#marvillous beats

[eyeofthelama]

DON'T STOP 🥀🖤 OUT NOW !

IG: EYEOFTHELAMA

#eyeofthelama #len lama #nyc #underground #rap #new ro #hip hop #3rd & 9th records #marvillous beats #trending #don't stop #official video #new music #r&b #erl #love #Youtube

[thewordisbond]

Top 10 instrumental submissions Ep3 December, 2019

Posted on https://www.thewordisbond.com/top-10-instrumental-submissions-ep3-december-2019/

Top 10 instrumental submissions Ep3 December, 2019

It won't be fair not to show love to the cats that work behind the boards. Cats whose soundscapes help push hip-hop to loft heights. So in the same vein, this weekly list sheds light on budding and even established producers who continue to push the envelope for the culture. So sit back relax and

#beats #Charles Edison #Daddy Who #dédé #DefByMisadventure #DJ Yo! #illSB #Kabinyo #Leaping Boy - #Marvillous Beats #tjonez #AUDIO

[sonikaimaging]

Check out DMV hiphop violinist, Marvillous Beats on "Sunday Sounds" March 7, 2021 at 3pm EST on BeatStars. See flyer for details.

#MauvillousBeats #BeatStars #interview #indieartists #indiemusic #hiphopviolinist #AllAboutTheMusic

[ladybluebreeze]

Pray For Me Violin Cover feat. Marvillous Beats (Dancer: @prince_kwon_) I freaking love how there’s a violin cover of the Black Panther soundtrack

#only 26 views?!? #like wtf

[getmybuzzup]

Marv Middle @marvillousbeats is the emcee and recording artist alter ego of violinist and producer Marvillous Beats. Marv Middle is from New Rochelle, New York and is currently based in Hyattsville, Maryland. After taking a hiatus from rapping to produce other artist’s records for two years, Marv Middle is making a loud comeback with an original self-produced song called “Sanity”. This record features live musicians from the Washington, D.C. band Kontrolled Khaos. ✔ out the full interview link in bio for the full interview. #music #producer #musicalengineers #marvmiddle #wale #goldlink #stjohnsuniversity #swipeleft https://www.instagram.com/p/BuF_wumjrxr/?utm_source=ig_tumblr_share&igshid=zl5m3x35t7mb

#music #producer #musicalengineers #marvmiddle #wale #goldlink #stjohnsuniversity #swipeleft

[omokoshaban]

U20 world Cup: Squad leader Rasheedat Ajibade’s first half penalty kick aided Nigeria to beat Haiti 1-0 on Thursday at Stade de Marville in the French city of Saint-Malo

U20 world Cup: Squad leader Rasheedat Ajibade’s first half penalty kick aided Nigeria to beat Haiti 1-0 on Thursday at Stade de Marville in the French city of Saint-Malo

Squad leader Rasheedat Ajibade’s first half penalty kick aided Nigeria to beat Haiti 1-0 on Thursday at Stade de Marville in the French city of Saint-Malo.

Rasheedat Ajibade’s Spot Kick, Nigeria Vs Haiti , 2018 FIFA U-20 Women World Cup

The success in Group D of the FIFA Under-20 Women’s World Cup marked “France 2018’’ aided Nigeria to secure a crucial three points and keep their knockout round…

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[brisbanemusic]

March 22-28

New this week: Facebook has removed its “subscribe to events” function, which is making it WAY harder for people to track what’s on where, and when bands they like are coming to visit. Probably to push some sort of paid advertising. Since we heavily relied on this function, the Guide may be a little less comprehensive than usual this week. If you’re annoyed by this, link your friends to our Guide, help them find more tunes to go see!

Also, we have our first ever Brisbane Live Music Guide Competition! Beats Cartel have been generous enough to give us a free double pass to MOJO BURNING this Saturday at the Hamilton Hotel! Go to our Facebook page, find the post for this week’s Guide and tag a friend who you want to bring to this year’s MOJO BURNING festival. Check it out and get tagging! If you’re a fan of blues, roots or stoner rock, Mojo Burning is not to be missed, it’s all killer, no filler!

