Hans Memling —Maria Portinari (Maria Maddalena Baroncelli). c.1470. detail
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Hans Memling, Chalice of Saint John the Evangelist (reverse), ca. 1470/1475. Oil on panel, 30.2 x 23 cm. National Gallery of Art, Washington, D.C.
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"Tommaso di Folco Portinari et Maria Portinari (Maria Maddalena Baroncelli)" par Hans Memling (circa 1470) présentés par Federica Veratelli - Université de Parme - lors des journées consacrées à “L'Ornement Précieux II” par L'Ecole des Arts Joailliers au Collège de France, janvier 2024.
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A Young Man at Prayer, Hans Memling, 1470s
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Gabriel Grun: Autorretrato á maneira de Memling (2007)
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Detail of “The Man of Sorrows” by Hans Memling, edited by Robin Isely.
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Euro Plus Sized Beauty Anastasia Lux Makes Plumperpass Debut
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Kou in Florence, een omhooglopende dakgoot + Teylers en Hockney: oftewel de wereld in perspectief
Met kou in Florence, een schuin omhoog lopende dakgoot en het Oog van Hockney zet Toos van Holstein in haar TOOS&ART aan het eind van dit jaar de wereld maar even in perspectief #kunst #art #expositie
Negentien jaar geleden liep ik in december met diep in de zakken gestoken handen rond in Florence. Wist ik veel dat het daar dan best goed koud kon zijn. Italië toch zeker? Dus in kledij had ik daarmee even geen rekening gehouden bij mijn deelname aan de Biennale Internazionale dell’ Arte Contemporanea in het oude Fortezza da Basso. Deze herinnering kwam vorige week bovenborrelen in het Teylers…
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Hans Memling 1430/40-1494 Bruges “Last Judgment” 1467-1473 tempera, oil on panel Photo is taken by: @robertpuffjr AN ARTIST FROM THE LOWER RHINE REGION, PAINTED THE LAST JUDGEMENT AT THE BEGINNING OF HIS PAINTING CAREER. IN SPITE OF ITS BEING THE FIRST WORK HE CREATED SHORTLY AFTER ARRIVING TO BRUGES IN 1465. ITS PERFECT WORKMANSHIP, TECHNICAL MASTERY AND REMARKABLE MATURITY OF THE PRESENTATION OF THE MULTI-LAYERED AND COMPLEX THEME ARE ASTOUNDING. IT IS ASSUMED THAT MEMLING, AT THE START OF HIS INDEPENDENT ARTISTIC ACTIVITY IN THE METROPOLIS OF BRUGES, WAS WELL-KNOWN IN THE CIRCLE OF POWERFUL PATRONS AND ART LOVERS OWING TO HIS CONTACTS WITH THE INTERNATIONALLY FAMOUS ROGIER VEN DER WEYDEN, IN WHOSE WORKSHOP HE HAD TRAINED AND WITH WHOM HE HAD WORKED UNTIL 1464. HOWEVER, THERE IS NO MENTION OF THIS IN THE ARCHVAL SOURCES. (This writeup is taken from the description at the museum.) National Museum in Gdańsk, Poland 🇵🇱 #gdansk #gdańsk #memling #hansmemling #historyofart #arthistory #greatworksofart #artmuseum #art #artist #masterpiece #painting #museumvisit #artlover #artists #artblogger (at Muzeum Narodowe w Gdańsku) https://www.instagram.com/p/Ci5M42dDerp/?igshid=NGJjMDIxMWI=
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‘Chalice of Saint John the Evangelist’ by Hans Memling, c. 1470–1475.
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Josef Liesler (1912-2005) — Homage to Hans Memling [oil, masonite board, 1974]
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The Last Judgement: Casting the Damned into Hell - Hans Memling // Starring Role - Marina and the Diamonds
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The Last Judgement (Hans Memling, 1466-73)
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