baratie scene was all cool as all hell and I love it but Zoro did in fact basically invite a dude to cut him in half
- when they were hit by negative hollows and everyone else said stuff that was kinda funny but Zoro went straight up “I don’t deserve to exist” please honey talk to someone
- he was fighting Kaku and kept engaging in Kaku’s devil fruit bs and then berating himself for being uncool as if he wasn’t already fighting a giant giraffe
- to end this list, I want to get to Zoro’s absolute worst offense. remember when Zoro fought Kaku and he did that asura form thing? where he straight up grew four extra arms and two extra heads, all wielding swords? what the FUCK was that? and don’t tell me “fighting spirit” alright. that’s bull. people don’t just GROW EXTRA SWORD-WIELDING BODY PARTS because they’re just REALLY INTO a FIGHT. like I know this is One Piece and shit’s ridiculous all this time but this? this is too much. even for One Piece this is too much. this is so ridiculous. there has to be a line, even in One Piece, with what these guys are allowed to get away with. I can accept haki so good you can see the future. I can accept spinning so fast you set your leg on fire. I can accept being made of springs. I can accept booger bombs. I can accept all that and more, but this? this is where i take my stand. Roronoa Zoro cannot keep getting away with this! fighting spirit is just not an explanation. and the worst part? the absolute worst part?
- Zoro makes four extra limbs and two extra heads, all armed with swords, MATERIALIZE out of THIN AIR with absolutely NO REAL EXPLANATION and then pretty much NEVER DOES IT AGAIN! he did it once in sabaody (and once in strong world) and then hasn’t done it since! everyone else uses the power ups they got in enies lobby all the time but Zoro, somewhere out there, knows how fuckin sick this attack is (bc yeah it’s ridiculous as hell but like I still enjoy it) and he just won’t do it again. not once post timeskip has he used it at all. Roronoa Zoro knows what he’s doing and he is out there, right now, laughing
- roronoa zoro is one of my top three favorite one piece characters and I make this list entirely out of love. (feel free to add on more moments I may have missed and i’ll add them)
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creative-type · 7 years
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Worth A Thousand Words III: Oda and Stealth Character Development
So...what’s the point of the Skypiea arc? It’s a question One Piece fans and detractors alike ask. I don’t know the answer, but it was probably because Oda thought it would be cool. By its very nature One Piece is not a tightly woven story. Rather, it’s  a sprawling adventure epic, and it does sprawl epically.
Skypiea is, however, an excellent arc when it comes to Straw Hat development, and today I want to focus on one scene in particular with regards to my favorite Nico Robin. 
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No, not that one. 
While there is a certain significance to the fact that a survivalist like Robin would choose to side with the Straw Hats over the hugely powerful Enel, the moment Zoro catches Robin is more important to Zoro than Robin. He was the most openly against her, the one who trusted her the least for the longest amount of time. Here Oda is showing us in big flashing lights that, yeah, Zoro has accepted Robin as part of the crew. 
But I don’t want to talk about big, flashy character moments. I want to talk about this
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Robin actually gets a pretty decent chunk of screen time during the Sky Island Saga as a whole. It was easier back then because Oda was juggling six main characters instead of nine, but it’s pretty easy to tell he was giving Robin special focus. 
This makes sense. Firstly, Robin was a former enemy, so there’s a need to separate Nico Robin from her Miss All Sunday persona. Secondly, as important as Robin’s dreams are to the narrative as a whole, her position on the ship is the only one that isn’t strictly necessary. Any pirate crew requires fighters, cooks, navigators and the like, but very few would deem  “archaeologist” as a position needing to be filled. So immediately after adding her to the crew Oda makes up a situation where Robin’s skills are helpful and necessary
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In this scene Robin also establishes she’s the only one in the crew who’s even heard of the sky islands, while giving some much-needed wisdom to Nami. This, along with what we’ve seen in chapter 218 and the end of 217 gives us what we need to know about Robin’s personality and position in the Straw Hat’s crew. Then shortly after stealing Jaya’s eternal pose from Masira (showing off yet another skill usually relegated to Nami) Robin almost disappears from the narrative entirely and is largely absent from the Jaya sub-arc.
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To be fair, up until this point she had been wearing Nami’s clothes, and Robin is, like, almost a foot taller than she is. Some shopping is justifiable here, but it brings me to one of the most important things to keep in mind when analyzing Robin as a character:
Isolation and Distance
One of the best ways to visually convey that a character is emotionally distant is to physically separate them from other people. When Robin first showed up as Miss All Sunday she was sailing the ocean alone. During her confrontation with the Straw Hats about their route she sat far above them where she couldn’t be touched. She left that argument with only her rad turtle ship for company, and spent a surprisingly large amount of the Baroque Works Saga apart from Crocodile despite ostensibly being his partner in crime.