And now to your regularly programmed Guide: Don’t forget you can get the whole Guide a day early and you can choose our feature gigs if you support us on PATREON! We’re powered by coffee and your encouragement on Facebook, twitter and instagram. And you can submit gigs through any of those places or though our FORM or via email! Hit us up at [email protected]

For Brisbane City Council event listings see HERE, and for JAZZ listings go to our new affiliate gig guide at the JMI Jazz Gig Guide: They have their finger on the pulse of jazz music in Brisbane and will cover everything we were listing and much, much more!

Venues this week: 4ZZZ Car Park, Barbara, The Bearded Lady, Black Bear Lodge, Bloodhound, Boundary Hotel, Brightside, Coorparoo Bowls Club, Crowbar, Empire Hotel, The Flamin’ Galah, The Foundry, HeYa Bar, Junk Bar, Milk Factory, Paper Moon, Retro Bar, Rics Bar,  Sonny’s House of Blues, The Triffid, Unite, Woolly Mammoth, the Zoo

Wednesday 22 March

Nice Biscuit at the 4zZz Car Park: From 5pm, free and live to air, ALL AGES, more info on FB

Pink Tea, Niterunner, Alpha Pi and Sera at the Black Bear Lodge: $10 entry, from 6pm. More info on FB

Laura Mardonat the Triffid: Free entry, from 6pm. More info at V

[BAND COMP] I Met The Maker, Struggletown, Pinion, Odysseus Reborn at the Brightside: Free entry, from 8pm. More info on FB

Gregory Hoskins at the Milk Factory: $15 entry, from 8:30pm. More info on FB

Thurdsay 23 March

Go Van Go at the 4zZz Car Park: From 5pm, free and live to air, ALL AGES, more info on FB

Shining Bird at Black Bear Lodge: Tickets $13.80, more info on FB

Calais, Trails and Dosed at the Foundry: Tickets $12.75, doors at 8pm.

Wanderers (SA) and Lita & the Bones at Sonny’s House of Blues: From 8pm, more info on FB

The Shambolics at the Junk Bar: $10 entry, from 7pm. More info on FB V

Sav Blonk and Kieran T. Stevenson at the Milk Factory: $10 entry, from 8:30pm. More info on FB

Jouk Mistrow and sweater curse at Barbara: $5 entry, from 9pm. More info on FB

Signals and Piss Pain at Crowbar: Free entry, from 5pm. More info at V

My Echo, Shutup Shutup Shutup and The Way We Were at the Woolly Mammoth. Tickets $13.30. More info on FB

[JAM] The Ultrafantastics at the Flamin’ Galah: Free entry, from 8pm.

Friday 24 March

Dirty Liars at the 4zZz Car Park: From 5pm, free and live to air, ALL AGES, more info on FB

Garrett Kato at the Milk Factory: Tickets $17.85, doors at 7pm. More info on FB

Glenn Skuthorpe and Sue Ray at the Junk Bar: Tickets $18.40

Goon On The Rocks, Sweet Gold (VIC),Young Offenders (SA), Hound and The Brothers Goon (SA) at Crowbar: Tickets $12.25, doors at 8pm. More info on FB

The Haymakers at the Coorparoo Bowls Club: Free entry, from 6:30pm. More info on FB

Royal & the Southern Echo at Bloodhound: Tickets $13.30, doors at 7pm. More info on FB

Some Jerks, Burning Circuits and Marville at the Bearded Lady: $10 entry, doors at 8pm. More info on FB

Young Lions at the Woolly Mammoth: Tickets $19.40, doors at 8:30pm. More info on FB

CC the Cat and The Brains Trust at the Boundary Hotel: Free entry, from 7pm. More info on FB

Biscotti (VIC), Scraps, Madboots and Orlando furious at a house in Toowong: BYO, ALL AGES, $5 entry. Address and more info on FB

Vesper Green, The Jumpkicks , Alastyn , Hey Baby and Doublehappiness at the Zoo: $5 entry, from 8pm. More info on FB IVEY and Maja at HeYa Bar: Free entry, from 8pm. More info on FB

Gooch Palms, Dangerpenny and Space Boys (NSW) at the Empire: Free entry, from 9pm. More info on FB

