'senza titolo' by maurizio catellan, 1998 in livingsculpture - paul cooper (2001)
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See you later, Maurizio Cattelan
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MAURIZIO CATTELAN, Novecento, 1997
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MAURIZIO CATTELAN / “AMERICA” / 2016
EXHIBITED @ THE GUGGENHEIM, 2016–17
[18k solid gold (103 kg / 227 lb)]
In September 2019, America was installed at Blenheim Palace in the United Kingdom, where it was available for use as part of an exhibition of Cattelan's works. It was placed in a water closet formerly used by Winston Churchill. On 14 September, the sculpture was stolen.
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A sticky situation...
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Is it dated? Yep. Is it still funny to me? Yep. Am I going to hang this in my office and giggle occasionally? Still Yep.
(Small side note - I outlined the main subject in white squares, then added a faint grey line to the left side to make it look more like a sticker and to add more dimension to the whole piece. Lemme know if it worked.)
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'all' by maurizio cattlena, 2011-12 in xxl: when artists think big - éléa baucheron + diane routex (2014)
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Maurizio Cattelan / Untitled / Installation / 2000
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Maurizio Cattelan, Strategies, 1990
VS
Antonio Guacci, Santuario di Monte Grisa, Trieste, Italy, 1963-1965
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it's so hilarious to me when people see any piece of "modern" art (aka something that isn't a hyperrealistic drawing or a (slightly smudged AT MAX) painting of a garden) and go "omg now THATS art, not some bullshit banana taped to a wall" and like- that banana was taped to the wall YEARS ago and you're 1: still mad about it and 2: still using this banana as a way to define what's art and what isn't and what exactly the intention-skill ratio should be for an art piece to be a good piece.....do you realize? do you realize what the banana has done to an entire generation and how they think about art? this fucking banana moved you so much that even after YEARS it still influences your way of interacting with art and if that isn't art then idk what is
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Maurizio Cattelan, Lessico familiare
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