Robin continues to be less than engaged after joining the crew. Luffy, Chopper, and Usopp  fool off with one another constantly. Sanji and Zoro fight. Even Nami is known to smack the rest upside the head when they’re being stupid. Robin alone sits above all their antics, not showing her first face fault in a series lousy with them until well after the timeskip.
It’s pretty easy to pick up in the dialogue that Robin never calls any of the Straw Hats by their actual names, preferring to refer to them by their occupation (or their nose, in Usopp’s case). But the use of impersonal nicknames can’t be the reader’s only clue to Robin’s personality. Both Vivi and Robin have a habit of calling Zoro “Mr. Bushido”, but while the desert princess is kind, personable, and if anything cares a little too much, Robin is distant, standoffish, and at times even cold towards others around her. 
You can even glean some insight from her fighting style. Robin doesn’t have to be in the same room with someone to kill them. She attacks from a distance, relying on stealth and surprise to snap necks and dislocate limbs. It’s brutally efficient and deeply impersonal, perfect for an assassin - or, perhaps, a young girl who was forced to learn on the fly how to fight against much larger opponents who showed no restraint or mercy.  
This is something that was emphasized more in the anime where they had the benefit of knowing Robin’s backstory ahead of time and working little clues into the post-Alabasta filler. They’re a little on the nose at times, but episode 131 is a good example of what I’m talking about here, especially when emphasizing the fact that during the early chapters after joining the crew Robin often doesn’t speak unless directly addressed. To quote Oda in the Volume 71 SBS:
Reader: Robin always talks about creepy things in front of the crew. But her own thoughts, she often thinks of fun stuff like “cats” or “Dress Rosa”. Why doesn’t Robin talk about these things with the crew to make them laugh?
Oda: Even though Robin likes cute things, she’s a bit dark/creepy herself, so if she tries to put these cut thoughts into words there is a chance it may come out as scary/ominous. That’s the kind of woman Robin is.
Robin censers herself to avoid sounding weird. There’s enough evidence of her macabre sense of humor (spoke aloud) to assume that she has embraced her morbid self...most of the time. But Robin has been an outcast her entire life. Even before the Buster Call the citizens of Ohara were calling her demon/monster/creep/insert appropriate insult here.
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(For those who don’t remember, the bruise on her cheek is from the other kids who were throwing rocks at her )
Robin spends large stretches of the Skypiea arc by herself, which further emphasizes the importance of what group interaction we do see. Robin has been hiding behind a well-crafted facade for nigh on twenty years because she needed to be a demon in order to survive the cutthroat world in which she lived. 
Which takes us to point number two
Survival
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Robin is all about living to see another day. Or she was until Crocodile shanked her (more on this below) Because of her past, she views the world through the lens of a survivor. It shapes how she thinks and how she acts, and Robin at this point doesn’t know any other way to live. 
Robin has been miserably lonely for a long, long time, but believes if she allows herself to get close to others they’ll betray her. She learned the hard way not to trust anyone and that to let your guard down is to die. We see in Alabasta that Robin isn’t afraid to use deadly force against those who get in her way. 
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She’s got a bit of a mean streak, too. Though Robin didn’t kill Tagashi, she almost crippled her. That leg injury could have ended Tashigi’s career as a swordsman, which is almost crueler than killing her outright.
When Robin’s backstory is revealed in full the audience is always shown as Robin being the one betrayed, and never the betrayer. I think this helps garner sympathy, but her interaction with Crocodile shows that she’s not above a little backstabbing herself. Aokiji says that every organization she’s ever been a part of no longer exists, and I think that’s only possible if her reputation is at least somewhat deserved. When it comes to finding out the truth of the Void Century, Robin has literally the worst tunnel vision ever.
Which brings me to my last point
Openness to Change
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Throughout the Sky Island Saga Robin is a woman who has lost her reason to live. Her only lead to the Rio Poneglyph was a dead end, and she doesn’t find Roger’s message until the end of the arc. That leaves a big chunk of time where she’s staying with the Straw Hats just because she can.
I think if she were as truly as fiercely pragmatic as she (and others) claim then she has no business on the Going Merry. Half of what the Straw Hats do is idiotic and should get them killed, and it’s amazing that they’ve survived this long as it is. Since Robin had resigned herself to death during the tail end of the Alabasta arc, we can assume that the idea of dying doesn’t bother her. Yes, Luffy made her go on, but she’s still stuck in this directionless limbo.   