Saturday 25 March

Biscotti (VIC), Orlando furious, Julia R. Anderson and Amaringo at the 4zZz Car Park: From 3pm, free and live to air, ALL AGES, more info on FB

His Merry Men at Paper Moon: $5 entry, BYO from 1:30pm. More info on FB

Lastlings at the Black Bear Lodge: Tickets $18.90, doors at 8pm. More info on FB

SPACE HØRSE, Shed and Pleasure Seeker at the Milk Factory: $5 entry, from 7:30pm. More info on FB

GO VAN GO, FuzzPilot and The Spindrift Saga at the Bearded Lady: $10 entry, from 8pm. More info on FB

Silver Sircus at the Junk Bar: Tickets $18.40, doors at 7:30pm. More info on FB

Biscotti (VIC), Pleasure Symbols, Blyolk (VIC) and May Lyn at The Foundry: $10 entry, from 8pm. More info at FB

Age Champion, The Schwifties and Bixby Canyon at the Zoo: Tickets $12.25, doors at 8pm. More info on FB

Boutique Brews Brass Band and Aaron West at the Boundary Hotel: Free entry, from 7pm. More info on FB

A Breach Of Silence, Sensaii, Archetypes and Serene at the Brightside: Tickets $18.40, doors at 8pm. More info on FB

Upsize and The Pretty Fingers at Rics Bar: Free entry, from 6pm. More info on FB

Myrtle Place, Riot Punch , The Knock Backs and Permanent Revolution at Unite: Free entry, from 8pm. More info on FB

Sunday 26 March

The Francis Wolves and Signature Series at Black Bear Lodge: $10, 7-11pm More info on FB

Marcus Blacke, McKisko and Samuel Wagan Watson at Junk Bar: Tickets $18.40 /$20 at the door, doors 6pm. More info on FB

Ingrid James with Louise Denson & Pablo Matus at the Retro Bar: $20, 3-6pm. More info on FB

Sky Eater and Funken Dubs at the Milk Factory: $5, 4-6pm. More info on FB

[JAM] CHURCH at the Bearded Lady: Free entry, from 3pm.

Monday 27 March

Rivermouth, Hemingway, Meg MacDonald and more at Roving Conspiracy Kangaroo Point: Free, ALL AGES, 6-10:30pm, open mic from 6pm. More info at FB

Ellie Jane and Conspiracy of One at Rics: Free, from 8:30pm. More info on FB

#brisbane music #brisbane live music #gig guide #brisbane gig guide

[hiphopmusicblog]

Album Submission (3rd & 9th Records)

Peace! Greetings,

Wussup, I like your page and see you like dope music, I wanted to send you our new album to check out. We are a 3 member artist collective from the 914/NYC area, “3rd & 9th Records”. If you have time we’d appreciate if you gave it a listen and looked into our other art. let us know what you think!

Thanks! @ThirdAndNinth –

STREAM:

[ https://soundcloud.com/thirdandninth/chester-trips-the-full-album-3rd-9th-records-2016 ]

– CHESTER TRIPS

Tracklist:

Big Business (ft. Jesse Scott x Len Lama) (Prod. by Marvillous Beats) 3rd & 9th (ft. Len Lama x Jesse Scott) (Prod. by Jesse Scott) Ambitions of A Youngin’ (ft. Len Lama x Jesse Scott) (Prod. by Marvillous Beats) Word of The Days (ft. Marv Middle) (Prod. by Jesse Scott) Momma Knows (ft. Len Lama x Jesse Scott) (Prod. by Jesse Scott) Sumn Dutty (ft. Len Lama x Jesse Scott) (Prod. by Marvillous Beats) Crown Jewels (ft. Len Lama x Jesse Scott) (Prod. by Marvillous Beats)

—-

PURCHASE LINK: THIRDANDNINTH.BANDCAMP.COM

3rd & 9th Records © Management + Artists

#hip hop #music #submission

[seyzi-blog]

BREAKING: Nigeria beat Haiti 1:0

BREAKING: Nigeria beat Haiti 1:0

Team captain Rasheedat Ajibade’s first half penalty kick helped Nigeria to beat Haiti 1-0 on Thursday at Stade de Marville in the French city of Saint-Malo.

The victory in Group D of the FIFA Under-20 Women’s World Cup tagged “France 2018’’ helped Nigeria to secure a crucial three points and keep their knockout round qualification hopes alive.

The match, according to reports, started at a furious…

View On WordPress

[nppnews-blog]

FIFA U-20 WWC: Nigeria ready for Germany test

FIFA U-20 WWC: Nigeria ready for Germany test

The Falconets of Nigeria open their France  2018 FIFA U20 Women’s World Cup campaign against  Germany  at Stade de Marvile in Saint-Malo on Monday.

The tournament  began on Sunday  with  France humiliating Ghana 4-1. Mexico  beat  Brazil 3-2 while  New Zealand lost 2-1 to Holland. England defeated South Korea DPR 3-1.

Germany defeated Nigeria  2-0 in the final of the 2010 edition on home soil…

View On WordPress

[eyeofthelama]

💍🖤 congrats to my brudda & sister in law !

Shot by Me | IG: EYEOFTHELAMA

#eyeofthelama #len lama #nyc #underground #rap #new ro #hip hop #3rd & 9th records #marvillous beats #trending #dc #wedding #maryland #congrats #black love #melanin #family #married #photography #union

[bellaycerebro-blog]

Resume’

Ely Joshua L. Elegue

Barangay Sto. Nino Marville Homes

Koronadal City South Cotabato

090728396420233

 Objectives

To gain more knowledge and experiences ,and also to enhance my skills.

 Personal Information

 Date of birth:        September 13, 2000

Age:                       17 years old              

Mother:                  Maria Edith l. Elegue

Father:                   Jose Elegue

Religion:                Roman Catholic

Civil Status:         Single

Nationality:            Filipino

Dialect:                Hiligaynon

 Educational Attainment      

 2027                 koronadal National Comprehensive High School

2012-2016       Koronadal National Comprehensive High School

2006-2012       Cayan Este Lambunao Iloilo

 Skills

·         Playing Different Instrument ( Guitar  r, Piano , Beat box ,Drum)

·         Playing Different sports(Basket ball, Dart ,Football, Volley ball)

·         Singing, Dancing, Acting

·         Fashion

Character References

AMY ROSE B. ROMANO

Chorale Conductor KNCHS

ANGELO FREIDRICH AMBALONG

Physics  Teacher KNCHS

ENGR. ELDE CALUNSAG

General Mathematics Teacher KNC

[sonikaimaging]

JUST DROPPED| Kontrolled Khaos - Doing Too Much

The Kontrolled Khaos, out of DC, just re-dropped their brand new video, "Doing Too Much". The visual for the song, written by Jonathan "Footz" Livas and Marvill "Marvillous Beats" Martin, was edited and directed by Zack David Films. Definitely check it out! https://youtu.be/FCRVgQVgqdA

#KontrolledKaos #DoingTooMuch #indiemusic #indieartists #DMV #AllAboutTheMusic #DC

[jan-berkowitz]

Luv (Live Cover) By Marvillous Beats by Marvillous Beats https://soundcloud.com/marvillousbeats/luv-live-cover-by-marvillous-beats

#Music #Reggae

[getmybuzzup]

Marv Middle Talks Engineering, Producing, His Latest Single "Sanity" & More [Interview] - By Jack Barnes Bio: Marv Middle is the emcee and recording artist alter ego of violinist and producer Marvillous Beats. Marv Middle is from New Rochelle, New York and is currently based in Hyattsville, Maryland. After taking a hiatus from rapping to produce other artist's records for two years, Marv Middle is making a loud comeback with an original self-produced song called "Sanity". This record features live musicians from the Washington, D.C. band Kontrolled Khaos. Please Reblog!