This is important because it gives Robin something other to focus on than the Void Century. Her desire to find the True History consumed her to the point where she was willing to work with Crocodile for four years and bring a “good” country to the brink of ruin. Without this obsession driving every decision Robin makes, she can take a step back and see the Straw Hat Pirates for what they really are.
The Stealth Character Development
Robin is not the focus of chapter 253. It’s a transition chapter situated between the first and second halves of the Skypea arc. The Straw Hats have reunited had their obligatory split the party moment that happen with frighteningly regularity. The crew are setting up camp as night approaches, comparing notes of what they’ve discovered so far.
Until this point, Robin has been with Zoro and Nami. These two make up 2/3 of the Straw Hats who showed initial distrust to Robin, and at this point Zoro stil hasn’t accepted her as one of their own. Yet they treat her with respect, and Nami especially seems to look up to her as an older sister figure.
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Then Nami finds the other half of Cricket’s house, and without hesitation Zoro follows the comparatively weaker crew mate through the incredibly dangerous forest, which displays a trust for one another that would be very appealing to someone like Robin.
When the Straw Hats finally reunite, everyone is on good terms with one another. Remember, at this they’ve have stumbled into the middle of a civil war, made enemies with an unknown entity with a god complex, branded themselves as criminals, and almost gotten their ship destroyed. Some of their misfortune is just that - misfortune. But bad decision making plays at least a part of their current circumstance. It would be easy to turn on one another, and I think most pirates would. Just see how Usopp reacts when he sees what’s happened to the Merry
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Anyone who has read the Water 7 arc knows how much Usopp loves this ship, but his first concern is Chopper. Compare to how any one of the Baroque Works agents reacted when someone failed a mission. Instead of falling apart during a time of crisis, the Straw Hats come closer together. 
Chapter 253 begins with the crew setting up camp. Once again Robin goes off and does her own thing, this time finding a hunk of rock salt to use for cooking. Sanji predictably praises her, but he also reveals that he’s got a brain in his head by saying how important salt is to survival. Tick another box in the Straw Hat’s favor.
Every one of the Straw Hats helps set up camp, even the captain (useless as he may be). More than that, they each reveal a little of their talents. It’s sort of a reverse of what happens earlier in the arc when Robin showed off for the rest of the Straw Hat’s benefit. Through this Robin sees that the Straw Hats aren’t just good fighters, but smart and skilled as well. 
After establishing the location of the gold and making plans for the next day, Robin makes a practical suggestion
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This sequence marks the beginning of Robin’s stealth character development. She’s speaking here as a pragmatist and a survivor. Her point is valid, and any sensible person would have agreed with her. 
The Straw Hat Pirates are many things, but sensible isn’t one of them. Luffy turns to Usopp in complete disbelief, while Usopp basically says “Go easy on her, Cap, there’s no way she could have known.”
Until this point, Robin has not been questioned by the Straw Hats. She’s not seen this sort of reaction directed at her, especially by Luffy. Her face says it all
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Robin’s expression is pretty neutral here, but you can’t hide that sweat drop XD. She’s genuinely concerned that she’s made some sort of mistake. Remember, in Robin’s dog-eat-dog world a making a mistake is tantamount to death. She’s spent twenty years allying with people who at the very least distrust her, and more often than not try to kill her. And now, stuck up in in such a precarious position 10.000 meters above ground she has to be especially careful.
It’s okay, Robin, you’ve not done anything wrong. Luffy is just a dork
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Note that Nami - the other survivalist in the crew - immediately jumps to her defense. They’re outnumbered by Zoro and Sanji, who have already made a giant bonfire. 
Before we know it, the Straw Hats are partying with a bunch of wild wolves (Oda, plz...). They’re stuck deep in enemy territory on the night before a planned raid on the city of gold...and the Straw Hat Pirates are having a blast. Usopp’s playing the drums, Nami’s getting plastered, the rest are dancing their little hearts away, and Robin...Robin is smiling. This has got to be one of the most surreal, bizarre situations she’s ever seen.
 Which brings us back to the image I started with
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This says a lot about where Robin is at this point in the story. We can’t see her face clearly, but it’s established on the other half of the spread that she’s enjoying herself. Yet she remains distant, both physically and emotionally. The only thing that’s keeping Robin from joining in is Robin herself.
The Skypiea arc is important to Robin’s development because it rekindles her dream, but more than that it gives us moments like this where Robin is exposed to something she’s desired for twenty years, something we see later she’s always wanted but never believed that she would have.
The Straw Hat Pirates accept Robin unconditionally and show her a side of life that she’s never seen before. Even without knowing her entire backstory, by the time the Water 7 arc rolls around the audience genuinely believes that Robin would sacrifice her life, and the lives of every one else in the world, just to save the Straw Hat Pirates, and that wouldn’t be possible if Oda hadn’t given us this scene and others like it. 
To put it another way, I fully believe that Robin would still make the same decisions during Water 7/Enies Lobby regardless of whether she found Roger’s message or not. The Skypiean Poneglyph furthers Robin’s part of the plot, but chapter 253 furthers her character arc.
What makes this all the more impressive is that Oda trusts his readers enough to figure it out for themselves. Unlike the anime, he never calls attention to Robin’s isolation and her gradual warming to the crew. Gan Fall wakes up on the very next page, and the focus shifts to more exposition, ending with the big reveal of what vearth is and why in the it’s so important. The development is stealthy. 
Oda never makes a big deal of when Robin starts calling the crew by their real names during Thriller Bark. He doesn’t shove it in our face when she feels comfortable enough to tell Franky off for being stupid in Chopper’s body during Punk Hazard. He’s constantly using small moments all throughout the series to show how the crew has changed and grown, which is partially why people don’t think the characters have much depth.
It’s there, but without reading carefully it can be lost with everything else that’s going on. Just compare the Skypiean party to the end of Enies Lobby and tell me that Robin hasn’t changed. I dare you.
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des-shinta · 7 years
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hey shinta what are your thoughts on story arcs in one piece before the timeskip? you don't have to give spoliers if you don't want to.
Considering that’s all I’ve watched through…well, the only ones I don’t like are the filler arcs and the Davy back Fight.  Really did not care for foxy.  
Main story arcs?  East blue is fast and well-paced for getting the main group together, it really culminating well once we reach Nami and Arlong’s little showdown.Dragon bones arc?  Meh, skippable.
Alabasta:  Love Vivi, love the dynamic she added, and it was great to see the group getting more into the center stage of affecting the world’s status quo, while developing more of Nami and Usopp’s skillsets.  While it was sad to lose Vivi we did get an excellent character in Robin from the trade-off, who would show herself in the following arcs.  Plus, Alabasta didn’t exactly have the best pace to it.
Skypeia: meh.  Think it dragged on longer than it should have.  Luffy being immune to Enel’s powers feels like it should’ve been the end of it, but there’s more value to the arc after the later revelations of Haki.Kind of the thing with the series, really; the latter arcs help inform the earlier ones so it feels there’s more to appreciate in them if you revisit them.
Water 7/Enies Lobby: THIS IS WHERE THE SHOW TAKES A LEVEL IN AWESOME!  I don’t care that this arc took place over two freaking years, there’s so much that goes on it never really feels like it’s dragging.  perfect pacing, excellent characters introduced, Character conflict and drama coming to a head with the whole Merry situation, the jokes all hit, and it finally explores Robin’s backstory in the same way the other characters received theirs with their introduction.  With Robin, there wouldn’t have been the same payoff with her arc had they just given it to us immediately like the others did, so the wait and getting us to like her first so we connected more deeply with getting her back all the more accented to story.  And everyone got an excellent shining moment here; from Usopp taking his own level in badass, to Nami upgrading her weather manipulation abilities, to Gear Second and third…it’s just fantastic.
Thriller bark: We get Brooke, who’s hilarious, and the twisting of the status quo brought the series new life by throwing the dynamics all out of order.  Usopp gets to be the big damn Hero for much of it with his whole immunity to perona’s powers, and Gekko Moriah was interesting in how he’s someone that couldn’t really be defeated through the normal ‘beat them down’ means, which challenged everybody.  it’s close to the breaking poitn for the group where, though they’ve grown a lot stronger on the grand line, even together they’re beginning to struggle.…Which is of course Capitalized on in Sabaody.