#9th Wonder #Arianna Grande #biggie #Dame Dash #DJ Khaled #Dj Premiere #Donny Arcade #drake #Engineering #FL Studio #Goldlink #Interview #j cole #J Dilla #Jay-Z #jets #Kanye West #Kid Cudi #KNICKS #Latest Single #Lupe Fiasco #Lupe Fiaso #Madden #Marv Middle #midi keyboard #Nas #Need For Speed #NICOLE BUS #Nipsey Hussle #NPR Tiny Desk

[fondazioneterradotranto]

Nuovo post su http://www.fondazioneterradotranto.it/2017/09/13/veduta-neretina-dellantica-noyon/

Una veduta neretina dell'antica Noyon

di Marcello Gaballo e Armando Polito

Il S.Eligio del pittore neretino Donato Antonio D’Orlando custodito a Nardò nella chiesa della Beata Vergine del Carmine ha ispirato il titolo di questo lavoro1 con un suo dettaglio, anzi con due. Il primo è rappresentato da un paesaggio, il secondo dal testo che vi si legge sovrapposto a mo’ di didascalia. Partiremo proprio da questo facendo notare la sua divisione in due spezzoni: a sinistra la CITTÀ DI NOVI, a destra OME IN BELGI2. La divisione ha lo scopo di evitare che la sovrapposizione invada fino a renderla illeggibile la figura del pastore e del secondo gregge che lo segue, dettagli il cui valore simbolico in riferimento a S. Eligio protettore dei maniscalchi e dalle miracolose capacità veterinarie (si ricordi il miracolo della zampa riattaccata al cavallo, cui allude, forse, proprio il cavallo scalpitante che si nota in basso a sinistra) è, sia pure indirettamente, indiscutibile. Il testo, dunque,  va letto continuativamente: CITTÀ DI NOVIOMI IN BELGI. Noviomi è l’italianizzazione di Noyon, la città appartenente in epoca romana alla Gallia belgica (da qui il successivo IN BELGI) e della quale, com’è noto,  S. Eligio fu vescovo. Il nome latino largamente attestato nel XVII secolo per Noyon  era Noviomum, come mostra, per fare un solo esempio, il Noviomi (genitivo locativo, dunque solo per puro caso formalmente uguale al Noviomi del dipinto) che si legge in Josephus Geldolphus a Ryckel, Vita S. Beddae, Typis Cornelii Coenestenii, Lovanii, 1631, p. 4213. Una forma femminile, Novioma, è attestata in epoca medioevale; per esempio: nel Chronicon Ecclesiae Sancti Bertini di Giovanni Iperio (seconda metà del XIV secolo) in Recueils des historiens des Gaules et de la France, a cura di Martin Bouquet, Aux dépens des libraires associés, Paris, 1741, v. III, p. 5814.

Largamente attestato è pure l’aggettivo Noviomensis, come per Nardò Neritonensis da un nominativo Neriton o Neritonum, da cui le forme volgari Neritone e Neritono. Anche per Novionensis uno dei tanti esempi è in un manoscritto del 1190 pubblicato in Martin Marville, Trosly-Loire ou le Trosly des Conciles, Typographie D. Andrieux, Noyon, 1869, p. 2365.

Quanto fin qui detto basta ed avanza per affermare che lo scorcio paesaggistico raffigurato è proprio una veduta di Noyon. La posizione della didascalia appare anomala, ma, d’altra parte, non poteva essere collocata in posizione diversa, come le altre che si leggono ai piedi del santo, le cui caratteristiche grafologiche non appaiono perfettamente compatibili con quelle della didascalia della veduta.6

È d’obbligo, giunti a questo punto, chiedersi se la rappresentazione è di fantasia o se il D’Orlando s’ispirò a qualche modello e, presumibilmente, a quale. Abbiamo condotto la ricerca su due filoni. quello delle opere pittoriche e quello delle opere a stampa cronologicamente compatibili con il pittore, tali, cioè, che potesse averle conosciute personalmente. Il primo non ha dato alcun esito (nel senso che non siamo riusciti a reperire neppure un dipinto raffigurante Noyon), le cose sono andate un po’ meglio con il secondo, che ci ha offerto i documenti che di seguito riproduciamo, lasciando, comunque, ad altri più esperti il giudizio di probabile plausibilità di rapporto con la veduta neretina.

Cominciamo con un’incisione di Joachim Duwiert (1580 circa-1648), del 1611, pubblicata in Alfred Pontieux, L’Ancien Noyon, A. Sevin & C., Chauny, 1912.