I’ll admit, Sabaody/Impel Down/Marineford is painful to watch.  Not that it isn’t good, as it IS REALLY GOOD, and pays off a lot of storythreads built up to since Alabasta.  But it’s a ongoing series of tragedies you see coming a mile out and, like A train wreck, you can’t stop watching. “You don’t want to stare, but you just can’t look away”.  I dislike how the straw hats’ were seperated for so much of it as it made the cast we’d been focused on exclusively for so long non-entities in their own story, but it’s understandable for the long Quest Luffy goes on to save Ace, and those he encounters that either help or hinder that journey.  Love that Buggy was brought back here and the antics that ensue because of him.  Jinbe is awesome, Ivankov is great, and Boa Hancock is a Highly interesting character, alongside more exploring the dynamics with the marines and why pretty much every side in the greater world conflict is as bad as the others.  Plus, it sets up a furthering advancement in everyone’s skills that, from what I’ve seen post-timeskip, have all be used excellently.If I have any other critique of that arc though, is that there seems to have been less of an effect of Luffy character-wise following it than there should have.  I’ve admittedly only seen shorts clips of post-timeskip One piece (The Doflamingo fight is glorious), but there doesn’t seem to have have been much of a change in his goofball nature which, I feel, would’ve been a bit more tempered from being so close to saving ace, broken every limit he had…and then ultimately failed at the last moment.  Two years is a long time and he clearly came to terms with it…but he did it while mostly in isolation, which is not a healthy way to deal with that.  And while he’s calmer and thinks more now, that maturity is still something we’ve seen from him before, it’s just more present.  Shouldn’t he, when the group got back together, felt a bit more over-protective of them due to that failure, with at least one of them having to remind him that he’s not alone?  I mean yeah, he recognizes their strength, but there’s a difference between knowing something and wanting to not be torn up inside by the possibility of losing any of them again, which I felt needed to be addressed…and as far as I know wasn’t.I don’t want him to have been Emo Over it mind you; just a deeper showcasing that reuniting with everyone was all the more precious to him after Ace died.So yeah, One Piece is Great, looking forward to when Funimation completes the next season So I can see how they did in Dubbing the Return to Sabaody/fishman island arc.  As OP’s seasons I feel are best watched marathoned, since you just don’t want to stop in the middle of it.
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recentanimenews · 4 years
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Ranking All 50 One Piece Anime Arcs Up to Wano (Yes, Even The Filler)
  The Wano arc is in full swing, with the latest episode finally bringing us an amazing first clash between Luffy and Kaido. However, with Wano, the number of One Piece arcs (including filler) has been brought up to fifty, and that seems like a great time to rank them all. 
  50. Buggy's Crew Adventures
    This isn't really an arc so much as a sigh of relief after the runaway train of emotion of the last few episodes of Arlong Park. You can laugh at Buggy for a bit after watching Nami's soul get ripped apart (and then put back together again).
49. Post Alabasta
    You know video game sidequests that are basically around to level up your specific partner characters so that they don't get immediately wiped out in boss fights? This is the anime filler arc version of that. It's fun, though.
48. Foxy's Return
    I loooooove Foxy and I looooove the Davy Back Fight arc. But Foxy's Return doesn't quite hit home. It might be because we last saw Foxy six episodes ago, but it truly speaks to Foxy's character that he'd try to make a grand, dramatic return after he got the crap kicked out of him so recently.  
47. Spa Island
    Foxy returns again in Spa Island, though this filler arc is mostly notable for the fact that Luffy uses Gear Third to split an artificial island in half. That alone wins this arc points.
46. Warship Island
    Warship Island isn't a bad filler arc, just a victim of poor placement. It comes right after Loguetown and right after the Straw Hats have each declared their dreams. So it becomes a pit stop arc, like the Straw Hat crew getting gas and snacks before they head out on the Grand Line.
45. Little East Blue
    I like to think of Little East Blue as a celebration of pre time skip One Piece, where the Straw Hats get (deservedly) celebrated for a bit. It's cute and it's a nice prologue to the Strong World movie. 
44. Z's Ambition
    The filler arcs that precede the movies are an odd bunch, as they tend to end with the main villain of the movie showing up in the last five minutes and declaring their plans. So it's hard to enjoy them on their own. That said, Z's Ambition has enough action that even if you don't watch Film Z (but you should, as it's great), you won't really mind the cliffhanger finale.
43. Straw Hat Separation
    After Kuma wiped out the crew, this batch of episodes shows where they all ended up. And it's mainly a montage of Straw Hats being confused. And don't get me wrong—the Straw Hats do confusion like nobody's business. But you get more out of their separation in the Post War arc when they finally get around to business. 
42. Diary of Koby-Meppo
    Koby is a character that has always deserved more time, so getting a few episodes devoted to him and Helmeppo training to be Marines is welcome. Also, my dude Garp shows up for the first time, which means that I've rewatched these two episodes FAR more than I should. 
41. Goat Island
    Goat Island doesn't feel as "classic" as G-8, nor is it as entertaining as Ocean's Dream. In fact, it's about as fluffy as the goats that appear in it. But a three episode arc where Chopper talks to goats and Luffy doesn't beat up a villain but rather causes him to get shipwrecked? I'm FOR it. 
  40. Chopper Man Special
    Chopper Man has Chopper in a cape. It's worth it for that. Please @ me. Chopper Man, you're my hero, and I hope you one day get a Chopper Man & Sogeking Save The Grand Line special.
  39. Romance Dawn
    Romance Dawn establishes a lot of things that will become classic tropes in One Piece: Going to a new island, meeting new crew members, helping out little kids, taking out a power hungry warlord, etc. It's a blueprint arc, and it works well as that. Sadly, the anime would not continue the "introduce a Straw Hat character with rad guitar" idea like they do with Zoro here. 
38. Orange Town
    The East Blue saga only gets better as it goes along, and Orange Town provides a nice counter to Romance Dawn. For example, if Axe-Hand Morgan represented the seriousness of the Marine threat in the last arc, then Buggy represents the other side of the villains that the Straw Hat Crew will encounter: cartoonish, loud, and beaten in a really fun way. 
37. Ruluka Island
    Ruluka Island feels like condensed One Piece, like you'd just add some water to turn this four episode arc into a twenty episode one. It's a nice arc to stretch your legs in before you go to the big themes of Jaya.
36. Ice Hunter
    Ice Hunter is neat because it gives every member of the Straw Hat crew a little time to shine in a story that is action-packed and intriguing. If you miss pre timeskip One Piece and haven't watched the Ice Hunter arc, give it a shot.
35. Marine Rookie
    I know that we're all eager to see the Straw Hats reunite in Wano, but if you want to see more of Whole Cake's Sanji Retrieval Team, the Marine Rookie arc makes for a solid bonus round. Also, the only reason it starts is because Luffy eats all of the Straw Hats' supplies, which, logically, should be the beginning of waaaaay more One Piece arcs.
34. Silver Mine
    If you didn't get enough Bartolomeo in Dressrosa, then surprise! They made a filler arc just for you. 
  33. Boss Luffy Specials
    You know when you fall asleep watching a show, and then you wake back up and, in your grogginess, suddenly whatever is on TV looks insane? That's what happened to me with Boss Luffy. I had just finished watching Ace's fight with Blackbeard and then, boom. I was out. Then I wake up and see the Straw Hats in 19th century Japan. The Boss Luffy stuff is fun, but I think it's best viewed when you're in a delirious half sleep. That's just my personal preference, though.
32. Caesar Retrieval
    Caesar made for a fine antagonist on Punk Hazard, but he's even better as shreiking deadweight that the Straw Hat Crew and Company have to keep alive. 
31. Little Garden
    Little Garden isn't as cool as Whisky Peak, nor does it provide the emotional gut punch of Drum Island. Instead, it's mainly here to further the theme of what it means to be a true warrior and introduce giants (and dinosaurs!) in the One Piece universe. It gives Usopp some of the character development that he needs and Zoro almost cuts off his own feet in an effort to keep fighting. Any arc that illustrates how hard Zoro goes gets at least one thumb up from me.
30. Loguetown
      Loguetown is a fun arc when you consider just how much it expands the scope of the world. Smoker and Tashigi truly begin the Navy's quest to stop the Straw Hats, Dragon gets introduced in a big, mysterious way, and Luffy takes a massive step in establishing himself in the realm of pirating. However, the Straw Hat side stories in the middle (aside from Zoro's awesome bit in the sword shop) slow it down a little. 
29. Zou
    Zou might be one of the most visually rich arcs in the series. From the massive elephant to the Mink tribe to the terror of Jack to more lessons about the poneglyphs, there's a lot shoved into this short span. And between the intense epics of Dressrosa and Whole Cake Island, it's fits nicely as 10 cc's of wonder and fantasy injected into the New World.  
28. Fishman Island
    Fishman Island occupies a weird spot. It's thematically heavy, but also serves as the action-packed Straw Hat Crew comeback tour. It needs to stand on its own, but it also caps off with a declaration of war against Big Mom, a villain that won't be encountered for years. In all, I feel that the importance of the Fishman Island arc is yet to be truly realized. 
27. Ocean's Dream
    One of the final two filler arcs on this list, Ocean's Dream seems like One Piece fan fiction in the best way. If you were dissatisfied with Luffy's fight with Zoro on Whisky Peak, you get another round of it here while Zoro is being mind controlled. 
26. Syrup Village
    If Romance Dawn and Orange Town were warm up laps, Syrup Village is when One Piece begins to break out in a sprint. The introduction of Usopp and the Going Merry make for some great moments and it's this arc that got me hooked on One Piece when I first started watching it. 
25. Dressrosa
    Dressrosa, for better (and sometimes for worse) is massive. Doflamingo is a threat that had been popping up since the Jaya arc, but because of Dressrosa's scope, his defeat can feel a little lackluster, especially when you consider that he's a pitstop on the road to Kaido. But Dressrosa introduces the endlessly cool Fujitora and the Straw Hats' big pirate alliance, and also gives us the dual backstories to Law and Doflamingo, neither of which disappoint. Also, Doflamingo's abilities lead to some of the coolest action scenes in the series. 