La seconda incisione è di Claude Chastillon (1559/1560-1616), topografo reale dal 1592.  Le sue incisioni sono custodite in parecchi musei prevalentemente francesi; questa fu pure pubblicata postuma, insieme con altre tavole, in Topographie françoise ou représentation de plusieurs villes, bourgs, chasteaux, maisons de plaisance, ruines et vestiges d’antiquitez du royaume de France, designez par dessunst Claude Chastillon et mise en lumière par Jean Boisseau, Paris, 1641. Di seguito il frontespizio e la tavola che ci interessa.

Dello stesso incisore è conservata a Noyon nel Musée Jean Calvin un’altra veduta.

Riportiamo, infine, per completezza documentaria un’ultima tavola, anonima, la cui data di pubblicazione non sembrerebbe compatibile con il D’Orlando. Tuttavia va detto che nulla esclude che detta tavola sia stata pubblicata sciolta precedentemente. È inserita in Les plans et profils de toutes principales villes et lieux considerables de France, Sebastien Cramoysi, Paris, 1638.

______________

1 Pubblicato in Decor Carmeli.Il convento, la chiesa e la confraternita del Carmine di Nardò, Mario Congedo editore, Galatina, 2017, pp. 147-150.

2 M. Cesari in La Puglia il manierismo e la controriforma, a cura di Antonio Cassiano – Fabrizio Vona, Congedo, Galatina 2013, p. 255 la riporta, ma legge IMBELGI, ipotizzando che si tratti di una veduta di Nardò.

3 Hunc vitae canonem sequebantur olim Hospitalariae Parisiis et Noviomi in Francia … (Seguivano un tempo questo canone di vita le Ospitaliere a Parigi ed a Noyon in Francia).

4 Intereà decedente Achario Episcopo urbis Noviomae, ad Episcopatum eiusdem urbis venerabilis vir Mummolinus provehitur … (Frattanto alla morte di Acario vescovo della città di Noyon diventa vescovo della medesiuma città il venerabile uomo Mummolino …). Noviomae è genitivo di Novioma e, come giustamente fa notare in nota il curatore, Mummolino non subentrò ad Acario ma proprio ad Eligio, il futuro santo.

5 … ecclesie beate Marie Noviomensis … ( … alla chiesa della beata Maria di Noyon …).

6 Le tre didascalie del bordo inferiore sono prive di riquadri iconologici di riferimento e sono ancora visibili perfettamente le linee-guida.

Nella prima si legge: TRONCATI LI PIEDI DI QUATRO CAVALLI,/[LA] BENEDITIONE LI FÈ SANI; segue un segno interpretabile come un adattamento rettilineo del lau buru (la croce basca), un altro che raffigura un animale (si direbbe un cane) e un altro ancora, articolato in due elementi, di problematica lettura, anche se ci potrebbe essere una valenza araldica. Tuttavia non è da escludere che la sua funzione sia puramente decorativa e che i segni finali delle due altre didascaklie ne rappresentino la progressiva semplificazione. Nella seconda: S. ELIGIO, FÀ TRONCARE IL PIEDE D’UN CAVALLO DEL RÈ DAL/MINISCALCO, CH’ERA FEROCISSIMO LO FÈ SANO ET HUMILE; segue un segno per il quale vedi la precedente didascalia. Nella terza: S. ELIGIO, PREGATO DA MOLTI MASSARI, ET MOLI/SANITÀ AL LOR BESTIAME; segue un segno che appare come l’estrema semplificazione di quello finale della prima didascalia; MOLI e lo spazio libero all’inizio di quest’ultima’ultima didascalia potrebbe essere un indizio, più che della mutilazione, dell’incompiutezza dell’opera.

  Pubblicato nel volume “Decor Carmeli”:

http://www.fondazioneterradotranto.it/2017/07/13/decor-carmeli-convento-la-chiesa-la-confraternita-del-carmine-nardo/

#Armando Polito #chiesa del Carmine di Nardò #Claude Chastillon #Donato Antonio d'Orlando #Joachim Duwiert #Marcello Gaballo #Musée Jean Calvin #Neritonensis #Noviomensis #Noyon #pittura in Terra d'Otranto #Miscellanea #Spigolature Salentine