24. Return to Sabaody
    The post-timeskip starts with a bang, as the Return to Sabaody arc is both hilarious and thrilling. The Straw Hats get to show off their newfound strength as they do what they definitely couldn't do in the first Sabaody arc (easily knock out a Pacifista). And we also get to meet the Fake Straw Hat crew, which does a nice job of illuminating just how much the legend of the Straw Hats has grown since they were last together. 
23. Reverse Mountain
    One of the major strengths of One Piece is that it can accomplish three kinds of storytelling at once—giving us a narrative that is immediately satisying, giving us a narrative that will be satisfying in the near future, and giving us a narrative that will be satisfying in the long term. In the Reverse Mountain arc, we not only get a nice story about Laboon, but we also get introduced to Baroque Works (who will be the main antagonists of the saga), and also, we get hints that will only pay off when Brook is introduced years later. Reverse Mountain is short, but it also displays Eiichiro Oda's wonderful talent as a writer. 
22. Long Ring Long Land
    I've seen people on the internet say stuff like "WHEN I REACHED THE DAVY BACK FIGHT ARC, I NEARLY STOPPED READING!" and man, why? Quitting a series that you love because it slightly diverts from the hero fighting god-like enemies in order to participate in some fun games? Everyone has their own opinions, but your opinion of what fiction should be is wrong. That said, this arc is hilarious and great. 
21. Whisky Peak
    Whisky Peak is so cool. It's an anime arc with swagger, the kind that steps into a bar and buys everyone a round. I want to be friends with Whisky Peak but I know, deep down, that Whisky Peak is far too rad to be friends with me.
  20. Reverie
    The best thing about the Reverie arc is that it makes the world of One Piece a little more conveniently manageable (Oh neat. All of the major side characters get to hang out for a while), while also opening a can of worms (What's with the giant straw hat? WHAT'S WITH THE GIANT STRAW HAT?). Because this is the most recent arc, I don't know if we've seen the ripples that it will create across the One Piece world, but I sure am excited to.
  19. Post Enies Lobby
    This isn't the first time the Straw Hats have been forced to flee a place. However, this is the first time that it's felt like they'd be wiped out if they didn't. The return of Garp (and the spectre of the Yonko) throw the Straw Hats into all new territory, one where maybe being the plucky underdog team isn't enough to save them from the threats that come. Also, goofy Franky joins the team, which provides a nice counter-balance to the hints of oblivion. 
18. Punk Hazard
    Punk Hazard is home to one of my top 10 One Piece fights (Vergo vs Law & Smoker), features one of my favorite locations (an island that is half fire/magma and half ice/snow and home to an evil science base), and introduces a character that has only grown on me with time (Here's a hint on who he is: He laughs like "SHERURURURURURU SHERURURURURURU). It's kind of a prequel to Dressrosa, but in that spot, does a great job at furthering the menace of Doflamingo. 
17. Post War
      The introduction of Sabo aka Steampunk Ace aka I'm Just Kidding Sabo Is Kinda Cool and Luffy realizing that he has his crew to keep him going make the Post-War arc into a short but powerful cap to the pre-timeskip era. 
16. Amazon Lily
    Boa Hancock is a supremely underrated One Piece character, with a terribly sad backstory, amazing powers, and a hilarious crush on Luffy. And Amazon Lily helps further the major trend that will reach fever pitch in Dressrosa of Luffy amassing supporters because he's just such a dang ol' nice guy. Hopefully Hancock will one day meet Bartolomeo and together they will start a Luffy fan club and then argue over who gets to be President. 
15. Jaya
    If you were in the dark as to what the themes of One Piece are, here comes Jaya with a flashlight. This is basically a montage of the things that are important to the Straw Hat crew, and it introduces Blackbeard, a guy that will go from "Oh he seems interesting" to "OH I HATE HIM" over the next few hundred chapters. Luffy saying "Do I know how to throw a punch, you ask?" before absolutely walloping Bellamy still gives me goose bumps.
14. Thriller Bark
      There's so much good to Thriller Bark—the spooky atmosphere, the introduction of Brook, the underrated Gekko Moriah, the Binks' Sake song, the Straw Hats teaming up to face a giant zombie, etc. And just when you think it can't get any better, Kuma shows up and rocks the One Piece world. 
13. Impel Down
    Hey! It's Buggy! And Mr. 3! And Mr. 2! And Crocodile! And our new best boy Jinbe! And Ivankov! As both a launching point for new protagonists and a comeback for old foes (along with introducing Magellan, one of the best villains in the series, and Shiryu, one of the scariest villains in the series), Impel Down succeeds. I love it more and more with time.
  12. Wano
A revamped art style and a fresh sense of direction has turned the burgeoning Wano arc into a great experience for long time One Piece fans, along with providing a solid place for new fans to jump into the series. This ranking my change once we get further into it, but for now, the Straw Hats reuniting and quickly learning of the awe-inspiring power of Kaido has earned Wano a choice place on this list. Also, "Over The Top" is one of the best opening themes ever, One Piece or otherwise. 
11. Drum Island
    I've written an entire article about why the arc where we first meet Tony Tony Chopper makes me weep, so I'll try to be brief here. Drum Island is beautiful. It's the story of a little deer guy that couldn't find a place in the world and the loud rubber bro that gave him one. It's an arc about the price of dreams and the power of having someone stand up for you when you need it most. It's about love and respect and kindess. And now I'm about to cry again. THANKS A LOT, ONE PIECE. 
10. Baratie
    The Baratie arc is the first hint that we'll get about how hectic the One Piece world is. We meet Sanji, we meet Don Krieg, and we meet Mihawk (and is stronger than the whole cast of the show combined at this point). Syrup Village is about leaving your comfort zones and Baratie is about finding a home in the chaos that follows. 
9. G-8
    The best One Piece filler arc and the One Piece arc that I most revisit (it's only 11 episodes, can you blame me?), G-8 is a One Piece Greatest Hits collection and possibly the first thing you should show someone if they want to get into One Piece but don't have long to do so. 
8. Alabasta
    Are the Straw Hats ready for the Grand Line? Are they ready to topple evil villains and protect those that need help? That's what Alabasta asks and the answer is "Oh yeah." Luffy punching Crocodile up through the center of the city is an iconic moment, showing us that the Straw Hats, whether they mean to be or not, are forces of good in the world. 
7. Marineford
    Marineford is loud and chaotic and powerful, forcing Luffy into a situation where he is simply an especially energetic pawn on the chessboard of battle. It's just as much of a rescue mission as it is a quest for survival for him, but in the midst of Whitebeard and the three admirals and the Shichibukai, Luffy makes his mark. However, he doesn't do it through displays of awe-inspiring force, but through his willpower. Aokiji is right when he says that Luffy isn't "ready for this stage yet," but the thing that scares the Navy most is that one day, he will be. 
6. Sabaody Archipelago
    This is not a happy arc. It's a satisfying one (Luffy punching the Celestial Dragon will never get old), and it's an illuminating one (Silver Rayleigh, y'all!), but it's not one that will end with cheering. Kizaru shows up to put an entire generation of pirates in their place and Kuma wipes out the Straw Hats. That said, even if it concludes with the most uncertain moment in the series, it's still a fun ride. 
5. Arlong Park
      Nami is the soul of the Straw Hat Crew, and learning what she's been through at the hands of the despicable Arlong is heart-breaking. But Luffy doesn't need to know every detail to know that he needs to help and the Straw Hats walking to Arlong Park is another one of those "One Piece is literally the best thing ever" moments. And by the end, every Straw Hat bro gets a victory, Luffy gets a bounty, and Nami gets her freedom. And what does she do with this freedom? She joins a ship full of dummies as their navigator. And I'm so happy about that. 
4. Enies Lobby
    For many, Enies Lobby is THE arc and I'm not disagreeing with them. It's such a display of raw emotion and exciting battles, a nonstop rollercoaster of everything that makes One Piece great. And it ends with a Viking funeral for the Going Merry, a scene that reveals Oda's true power as a writer: He makes you sob about a ship. 
3. Whole Cake Island
    If Enies Lobby is about being a hero, then Whole Cake Island is about letting that idea go. The Straw Hats can't beat Big Mom or her crew and will have to settle with getting Sanji and getting out. And Katakuri, the protective brother of the Charlotte family, learns that he doesn't have to be perfect all the time. It's a beautiful arc that shows that Oda is willing to play around with some of the pre-established ideas of One Piece.
2. Water 7
    Robin leaves. Usopp defects, Luffy is forced to do things that no captain wants to, and a villainous team shows up that seems unstoppable. Water 7 may be the first half of a story that continues with Enies Lobby, but I find it to be the better one (though not by much). It's an arc that constantly leaves you saying "Well, what else could go wrong?" and then something else does. And it's just so good.
1. Skypiea
    This is it. Everything good about One Piece, from the powerful villain (with a great weakness), to the touching themes, to enchanting locations, to the gripping adventures, is wrapped up in Skypiea. And while I have no problems with arcs being connected, there's just something about the standalone nature of Skypiea that leads me to regularly revisit it. It's an arc that makes me glad that I started this nearly 900 episode adventure in the first place. And that's the highest compliment that I can give.
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  Daniel Dockery is a writer and editor for Crunchyroll. He has a Twitter, where you can disagree with him. 
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